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#and neil was never allowed to do that
theseyellowdays · 4 months
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One thing I genuinely think the fandom forgets or underestimates is just how weird Neil is. Like we paint him to be this carismatic, flashy, cocky bad boy, but in reality he's stingy, skittish, balks at anything more personal then his thoughts on Exy and Cannot for the life of him socialize. Like in the Raven King, right after Seth dies, he straight up goes:
"Neil had to patch things up with [Allison] somehow, but he didn't know where to start. He'd never been good at winning people over. Someone like Allison wasn't likely to be his first success. "
Neil's spent his life living on the outskirts of "average" life. Ergo, he's cagey and flighty and so far removed from normal that even among the Foxes he'll always be a little unpredictable and odd. And you know what, good for him; we all deserve an antisocial introverted asshole to raly behind.
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boylikeanangel · 9 months
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good omens season 2 has actually set me back 5 years in my character development it's so FUCKING EMBARRASSINGGGGGG. I am getting an ineffable husbands tattoo. michael sheen's character in bright young things is my gender role model again. I listen exclusively to hozier now. it's literally summer 2019 again history's always repeating itself and I am never ever ever ever beating the cringe allegations !!!!!!!!!
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momofmysquad · 8 days
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I can't stop thinking about how for Neil exy is a means of living. He used to just survive on the run but his love of exy gave him a reason to live and to fight instead of just staying on the run until he died. But for Jean exy has always just been a means of survival and always will be. Since Jean was 14 his ability to play exy has been the only thing preventing him from being killed and it will be like that until he retires. Jean doesn't like exy, but he has to play it because it is the only part of him that the Moriyamas see value in. And yes, it is also the only part of Neil and Kevin that the moriyamas see value in, but they love exy. Neil risked his life to join the foxes because he loved exy and Kevin relearned the sport because he refused to not play it. But Jean only knows exy and doesn't love exy. Neil made a deal deciding Jean's fate. Jean described the deal as a pretty cage and that is exactly what it is to him. For Neil and Kevin, exy has meant freedom but for Jean it will always be a prison.
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ickypuppi3 · 1 year
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billy saving up after graduation, working hard at the pool and taking on any extra shifts when they come up, getting his stuff together and slowly packing it all into his car so neil won’t notice
billy sitting in the drivers seat of the camaro the day after his 18th birthday, hands gripping the wheel as he stares at the house, thinking about everything that lead up to this very moment
billy staring until the house goes blurry and he feels like he can’t breathe, sitting there in his car, keys lying on the passenger seat
neil finding billy sitting on his bed that evening staring blankly at the wall, cigarette in his mouth, beer can clutched in his hand and all of his stuff scattered around the room
neil telling billy to get his shit together and tidy up before slamming the door behind him, billy barely even flinching, not reacting, just staring
billy not leaving
because he can’t
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rekikiri · 11 months
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fics where andrew breaks up with neil after graduation bother me so much
like the reasoning is almost always that it felt too good to be true / he wanted to leave before neil could leave him
BUT LIKE
neil has promised for YEARS that he’d stay, he’d have 3 years of dating to show how devoted he is to andrew and cares about him
even before they were together they made a deal to try to keep neil at PSU. they heal and work on boundaries and break down walls for four years, he made it clear he wasn’t letting neil go anywhere when he told Neil to stay and not go into witsec, and forced the FBI to take him with Neil for the interrogation because he didn’t trust them to give him back. he broke the deal he made to keep his brother FOR NEIL
and you’re going to say that he just. leaves him after all of that?? I could literally never see him doing that after all the hard work he put into making neil stay
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cursemewithyourkiss · 11 months
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I'm absolutely baffled every time I see people acting like Neil Gaiman is an asshole over Good Omens or anything because while I'm not a particular fan of the guy I always feel like he's really respectful towards fans???
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dayurno · 2 months
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To me ideal kidnap situation would Kevin and Neil (in a semi non violent aiming for the ramson scenario). Neil who has actual torture experience and does not shut up vs Kevin who is trying to get a good grade at being kidnapped. The kidnappers will be lucky if the police arrives before Andrew does.
i adore you people i truly do where else am i going to get an ask that starts so earnestly with “to me the ideal kidnap situation is…” SERIOUSLY. i feel like anyone who has motivation to kidnap kevin would probably not have it to kidnap neil just because the way i see it who kevin’s at risk of getting kidnapped by is stalkers or raven cultists (either fans or athletes themselves) who would ultimately not really care much for neil. BUT after neil’s dad kicks the bucket and neil tells the fbi everything he knows i do think neil would be put under an IMMENSE target for being a tattletale, and that would be a genuine concern of the moriyamas because his death would be an investment lost
to me the ideal (and funniest) situation is someone trying to kidnap neil and accidentally taking kevin along without recognizing him. can you imagine? you’re here for some fucked up kid of the butcher who put your entire livelihood as a criminal in danger and you happen to accidentally take a FAMOUS ATHLETE along. you were already wrong thinking no one would notice neil’s disappearance and now you have to deal with kevin day’s face blasted on the news everywhere because he went missing. like it’s seriously ridiculous. i think this kidnapper would probably just kill them and be done with it if i’m honest but since we’re having fun i will say that this person will dream of carcerary life if they ever encounter andrew minyard. kevin and neil get saved by moriyama agents eventually but kevin is never getting out of his house again
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clumsycapitolunicorn · 9 months
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neil-gaiman · 3 days
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Hi Neil,
I write to you because I find myself without answers, and who better to turn to than you, the person who has arguably raised the most questions in my life due to your lovely stories.
I currently live with my dad and step mother, his two sons (my brothers) and her two children. There are a lot of us in one space right now and it’s safe to say we don’t get along very well.
Getting to the point, I want to live on my own. I have the means to do so (hypothetically). I have a job and a car and savings put back, but up until recently it hadn’t occurred to me that leaving was an option. I always thought it wasn’t allowed for some reason. That there would be consequences for revoking my presence from them like I’m their favorite toy instead of a person.
The fear, I suppose, is that they won’t forgive me for leaving. That I’ll leave and fail somehow. That I won’t be able to come back from the hubris that is thinking I could do things on my own. Truly though, the real danger is that I’ll never be in a place where I can be myself without some all consuming guilt gnawing at my stomach.
The question is whether or not to deal with the current circumstances or risk losing everything for the chance at success.
Can you get the things you want and keep the things you have?
Sincerely, a huge fan wishing they had a beloved Bentley to live in and offering condolences for the rant.
As a parent, you are doing your job when your children leave the nest and become independent. It means you did something right.
As a child, it's always scary to leave. But it's necessary. You aren't punishing the people you are leaving. You are beginning your journey to independence.
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justporo · 6 months
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Who's the goose... (1)
Finally having arrived in Baldur's Gate, Astarion finds the wrong pocket to pick - and gets turned into a goose as punishement. Peace was never an option.
PART 2 | MASTERLIST | AO3
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Author's Note: This might as well have been the stupidest idea I've ever had but I couldn't get it out of my head, so here we are. Thanks for input and giving me some more stupid ideas for this to my bf, @tatterings, @bearhugsandshrugs and @the-littlest-raindrop and @megschaef98 for already cackling about it (and everyone else on that server for your love and support!); ah also Neil Newbon for coming up with this... The wonderful little doodle is once more done by the lovely @azaani-art!
Pairing: Uhm, Goosetarion(Astarion)/GN!Tav (You)
Rating: Stupid
Warnings: goose? (I'm sorry, I'm really just running with the bit by now...)
Wordcount: 3,7k
~~~
A goose sat in front of you all.
And it looked weirdly humanoid how it sat there: tiny rubbery legs stretched out in front of it and the wings too – as if it didn’t know how to properly move or place them.
The goose’s head turned around on the long neck to look at you and your companions out of its small red button eyes. The feathers on top of its head were a bit ruffled and almost gave it the look of having a flurry of white curls right there.
It lifted its stretched out wings a little. Looked at them one after another and made a small croaking noise as it did so.
That made it shut its beak again and snap its red gaze back to you.
You looked down at the goose in shock. The goose looked at you with what you presumed was shock too.
And then it opened its beak wide and started wailing with loud honks, as loud as its avian lungs would allow.
The party had finally arrived at Baldur’s Gate. And then had quickly realised that none of you had really an idea where to start your investigation. So, you had taken to walk around the Lower City and just casually ask around to find out more about what seemed to be going on in the city – especially with this Lord Enver Gortash and his newly established Steel Watch.
The day had been long and exhausting. You all kind of had forgotten how a day without a battle, killing and mortal peril was spent – just walking around in the city, engaging in inconspicuous small talk and trying not to lose your mind by getting nowhere with it – what could possibly be more dreadful than that?
Morale had already been low since the start. Halsin had very obviously been a bit unsettled by the big, bustling city, no matter how much he had tried to hide it. Jaheira had just stoically taken in the city and what had changed since she had last been there. Lae’zel had basically been gnawing on your ears with her complaints of how stupid your approach of talking to people was. That in turn had made Shadowheart almost want to choke her (again). And Wyll had become awfully silent since you’d entered the city – too much was weighing on his mind. Gale was just sad.
Karlach probably was the only one in quite the happy mood: since it’s been a very long time for her since she’s actually been to Baldur’s Gate she was just amazed by everything she saw. And she promptly called that out. Every. Single. Thing. So really not doing anything to help with the low mood of the group.
You had just tried to make the best out of it although you certainly had had to admit to yourself that the missing success of your day had been weighing on you also. But you had tried to be stubborn about it.
Astarion had walked by your side the whole day, surprisingly diligent on his part. You had felt that he was tense – as could have been expected upon entering the lair of his master again. But he had really tried to support you with your current goals – and you were absolutely thankful for that.
But as the day had grown late you had felt the annoyance rise in him too, just as much as it had within you.
It had already become dark in the city. Lanterns and the pale moonlight now had been the only sources of light. You had known that the group should’ve soon gotten back to the inn to retire for the night – despite having found out nothing today.
But you had wanted to push for one last attempt - unfortunately. And when you had happened upon a rather feisty older fellow, Astarion’s thin-stretched patience had finally snapped.
After you had tried to talk to this guy and he had only kept answering in riddles, you had been about to give up when you had noticed that the vampire beside you had disappeared.
You had feared nothing good from this finding and sure as all Nine Hells you had seen how Astarion had tried to sneak up on this man and pickpocket him.
And this had been, when things had really gone sideways – and then backwards; and down a hill.
With Astarion’s hands still in his robe the man had turned around to the vampire and looked him straight in the eye: “What do you think you’re doing there, young man?” He hadn’t even sounded awfully angry, rather a bit amused.
Astarion had simply blinked at him, absolutely dumbfounded that he had so easily been found out. The guy had watched him for a second longer with a small, suppressed smile playing on his lips and then started to whisper as an ominous purple glow had started to emit from him.
The vampire had hastily tried to scurry back, but it was already too late. An explosion of purple light had blinded you all and made you turn away with groans.
And when you had turned around again, both men standing there had been gone, only a single goose left in their place that had looked dazed and very out of place.
So here you were now: with a vampire turned into a screaming goose.
You really didn’t know if you wanted to laugh or cry – probably both. The wailing from polymorphed Astarion was ringing in your ears. Gods, geese could be really loud, couldn’t they?
You looked around your group of friends in desperate need for help.
Karlach had completely lost it, almost doubled over on the cobblestone street. Even Lae’zel bit her bottom lip in an attempt to not burst out laughing, covering half her face with one of her hands. But most of your other companions just looked as shocked and surprised as you.
Gale had his hand on his chin and was obviously very deep in thought – surely, he was already figuring something out to fix this mess. At least you immediately deeply hoped for it.
For a moment you just stood there. Warm, orange light from some nearby windows was lighting the absurd scene. The goose’s wailing drifted to the background for a few moments as your vision blurred and your gaze wandered miles away.
How exactly had you ended up in this ridiculous situation? Out of everything, how had all the steps you had taken led you to this night where your already traumatised soulmate had been turned into poultry and was now shouting the whole city down? Didn’t you have enough on your godsdamned plate already? Would the damned gods ever give you a break?
Your eyes started to burn and water as you stared into the void. You really couldn’t take much more.
But how many times had you been at this point? Too many already anyways.
So, you did, what you always did: took a deep breath, closed your eyes for a hot second, pressed your fingers to the bridge of your nose and tried to focus your thoughts again.
You’d find a way out of this and if not… Well, you’d find a way to live with Astarion as a goose, for better or for worse.
When you focused again on the scene, you saw how Halsin was slowly approaching the goose that was Astarion and was still honking as if his life depended on it – and maybe it did, who knew? Gale was whispering an incantation and focusing on the goose. The rest was just still standing around with quizzical looks on their faces or casually losing it and losing their last shreds of sanity.
Halsin had almost reached the crying bird, all the while softly mumbling calming words to Astarion. The druid stretched out his arms as if he planned to pick up the still screaming animal.
But just before he could reach it, Astarion saw it coming, stopped his whining and jumped up with fluttering wings. With a quickness that would have been astounding for such an animal, had you not known that it was normally a dexterous rogue, the goose got up from its awkward sitting position and snapped at the fingers of the druid. Halsin immediately recoiled and looked a little hurt.
Astarion was flaring his big white wings now – lifting them up and his long goose neck stretched out, ready to snap again at anyone that tried to touch him. At least he had stopped honking now and was just swaying his head around at all of you standing around him in a loose half circle – ready to fight anyone who would dare touch a single feather on his head.
“Astarion?”, you asked cautiously, fearing that the transmutation hadn’t altered the vampire’s mind as well. The goose immediately turned to you, a small and much more silent honk left its throat. Its wings lowered a little as soon as it heard your voice. “I know this will sound stupid given the situation, but uh, please try to calm down?”, you asked him and made a grimace while you helplessly stretched out your arms to him, bending your knees.
Astarion honked once more in a clearly annoyed tone and let his wings sink fully as if he was letting his shoulders drop in defeat.
“I’m sorry”, you whispered and felt a wave of sadness wash over you. Meanwhile the others had started to get out of their stupor or calmed themselves from their laughter. Everyone stayed clear of the clearly readily violent goose though.
You crouched down fully and stretched out your arms even more towards the animal that kept watching you intently. With no more words or honks, the goose settled down its wings and carefully waddled over to you and your opened arms.
Once Astarion was very close you couldn’t help yourself but go to your knees and reach out both your arms wider for the animal – ready to give it a hug. Astarion slowly stepped into them and you carefully wrapped your arms around the goose as it made a small honk. It sounded pretty sad and helpless and you could suddenly feel tears well up in your eyes.
You held the much smaller animal. The feathers were surprisingly soft and Astarion carefully placed his small goose head on your shoulder with another quiet honk. It was so light you could barely feel it at all resting there.
The mood in the group had suddenly soured watching you take your partner in your arms – no matter the actual ridiculousness of the situation.
You held the goose and petted it softly, until Gale interrupted the awkward silence with an exclamation.
“Aha”, the wizard made and came back out of his trancelike concentration. He looked around in some confusion as everyone watched the tragic scene of you sadly hugging the poor animal that had awkwardly stretched out its wings a little to return the sentiment – it hadn’t really worked well.
“Uhm”, Gale made and then cleared his throat to catch everyone’s attention. The group just looked at him in silence.
“By the gods, what is with the sudden graveyard atmosphere? You all do realise Astarion is not de- I mean…”, he started sassily and interrupted himself when he realised his mistake. And before he could start again, the bird in your arms had started writhing and honking again. Obviously, Astarion had opinions on not getting the same kind of compassion from Gale as from the others now.
He tried to break free from your arms, but you held him easily – he was just… a goose after all. Although, you got whacked in the face by his wings several times. “Astarion!”, you scolded him. “I really don’t think you’re in a position to be feisty right now. And I’m pretty sure he has something to share that will help about the situation you are in. And might I add, the situation you put yourself in on your own!” A bit of anger welled up in you at the vampire and his godsdamned shenanigans that had landed you all in this mess now. Also his audacity to still be sassy about it – not even being turned into a featherball could stop him from that, it seemed.
The goose calmed down, reluctantly. Its beak was still open as it stared at the wizard – probably the equivalent of the vampire baring his teeth at him. You carefully let him go and just sat down backwards on the ground. You could use it right now.
“Now, if we’re not in a poultry house anymore”, Gale continued cheerily and gave the present poultry a death glare. The goose gave a very slight hiss – at least he had retained that capability.
You waved Gale to please go on.
“Alright, it’s – as you might’ve figured already – a transmutation spell. And might I add a mighty one. I really have no idea who that fellow was, but it surely was the wrong pocket to pick, Astarion – or might I say Goosetarion”, the wizard explained in his scholarly manor and wiggled a finger at the goose while grinning – earning himself another hiss. At least someone present seemed intrigued about the whole situation.
Hearing that it was a mighty spell already let your heart sink. But Gale went on and everyone just listened intently: “The good news is though: transmutations spells can’t be held for overly long. So, I’d say we’re back with our sassy humanoid companion in about…” Gale drew out his words as everyone hung on his lips.
“I’d say twenty-four hours at the latest.”
“TWENTY-FOUR HOURS”, came back the answer in unison from almost all the companions – and a mournful honk. Your mouth fell open but honestly you were immediately flooded with relief that you wouldn’t have to spend the rest of your life with a goose – although you would have committed to that.
“Tchk, and what are we going to do with him in the meantime? Walk him around on a leash? We can’t waste any time!”, Lae’zel commented. Karlach started to snicker again, and so did Shadowheart and Wyll around her.
Goosetarion small red eyes flashed viciously and he quickly lashed out at her like he had at Halsin before, aiming for the githyanki ankle. But Lae’zel had the upper hand and quickly pushed him away with her foot – not exactly kicking him but not exactly being gentle either.
The goose landed ungracefully on its back, legs flailing in the air while it kept complaining and trying to get up again.
“Lae’zel”, you shouted but she simply shrugged at you.
“Well, what else are we going to do? Tomorrow will just be another day of walking around the city trying to gather more information. What harm can it be then? Also, it’s not like we could just leave him here anywhere anyway. Beastly as he is, but he’s still only a goose now, we need to protect him”, Wyll chimed in sympathetically. You nodded your head in agreement and the others muttered their agreement, although some just a tad reluctantly.
Goosetarion in the meanwhile had waddled back over to you to be embraced again, head hanging slightly, doing his best to look like… well, a kicked goose.
You softly stroked his long feathery neck and noticed to your amusement that his rump started to wiggle when you did that. It surely seemed he wasn’t aware that he was doing that. You couldn’t hide a grin and you saw that Halsin grinned at you and the goose too.
“Can we just go back to the inn then? It’s already super late and my feet hurt”, Shadowheart added after it had been settled. Everyone hummed in exhausted agreement.
And so you went on your way. You softly got up from your seat on the cobble road while the goose complained about the lack of caressing happening. You stretched your back and watched after your friends that had already started to walk back towards your location for the night.
“Want me to carry you?”, you asked looking down at the goose and stretched out your arms again. But Goosetarion gave a curt honk and stretched his long neck away from you in an offended manner, then started to waddle after the others.
Now that you knew that he would hopefully be back to his normal humanoid self very soon, the humorous nature of the situation wasn’t as lost on you anymore. The way the goose wiggled its whole torso around while trying to catch up with the others was a sight to behold. Especially if you compared it with Astarion’s usual feline grace. And yet he was way too proud to just accept help.
You snorted and started to follow behind Goosetarion. He heard that and swung his head around while he kept walking, making him look even more ridiculous. You snorted more. And were pretty sure you could see the small red eyes scream bloody murder at you for mocking him.
But Astarion was way too focused and needed all his energy to keep up. Occasionally, he even had to break into a sprint – almost tripping over his rubbery feet and spreading out his wings to not lose balance. It was truly hilarious.
Some idle chatter developed between the companions and you on the way back. And of course, Goosetarion was the subject matter.
“Is there nothing you can do before the spell runs out?”, you asked Gale at some point while you were careful to walk exactly by the goose to offer at least a little protection.
“Oh, believe me, I would if I could – although I have to say I’m enjoying this situation a little bit-“ (“HONK!”) “ but it is, as I pointed out before, a pretty powerful spell. And if I started to fumble with it I might make it worse and-“ (“Honk…”) “- and I guess you’d rather have him back in one piece”, Gale ended and ignored the bickering animal between him and you. You nodded in agreement with the wizard – seemed your safest bet would be to just sit this one out.
“Looks like until tomorrow you’re just going to be a silly little goose then, aren’t you, Asta-OWW!” That had been a line crossed for Goosetarion. And other than Halsin and Lae’zel, the wizard surely was not quick enough to avoid the rogue goose’s vicious attack on his ankles. Gale awkwardly tried to kick at the goose but Goosetarion had learnt from the last time and quickly ducked out of the way, rushing around you so he could hide behind your legs.
“You had that one coming”, you mumbled under your breath as Gale looked at you hurt. He walked a little faster then, trying to steer clear from the murderous bird and engaged others in conversation. Goosetarion waddled through your legs so he was walking in front of you again although you noticed that he was clearly starting to struggle
“And couldn’t you not just at least cast “Speak with animals” or something?”, Karlach took up the conversation about Goosetarion’s fate. You hadn’t even thought of that so far. You had just been too occupied with the situation as a whole. You simply shrugged because you had absolutely no idea.
“But he is not an animal”, Jaheira replied to Karlach’s suggestion in her matter-of-fact demeanor from in front of you. Halsin beside her nodded silently. “He is still his vampiric elven self, just temporarily in another form. Even if Halsin or I wildshaped into geese we would not be able to speak with him because we are at least partly beast when we turn”, the infamous druid added to her explanation. “As far as I know there is no spell to work in this situation. But quite frankly maybe we could all do without his yapping for at least a day and he learns a lesson about all of this”, she finished and gave the goose a stern look.
Goosetarion stopped and made another rather sad honk. He really must have been having the worst and most humbling of times.
You stopped just behind the goose: “I’m sure she didn’t mean it.” The look Jaheira gave you made sure though that she absolutely did, but you brushed over it. You held out your arms to the goose again. However, Goosetarion again just waddled off on his own.
But the way to the inn was long and the goose was soon almost completely exhausted, probably amplified by not being used to moving around like that. At some point, when you had already slid out of all the other conversations and were just deep in your thoughts, you were stopped by another soft honk just below you.
Astarion stood before you and had spread his wings towards you, neck craned up towards you. It again looked weirdly humanoid with the way he moved and behaved. When you didn’t immediately react because you were really just very exhausted and didn’t catch on, the goose started to kind of hop in place and honked again.
“Oh, you want to be picked up! Sorry”, you replied and bent down to awkwardly grab the animal.
After some wriggling around and Astarion’s earnest tries to not writhe around too much in your arms, you were able to lift him up. He was stretching his neck and small feet out and made small noises that made you think that he wasn’t quite very comfortable with what was happening. But he gave his best to cope.
Once you kind of had him settled down on your hip, one arm around him and one under him to support him, he seemed to be considerably more comfortable, better even. When you had caught up to the others again and Gale sassily lifted an eyebrow at the goose now being carried around, Astarion made full use of his long neck to peck at the wizard’s sleeve.
Gale squealed again – much to the amusement of the rest of the group and made sure to keep even more distance from the goose. Goosetarion gave a contented honk then and refrained from biting anyone else for the rest of the way.
You were still laughing softly with the others, when the inn came into view. At least you hadn’t lost your humour so far.
(To be continued...)
~~~
Taglist: @spacebarbarianweird @sunfire-ancunin @tragedybunny @dependsonthedream @tallymonster @magazzne @micropoe10 @aoirohi @my-bunny-prince @lumienyx @fayeriess @bloopthebat @dark-star-exe
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ao3commentoftheday · 1 month
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I’m thinking about perfectionism again, specifically with respect to how it can skew your opinion of success and failure.
There’s this concept that comes up a lot when you read about issues like perfectionism: all-or-nothing thinking. It’s a trap that’s easy to fall into.
If you’re a fic writer falling into this trap, you might feel like you’re an absolute failure if your fic isn’t a 100% accurate depiction of the scene you see in your head with flawless grammar and zero typos. That is a, quite literally, impossible standard to meet and as a result of never meeting it, you probably feel one or more of the following:
lack of motivation
certainty that there’s no point in even trying
self-hatred or some other form of intense dissatisfaction with yourself and/or your skills
This is a completely logical way to feel in that mindset, by the way. Your standard for success is so high that you’re constantly a failure. If your standard for success is impossible to meet, then there is no point in trying. If there’s no point in trying, how could you possibly feel motivated?
In order to move away from those feelings, you need to move away from that all-or-nothing, black & white mindset.
One way to do this is by figuring out a new standard for success that actually can be achieved. For example, give yourself permission to have occasional typos in your stories. Gaiman’s Law states that an author will always find a typo the first time they open their published book. If even Neil himself has resigned himself to this fate, then hopefully you can too. If you managed to write your story then that’s a success and finding a typo after you’re done doesn’t turn that success into a failure.
Another thing that’s helped me is to think of every failure or mistake or dissatisfying result as a learning opportunity. If I’m not able to do something now, that doesn’t mean I won’t be able to do it at some point in the future. I just need to keep trying. Practice makes better. Practice also helps you figure out the things that are easy for you and the bits that are hard and where you might need some help - either from a fellow fan or from another kind of resource.
I think part of the reason why people can get so anxious about their fanworks is because we care so much about them. We love the characters. We love the world. We want to do them justice in our writing, and we want other fans to love our creations too.
It’s important to remember that all of us love imperfect things all the time. It’s not perfection that makes a thing lovable. It’s the heart that’s put into it.
There’s a lot of fear behind perfectionism. Fear of being caught doing something wrong. Fear of being shamed for a mistake. Fear that imperfection makes us unworthy or unlovable. Fear that a single flaw will ruin an entire work. Fear of failure.
If you want to be able to move through that fear, you need to be able to reduce it somehow. The most effective way that I’ve found is to stop writing with the goal of posting something online. Write for the sake of writing, without the pressure of showing it to someone else. That might help you to get out a first draft (or second or third) without that worry about being judged and found wanting.
If you’re not ready for positive self-talk or reframing the internal narrative (I get it. Been there.) then allowing yourself to be less than perfect in a place where no one else can see you might be a good first step.
And just because I think it’s important that you hear it from time to time: you are a wonderful, creative, amazing human being - mistakes included.
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glitteryinknotes · 6 months
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There is a level of deep, bitterly poetic and cruel irony in Astarion's death and his eventual fate as a vampire spawn. Laughable, even. Lamentable.
Where do I even begin. I once posted here my thoughts on who Astarion was before Cazador took him; and all my thoughts were based on what we can assume to be canon from scraps on information in - game and interviews with Neil. That Astarion Ancunin who was laid into the ground at Baldur's Gate cementary was a corrupt magistrate, a shining example of power abuse, indulgence, hedony, existence in privilege without any service to the world around.
We also know for a fact that Astarion is not a good person in a moral sense. Again, Neil Newbon himself talked about it. He has capability to grow, mature, open himself up, soak in the positive influence and feel for others, but he never will be the default upstanding type. That is simply not at his core.
This is why (I am aware we're talking a fictional character, headcanon is free to all in whichever way they think it suits and pleases them) I cannot for the world believe in all the fanfiction based on the notion of the tragic, tortured soul unjustly attacked and turned into a vampire, because to me - it misses the entire depth and essence of Astarion's personality and arc. He was not a "worthy" persona before Cazador; in fact, the beating he got from the Gur was well - deserved and the near - death experience... Probably so as well. Maybe if anything, this would open his eyes and force him to reflect at least a bit on his choices in the position he was occupying. (But given that he mentions begging Cazador to turn him to be able to take revenge, I highly doubt that.) So yeah... The man got what was coming to him. He deserved it.
But what he got in the end once Cazador allowed him to drink his blood and had him in his hold? Two hundred years of misery and abuse beyond description, being completely stripped of any identity and personhood? No one deserves that. Such fate should not be thrust upon anyone. Ever.
It is the cruellest, most wicked twist of fate that it took that kind of ordeal to change a corrupt little elf's view of the world and force him to even acknowledge the existence of evil deeds and abuse of power - something I am quite sure he never gave any thought to before. It took being transformed into an utterly helpless victim to make him truly see that there is good and bad and perpetuating the bad leads to pain and misery for the innocents (and you can never be sure if not for you as well), and only then, at his most pathetic, most vulnerable, after centuries of torment, it took meeting, trusting, admiring, being grateful to, befriending / loving and being influenced by a genuinely good and kind person (probably the exact opposite of who he was before) to shake and cause some shift in his inner moral compass, or rather the way he was choosing to use it. The full circle, a poignant, unwilling journey from the one abusing power, to the enslaved puppet of someone with considerably more power abusing it in the most inhuman ways possible, and this time to his own woe, to the one person able to break the abusive cycle given the right influence.
Isn't that simply poetic in the most sickly sense? A tragicomedy, if you will.
Forget about Astarion Ancunin. The grave was good for lovemaking and sharing an important moment, but whoever was laid there was not anyone worthy of your time (just like "Ascended Astarion" )The one who stands by your side now is. Your Astarion. The new Astarion, the same "lovable rogue" with a taste for theatrics, drama, debauchery, beauty, murder mayhem and loose morality, but - a better person all the same.
[follow up post here
https://www.tumblr.com/glitteryinknotes/733162725841289216/a-little-follow-up-to-my-previous-post?source=share]
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alargehunkofdebris · 9 months
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Aziraphale’s reaction to the kiss: A Breakdown (that’s it that’s the reaction.)
A lot of people say that this anguish Aziraphale feels after the kiss is due to this feeling of “Why now? Why didn’t you do this before, when I wanted you to?” And I think that can be part of it, for sure. But man, that’s just one part of this gigantic, writhing ball of emotions in Aziraphale in that moment, all of them fighting each other, all of them painful. I’m going to breakdown the breakdown, because writing essays analyzing the minds of fictional characters is apparently all I want to do these days. Also, judging by this absolute nutball of a season that confirmed literally multiple “bit of a stretch” deep dives, I feel I can ignore that little voice whispering “this is silly” into my ear. I can dive as deep as I want, because there goes Neil Gaiman with an aqualung, swimming deeper.  
So. The kiss, and why Aziraphale looks so gosh darned sad about it. 
First of all, there’s shock. Major shock. Because despite everything, he still likely never thought this would ever actually happen. (Him and me both.) Or maybe – a small maybe, but a maybe that I might put a dollar on, if the odds were good – the idea of kissing Crowley never occurred to his conscious brain before at all. He’s so good at compartmentalizing and denying that it’s very possible he’s managed to nip every intrusive thought before it went far enough to be fully conscious.
Then, there’s fear of being seen. (“Who is watching? Will the Metatron see? He only allowed me to work with Crowley after he regained angelic status – if he sees me and Crowley now –”) Then, a layer deeper, there’s his ever-present fear response to things going too fast, because despite how we all know he feels, he’s still not sure he’s ready for any kind of partnership, let alone one this intimate and close. Because even for humans, this is a really, really big jump – we typically don’t kiss when we haven’t even been on a date (officially) yet, and usually not before both parties admit to their feelings.
Then, even deeper, is that anguished, heartbroken “Why now? My God, why now?” response, because his subconscious has always wanted this, but also knows that this is the worst possible time for it to happen, and now he’s lost that first kiss with Crowley—the one he wanted, anyway. The one that was supposed to be filled with joy, and is instead marked with the worst pain he’s ever felt.
Then there’s the second “Why now” response, and this is where I might be dipping a toe into the Hot Take puddle. Because I think there’s that knee-jerk fear response he’s yet to shake, and which overtakes his rational thinking whenever he’s terrified of Heaven or unsure of himself. It’s the suspicion he’s always held of Crowley. He’s thinking “Why now?” as in, “Is this the temptation that God and Heaven warned me about? Is this Crowley the Serpent, fulfilling his duty? Is this the true proffered apple, a kiss that’s meant to keep me from serving Heaven? Is he tempting me, knowing how I feel, knowing I’m weak?”
That’s the true anguish of this scene, I think. He’s fighting all these feelings, but on top is this old fear, this old anger and suspicion of Crowley, assuming he’s lying. Demons lie, Crowley admitted it himself. Crowley is the original Serpent of Eden, designed to tempt people away from God. And this feeling is what’s on top, because the alternative is…what? That Crowley actually feels this way? That Crowley, a demon, loves him, Aziraphale, enough to be this vulnerable, with no wicked ulterior motive? Aziraphale is a lot of things, but he’s certainly not a being who thinks he’s desirable. He sees himself as opposite to Crowley, and if Crowley is temptation personified, Aziraphale is then the personification of undesirableness. Deep down, this idea of the Serpent of Eden being tempted by him, Aziraphale, is simply ludicrous.
And then there’s self-hatred that he even thinks this thought of his friend, then suspicion, then fear again, then confusion, then anguish, then fear, then pain, and so on. All of this happens in a few seconds, and all of it coalesces into a singular takeaway: “This is the worst.” And because the one who technically caused it is Crowley, Aziraphale does what he does very well: he forgives Crowley, because he’s too prim and angelic to say “Goddamn you,” which is what he truly means. Goddamn you for making me feel this way. Goddamn you for making me doubt you. Goddamn you for forcing this option on me, when I can no longer take it, and when I don’t even know if it’s real. Goddamn you for putting this apple in my hands when we both know I can’t eat it. Goddamn you for reminding me that no matter what, it is not in my stars to live a happy life. 
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that-ineffable-devil · 9 months
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I'm processing a lot of emotions tonight and I keep being drawn back to Good Omens--not just because it's the new hyperfixation or because it's so good. That's what I thought it was, at first.
But this year--hell, the last 3 or 4 months especially, I finally started taking steps to accepting and being myself. I'm rapidly approaching middle age and I'm only just now beginning to feel like I'm allowed to be me. I came out to the people in my household, a few select friends, and a few select family members--most of whom were wholly supportive. I started testosterone injections. I stopped trying to be someone I'm not. I stopped hiding who I am and who I love.
What does this have to do with Good Omens? Nothing. But also... Everything.
So much queer representation is in characters vastly younger than me--and that's good! I want queer kids to feel safe and loved and accepted in ways I never did. They deserve better than we had. And it gives me hope for their futures. I bawled like a baby when I watched The Owl House with my son and he was totally unphazed by the queerness. It's just how people are to him.
But when something like Good Omens comes along and not only grabs every opportunity to show average, everyday old(er) queer representation... It just. I've never felt more seen. More accepted. More hope for all our futures. And season 2 just knocked that out of the fucking park. And the nonbinary, genderfluid, and genderqueer rep? My God.
And it's not subtext, it's not it's own separate plotline where they're fighting for acceptance or dealing with hateful bigotry... It's just... Accepted. It's normal. No one questions it. No one even comments on it.
It's people of any age (even millions of years old) being unapologetically themselves and loving who they love openly and fully (with one notable uncommunicative group of two ineffable idiots, but they'll get there).
I just.
I can't express how grateful I am to see older queer rep at this time in my life. It's been a rough year, and I expect it'll get rougher before it gets better. But I've never been happier in my own skin, and it means the absolute world to see my literary and media heroes like Neil Gaiman, David Tennant, and Michael Sheen (and Terry Pratchett and everyone who worked on Good Omens, honestly) making this beautiful, messy, adorable, excruciating, wonderful, heartbreaking, ethereal, down-to-earth tale.
There aren't enough words in all the languages of the world to express how I'm feeling. "Thank you" just feels... Insufficient.
I just hope they know how much it means to people like me, especially after a lifetime of buried subtext and overt queerbaiting and media ridicule and general lack of acceptance, to experience this story with them.
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indigovigilance · 6 months
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The Final Fifteen is about Terry Pratchett's Death
read on Ao3
The final fifteen is obviously a major plot point, and serves a role in a story that was written long before Terry Pratchett was ever diagnosed with Alzheimer’s. But the scene itself wasn’t written until just a few years ago, during the writing of Season 2. In fact, the scene came about during a park bench conversation between Neil Gaiman and John Finnemore.
Others have noted that the non-romantic kiss that signals the story moving into the third act is a Neil Gaiman staple. The function of such a kiss, from Gaiman’s perspective, is to communicate.
In 2023 we are seeing a lot of stories written by men, for men, about men who are best friends and discover that their friendship can go deeper than the norms of society would usually allow; that platonic and romantic love are not so far apart, and perhaps the better word for a relationship that can be described this way is intimacy.
Neil Gaiman has made it clear in interviews that his friendship with Terry Pratchett was deeply intimate. They began collaborating on what would become Good Omens in the 1980’s, endured a tumultuous experience together through the first publication, wherein Neil offered to martyr himself on behalf of Terry if the book failed, and then spent the better part of two decades touring the world, meeting the people who loved their work. Neil would even off-handedly remark that Terry’s fans were so cheerful, and Neil’s seemed like they were ready to kill themselves; wouldn’t it be nice if they got married? From the outside, it looks very much as if Terry was Aziraphale-coded, and Neil was Crowley-coded, working together in an unexpected partnership to make the world a little bit more tolerable for the humans inhabiting it. I am not conjecturing that Neil and Terry had romantic inclinations the way their fictional characters do, but I think it is fair to say that their opposites-attract intimacy became an important part of who each of them were.
In 2007 Terry Pratchett was diagnosed with posterior cortical atrophy, a rare form of Alzheimer’s. As the disease progressed, he began to lose himself, and knew that the person he used to be was slipping away. He wanted to end his life on his own terms, and die as himself, but England did not and still does not allow for voluntary euthanasia or assisted suicide. He advocated for the right to die but never achieved it, and ultimately succumbed to the disease in 2015. Neil Gaiman has spoken a lot on the topic of death, and one answer of his that resonated with me reads:
Mostly it feels terrible. It even feels terrible when it’s someone who has been in a lot of pain for a long time or has not really been there for a long time and you know that Death has in some ways been a blessing: suddenly you are mourning the whole person. 
It doesn’t get easier as you age. It gets stranger. The point where you realise how many people you used to know and like who aren’t there any longer, and you cannot talk to them or see them or laugh with them is painful in a way that I had never expected. The first time that someone you had a romantic relationship with dies and you realise that there had been moments both of you shared and now you are the sole custodian of those moments and one day you will be gone and they will be lost forever is peculiarly strange and hard. 
~~~
The entire show is seeded with references to Terry Pratchett, but the most important one is the one that’s missing. Neil Gaiman cameoed as a sleeping moviegoer in S1E4, but a long time ago, he and Terry had discussed cameoing as sushi restaurant-goers, because sushi was weirdly prominent in the book. That cameo would have been in S1E1. But when it came time to do it, Neil couldn’t. Not without Terry. 
Neil: I was gonna say our location is a Chinese restaurant we’d had turned into a sushi restaurant. So Terry and I, Terry Pratchett and I, had a standing… not even a standing joke, just a standing plan, that we were going to have sushi - there was going to be a scene in Good Omens where sushi was eaten and we were gonna be extras, we were gonna sit in the background, eating sushi while it was done. And I was so looking forward to this and, so I wrote this scene with it being sushi, even though Terry was gone, with that in mind and I thought: Oh, I’ll sit and I’ll eat lots of sushi as an extra, this will be my scene as an extra, I’ll just be in the background. And then, on the day, or a couple of days before, I realized that I couldn’t do it.
Douglas: You never told me this before either. I might have pushed you into doing it, had I known. I think you were right not to tell me.
Neil: I was keeping it to me self ‘cause I was always like: Oh, maybe I’ll be… this will be my cameo. And then I couldn’t. I was just so sad, ‘cause Terry wasn’t there. And it was probably the day that I missed Terry the most of all of the filming - it was just this one scene ‘cause it was written for Terry and all of the sushi meals we’d ever had and all of the strange way that sushi ran through Good Omens.
~~~
In the Final Fifteen, it is clear that Crowley and Aziraphale want to stay together. They love each other. They each know that the other loves them. There’s nothing that needs to be said, no convincing that their bond is true and real and precious.
But Aziraphale has to go to Heaven, and Crowley cannot follow him there.
I cannot speculate what it must have been like for Neil to endure losing a friend who, though I’m sure he desperately wanted to still be in his life, he also knew that life had become a burden to him, and grieved that Terry was not able to choose the time and manner of his departure from this Earth. This sort of complex grief, we fan-ficcers know, is the kind that is often best processed through story-telling. 
I think that what we see Crowley going through in the Final Fifteen, alongside its importance to the story arc of Good Omens overall, is Neil processing his grief at losing his friend Terry Pratchett, and even the kiss, that violent, terrible, awful kiss, was the symbolic representation of Neil saying goodbye.
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neilsfoxess · 6 days
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Do you ever think about no one has ever really, truly wanted Andrew for just himself and not what he could offer them?
And then Neil comes along, who literally “does not swing”, and he wants Andrew and no one else. Even if he’s never allowed to touch him, even if one day Andrew says no and never says yes again, Andrew knows that Neil will only want him not for what he’s offering but just purely for himself
Oh to be known
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