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#and i never stop thinking about jason
asininepigeon · 2 years
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You know, after watching the legend of vox machina, and becoming absolutely feral whenever percy was overtaken by vengeance and orthax came out, I've realized that I have a fucking type.
Because I automatically start thinking about how his thirst for the blood of his enemies, to hurt those who hurt him, who took everything from him, reminded me so much of Jason Todd.
Obviously they have very clear differences, but that anger, that pain, that hurt, was so recognizable in both of them. And as I realized that, I had to take a step back and be like, oh...OHH, I like them cute but a little fucked up huh.
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undertheredhood · 6 months
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the rest of the justice league: hey man, we get that he’s your son and all, but shouldn’t you do something about him?
bruce ‘that’s my precious baby boy’ wayne: i’m sorry, did you have to hold your son as he was dying in your arms? did you almost k*ll yourself trying to follow him to the afterlife? i don’t think so.
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starscour · 1 year
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winter suit jaybird
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thelilylav · 1 month
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We only see each other at funerals
(On Jason, Thalia, Nico, Bianca, and their parallels/connections)
The Titan's Curse (Rick Riordan), @/anxiousmaya_, Right Now (Gracie Abrams), The Battle of the Labyrinth (Rick Riordan), Joan of Arc (Mary Gordon), The Lost Hero (Rick Riordan), Episodes Toward and Elegy for Halley's Comet (Lindsey Drager), Jason Grace (Riordan Wiki), The Gods Show Up (Michael Kinnucan), The House of Hades (Rick Riordan), What the Living Do (Marie Howe), The House of Hades (Rick Riordan), Planet of Love (Richard Siken), The Blood of Olympus (Rick Riordan), Tangerine (Nolune), The Blood of Olympus (Rick Riordan), The Blood of Olympus (Rick Riordan), I Bet On Losing Dogs (Mitski), The Burning Maze (Rick Riordan), @/abhorarchive (Twitter), The Burning Maze (Rick Riordan), Seventeen (MARINA), The Burning Maze (Rick Riordan), @/rollercoasterwords, The Tyrant's Tomb (Rick Riordan), @/the-overanalyst, Where Things Come Back (John Corey Whaley), Grit (Silas Denver Martin), Softcore (The Neighbourhood), The Tower of Nero (Rick Riordan), Frost (Mitski), @/moonbends, I'm Your Man (Mitski), Sun Bleached Flies (Ethel Cain), The Tower of Nero (Rick Riordan), Three (Sleeping At Last), My Art
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aroaceleovaldez · 1 year
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Not to get pedantic (oh who am i kidding that’s most of this blog) but I am genuinely fascinated by the potential applications of the established canon in HoO and TOA that the gods canonically have both historic and regional forms, and can appear as specific versions of those forms and have kids of those specific forms, which influence what powers the kid has/what pantheon they fall under/etc etc (and also the implication that demigods can be born under multiple forms of a singular deity). This is somewhat backed up even earlier in the first series when we’re told that Percy has earthquake powers because of his father being Poseidon “The Earthshaker” (which is Mycenaean Poseidon) - which could also tie into why Percy generally takes leadership roles, is hopping in and out of the Underworld a lot, and is apparently particularly powerful for even just a Big 3 kid, since all that would line up with Mycenaean Poseidon being generally put at the head of the pantheon and also being a chthonic deity.
Now this gets really interesting when we start looking at deities being combined and conflated, because a.) the Romans weren’t the only ones doing that and b.) the Romans had their own gods originally, they didn’t just take the Greek ones and slap a new name on them. They merged a lot with their own preexisting deities alongside adopting worship of deities from other cultures as the Romans spread (and the Greeks also did this), and c.) the ancient Greeks and Romans did exist at the same time.
Like, we know in terms of the Greeks and Romans that if their godly parents are “equivalent” then their demigod children are siblings, just like if Greek demigods have the “same” godly parent then they are also siblings. However, very few Greco-Roman gods are one-to-one, and a lot are like three gods in a trench coat, and then if you want to get into historical forms then you can start running into weird things like “Well, if you go back far enough, these two Greek gods may have originated from the same thing-” and also if we’re talking historical forms, again, the Greeks and Romans existed at the same time! Which means there would be historic forms of godly parents that are both Greek and Roman! So like, where do we go from there? Would Hazel be equally siblings to a child of Plutus as she is to Nico because both Hades and Plutus were conflated into Pluto? Orcus was also conflated with Pluto - does that mean when Nico killed Bryce Lawrence, he was killing his half-brother? (cause then that parallels just a couple chapters later when Will faces off against Octavian-) Are there demigods who, depending on their godly parents’ form(s), are technically both a Greek and Roman demigod? If Hermes and Pan possibly originated from the same god, does that mean all the satyrs are siblings with the Hermes kids? If we want to get into all the nonsense of Dionysus’ origins and Zagreus and Hades, does that mean Nico is technically siblings with Dionysus kids? Does Dionysus joke about this during their therapy sessions? Are some demigods in certain cabins siblings with kids in other cabins but each others’ siblings aren’t siblings depending on what form their godly parents were in?
I have a headache now.
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rmbunnie · 7 days
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Red Hood Characterization
This is really long so I'm putting a cut here, I've been thinking about Jason Todd's character motivations and the question of whether or not his actions are based in a Moral Code (I don't think so, not to say he's without any morality) and I talk about that in more depth here.
I saw someone say on here that Titans: Beast World: Gotham City was some of the best Jason Todd internal writing they'd seen in a while, and I've been a Red Hood fan for 8 years or so now? pretty much since I read comics for the first time, so I went and checked out and I thought it was good! The way the person I saw talking about it as if it was rare and unusual made me wonder though, because as well-written as i thought his stances on crime were, there wasn't really anything in it that went against the way I conceptualize Jason?
This kinda plays into a larger question I've been thinking about for a while with Jason though, which is that, do people think that the killing is part of a fundamental worldview that motivates him a la batman, and that worldview is the reason he does the things he does?? Because 8 years ago i was a middle schooler engaging with fiction on the level that a middle schooler does, so I simply did not put much thought into it beyond "poor guy :(" but ever since I actually started trying to understand consistent characterization, I don't really see Jason as someone who's motivated by a moral code in his actions the way batman or superman is!
tbh my personal read is that he's a very socially-motivated guy, his actions from resurrection to his Joker-Batman ultimatum in utrh always seemed to me like every choice made leading up to his identity reveal was either a. to give him the leverage and skill necessary to pull off his identity reveal successfully, or b. to twist the knife that little bit more when he does let Bruce find out who he is. Like iirc there's a Judd Winick tweet like "yeah tldr he chose Red Hood as his identity because it's the lowest blow he could think of." And I think that's awesome, I think character motivations rooted so deeply in character's relationships and emotions are really fun to read! I also think it's where the stagnation/flatness of his character comes from in certain comics, because if his main motivation is one event in one relationship that passes, and he is not particularly attached to anything in his life or the world by the time that comes to pass, it's a little harder to come up with a direction to go with the character after that, because there isn't much of a direction that aligns with something the character would reasonably want? But I do think solving this by saying "all of the morally-off emotionally driven cruelty he did on his way to spite Batman was actually reflective of his own version of Batman's stance that's exactly the same except he thinks it's GOOD to kill people" isn't ideal. To be fully honest, it seems to me like he never particularly cared one way or the other about killing people to "clean Gotham of crime," he just did everything he could to get the power necessary to pull off his personal plans, and took out any particularly heinous people he encountered along the way (like in Lost Days.) Not to say I think the fact he killed people keeps him up at night anymore than everything else in his life events, I just never really thought he was out there wholeheartedly kneecapping some dude selling weed or random guy robbing a tv store for justice.
Looping wayyy back to my question, Is this (^) contradictory to the way he's written/the overall average perception of the character? Because like I enjoyed his writing in Beast World i have zero significant issue with anything there, I just didn't believe it would be a hot take, like yeah, that is Jason. It's been a while since I've read utrh and lost days, but I don't think my takeaway directly contradicts either of those too bad iirc. Idk all this to say I think Jason killing and being alright with killing is an obvious and objective fact, but i guess i've always seen it as more of a practical tactic than a moral belief, and I think taking the actions made during the lowest points of a character's life where he is obsessively focused on this ONEEEE thing and trying to apply it as a Motivating Stance to everything he's done after that, doesn't really follow logically for me.
#edit: i am so so open to discussion and disagreement on this but please try to have something substantial to say. god bless!#like ofc jason kills but to me it was less “everyone I've ever killed deserves death objectively”#and more “when people are dead they stop doing things like heinous atrocities and trying to kill me"#i don't even think he wanted the joker dead (only) because he thinks he objectively morally deserves death#although the joker is one of the most extreme cases possible and he if does think that he's VERY justified#i really do think it was just about bruce#and wanting bruce to avenge him to show he loved him and he mattered and wanting his dad to give him security#all the killing was about the clown and everything with the clown was about bruce#i've NEVER forgotten the bit in lost days where he has the joker tied up at gunpoint and doesn't kill him#i think if it was only about a moral greater good situation he would have taken him out then and there#if you disagree i'd love to hear why provided you can be civil and not an jerk#also if you disagree PLEASE PLEASE put screenshots and comic issues if possible#i'd love to check them out and form my own stance on them#just know that if you say like. battle for the cowl. or the Tom King batman annual or something i probably won't care too much#comic characterization is ever-changing and inconsistent i truly believe that the best thing to do is just read the important stuff#and try to form your own stances from there#because there's never gonna be 100% of comics involving a character that align with each other perfectly and that's just a given#jason todd#red hood#dc comics
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How do you feel about Jack Drake?? What are your thoughts on him and Tim’s relationship?
Anon, I hope you were interested in a novel, because look, I am fascinated by Jack Drake.  He’s key to a whole lot of what I find compelling about Tim as a character, and if I were in charge of DC, I’d bring him back to life.  This would make Tim unhappy but would IMO make for good plotlines.
Jack and Tim’s relationship is Complicated (TM)...
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Jack and Tim hug in Nightwing 20 / Jack impulsively yanks a TV out of the wall in Robin 45 / Tim grieves in Identity Crisis
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“I could tell the truth.  But I don’t.” - Robin 66
...and it involves a whole lot of Tim lying, and feeling guilty about lying, and thinking about telling the truth, and choosing again and again to keep lying.
And I think that’s great.
Below the cut:
Shorter version - key points about Jack
Really long version - my gentler take (vigilantism is choir and Jack loves sports) vs. my harsher take (Jack has some major flaws)
Final thoughts
Shorter version - key points about Jack:
He’s a bad parent.  He’s self-centered, he consistently prioritizes his own comfort and interests over his son’s, and when upset, he does things like order Tim off to boarding school.
But he’s never a bad parent in an actionable way.  He’s not like David Cain or Arthur Brown, who are abusive monsters.  Jack’s not a monster!  He just...kinda sucks.
He genuinely loves Tim. If Jack’s aware that Tim’s disappeared or is in trouble, he’s always worried and upset.  He periodically resolves to be a better dad, and IMO he’s always sincere.
And Tim loves him, a lot.  Tim’s protective of him and worries about him when he’s kidnapped or in danger, and when they’re reunited, Tim’s really relieved and usually hugs him (and Jack hugs back!). 
...But they have very little in common, and that’s a problem. Jack doesn’t value the things that Tim values, or respect the people that Tim admires, or care about the things that Tim’s interested in.  Tim lies to him a lot, but that’s partly because he correctly guesses Jack wouldn’t respond well if he knew the truth of what Tim’s up to.
The Batfamily is a surrogate family that Tim’s drawn to because of the ways his real family doesn’t meet his emotional needs…but also he feels guilty about that and disloyal. (And to the extent that his dad recognizes what’s going on, he's jealous and resentful!)
Very long version:
(LISTEN I HAVE SO MANY THOUGHTS ABOUT THIS)
Okay!  So first: Jack’s a character who IMO is pretty up for interpretation.  You can interpret him very charitably, and make excuses for the bad behavior, and fill in the blanks sympathetically when situations are ambiguous; or you can interpret him uncharitably, and emphasize the bad behavior. I don’t think either approach is invalid - it depends on what kind of story you’re interested in!  I have enjoyed Bad Dad stories and also stories that redeem Jack.
My personal take on canon is that Jack and Tim’s relationship is in a gray area.  Jack's definitely neglectful, and he does prioritize other things over Tim, but he’s never so bad that Tim can easily reject him, and he's never so bad that Bruce could justify taking Tim away.  He's just...not great.  Tim loves him, and feels loyal to him, but it’s a very mixed-up complicated love.
I have a gentler take and a harsher one which I switch between as the spirit moves me. xD
My Gentler Take (tl;dr: vigilantism is choir and Jack loves sports)
Here’s the core conflict: Jack and Tim are very different people with different values.  Tim idolizes Bruce and Dick and vigilantism, and secretly gets involved, knowing his dad will hate it. He gets increasingly wrapped up in his secret world and lies to his dad...because if his dad finds out, he’ll make Tim quit.
This is a great setup for an ongoing comic.  It’s practical, because it provides endless potential for plotlines, and it’s nicely thematic, because it maps closely onto relatable real-life situations with extracurricular activities:
Tim the drama nerd whose dad thinks he’s playing football and not in the school play; 
Tim the closeted-queer kid secretly getting involved in his school’s politically-active Gay-Straight Alliance; 
Tim the choir kid whose dad only values making money and wants him to go into the family business (and Tim keeps promising himself he'll give up choir soon, definitely soon, but maybe he'll stay in just a liiiittle longer, because they need him, you see, the last tenor left town, so...); 
Tim the computer geek with the sports-obsessed dad (this one’s just canon);
etc. etc.  
The extracurricular metaphor works pretty well for Tim’s relationship to vigilantism.  Tim's involved in his "extracurricular" because he genuinely thinks it's important and fulfilling, and he values it and wants to be good at it. He idolizes Bruce and Dick because they're good at it. He's been collecting information about it since he was a little kid, and hiding it from his parents because he knows they wouldn't approve. And mayyyybe there's also an element of low-key rebellion against his dad, and maybe that's secretly part of the appeal. And yet also as Tim gets more and more invested, he starts to daydream: maybe I could tell my dad and he'd be proud of me and supportive. But he doesn't, because actually he knows his dad would be upset and angry and make him quit.
And - again, just like with lonely kids and extracurricular hobbies - one of the things that happens is that Tim starts getting his unfilled emotional needs met ... by people he knows through this secret hobby. And people like Bruce and Dick start turning into a surrogate family. Which Tim feels guilty about. And also as Tim gets more and more wrapped up in their world, he has to lie to his dad even more, which means the distance between Tim and his dad gets bigger and bigger and more and more unfixable.
I love this dilemma. It's simple, it's recognizable, it provides endless sources for conflict, and there's no obvious solution! Tim can't tell Jack: he'll make Tim quit! And Tim doesn't want to quit, because he loves choir / art / theater / whatever.  Yeah, it’s difficult, and there are challenges, and sometimes he has doubts...but at the end of the day, he cares about it a lot.  And everything he values is there, and all the people he admires and cares about are there, and all he wants in the world is to feel like he's one of them and belongs there. So he has to lie, even though he doesn't want to lie, and he feels guilty about it...
...but also he ends up lying more and more.
(Sidenote: I think it's important that Tim chooses to keep lying - Tim's narration often glosses this as "I have to lie to my dad," and that's certainly how it feels to Tim, but this... isn't quite true. He has to lie to his dad, because if he doesn't, his dad will get mad at him and try to stop him, not because he literally has no choice about it.)
Other Reasons Why I Like The "Secret Extracurricular" Interpretation
(tl;dr it complicates not just Tim's relationship with his dad, but also all his other relationships)
Tim's problems have some obvious parallels to Steph and Cass, who both become vigilantes while rejecting their evil supervillain dads. But Jack isn't evil. And that means the Tim-and-Jack relationship is ambiguous and complicated in ways that I like. Steph and Cass can just leave their Bad Dads in prison, and say good riddance, and feel very righteous and triumphant about it! Tim’s more complicated. Tim gets into vigilantism ostensibly out of duty and altruism, but secretly, he's also involved for straight-up selfish self-fulfillment reasons. He's lonely, and bored, and his life feels pointless, but he thinks that Bruce and Dick are cool and amazing and he wants to be a part of the things that they do.  When his dad gets jealous of Tim’s relationship to Bruce, and feels like Tim’s looking for a surrogate family, he’s... not wrong.
And the ways in which Jack is not Actionably Bad complicate things from Bruce's POV.  If Jack was a straight-up villain, it’d be an easy call to keep in touch when Jack finds out and makes Tim quit...but he’s not a villain, not really.  So what do you do?  Do you try to surreptitiously stay in touch with Tim even though you’re ignoring his dad’s express wishes and thus forcing Tim to sneak around?  Do you respect his dad’s wishes and stay away from Tim even though you have a years-long relationship at this point?  
Again: a bit similar to the extracurricular analogy.  Say you’re the choir director and you’ve built this whole relationship with a kid in the choir, and you’re an important mentor to him and you care about him etc. etc. etc.... and then right before a big performance, his dad finds out he’s been secretly involved, and yanks him out.  How would you react?  Well, maybe kind of in some of the ways Bruce reacts.  You replace him. You’re annoyed with him. You miss him. You want him to come back. You’re also worried about him.  You’re upset with his dad.  But also... what should you do, exactly?
Bruce and Alfred and Dick care about Tim as if he were part of their family, but he’s not part of their family, and there’s a lot of interesting tension there.
My Harsher Take
Jack never hits his son.  But his temper is a big deal.
In his worst moments, he takes out his anger on Tim’s stuff - wrecking his room, or ripping his TV out of the wall and confiscating it.  When he’s worried about Tim, he usually expresses that fear by yelling at him / punishing him / sending him away - threatening to send him to boarding school in Metropolis in Robin III, or threatening to send him to military school abroad in Robin 92, or actually forcing him to go to an all-boys' boarding school post-NML.  
This is bad behavior!  It is Not Good!  
And you can easily connect the dots to a bunch of Tim’s terrible coping mechanisms, like the constant lying and or the fact that Tim’s go-to methods for dealing with interpersonal conflict are 1) repress it and pretend it never happened (most of his fights with Bruce), 2) withdraw from the relationship until he can pretend the conflict doesn’t exist (when his friends get mad at him in YJ, he quits the team for a while), or 3) literally run away from home.
Also, Jack is a Manly Man with firm opinions about how men behave vs. how women behave, and he thinks boys shouldn’t be scared and thinks Tim should date hot girls and pushes Tim to work out and wants him to play football and expresses period-typical sexism, etc. etc. etc. ... and though obviously this wasn’t what the writers had in mind at the time, all of that is certainly interesting to read backwards in the light of Tim as a queer character.
More Disorganized Thoughts on Jack Drake
Tim’s our hero, so we’re naturally more sympathetic to him, but it’s also true that relationships are a two-way street, and Tim doesn’t value any of the things his dad values, either.  Jack at various points is shown to care about grades, business, money, boarding schools, archeology, football, a kind of macho bragging-about-dating-hot-women ethos, and a very public and performative kind of caring. Tim tends to respond with discomfort or disinterest or even disgust.  When Jack gets on TV to try to rally the government to save his son from No Man’s Land, Tim isn’t touched—he’s mortified.  When Jack makes some bad investments and loses money, Jack’s deeply upset and his self-image is majorly impacted, and far from being sympathetic, Tim’s annoyed and kind of contemptuous of the idea that this is a problem.  Jack thinks fishing in the early morning and going to tennis matches is a fun father-son activity; Tim finds it exhausting and tedious.  And so on.
This means that Tim often longs to be closer to his dad in theory, but this longing is more tied to fantasy than to reality. He rarely seems to enjoy spending time with His-Dad-The-Actual-Person.  So for example, when Tim’s deadly ill with the Clench, he has an extremely poignant fever dream about telling his dad the truth and getting hugged…even as he insists in real-life to Alfred and Dick that he does not want them to tell his dad what’s going on.
The same is true of Jack, who IMO genuinely wants to be closer to his son and is continually declaring that he’s going to turn over a new leaf and get closer to his son…and just as continually backs out of activities or loses his temper when faced with spending time with his actual son.
Tim and his dad sadly get along best—by far—in Absence Makes the Heart Grow Fonder situations.  When Jack gets kidnapped or is in danger, Tim worries for him (and Tim grieves him deeply when he dies).  When Tim disappears or runs away, Jack’s genuinely worried about him.  So e.g. they have a really moving emotional reunion and hug when the earthquake hits Gotham, and Tim panics about his dad’s safety and comes running home (and meanwhile Jack’s been panicked about Tim’s safety!).  It’s the day-to-day, regular life stuff where they don’t connect.
Jack's written quite differently by different writers. Mostly, Tim's parents are at their least likable in his early appearances and early miniseries (this is where you get, for example, Jack and Janet being nasty at each other while a pained employee looks on, and Tim disappointed to once again get news of where his parents are via postcard - "I guess that sums them up! Never know where they’re going to be–or when–or even how long!” - and Tim alone on school break, and Bruce and Alfred thinking there's something weird going on with Tim's parents, etc. etc.). Jack's more sympathetic but still often unlikable in most of Tim's Robin solo, and he's almost invisible (but positively treated if he does show up) in Tim's team books.
For obvious reasons, Jack's remembered way more sympathetically after his death. Tim's completely devastated by Jack's murder, which he arrives moments too late to prevent, and he basically never gets over it. We see him grieving Jack again and again in Robin, and also in Teen Titans, and also in Resurrection, and again in the Halloween Special, and again in Batman: Blackest Night, and all the way up to the end of Red Robin. Tim also grieves for an extended time over Janet - he hallucinates a happy reunion with her when he's feverish in Contagion, and hallucinates her in the final issue of Robin, and the reveal-your-buried-emotions song in Robin 102 brings up his grief for her too (meanwhile, other characters dance or laugh or otherwise get giddy).  Tim’s grief over his parents’ deaths is intense and long-lasting.
I'm not going to clip comic panels because this is long enough, but if you're curious, here's a nice and fairly lengthy compilation of comic panels with Tim and Jack.
If you're interested in a Jack-centric story with a softer-but-still-recognizably-canon take on Jack, I really like the way Jack’s narration is written in the one-shots Heart Humble (set shortly before Jack dies) and Never a Hero (Ra's resurrects him during Brucequest, and Jack's archeology skills turn out to be unexpectedly useful).
#tim drake#jack drake#ask tag#i wrote this ages ago and now i can't remember what i was going to add to it so oh well draft amnesty? sorry for the long wait anon!! <333#anyway i kept this carefully on topic and virtuously did not derail into talking about the other blorbo but tags are for disorganization SO#for me this kinda half-in half-out place where tim is with the batfamily is SUCH an interesting part of his relationship with dick#and i never stop turning it over in my head#he's kiiiinda replaced dick in that he's robin - but in a very real way he *hasn't* - he's NOT bruce's new son the way jason was#and early!tim makes a BIG POINT of how bruce is not his dad#and i think this relative distance from bruce is a huge factor in why dick is able to build a close relationship with tim at all#(because dick's still pretty estranged from bruce!)#and there's such interesting tension there when dick starts jokingly calling tim ''little brother'' or when villains call them brothers#because they're NOT. increasingly they would both LIKE to be brothers! but dick has zero official standing in tim's life#if tim got hit by a car in his civilian identity bruce and dick wouldn't even be able to visit him without his dad's permission#which jack would be pretty unlikely to give! jack doesn't like or trust bruce!#or like. this is morbid. but if tim died. dick wouldn't even be invited to the funeral you know?#and there's such interesting tension there for me in the contrast between this vigilante relationship that's very very close#but in their civilian lives no one would assume they're anything in particular to each other#anyway the 1st half of tim's robin solo has this thread of tension between tim's family life vs. his vigilante life (plus his mom's death)#and then the second half + red robin has the thread of struggling with grief in a world that's not fair + feeling lost/alone#and these two threads are a big part of my interest in tim as a character! jack's the backdrop that makes a lot of stories possible
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Jason: *just vibing, thinking his thoughts*
Bruce: What?
Jason: What do you mean what?
Bruce: You were smiling
Jason: Am I not allowed to be happy?
Bruce: You are, but that was just, like, an evil smile
Jason: *offended, turning to Dick* Bruce thinks I have an evil smile
Bruce: I don't think you have an evil smile, just that particular smile looked evil
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yourthirdparent · 2 years
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jason crying while nico tries to comfort him and hide his panicking cuz he doesn't know how to comfort people. nico just spouting whatever he can think of and at some point he starts talking to jason like he's a dog. like "yeah buddy, let it out, good boy" and it works and jason stops crying.
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thelassoway · 2 years
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Brett Goldstein & Jason Sudeikis » Emmys 2021
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boyfridged · 11 months
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also that scene in utrh when bludhaven is blowing up in the background and bruce wants to go to check on dick, and jason yells: "no! you're not leaving! not now! not this time!" not this time?
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chepib3 · 11 days
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dick, jason and tim have all had depressive episodes so i think they would at least be able to look at the other with compassion when they recognize that they are Not doing so good. even if they don't always react in the best way or if they can't help they would understand because they have all been there. so the narrative that some people like to push that only ONE of them is miserable while the others don't even care never sat right with me
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goldenqingxin · 3 months
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jason being nearsighted VS zeus’ symbol being eagles because of their insane eyesight ….
this will forever haunt me
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phoenixcatch7 · 11 months
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If there's one thing I like more than time travel it's crossover reincarnation, so.
Botk link reincarnated as Damian Wayne.
An incredible weapon master of all types, but especially prodigious with a sword - he was beating knights at the age of 4 and with his memories as intact as they get for him I can see that goalpost moving even further (probably with traps and tricks, a 3yo doesn't exactly have great bodily control).
He's an excellent survivalist, agile, strong, durable, cunning and creative. He can move like a feather in the breeze, strike from behind with ease. His first kill, an animal, did not stir him as it did the other children. With his poise, grace, skills, obedience, he ought to be ra'as' finest assassin in the making, a jewel in the crown of the league.
Except he never speaks a word. Half his targets escape unscathed. He skates by true punishment on the merit of his skills and achievements in other missions. Testing has shown it is not a physical deformity that prevents his speech, but not even talia has been able to coaxe a word from him past his second birthday.
It is a defect ra'as is growing more and more frustrated by, as each attempt to fix these two final flaws ends in resounding failure. Less extreme solutions are running dry.
Talia fears those solutions. Her child does too, she knows. For them, there is a possible solution, more extreme than anything ra'as would tolerate.
She sends him out of the league. To his father.
To Gotham.
#'gee phoenix that sure sounds like that dp x dc you're normally rattling on about' yeah lol I steal tropes and sell them on the black market#Anyway this has been slowly rotisserie-ing in my head for a while I just like shaking canon like a magic 8 ball#I'd love to explore how link would react to Gotham and how he might see getting suddenly dumped in a found family as the youngest#And how that contrasts with both his expectations in the league and his role as the saviour last hope of a whole country#Because that kid cannot have a modern interpretation of killing. Like monsters? Kill with prejudice loot the corpses.#The yiga might have a little more hindsight understanding and he never killed them anyway but zero hesitation blowing them up#And ganon is so far removed from the concept of 'killing is bad' because a) human??? Monster??? B) literally the problem#C) he's been killing people so it'd even out d) everyone wants him dead So Bad e) been killed already like a dozen times what's one more#I get the feeling he'd assign the same role to the joker like 'widely considered the source of all evil. 'died' several times and came back#personal source of absolute misery for several heroes. Killed many' = slay the monster. Straightforward.#Like yes link always chooses kindness and has a strong morality and Opinion on killing people it's just a lot would be solved#By hitting the joker until he stopped making life miserable for everyone and if that means permanently well that's kind of link's job.#And like with Jason the bats understand that a lot better than they pretend to. But that is a 10yo who should not be thinking like that.#I think it'd be interesting to see how that'd change their reactions to 'Damian'. Like he holds a very similar opinion to og and Jason he#Just goes about it completely differently.#And I'd love to explore the differences between two fictional worlds and how they can go from pretty much the most black/white morality#To probably one of the greyest areas while still holding near identical themes and methods of dealing with that.#Found family compassion as a weapon against evil and copious amounts of weapons and cool gear lol#Also link should keep the arm he's earned it. Reincarnating with all his memories knocked a few other things loose I'd imagine#Mostly because all the loz games I've played have absolutely altered the way I view any link and also I love referencing them.#Damian with telekinesis and infinite glue would be great. A tiny 10yo sword master choosing instead to drop a dumpster on you#In between hurt comfort link beginning to bond with his family and begin to speak and learn sign language from cass#There's also the sound of explosives and a small figure clinging to a flying door as it crosses the Gotham night skies#Speaking of cass I bet her and link would be great friends in this au.#batman#batfam#bruce wayne#loz au#Loz#loz totk
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azol-otl · 1 year
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Random Jason Hijinks I either wish would happen someday or find amusing to think about.
Rose and Jason break Eddie out of hell and steal his soul back from Neron. Jaime is dragged along by Rose because he and Eddie were “friends a few reboots ago”. Jason asked Roy who sent him Connor who is suffering™.
Pre-Red Hood Jason and Pre-Green Arrow Connor first meet up back when Jason was part of the All-Caste hunting a demon. It’s a one-shot adventure and the things you have to know are:  
a) this is before Jason’s growth spurt so he’s over a head shorter than Connor.
b) Connor isn’t a cape so excuse him for not understanding demons and fucking up hilariously a few times.
c) When Jason tries to kill the demon who is possessing the human, he and Connor fight about it. The fight ends when the demon explodes out of the person like the Pus of Man from Dark Souls 3.
d) Talia is the one who finds and picks up Jason from the adventure (Connor thinks she’s his mom and Jason just didn’t inherit the melanin) and is also the one who gives Connor contact information for Jason because she wants him to have some sort of friend.
e) They never actually learned the other’s name so anytime they’d hear about Red Hood or Green Arrow they literally don’t know it’s that guy they met as teenagers.
Jason decides to actually dust off his mystic training when Dick walks in and Jason gets hit with so many bad vibes he’s genuinely worried something is wrong with Dick.  
Jason: “Did they not fix the Brother Blood mind control thing fully? Did Raven miss something? Isn’t Dick friends with a million people? How have they all missed this????”
It ends with bringing Danny Chase back to life and the only person remotely happy about it is Jason and even that’s a stretch.
Rose, why are you part of the Wild Hunt?!!!
What do you mean Biz got taken by the fae?!
Roy, why is this werewolf saying he’s your husband?!
Eddie, why didn’t you tell me you were a prince of hell? What do you mean that one of Trigon’s sons is buried in Gotham?!!! No wait, you still haven’t told me how you’re a prince of hell!
Jason and Talia's road trip where Jason comes to the uncomfortable realization that he views Talia as a mother/aunt figure.
Bonus Artemis suffering Jason’s Mom Has it Going On.
Jason gets a new dog named Ellie and he loves her and Dog very much. What do you mean she’s a Blue Lantern!?
Ellie is short for Elpis and she’s absolutely Hope Corgi.
Roy finds out that he has a whole-ass checking account under one of his aliases that he never knew about. Turns out Jason created it for him years ago and Roy’s actually under W.E.  employed as an independent contractor and he’s been making 6 figures for years because Jason never bothered telling anyone that he still owns Wayne R&D.
Jason slowly but surely claims Park Row and the surrounding areas as his territory. It has the unforeseen consequence of magical folk moving into the neighborhood because Gotham is a nightmare to live in normally, Magic Gotham is even worse and the only people who can survive are big hitters like Blood, Zatanna, and Ivy or small fries like the kitchen witch near Leslie’s. Welcome to the big leagues, Jason.
Jason keeps getting mistaken for Jason Blood and it is annoying. One day some demon hunters threw something at Jason and did anyone know Jason used to be in heaven because he sure didn’t and these angel wings are a fucking nightmare.
Rose busts a gut laughing because she somehow became friends with the least demon-y demon Eddie and Jason as an angel.
Jason, Ivy, Sideways, and Impulse (Impulse voice: “Why am I even here?”) vs the Madness Wavelength in Arkham.
Jason kills Joker and finds out that he cannot. Not as in “He doesn’t die” or “There will be a new one” but a secret third option, “The universe literally resets the day every time he’s killed.” Instead of being a tragedy, it becomes a comedy as killing Joker slowly becomes Jason’s go-to when shit goes wrong/killing him is good stress relief. Stephanie discovers what happens because she’s had to write the same essay nine times once. Instead of being horrified they (and then Helena, Tim, Duke, etc.) make killing Joker a gag. The only ones not allowed to kill the Joker are Dick and Bruce because then the universe decides it’s the bad timeline instead of just resetting again.
Tim: *drops his latte on a hot guy and then embarrasses himself in public trying to apologize and becomes a meme.*
Tim: I guess I have to kill Joker now.
Jason and Kory remeeting and wow it’s really awkward that we only got close because of a universe meddler and then you dipped and never contacted me again even though I was a hundred percent serious that you were one of my first friends and are very important to me.
Oh no. Not the talking. Not communication! Kory take mercy on me and just drop me like a bad memory don’t have us open a dialogue where we reconcile all of the bullshit that happened to us and the fact that we did genuinely get close at very low points in our lives and be willing to try and be friends again!
Give! Kory! All! The! Friends! She doesn’t care if you think it’s a bad idea, it's her life!
Gotham Vigilante Tabletop Club (GVTC) featuring Jason, Tim, Stephanie, Duke, Helena, and Harper. They each get a turn as dm and every one of them brings in a different game.
Why is Damian’s friend (Colin) asking me for love advice? I’m a gay disaster ask anyone else please. ??? I guess I can try to help??? Who’s your crush?
It’s Lian and Jason regrets agreeing to help because Roy is going to murder him.
Countdown 2 Electric Boogaloo. Except for this time they were all shoved into the dimension separately and by separate events and there is no danger. It is just a multiversal road trip with the people who vexed you greatly but are slightly grown up now.
Bonus scene includes Jason’s gleeful face when he realizes he understands what all of those words Donna keeps muttering under her breath mean because Artemis was a bro and taught him Themysciran Greek.
#I didn't mean for all of them to sound like comedies but sometimes that just happens#People may hate on the all-caste for not being Jason enough or whatever#But have we ever stopped to think that Damian is related to an immortal cult and Duke is the son of an eldritch being#And Dick is related to an unrelated cult and just all the weird shit that happens in Gotham anyways?#Why can all these exist and Jason not also have mystic monk training he never uses#Listen I don't know much about Gotham's magic population but I'm pretty sure the place is awful to live in with the nine different curses#So having a dude that's basically a mage-killer claim a territory can only be a good thing for their safety#Plus I'm positive that magic folk would keep property values low because who would go looking for magic users in Park Row#Everyone was written terribly for rhato but Jason and Kory had the potential to be a really interesting relationship#Just this lack of judgement and ability to not have to shave down all of your sharp edges for one another#also I do really like the idea of them trying romance or sex and then deciding that they need friends more and then staying friends#Gotham Vigilante Tabletop Club my beloved#Look Duke and Tim canonically play tabletop games and if dc would finally acknowledge that Stephanie and Jason are nerds they would too#I miss Colin and the idea of him and Jason being disaster siblings or disaster guardian-child is important to me#I don't know if it's canon but considering linguistic drift Themyscira should either have its own language or dialect#and Donna should use it to say mean things under her breath#Jason Todd#I am not tagging anyone else their tags deserve to be Bat-Free#oh boy do I love how I can't make indents in even in html. Sorry for the eyesore whoever reads this mess
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donnatroyyyy · 11 months
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Batman has/had some kind of miscommunication going on with every single one of his kids. The bat family is just one big miscommunication trope after the other.
#him and Dick have miscommunication about how they see each other. Bruce sees Dick as a son and Dick sees Bruce as a father#but they didn’t think the other saw them that way so they never told each other. that’s what led to their fights in Dick’s later teenage#years and dick quitting and becoming nightwing. he thought Bruce only saw him as a ward/robin so he thought that as long as he couldn’t be#robin Bruce wouldn’t want him#and if didn’t help when Bruce stopped talking to him when he left. though to Bruce it was because he thought Dick didn’t want to talk to him#and also Dick really needs to tell Bruce like ‘hey you put me on a higher pedestal then you put even yourself which is saying something and#and I don’t like that cuz that’s too much pressure for me. and also since you did it everyone else does it and has done it since I was Robin#and it’s literally just a matter of time before I break from the pressure cuz I’m not fucking Superman and I can’t take it’#and Jason with the whole UTRH thing. you know all Bruce had to say was that he had tried killing the joker over Jason multiple times and#maybe just explain to Jason WHY he doesn’t kill. a simple ‘you’re better than me because if I killed one person I’d kill everyone’#or it could even just be a simple ‘I do love you Jason youre the kid that I felt most comfortable loving’#and also maybe a ‘I don’t think anything changed after my death and that makes my death meaningless which I think goes against your no kill#rule because I hat is the rule of not a reminder taht death means something. and by that logic my death already went against the rule so why#can’t you do it again for the man that murdered me.’ and Bruce needs to make a presentation: ‘all the ways Jason’s death meant something’#and Tim just needs a simple ‘I don’t see you as work I see you as family.’ maybe even a ‘you don’t have to be the grown up in this relati#anymore I’m sorry you were one to begin with. you should’ve always been the child’#now his miscommunication with Damian goes much deeper but I’m one hundred percent sure if they sit down and air out all of their feelings it#would help a lot but I have a feeling that won’t happen#a ‘I have trouble understanding you because both your trauma and compassion run deeper than mine and I also never had to grow up to be a#weapon’ from Bruce and a ‘I don’t understand your optimism and moral stubbornness and easness why is it so easy to be good for u?’#his miscommunication with Cass stems from two things a simple ‘why are you so afraid to show how deeply you love?’ from Cass maybe a#‘I’m jealous of you because you’re better than me not only in fighting but morally and emotionally’ from Bruce should fix it#and Steph— look I’m not even going to TRY to get into that that goes SO much deeer and wider than any one else’s miscommunication#but maybe a ‘you reminded me of Jason at a time where that wasn’t a good thing’ from Bruce should start things up#for Duke a ‘I can never truly understand what you’re going/have gone through and for that I’m sorry’ from Bruce should suffice#maybe also Bruce telling him that just because he sees Duke as a son doesn’t mean he’s trying any less to get Duke his parents back#oh and babs just needs to go up to him and say ‘I don’t like that what happened to me happened for your story and not mine and I don’t like#that you don’t let me make it into my story’ and then Bruce can follow up and say ‘I see so much of myself in you and it makes me worry and#also I can never look at you without feeling guilty cuz you’re right what happened to you happened for MY story so I’m at fault’#then the two can go back to being too much like each other and sitting at their respective computers
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