#and i hope my general album to month decisions make sense also

[its-tortle]

— taylor swift albums as months of the year —

#thought about adding ttpd as november #but i did not feel sure enough #also i think folklore is a mix of august/september and evermore is a mix of november/december #but i went with the later months because september is also a retrospective of summer and december includes the experience of november yknow #i hope that makes sense #and i hope my general album to month decisions make sense also #feel free to ask me about my reasoning #or fully disagree with me lmao #taylor swift #ts #taylor swift albums #tortle makes things #ts debut #fearless #speak now #red #1989 #reputation #lover #folklore #evermore #midnights

[ugh-yoongi]

about u | jjk

❝ this song is about a love that you can’t reconcile—wanting to make a home out of a person that has proved to you time and again that they are not a home; they are just a person. it’s about retracing scars, negative patterns, all with the silent belief that moments of communion and understanding might justify months of misfiring and regret. we’re all just trying to get back to that ‘first high’ feeling—an honest endeavor, however futile. ❞

✤ PAIRING jungkook x f. reader ✤ GENRE exes to fwb to strangers, college/grad school au; angst, smut ✤ RATING explicit. minors do not interact. ✤ WARNINGS toxic & self-destructive behavior (inc. jealousy and possessiveness). infidelity (with an external partner). reader is bisexual (which is not a warning but a general statement so the homophobes stay away) and there is a brief mention of coming out. two people who are both too honest and unable to communicate. swearing. cigarettes and alcohol use. kissing, some spitting, fingering, oral sex, protected vaginal sex. every time i asked jess to read this over for me she always came back with "jfc jewel" so i guess this is angsty. unhappy ending. ✤ WORDCOUNT 7.3k ✤ LISTEN TO this was based off of "winterbreak" by muna, but there are bits and pieces of the entire about u album in here, "everything" and "outro" especially. ✤ THANK YOU to muna for writing the album, @the-boy-meets-evil and @hot-soop for reading over this for me multiple times and putting up with all my brainstorming and my beloved @here2bbtstrash for the extra set of eyes. ✤ AUTHOR'S NOTE hi, thank you for reading! i cannot emphasize enough how much more sense this story will make if you listen to about u in the background. i would also like to reiterate that these two are maybe not all that likeable most of the time, but i hope they're still human. as i once saw in an ao3 tag, you are more than the worst thing you've ever done.

[ the first. ] You’d read an article once—something about the second time you fall in love.

It’s going to feel different, it’d said. The first time felt like a dream.

As you stare across the kitchen at Jeongguk, you think that might be true. The part about it feeling like a dream, because it used to be a pinky-lavender haze and everything that has come after hasn’t felt so good. Not a nightmare, but close. At least with nightmares you can force yourself awake. You can tell yourself it wasn’t real. You can pretend.

This is as real as it gets, watching him smile over the rim of a plastic red cup. Someone else’s hand on his arm. The girl it belongs to looks nothing like you, and you wonder if she’ll be the second time he falls in love. You also wonder why you didn’t stay home. You wonder about fault and regret and if either of them even matter. No, you eventually decide: there’s just you in Taehyung’s kitchen and Jeongguk on the other side of it and the result of a million decisions in between you.

There had been a plenitude of reasons you’d fallen in love with Jeongguk, but he’s undoubtedly beautiful. Soft, tinkling laugh; a smile that reaches his eyes. Not all that long ago you used to be responsible for both, so there’s a lingering, bitter sting beneath your wonder. Jeongguk is beautiful and no longer yours, and that’s enough to have you retreating to the living room.

Jimin’s at your side immediately. Wraps an arm around your shoulders and presses a kiss to the top of your head that does little to alleviate your guilt. Missing someone is always easier with thousands of miles in between you. All those distractions. Just like a nightmare, distance lets you pretend. Not so easy to do when all those ghosts come back to haunt you; when you can still hear Jeongguk’s soft voice in the kitchen. The music is so loud but you’d be able to hear him anywhere, you think.

Even places he’s not.

Jimin leans down, forces his way into your personal space. “Are you doing okay?” he asks, and his words are warm and wrapped in alcohol, but you nod. You’re scared you might start crying if you open your mouth. Afraid of what might come out besides shuddering breaths, which just makes you feel stupid. Baby’s first breakup, you chide yourself. Maybe Jimin can get you a commemorative ornament.

Taehyung is turning twenty-four and it should be joyous. It is joyous. People that aren’t you are laughing and dancing and pressing their cheeks together as they huddle close to take selfies. Someone you don’t recognize is cackling wildly as they wrangle Taehyung into a headlock and smear cake frosting on his face. Someone else is tutting and running a rag under the tap to wipe it off and then the frosting is gone. It’s hard not to draw parallels.

There one minute and gone the next.

Gently wiped away.

But the feeling lingers, doesn’t it? The tack of the frosting, all the love that transpired between you and Jeongguk. Sometimes you fear it’s permanent—not able to be wiped away with a rag run under the tap, not able to be wiped away at all. Just this burden you’re cursed to carry, because Jeongguk isn’t and can’t be yours but knowing does nothing to erase the past. Doesn’t help you forget. It’s fucked and it’s unfair, but that’s just the way it goes.

“I think I should leave,” you say, watching another scene play out in the kitchen. Jeongguk fills a cup and hands it to a different pretty girl. Everyone here is so pretty. Makes sense; so is Taehyung. Pretty people are drawn to one another like that. “Is it too soon? Will it be obvious?”

Jimin sighs, wraps you in a hug. Says, “Oh, love,” in a way that’s too sympathetic. Makes you sound too pathetic. “No one will blame you. These things are hard.”

You squeeze your eyes shut. Not that you don’t appreciate Jimin’s reassurance, but sometimes it all feels a bit silly. Weren’t you the one to walk away? Call it off? Are you allowed to mourn the very thing you destroyed?

And Jimin, bless him, is so patient with you. Asks if you need a ride home and you wave him off, remind him your parents’ place isn’t far, that the cold might do you some good. You tell him you appreciate him and his night shouldn’t be ruined on your account, and you just laugh when he tries to protest, tell him to go get himself another drink.

“Text me when you get home,” he says, voice stern, and you brush that off, too. “I’m serious. It’s late and it’s dark and anyone could be out there—”

“Maybe I should walk you home, then?”

All those articles you read about the second time you fall in love didn’t mention this. Said nothing about the way a voice will always be able to turn your world on its axis and how to right it again. Said nothing about how to coexist with ghosts. Said nothing about what to do with all the yearning and the pain and the stupid, selfish strands of hope. There are paragraphs about an overarching, general grief, but nothing about the specific one living inside of you.

The shock on Jimin’s face is reflecting your own. It’s nice to not be the only one caught off-guard and stammering over their words. It’s nice to have a friend when it feels like your entire world is on the edge of collapse. “I don’t…” he begins. Swallows thickly and turns to look at you, an obvious question biting at the back of his teeth.

You know the answer.

You know that what you should say isn’t what you want, just like you know it isn’t fair, this thing you’re doing. Because you turn to Jeongguk and say, “Are you sure?” which might as well be a yes, because you’re selfish and suspended in this liminal space and don’t want him to go home with anyone else. You don’t want him to move on.

He shrugs. “It’s on the way.”

You say okay. Let Jimin help you into your coat, hide his face in your neck as he tells you to be careful, and that stings. You’ve never had to be careful around Jeongguk before. The two of you never, ever hurt one another—until you did. The kind of hurt your heart hasn’t easily forgotten, is still stubbornly clinging to.

Your heart wants Jeongguk, always.

You want Jeongguk, always, so you let him grab your hand, link your pinkies together. You let him lead you out of the house and don’t turn back to see who might be watching. God, you want to, though. Want all those pretty girls to see that he’s leaving with you. Want them to know it’s your name that’s branded on his heart; your name beneath his skin. For once, you want someone to want what you have.

It’s strange. The two of you have been apart for eight months, and there’s a lot of things you might want to tell someone in that amount of time, but you find it hard now. Don’t know where to start, which words to use. Don’t want to say something stupid, because Jeongguk is just walking you home but you’ve assigned a lot of meaning to it, and eight months is a long time to yearn for something and finally get it.

So you say, “You didn’t have to do this, you know,” because it’s something that’s true and easy to say.

Jeongguk doesn’t answer right away. Drops your pinky so he can hold your hand properly—fully, all five fingers intertwined—and squeezes. “Is it weird for you?” he asks, and he doesn’t sound nervous. Almost sounds like he’s smiling a little, giving you shit. He sounds familiar.

“No. I don’t know. Maybe a little.” He asks why? at the same time he passes under a streetlight. Lights up golden and amber. He’s beautiful—“I don’t know. It’s just… I guess it’s just been a long time. We didn’t leave things the best.”—and no longer yours.

The Jeongguk walking beside you is not the same Jeongguk that walked out of your dorm eight months ago, tears staining his cheeks, the smell of a goodbye fuck still clinging to his clothes, his skin, sweat still dotting his hairline. This Jeongguk is sharper, more selfish with his laughter, and you wonder about all the ways heartbreak can change a person. How you’re changed for facilitating it. You wonder if Jeongguk blames you before deciding you’re too much of a coward to find out the answer.

“Was it that bad?” When you look over at him, he’s chewing on his lip ring, trying to bite back a smile. “You’ll have to remind me. I don’t remember.”

You stop walking, jerking forward when Jeongguk is left unaware and keeps going. “That’s not funny,” you say. “Jeongguk, that’s not—I did what I thought was best, okay? I thought I was doing the right thing—”

The smile drops from Jeongguk’s face. “Hey, hey, look at me,” he says, and he’s hesitant to reach out and touch you but he does it anyway. Cups your face in both hands. “I know, it’s okay. That’s just—it’s just life, right? You did what you had to do, babe. It’s okay.”

You did what you had to do, babe.

Did you?

Jeongguk is selfish with his laughter but never his affection, and knowing that feels like an albatross around your neck. You have broken him so entirely, but he’s still kind to you, finds it a worthwhile thing to be.

His eyes go to your lips. Tattooed fingers dimple your face just a little more, dig in deeper. When you dare to take him in, he looks… different. No longer amused, the way he was just seconds ago; now, there’s something dark there. Longing, anger, hunger. Jeongguk looks like he wants to swallow you whole and make you suffer; looks like he wants to cage you beneath him and worship you through the comedown.

I’d let him, you think as you bury your face in the crook of his neck. As you smell the smoke that lingers, the sweat and the alcohol. I’d still let him.

It’d be so easy to press a kiss there. To feel his skin beneath your lips: flushed, still warm from the party, not all daunted by the bitter winter wind biting at your cheeks. As you lean in further, you wonder if it’ll taste the same. You wonder how much can change in eight months and if all those old comforts change, too. If it’s something inevitable.

Jeongguk moves his hands to your waist. Crawls his fingertips beneath your jacket and finds bare skin. Sucks in the smallest bit of air, and you would’ve missed it had it been any other time, but winter is always quiet and subdued. Always smells transitional, something dangerously close to hope and redemption.

And eight months is a long time to miss the feel of someone’s lips, isn’t it, so you think you can be excused for reaching for something you thought you’d never have again.

The first kiss is hesitant, testing; pressed to the spot just beneath his ear. Maybe you don’t know this Jeongguk, but you know the version of him you used to love—the one you still do—and you know the way he’ll sigh. You know the way his hands will grip tighter. You can still hear it, the way you used to kiss him there and he’d say, don’t start something you can’t finish, baby, and the way you’d laugh and always, always finish it. Can still feel the warmth that used to bloom in your chest. The love.

Jeongguk won’t say that now, you know. Wonder if it’d sound more like don’t start something you already finished if he did. He huffs a small laugh, more an exhale than anything, and asks, “What are you doing?”

And you answer, “I don’t know,” because it’s honest. You admit, “I guess I just miss you,” because it’s true.

A war wages within Jeongguk. You can see the storms, the white flags that are close to being thrown out. Can see the way his gaze flits between your lips and your eyes. What he’s looking for, you don’t know, but the storm rages on. And just like real life, just when you think it’s at its worst, there’s a break in the clouds: a tangible beam of silvery-warm light when Jeongguk tangles his hands in your hair, thumbs at the hinge of your jaw. Jeongguk tilts your head back and looks ethereal in the amber glow of the streetlights.

He says, “We shouldn’t,” and you nod, because you know and the anguish on his face is surely mirrored on yours, but when he follows it with, “let me take you home, let me take care of you,” you find it impossible to care.

You nod.

Everything is amber.

Eight months is a long time to go without the way Jeongguk kisses you: intentionally, demandingly, insatiably. He still tastes the same. Tastes like the first time you’d ever dared to kiss him, back at that party freshman year, tongue flavored with cheap liquor. Jeongguk tastes forbidden and feels like coming home.

You couldn’t say how you make it to Jeongguk’s apartment, but the way you stumble over the threshold feels familiar. The way the door is barely locked when Jeongguk crowds your space; picks you up, wraps your legs around his waist, presses you against it, hips moving on their own accord, rutting, all those little sounds spilling from his lips—everything is familiar. This is not just a practiced song and dance but something memorized. Something instinctual. You could be apart from Jeongguk for years instead of months and your body would still know what to do.

He carries you to his bedroom and you don’t think about who else has been between his sheets, because he puts you down so gently. Kisses your lips, your jaw, your neck—all gentle, powder-soft. Sounds like spring when you paw at the velvety cashmere of his sweater, pull it over his head, and he sighs. Feels like he’s breathing fresh life into something he shouldn’t, something long dead, but then you skim along his warm skin and your world is reduced to the way it feels like silk beneath your fingertips.

“I still love you,” Jeongguk whispers against your mouth, his inked fingers toying with the button on your jeans. Pops it open, pulls the denim down your thighs. Doesn’t bother pulling them off, only goes as far as your knees. And it’s uncomfortable, the way it’s bunched there, but the way Jeongguk says, “Fuck, missed you so much,” is so sweet.

Everything happens too fast.

Jeongguk leaves your shirt on. Drags it up and over your breasts and kisses at the newly-exposed skin. Sinks his teeth in, lets it hurt for a second before he laves over the marks. Settles between your legs and coaxes an orgasm out of you with his mouth and his fingers. Speaks his praise into the juncture of your thigh, breathless as he touches himself, strokes his cock with the wetness lingering on his fingers. Looks so, so pretty when he sits back on his haunches and says, “Just wanna look at you,” and makes it sound wistful and longing.

Makes it sound like it means something.

He’s still touching himself, still slicking himself up. There’s a split second where he goes to move and thinks better of it. Looks to the side before looking back at you. The storm kicks up again. “Have—” he begins before he swallows thickly. Dares to look hopeful, even through the squall. “Have you been with anyone else? Since…?”

You haven’t. Tried to, once—another stupid party, more cheap liquor passed to your mouth from someone else’s, but it hadn’t gone anywhere. They hadn’t tasted like Jeongguk; hadn’t felt the same. Two puzzle pieces that fit together all wrong.

Jeongguk has, though. Something you’d heard from a friend of a friend that you weren’t meant to. They’d called it a rebound, and it had bloomed so many ugly thoughts in your head. Five months had passed. Jeongguk was fucking someone else in his bed while you were in yours, torturing yourself over whether or not to tell him happy birthday. Whether it was allowed to or not, it’d stung.

(You had. You’d reworded the text a million times, plucked up all the courage you could find before you sent it. It’d gone unanswered, just like you expected it would, and you thought it was because Jeongguk didn’t want to talk to you. Thought you were digging your fingers into wounds that had yet to heal, so it’d stung but you understood.

But Jeongguk hadn’t answered because he was fucking someone else. Had someone else’s taste on his tongue; was panting someone else’s name into the dark. The embarrassment had been the worst part.)

Still does, if you’re being honest with yourself, so you lie. “I—yeah,” you answer. “Just one.”

Looks like it stings Jeongguk, too. “Right,” he responds, blinking back tears, and he’s got a lot of nerve, you think. “Yeah, okay, I’ll just—a condom. Are you…”

“Jeongguk—”

“Are you sure? Maybe this isn’t…” He huffs. Drops the condom on the bed, hangs his head. “What are we doing?”

You stare up at the ceiling. Nothing up there but the swirls in the plaster. “I don’t know,” you admit. “Hurting each other, probably.”

Jeongguk walks his fingers down your thigh. Grips at your skin, wants it to bruise. Wants you to have something to remember him by come morning. “Sometimes I’m really mad at you, you know?”

“Yeah, trust me, I know.”

He nods. Refuses to look you in the eye now that you’re watching him. “I still love you so fucking much and I’m still so angry. What am I supposed to do with that? What am I… fuck, I thought I was over it. I thought I’d see you and not feel a fucking thing.” There’s fresh ink on the back of his left hand. You hadn’t noticed it earlier, but you notice it now, when he runs his hands down his face.

You also notice the way the atmosphere shifts, the split second in which his heartache bleeds into something else—resolve, maybe. Obstinacy. Like he knows how this is going to end and he’s going to do it anyway. He’s going to find the most painful part and press on it, dig his fingers in, and it’s just an inevitable, foregone thing. Something he can prevent and something he’s choosing not to.

“You fucked someone else,” he sneers. Rips the foil open with his teeth, flashing too white in the dark of his bedroom. Rolls the condom on like it’s an inconvenience. Like you’re an inconvenience. “Was it good? Was it worth it?”

You roll your eyes. Feel the way your breath catches in your throat, because you’re not going to cry. Jeongguk fucked someone else and is vilifying you and it’s hypocritical and ugly and unfair, but you’re not going to cry over it. You’re going to press the gas pedal as far as it can go, say, “Yeah, it was,” and find some wicked delight in the way his eyes squeeze shut, as if it can spare him from the pain.

The two of you used to love each other. Jeongguk used to smile down at you when you were naked beneath him like this. Used to lean in close and whisper that he loved you just as he pushed inside even though you knew, you could feel it in everything he did. Now, there’s no smile. Now, he leans down and spits on your pussy and pushes inside and doesn’t tell you a goddamn thing.

Not with words, anyway.

Because the way he fucks you says it all. Impersonal, desperate, bitter. He grips your hips and fucks into you frenzied and fast. Takes your hand and puts it on your clit and tells you to get yourself off. An inconvenience. Tells you he misses your tight cunt, tells you he misses the way it milks his cock, tells you he misses watching the way you come undone underneath him, but he doesn’t tell you he misses you.

There’s a moment, just after he spills into the condom and stays inside, just catching his breath, when you think he might say it. Might tell you he loves you around the lump in his throat, might apologize, might ask if you two can’t figure it out.

There’s only a moment.

Jeongguk doesn’t say anything. Lets the moment pass. Pulls out and ties off the condom and wordlessly gets up to throw it away. It’s the silence that pisses you off. The disregard. Jeongguk hates you for something you’d lied about doing that he’d done for real, so you can be wordless, too. You can treat him like an inconvenient, cheap fuck, too. You can get up and find your clothes and pull them on and let him watch, words biting at the back of his teeth, and you can tell yourself to feel nothing.

You can say, “You’ve got a lot of fucking nerve,” and not shy away from the resentment in your voice, because it’s properly placed. “You fucked someone else, too, so you’ve got a lot of fucking nerve, Jeongguk.”

Eight months is a long time to miss someone, to play at daydreams. To think of all the things you want to say, the things you’ll do. In not one of them did you think about this: you, fully dressed and stinking of sex, saying, “It’s late. I’ll show myself out.”

Jeongguk, tears glistening on his cheeks, saying, “No, let me—baby, I’m sorry, please—I’ll drive you.”

A shake of your head. Jeongguk doesn’t push it.

Roll credits.

[ the second. ] Jimin wants to talk your ear off about it—the girl you’re seeing.

It’s new and there isn’t much to say. You tell him the two of you met at one of the student showcases put on by the art department and leave off the part about all of Jeongguk’s old friends being there, that he would’ve participated, too, if he hadn’t dropped out after you broke his heart. Leave off the part where you would’ve been there to support him instead, in another life. Leave off the part where it’d just been morbid curiosity: you, not an art student, wandering those halls to see if Jeongguk’s photographs were still framed on the wall.

“Is she nice?” Jimin asks, head nearly knocking into yours as someone shoves by him. “Fucking asshole.”

You nod. “Why would I date someone that wasn’t nice?”

Jimin, perpetually unbothered until he decidedly isn’t, sends you a look that he hides behind the rim of his cup. “Because you’re in your self-destruction era and aren’t thinking clearly.”

“The fuck does that mean?”

“Exactly what I said. You know I’m happy if you’re happy, but…” He pauses as he trails off. Tries to wrap his words in something delicate. “It’s pretty clear you still aren’t over it. That’s all.”

You snort. “That’s all?” you repeat, like it’s some small thing. Like it’s normal and fine.

“I’m sure it’s easier to pretend when the two of you are thousands of miles apart,” Jimin amends, and he must see how you bristle, stung by the callout, because his eyes soften. “Tell me about her.”

She’s beautiful and kind and smart. Smokes clove cigarettes and the smell is always clinging to her skin. You know how to make her come but don’t know what she’s majoring in—fashion, you think, because she’s always holding fabric swatches against your skin. Tells you what suits you and what doesn’t. Tells you which textures don’t work, what’s too warm, and she doesn’t need to tell you what’s too cold because you already know it’s you.

She’s beautiful and kind and smart and has no idea you’re still in love with someone else.

But you can’t tell Jimin that, can you? Can’t tell him about how she’d dragged you to a private corner in the gallery and kissed you breathless; the way she made you come on her fingers; the way Jeongguk’s name nearly slipped out of your mouth as you shook. Can’t tell him that she’s got arms full of art. Delicate patchwork; nothing like the harsh, bold colors inked into Jeongguk’s skin, but it feels the same to trace the lines.

You can’t tell him much of anything, so what you settle on is, “She’s nice—good for me,” and it doesn’t sound convincing to either of you.

Jimin doesn’t call you on it, though. Not again. Instead, he keeps his gaze steady, staring into the fire, the flames dancing wildly when you meet his eye. “You need to be careful,” he says. “You’re going to hurt her, too. Maybe worse than you hurt him.”

“Jimin—”

“Just be careful,” he reiterates, and all you can do is nod. What else is there to do besides wait for the inevitable crash and burn?

And it’s a little unfair, you think, that Taehyung grows older every single year. A little unfair that guilt won’t let you decline the invitations. A little unfair that you can still pick Jeongguk’s laughter out of a crowd. A little unfair that these hometown friends-turned-acquaintances still throw sideways glances whenever someone else touches him, as if he still has someone to answer to; as if they’re expecting something.

An hour. You’ve survived an hour longer than you did last year, and it’s not much but you’re still proud of yourself. You’ve had a drink, talked to someone other than Jimin. Managed to ignore the way Jeongguk is ignoring you; the way he immediately leaves a room as soon as you enter.  Maybe it’s better like this, you reckon. Maybe it’s what you need.

An hour is long enough. Jimin doesn’t comment on the way your bones crack when you stand to leave. No one needs a reminder of growing older. He doesn’t ask if you’ll be okay, either; if you need a ride home. Instead, he stays quiet as he studies you, clearly wondering if lightning strikes twice. If you’re going to be able to walk past Jeongguk and out the door without making another mistake.

You can at least make it across Taehyung’s sprawling yard and to the house. You can dodge the sweat-slick bodies and the girls sitting in laps. You can toss your empty cup in an overflowing trash can. You can pretend the eyes on your back are well-intentioned.

You can make it to the bathroom.

Annoying, the way your phone has been vibrating all night only to disappoint you. Irrational. You scroll past the emoji-laden messages, the coy flirting, because they’re from the person you’re actually dating—the person you told you were going to sleep early—and not from Jeongguk. You should feel guilty. You should feel guilty, but the face staring back at you in the mirror doesn’t look guilty at all.

She looks tired. A little beat-down, but that’s life.

Maybe that’s just what happens when you’ve spent the last two years of your life chasing after ghosts.

A knock at the door startles you. Sends your phone tumbling to the floor, screen probably cracked to hell, and you swear under your breath. “Just a minute!” you call out, a little stunned from how threadbare you feel all of a sudden.

Still, the knocking continues, and you’re on your knees on this bathroom floor and all you want to do is cry. You don’t want to be on this floor in this house. You don’t want to keep putting in the effort of maintaining the facades of all these friendships. You don’t want to keep coming back to this town, don’t want to keep being confronted with the harsh reality of all your mistakes.

“Just a fucking min—”

The words die on your tongue, because there Jeongguk stands, all the air in your lungs dissipating at the amount of space he takes up. Even worse when he steps inside and locks the door behind him. You feel like you’re going to drown. You feel like you’re going to scream or cry or both, and you’re still on the floor, still on your knees, and it feels too much like penance when you look up at him. Feels like you’re groveling, praying for forgiveness.

You stand quickly, ignoring the rush of blood to your head, the way your legs tingle. Jeongguk still hasn’t said a word, doesn’t seem like that’s going to change, either, and it’s really all you can do to stay on your feet when everything in you is screaming to collapse.

Eventually, he says, “You’re seeing someone,” and it isn’t a question, not really, but it borders on one. It’s a question and a confirmation and somehow sounds a lot like he’s asking for permission for something.

“I—yeah.” You swallow. “It’s new.”

He hums. Steps a little closer. Leans against the sink. Darts out his tongue to swipe at his bottom lip before he tugs his lip ring between his teeth. “Yeah? Does he treat you well?”

“She,” you correct, and there’s a flash of something in his eyes. Surprise, maybe. Jeongguk, at one point, had known everything about you, but not this. “And yeah,” you add on, barely a whisper, “she does.”

Part of you feels embarrassed. Jeongguk had known everything about you but not this, and you shouldn’t feel embarrassed or guilty but it still sits there in the middle of your chest. Feels like you’ve been keeping secrets. Feels like shame, even though you aren’t ashamed. Feels like you’re awaiting judgment. But the surprise in Jeongguk’s eyes disappears and something else settles in its place—uncertainty, if you had to guess.

“Are you happy with her?”

You shrug. “Like I said, it’s new.”

And Jeongguk is as emulous as ever, because he asks, “Does it feel like what we had?” and you already know the answer is no.

“I’m not sure anything will.”

It’s honest; you hadn’t said it to appease him, but he looks pleased anyway. You’re starting to understand why so many people write about their first love. Why it’s such a powerful role to fill. Because you and Jeongguk are standing in a bathroom behind a locked door, feet apart from one another, and you think, I don’t think there’s anyone I will ever love more than him even though it’s been two years. You think, I don’t think I’ll ever recover from this.

You think, I would try over and over and over again if he asked me to.

Later on, when you’re alone in your childhood bed and your face is streaked with tears, only your shame and guilt for company, you won’t be able to figure out who moved first, but one of you had.

Once upon a time, you had known everything about Jeongguk, too. You could recite his taste from memory, but it’s different this time. He licks into your mouth and it tastes like ash—nothing like the clove cigarettes your girlfriend smokes, but close enough that the parallel burns like acid in your throat. It’s close enough that you can keep your eyes shut and pretend again.

This time there’s no softness to be found. There’s just Jeongguk’s mouth pressed to yours, barely letting you breathe, not wanting anyone to hear. There’s just the sink digging into your back. Jeongguk’s hands gripping at your waist, pulling at the hem of your skirt. There’s the frustration and desperation of two people who love each other but will never, ever get it right.

There’s Jeongguk asking, as he spits into his hand and slicks you up, if you’re going to tell her.

There’s you, already too far gone, saying you don’t know.

There’s Jeongguk asking, as you’re clenching around him and dragging him with you to the edge, if you’d come back to him if he asked you to.

There’s you, already knowing the answer to this, too, saying you would.

But this isn’t that and Jeongguk doesn’t ask. When it’s over, he tosses the condom and does a half-assed job of helping you clean up and he doesn’t ask. He splashes water on his face and fixes his hair and he doesn’t ask. He tucks his cock back into his briefs and zips his jeans and he doesn’t ask.

Jeongguk has one hand on the doorknob and he doesn’t ask you to come back. Instead, he asks, “How long are you gonna keep doing this?”

For once, you don’t have an answer.

[ the third. ] You go even farther away for grad school.

You try to put more distance between you and Jeongguk, more distance between you and all the skeletons in your closet, but you just pack them up in different boxes and bring them with you.

You spend New Year’s Eve chain-smoking in your parents’ back yard—that same brand of clove cigarettes, because hearts are easy to break but some habits are not. Sometimes it’s a comfort to hurt yourself in the same way you hurt others, so you chain-smoke and you don’t go to to Taehyung’s birthday party because you weren’t invited and it doesn’t sting in the same way that it doesn’t sting that Jimin doesn’t call you once you’re home because he hasn’t spoken to you in a year.

The clock ticks down to midnight. Someone sets off fireworks. Absolutely nothing changes.

There are no half-baked resolutions. There’s no hope that this is going to be the year you get your shit together. There’s just you and the bed you’ve made for yourself; the autopilot you can’t—won’t—turn off, because you don��t know where you’re going anyway so you might as well just go wherever it’s taking you. There’s guilt and there’s shame and there’s baggage, but they’re all old friends. Those are old scars.

The sweatshirt you’re wearing doesn’t belong to you, and it does little to protect you from the bitter cold that bites at your skin. Jeongguk doesn’t belong to you, either, but he keeps coming back to you like he does.

“Mind if I sit down?”

You shrug, gesturing to the empty chair beside you. The small fire you’d built is down to its last embers, and it’s what you focus on, because you can’t focus on Jeongguk anymore.

“You weren’t at Tae’s.”

“Wasn’t invited.”

“Oh,” he breathes. “Sorry, I didn’t know. I would’ve—”

“It’s fine. I wouldn’t have gone anyway.”

He seems to hear what you don’t say. I wouldn’t have gone because I can’t be around you anymore. I wouldn’t have gone because I don’t trust myself with you. I wouldn’t have gone because I’ve burned down every good thing in my life trying to keep you. “Oh. Yeah, that—that makes sense.”

He’d texted you. Asked if he could see you. Just wanted to talk, and you’ve never cared much for symbolism, but nearing midnight on New Year’s Eve had seemed as good a time as any to let it go, so you’d said yes. Now, when there isn’t much to say, all of Jeongguk’s flimsy excuses are laid bare. Transparent.

“Was Jimin there?”

Jeongguk nods. “You didn’t know?”

You shake your head. Feels like it’s made of concrete. “No. We haven’t talked since last winter break.”

“Because of—”

How cruel, that you’d confessed to Jimin instead of the one person who deserved to know. “Yeah.”

“I’m sorry.”

You shrug again. “It’s okay. I don’t think it’s permanent, just until I can get my shit together, I guess. Wasn’t fair to drag him into my mess anyway.”

“It’s not that easy,” Jeongguk says, and it sounds like something he wants to be true. It sounds like something he’s said countless times in defense of himself. “We’d—I’d do it if I could.”

“Yeah,” you agree, “of course.”

Silence creeps up again, so you dig another cigarette out of the pack and offer one to Jeongguk that he waves away. “Cloves? That’s a weird choice.”

“Just something I picked up along the way.”

He hears you again: They’re what she used to smoke. It helps me heal to hurt myself with something that reminds me of her. Sometimes I chain-smoke clove cigarettes and I don’t wash the smell from my hands, my clothes, my hair, because it makes me feel less alone.

So he asks, “Was it real?”

“Doesn’t matter,” you answer, flicking the wheel of your lighter, words spoken around the cigarette stuck between your lips. “It never had a chance. Not a real one, anyway.”

“Do your parents know?”

“Know what? That I went away to college and started fucking women?” Jeongguk shrugs. Has the audacity to look embarrassed. “What are you trying to ask me? You wanna know if I keep coming back to you because I’m scared to come out to my parents?”

“No. I don’t know. I just—”

The laugh that escapes you is scorched and bitter. Sounds the way the tobacco tastes. “No, Jeongguk. I keep coming back to you because I keep hoping you’ll ask me to.” I keep hoping you still want me.

“I almost did,” he admits, and you can hear how he swallows around the lump in his throat. “The first time.”

“When you were a dick about me sleeping with someone else? Yeah, okay. You didn’t want me back, you just didn’t want me to be with anyone else.”

He huffs. “How the fuck do you know what I want? You’ve never bothered to ask.”

“Because it doesn’t matter,” comes your response, stilted and practiced. “It doesn’t matter what we want, because we’re just going to keep hurting one another trying to get it right.” You suck in a breath, wipe furiously at the tears on your cheeks. “And we’re never going to.”

“You don’t know that.”

“Then ask.” Jeongguk startles, looks at you with wide eyes. “Ask me to come back for real, Jeongguk, and I will.”

A beat of silence.

Two, three, four.

Someone sets off another round of fireworks. A dog barks. It’s so cold that you can see Jeongguk’s breath each time he exhales, each time he breathes out instead of speaking. All the words he isn’t saying. And it’s exactly how you knew it would go, but it does nothing to tamp down the devastation in your chest.

You’d confessed your transgressions to Jimin and thought your silence to your ex-girlfriend was a gift, that it was sparing her the pain of what you’d done. Now you understand that someone’s silence can be the most vicious thing of all.

[ the last. ] Graduation looms. It’s the last winter break you’re spending at home.

Your therapist suspects you get your compartmentalism from your parents.

They don’t mention it. They see the stack of boxes and your bare bedroom walls and they don’t say a word about any of it. They watch you pack everything in your car and don’t offer to help. They process their grief silently, and when you can’t stand it anymore, you say, “I dated a woman my senior year of undergrad, you know.”

They don’t say anything to that, either, but it feels good to tell them. Feels a little like freedom and reclamation, like you can be who you are in front of others.

When you leave for good, you don’t want to repackage all those same skeletons.

So you meet Jimin for lunch and you take it in stride that everything is weird, that there’s nearly two years of silence to fill. You don’t ask for forgiveness and he doesn’t demand it of you, just asks if you’re doing better. “I’m doing the best I can,” you answer, and it’s human and honest enough that he accepts it with a warm smile.

Jeongguk is more difficult.

There’s no way to neatly box up that kind of baggage.

You’d intended to stop by his apartment to talk, tell him you aren’t coming back anymore. There’s nothing left here for you, you’d told him, and there was a flash of something. A there’s me, isn’t there? that had gone unsaid, destined for the same fate as a million other unspoken words between you.

Because there is him, but there’s also the way you’re desperately trying to claw back into something resembling normalcy. You’d lost yourself when you also lost Jeongguk, and you need to figure out who you are without him. You need to know who you are once you stop running and let your demons catch up with you. You need to hear what they have to say.

Maybe Jeongguk had said it best last year—“It’s not that easy. I’d do it if I could.”—because you’re nothing if not predictable and self-destructive.

You’re nothing if not naked and on your back beneath him, your fingers threaded through his hair as he rocks his hips into you, more tender than you deserve. His lips are ghosting along your skin and every press feels like a brand. Feels like he’s both making a mockery of you and declaring you ruined for anyone who might come after him. Feels like you’ll love him until you die.

(Some version of you must exist outside of Jeongguk’s grasp—outside of his orbit, his bed—but right now, as he twines your fingers together and pins them above your head, you can’t figure out who she might be.)

Eight months had been a long time to think of all the things you wanted to say, and four years is worse. Four years, and you still can’t bring yourself to ask him to try again, but there’s nothing after this, nothing to lose, so your voice is hoarse and raw when you say, “Jeongguk,” and he groans a little, nips at the column of your throat because he loves the way you say his name. “Jeongguk,” you repeat, because he senses the urgency, hears what you aren’t saying.

“Yeah, baby, say it. Whatever it is, tell me.”

He rolls his hips faster. Before, he would’ve tried to prolong the ending, but he’s hurtling towards it now. There’s nothing after this, you know, but you need the confirmation. You need to finally put all of this to rest. “I want to—” His cock strokes someplace that whites out your vision. “Fuck, want to—want you to come with me.”

He laughs, full of himself, probably smirking out the side of his mouth. “Keep squeezing me like that and I will soon.”

“No,” you insist, shocked at the conviction in your voice, “when I leave. Come with me.”

Everything slows. Jeongguk pulls back, moves his hands to cover himself, and there’s nothing but cold confusion in his absence. “What?”

“I didn’t ask you before. Last year. I just—I left it up to you, and you’re right, I didn’t ask what you wanted, but I didn’t tell you what I wanted, either. But I’m telling you now. I’m asking—”

There was never going to be anything after this.

Jeongguk’s silence says it all.

The way he pulls out and rolls you onto your stomach. The way he fucks as fast and as hard as he can. The way he used to love you openly and honestly and now holds whatever’s left close to his chest like it’s something to be ashamed of.

Someone’s silence can always be the most vicious thing of all.

Roll credits.

thank you so much for reading, and an additional thank you in advance if you decide to reblog my work. as always, my inbox is always open for any feedback! ♡

#jungkook x reader #jungkook x you #jungkook x y/n #jungkook imagine #jungkook angst #jungkook smut #jungkook fanfic #bts x reader #bts x you #bts angst #bts smut #bts scenarios #bts imagines #bts fanfic

[struggle-but-its-all-ocean-floor]

Please don't apologise for the rant!

It was an interesting read and everything you said made a lot of sense!

I feel really disappointed with the direction jungkook's taking tbh. His album and solo projects were the ones I was looking forward to the most since the second bts announced their hiatus and the fact that they were all going to release solo projects.

But now it's less than a month before his album debut and I'm hardly looking forward to it at all, because none of it seems to be the kind of music I could vibe with (even though his solo songs under the bts label were my favourites lol. I recognise that's a me problem but it does feel like outside of twitter a lot of people feel this way, more so than with the other members' solo works).

That might change once we receive the name of the tracks and the features and stuff, but we'll see.

Also, I think releasing 3D was honestly a bad idea because of the timing. Seven was (and is still) doing REALLY well. Super catchy, most people loved it, and it WAS new and unexpected. but the focus shifted a bit to 3D, except not everyone focused on the main version, and you can tell it's not gonna be as big of a hit.

You also mentioned on another post how the concept photos for golden appear to be very similar to seven and 3D and I can't agree more.

When you do the same thing more than once in a short period of time in a row, the hype becomes a little less because the surprise/anticipation factor is less, y'know?

Idk, I'm aware Jungkook was chilling and enjoying his break (and good for him) but that did mean he got less time to release a lot of content, so the whole idea of trying to release 2 big singles and then an album in 5 months doesn't seem like a good idea.

they could've kept it at one single with a lesser known artist (everything you pointed out about Latto is true)

and then released his album 5 months later with a slightly different vibe. Because now by the time 3D will become more accepted and more known by the general public, his album will release and the focus will be on the title track.

The timing and really everything surrounding 3D was bad all round (except for the alternate version and the performance for that because I agree it was 100 times much better)

Sorry I feel like I'm being far too negative and that frustrates me as well, I just...Jk has so much potential and is such a great singer but some of these decisions I feel won't properly help him in the long run, you know?

And especially knowing the album will likely follow the same formula as well. But he's accomplishing what he said he wanted so I guess that's something.

No, you aren't being too negative! If you are, I am too, and you're being more positive than me! The timing with 3D did suck. If you just think of it as a "gift" for the fans who were waiting for more music, then it didn't suck. From a business perspective, it wasn't the best move. The main issue was really the feature imo (though 3D's sound was never going to make a splash). Had 3D been announced as a solo, there would've been some of that shock/surprise factor and a lot more anticipation since we're all waiting for a real solo release. That would've been something to look forward to and to generate hype. A better MV would've helped too. At least 3D is kinda helping Seven in the charts...? It's gone number 1 on Spotify Global twice ever since 3D came out haha.

I'm really hoping that the album will surprise me! Tbh, boring concept photos are a BTS thing. It probably doesn't just happen to them, but I think Dynamite and Butter were the last eras to have exciting promo pics that had everyone talking about them. The concept/promo pics for Proof, for example, were super boring imo. I didn't even care for Jimin's Face promo pics and I remember a lot of people liking them. I don't think Big Hit is the best when it comes to that.

Let's see what happens, anon!

Thanks for the ask!

#ask #bts #jungkook #text #thanks for the ask!

[caramellohigh]

bunnyhybrid!jeonghan x reader

genre: (eventual) smut, (a generous amount of?) angst, fluff, hybrid!au

warning/s: none for this chapter

word count: 1.1k

synopsis: Minghao impulsively adopts a hybrid for you and you hate him for it. But after getting to know your new hybrid, you realized it wasn’t such a bad idea after all. You’ve gained a new friend, a companion and… perhaps more?

a/n: waddup sweet peas. welcome, welcome! how’re we doing after the MV drop, album release and first comeback stage? it's been hours since then but i'm still not over it TT_TT hope y’alls are doing better than i am though lol also hope the first chap’s interesting enough for you to comeback! please leave some feedback if you could. my ask is always open <3

also, i based this whole story off this picture i found on twt but it’s buried somewhere in my camroll :’) i’ll rb if i find it lol

Chapter 1

“You need a companion!”

“No, I fucking don’t!”

You’re pissed, brows furrowed angrily, gripping your phone a little tighter than you should be. You just don’t fucking get it. You and your best friend were just catching up with each other, talking about random things, then he so casually says, “Oh, by the way, I got you a hybrid!”

A what? What the fuck has gotten into him? Why’d he make such a random decision? And without consulting you about it too!

“Well, I already adopted him under your name. You don’t have a choice!” You could only groan. “Gee, thanks a lot, best friend. So nice of you to make decisions for me.” Hao says your name in warning and you roll your eyes even if he can’t see, “I just-- Why would you do that? I literally killed the cactus you gave me a few months ago... How do you expect me to take care of a whole hybrid?!”

“You can, okay? This’ll be good for you!”

Good for you? You have no idea what he’s talking about. How the fuck is giving you more responsibility going to be good for you?

“Doubt it.”

“Just--”

Minghao pauses and sucks in a deep breath. He’s usually a very calm and level-headed person but you really do test his patience sometimes. Clearing his throat, he tries again in a softer voice, “Just start cleaning up now so your place will be ready for tomorrow, alright? We’ll probably get there just in time for lunch.”

You groan again and cross your arms over your chest, phone haphazardly placed between your shoulder and ear, “Whatever. I’m hanging up.” And you do, hearing him shout, “Clean!” into the receiver before you let your phone drop onto your couch.

Your head whips around your unruly living room, which is definitely not the only part of your apartment that is a total mess right now. No, you’re not a total slob. In fact, cleaning is one of the things you do to relieve stress. It’s just that you haven’t been feeling the best lately so your home has been neglected.

A sense of dread floods your system, urging you to heave a deep sigh.

Cleaning your entire place is one thing but your best friend’s little news for you is a completely different story, a completely different headache. Stupid Hao and his stupid attempt to help you feel better. You appreciate his concern for you, you really do, but you don’t understand the need to bring someone in your life so suddenly like this.

“You need a companion,” he said.

“It’ll be good for you,” he said.

Bullshit.

You hate him so much right now you can’t even begin to describe it! But still... you no longer have a choice. It’s not like you can turn the hybrid down and send him back to the shelter. You don’t have the heart to do that...

Defeated, you lift your butt off the couch, scanning the area once again as roll your sleeves up to your elbows and try to figure out where the fuck you were even going to start.

The next day, you wake up feeling grumpy and uneasy at the exact same time, the two clashing emotions creating an uncomfortable whirlpool inside of you. You’re still pissed at your best friend for randomly getting you a fucking hybrid (you don’t even know what kind yet) but you’re also nervous as fuck about actually meeting them.

Just the thought of sharing the same roof with a living being again makes your palms all sweaty. You’ve lived alone for so long you’ve forgotten what it’s like to have someone else around the house. Or more accurately, you’ve just been so used to being alone; period.

You barely talk or socialize with anyone unless it’s work-related or if it’s Minghao so you don’t quite know how you’re going to adjust to all this. “It’ll be fine! No big deal. You’ve had roommates before. It’s fine…” you mumble to yourself, looking at the mirror saying one thing but thinking another, wringing your hands.

Beep. Beep. Beep. Beep. Click.

“We’re here!” You let out a tiny yelp at Minghao’s volume. You can hear him lugging something heavy into your apartment, followed by a small thud of another something being dropped on your coffee table. “Shit! Okay, uhm...” Fidgeting with your clothes and hair one last time, you finally leave your bedroom.

“You can set that in the corner over the– Oh, hey!” Hao sends you a bright smile the moment he sees your head poking out the corner. He automatically opens his arms, meeting you halfway to give you a big hug.

You smile right back at him and wrap your arms around him tightly. You want to cry. You want to just stand there and never let your best friend go because as much as you hate to admit it, you missed him so, so much, way more than you expected.

After what you’ve been through a couple days back, his embrace meant the absolute world and you had no idea you needed it until this very moment. Everything you felt prior, the annoyance, the nerves and doubts, seemed to just evaporate into thin air.

“It’s so good to see you, Hao,” you mumble, eyes closing to savor his warmth and comfort. “You too, missy. I’m sorry I can’t visit often...” he mumbles back, hugging you a little tighter. There’s a few beats of silence between you but it’s filled with quiet affection and solace.

Gently, you pat his back and pull away, giving his arms a light squeeze as a way to silently assure him that it’s okay. He sighs, nodding before turning around, “Come over here, Han. Lemme introduce you to your new owner.”

Oh, right… You almost forgot what he’s actually here for.

You unconsciously gulp as you shift your eyes to look at the figure by the door, your new hybrid companion offering you a timid smile the moment your eyes lock. He takes a few steps closer, a box of his belongings in arms. You try to reciprocate his smile but you’re too in your head to actually do it, a whole epiphany unfolding before you.

He’s literally just... a guy with some physical features of his animal counterpart, some dude with floppy bunny ears slack against his head. His bright yet naturally droopy eyes stare into yours, dancing at the sight of you.

“This is Jeonghan, your new bunny hybrid!”

You can’t exactly see it but his tail raises happily behind him at the introduction. “Hi,” he murmurs, giving you a small wave with his adorable sweater paw. You’re not processing much right now but one thing’s for sure: he’s fucking adorable. You actually want to squeal.

He walks further into your home and sets the box he’s holding to the side while you pull yourself together enough to dumbly stutter out your name. He repeats in a soft voice, nn angelic smile tugging on his face.

previous | next | m.list

#jeonghan #yoon jeonghan #seventeen #svt #jeonghan imagines #seventeen imagines #jeonghan drabble #seventeen drabble #miracle-bunny

[mostlysignssomeportents]

Recommendation engines and "lean-back" media

In William Gibson’s 1992 novel “Idoru,” a media executive describes her company’s core audience:

“Best visualized as a vicious, lazy, profoundly ignorant, perpetually hungry organism craving the warm god-flesh of the anointed. Personally I like to imagine something the size of a baby hippo, the color of a week-old boiled potato, that lives by itself, in the dark, in a double-wide on the outskirts of Topeka. It’s covered with eyes and it sweats constantly. The sweat runs into those eyes and makes them sting. It has no mouth…no genitals, and can only express its mute extremes of murderous rage and infantile desire by changing the channels on a universal remote. Or by voting in presidential elections.”

It’s an astonishingly great passage, not just for the image it evokes, but for how it captures the character of the speaker and her contempt for the people who made her fortune.

It’s also a beautiful distillation of the 1990s anxiety about TV’s role in a societal “dumbing down,” that had brewed for a long time, at least since the Nixon-JFK televised debates, whose outcome was widely attributed not to JFK’s ideas, but to Nixon’s terrible TV manner.

Neil Postman’s 1985 “Amusing Ourselves To Death” was a watershed here, comparing the soundbitey Reagan-Dukakis debates with the long, rhetorically complex Lincoln-Douglas debates of the previous century.

(Incidentally, when I finally experienced those debates for myself, courtesy of the 2009 BBC America audiobook, I was more surprised by Lincoln’s unequivocal, forceful repudiations of slavery abolition than by the rhetoric’s nuance)

https://memex.craphound.com/2009/01/20/lincoln-douglas-debate-audiobook-civics-history-and-rhetoric-lesson-in-16-hours/

“Media literacy” scholarship entered the spotlight, and its left flank — epitomized by Chomsky’s 1988 “Manufacturing Consent” — claimed that an increasingly oligarchic media industry was steering society, rather than reflecting it.

Thus, when the internet was demilitarized and the general public started trickling — and then rushing — to use it, there was a widespread hope that we might break free of the tyranny of concentrated, linear programming (in the sense of “what’s on,” and “what it does to you”).

Much of the excitement over Napster wasn’t about getting music for free — it was about the mix-tapification of all music, where your custom playlists would replace the linear album.

Likewise Tivo, whose ad-skipping was ultimately less important than the ability to watch the shows you liked, rather than the shows that were on.

Blogging, too: the promise was that a community of reader-writers could assemble a daily “newsfeed” that reflected their idiosyncratic interests across a variety of sources, surfacing ideas from other places and even other times.

The heady feeling of the time is hard to recall, honestly, but there was a thrill to getting up and reading the news that you chose, listening to a playlist you created, then watching a show you picked.

And while there were those who fretted about the “Daily Me” (what we later came to call the “filter bubble”) the truth was that this kind of active media creation/consumption ranged far more widely than the monopolistic media did.

The real “bubble” wasn’t choosing your own programming — it was everyone turning on their TV on Thursday nights to Friends, Seinfeld and The Simpsons.

The optimism of the era is best summarized in a taxonomy that grouped media into two categories: “lean back” (turn it on and passively consume it) and “lean forward” (steer your media consumption with a series of conscious decisions that explores a vast landscape).

Lean-forward media was intensely sociable: not just because of the distributed conversation that consisted of blog-reblog-reply, but also thanks to user reviews and fannish message-board analysis and recommendations.

I remember the thrill of being in a hotel room years after I’d left my hometown, using Napster to grab rare live recordings of a band I’d grown up seeing in clubs, and striking up a chat with the node’s proprietor that ranged fondly and widely over the shows we’d both seen.

But that sociability was markedly different from the “social” in social media. From the earliest days of Myspace and Facebook, it was clear that this was a sea-change, though it was hard to say exactly what was changing and how.

Around the time Rupert Murdoch bought Myspace, a close friend a blazing argument with a TV executive who insisted that the internet was just a passing fad: that the day would come when all these online kids grew up, got beaten down by work and just wanted to lean back.

To collapse on the sofa and consume media that someone else had programmed for them, anaesthetizing themselves with passive media that didn’t make them think too hard.

This guy was obviously wrong — the internet didn’t disappear — but he was also right about the resurgence of passive, linear media.

But this passive media wasn’t the “must-see TV” of the 80s and 90s.

Rather, it was the passivity of the recommendation algorithm, which created a per-user linear media feed, coupled with mechanisms like “endless scroll” and “autoplay,” that incinerated any trace of an active role for the “consumer” (a very apt term here).

It took me a long time to figure out exactly what I disliked about algorithmic recommendation/autoplay, but I knew I hated it. The reason my 2008 novel LITTLE BROTHER doesn’t have any social media? Wishful thinking. I was hoping it would all die in a fire.

Today, active media is viewed with suspicion, considered synonymous with Qanon-addled boomers who flee Facebook for Parler so they can stan their favorite insurrectionists in peace, freed from the tyranny of the dread shadowban.

But I’m still on team active media. I would rather people actively choose their media diets, in a truly sociable mode of consumption and production, than leaning back and getting fed whatever is served up by the feed.

Today on Wired, Duke public policy scholar Philip M Napoli writes about lean forward and lean back in the context of Trump’s catastrophic failure to launch an independent blog, “From the Desk of Donald J Trump.”

https://www.wired.com/story/opinion-trumps-failed-blog-proves-he-was-just-howling-into-the-void/

In a nutshell, Trump started a blog which he grandiosely characterized as a replacement for the social media monopolists who’d kicked him off their platforms. Within a month, he shut it down.

While Trump claimed the shut-down was all part of the plan, it’s painfully obvious that the real reason was that no one was visiting his website.

Now, there are many possible, non-exclusive explanations for this.

For starters, it was a very bad social media website. It lacked even rudimentary social tools. The Washington Post called it “a primitive one-way loudspeaker,” noting its lack of per-post comments, a decades old commonplace.

https://www.washingtonpost.com/technology/2021/05/21/trump-online-traffic-plunge/

Trump paid (or more likely, stiffed) a grifter crony to build the site for him, and it shows: the “Like” buttons didn’t do anything, the video-sharing buttons created links to nowhere, etc. From the Desk… was cursed at birth.

But Napoli’s argument is that even if Trump had built a good blog, it would have failed. Trump has a highly motivated cult of tens of millions of people — people who deliberately risked death to follow him, some even ingesting fish-tank cleaner and bleach at his urging.

The fact that these cult-members were willing to risk their lives, but not endure poor web design, says a lot about the nature of the Trump cult, and its relationship to passive media.

The Trump cult is a “push media” cult, simultaneously completely committed to Trump but unwilling to do much to follow him.

That’s the common thread between Fox News (and its successors like OANN) and MAGA Facebook.

And it echoes the despairing testimony of the children of Fox cultists, that their boomer parents consume endless linear TV, turning on Fox from the moment they arise and leaving it on until they fall asleep in front of it (also, reportedly, how Trump spent his presidency).

Napoli says that Trump’s success on monopoly social media platforms and his failure as a blogger reveals the role that algorithmically derived, per-user, endless scroll linear media played in the ascendancy of his views.

It makes me think of that TV exec and his prediction of the internet’s imminent disappearance (which, come to think of it, is not so far off from my own wishful thinking about social media’s disappearance in Little Brother).

He was absolutely right that this century has left so many of us exhausted, wanting nothing more than the numbness of lean-back, linear feeds.

But up against that is another phenomenon: the resurgence of active political movements.

After a 12-month period that saw widescale civil unrest, from last summer’s BLM uprising to the bizarre storming of the capital, you can’t really call this the golden age of passivity.

While Fox and OANN consumption might be the passive daily round of one of Idoru’s “vicious, lazy, profoundly ignorant, perpetually hungry organisms craving the warm god-flesh of the anointed,” that is in no way true of Qanon.

Qanon is an active pastime, a form of collaborative storytelling with all the mechanics of the Alternate Reality Games that the lean-forward media advocates who came out of the blogging era love so fiercely:

https://pluralistic.net/2020/08/06/no-vitiated-air/#other-hon

Meanwhile, the “clicktivism” that progressive cynics decried as useless performance a decade ago has become an active contact sport, welding together global movements from Occupy to BLM that use the digital to organize the highly physical.

That’s the paradox of lean-forward and lean-back: sometimes, the things you learn while leaning back make you lean forward — in fact, they might just get you off the couch altogether.

I think that Napoli is onto something. The fact that Trump’s cultists didn’t follow him to his crummy blog tells us that Trump was an effect, not a cause (something many of us suspected all along, as he’s clearly neither bright nor competent enough to inspire a movement).

But the fact that “cyberspace keeps everting” (to paraphrase “Spook Country,” another William Gibson novel) tells us that passive media consumption isn’t a guarantee of passivity in the rest of your life (and sometimes, it’s a guarantee of the opposite).

And it clarifies the role that social media plays in our discourse — not so much a “radicalizer” as a means to corral likeminded people together without them having to do much. Within those groups are those who are poised for action, or who can be moved to it.

The ease with which these people find one another doesn’t produce a deterministic outcome. Sometimes, the feed satisfies your urge for change (“clicktivism”). Sometimes, it fuels it (“radicalizing”).

Notwithstanding smug media execs, the digital realm equips us to “express our mute extremes of murderous rage and infantile desire” by doing much more than “changing the channels on a universal remote” — for better and for worse.

Image: Ian Burt (modified) https://www.flickr.com/photos/oddsock/267206444

CC BY: https://creativecommo

ns.org/licenses/by/2.0/

#pluralistic

[kingstylesdaily]

Harry Styles’ “Adore You” Is Everything a Music Video Should Be (Including Underappreciated by The VMAs)

KSD NOTE: there is a mention of suicide in regards to the beginning of Adore You.

On November 18, 2019, a website promoting a mysterious place called Eroda (“No Land Quite Like It”) arrived on the internet. Two days later, the official Twitter account for this fictional frown-shaped island began teasing local seaside attractions. You may have missed it, depending on which corners of the internet you choose to lurk, but not if you were a Harry Styles fan, a group that went into pure overdrive trying to figure out what it all meant.

I, for one, missed it at the time. I was unaware this account was cryptically quote tweeting fans as they tried to piece together what was happening, what it meant, and what it could be connected to (Greek Mythology and Lost were a couple of theories posed in comments, Twitter threads, and Reddit). Meanwhile, the Columbia Records marketing department had been hard at work for months, devising this specific and highly-detailed campaign around the music video for Styles’ second single, “Adore You” from his second solo album, Fine Line, ever since he shot the video in Scotland in August 2019 (Eroda = Adore backwards — clever!).

But it was all leading up to the morning of Friday, December 6 when the video was released, one week before the full-length album arrived. Up until that point, I had never seen an entire Harry Styles music video, but what happened next was inevitable. Somehow, as a self-proclaimed boy band scholar, I had never paid much attention to One Direction. I kept a distant eye on Styles since they disbanded, intrigued by the decisions he was making in his solo career. But I hadn’t yet realized I’d been in the ring all throughout the fall of 2019, fighting to resist the inevitable fascination that awaited. First came the jab of Rob Sheffield’s Rolling Stone profile, followed by the cross of “Lights Up”, a song that cracked my Top 20 most listened to songs of the year despite being released just two months before Spotify so thoughtfully compiled that personalized playlist. Then there was the hook of his SNL hosting stint in November (and bless you Bowen Yang for that Sara Lee sketch), which then leads us to the “Adore You” video, the uppercut and ultimate TKO. I surrendered in what felt like a near instant. I was now a Harry Styles fan. (If we’re following this analogy, I sat up to spit out some blood after seeing that cover of “Juice” before my head quickly hit the mat again with a loud thud).

Maybe it’s not quite remarkable that I took time out of a Friday morning to watch a music video, but that I sat at my desk, in an office, with other people around (back when we did those kinds of things) and proceeded to wipe away a few tiny tears from under my eyes by the end of it, was an experience I had not been through… maybe ever? In a world of lyric videos and TikToks, actual, thoughtful, impactful music videos with a full (and sweet!) story are about as rare as a glowing and growing fish these days.

Ultimately, “Adore You” does everything a music video should do. In nearly eight minutes, this video uses excellent visual effects in a cool and interesting way, tells a compelling and heartfelt story, is anchored by an irresistible leading man and an adorable sidekick, is backed up by the catchiest song you could ever dream of, and culminates with a touching and hopeful ending. It’s a treat for the eyes and the ears and the soul. It’s innovative and the kind of thing that begs you to watch it more than once to catch all the details (and yes, I do tear up every time).

So one would think that an award show with the specific purpose of celebrating this type of creativity would be extra sure to nominate such a charming and effective clip, but alas, “Adore You” was overlooked in the MTV Video Music Awards main categories this year. Of course, some could argue that that fact only adds to the video’s credibility but I’ll do my best to not be that petty as I’m still rooting for it to win in the three technical categories where it picked up nominations: Best Visual Effects by Mathematic, Best Art Direction by Laura Ellis Cricks, and Best Direction by Dave Meyers, who remains one of the most inventive and influential directors of all time and whose videos with artists such as Missy Elliot, Pink, and Kendrick Lamar have been racking up nominations for nearly 20 years now. He also saw four other videos he directed get recognized this year: Normani’s “Motivation” (Best Chorography), Travis Scott’s “Highest in the Room” (Best Hop Hop and Best Visual Effects), Anderson .Paak’s “Lockdown” (Video For Good), and Camila Cabello feat. DaBaby’s “My Oh My” (Best Cinematography).

But I reached out to Meyers to specifically ask about the intricate details of “Adore You” and how it all came to be; how he captured such a vibe with the overcast and dreary weather, mixed so wonderfully with the charming oddities of the people that make up this world of Eroda. In addition to directing the video, he also co-wrote the story with Chris Shafer and said, “It’s the first idea that popped to mind after the first listen to the song, and the first idea I pitched to Harry. It was a story that underscored my understanding of what Harry stood for and felt it was necessary to tell it as a narrative to convey his optimism.”

The extended version of the video starts with a two-and-a-half-minute introduction to the world of Eroda, narrated by Rosalia. This includes the “peculiar” people and their professions on the island, meeting The Boy (Styles) and his glowing smile that most people try to avoid, and the quirky superstitions these people continue to live by. “It all served a purpose,” Meyers said of the details. “The superstitions were a set up for how society generally reacts to different things. They fear change or oddity, even if it’s what’s best for them.”

Meyers, however, did not share in that fear, as much of this video provided for interesting and new opportunities he had yet to experience throughout his decades-long career, which he listed off: ”Compelling narrative, CG character, remote location, Scottish crew (nothing phased them),” also noting that all of the other characters in the video were locals as well. So perhaps they were less fazed by the atmosphere across the four-day shoot in Scotland, but as Meyers recalled, the “weather was nuts. It rained every 20 minutes, then the sun, then cloud over.”

However, it’s likely that Mother Nature is also a Styles fan, as Meyers recalled, “I seem to remember going up on the hill for Harry’s picnic with the fish and being worried that it was so gloomy. By the time we came to shoot, the sun came out. And then the sun went away as soon as the scene was over. Similarly, we had the worst storm when Harry was contemplating suicide at the start. Pouring rain, drenching him. So I guess in that sense it was fun watching how Scotland provided a backdrop for the emotions we were after.”

And hey, at least they had the weather on their side to add to the mood while shooting the video, as one of their main characters, well, didn’t exist. “It was very odd shooting with no fish,” Meyers admitted. “But was quite rewarding later seeing it dropped in and making empathic sense to the story we were after.”

Of course, the main character they did have on hand is an awfully useful and appealing one at that. Fans became enamored with the moment Styles uses the back of his hand to check the temperature of a coffee pot before dumping the fish inside the water so it could stay alive. I asked Meyers about this particular moment and he said, “The problem we had was apparent when Harry ran in and threw the fish in the pot. We all sorta felt — well, what if it was hot? So I believe Harry improvised that as a solution and we felt it was perfect for the character’s sensitivity and consideration for this poor fish.” And that’s not the only nice thing he does for his fish friend — he also serves him a tiny taco! “The taco was a whimsical way to express friendship between Harry and the fish,” Meyers offered. It looked pretty tasty, too.

The entire video serves as a showcase for what Styles does best and what makes him such a unique artist: his music, his acting, and his charisma, which Meyers knew would offer him a lot to work with. “Harry is a leading man. I felt that from my first meeting and wanted to play with his wonderful range of emotions. So finding a story with a real character arc was part of my focus in building this world.” Meyers described working on “Adore You” as an “all-around memorable shoot: awesome location, lovely Harry, compelling story, great effects, and… it worked.”

It did. And it was a risk: a video this complex and detailed (and one has to assume, costly), attached to a marketing campaign that proved to be even more involved, still came with no guarantee that the fans wouldn’t shrug it off. But as Manos Xanthogeorgis, SVP of Digital Marketing & Media at Columbia Records told Billboard last year, “When you have a video and a piece of art at such a level, it’s an incredible challenge for the rest of the team to build a campaign at that same level of artistry and creativity.” Oh, and that was only step one, as the marketing team engaged in “real-time marketing” with fans online, ensuring they would continue to remain engaged by dropping clues and clips in the lead-up to the video premiere and subsequently the album. “This whole campaign was around mystery and sometimes mystery is more powerful than knowledge,” Xanthogeorgis said. The Twitter handle has remained active throughout 2020, used as a continual marketing tool for Styles’ next videos including the Meyers-directed “Falling” and this summer’s hit, “Watermelon Sugar.”

With that kind of fan engagement, “Adore You” seemed like a no-brainer for the fan-voted categories of the VMAs this year, as they surely would’ve turned out to vote just as feverishly for this video as they did when searching for clues (about a made-up island, at that!). But hey, maybe MTV was just not interested in massive fan engagement this year — after all, it’s not like everything Styles does, including growing freakin’ facial hair, has the internet in a tizzy for weeks. Ultimately, as the impact of music videos (and certainly the ceremony celebrating them) continues to lose relevance, the disregard of this specific project simply feels like a missed opportunity to acknowledge a rare achievement in the art form.

While Meyers was sure to describe his inclusion in the VMA nominations this year as “lovely and flattering” (and he better have a moonperson in his possession this time next week, MTV!) it’s still puzzling why “Adore You” wouldn’t be included in the big categories, considering Styles is squarely within their demo, at the very least. That “Adore You” is also a technical and storytelling masterpiece, as well as a full moment that was used as inspiration both for the experience online and in-person at the Fine Line Spotify listening party last December, that also comes packed with one of the most enthusiastic groups of fans around, well, that should have had the entire network drooling.

Of course, some of this can simply be chalked up to a perfect storm. As far as his singles go, “Lights Up” was a nice appetizer, but “Adore You” remains the delicious entree (you already know what’s for dessert). “Adore You” is a perfect pop record if I’ve ever heard one (and I have) and deserved a special video. A Chris Isaak “Wicked Game” sexy vibe wasn’t going to work here. The song tells the story of such passionate, pure, and heartachingly naive and innocent love that it almost had to be directed toward a non-human being. Instead, Styles chose to inject those same carefree, sweaty, sticky, delicious, whimsical beach vibes into the “Watermelon Sugar” clip, which was the right choice, and not just for the summertime season (MTV has since added the Song of Summer category to the VMAs and included “Watermelon Sugar”).

But it’s “Adore You” that has melodies that bring a smile to the faces of babies, get your toes tapping even when you hear it in the dentist’s chair, and likely has my neighbors rolling their eyes when I sing along to it in the shower. The song is so simple it’s deep, a theme reflected in the video, as is the central reminder to help and care for others, a thoroughly 2020 message.

However, not all is lost. Both “Adore You” and “Watermelon Sugar” continue to rack up major spins at radio with the latter hitting number one on the Billboard charts earlier this month. Grammy voting kicks off at the end of September and Academy members should take note. Not only is Fine Line more than worthy of being acknowledged, but having Styles on hand to potentially collect trophies and perform is in your best interest when it comes to viewers and online chatter. Do not wait to take him seriously. This is the album, this is the time. Prove that you aren’t a bunch of stodgy old white men who think he’s just for teen (and um, thirty-something) girls, but that you understand the music he enjoys, is inspired by, and subsequently makes, is the same rock music you appreciate as well. An artist like Styles can be both of those things at the same time, and really, the best of both worlds. Give the album a listen, and then one more to let it all sink in. If you have not yet succumbed to the force that is Harry Styles fandom, I truly can’t recommend it enough — and please know that it will get you eventually.

Source: Decider.com

#kingstylesdaily #Harry Styles #hs: news #hs: adore you #August 2020 #Decider

[hlupdate]

On November 18, 2019, a website promoting a mysterious place called Eroda (“No Land Quite Like It”) arrived on the internet. Two days later, the official Twitter account for this fictional frown-shaped island began teasing local seaside attractions. You may have missed it, depending on which corners of the internet you choose to lurk, but not if you were a Harry Styles fan, a group that went into pure overdrive trying to figure out what it all meant.

I, for one, missed it at the time. I was unaware this account was cryptically quote tweeting fans as they tried to piece together what was happening, what it meant, and what it could be connected to (Greek Mythology and Lostwere a couple of theories posed in comments, Twitter threads, and Reddit). Meanwhile, the Columbia Records marketing department had been hard at work for months, devising this specific and highly-detailed campaign around the music video for Styles’ second single, “Adore You” from his second solo album, Fine Line, ever since he shot the video in Scotland in August 2019 (Eroda = Adore backwards — clever!).

But it was all leading up to the morning of Friday, December 6 when the video was released, one week before the full-length album arrived. Up until that point, I had never seen an entire Harry Styles music video, but what happened next was inevitable. Somehow, as a self-proclaimed boy band scholar, I had never paid much attention to One Direction. I kept a distant eye on Styles since they disbanded, intrigued by the decisions he was making in his solo career. But I hadn’t yet realized I’d been in the ring all throughout the fall of 2019, fighting to resist the inevitable fascination that awaited. First came the jab of Rob Sheffield’s Rolling Stoneprofile, followed by the cross of “Lights Up”, a song that cracked my Top 20 most listened to songs of the year despite being released just two months before Spotify so thoughtfully compiled that personalized playlist. Then there was the hook of his SNL hosting stint in November (and bless you Bowen Yang for that Sara Lee sketch), which then leads us to the “Adore You” video, the uppercut and ultimate TKO. I surrendered in what felt like a near instant. I was now a Harry Styles fan. (If we’re following this analogy, I sat up to spit out some blood after seeing that cover of “Juice” before my head quickly hit the mat again with a loud thud).

Maybe it’s not quite remarkable that I took time out of a Friday morning to watch a music video, but that I sat at my desk, in an office, with other people around (back when we did those kinds of things) and proceeded to wipe away a few tiny tears from under my eyes by the end of it, was an experience I had not been through… maybe ever? In a world of lyric videos and TikToks, actual, thoughtful, impactful music videos with a full (and sweet!) story are about as rare as a glowing and growing fish these days.

Ultimately, “Adore You” does everything a music video should do. In nearly eight minutes, this video uses excellent visual effects in a cool and interesting way, tells a compelling and heartfelt story, is anchored by an irresistible leading man and an adorable sidekick, is backed up by the catchiest song you could ever dream of, and culminates with a touching and hopeful ending. It’s a treat for the eyes and the ears and the soul. It’s innovative and the kind of thing that begs you to watch it more than once to catch all the details (and yes, I do tear up every time).

So one would think that an award show with the specific purpose of celebrating this type of creativity would be extra sure to nominate such a charming and effective clip, but alas, “Adore You” was overlooked in the MTV Video Music Awards main categories this year. Of course, some could argue that that fact only adds to the video’s credibility but I’ll do my best to not be that petty as I’m still rooting for it to win in the three technical categories where it picked up nominations: Best Visual Effects by Mathematic, Best Art Direction by Laura Ellis Cricks, and Best Direction by Dave Meyers, who remains one of the most inventive and influential directors of all time and whose videos with artists such as Missy Elliot, Pink, and Kendrick Lamar have been racking up nominations for nearly 20 years now. He also saw four other videos he directed get recognized this year: Normani’s “Motivation” (Best Chorography), Travis Scott’s “Highest in the Room” (Best Hop Hop and Best Visual Effects), Anderson .Paak’s “Lockdown” (Video For Good), and Camila Cabello feat. DaBaby’s “My Oh My” (Best Cinematography).

But I reached out to Meyers to specifically ask about the intricate details of “Adore You” and how it all came to be; how he captured such a vibe with the overcast and dreary weather, mixed so wonderfully with the charming oddities of the people that make up this world of Eroda. In addition to directing the video, he also co-wrote the story with Chris Shafer and said, “It’s the first idea that popped to mind after the first listen to the song, and the first idea I pitched to Harry. It was a story that underscored my understanding of what Harry stood for and felt it was necessary to tell it as a narrative to convey his optimism.”

The extended version of the video starts with a two-and-a-half-minute introduction to the world of Eroda, narrated by Rosalia. This includes the “peculiar” people and their professions on the island, meeting The Boy (Styles) and his glowing smile that most people try to avoid, and the quirky superstitions these people continue to live by. “It all served a purpose,” Meyers said of the details. “The superstitions were a set up for how society generally reacts to different things. They fear change or oddity, even if it’s what’s best for them.”

Meyers, however, did not share in that fear, as much of this video provided for interesting and new opportunities he had yet to experience throughout his decades-long career, which he listed off: ”Compelling narrative, CG character, remote location, Scottish crew (nothing fazed them),” also noting that all of the other characters in the video were locals as well. So perhaps they were less fazed by the atmosphere across the four-day shoot in Scotland, but as Meyers recalled, the “weather was nuts. It rained every 20 minutes, then the sun, then cloud over.”

However, it’s likely that Mother Nature is also a Styles fan, as Meyers recalled, “I seem to remember going up on the hill for Harry’s picnic with the fish and being worried that it was so gloomy. By the time we came to shoot, the sun came out. And then the sun went away as soon as the scene was over. Similarly, we had the worst storm when Harry was contemplating suicide at the start. Pouring rain, drenching him. So I guess in that sense it was fun watching how Scotland provided a backdrop for the emotions we were after.”

And hey, at least they had the weather on their side to add to the mood while shooting the video, as one of their main characters, well, didn’t exist. “It was very odd shooting with no fish,” Meyers admitted. “But was quite rewarding later seeing it dropped in and making empathic sense to the story we were after.”

Of course, the main character they did have on hand is an awfully useful and appealing one at that. Fans became enamored with the moment Styles uses the back of his hand to check the temperature of a coffee pot before dumping the fish inside the water so it could stay alive. I asked Meyers about this particular moment and he said, “The problem we had was apparent when Harry ran in and threw the fish in the pot. We all sorta felt — well, what if it was hot? So I believe Harry improvised that as a solution and we felt it was perfect for the character’s sensitivity and consideration for this poor fish.” And that’s not the only nice thing he does for his fish friend — he also serves him a tiny taco! “The taco was a whimsical way to express friendship between Harry and the fish,” Meyers offered. It looked pretty tasty, too.

The entire video serves as a showcase for what Styles does best and what makes him such a unique artist: his music, his acting, and his charisma, which Meyers knew would offer him a lot to work with. “Harry is a leading man. I felt that from my first meeting and wanted to play with his wonderful range of emotions. So finding a story with a real character arc was part of my focus in building this world.” Meyers described working on “Adore You” as an “all-around memorable shoot: awesome location, lovely Harry, compelling story, great effects, and… it worked.”

It did. And it was a risk: a video this complex and detailed (and one has to assume, costly), attached to a marketing campaign that proved to be even more involved, still came with no guarantee that the fans wouldn’t shrug it off. But as Manos Xanthogeorgis, SVP of Digital Marketing & Media at Columbia Records told Billboard last year, “When you have a video and a piece of art at such a level, it’s an incredible challenge for the rest of the team to build a campaign at that same level of artistry and creativity.” Oh, and that was only step one, as the marketing team engaged in “real-time marketing” with fans online, ensuring they would continue to remain engaged by dropping clues and clips in the lead-up to the video premiere and subsequently the album. “This whole campaign was around mystery and sometimes mystery is more powerful than knowledge,” Xanthogeorgis said. The Twitter handle has remained active throughout 2020, used as a continual marketing tool for Styles’ next videos including the Meyers-directed “Falling” and this summer’s hit, “Watermelon Sugar.”

With that kind of fan engagement, “Adore You” seemed like a no-brainer for the fan-voted categories of the VMAs this year, as they surely would’ve turned out to vote just as feverishly for this video as they did when searching for clues (about a made-up island, at that!). But hey, maybe MTV was just not interested in massive fan engagement this year — after all, it’s not like everything Styles does, including growing freakin’ facial hair, has the internet in a tizzy for weeks. Ultimately, as the impact of music videos (and certainly the ceremony celebrating them) continues to lose relevance, the disregard of this specific project simply feels like a missed opportunity to acknowledge a rare achievement in the art form.

While Meyers was sure to describe his inclusion in the VMA nominations this year as “lovely and flattering” (and he better have a moonperson in his possession this time next week, MTV!) it’s still puzzling why “Adore You” wouldn’t be included in the big categories, considering Styles is squarely within their demo, at the very least. That “Adore You” is also a technical and storytelling masterpiece, as well as a full moment that was used as inspiration both for the experience online and in-person at the Fine Line Spotify listening party last December, that also comes packed with one of the most enthusiastic groups of fans around, well, that should have had the entire network drooling.

Of course, some of this can simply be chalked up to a perfect storm. As far as his singles go, “Lights Up” was a nice appetizer, but “Adore You” remains the delicious entree (you already know what’s for dessert). “Adore You” is a perfect pop record if I’ve ever heard one (and I have) and deserved a special video. A Chris Isaak “Wicked Game” sexy vibe wasn’t going to work here. The song tells the story of such passionate, pure, and heartachingly naive and innocent love that it almost had to be directed toward a non-human being. Instead, Styles chose to inject those same carefree, sweaty, sticky, delicious, whimsical beach vibes into the “Watermelon Sugar” clip, which was the right choice, and not just for the summertime season (MTV has since added the Song of Summer category to the VMAs and included “Watermelon Sugar”).

But it’s “Adore You” that has melodies that bring a smile to the faces of babies, get your toes tapping even when you hear it in the dentist’s chair, and likely has my neighbors rolling their eyes when I sing along to it in the shower. The song is so simple it’s deep, a theme reflected in the video, as is the central reminder to help and care for others, a thoroughly 2020 message.

However, not all is lost. Both “Adore You” and “Watermelon Sugar” continue to rack up major spins at radio with the latter hitting number one on the Billboard charts earlier this month. Grammy voting kicks off at the end of September and Academy members should take note. Not only is Fine Line more than worthy of being acknowledged, but having Styles on hand to potentially collect trophies and perform is in your best interest when it comes to viewers and online chatter. Do not wait to take him seriously. This is the album, this is the time. Prove that you aren’t a bunch of stodgy old white men who think he’s just for teen (and um, thirty-something) girls, but that you understand the music he enjoys, is inspired by, and subsequently makes, is the same rock music you appreciate as well. An artist like Styles can be both of those things at the same time, and really, the best of both worlds. Give the album a listen, and then one more to let it all sink in. If you have not yet succumbed to the force that is Harry Styles fandom, I truly can’t recommend it enough — and please know that it will get you eventually.

#harry styles #articles #270820 #tw suicide mention

[0rsine]

The kings of 4th generation: ENHYPEN

✧ ִֶָ Enhypen ִֶָ ✧

Is a new kpop group that was formed through a survival show that started in july 20th called I-land, transmitted by Belift, a South Korean entertainment company. In this program 23 members participated, but only 7 of them won: Yang Jungwon (Jungwon), Lee Heeseung (Heeseung), Park Jongseong (Jay), Park Sunghoon (Sunghoon), Kim Sunoo (Sunoo), Nishimura Riki (Ni-ki), Shim Jaeyoon (Jake). The results were confirmed on september 18th and could have been different because 80% of votes were from the fans and only 20% of the judges. It should have never ended… because the members and fans were sad after because they had a lot of affection for each other after being together for such a long time.

The positions of the members in the group are: Jungwon is the leader he is a vocalist and dancer, Heeseung is the main vocalist and main dancer, Jay, Jake and Sunghoon are rappers, a vocalists and dancers, Sunoo is a vocalist and dancer and the last, the maknae (youngest member) is Niki, he is the main dancer and rapper.

The fandom is called ‘Engene’ of ‘engine’ in english. The meaning is ‘the engine that helps them grow and continue’. We all love it because we feel part of Enhypen, like a family.

BORDER: DAY ONE ˖ ָ࣪➹

Album debut

The debut album is the first one that the group released on november 30th. It's called ‘Border: Day one’. The album consists of six tracks, including the lead single ‘Given-Taken’ and the 3 others songs ‘Let in me’, ‘10 months’ and ‘Flicker’, not including the intro and outro which aren't songs. The principal song is Given-Taken and the concept is vampires, so in the MV (how we call the music video) they are a kind of experiment. The visuals are really crazy and amazing. It could have won the best MV of the year but sadly, it didn't happen because it didn't get enough views.

The album won a lot of awards in South Korea. Some of the most important are ‘Seoul Music Awards: Rocky of the year’, ‘Golden Disc Award: Artist of the year’ and ‘New artist of the year: physical sales-Border: Day One’ with the most pre-orders having surpassed 150,000 copies in just two days. We thought that couldn’t have been better, but it was, and after fifteen days pre-orders had surpassed 300,000 copies.

One of the best decisions I've made this year was stanning enhypen (how we say to follow a kpop group). Just one week after I became a fan I spent a lot of money on albums and merchandise. I must have been sure already of how much happiness they would bring me and I don't regret spending all that money. Their songs are so exciting that when I listen to them I start smiling. Another amazing thing about kpop in general is the choreography of the song, so when I look at how they dance... It is hypnotizing.

BORDER: CARNIVAL × ̟ ˖ ⁺

First Comeback

On March 31st it was announced that enhypen would have their first comeback after their successful debut and on April 26th the MV was released with their respective album called Border: Carnival, which featured four songs, Drunk-Dazed which is the title track, Fever, Not for sale and Mixed-up and also had their intro: the invitation and outro: the wormhole.

The concept of this album is about a terrifying carnival, the album brings three versions: hype, down and up, each of which represents parts of the process in which someone is invited to a carnival, enjoys it and then loses the sense of reality. The music video starts with a very curious vibe and then culminates with a very explosive chorus, they really make you feel like you are at a party with them.

This album is one of my favorites, the songs give me great joy and energy, the music video is really great, I am completely proud of everything they have achieved, they must’ve worked hard.

So far they have won three awards with the song Drunk-Dazed: on 'The Show', another on 'Show Champion' and the last one on the 'Music Bank' and on May 24th they debuted at number 18 on the bilboard 200.

The goal of the MV was to reach between 7 and 10M views in 24 hours, we would have been able to achieve this if all the fans participated in streaming the music video, but since not everyone participated we couldn't reach our goal.

On the 19th in South Korea, another MV was released with a song from the album ‘Fever’ and so far it has 11 million views, becoming one of the fastest 4th generation kpop groups to achieve this number in such a short span of time. Enhypen said that they couldn't have gotten this far without our support and as fans we will keep working hard until they win an award with this music video.

We hope you liked the recommendation and that you encourage yourself to stanning to enhypen, because for us and isn't a joke this albums deserves 11/10 <3

-Constanza e Isabela

#Youtube #enhypen #kpop boys #sunghoon #jake #heesung #jungwon #jay #ni ki #sunoo

[stylesnews]

On November 18, 2019, a website promoting a mysterious place called Eroda (“No Land Quite Like It”) arrived on the internet. Two days later, the official Twitter account for this fictional frown-shaped island began teasing local seaside attractions. You may have missed it, depending on which corners of the internet you choose to lurk, but not if you were a Harry Styles fan, a group that went into pure overdrive trying to figure out what it all meant.

I, for one, missed it at the time. I was unaware this account was cryptically quote tweeting fans as they tried to piece together what was happening, what it meant, and what it could be connected to (Greek Mythology and Lost were a couple of theories posed in comments, Twitter threads, and Reddit). Meanwhile, the Columbia Records marketing department had been hard at work for months, devising this specific and highly-detailed campaign around the music video for Styles’ second single, “Adore You” from his second solo album, Fine Line, ever since he shot the video in Scotland in August 2019 (Eroda = Adore backwards — clever!).

But it was all leading up to the morning of Friday, December 6 when the video was released, one week before the full-length album arrived. Up until that point, I had never seen an entire Harry Styles music video, but what happened next was inevitable. Somehow, as a self-proclaimed boy band scholar, I had never paid much attention to One Direction. I kept a distant eye on Styles since they disbanded, intrigued by the decisions he was making in his solo career. But I hadn’t yet realized I’d been in the ring all throughout the fall of 2019, fighting to resist the inevitable fascination that awaited. First came the jab of Rob Sheffield’s Rolling Stone profile, followed by the cross of “Lights Up”, a song that cracked my Top 20 most listened to songs of the year despite being released just two months before Spotify so thoughtfully compiled that personalized playlist. Then there was the hook of his SNL hosting stint in November (and bless you Bowen Yang for that Sara Lee sketch), which then leads us to the “Adore You” video, the uppercut and ultimate TKO. I surrendered in what felt like a near instant. I was now a Harry Styles fan. (If we’re following this analogy, I sat up to spit out some blood after seeing that cover of “Juice” before my head quickly hit the mat again with a loud thud).

Maybe it’s not quite remarkable that I took time out of a Friday morning to watch a music video, but that I sat at my desk, in an office, with other people around (back when we did those kinds of things) and proceeded to wipe away a few tiny tears from under my eyes by the end of it, was an experience I had not been through… maybe ever? In a world of lyric videos and TikToks, actual, thoughtful, impactful music videos with a full (and sweet!) story are about as rare as a glowing and growing fish these days.

Ultimately, “Adore You” does everything a music video should do. In nearly eight minutes, this video uses excellent visual effects in a cool and interesting way, tells a compelling and heartfelt story, is anchored by an irresistible leading man and an adorable sidekick, is backed up by the catchiest song you could ever dream of, and culminates with a touching and hopeful ending. It’s a treat for the eyes and the ears and the soul. It’s innovative and the kind of thing that begs you to watch it more than once to catch all the details (and yes, I do tear up every time).

So one would think that an award show with the specific purpose of celebrating this type of creativity would be extra sure to nominate such a charming and effective clip, but alas, “Adore You” was overlooked in the MTV Video Music Awards main categories this year. Of course, some could argue that that fact only adds to the video’s credibility but I’ll do my best to not be that petty as I’m still rooting for it to win in the three technical categories where it picked up nominations: Best Visual Effects by Mathematic, Best Art Direction by Laura Ellis Cricks, and Best Direction by Dave Meyers, who remains one of the most inventive and influential directors of all time and whose videos with artists such as Missy Elliot, Pink, and Kendrick Lamar have been racking up nominations for nearly 20 years now. He also saw four other videos he directed get recognized this year: Normani’s “Motivation” (Best Chorography), Travis Scott’s “Highest in the Room” (Best Hop Hop and Best Visual Effects), Anderson .Paak’s “Lockdown” (Video For Good), and Camila Cabello feat. DaBaby’s “My Oh My” (Best Cinematography).

But I reached out to Meyers to specifically ask about the intricate details of “Adore You” and how it all came to be; how he captured such a vibe with the overcast and dreary weather, mixed so wonderfully with the charming oddities of the people that make up this world of Eroda. In addition to directing the video, he also co-wrote the story with Chris Shafer and said, “It’s the first idea that popped to mind after the first listen to the song, and the first idea I pitched to Harry. It was a story that underscored my understanding of what Harry stood for and felt it was necessary to tell it as a narrative to convey his optimism.”

The extended version of the video starts with a two-and-a-half-minute introduction to the world of Eroda, narrated by Rosalia. This includes the “peculiar” people and their professions on the island, meeting The Boy (Styles) and his glowing smile that most people try to avoid, and the quirky superstitions these people continue to live by. “It all served a purpose,” Meyers said of the details. “The superstitions were a set up for how society generally reacts to different things. They fear change or oddity, even if it’s what’s best for them.”

Meyers, however, did not share in that fear, as much of this video provided for interesting and new opportunities he had yet to experience throughout his decades-long career, which he listed off: ”Compelling narrative, CG character, remote location, Scottish crew (nothing fazed them),” also noting that all of the other characters in the video were locals as well. So perhaps they were less fazed by the atmosphere across the four-day shoot in Scotland, but as Meyers recalled, the “weather was nuts. It rained every 20 minutes, then the sun, then cloud over.”

However, it’s likely that Mother Nature is also a Styles fan, as Meyers recalled, “I seem to remember going up on the hill for Harry’s picnic with the fish and being worried that it was so gloomy. By the time we came to shoot, the sun came out. And then the sun went away as soon as the scene was over. Similarly, we had the worst storm when Harry was contemplating suicide at the start. Pouring rain, drenching him. So I guess in that sense it was fun watching how Scotland provided a backdrop for the emotions we were after.”

And hey, at least they had the weather on their side to add to the mood while shooting the video, as one of their main characters, well, didn’t exist. “It was very odd shooting with no fish,” Meyers admitted. “But was quite rewarding later seeing it dropped in and making empathic sense to the story we were after.”

Of course, the main character they did have on hand is an awfully useful and appealing one at that. Fans became enamored with the moment Styles uses the back of his hand to check the temperature of a coffee pot before dumping the fish inside the water so it could stay alive. I asked Meyers about this particular moment and he said, “The problem we had was apparent when Harry ran in and threw the fish in the pot. We all sorta felt — well, what if it was hot? So I believe Harry improvised that as a solution and we felt it was perfect for the character’s sensitivity and consideration for this poor fish.” And that’s not the only nice thing he does for his fish friend — he also serves him a tiny taco! “The taco was a whimsical way to express friendship between Harry and the fish,” Meyers offered. It looked pretty tasty, too.

The entire video serves as a showcase for what Styles does best and what makes him such a unique artist: his music, his acting, and his charisma, which Meyers knew would offer him a lot to work with. “Harry is a leading man. I felt that from my first meeting and wanted to play with his wonderful range of emotions. So finding a story with a real character arc was part of my focus in building this world.” Meyers described working on “Adore You” as an “all-around memorable shoot: awesome location, lovely Harry, compelling story, great effects, and… it worked.”

It did. And it was a risk: a video this complex and detailed (and one has to assume, costly), attached to a marketing campaign that proved to be even more involved, still came with no guarantee that the fans wouldn’t shrug it off. But as Manos Xanthogeorgis, SVP of Digital Marketing & Media at Columbia Records told Billboard last year, “When you have a video and a piece of art at such a level, it’s an incredible challenge for the rest of the team to build a campaign at that same level of artistry and creativity.” Oh, and that was only step one, as the marketing team engaged in “real-time marketing” with fans online, ensuring they would continue to remain engaged by dropping clues and clips in the lead-up to the video premiere and subsequently the album. “This whole campaign was around mystery and sometimes mystery is more powerful than knowledge,” Xanthogeorgis said. The Twitter handle has remained active throughout 2020, used as a continual marketing tool for Styles’ next videos including the Meyers-directed “Falling” and this summer’s hit, “Watermelon Sugar.”

With that kind of fan engagement, “Adore You” seemed like a no-brainer for the fan-voted categories of the VMAs this year, as they surely would’ve turned out to vote just as feverishly for this video as they did when searching for clues (about a made-up island, at that!). But hey, maybe MTV was just not interested in massive fan engagement this year — after all, it’s not like everything Styles does, including growing freakin’ facial hair, has the internet in a tizzy for weeks. Ultimately, as the impact of music videos (and certainly the ceremony celebrating them) continues to lose relevance, the disregard of this specific project simply feels like a missed opportunity to acknowledge a rare achievement in the art form.

While Meyers was sure to describe his inclusion in the VMA nominations this year as “lovely and flattering” (and he better have a moonperson in his possession this time next week, MTV!) it’s still puzzling why “Adore You” wouldn’t be included in the big categories, considering Styles is squarely within their demo, at the very least. That “Adore You” is also a technical and storytelling masterpiece, as well as a full moment that was used as inspiration both for the experience online and in-person at the Fine Line Spotify listening party last December, that also comes packed with one of the most enthusiastic groups of fans around, well, that should have had the entire network drooling.

Of course, some of this can simply be chalked up to a perfect storm. As far as his singles go, “Lights Up” was a nice appetizer, but “Adore You” remains the delicious entree (you already know what’s for dessert). “Adore You” is a perfect pop record if I’ve ever heard one (and I have) and deserved a special video. A Chris Isaak “Wicked Game” sexy vibe wasn’t going to work here. The song tells the story of such passionate, pure, and heartachingly naive and innocent love that it almost had to be directed toward a non-human being. Instead, Styles chose to inject those same carefree, sweaty, sticky, delicious, whimsical beach vibes into the “Watermelon Sugar” clip, which was the right choice, and not just for the summertime season (MTV has since added the Song of Summer category to the VMAs and included “Watermelon Sugar”).

But it’s “Adore You” that has melodies that bring a smile to the faces of babies, get your toes tapping even when you hear it in the dentist’s chair, and likely has my neighbors rolling their eyes when I sing along to it in the shower. The song is so simple it’s deep, a theme reflected in the video, as is the central reminder to help and care for others, a thoroughly 2020 message.

However, not all is lost. Both “Adore You” and “Watermelon Sugar” continue to rack up major spins at radio with the latter hitting number one on the Billboard charts earlier this month. Grammy voting kicks off at the end of September and Academy members should take note. Not only is Fine Line more than worthy of being acknowledged, but having Styles on hand to potentially collect trophies and perform is in your best interest when it comes to viewers and online chatter. Do not wait to take him seriously. This is the album, this is the time. Prove that you aren’t a bunch of stodgy old white men who think he’s just for teen (and um, thirty-something) girls, but that you understand the music he enjoys, is inspired by, and subsequently makes, is the same rock music you appreciate as well. An artist like Styles can be both of those things at the same time, and really, the best of both worlds. Give the album a listen, and then one more to let it all sink in. If you have not yet succumbed to the force that is Harry Styles fandom, I truly can’t recommend it enough — and please know that it will get you eventually. 

#harry styles #aug20 #adore you #decider #suicide tw

[girlsbtrs]

My Senior Soundtrack - Playlist

Written by Jen Moglia. Graphic by Allison Thompson. 

At the end of this month, I’ll finally be graduating high school. Typing that sentence definitely felt surreal. 

Years and years of hard work and stress, with some not-so-bad times mixed in, will culminate in the moment I’ve been waiting for for as long as I can remember. I had been told countless times that senior year would be easy and that high school would consist of the best years of my life, and while I did enjoy a lot of it, there were also some incredibly difficult times, especially this year. 

What follows is a list of songs that got me through some of those darker moments. I hope that they can be there for you too. 

“Roses” - Watsky

Favorite Lyric: “Leaving is supposed to be hard / Man, I thought it so was selfish of people I love to keep falling out of my life / But now I know / No, I don't take it personal”

This was a song that I connected with a lot when making decisions for college - did I want to move away and start a new adventure on my own, or did I want to stay home with all the people and places that I knew and loved? Listening to these lyrics helped me feel better about my decision to move away for school, learning that I wasn’t selfish for wanting to start fresh.

“Never Grow Up” - Taylor Swift

Favorite Lyric: “And you can't wait to move out someday and call your own shots / But don't make her drop you off around the block / Remember that she's gettin' older too / And don't lose the way that you dance / Around in your PJs getting ready for school”

Taylor Swift is one of my favorite artists of all time, and this song has been hitting particularly hard for me lately. For as much as I can’t wait to start this next chapter of my life, there’s so much about home and my family that I’ll miss more than they will ever know.

“Boston” - Augustana

Favorite Lyric: “She said ‘I think I'll go to Boston / I think I'll start a new life / I think I'll start it over / Where no one knows my name’”

Augustana’s most popular song, I listened to this track a ton when I was first starting high school, dreaming of running away someday. The fact that that day is almost here is crazy to me.

“Swim” - Jack’s Mannequin

Favorite Lyric: “You gotta swim, swim in the dark / There's no shame in drifting / Feel the tide shifting and wait for the spark / Yeah, you gotta swim, don't let yourself sink / Just find the horizon / I promise you, it's not as far as you think”

Another song that I loved in my late middle school/early high school years, this band and all of Andrew McMahon’s projects in general have been staples in my Spotify library for years. This track in particular served as motivation for me to keep going during hard times.

“North Hansen” - Bearings

Favorite Lyric: “I've got dreams, I've got needs / I've got things I believe / That I just can not let go / I still, think about you every single day / I still miss that old North Hansen Home / Sometimes I wanna go home / All I'm saying is the ending scares me every time / Your words replaying / Over and over I save them in my mind / Now I'm grabbing a hold / Of what's about to unfold”

On the flip side, Bearings has been a huge part of the last few years of my high school experience; their 2019 tour with Grayscale, Belmont, and Rich People was the first tour I ever did multiple dates of, and those days and nights I spent traveling and singing my heart out truly changed my life. I leaned on this band’s entire discography during my junior and senior year, but this song specifically reminded me that it’s okay to be scared of leaving home as the future approaches.

“Ribs” - Lorde

Favorite Lyric: “This dream isn't feeling sweet / We're reeling through the midnight streets / And I've never felt more alone / It feels so scary getting old / I want 'em back / The minds we had / How all the thoughts / Moved 'round our heads”

How could I make a “coming of age” playlist without this song on it? Lorde has been a big part of my life for a while now - her hit song “Royals” was the ringtone on my first Smartphone in fifth grade, and I saw her live for the first time on the night before my 15th birthday on her Melodrama World Tour in Brooklyn, New York. Much like the last song, this track perfectly captures the fear of the future and getting older.

“Atlantic” - Grayscale

Favorite Lyric: “This place feels more and more like nowhere to me / I'm sick of waiting for a fire to ignite / I could just leave here without a goodbye / I'll burn down this bridge / And set my life up in smoke...I want to go / Run from this panic / I need the unknown”

As I mentioned earlier, attending four dates of Grayscale’s Nella Vita Part One Tour and six dates of the album cycle in total (bringing me to a grand total of ten times seeing this band) was a formative experience for me. Getting to end every night screaming the lyrics to this song, once again, dreaming of starting a new life as soon as I could, was cathartic.

“City Lights” - Emblem 3

Favorite Lyric: “Caught up in those pretty city lights / Wishing on a star for your direction / Thinking of a new and different life / Babe, I know this one ain't what you've been dreaming”

I choreographed my “senior solo” in my dance class to this song, one of my favorites for many years. Although I have a feeling it’s about someone moving thousands of miles away to chase dreams of stardom rather than moving two hours away to attend college, it certainly served as a source of comfort for me.

“Play” - Rich People

Favorite Lyric: “Because I know I'm beautiful enough / For someone to love / I don't know many things / But I feel everything / And I'm just too young to give up”

Rich People is my favorite band of all time, which you probably already know if you follow me on social media, and getting to watch them perform and connect with them was a major part of why following the Nella Vita Part One Tour was so pivotal for me. This song is my favorite off of their most recent album “Harmony”, and my graduation cap will have these lyrics in frontman Rob Rich’s handwriting on it later this month. This band and this song mean everything to me.

“Dream Envy” - Rich People

Favorite Lyric: “It's no way to live / Sitting on the fence asking myself ‘what if?’”

Another Rich People song, no surprise here, this is one of my favorites from their first release, “Jacob’s Ladder.” It reminded me that “sitting on the fence asking myself ‘what if?’”, is, indeed, no way to live, and it pushed me to make definitive decisions, leaving no stone unturned.

“Something Bigger Than This” - Trophy Eyes

Favorite Lyric: “I'm still flying through my twenties / Waiting for someone to say I made it / Golden boy, tiny paycheck / Big ideas and broken heartstrings / Waking up in the same old skin / It ain't easy to believe / We were born for something bigger than this / It don't make much sense right now / But it will all come together when the lights go out”

I saw Trophy Eyes live for the first time at the start of my sophomore year at the Stereo Garden in Patchogue, New York, leaving my last-period algebra class early to attend their show with Neck Deep, WSTR, and Stand Atlantic (sorry, Ms. Sloane). Their music has resonated deeply with me since then, and this song has especially been a huge source of motivation for me when I was feeling down about myself.

“Forevermore” - The Maine

Favorite Lyric: “Never really ever felt this type of vulnerable / Don't have to hide, don't have to fear / All you have to be is here...And I said, ‘I wanna feel like this forever’ / Even if forever's just for now / We're on fire, let us burn / As the outside world, it turns / We are here and alive / In our corner of time / Forevermore”

The Maine is another band that I feel has been here for me for as long as I can remember, remaining in my daily rotation since the summer before high school started. This song, off their most recent album “You Are OK”, has reminded me that wherever I am is exactly where I need to be at that point in time and to embrace every single moment.

“Flowers on the Grave” - The Maine

Favorite Lyric: “Feel the moment all around you / And the quiet that surrounds you / The time you have is sacred / Don't wait around and waste it / They can't take that away from you / Everything is temporary / Even the sorrow that you carry...'Cause you don't plan life, you live it / You don't take love, you give it / You can't change what is written / So when fate cries, you listen / And flowers on the grave / Of the child that I used to be”

The first time that I saw The Maine was at the New York City date of their “The Mirror” tour at Webster Hall. When they closed with this song, I was near inconsolable; my friends were practically passing me around to hug me and make sure I was alright. Similar to the last song, this track reminds me to live life to the fullest and not take anything for granted, not wasting any time mourning the past and only looking towards the future.

“Old Book” - Real Friends

Favorite Lyric: “It really weirds me out / Because I never thought I'd be where I am today...This isn’t where I want to be / Getting older scares the shit out of me”

On the topic of bands that were constants for me in my formative years, Real Friends was one of the first pop-punk bands that I truly loved. I wore a shirt with their “The Home Inside My Head” album cover on it on my first day of high school, and their 2018 show with Eat Your Heart Out, Grayscale, and Boston Manor at Irving Plaza in New York City was one of my first real general admission concerts; I don’t think I’d be where I am today if I didn’t go to that show. This song  always served as a reminder that I wasn’t alone in my worries about the future, and that it would all be okay, even if I didn’t know what I was doing or where I was going.

“Satellite” - Rise Against

Favorite Lyric: “We'll come clean and start over / The rest of our lives / When we're gone, we'll stay gone / Out of sight, out of mind / It's not too late, we have the rest of our lives...This is a life that you can’t deny us now”

Four years ago this week, I saw Rise Against for the first time, opening for Deftones at Jones Beach in Wantagh, New York with my dad; at the end of July, I’ll get to see them kick off their latest tour at Pier 17 in New York City with one of my best friends. If that isn’t a full-circle moment, I don’t know what is. Rise Against is one of my favorite bands of all time, and their music has always made me feel strengthened and empowered. This song specifically inspired me to reclaim my own life, not letting anyone else determine the outcome and my mindset but myself - it’s also the perfect angsty soundtrack to a fresh start.

“Something Special” - A Will Away

Favorite Lyric: “‘Pull out your clothes / You're made for something special’ / If that's what it takes to get you out of bed / You think you're meant for California / But that's just in your head / I saw you howling at the street lights / Pressed against the skin you want to shed / You tore down all the walls for answers / And found this shit instead...Don't let the poison that surrounds you / Stifle out the life you want to live / Please know it truly doesn't matter / And truly never did”

Though I’ve been listening to them since my sophomore year of high school, A Will Away is a band that I really got into this year as a senior. “Something Special” is my favorite song off of their album “Here Again”, and while I know it wasn’t written about finding friends that feel like family, rejecting negativity, and starting a new chapter, that’s certainly what it’s about for me.

“Lead Balloon” - Vanna

Favorite Lyric: “This isn't how we die / You're not reading the ending right / You are meant for greatness / Open up your eyes and face it / Now to your feet and follow me / The road is hard but you're harder / Can't you feel your heartbeat starting?...You're weak but you can feel now / Your soul slowly getting out / You are so strong / And you'll have to carry on now / Cause I know that you know how”

Vanna’s “All Hell” was an album I discovered around this time last year, and I listened to it non-stop for all of summer 2020. It became one of my favorite records ever (and not just because of the pink aesthetic, though I do appreciate the use of my favorite color). When I was struggling a lot during the first few months of the COVID-19 pandemic in more ways than I could count, this song really helped me through, these lyrics in particular. It gave me hope that I’d make it to the end of my senior year celebrating, which, thankfully, I did.

“Give Yourself A Try” - The 1975

Favorite Lyric: “Won’t you give yourself a try?”

While the lyrics of this song are a bit odd, frankly pessimistic, and hard for a teenager to relate to, its catchy, more optimistic chorus served as a mantra for me throughout my last few years of high school. If I couldn’t take a chance on myself, why would anyone else want to? This song’s refrain sparked a ton of self-love in me, and I spent many nights dancing around to it in my bedroom. Also, I couldn’t leave this band off of this list - I’ve been listening to them since their self-titled LPs came out when I was 10 years old, and the album that this song is off of, “A Brief Inquiry Into Online Relationships”, is one of my favorite records of all time.

“Garden Song” - Phoebe Bridgers

Favorite Lyric: “I don't know how, but I'm taller / It must be something in the water / Everything's growing in our garden...She told me my resentment's getting smaller / No, I'm not afraid of hard work / I get everything I want”

Much like A Will Away, Phoebe Bridgers is an artist that I had known of and had recommended to me for years, but I only really started listening to her as a senior in high school. “Kyoto” and “Would You Rather” are probably my favorites by her, but this song, along with “It’ll All Work Out”, helped me through feeling scared for the future and wondering how I grew up so quickly.

“Growing Up” - The Maine

Favorite Lyric: “We'll never lose what we had...Growing up won't bring us down / Graduate, what's a kid to do now? / Get away, yeah / We've got so much to prove / 'Cause it's time to move on / And I start to let go...We're in this together / Yeah, we'll make it somehow / Nothing's gonna stop us now”

Finally, to close it out, one more song by one of my favorite bands ever, and one of the bands that carried me throughout my senior year, as well as all of my high school years. I had to include this one - my graduation pictures were captioned “graduate, what’s a kid to do now?” At its core, this is a song about holding on to childlike energy and teenage memories despite growing up and moving on. Every time I listen to it (which has been a lot, lately), I’m reminded that I have the best friends in the world who have given me some of the happiest years of my life, and that doesn’t have to end just because we’re getting older. “Growing up won’t bring us down.”

For more songs like this, you can follow my Spotify playlist titled “senioritis” here. 

Congratulations to everyone who is celebrating this month, whatever you might be graduating from!

#jennifer moglia

[stularsen]

THE HURRICANE vs THE CORONAVIRUS (part one) 

That time we planned a once in a lifetime hurricane world tour for March 2020..

I’m currently on a plane for the first time in six months. It feels strange to not have been in the air for this longer than usual period of time but also strangely normal to find myself once again on a flight surrounded by complete strangers. The main difference now is that everyone seems even more in their own worlds than before. Maybe this is because we have replaced invisible masks with real ones and we now happily hide behind these physical barriers, to protect us and others from the virus that stopped the world from moving almost entirely. 

The last time I was on a flight was back in March 2020 as the planet was beginning to understand just how serious the situation was becoming. Unfortunately for me, I had planned a once in a lifetime tour for this exact period of time.. The Hurricane Tour. It was an adventure I had been dreaming up for many years and planning for many months. The idea was simple enough, to travel around the earth in one month, playing eleven shows in eleven different countries, experiencing different cultures and meeting different people all along the way. We would start in Australia on the first day of March and then visit Japan, India, Botswana, Turkey, Germany, England, Canada, USA and Mexico before eventually finishing in Argentina on the last day of March. 

The lead-up to this crazy tour wasn’t particularly smooth and it was looking like it might be a kind of storm before the calm scenario. One week before we were due to begin, I landed back in Australia from a few months away only to find my precious guitar had been split right down the middle during the flight and my passport had somehow been damaged and needed to be replaced urgently. At the same time Jarrad Seng (the man behind the photos and videos) was having some major laptop issues and needed to find a decent replacement in the last remaining days before we set off on this epic journey. Through some minor miracles and generous support from friends and strangers and also a tour manager who refuses to ever say the word ‘impossible’ (thank you Thomas!) we began this absolutely insane tour where we would quickly learn that we would need to rely on more miracles and friends and strangers to help solve some pretty interesting problems every single day throughout the tour. 

The first show was in AUSTRALIA and somehow everything went pretty much to plan. A very jet-lagged Tim Hart (album producer as well as band member and support act for the night) had flown back from London the day before to then drive out west and play one of the best shows I have ever seen him play (while his newborn son watched with us from backstage). My slightly nervous and always teary mother joined me on stage for a little song. My dream of playing a show at Empire Theatre in Toowoomba had finally come true with 500 of the loveliest people to share the moment together. It was a truly special evening with lots of family in attendance as well as old friends from so many places and work colleagues from the bank days. Perhaps the most special person in the crowd for me was Bob Cook, the man who taught me to play guitar when I was a very shy 14yr old kid, to whom I am forever grateful. What a night! It seemed like the storm before the calm scenario had played out and we were about to have the smoothest and most incredible tour of our lives! In reality though, it would turn out to be the exact opposite and what we had just experienced was actually the calm and the greatest storm I’ve ever witnessed was fast approaching.

Thomas, Jarrad and I were up early the next morning and off to Brisbane Airport where we should have been boarding a flight for Tokyo, but a few days earlier we had been notified that due to the virus situation we would not be able to play the show in Japan and would potentially be putting the rest of the tour at risk if we even entered the country. So we somehow managed to change our flights very last minute and head to SINGAPORE instead, but without a show to play. We decided to put the word out and see if anyone knew anybody who might be able to help. It was truly incredible to receive so many messages and comments from people who desperately wanted to help us find a place to play. It didn’t take too long before the team at Timbre X @ The Substation came to the rescue and let us bring in a few people and play a few songs on their outdoor stage before Supersonic helped everyone dance the night away. Show number two, somehow completed. 

INDIA is next on the list and it’s looking like everything is maybe going to happen as planned.. until we are waiting to board the flight to Mumbai. I hear my name called over the speaker at the airport in Singapore. An upgrade to business class perhaps? Oh how nice that would be. But no, there was a problem with my visa not being recognised with my new emergency passport and they would not allow me to board the flight.. we pleaded with them to see what they could do while I scrambled to contact people in India at 5am local time to try and amend the visa. It was beginning to feel impossible. If I missed this flight there was a chance there would be a knock-on effect and the rest of my flights for the month could be cancelled. With no other viable option, we decided it might be best for Jarrad and Thomas to board the flight for India and for me to wait in Singapore to try and fix the problem and hopefully get on a flight later that day. But just as we were saying goodbye to each other I heard my name called again and we were told that they had heard back from the flight captain and he had overturned the decision and I would now be allowed to fly?? A medium sized miracle! We celebrated and quickly disappeared feeling both jubilation and disbelief. Surely now is where good things start to happen.. 

Of course not.. We landed in India to an email notifying us that our show had been cancelled, with very little explanation. We pleaded with them to reverse their decision but it wasn’t looking hopeful, so we put the word out to the people, again. Very soon we had been saved, again, this time by the wonderful people at Veranda Bandra who rearranged their schedule to fit us in super last minute. It was crazy to play a show in India and have people singing along to my songs, it just didn’t feel real, but it was happening right in front of me. Our time in Mumbai was so short but so incredible and we made fast friends with some amazing people. But onwards now to our next destination, the most random location of the tour but also maybe the smoothest show of the tour.. 

We arrived in BOTSWANA after a long day of travel via Ethiopia and Zimbabwe to the warmest of welcomes. Local musician and Stu Larsen fan, OneSpared, was there to greet us. We had connected a while back when OneSpared (Thuso) had covered one of my songs and I couldn’t believe that someone so far away was not only a fan of my music but was also singing my songs. When the idea for this tour started to become a reality, I contacted Thuso to see what he thought about playing a show together in Gaborone. He said we should do it, so we did. We turned up. The crowd turned up. It was magical and so full of love and energy. Finishing the show at The No1 Ladies Coffee House by singing Whisky & Blankets unplugged with the entire crowd singing and dancing was maybe the highlight of the tour for me, it still feels so surreal when I think about that moment. 

With things starting to feel a little smoother, we felt like we were maybe going to be okay in the next days. But when we turn up at the airport to fly to TURKEY we’re told our flight is no longer departing. At this point, we don’t really react. We are so used to being hit with bad news every day. We are in a good frame of mind for finding solutions and after some fast talking and a little bit of confusion, a few minutes later we have another option sorted. We arrive in Istanbul to more bad news, the venue is unsure if we can go ahead with the show due to the worsening and frightening virus situation. It’s now the 11th of March and things are getting serious with the virus, but we want to push ahead while we can and play another show if we can, so we agree to keep the numbers low, the windows open and provide masks and hand sanitiser for the crowd and thankfully Cem at Norm Coffee agreed to let the show go ahead under these conditions. It was a very intimate show with a percentage of the crowd consisting of local cats, an actual dream situation for me :) 

After the show, I could see a slightly worried Thomas, he seemed to be rushing to get us all packed up and out the door and back to the apartment.. but why..? Because, he told me as we walked away from the venue, not only our flight, but all flights for the next morning were apparently cancelled. We would spend the next hours trying to work out if there was another way to somehow make the journey from Istanbul to Munich without spending too much time or money or if we would be stranded in Turkey for the coming days/weeks/months. Nothing seemed to make sense so we did what we knew best, we kept moving forward. We had been told that the flight had been cancelled and that the airlines were stopping all flights instantly and that we should not go to the airport the next morning, but every time we searched our flight number it showed that it hadn’t been cancelled and was still on schedule…? We decided to wake up early and make our way to the airport to see what would happen. We didn’t know what we would find when we arrived, but it was eerily quiet and by some miracle our flight was one of only a few flights still operating while the airline and airport finished shutting everything down. 

We were so relieved to be able to fly to GERMANY but landed in Munich knowing that the sold out show at Folks! Club was probably going to be cancelled and that it was getting close to game over for the three of us. We searched for an alternate option for the show but we realised that bringing people together was just not the right thing to do anymore. We were starting to understand just how big this virus situation was becoming. We had to accept this and cancel the show and decided to replace it with a livestream instead. We found a friend with a beautiful living room where I played a few songs and shared the experience with a handful of friends and a wider audience online. It was hard to accept that we maybe had to stop this once in a lifetime dream tour which had been unfortunately planned for the exact same month that a global pandemic took hold of the planet, but more and more it was becoming clear that this was the likely outcome. 

Waking up in Munich the morning after the little livestream we were told that our next flight had been cancelled, but we managed to be put on another flight which took us to our seventh destination. We arrived in ENGLAND and of course one last thing went wrong. None of our luggage turned up. No suitcases, no guitar, nothing. We waited and waited and waited and waited. We were hoping that for some reason it would just turn up, even after everyone else had collected their belongings and left the airport. Our luggage didn’t arrive and it kind of felt right for things to be this way after somehow surviving the challenges of the previous weeks. We started to make our way towards the ‘lost luggage’ counter to see what we could do but along the way we saw some lonely but familiar suitcases and a guitar sitting beside a completely different luggage belt. We three idiots had been waiting in the wrong place the whole time. Call it exhaustion, call it stupidity, call it what you want, we don’t mind, we were just thankful to not have actually lost our luggage that day in London. 

From here, things moved quickly, we made the decision to cancel the sold out London show and we knew we then had to cancel the remaining shows for CANADA (sold out), USA, MEXICO (sold out) and ARGENTINA (sold out). We announced one final live stream from a little cafe in London called Hotshoe 333 where we would officially call it a day. It was a weird feeling, we didn’t want the tour to end, but it simply had to. It was not possible nor sensible to continue. The Coronavirus had well and truly overpowered the Hurricane. Thomas, Jarrad and I said goodbye the next morning and we headed our separate ways.. which is when things started to get really interesting… 

Check out the new video for Hurricane - https://youtu.be/xttiOK-0CCE

#stu larsen #hurricane #coronavirus #world tour #march 2020 #jarrad seng #thomas stein

[amphtaminedreams]

The Eras of Lana Del Rey: Lookbook no.9

Hi to anyone reading,

Hope you’re okay! AND that you didn’t end up here because you searched the Lana Del Rey tag so you could see people ranting about her-you’re about to be very disappointed. Sorry. This is not about to be some Question for the Culture discourse because the world is bleak enough right now and the last thing we all need is to be reminded of that saga. 

Being a Lana Del Rey fan is easy, they said. She’s not a controversial artist, they said. And yet 2020 had to do what it does best and fuck everything up. 

Whether people like her or not, it’s made me so angry reading all the abuse she’s been getting about her appearance for the last couple of weeks, because I really thought that if we could agree on anything it was that attacking individuals for the way they look because you dislike something they’ve done (with the exception of shit like racist tattoos and blackfishing) is, you know, awful and judgemental as fuck? Like you do realise when you treat the word fat as a pejorative that the fat people you don’t have a problem with understood that you meant it as an insult too? I think what all those people tweeting about Lana’s weight, and that includes some of her fans, are forgetting is that she was in her early 20s when she was thrust into the limelight. As much as there’s this conspiracy that her dad bought her a career in the music industry, she’d made the decision to go it alone and had lived in a trailer park as a struggling musician for years. On top of that, we have the unreleased tracks with lyrics seemingly referencing an eating disorder in her younger years. OF COURSE her body is going to look different. Why is it that we treat weight gain as an inherently bad thing without any insight into the other factors that constitute a person’s “health”? It’s fucking insane that so many feel they have the right to comment on other’s bodies in the first place and it breaks my heart that she might be reading these comments. This wasn’t intended to necessarily be a rant about how much I love this woman but all the shit I’ve read about her on the internet these past few months have pushed me to it. You'll respect your queen of alternative music or I shall stan twice as hard on your behalf. You can thank me later when you come to your senses xoxo

I’d love to say it was intentional that I finally finished this post the week Violet Bent Backwards Over the Grass was released but that would imply I have my shit way more together than I actually do. If I’m being completely honest, I’ve only heard L.A Who am I to Love You so far 1). because I want to wait for the hard copy for the rest and that doesn’t turn up til September and 2). because I do not have my shit together, lol. That being said, there is no doubt in my mind that I am going to love it-one thing I have always loved about Lana’s lyrics is how well they paint a picture and this is something that poetry only more freely allows for the exploration of. That ability to create such a strong narrative voice and atmosphere is a talent that extends to her visuals and the production of her records too, and is something I really missed when it comes to the Norman Fucking Rockwell era. I’m just going to say it: a strong aesthetic is to NFR as memorable songs are to Lust for Life. Lacking. Am I allowed to say that as a fan? The collaborations don’t do it for me, okay, and as as NFR is concerned, aside from The Greatest/Fuck It I Love You video which went down the whole neon surfer girl route, it’s hard to identify a cohesive theme. It’s understandable that at this point, she would want to just focus purely on the music, and it goes without saying that NFR will stand the test of time in that regard but I don’t think we can deny that when people think of Lana in the future, it’s not gonna be a green windbreaker that comes into their heads.

^Illustration credit to Filip Kozak (https://filipkozaksart.tumblr.com/?fbclid=IwAR3vwLX2pNxoFNhTPD1ky14LllPqlLtL1GxGlD79xuHxdtzcHLw-6aNBZWo)

And here’s where this Filip Kozak illustration comes into it; after years of it sitting in my camera roll for years, it finally has a use. There’s really nothing better to illustrate how mundane life has become this year than the disproportionate level of excitement my photo-hoarding-self experienced realising it would fit perfectly into this post and is thus eligible for deletion. Up there with being able to fit a whole box of biscuits onto the shelf at work rather than having to individually take out as many as I can and then shove them on top of the existing box of biscuits one by one. Truly riveting content on this Tumblr page. Back to the point-by using this as my stimulus for the post rather than the Lana Del Rey albums as outfits tag that went round on Twitter, I can conveniently exclude NFR as an outfit inspiration category, and that saves me from having to buy a charity shop windbreaker with its price bumped up 150% by some upper middle class Depop e-girl or boy who uses the word peng as a descriptor like it’s a nervous tic. To make up for leaving out NFR, I’ve tried to branch out a bit and do the outfits not just based on the music videos or album covers but also from street style and stage looks and photoshoots from around the same period too. It was hard not to be influenced by the general “vibe” and sound of the albums either when I was planning outfits, whether it’s the grand, orchestral instrumentals of Born to Die or the 70s psychedelic rock inspired riffs of Ultraviolence and hopefully that’ll show as well! Enjoy:D

Born to Die (Release Date: 27th January 2012)

It’s been 8 years, and when you ask most people what they think of when they hear the name Lana Del Rey, they’ll probably dismiss her as the one who sings about being sad and doing coke and sleeping with older men. That’s the Born to Die impact. Say what you want but it’s one of only a handful of albums released by a female artist to have spent more than 300 weeks on the Billboard 200 chart and it really established the mythos of “Lana Del Rey” because before all this, before all the think pieces from other women claiming she’d set feminism back hundreds of years with her music, before she ousted grayscale Effy Stonem as the queen of angsty teen Tumblr (which as you can probably guess was a subsection of the internet I was very much engulfed by, lmao), she was just Lizzie Grant, a relatively normal aspiring singer songwriter in her early twenties. But as Lana Del Rey, she was someone else-some beautiful, mystical being that personified the sentiment of being born in the wrong era. Whilst every other singer’s record labels seemed to be trying desperately to thrust them into the future and keep them on top of all the musical and stylistic trends, it was refreshing to hear someone whose music and visuals captured all the most glamorous elements of the past. Part Priscilla Presley/Jackie O reincarnation (the National Anthem video really illustrated how Lana is just as much a storyteller as she is a musician), part high level mobster’s wayward wife à la Michelle Pfeiffer in Scarface, she was the good girl by day and the bad girl by night, and I think that’s a duality we can all relate to or would like to think we’re interesting enough to relate to deep down.

Her style from around this period was EVERYTHING. She had those grungy Tumblr girl elements, the camo jacket and the oversized pieces and the leather jackets, but she also heavily drew on the styles and silhouettes of the 50s and 60s with the beehives and the new look Dior inspired cinched waist dresses. Even now in 2020, I think this period is what most people would think if they were asked to describe Lana’s style. I made sure I got the grungy pieces in there with the chunky boots and the vinyl and the oversized leather but the foundation of her looks back then were usually these daintier throwback pieces like the white silk dress and the corset and the mint fur trimmed coat (House of Sunny’s Penny Pistachio coat).

Favourite lyrics from the album? “Now my life is sweet like cinnamon, like a fucking dream I'm living in” from Radio. Nobody asked but I’m gonna give it to you anyway.

Born to Die: The Paradise Edition (Release Date: 9th November 2012)

Lana’s Paradise EP contains probably my absolute favourite song of her’s, Ride, and with that, the beautiful opening monologue that will stay in my mind forever. This era was of course ushered in by Tropico, the short film that included the premiere of the songs Bel Air, Body Electric and Gods and Monsters, which established the ethereal tone of this period-it’s in the name, after all. Both the album and the videos were other-worldly and leaned heavily on religious symbolism which I’m sure pissed off many a middle-aged bible basher at the time. Most prominent in her lyrics were reflections on the freedom of the open road which corresponded with visuals of biker gangs and desert dwellers and modern interpretations of the Wild West, as was an attempt to capture the nature of the so-called “American spirit” which as Lana portrayed it shared more qualities with a kind of celestial, transient being than any kind of solid concept or identity. She played an emotionally detached stripper and a haunted saloon-style-bar singer (almost looking like a runaway bride) and Eve the “first woman” all in the same album and honestly, if that’s not iconic, I don’t know what is. We saw SO many incredible red carpet looks in this period too which built upon this idea of her as the fallen angel tempted by original sin that Tropico established; I feel like this era was all about laying bare the soul of the character she played, this broken, delicate but ultimately liberated being that was so dangerous to the idea of the strong, stable modern feminist ideal. She went about it in COMPLETELY the wrong way in a post that betrayed the ignorance of the privilege she has as a white female performer, but I think this is what she was getting at in it and Ultraviolence only went on to bolster her critics.

In response to the criticism she still receives about the choice to wear a Native American war bonnet in her Ride music video, I’d like to say that it really seems like she’s learnt from that-actions speak louder than words and so though it’s not my place to say whether this makes up for that error, the work she’s done with Native American reparations-focussed foundations since and the money she’s donated to the cause says a lot about her intentions. Again, I want to stress that it’s not my place to say! But it’s a detail that is often overlooked so I thought I’d mention it here. 

“I was a singer, not a very popular one. I once had dreams of becoming a beautiful poet. But upon an unfortunate series of events saw those dreams dashed and divided like a million stars in the night sky, that I wished on over and over again, sparkling and broken. But I didn’t really mind because I knew that it takes getting everything you ever wanted and then losing it to know what true freedom is.”

Ultraviolence (Release Date: 13th June 2014)

AH, Ultraviolence. My favourite of Lana’s albums and imo, a masterpiece. ONE skip. ONE. Sorry Guns and Roses. I got stoned in my back garden and listened to this (for research purposes ofc, heh) and ended up deciding that this is what I want to listen to when I die (also whilst stoned). It sounds dramatic but listening to this album in that state of mind is such a heavenly experience that I’d be too zen to notice myself slipping away into nothingness on the basis that if I didn’t as long as I could stay in that bubble of awe, nothingness forever wouldn’t be so scary after all. I know, I know, that sentence has big Jaden Smith’s old tweets energy. But if an album is what helps me get over an existential crisis, I beg you allow me the nonsensical ramblings about how I felt like I was ascending into the stars.

Though in terms of the lyrical content the public perception is probably correct, I think the reputation Ultraviolence has as Lana’s darkest, most gothic album (which is something I’ve in incorporated into the outfits I put together) is mistaken; instrumentally and visually it drew more on 70s psychedelic rock and the bohemian counter culture of the period than anything, and her stage looks are a clear reflection of that, and also the outfits I was most excited to channel. It seems counter-intuitive to the moody atmosphere I associate the tracklist with but it’s my go-to summer album; it’s raw (probably her most stripped back work along with NFR, lots of the songs are barely edited) and it’s gloomy but let’s be real, hot as fuck-don’t bother making a sex playlist, just put Ultraviolence on shuffle, and you’re good to go. This was the album where Lana debuted some of her most criticised lyrics and where the notion that she glamourises abuse comes from, one of the points she also seemed to be getting at in the Instagram post, but imo it’s fair to say that she sang truthfully about the initial allure of a dangerous relationship and the nature of the mindset that facilitates staying with somebody poisonous where you do feel like you’re nothing without them. Turning horrific experiences into romantic tragedies is how Lana has always made her music and yeah, out of context there are some fucked up lyrics on the album, but policing how a woman expresses her trauma and complaining that she glorifies weakness because she wrote honestly about the reality of a complicated partnership is hardly any more “feminist” than the lyrics themselves. I can only guess that the reason Lana felt the need to bring up this criticism in 2020 is because these darker themes are going to be revisited in her upcoming album and that in spite of the issues with the way she expressed herself, this time critics will be more accepting of how she chooses to address these themes. 

On a lighter note “yeah my boyfriend's pretty cool, but he's not as cool as me” will always be a great line. Simple but effective. If my boyfriend ever is cooler than me it’ll be doing Lana a disservice.

Honeymoon (Release Date: 18th September 2015)

Considering that a lot of other Lana fans are of the opinion that this is her best album, I find it weird that I really don’t remember all that much about this period, other than High by the Beach being released and then hearing Salvatore and Freak for the first time. I guess because she didn’t do a Honeymoon specific tour and didn’t make that many public appearances in this period? It was definitely harder for me to find visual reference points beyond the HbtB music video and the cover art, so I mostly drew on the general vibe of the album, a cinematic accompaniment to a summer in Italy or the South of France, filled with exotic instrumentals and the sense of impending romantic doom that Lana does so well. I suppose if I associate the visuals of this era with anything it’s idyllic florals and warm tones, bygone country club pool days, a rich American’s vacation in Southern Europe, long walks on the beach (and as our Lord and Saviour Jujubee once said, big dicks and fried chicken). Apparently inspired by Lana’s relationship with Francesco Carrozini, it’s a hazy story of some ultra-feminine, submissive archetype becoming unhealthily enchanted by a mysterious “foreign man” who’s ultimately not all that good for her, which as the story goes turned out to be quite prophetic. Going against the grain, it’s my least favourite of her albums after Lust for Life, but in spite of that, I will always remember how obsessed I was with the sax riffs (I think? I don’t know my instruments all that well so forgive me, lol) on Freak and I definitely understand why it’s a firm favourite for so many.

“You could be a bad motherfucker, but that don’t make you a man.” was truly a cultural reset of a line.

-on an unrelated note, OMG, I never realised how I have my mouth open in literally every fucking photo I take, somebody tell me how to pose, please and thank you-

Lust for Life (Release Date: 21 July 2017)

Lust for Life is a controversial one. On the one hand, I appreciate that this album was the victory cry of a happier, more independent, politically-aware Lana in spite of it apparently being a far more optimistic sounding album than the one she wanted to release, but on the other there were way too many collaborations for me and this meant that the album lacked a sense of cohesion and the characteristic narrative thread that usually runs throughout her tracklist. Aside from Love, Cherry, Get Free and Tomorrow Never Came, most of the songs on the album aren’t hugely memorable and it’s a crying shame that a collaboration with STEVIE FUCKING NICKS of all people left so much to be desired. Coming from two witchy icons, I expected something absolutely magical so maybe I was setting myself up for failure, but come on. We could’ve had a real anthem there.

Aesthetically speaking however, this is one of my favourite eras for Lana, which is unsurprising when you consider the tracklist contains references to both Woodstock and Coachella. I’m not gonna lie, I think seeing Coachella fashion in my early teens was my style awakening-I remember seeing Vanessa Hudgens’ outfits and being like, wow, I want to be her (oh, what a fall from grace)-so the late 60s/early 70s flower power groupie style Lana adopted in this period really spoke to me. It was all long hair and dreamy pastels, and this era included some of the most head-to-toe coordinated looks we’ve ever seen from her. Of course I couldn’t completely abandon the grungy touches that I love, that I tend to associate with the early Lana street style days and the Paradise and Ultraviolence music videos rather than with this album, but I’m never gonna pass up an opportunity to whack out a good floral two piece and putting together Lust for Life inspired looks is the perfect excuse to do that.

So, that marks the end of this post! If you made it to the end, thank you so much for reading! I have a Yesstyle lookbook and review to edit but now that I’ve finished that, I’m trying to go down more of a style inspiration focussed  route with my lookbooks rather than just putting together outfits from clothes I’ve just bought (though I might still do one every so often to bring in a new season-let’s just ignore the fact that they’re all blending into one bc climate change for now, one catastrophe at a time please universe). I find that if you have a specific idea in mind of what you want, it’s super easy to find something similar on Depop and Ebay and that way you avoid buying new things and also take old things off a person’s hands that might otherwise end up being thrown out by a charity shop and then dumped into a landfill from there. Something I’d LOVE to do before this year is out is put together a lookbook based on the most stylish TV shows of the last decade, but that probably won’t be for a while-even so, if you have any recommendations of series to watch which could fit into this category, let me know! 

To finish, I need to go a little bit off-topic so forgive me, but I truly don’t know why this even needs to be said: WEAR A FUCKING MASK. IT IS NOT A POLITICAL ISSUE. IT IS A BASIC HYGIENIC PRACTICE THAT HELPS SPREAD THE STOP OF A HIGHLY CONTAGIOUS DISEASE! RUDIMENTAL SCIENCE! NOT A CHANCE TO PROVE HOW “EDGY” YOU ARE! SERIOUSLY, STOP MAKING A FUCKING PANDEMIC ABOUT YOURSELF! NOBODY ENJOYS WEARING THEM BUT THEY HELP PROTECT OTHERS! SO UNLESS YOU HAVE A VALID MEDICAL REASON NOT TO BE WEARING ONE, DON’T BE A SELFISH PRICK! 

Sorry to sign off on a rant-y note with something that has nothing to do with Lana, lol, but all the stupidity has been grinding me gears lately and I had to let it out on behalf of all retail workers: if we can wear a mask for 9 hours at a time, YOU can tolerate the mild discomfort of wearing one for 10 minutes. I know this doesn’t apply to the majority of people but there’s always a couple of arseholes, isn’t there!?

Stay safe,

Lauren x

#ldr #lana #lana del rey #fashion #fashion blogger #style blogger #outfit inspo

[songsorter28]

Blackpink: The Album Review

Okay, this is the first time i’ve done this and the truth is i don’t know how, so i’ll just try my best.

First of all: I am a Jennie biased blink. That means I have no trustworthy sense of criticism when it comes to them and if you do, this is probably not the place for you. I will try to talk about this album with a sense of criticism, but sometimes, i’m just gonna like a song because it’s blackpink and y’all just gotta deal with it.

BUT, I am not afraid of saying i don’t like things that the pinks have said it to like, which is actually how i’m starting this review. So, if you guys are all about loving the girls and emotion and “think about how they must feel” this is a decision made by the girls, this place is also not for you either. I am a blink and i share a lot of love for those four women, but i am also a consumer of their work as artists. I will complain if I didn’t get something I thought was necessary as a viewer and listener for my money and attention to be spent. I will not, of course, hate on them in any way.

Ok, before anything:

1) English isn’t my first language, so I apologize for any mistakes. 2) Here, we’re gonna talk about the cover, pre-release single choices, writing credits, tracklist and my honest opinion about the album as a whole.

a) The Cover:

There’s not a lot to talk about but the fact that it’s gorgeous, but simple. I didn’t understand why a crown if the name was The Album (something unoriginal to be honest, but i’m not 100% against it) and there’s no reference to royalty throughtout the album besides maybe Jennie’s rap “didn’t want to be a princess”. I did find the cover visually pleasing tho, could be much more embarrasing.

b) Writing credits and Track List:

This one is quick. I’m extremely glad Jennie and Jisoo were credited as songwriters (Jennie as well as a composer) but Teddy gotta give Danny Chung to god. He hates rapper Jennie and he’s the reason Lisa doesn’t write. He’s always in charge of the raps so teddy gets confortable and Lisa doesn’t get a chance to write her own verses, which is something the sure thing cover showed us she can do. Also, he hates rapper Jennie to the point where she had to write her rap on the title track (wich is good, but, you know what i mean) and wasnt even given a chance to write more than 8 seconds. Melanie I hope this is the last time you were here. Loren you can stay. Tommy and Ryan yall were cute we had fun but it’s over let’s move one (seriously, these producers really made me appreciate Teddy more lmao pls sir never leave us). Okay that’s it. Now, to the track list.

I will be talking about the fact this shouldn’t even be called a full album on the My Honest Opinion About The Album As A Whole topic.

1. How You Like That

I say my opinion more detailed on the next topic but at at essence. Cute. A good opener to the album and what is to come, but too much of a bside to even be a pre release single.

6.5/10

2. Ice Cream

Again, my opinion it’s on the next topic. Cute song. Loved Chaennie’s high notes and wish i didn’t know english so the rap didnt sound that silly. Not as bad as blinks and non blinks make it out to be. 

6.12/10

3. Pretty Savage

I kinda also talked about that in the next topic lmao. It has everything a blackpink song should have. There’s been some controversy about Lisa “born skinny bitch” but Lisa was talking about herself since she has been body shamed through her whole career. She was right and she should say it. You’re entitled to feel uncomfortable but that’s just the thing she wasn’t talking about me or you. She was taking her pain and wearing like an armor. This was a diss track for the haters. Taking that away from her because of our own issues it’s kinda mistreating hers.

8.82/10

4. Bet You Wanna

Yes you guessed it right I talk more about it next topic. It’s a bop. Loved Jennie here. She has such a versatile voice I was very proud to hear her. And Cardi was also good. Just hope Lisa will get her rap part live cause she didn’t have much lines here. But I loved Jenlisa’s brigde. Rosé’s adlibs peak perfection and Jisoo’s chorus and english that’s what i’m talking about. The chorus can be a little repetitive and it kinda ends a bit suddenly but it doesnt bother me much.

8.37/10

5. Lovesick Girls

WHAT TO SAY ABOUT THIS MASTERPIECE OTHER THAN BEST BLACKPINK TITLE TRACK? Love that for me. It was so different than anything they’ve done so far, the lyrics were AMAZING, the message behind it also, the visuals in the MV, storylinne, RAPPER JENNIE OMG, she got the most memorable line “didn’t want to be a princess, i’m priceless” i love her tf the shade to the yg princess title and her scene in the car and in the mental hospital(will not touch on the controversies cause that was annoying) also Lisa’s rap/singing with a flow in the begining her voice OMG I WAS SHOOKEDT. Jisoo’s high note in the brigde? Rosé?? perfect.

10/10

6. Crazy Over You

Rapper Jennie for the last time with a 8 second rap again but LET’S BE POSITIVE. A bop. I loved the i. went. crazy. over. you. I love the lyrics. It bother a bit this much english but it’s bp’s idendity so i’m fine with it.

8.5/10

7. Love To Hate Me

This was a predictable song in the best possible way. Easily one of their best songs. There’s honestly nothing left to say. Also. Lisa’s rap. Maybe Danny Chung deserves some points. It even felt like she was a feat in the song like her flow yall just perfection.

9.4/10

8. You Never Know.

Great song I left with depression.

I like how this album talks with haters and blinks, it really shows a different side from the pinks. Only a few know the emotion Jennie starting off “but you never know unless you walk in my shoes [...] cause everybody sees what they wanna see, it’s easier to jugde it than to believe”. It was written by Loren, a close friend from the girls and the boy who’s Jenlichaeng  boyfriend in the LSG’s MV and Bekuh Boom, a producer who’s been with them for really long, but if anyone got a conspirancy theory that they were involved in the songwriting process of the song, sign me up. You don’t need proves. I believe you. ALSO JISOO GOT MOST LINE ON THIS ONE and we got singer Lisa. After a while, it become my favorite song from the album. Now, it’s my favorite song from their discography. Debate your mother.

9.62/10

c) Pre-Release single Choices: 

I can’t stress about this enough. Whoever was in charge for the single choices needs to go to jail. Not that HYLT is bad (at all) but comparing to the rest of the songs, it look MUCH more like a powerful bside than Love To Hate Me and Pretty Savage ever will. I will lecture later how Pretty Savage was the perfect choice to first release single, just wait. Now, to the controversial Ice Cream. To be honest, i found the song super cute and i think the MV was one of their best. It was different and refreshing, love that for me. But the whole sequence of events that turned out to that disasterous twitter timeline, with constant attacks to the girls especially Lisa over things they cannot control such as line distribuition and a sabotage from antis on yt comment section, was something I kinda already saw it coming. Ice Cream is Blackpink’s most successful single to date, but it was a bad choice from the start (I will talk about that in a second). For starters, YG decided not to promote the song well. While announcing the single, they gave us a poster with pictures from a summer package released months before. And each week they kept doing that, only using actual teaser photos in the release week. The hype was pretty much out. I can’t say my timeline is 100% blink because i have way too many fandoms that i’ve been following for longer than i’ve known kpop, but compared to the HYLT hype, they were pretty down and that’s on YGE. Also, ever since coachella, it’s been antecipated by fans and artists the possibility of a Blackpink x Ariana Grande (one of the most popular singes these last couple of years). The idea of an Aripink collab got blinks (who were already with an eye wide open after Blackpink was seen with Tommy Brown, Ari’s basically oficial producer, who has been producing for her ever since her second album and was reponsible for many hits of her latest project, Thank U, Next, such as 7 rings and Thank U, Next) even more hyped when YG announced (one of those old photoshoot posters. I’m sorry I will never let that go that company is so trash) that Blackpink’s second release was going to be a collaboration with a western artist, and Ariana herself like Jennie’s instagram post about the next single. I cannot put in words the reaction of my twitter timeline when YG confirmed that the collab was actually with Selena Gomez. 

Now, on a more personal note. 

You see, I actually like Selena. I like her songs, besides the critics. Perfect is pop perfection. Waverly Place is the best disney show ever since That’s So Raven. But, to a collab made to the US market, and besides the success of Rare, Selena isn’t a sales force like Adele or Taylor Swift, nor a streaming force like Ariana Grande. Nothing takes my theory that this was supposed to be an aripink collab but, for some reason, she dipped and then interscope (blackpink us label and selena’s label) picked her. Selena showed us a good time and promoted the girls more than YGE did but, it wasn’t a surprise when the song didn’t get a top 10 (a top 13 is really good tho, don’t get me wrong). 

Now back to the story telling

Selena was more than a feat, she sang the whole damn song, getting more vocal lines the the entire vocal line. She’s only a few seconds behind Lisa, who got the most lines in general. I understand that it is a collab, but this is the girls’ single. Why would they want to listen to them for only 16 seconds, the amount of time Rosé got? That set a bunch of solo stans (something that exists more in this fandom than everywhere else) to boycoitt the release, a huge fansite even taking out their funds for the full album (that was low, even for a solo account. JisooBar, you aint seeing heaven). Did i think it was a little of overeacting? As someone who’s an army that had to handle Not Today’s line distribuition, and especially since we’re talking about the main vocalist, someone who will for sure have more lines in the future (as she did), kinda. But, like i said, it was a bomb getting ready to explode at any minute. If it wasn’t that it’d be something else. That being said, NOTHING will ever justify the nastyness y’all did with Lisa and even Jennie’s comment section. Nothing. That was ridiculous even for solo stans. BUT for people who got worried about Lisa’s lack of posts after the release, don’t worry. She didn’t post a lot because Thailand is going through some stuff and I don’t think she has YGe’s permission to talk about it (when I catch the ones in power on that company istg). 

Wow, that was long. At essence, it  was a bad choice for several reasons, but i enjoyed the song a lot. Can’t wait for the live performances with chaesoo’s lines.

Now, back to HYLT. It was greatly promoted, it stopped Zico’s (huge in korea) releases and a bunch of other big artists in South Korea. Got 7 Perfect All-Kills and would’ve gotten more than 12 if the charts weren’t reforming at the time. It also broke a lot of records, and repeated Sour Candy’s position on the bb100 on #33. It’s another very Blackpink song that  I enjoyed but kinda aged. Many non blinks didn’t like it but it’s not like they were ever going to admit they liked a bp song. They’re annoying. The song’s biggest problem is probably the 2015 edm in the chorus. Like. Teddy. You gotta let that go. It’s time. He kinda heard us in the album. But, these kinds of songs are very liked by the general public, especially the korean one. An interview was made asking the general public if blackpink should change concepts and they said a bit fat no. So that tells what you need to know. And that it why i think Pretty Savage should have been the first pre release single. 

Okay, let me tell you another series of event. Back on november 2019, when we were starving because YGe does not like money, BlackpinkBar, a big fansite, payed trucks to be sent to YG building during a whole day demanding for better treatment to Blackpink. You can find all the demands online, but at essence, when it came to music related, blinks always mention: Jisoo’s lines, screen time and blackpink in your area, Main Rapper Jennie, Lisa dance break, Rosé’s high note. On HYLT, we got nothing. And everyone had to shrug it off saying it was just a pre release single, BUT it would be better hyped by blink and the hype to the second pre release would’ve lasted longe if PRETTY SAVAGE, who has basically all of that, was the pre release single. It would’ve assured us of so much. Jisoo said bp in your area twice, she RAPPED, she was singing, she could’ve had more screetime and center time especially bc she’s on all chorus. Jennie Main Rapper would go back and we wouldn’t have to be blue balled (which caused the ice cream meltdown)every single release and only having to wait till the title track and only to have a 8 SECOND RAP. I won’t talk about that now. Moving on. Rosé wouldn’t get a high note, but she would’ve gotten the brigde all to herself and the next pre release single, bet you wanna (wait for it), she would get those incredible adlibs. And Lisa’s dance break. Not only this is bp’s most danceable song and has a bunch of lisa’s raps, it also has jennie’s outro, where for a least 20 seconds lisa could’ve thrived. Yall we were robbed.

Now, real quick, back to Ice Cream. In a perfect world (or just a world where YG’s current ceo) had brains, if they wanted a collaboration to show the pink side of blackpink, with a poppy song and sassy lyrics, the artist not to be in the whole song, and to have an artist who would driven attention from the locals and is a big streaming force, THEY WOULD’VE CHOSEN BET YOU WANNA. My biggest problem with bet you wanna is Lisa’s lack of lines, which could cause stuff and well we just miss her they could have added a rap even for 8 seconds, BUT, seeing her all around pretty savage and knowing she’s gonna have Cardi’s rap during live performances would cool things down. Since we were in the middle of a pandemic, instead of a mv like ice cream where they had to do it separately, they could’ve done something like IU’s eight. A huge part in animation and a few with people. Literally YG why are you so dumb. Bye.

d)  My Honest Opinion About The Album As A Whole:

I did some math (lol) and my rank for The Album is 8.4. It’s easily one of the best releases from this year and I loved it so much, but something were left to be desired and i think i could pass everything and just turn a blind eye at things, except one: the fact we waited for 4 years, watched all ggs and yg groups getting comebacks last semester and only got 8 songs. Loona is releasing a mini album with that amount of songs. Stray Kids and BTS’s mini albums are longer than that. It was bad enough KTL had 4 songs and a remix (a joke) with 2 songs lacking raps and no rapper jennie only for them to carry YG’s dirty name after what their protected boys did. I legit hate it here they didn’t even had 30 minutes, their longest song wasn’t even 4 minutes. Also, before anyone says anything about the girl’s interview about quality over quantity. I’d like to say that i understand them having that when it comes to have one comeback a year and i’m honestly okay with that. But their first full album? 8 songs? Are you kidding me? Like I said, I’m a consumer. I refuse to receive this half assed excuse about quality over quantity when they had more than enough time to produce and write more than 8 quality songs? what, is impossible to write more than one song per moth? these songs have formulas, they can be made more than 8 times. A blackpink album its more than a thousand reals here. That 90% of a sallary. And please don’t come with the “if you don’t want it just don’t buy it” “you can just unstan them” bc that’s not the case. I love their songs. I love the girls. But I’m a consumer of their art and if they want to be takend seriously as artists, they gotta do more than 8 songs on a full album. It’s unfair to anyone that isn’t a diehard fan willing to sell out an overpriced photobook in hours. That’s not the only kind of fan blackpink needs. they need the store locals, the people who are not on twitter or tumblr or instagram. Cause those locals are gonna stay like they stayed with adele and taylor swift. stan twitter is much more likely to leave them with time.

Side note: I’m tired of commenting on rapper Jennie so I’ll just say Jennie deserves better than 8 second raps as the main rapper of the group. That doesnt mean I want Lisa to not rap or to Jisoo not to sing, as many will say bc apparently that’s what people hear when we say main rapper who trained for 6 years to be a main rapper should rap on at least most title tracks even if not on all songs.

But yeah, that’s it. Besides the unfortunate final note, I loved The Album and now Blackpink it’s my second most listened artist of all time. They were top 13 before the album.

#Blackpink Jisoo Jennie Rosé Lisa TheAlbum The Album AlbumReview Album Review Kpop

[i-live-in-a-yellow-submarine]

Ultimate Beatlemania Tag!

Right off the bat, thank you so much to @johns-prince for tagging me! It took me forever to get around to filling this out, but I did it! I kind of don’t know people though so I don’t really know who I’d tag...I’ll just throw @toughbaby-buggybaby in because why not, you can do this if you want!

Anyway, this is gonna be a long post, so prepare yourself if you decide to read this.

How long have you been a fan?:

Okay well this is a little complicated to answer properly, but I’ll do my best. I’ve been listening to their music ever since I was little, and I’ve always adored it. The only problem was that I was either too young to think “Oh, this is The Beatles, I like them a lot!” or I just had no clue that it was them. I have that problem with a lot of bands that I’m into now actually. My dad always forgot to tell me “Oh by the way, you’re listening to insert band name here,” so now I’m catching up.

But if we’re talking about when I decided to sell my soul to these four dorks then it was about a year ago. I got really into their music because of some family members that had come visiting for the holidays, and they were all about The Beatles. One of my cousins would play their songs for me on the piano, as well as some of Paul’s solo work. After that I went in a spiral of just investing myself in them, so now they own my life.

Favorite Beatle:

How dare you make me choose. I love them all and refuse to pick between them-

Really though, I adore each of them so much and it’s really hard for me to make a concrete decision, especially since I tend to go through phases. I always conclude with George though because I just relate to him the most personality wise and admire him in a lot of ways, plus I think he’s gorgeous.

Favorite era for music:

I assume we’re talking about their specific eras in their own music? I hope that’s what this question is. If not, I personally like music from the 60s to the 80s, kind of bleeding into the 90s.

For the bug boys specifically, I think at the moment I’d have to go with everything.

Favorite era for lewks:

Again, if we’re talking about in general, I honestly don’t have an answer?? I’m not into fashion whatsoever, I just walk around wearing hoodies and jeans no matter what. The extent of my fashion knowledge is me seeing something I like and thinking “nice.”

For The Beatles, I honestly don’t know either. I thought they usually looked good in one way or another, (with a few exceptions that we’ll be getting to, don’t you worry) though I’ll always have a soft spot for their moptop era because they just looked adorable all the time. Also, those four looked amazing during their teddy boy days. I’m weak for teddy boy John and George.

Favorite song:

This is a really hard question to answer because I have so many favorites but I’ll try anyway.

This Boy is what I’m gonna start with, because oh my goodness it’s beautiful. John’s voice makes me feel so many things in that song, plus the harmonies behind it are just- mwah. Amazing. Along with that, In My Life never ceases to make me emotional for pretty much the same reasons, and the lyrics of course. The acoustic (???) version of While My Guitar Gently Weeps also has the same effect and I can’t deal with it.

When I’m Sixty Four has always been a favorite of mine from the start. A big part is because I’m a biased clarinet player and love every bit of it, plus Paul’s vocals in that one are so crisp and clear and I can’t handle it. And while we’re on the topic of Sgt Pepper, I also love With A Little Help From My Friends. I always get so happy when I hear Ringo’s voice, and this is one of my favorite songs that he sang.

Probably an unpopular choice for a favorite, but I’ve always really liked For You Blue??? I don’t know why, it just makes me laugh and all giddy for some reason. Honey Pie has the same effect on me as well. That song makes me bounce around like I’m a little kid again, and I adore it. It’s pretty much the same with Martha My Dear too, and also it makes me think of Martha which is always great.

I’m also a fan of their solo work and still branching off into it, but I really like Somedays, Blood From A Clone, and I Know (I Know).

Sorry I went on a tangent I just really appreciate music-

Favorite Album:

I’ll try not to rant on this one because again, I love them all. But uhhhhh, the first album I listened to all the way through (and also the first original record I received, my prized possession) was Sgt Pepper’s Lonely Hearts Club Band. It holds a special place in my heart for that reason, on top of it just being all around amazing. But if you asked me to pick one album that I had to stick with for the rest of my life, right now I’d have to go with Let It Be or The White Album.

Unpopular/Controversial Beatles opinion:

Oh boy, I don’t want to go into details very much because I don’t feel like it, but I’d have to say my belief that the Lennon-McCartney relationship was romantic in some way. I know that one is controversial because…I mean just take a look around.

A song everyone loves but you dislike:

I honestly don’t know really, I don’t think I dislike any of their stuff, or at least I can’t think of any at the current moment. I don’t have many people that I can get opinions about their songs from, but I do know that I don’t go crazy over Yesterday like some people do. Don’t get me wrong, it’s a pretty song, I just have others I prefer much more than it.

A song everyone dislikes but you love:

Again, I don’t really know what songs people collectively love and don’t. I do know that when I listened to Lady Madonna with my mom for the first time, I was absolutely vibing and she was not having it. My step dad wasn’t either, and it’s the same situation with The Long And Winding Road. Those are just between three people’s opinions but shhh-

Your fantasy involving The Beatles:

Gosh, if I were able to have met those four and been one of their friends, it would just be a dream come true. Talking to them and just spending time with them is something I wish I could do, just to be there with those brilliant humans would be amazing. I admire each of them for different reasons, and if I got the chance to have been their friend for years, I could die and be happy.

Tell us about the moment you knew you were a fan:

Looping back to what I said at the start, I’ve technically been a fan of their music since I was a little kid. But talking about the time I unknowingly handed my soul to them, I’d have to say around my last birthday.

A while back I was - and still am - all about the Legend Of Zelda franchise. I’d finished up all the manga that I’d bought based off the games, and wondered if I could find other stuff to read that was like it. Then the world of fanfiction showed itself to me and I just thought “Oh boy, this is a bad idea, but who cares, I want content.”

Fast forward to the point where I was really into The Beatles musically. I wanted to know more about the actual people making the music, so during the process of learning more about them, I remembered the deep and dark depths of fanfiction websites. Thus, I discovered that McLennon was a thing and immediately needed to know why. I literally read my first McLennon fanfic on my birthday.

Basically a month later I’d fallen completely in love with these four guys, their music, and McLennon.

Did you ever have a genuine ‘The Beatles suck!’ phase before becoming a fan?:

Oh no, I could never! This band had been drilled into my mind as one of the greatest of all time by multiple family members, so I just went with it. My dad would talk about them and I’d find them fascinating, even though I was much younger. In fact, I have a fuzzy memory of him driving my brother and I to the beach one time many years back, and he was talking about Norwegian Wood. He never actually told me that was the name, so I forgot shortly after. Then a couple years go by and I’m listening to it for the first time in who knows how long and go “Wait! That’s the song he was talking about!”

Favorite Beatles Book:

I actually haven’t read any yet, but I really want to. I’ve been thinking about getting both of John’s because I’ve heard that they’re quite entertaining for the right people, and based on what I have read from them, I think I’d really like them. I would love to get more after that, but that’s where I’d start.

Thoughts on the old generation of fans:

Having family members that fit in that category, I don’t have any problem with them at all. I mean, they were there during the time of The Beatles, and they always have interesting things to say about them and fun stories to tell. In my own experiences some of them can be a bit condescending with their views and opinions because they were alive during the time, but I know that not all the people in that generation are like that.

If Hollywood were to make a high budget Beatles biopic, what is one thing you desperately hope they include?:

Lots of things really. If I had to go with one, I really would want them to show just how much those four loved and cared for each other, especially the bond between Paul and John. I feel like the breakup, which is a very complicated topic in it of itself, tinted the media’s view to the point where some people believe that they hated each other, which is far from the truth.

I assume they would get their personalities right?? But if that’s something high budget biopics don’t guarantee, then that too. I just want to see their lives done right, with the important factors and people in their lives shown in the right light too. I know that’s a lot to ask of a biopic and probably will never happen, but I can dream.

Do you read/write fanfic?:

Yes, I do both. I wanted to become a better writer and artist, so I use The Beatles and other fandoms I’m a part of as a creative outlet in that sense. There are also so many amazing creators out there that I adore, so why would I not pay attention to the great things people have made?

Are you the only one in your family/friend group to enjoy them?:

No, but also yes? It’s kind of weird actually. Family wise, I have a lot of family members that at least like their music, so I can talk to them when it comes to that. But when it comes to the boys as people, I really don’t have many family members who know much or care. I can rant to my mom because she just takes it all in even though she doesn’t have a clue what I’m talking about, and I infected my brother with Beatlemaniac as well, so now his favorite is Ringo and we talk about them a lot with each other.

Friends wise, I have two that enjoy them. My closest friend is a musician and music is really important in her family, so she’s been listening to a number of bands since she was basically a baby. I talk to her about anything and everything, which also means I rant about everything involving The Beatles. As far as I know, she doesn’t mind and likes talking about the McLennon tea. The other loves all music and she’s been listening to some of their stuff since she was young as well, but it was when I was getting really invested in The Beatles that she also did.

Are you a shipper?:

Yes, yes, and yes.

Addressing McLennon first, I don’t necessarily see it as only a ship, I believe that those two were in a romantic relationship of some kind. But I’ll save those opinions for just a little bit-

Of course when roaming around in the fanfiction world for that good McLennon content, I was bound to find other ships. Obviously my heart belongs to McLennon, so I can’t see Paul or John in any other relationship. As a result of that, I found comfort in Starrison and think it’s precious, though that’s purely just a ship in my book, so I love and put their friendship first. It definitely doesn’t fall into the same boat as McLennon for me.

Favorite movie starring/made by them?:

Over the past few months I fell in love with Yellow Submarine, which I am going to make count in terms of this question because it’s quality content. I love the humor, the artwork, the designs, the story, the music, everything. I just love it all.

Do you believe in McLennon?:

I’m sure you know the answer to that by now.

General opinions on McLennon?:

This post could go on forever if I actually let myself say everything I wanted to. I’ll try to keep it brief because I’ve rambled for long enough as is.

As I already stated, I have a firm believe that McLennon was real. No, is real. Paul shows his love for John to this day, and I’m sure John is reciprocating it wherever he is right now. Everything that they went through together just takes me on the most emotional rollercoaster to ever exist.

I was in the middle of making a list of just all the little things about their amazing relationship, but I realized there were so many that I could fill books about it all, and there would still be so much that we don’t know about. In the end, what John and Paul had was theirs, and the glimpses of it that we’ve been lucky enough to see are beautiful, heartbreaking, and everything in between. The love they shared lives on in the music they created, and I’m just glad to be able to experience it in that way.

If you got to change ONE thing about their history, what would it be and why?:

Oh this is a hard one for sure. I think if I were able to change something, it would be how the breakup played out. Altering factors in their lives so that they had been able to communicate with each other (specifically John and Paul) properly so they were on the same page with each other in what they needed and wanted probably would have softened the blow of the breakup for them, if it were to even happen.

Preventing the alcohol and substance abuse that was dealt with during that time and onward would most definitely have made things better as well, along with everything that happened with John’s association with Yoko. If they had just been able to keep their issues under control with help from people qualified to do so, I think things would have turned out much better for all of them. Then again, it’s such a complicated topic and there are so many things we could change for the better that I don’t have a set way to answer the question.

What song has the best vocals?:

I’m about to go on a tangent again, sorry-

I love the vocals for When I’m Sixty Four. Everything just sounds so clean in that song. I also really love how Paul sounds in Michelle and She’s Leaving Home, with the background feeling all calm so his voice kind of pops.

Girl leaves me feeling like a puddle and I don’t know how to handle it. It’s a similar situation with Do You Want To Know A Secret and This Boy too. The vocals just make me feel things.

John’s voice in Across The Universe and Julia sounds so sweet and sincere, and it always calms me down. I don’t really know why I love it so much, I just think the vocals are wonderful and almost insecure.

I think my favorite performance vocals wise has to be If I Fell though. The way Paul and John’s voices blend perfectly shows prominently in this song, and it’s absolutely beautiful.

What song do you feel had no effort put into it?:

Los Paranoias, but I don’t care and vibe to it anyway.

What is a well talked about moment in Beatles history that you genuinely believe to be false?:

I’ve been thinking really hard about this question but I can’t really think of one off the top of my head that holds much significance. I know there are plenty, but how glorified John and Yoko’s relationship was just seems so artificial to me the majority of the time. I know that isn’t really a moment per say, but it’s the only thing I could think of.

What is something you KNOW to be true, but often gets erased in their history?:

The biggest one that comes to mind right now is definitely the majority of the things involving Yoko throughout the breakup of the band up until John’s death. Honestly, I’ve read and thought about it so much that I just don’t really feel like going into much detail, but in general a lot of the things Yoko did seem to be brushed under the rug.

Least favorite look from a Beatle(s):

Need I say more?

Really though, I don’t have a care for the facial hair John and Paul had in 67, and again later on with their beards. I think they just looked better without it, when you can see their whole face. There’s also the underlying struggles they were dealing with at the time that brought on those messy looks, which makes me more sad than anything.

Favorite look from a Beatle(s):

I’m just gonna list my favorites for each of them and then my favorite pictures or gifs of them because why not.

How I Won The War John is beautiful and I can’t explain why, he just has that special something. I also have a thing for 64-66 John in hats-

Honestly everything from 63-66 is great for Paul. He looked pretty much the same to me during that time period, just with his hair gradually getting longer.

He also had his moments in 67, after he got rid of the mustache (that’s how I feel about John in 67 too)

I could go ahead and say just about everything for George honestly because I’m weak for him. But to pick absolute favorites, then I’d go with 65, 67, and The Rooftop Concert.

I absolutely adore 63 and 64 Ringo to no end. He was just adorable no matter what.

For the whole group together, I think my favorites would be their Shea Staduim or A Hard Day’s Night looks. They make my heart melt.

Anyway, that was a lot of rambling and I definitely didn’t need to write as much as I did, but what can you do? Thank you again for the tag! On the off chance that anyone sees this and wants to do it, go ahead! Peace and Love <3

#tag games! #any gifs in this do not belong to me! I don’t remember who made them sorry :<

[haberdashing]

The Blind Meeting The Blind

TMA fic, sequel to A Rude Awakening. A few hours after waking up blind twenty-three years in the future, Elias gets the opportunity to meet another member of the Jonah Magnus Hate Club, though it doesn’t go as smoothly as he might have hoped.

on AO3

If Elias had thought things had moved quickly when he woke up, when the news was suddenly and unceremoniously dumped on him that he had been possessed by his old boss for the last twenty-three years and that the only reason he was himself again was because he’d been forcibly blinded, well, things just kept moving at that speed from there.

First there was the confrontation in the Panopticon, taking down Jonah Magnus for good, killing the body that had kept him going for over two hundred years now. The whole thing was strange and a bit overwhelming, naturally enough, but it was... it was good, knowing nobody else would have to go through what Elias had, at least not at Magnus’ hands. Also, if he’d had any doubt about the reality of the situation, about how the man Elias had known as generally decent boss James Wright had in fact been the founder of the Magnus Institute and had royally fucked up Elias’ life to keep running it, well, that was settled there. Which wasn’t great to know, exactly, but when so much had been up in the air, Elias didn’t entirely mind having a bit more certainty about his current situation.

Then there was the others--Jon, Basira, Daisy, and Martin--all rushing to explain a great number of things to Elias, some of which made his head spin, some of which didn’t seem possible, and yet all of which he was at this point willing to accept as his new reality, because it made more sense than any alternative he could come up with.

First, after Jonah Magnus was finally dead, the others explained how their lives, too, had been changed for the worse by Magnus’ actions in one way or another. Elias couldn’t help but think that he’d gotten the worst lot of the bunch, even after he knew what the others had gone through, but he kept his mouth shut about that. All that voicing that opinion would do was lead to arguments and risk alienating the few people Elias knew now, the few people he could tentatively see as his allies in this strange new world.

Then there was the explanation of the fear entities, how the Magnus Institute had always been dedicated to the service of the one Jon had called the Eye or the Beholding before, how there were thirteen other entities much like it dedicated to other commonplace fears, how people’s lives could be upended by encounters arranged in some way by these fear entities, how some actually chose to willingly serve one of them and were forever changed by that decision.

Oh, and apparently the world had ended, which really seemed like it should have come up a lot sooner in the conversation than it did. Apparently it was just common knowledge at this point, though, and everyone who hadn’t been unconscious for the last few months was beginning to take it for granted. Magnus had arranged for it to happen, apparently, had voluntarily assisted in letting all fourteen fears loose on the world. Had done it using Elias’ body, of course, but the others were very clear on the point that this didn’t make any of it Elias’ fault, though he hadn’t honestly thought about it that way before they all went out of their way to reassure him otherwise.

(Even with all this information being dumped on him en masse, Elias got the feeling that a few things were being left out or glossed over. Things that were more personal, perhaps, or things that might be sore spots for other members of this motley crew he had found himself part of.

For instance, all of them had seemed eager to touch briefly on the point that people could serve fears and then quickly move on without much in the way of further discussion, and Martin in particular seemed determined to reassure Elias that just because Jonah Magnus had used his body to end the world didn’t mean that the world ending was in some way his fault, while Jon was the lone man out in not uttering any of those same reassurances.

There were stories there, clearly, things purposely left unsaid, but Elias didn’t push to find out what exactly it was they were avoiding telling him. Those stories would come out in their own time, he figured. Better not to rock the boat.)

And after all of that, there was more, because aside from everything else Elias was in the future now, twenty-three years into the future--alright, maybe it was everybody else’s present day, and sure it wasn’t technically time travel, but that didn’t stop 2019 from still sounding more like the setting of a mediocre sci-fi movie than the actual current calendar year--and with that came a lot of mundane information to catch up on.

(Though sometimes it seemed like the others didn’t even remember 1996, or know how far back that really was compared to the present day, thought he needed introductions to things he already knew about--yes, Martin, he knows what the Internet is, thank you!)

So much had changed in politics, in entertainment, in technology... as their little group made their way to a restaurant (or maybe it was a bar? Elias wasn’t sure, and the name of the place sounded like it could go either way) for a celebration and a rendezvous with some like-minded souls, the others explained to Elias how cell phones had become both so common that it was unusual for somebody to not have one and so powerful that, despite by and large being smaller than the cell phones he was used to, the vast majority of them could wirelessly connect to the Internet in one way or another.

(Martin had even lent Elias his own cell phone to examine for a moment until all involved parties realized that without enabling some settings that none of them knew off-hand how to enable, all Elias could tell was that he was holding a smooth chunk of metal and plastic and glass and that it made various electronic sounds when he touched it or pressed any of its several buttons. Martin had meant well, at least. A for effort there.)

As Basira helped guide Elias into a seat, Martin asked, “Want me to put some music on? No use in having a smartphone if it doesn’t get to do anything smart, right?”

“Elias should probably get dibs, he’s never even used a smartphone before.” Daisy paused for a moment before adding, “My money’s on the Spice Girls.”

“What?”

“It’s era-appropriate, isn’t it?”

“Basira, don’t tell me you’re taking her side on this one.”

“Bet we could find an album from 1997 you’ve never even heard before, blow your little Spice Girls-loving mind.”

“But- no, I-” Elias turned towards Martin and, more importantly, away from Basira and Daisy, not really in order to hear Martin better but just to make a point. “Something from the Beatles, maybe? The Beatles are nice.”

“Beatles it is!” Martin started tap-tap-tapping away on his phone to get the music to play.

Here comes the sun, doo-do doo-doo...

“Oh, you’re no fun.”

Here comes the sun, and I say...

“Shut up.”

It’s all right.

Despite his banter with Daisy, only some of which was entirely facetious, Elias started to smile. Some of what caused his heightened mood was the choice of music to play in the background--he’d grown up listening to Beatles albums, wishing he could’ve seen them in concert, and hearing their music always reminded him of a simpler time, before Mum had died and everything had gone to hell. Some of it was the lyrics of this particular song--the world may have ended, and a lot may have changed very quickly, but he’d found a group of people who understood, who’d helped him through the worst of it, and...

Well, “all right” might be a bit of a stretch, but at least things probably weren’t going to get any worse.

That would take some real creativity on the universe’s part, for starters...

Little darling, it’s been a long cold lonely winter...

Not long after Martin stopped tapping at his phone, Elias heard a different tap-tap-tapping in the background loud enough to be audible over the music, the sound of something hitting the wood floor again and again, moving slightly closer each time.

Little darling, it feels like years since it’s been here...

“Melanie! Good to see you!”

Martin mumbled a quick “I’ll just put this away” and turned off the music he’d been playing, which was definitely the polite thing to do given the situation, but it still irked Elias some to have the music he was enjoying turned off so abruptly.

Elias turned to face Melanie, or at least to face in her general direction, shooting her an awkward grin and a silent wave, neither of which prompted any reaction he could discern.

A new voice--Melanie’s, presumably--spoke up, but didn’t quite return the group’s greeting as she pulled up a seat and flopped into it. “So you did it, then?” In a slightly lower tone of voice, a bit like a stage whisper, she added, “He’s dead?”

“Yeah. Yeah, we did it.”

“Thank God. I’ll drink to that--and I’m buying this time, too.”

“Oh, you’re buying? In that case...” Daisy raised her voice, making it ring throughout the... Elias still wasn’t sure if it was a restaurant or a bar, though his money would be on it being a combination of the two, as she said, “Hey, what’s the most expensive thing you’ve got to drink in here?”

“Yeah, yeah... pull a stunt like that and I’ll do it right back when it’s your turn to pick up the tab.”

“You would, wouldn’t you.”

“Round of Old Canoe for the table?” Basira suggested.

The group murmured a few words of assent, and Basira got up, presumably to hunt down their server.

“I thought Georgie was coming.” Jon said. He sounded surprised, but also... sad? Wistful? More emotional than Jon seemed to be most of the time, at any rate.

“She came down with a nasty cold yesterday.” Melanie replied. “Said she’d have to take a rain check on celebrating. Thought I should stay home too, but I told her I’d make it here just fine on my own. Which I did, obviously.” There was an edge to that last phrase, but though Elias could guess it had something to do with her not wanting to be underestimated, any further details were lost on him. (Another story left unspoken there, he presumed.)

“Ah. Well, when you see her, tell her... tell her I hope she feels better soon.”

“Right.”

A moment later, and six glasses of beer were set on the table, one for each member of their little group.

“Cheers?”

“Cheers!”

Everyone clinked their glasses together--somebody bumped their glass into Elias’ fingers at one point, but the minor ache that followed barely even registered against the background noise of agony that remained in the holes where his eyes should be--and then drank as one. The beer tasted awful, but Elias just kept gulping it down just the same, caring less about the taste than about the sheer alcohol content involved; if there’d ever been a night that called for some drinking, this had to be it.

Elias was a little ashamed to realize that he was the last one to set his beer glass down, having emptied it entirely before he did so.

“That tasted absolutely disgusting,” Elias pronounced, “and I want another glass of it immediately.”

Elias had expected this to prompt another round of banter, perhaps offense either real or feigned from Basira for not caring for her choice of beer.

Elias had not expected Melanie to burst out saying, “Why is Elias here?”

Elias had to think for a moment before responding. “Oh, we’ve, uh, we’ve met then?”

“Don’t even start with that, I’ve had more than enough of your fucking mind games already, I know my asshole ex-boss’ voice when I hear it!”

Somewhere in Elias’ mind, he quietly filed away Melanie’s outburst as proof that Daisy hadn’t been lying when she’d said some people had known him--or rather, known Jonah Magnus in his body, really--as “that asshole.” Great reputation to start out with right there. Thanks again, Jonah Magnus.

“Maybe he had my voice, but unless we met back before 1996 and I don’t remember, that- that wasn’t actually me you-”

Melanie spoke over Elias, apparently not caring enough about his words to even let him finish saying them all. Rude. “I thought you killed him! I thought that was the whole point! Didn’t you say you killed him?”

A few “shhh”s rang out through the table, presumably because talking loudly in a public place about having killed people was generally not a good life decision, but after that, it seemed like Elias wasn’t the only one scrambling to come up with a suitable response.

“We did kill him!”

“Sort of.”

“Yeah, sort of, it’s all a bit complicated...”

Melanie scoffed. “If you guys are letting Elias of all people pull some- some power of friendship bullshit, well, count me out.”

“It’s not like that!”

“What is it like, then?” The disbelief was practically dripping off Melanie’s words.

“It’s like some old bastard from the 1800s just finished hijacking my body for the last two decades and counting, that’s what it’s like!”

Elias got the feeling, in the uncomfortable silence that followed, that the others hadn’t actually expected him to butt in like that, that they had thought he would just sit back and listen quietly while they debated, well, him.

Melanie’s voice sounded a little less hostile when she spoke up again, which wasn’t saying much, but the disbelief from before was still there in full force. “Is that right?”

“Yes.”

“And do you have proof?” Elias opened his mouth to respond, but before he could settle on a word with which to begin his rebuttal, Melanie had already continued on. “And sob stories don’t count as proof. I already know you’re good at twisting words, I don’t need more of that. I want evidence.”

“I...”

Elias let the words trail off as he realized that evidence was something he was sorely lacking in at the moment.

How could he prove who he wasn’t? How could he prove that he wasn’t the asshole who’d taken over his life for decades without warning? How could he prove what he didn’t remember, what he didn’t know...

Wait. Knowing. That was it.

Elias turned towards Jon.

“Jon. That- that thing you did when we met, where you asked me about who I was and I had to tell you... somehow... can you do that again?”

Jon let out a long, low sigh before replying. “Compelling people isn’t some sort of parlor trick, Elias.”

“But it makes people have to tell you stuff, have to tell the truth, right? That’d- that’d have to work, wouldn’t it?” Elias turned back towards Melanie, though he naturally couldn’t see the expression on her face as he added, with a wry smile, “That’s got to be evidence.”

“Hang on.” Melanie said. “Didn’t you already try that on Elias once, and it didn’t work right, because... because Elias?”

“That was then. Things have changed... a lot of things have changed. It-” Jon sighed again, softly. “It would work now. Already did, in fact.”

“Then do it.” Elias insisted.

“You... you want me to compel an answer out of you?”

“Yes!” Elias responded, so quickly and emphatically that he wondered if that answer itself had been compelled, either purposely or accidentally.

“...fine then. Who are you, and why should we trust you?”

Elias could feel the compulsion for sure this time, the pressure, the tingle, as the words started spilling out of his mouth before he thought them through. Getting magically compelled to tell the truth was an odd feeling, and an odder one to start to be getting used to, and yet, here he was.

“I’m Elias Bouchard. Only child of Julian and Nancy Bouchard. Mum’s dead, though, has been since I was twelve. Dad might be too now, I suppose, ‘s not like I’ve had the time to check. As of a couple hours ago--or, or what feels like a couple hours ago, in May 1996--I was James Wright’s secretary back in the Magnus Institute, possible promotion under discussion. So we’ve got the Institute background in common, I think, but based on what I’ve heard, that might make you trust me less if anything. If there’s something I can be sure we have in common, though, it’s that we all hate Jonah Magnus. Bastard took twenty-three years of my life away--would’ve taken it all if you lot hadn’t stepped in, I suppose. Sounds like you’ve all taken a dislike to him as well for one reason or another. So that’s- that’s what I have to offer for myself. Just another member of the Jonah Magnus... what’s the opposite of a fan club? Anti-fan club? Hate club? The enemy of my enemy is my friend, and all that, right? Though he’s dead now, so...”

Elias had to take a few deep breaths when he was done, and his hands were shaking a little. That was... that was more than he’d expected to get into with that speech. Came with the whole compelling thing, he supposed, but still, it was strange to be involuntarily spilling his life story to a group of near-strangers.

As Elias focused on his breathing, he heard somebody laughing loudly, and realized with a start that it was Melanie.

“The Jonah Magnus Hate Club... God, I like the sound of that.”

“You- you believe me, then? Because I’m not sure what else I can do to prove it, but I swear, just because I’ve got the same face and voice as he had when- when using my body- it doesn’t mean that was me-”

“Well, I can’t exactly see your face, anyway.”

It took Elias a moment to put the pieces together, and when he did, his stomach lurched a little. He was starting to regret that beer. “They gouged your eyes out too, then?”

“What? No!” Before Elias could ask for clarification, Melanie continued, with a strange pride in her voice, “Took them out all by myself.”

“Wait, but you weren’t possessed by Magnus-”

“Close enough. I was stuck in the Institute, doing his dirty work, helping literally bring about the end of the world-”

Martin butted in at this point. “We didn’t know that part!”

“The specifics, no, but the general shape of it all...” Melanie let out a sigh before continuing. “Blinding myself... wasn’t exactly ideal, but it was sure as hell better than the alternative.”

“Well, that much I get. If the others didn’t take my eyes out, I guess I’d be either--either still possessed or just plain dead, I suppose. So yeah, I’ll take this over the alternative any day.”

Melanie drummed her fingers on the table for a long moment. “...can we start over? I never really... introduced myself properly, did I?”

“Sure.” Elias let out a shaky laugh. “Yeah, that’d be nice.”

“My name’s Melanie King. Was a professional ghost hunter-” God, Elias could hear his father’s voice in his head saying that that didn’t count as a real profession, but like hell was he going to give a voice to his father’s uppity opinions. “-then got roped into being an archival assistant for the Magnus Institute. Worked there for a few months, realized it was literally evil, got out the only way I could a few weeks before the world ended. Been living with Georgie ever since.”

Elias still didn’t know who Georgie was besides “the person that Melanie was living with” (and a suspicion, based on Jon’s reaction to her absence, that there was some history between the two of them), but, well, the puzzle pieces were starting to come together a bit more, even if more and more of them kept getting chucked at his head erratically as the hours went by.

“Got it. Well, it’s nice to meet you, Melanie King.”

“Same to you, Elias... Bouchard... sorry, that just sounds really weird, since you- well, not you--but ‘Elias Bouchard’ was my jerk boss-”

“It’s fine, I get it.” He didn’t get it, really, didn’t fully get a lot of this still, and calling it all fine was arguable as well, but a few white lies were worth it to preserve the fragile peace still being formed, Elias figured.

“You know what’s funny?”

“What?”

“I tried to kill you a couple times. Well, not you-you of course, but...”

Elias felt the tips of his mouth curling ever so slightly upwards. “Honestly? Can’t say that I blame you.”

#tma #tma fic #tma fanfic #the magnus archives #the magnus archives fic #the magnus archives fanfic #elias bouchard #melanie king #personal #my writing

[sureivy]

is that HALSEY? no, that’s just IVY CALDER. SHE is TWENTY-FOUR years old and is an EMPLOYEE AT DON’T FRET & PAWS 4 LOVE. rumor has it they’ve been in town for FOUR MONTHS / TEN YEARS. on a good day, they’re CREATIVE & VERSATILE. but watch out! they can also be IRRESPONSIBLE & VOLATILE. TRIGGER BANG BY LILY ALLEN (FT. GIGGS) plays in my head whenever i think of them. can’t wait to see them around springhill!

hello my pals ! i’m amy ( 20 // est // she/her ) and i am super excited to be here! we also over here bringing back a fairly old muse (i,, apparently,, play her during election years,,) with a couple of tweaks, so we love that for me! also! pls forgive me if this is lowkey disorganized, we’ve been in and out of airports all day! can’t wait to contract that sexy corona!

QUICK FACTS:

full name: ivy rose calder

date of birth: may 2, 1995

*does not perfectly reflect the below big three zodiac chart because that’s too much math

zodiac big three: taurus sun, pisces moon, aquarius rising

gender & pronouns: cis woman & she/her

sexual orientation: bisexual ( preference for women bc we luv that for her but we also luv leaving things open to chemistry )

education: high school diploma

enneagram: 7w8?

mbti: enfp

moral alignment: chaotic neutral

positive traits: creative, versatile, passionate, compassionate

negative traits: irresponsible, volatile, impressionable, hedonistic

BACKGROUND INFO:

triggers: brief implied sexual abuse, suicide, a lot of death talk?, drug abuse ( desoxyn ), overdose

ivy lived the first eight years of her life in newark, nj. she had a mere family of three – her mother, a model-turned-stay-at-home-mom, her father, a politician, and herself. she was much closer to her mother, but she and her father were close at night.

when her mother finally found out about this, she wasted no time in taking ivy’s father’s side. what a good mom! instead, ya girl was already getting in touch with cps herself... but wow... it was gonna ruin his career in politics :\

“Now, one thing I lerned from Storys is, when something big is about to okur, a riter will go: Then it hapened! This tells the reeder: Get Reddy. Here I go: Then it hapened!” - fox 8

then it happened!

humiliated, clearly never getting a platform back, and absolutely bitter, ivy’s father killed himself before being sent to prison. 

Very Tragique™

ok. so. to distance themselves from the poor memories, but to save money, ivy and her mother moved to springhill, temporarily sharing ivy’s aunt’s apartment while her mother began collecting enough money to buy an apartment of their own and keep it.

during this time, ivy was seeing a lot of people and she didn’t know why! they asked questions about her mental health, but she didn’t know why! i mean, totally not traumatic, right?

yes. instead of managing communication well, she became very fascinated by the concept of death. she had many questions about it, she, a youth, had some extended conversations with clergymen about it –– she never killed any animals, god forbid, but she was absolutely fascinated when she ran across them.

SO CLEARLY THAT WAS ALSO TRYING TO BE DEALT WITH.

ok, i’m gonna skip ahead a little. now in teen years and still fascinated by death, but in a healthier way!, and no longer in therapy because... like... that costs a lot of money!

she dealt with it the best she could. became enamored with music... because why wouldn’t she? some covers here and there, some originals here and there, living that youtube lyf, but not expecting anything to come of it. just liked validation! mood!

she also dealt with it the worst she could! became enamored with drugs! naturally, it started out small. some weed, some lsd, some molly –– you know, just drugs that you don’t typically think of as addictive. although her grades suffered, it was harmless enough...

upon graduating high school, she figured... no college. instead, with barely any money to her name, she was like “i... will go to new york... and i will become famous.”

and she did! she did go to new york! she found a few sketchy places that didn’t charge much for a few nights as she began networking - both socially and “i would like to be known for music” (i literally just forgot the word for networking like..... employment wise.... y’all i’m so dumb). when she’d made some friends, she began crashing on couches that were not quite as sketchy! 

but :\ she did meet these friends in sketchy places :\ and they were like “ok here r some new and more addictive drugs for u to try!”

what she wound up abusing using the most was desoxyn. it kept her awake, it kept her focused, it even shed a few pounds to create an excellent figure! what wasn’t to love! 

i mean it’s literally a prescription methamphetamine,,, when abused,,, literally almost exact same effects as meth,,, but when meth mouth, skin lesions, acne, etc aren’t occurring as a side effect? who was she to care!

20, she released an actual ep with the help of a super cool friend who made everyone call him puppy mills! wow! things were excellent! it wasn’t necessarily seeing mainstream traction, but there was a decent enough following! enough to release an album at 22!

perfect timing, btw! desoxyn was starting to become too expensive for puppy to afford and trying to fake having such a severe form of adhd that desoxyn would be prescribed as opposed to something like ritalin or adderal when it’s literally illegal to prescribe in some countries now?? too hard :\ but the money from the album helped her and puppy!

*olaf vc* puppy died. *end vc*

she was there for it too. she thought it was just a freak-out, took a LITTLE too much, but not OVERDOSE worthy... then he l i t e r a l l y died. and it was a painful death!

“oh wow! maybe prescription meth isn’t super cool after all! shucks!” but that was also an opening?? to visit death herself?? like... she didn’t necessarily want to die (sort of), but she wanted... an answer to the question that had plagued her her entire life... so she was like “ok hope i die then someone revives me but if i die then :\ i guess i die!”

did not die. but also did not get a satisfying answer to her question. the only way it would’ve been truly satisfying? if she had been dead for longer than a minute - then it would’ve given a definite answer! because the answer she received was just nothingness which, while peaceful... is it true?

she tried to detox alone, what because rehab is a business, and it... only... sort of worked. she would be clean for a few weeks, then fall back in, then clean for a few weeks, then fall back in. whenever she wasn’t just naturally focused and awake, or whenever what she was focused on was the past, she would fall back in.

i mean, a side effect is memory loss, so win/win!

she made the semi-wise decision to move back to springhill. wisest would’ve been to just move to a town/city she had absolutely no memories in, but better than moving back to newark!

so... without much to show, and with an unreliable streak, she knew she wouldn’t be able to start looking for much of an occupation – but she still needed money! so she began working at don’t fret out of a love for music, then began working at the animal shelter after completing training.

the main training was, of course, for putting animals to sleep.

FULL CIRCLE.

ah yes. how she pretends it’s healthy... even tho there are studies and statistics relating suicide to veterinarians and shelter workers who euthanize animals... ah yes.

has been back for four months now. love that. do not know how to finish this.

TL ; DR:

born in newark. moved to springhill at 8. childhood trauma that she is still carrying causes fascination with death. “i love music.” moved to ny at 18 because realistic. childhood trauma also causes dependency on desoxyn. releases an ep and an album. does not become famous, but they both have decent traction. moves back after an overdose. relapses... often. now sells records and puts animals to sleep. miss american dream since she was 17, amirite?

PERSONALITY / MISCELLANEOUS INFO:

one person one week, a totally different person the next.

wants to please people, but also wants to be her own person? it’s a whole deal!

in spite of her slight icarian incident, she still hopes to maybe one day become a real musician and performer. until then, we selling records and saying ‘goodbye’ to sweet animals!

can truly flip like a switch in interactions! does love ruining things for herself! almost always feels bad after bc :\ damn :\ alright :\

i’m very bad at these sections i really hate that i always include them!

is still avoiding healthy coping mechanisms. love that for her.

favorite movie is, unironically, the bee movie. favorite horror movie is cats.

SO GOOD at memorizing random lines or trivia. could probably recite literally all of who’s afraid of virginia woolf? other than that?? her memory is so bad. hate drugs for that :\

she uses her hair to express herself! (that sounds really boring.) ...she uses her hair to express herself!

but no. seriously. wears the black shag weave the most, followed by the blue/yellow combo ( we stan the badlands aesthetic ). occasionally forays into other colors and styles when money permits, but it’s usually gonna be one of those two!!

was an envy on the coast stan in high school which makes an inappropriate amount of sense.

will go out and steal the dumbest shit when she’s drunk. has a history of stealing chickens.

once again: hate that i always include these!! feel free 2 j consult the personality parts in the quick facts!!

CONNECTION IDEAS:

ok we gonna list some general ones for right now! all are open to multiple people unless there’s an asterisk by it!

close friends –– moonie, teagan,

ride or die

childhood friends –– moonie,

bad influence ( mutual or her on them ) –– veronica ( mutual ),

good influence ( them on her ) –– presley, hayden, gabrielle,

exes ( can be from high school or something like that if based in springhill, can be from 20s in new york if based in new york )

fwb –– trent,

will they, won’t they –– presley,

someone who knew her music ( can be neutral, a fan of it, or hate it afhkjsl ) –– presley, moonie, teagan, indiana, 

will also possibly be sending in some wanted connections for things that are! more specific!

truly anything!! also up to brainstorm and/or look at yours if you have them!!

UPDATE: i have created a wc page so we luv that for me.

OK. like this or hmu if you’d like to plot!

#springhillintro #DONT WORRY THERE'S A TL;DR I. DIDNT KNOW WHEN TO STOP. #also!! am gonna leave the ooc post up for a few so i have reference for who liked it bc i must!! #depart for about an hour and a half and i do not want!! to forget!! y'all idk what im doing today.