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#and i am talking specifically about
juneborgfourth · 4 months
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i’m such a sucker for the songs that take place about 50 minutes into longer off book episodes. what is it about that time frame that makes them all bangers
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butchfalin · 7 months
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the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again
#yeehaw#1k#5k#10k#posts that got cursed. blasted. im making these tag updates after... 19 hours?#also i have been told it should say speech loss bc nonverbal specifically refers to the permanent state. did not know that!#unfortunately i fear it is so far past containment that even if i edited it now it would do very little. but noted for future reference#edit 2: nvm enough ppl have come to rb it from me directly that i changed the wording a bit. hopefully this makes sense#also. in case anyone is curious. though i doubt anyone who is commenting these things will check the original tags#1) my friend did not do this on purpose in any way. it was not intended to distract me or to hit on me. im a lesbian hes a gay man. cmon now#he felt very bad about it afterwards. i thought it was hilarious but it was very embarrassed and apologetic#2) “why didn't he use 🫵🏼?” didn't exist yet. “why didn't he use 🆗?” dunno! we'd been using a lot of hand emojis. 👌🏼 is an ok sign#like it makes sense. it was just a silly mixup. also No i did not invent 👉🏼👌🏼 as a gesture meaning sex. do you live under a rock#3) nonspeaking episodes are a recurring thing in my life and have been since i was born. this is not a quirky one-time thing#it is a pervasive issue that is very frustrating to both myself and the people i am trying to communicate with. in which trying to speak is#extremely distressing and causes very genuine anguish. this post is not me making light of it it's just a funny thing that happened once#it's no different than if i post about a funny thing that happened in conjunction w a physical disability. it's just me talking abt my life#i don't mind character tags tho. those can be entertaining. i don't know what any of you are talking about#Except the ppl who have said this is pego/ryu or wang/xian. those people i understand and respect#if you use it as a writing prompt that's fine but send it to me. i want to see it#aaaand i think that's it. everyday im tempted to turn off rbs on it. it hasn't even been a week
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aphel1on · 7 months
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i have such a love for characters who descend into madness or villainy out of deep, deep empathy. characters who fundamentally cannot cope with the cruel realities they find themselves in and blow up about it in spectacular fashion. fallen angel type characters with tears of outrage in their eyes. characters who break before they bend, and break so badly they splatter blood all over their noble ideals. every variation on it gets me so good
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androdragynous · 11 months
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as my own direct immediate list of game grievances i hate that stardew valley expects you to side against a wheelchair user who is upset that he was moved without his consent. i hate that the mass effect trilogy gives you visible scarring as a direct result of choosing mean dialogue and heals it if you're nice. i hate that the vampire the masquerade ttrpg has a monstrous player class that can appear as horrible vampiric monsters or as visibly disabled people and both of these appearances are mechanically the same. i hate that dark souls games have a difficulty level implemented in a way that cannot be adjusted for disability. i hate that i can play as a mermaid or a werewolf or a horse in the sims games but can't use a wheelchair. i hate that the ace attorney games have so much flashing and not all of the games can disable it. i hate that disability is constantly something that happens to teach a lesson, i hate that disability is something that happens as a punishment, i hate that disability is either compensated perfectly with no drawbacks or something that is endlessly sought to be cured. i hate that no character customization will ever include the mobility aids i use, that the player avatars that represent me will never look like me. i am so goddamn annoyed and so goddamn tired.
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egophiliac · 8 months
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this is basically what happened, right?
(these guys are very lucky that everyone at NRC 1) has the combined intelligence of a sack of bricks, and 2) is easily distracted by shiny things.)
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#art#twisted wonderland#twisted wonderland spoilers#stage in playful land#stage in playfulland#these two are SO sleazy and i am utterly delighted by them#can't wait to find out their tragic backstory in approximately 3-4 weeks!#fortunately i have like a month to figure out how the heck to draw their hair (spoiler: i will never figure it out)#also. god. i love it whenever leona accidentally reveals his Mom Side.#he doesn't care about any of this but he WILL be tagging along to make sure no one else gets into trouble#once again he has to be the Responsible Adult and he hates it. the whimsical hat weighs heavy upon his head.#anyway this is me so excuse me while i now talk about diasomnia for three hours#but lilia being all 'kids gotta have some adventure in their lives!' is hilarious#specifically because you know silver would NEVER.#100% silver not only never snuck out but he always went to bed on time AND brushed his teeth AND flossed even when nobody made him.#lilia: aww but you should be enjoying your youth! >:c#silver: i am. i enjoy being respectful and disciplined and honoring you as my father.#lilia:#lilia: maybe i'm TOO good at raising kids#you know i was going to say none of his kids would be involved in this but i actually think malleus definitely would#he would not see it as a moral quandry though. he would just be excited to be invited along.#(the only reason he isn't there is because he was busy admiring a termite-infested beam somewhere and yuu didn't get a chance to ask him)#i mean MAYBE if lilia as his single authority figure told him no then he would have some reservations#but lilia's the one who's screaming HELL YEAH LET'S SNEAK OUT AND DEFY AUTHORITY while dabbing so moot point there#sebek would never and he would rat on everyone else. unless malleus is going in which case he's already there.#and i guess if everyone else is going silver probably would too#but he'd. y'know. feel conflicted about it.
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travalerray · 4 months
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choose your horror denier: Alice "it has nothing to do with us" Dyer or Jonathan "it's all nonsense unless it's about two very specific people I hate very much" Sims
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bytebun · 7 months
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my piece for @thecodywanzine! thanks to the mods who let me go completely ham and cheese on this bad boy. this one's about living longer than you ever expected and not knowing what to do with it
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welcometogrouchland · 10 days
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♫ I do what I want/Crying in the bleachers and I said it was fun/I don't need anything from anyone ♫
(ID in Alt) you guys ever think about your own posts and get upset?? Anyway Damian Wayne I love you I'm so sorry your life is like that
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bigfatbreak · 12 days
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Hello I love your art!!! I was reading through your changeling au and Felix mentions that fae are creatures of mirth. They literally need attention to survive. But what kind of attention? I guess I'm wondering because Adrien has been in the public eye for a while now, but has been personally neglected for even longer. What does that mean for him? Is he starving? Is he in danger of dying? Does he even know it? (I assume not given he doesn't even know he's Fae).
If he is starving / in danger of starving who is the first to realize this?
it depends on the mirth, on the attention, on what it is they seek. Without making things too complicated - I don't like to define everything into neat little boxes after all, there's fun in nuance - Felix is just explaining from his experience, the Fae he was with tended to be "entertained" by certain aspects of their playing, which was the mirth that kept them relevant. Relevancy more than anything is really what keeps their wheels greased.
In Adrien's case though, the reason he's cloying for so many names and to have so many thralls and attendants is because he SHOULD be a more social creature and has been kept woefully alone. He is kinda starving in the way a fae starves - he's relevant, but only in an image his father constructs OF him, which means it isn't REALLY him - and he has no one to play with. No friends, no lovers, and no rivals, makes a very sad fae
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schminnie · 1 month
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god help me i am doing something so stupid rn. her name is fancy and she is literally the worst. no they do not get along (yet)
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inkskinned · 1 year
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you wanted to be a good friend, because you loved your friends, but the truth was that everyone else somehow had a pamphlet on being normal that you never received. most of the time you learn by trial-and-error. you are terrified of the next big mistake you make, because it seems like the rules are completely arbitrary.
you've learned to keep the prickly parts of your personality in a stormcloud under your bed - as if they're a second version of you; one that will make your friends hate you. it feels feral, burning, ugly.
instead, you have assembled habits based on the statistical likelihood of pleasing others. you're a good listener, which is to say - if you do speak up, you might end up saying the wrong thing and scaring off someone, but people tend to like someone-who-listens. or you've got no true desires or goals, because people like it when you're passive, mutable. you're "not easy to fluster" which is to say - your emotions are fundamentally uninteresting to others around you; so you've learned to control them to a degree that you can no longer really feel them happening.
you have long suspected something is wrong with you, but most of the time, googling doesn't help. you are so-used to helping-yourself, alone and with no handbook. the reek of your real self feels more like a horrible joke - you wake up, and, despite all your preparations, suddenly the whole house is full of smoke. the real you is someone waiting to ruin your other-life, the one where you're normal and happy. the real-self is unpredictable, angry.
your real self snarls when people infantilize the whole situation. because if you were really suffering, everyone seems to think you'd be completely unable to cope. but you already learned the rules, so you do know how to cope, and you have fucking been coping. it's not black-and-white. it's not that you are healed during the other times - it's just that you're able to fucking try. and honestly, whenever you show symptoms, it's a really fucking bad sign.
because the symptoms you have are ugly and unmanageable for others. your symptoms aren't waifish white girl things. they're annoying and complicated. they will be the subject of so many pretentious instagram reels. if they cared about you, they'd just show up on time. you care, a lot, so deeply it burns you. you like to picture a world where the comments read if they loved you, they'd never need glasses to see. but since that's a rule you've seen repeated - "one must never be late or you are a bad friend" - you constantly worry about being late and leave agonizingly early. there are no words for how you feel when you're still late; no matter how hard you were trying.
so you have to make up for it. you have to make up for that little horrible real you that you keep locked in a cabinet. you are bad at answering emails so every project you make has to be perfect. you are weird and sensitive so you have to learn to be funny and interesting. you are an inconvenience to others, so you become as smooth as possible, buffing out all the rough parts.
all this. all this. so people can pass their hands over you and just tell you just the once -how good you are. you're a good friend. you're loveable.
#spilled ink#woke up at 530 to write this lmafo#me in a cold sweat:#how do i be normal#edit in the tags:#hey so i've seen y'all talk about like ... wondering if ur ''allowed'' to relate#like if this is about X specific diagnosis#and when i first posted it i really almost labelled it ''please don't assume this is about a specific condition''#because as an artist i am often walking this line of discussing a symptom or discussing my conditions etc#and sometimes yes ! i do want to talk about an experience that is specific to who i am and my condition#but sometimes the effort of the post is about the EXPERIENCE rather than the diagnosis#because yes i am not neurotypical and as a result that influences my work but it is ALSO true that there are many reasons#why someone might experience this particular vague horrible feeling that you are... almost being CHASED by what you ''really'' are.#that you're outrunning your symptoms... that you're not really normal you're just sort of a mockery of a person#.... that's a really isolating and horrible way to feel no matter why you are feeling it. and the nature of this PARTICULAR post is that#it is inherently talking ABOUT that sense of isolation & of feeling not-deserving & of minimizing your own experiences to make urself#palatable for society in a way that others find easy-to-deal-with....#this post is about a certain experience such that my impression is there's a higher likelihood that those who relate#would have more difficulty thinking they ''deserve'' to relate - that it doesn't REALLY belong to them#bc often we are the kind of people who are SO used to being alienated and set aside and ''different'' that we AUTOMATICALLY assume#that things are not ''for'' us... they never have been why would it start now#we are the kinds of people to be ... ''too normal for X diagnosis but too symptomatic to be normal''#[or as this post points out... so good at ''coping''/masking/hiding it that we essentially conform to whatever shape we're poured into]#but i have witnessed others already say in the tags ''thought this was about me but it's about X so it can't be''#and im like ... of course it was about you.#art is not a resource that is diminished by greater appreciation .#you reflect in whatever mirror fits your frame. not just the ones in your bedroom. not just the ones i specifically give you.#there will be - and often are - times that i will talk about my specific conditions... but if you're reading this#regardless of why you're here... we are here together. holding hands through space and time. and i love you for carrying it#and i know you're exhausted. i am too. but i understand. and i see you.
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carpe-mamilia · 7 months
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Ghosts’ Larry Rickard Explains Why They Chose the Captain’s First Name
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Photo: Monumental,Guido Mandozzi
It couldn’t be a joke. That was one rule laid down by the Ghosts creators when it came to choosing a first name for Willbond’s character. Until series five, the WWII ghost had been known only as The Captain – a mystery seized upon by fans of the show.
“It was the question we got asked more than anything. His name,” actor and writer Larry Rickard tells Den of Geek. “Once we got to series three, you could see that we were deliberately cutting away and deliberately avoiding it. We were fuelling the fire because we knew at some point we’d tell them.”
In “Carpe Diem”, the episode written by Rickard and Ben Willbond that finally reveals The Captain’s death story, they did tell us. After years of guessing, clue-spotting and debate, Ghosts revealed that The Captain’s first name is James. At the same time, we also learned that James’ colleague Lieutenant Havers’ first name was Anthony.
The ordinariness of those two names, says Rickard, is the point.
“The only thing we were really clear about is that we didn’t want one of those names that only exists in tellyland. It shouldn’t be ‘Cormoran’ or ‘Endeavour’. They should just be some men’s names and they’re important to them. The point was that they were everyday.”
Choosing first names for The Captain and Havers was a long process not unlike naming a baby, Rickard agrees. “It almost comes down to looking at the faces of the characters and saying, what’s right?”
“We talked for ages. For a long time I kept thinking ‘Duncan and James’, and then I was like ah no! That would have turned it into a gag and been awful!” Inescapably in the minds of a certain generation, Duncan James is a member of noughties boyband Blue. “Maybe with Anthony I was thinking of Anthony Costa!” Rickard says in mock horror, referencing another member of the band.
Lieutenant Havers wasn’t just The Captain’s second in command while stationed at Button House; he was also the man James loved. Because homosexuality was criminalised in England during James’ lifetime, he was forced to hide his feelings for Anthony from society, and to some extent even from himself.
In “Carpe Diem”, the ghosts (mistakenly) prepare for the last day of their afterlives, prompting The Captain to finally tell his story. Though not explicit about his sexual identity, the others understand and accept what he tells them – and led by Lady Button, all agree that he’s a brave man.
Getting the balance right of what The Captain does and doesn’t say was key to the episode. “It wasn’t just a personal choice of his to go ‘I’m going to remain in the closet’,” explains Rickard. “There wasn’t an option there to explore the things that either of them felt. That couldn’t be done back then – there are so many stories which have come out since the War about the dangers of doing that.
“We wanted to tell his personal story but also try to ensure that there was a level at which you understood why they couldn’t be open, that even in this moment where he’s finally telling the other ghosts his story, he never comes out and says it overtly because that would be too much for him as a character from that time.
“He says enough for them to know, and enough for him to feel unburdened but it’s in the fact that they’re using their first names which militarily they would never have done, and in the literal passing of the baton”.
The baton is a bonus reveal when fans learned that The Captain’s military stick wasn’t a memento of his career, but of Havers. As James suffers a fatal heart attack during a VE day celebration at Button House, Anthony rushes to his side and the stick passes from one to the other as they share a moment of tragic understanding.
“From really early on, we had the idea that anything you’re holding [when you die] stays with you. So it wasn’t just your clothes you were wearing, we had the stuff with Thomas’ letter reappearing in his pocket and so on. And the assumption being that it was something The Captain couldn’t put down, it felt so nice to be able to say it was something he didn’t want to put down.”
Rickard lists “Carpe Diem”, co-written with Ben Willbond, among his series five highlights. He’s pleased with the end result, praises Willbond’s performance, and loved being on set to see Button House dressed for the 1940s. He’s particularly pleased that a checklist of moments they wanted to land with the audience all managed to be included. “Normally something’s fallen by the wayside just because of the way TV’s made, it’s always imperfect or it’s slightly rushed, but it feels like it’s all there.”
Rickard and Willbond also knew by this point in the show’s lifetime, that they could trust Ghosts fans to pick up on small details. “Nothing is missed,” he says. “Early on, you’re always thinking, is that going to get across? But once we got to series five, there are little tiny things within corners of shots and you know that’s going to be spotted. Particularly in that very short exchange between Havers and the Captain. We worried less about the minutiae of it because you go, that’s going to be rewound and rewatched, nothing will be missed.”
The team were also grateful they’d resisted the temptation to tell The Captain’s story sooner. “We’d talked about it every series since series two, whether or not now was the time, but because he’s such a hard and starchy character in a lot of ways you needed the time to understand his softer side I think before you had that final honest beat from him.”
“What a ridiculously normal name to have so much weight put on it for five years,” laughs Rickard fondly. “Good old James.”
From Den of Geek
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autisticandroids · 9 months
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FAMINE: That's one deep, dark nothing you've got there, Dean.
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dean and his father. dean and his family. dean and how bad it is.
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(via @closetoyou1970)
#spn#vid#mind the warnings on this one for real#woe! fruit of my rewatch be upon ye.#pallas calls this my 'deangirl coming out vid' which honestly. true. but those who paid attention know i've always been a deangirl.#also. after this no more deanwinchester rilo kiley amvs I Pwomise#anyway. i'm not gonna give a full commentary here but a big reason why i chose this song is that the narrator#is essentially dismissing her own problems and instead watching the problems of someone else#and i kind of wanted to play with that theme. this is the parallels show so let's do some parallels. lots of things happen to characters#that are Like Dean somehow. either in personality or circumstance. that we know or can infer happen to him. but we don't see it bc it's#not sayable. not speakable. so like for an easy one. we see meg being tortured in caged heat. she also talks about apprenticing under#alastair just like dean. so i show her being tortured [in a way that is sexualized and demon-specific] and reacting how she does#because i invite the audience to imagine or interpret that this has also happened to dean at some point. we just don't see it#so there are many dean parallels in this video. some obvious. some subtle but textual. some products of my twisted mind. but that's the way#i am using them to make my argument.#oh also: dean voice sam's eyes going black is JUST like when he used to fight with dad and wouldn't listen to me when i told him not to.#i guess also the point is that because it's unsayable. dean can't say it. dean can't even acknowledge it. and so it bleeds through#into everything in his life#that's why it's important that the song narrator doesn't take her own problems seriously. dean doesn't either.
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ingravinoveritas · 23 days
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Bonus clip of Michael on the WTAWTAW podcast talking about his experiences with gender expression as a teenager in Port Talbot and mentioning his crush on John Taylor again. Transcript of notable highlights below:
Michael: "So when I was 12, 13--early '80s, the time that Allie is talking about--and I saw girls with lip gloss and wearing rah-rah skirts and leg warmers and stuff, [whispers] and I was a little bit jealous. Course, never said that, never said that. In Port Talbot if I'd mentioned that, my life would've been hell. But I do remember being quite...attracted by the trappings. A lot of trappings for girls. We didn't have stuff like that for boys. There were rituals for girls, doing your makeup, doing your hair." Michael: "I mean, my first crush--I said this on a thing I did called The Assembly recently--my first crush was a man called--ah, John Taylor from Duran Duran. Ohh, he was the most beautiful thing I'd ever seen. The way I processed it was, like, I'm gonna try and look like John Taylor, try and make my hair like John Taylor." Michael: "And they always used to have a bit of lip gloss going on, didn't they? Those New Romantics. But like I say, I couldn't really try that out in Port Talbot."
This goes directly back to things I have written about on my blog previously, about Michael having these feelings and not being able to express them because of where he grew up and the hateful climate that Section 28 fostered. This is why it is so difficult for someone of Michael's generation to label themselves, because none of that is lightly shaken off.
Even hearing the way Michael talks about it in the podcast, you can tell that this is not a joke, but a longing for something that he still remembers so vividly, because it meant so much to him at the time, and still does. Also, Michael has now mentioned his crush on John Taylor twice in the span of two months after not saying anything about it for years, and if that doesn't tell you where his heart and mind are right now, I'm not sure what does. Neither he nor David need a formal announcement to make it clear who they are, because they've already been telling us...
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piratespencil · 3 months
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Every single time the Hells whip out their portable hole to commit some sort of horrifying suffocation crime I'm just like YES this is the best item of all time.
Do you think when Matt gave it to them like seventy episodes ago he had any idea how much use they would get out of it? How absolutely integral it would become to this party's whole deal? Who could have guessed??
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you’re so dark, collumbiahalle 02/05/18 💙
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