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diejager · 10 months

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who's the cruelest yandere out of the cod men in your opinion 😵‍💫 i wanna say price, but i'm interested in your own view!! ☄️🫣

Hmmmm I, honestly, never put much thought to who’s the cruelest of the bunch, but I am inclined to agree with you.

We all know Price, he’s an authoritative figure, he’s a Captain after all. With the rank and power of a captain, plus how successful his missions are, I’d say he’s also very respected. And we all know how respectable people hide dark secrets, no?? Price can be nice, but he can be as mean and cruel as he’s nice. He can be really cruel if he wants to, he doesn’t have a clean slate either, not with that stunt he pulled in MW1.

In my opinion, if given the opportunity (either as a yandere or simple a dark character) he’d be down right cruel, he’s a captain, he gets what he wants and what he wishes. With rank comes power, and with that, not much can stop him. He can still be sweet and soft, as any man, but he doesn’t shy from degrading and spanking. He might actually enjoy spanking, with a bit - a lot - of rope and handcuffs, it lets him have a lot more of control over you.

I’d put König somewhere behind Price tbh, he’s higher in ranking and power than Price, but he doesn’t do much about it, since PMC’s work differently than the military. I will say, however, that he can be rough and mean, cruel in a possessive way to show you who you belong to and who owns you. Bullying and possessiveness has a link in psychology (or so I’m told), and that just adds to the fire that makes König mean and imposing.

He’d definitely use his height and weight against you, pinning and degrading you in the cruelest way he can, a bully of some sort, but one just for you. König’s a dark man, as well, keeps his secret as close to his heart as he keeps his face hidden under his veil. He’s real physical, being bullied means that no one really wanted to be associated with him for fear of receiving the same treatment, so he grew up as a lonely kid. Which fuelled his possessiveness and jealousy. He’s extremely touch starved, it makes him like the thought of owning and belonging to someone physically and mentally.

Soap is third on the list, since he’s a bit more reckless and rowdy. He likes having his way, with how headstrong and boisterous he is, it’s at least expected that he likes getting what he wants. He’s not exactly cruel in a hitting or verbal way. He’s more of a “push over the limit” kind of cruel. He forgets your limit with how enthusiastic he is and it goes from nice to mean.

He’s not necessarily doing it on purpose, he’s just too enthusiastic! He’s a giver, but might give too much. And too much of good becomes bad. He’s a tad bit rough, beard burns and bruises, but he truly means no harm. He loves physically, kisses and hugs, hard hugs but only to show how much he loves you. Even as a darker character, he might be slightly more violent and degrading, but remember, he’s still headstrong and honest in the remake.

I put Ghost farther down cuz, well, he’s lived in a toxic household with an abusive father. He knows what it is to be hit, to be thrown around and to be berated for something he was innocent of. So while he is cruel to others, blunt and brutal with his words, he won’t raise a hand or his voice against you. It’s true that some of those that were abused grow up to become a cruel, callous and cold person, but that’s why he joined the military. It helps him control his sudden bursts of anger rather than taking it out on someone he cares about.

Even as a yandere or a morally grey character, if he learns to love someone, he’s not going to act out abusively. He knows what a toxic environment does to a person. He’s a soft carer, showing that he cares by memorizing your habits, your preferences, your little kinks and anything that makes you quirky. He might be a bit rough and mean, but he’d specify that he means none of it. After care is really, really important.

Lastly, Gaz, meh bby. Couldn’t do wrong in my mind. He’s precious and adorable. He’s dependable and likes to be praised and appreciated. I find it hard to imagine Gaz as someone cruel and demeaning. He likes being acknowledge for the things he’s done well, being given kisses and loving words. He’s a soft lover, he cares and gives a lot, but he loves being told how good he is.

We see how compassionate he is when he was first introduced in MW1, he doubts and hesitates, but always wants to help do good. He might have a slightly grey moral compas, but it’s extremely light when compared to Price and Ghost. He wants to help and means good, might be the reason he joined the military. Being strong and reliable to the person he cares about, to love you with all he can give. He’s not mean or degrading, unless you ask him to play the part, he won’t.

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weight-loss-wealth-health · 1 month

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Navigating the Cryptoverse with Confidence: My Keystone Investors Club Experience

Like many people, I've been intrigued by the potential of cryptocurrency, but the ever-changing market and complex investment landscape made me hesitant to jump in. That's where the Keystone Investors Club Digital membership area came in.

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This review reflects my own personal experience, and you should always conduct your own research and consult with a financial advisor before making any investment decisions.

#cryptocurrency #cryptocurreny trading #Keystone Investors Club #financial freedom #financial planning #make money online #make money fast

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garrettholtz · 11 months

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Beef

I ended up choosing Beef as my show, and I decided to start it this week and didn’t have much time so I only got through episodes 1 and 2, but got a lot from it. I found the show to be a unique and refreshing look into another culture outside of my own and got a good sense of the feelings and hurdles that can come along with being Asain-American. The story itself is interesting, but what I find relatable to what we cover in this class is the struggle with inaccurate depictions and stereotypes as well as trauma that these individuals have experienced and have to now live with.

In Beef, we see this self destructiveness through Danny as he is quick to act in chasing down a car that had cut him off in a grocery store parking lot. We can see this feeling come out of Danny almost immediately and ultimately shows us that Danny has a bigger hurt inside that is expressed later down the road, and this lashing out can be looked at as a rebellion to what is expected of him. This can kind of relate to the Hapa Project, in the sense that these individuals aren’t necessarily identifying with who they are at the moment. But instead they are going against their own expectations and values placed upon them. It also reminded me of the “I sell the Shadow to Support the Substance” art piece because of the message of disconformity it brings.

I believe that Beef is ultimately a look into expectations placed on those in certain communities and cultures, and how we expect some people to act. Within Asian culture, some ideologies are put in place that they will be successful or ambitious in certain areas, but when these ideas are placed on an individual who doesn’t totally identify with these certain beliefs, it may be a hard obstacle to overcome with finding who you are.

These ideas made me question how I look at different cultures as well as myself. It made me think about the expectations I put on myself as well as those around me. It is interesting to dive into what makes me believe I have to be a certain way in society. I am now able to look at how I was raised and see that I have integrated ideas and values into my own life unintentionally. Whether it be from my parents, or the environment I was raised in, I am able to acknowledge my own personal biases I have developed and am working to have a more open and accepting idea into what is right and wrong. This show just reminded me that society and those around us will often try to put us in a box and label us to satisfy their own personal biases or agenda, while in reality we are the ones who control the narrative.

Citations

Tolentino, Jia. “‘minor Feelings’ and the Possibilities of Asian-American Identity.” The New Yorker, 6 Mar. 2020, www.newyorker.com/books/under-review/minor-feelings-and-the-possibilities-of-asian-american-identity.

“Beef - Netflix Series - Where to Watch.” TV Insider, www.tvinsider.com/show/beef/. Accessed 16 July 2023.

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foxfootyinternship · 1 year

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Reflection on your supervisor evaluations and how these align with your future career professional development requirements

I was incredibly humbled by the final evaluation. The feedback clearly showed that I made the most out of my time at Fox Footy and ensured that I brought an attitude to learn and grow.

Lynne’s feedback regarding working long hours and taking on guidance was something that I strengthened significantly during the internship and will certainly be something that I will take to any organisation in the industry. Sports media in particular demand long days and odd hours, and I am now more prepared to undertake this.

Working on my own became a strength during my time at Fox, and I found that over time I was able to go and complete briefs/tasks with little assistance.

My ability to work under pressure, especially in the pressure cooker environment of sports broadcasting is still something that can be worked on and over time.

Lynne’s feedback regarding jumping the gun with questions and preempting events is something that I will use going forward. It is important to find a balance between asking questions and waiting for something to evolve in front of you. I do find that I can have a tendency to be overwhelmed and want to know everything quickly rather than taking the time to learn and let the process unfold. This was particually evident when working in the control room with the directors, producers and EVS operators. Going into the industry, I need to learn to grow more patient and measured.

The technical skills and abilities that I had going into the internship I thought was one of my weakest areas. To walk away with a comprehensive understanding of industry standard vision sourcing programs will be a major asset to an organisation and something that I will showcase on my resume.

Passion, although not a skill necessarily- is something that I pride myself on and I see as a big driver in being successful long term as a sports media professional. If you bring a passion for the game and the work involved it motivates you to become the best person that you can. According to Jung (2022), passion leads to more job satisfaction overall and more retention within a workplace.

My analytical skills are transferable to different sports and environments, but they seem to have sharpened over the course of the internship as well as my problem solving skills. Over the course of my time at Fox Footy, not everything was smooth sailing and I learnt from others how to stay calm in a crisis- especially during live TV. This rubbed off on me and I noticed that I remained a lot more calm when tasked with something that may not have gone to plan initially. This will be important moving into industry.

Many of the skills that I brought to the internship were sharpened and built upon, and I gained along the way a whole new set and discovered things about myself in an environment that was initially so foreign that I gained a confidence in. I never saw some of the skills such as resourcefulness as being a quality of mine until experiences and tasks at Fox Footy brought these out in me.

Jung, Yeseul, 2022, Does work passion benefit or hinder employee’s career commitment? The mediating role of work–family interface and the moderating role of autonomy support, PLOS One, vol.17, no.6, p.p 14-26, https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9165830/

Above: The Control Room- which once was my enemy and now my friend.

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adamsvanrhijn · 2 years

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like.... narratively i think there were other choices that could have been made that would have been more satisfying to me personally.

i am not happy that richard chose getting married! but that doesn't necessarily mean him as a character making that choice is out of character or is inconsistent with the choices he made in the last film! and i don't think either of those things are the case.

i also think it is important to note that thomas does not make the same choice, and that there is absolutely no reason to think that he was asked to, or that his own wishes and wants weren't recognized throughout that relationship all the way to its end.

my personal take on the situation is that richard knew he, personally, ultimately could not sacrifice position, respectability, stability, and security—that exactly what we are told (through mrs hughes), that he wasn't brave enough, turned out to be true.

he wants to be something he isn't: someone who can do the things he has done and make the choices he has made (choices he invariably sees as The Right Thing To Do! he wouldn't have risked what he had if he didn't! but that we have only seen him make when outside of his normal environment, with enablement from another [thomas] or another [still thomas] at risk) indefinitely, without minding what others think of him or worrying about what could happen if/when the consequences he has never faced before finally come to find him. i interpret him as having tried to do this for many years—and that the closest he ever came to success was with thomas, that his relationship with thomas, if not forever, for a time, truly allowed him to be both himself and the person he wants to be. and him ultimately making the choice to get married doesn't take away from what thomas gave him, nor from what he gave to thomas:

he showed thomas that he is worthy of love, respect, and camaraderie, that he is not alone, and that he is worth taking risks for. great risks, and in fact the ultimate risk, if not the last one (and that risk, a vague and unknowable and unpredictable but still very great one, would ultimately have been on richard's own behalf, not thomas's, a risk richard took for himself first).

and now thomas has decided that he, himself, can take the risk. that he can take the risk if his success might mean he is happy.

thomas has been at downton and its environs for nearly twenty years, barring an interlude. in this time he has:

been violently arrested.

been asked to step down from his position so someone else his employer likes more can do it better despite the fact that he's been doing it successfully for a year and a half and has years of prior experience supporting that.

attempted suicide.

lost his job (even if he was given time to find a new one). (suffered through a different job that didn't fulfill him at all. taken a new job that other people literally say would not be appealing to them.)

nearly lost his job. more than once.

been lied about and portrayed to be a threat to others around him, and ostracized for it.

nearly died of an infected wound after going to great lengths that he thinks will allow him to retain everything he has at downton, and live a satisfying life within the confines of what is expected of him at downton.

lost almost every single ally he has in the house and gone neurotic trying to force it with somebody else.

watched almost every single one of his coworkers and employers get married, or leave to get married, and start families.

had a person he considered a friend leave (with the implication he would never hear from him again).

nearly gone to prison.

been betrayed by a person he trusted.

had a person he respected as an employer violently die in a car crash.

had a person he considered a friend die in childbirth, and then immediately had to suck it up and get back to work.

lost his job due to circumstances outside of his control, and then lost everything he had trying to get that control back.

lived through a war.

had a person he was in love with die of suicide after trying and failing to prevent it.

this isn't even everything and it doesn't even cover every season???

why the fuck would he want to stay here?

like yeah okay his coworkers (who ostracized him for years, who have spread rumors about him and talked behind his back, and tried to get rid of him, and pitied him and ignored him and dismissed him and never taken him seriously until recently and even then only up to a point, and who have seen him at the absolute lowest places he has ever been in his life and know exactly how deeply he has been humiliated at multiple previous points in time) respect him more now. his field is dying but he has a good position in it. there are children he gets on with (but two of them don't live at the house anymore and one is nearing the age where the way he interacts with servants is going to change).

and yes. every time he has left before it has gone badly:

the last time he left, he refused to look far beyond his immediate environment because he was too afraid to leave the only connections he'd ever made, no matter the quality of those connections.

a previous time, the clock was running out, he'd already lost his job and was living on essentially charity, he had no future in front of him after trying and failing to create one through traditional respectable means, and he took the first out he could find because he had no other option and didn't think it through before saying yes.

a previous time, there was a war that would have made him leave eventually anyway.

a previous time, he perceived someone had committed to him (had been lied to, most likely, and certainly in his own view of the situation) when he hadn't and then got it thrown back in his face.

he is making the choice to leave again now, when:

he already has a job.

he has had some time to think about it.

it is presented to him as a position with multiple options and pathways. something he can make what he wants of.

he is given the chance to say no, and has the security to do so without consequence.

he has much more experience and maturity than he ever had before. he has a better understanding of what makes a good or a bad working environment.

he knows what autonomy and leadership feel like.

he knows what a long term relationship feels like. ("he just got broken up with" yeah and he stayed the last time that happened.)

i think it's different!

and it's presented to us in a way that makes me feel like we are supposed to think it's different, that it's going to work out this time. he's literally going into film (or going into working for someone working in film) right when film is about to get big. he's leaving service while service is on the way out. literally everybody else on the show is getting something we are so obviously supposed to see as a happy ending!

you can point out all the things that could go wrong all you want, but like..... i see no reason to decide unequivocally that they will.

(and if we are placing blame, i don't think fellowes is the one who should be receiving it, or at least not the only one—he's certainly not solely responsible for casting or chemistry or line delivery or blocking or editing, and to me this scenario actually works a lot better on paper!)

#Downton Abbey spoilers #da spoilers #Downton Abbey a new era spoilers #da a new era spoilers #a new era spoilers #da 2 spoilers #thomas barrow posting tag

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pop-punklouis · 3 years

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when you say that boyband’s work on a shelf-life and theyre thought of as a cash crop what do you mean? that they’re only an object to the industry?

i mean, let’s break it down. boybands, more times than not, are curated by someone else. it isn’t exactly the boys that come together, find each other, and then start a career. usually, a higher up will pluck 4-5 boys from the crowd and put them in a group together expecting them to be puppets to their success. from the beginning, a boyband is fundamentally under the thumb of the industry due to their origins. then, of course, you have the image branding. these boys, at a young age, are given labels to be to sell records and garner favorites from the fans— which in turn gives more reason to sell more individual product with a certain boy on them. the boys will go through image training/publicity training, and besides putting on a character depending on their branding (zayn malik literally talked about how he couldn’t even really grow a beard in the band), they’re also walking on eggshells to present to the media in a way that is not only broad enough for most of the GP to favor them, but also to give just enough personality away that most of what one knows about them is either created in a boardroom or acts as surface level for fans to push their own attitudes onto them without compromising this carefully patched together image. this doesn’t mean these boys aren’t genuine in how they perform, but there is a lot of tightening of screws and pushing into molds at a young age that can fuck with them when carried out for long periods of time. it’s like appearing as yourself but mimicking someone else’s idea of who you ought to be. it’s the alien impersonator. it makes me think of NSYNC’s music video where they were all puppets on a string, being controlled by the omniscient puppet master. do i think that visual was pointed in makeup? not necessarily, but it is a good reference point for how i’m sure many boybands feel throughout their lifespan

then, you get into the lucrative amount of $$$ people are making off these groups. the global merchandise. the touring. the albums pumped out every 12 months. the chosen teams that surround the boys to keep them on track and keep them feeding into the machine as long as their contract permits. when the $$ begins raking in, that’s what the label begins to view you as. your expectation revolves around their bank accounts, and the more $$ you generate, the harder it is to have freedom and orchestrate a life outside of the spotlight that isn’t predominantly cast in the form of making more $$ for these companies. and these companies know that the pop-sphere only has a general attention span of 5-6 years before a revolving door of new talent comes in, so they’re even heavier handed with how they pump the content out knowing the shelf-life is waning, and there’s only a specific area of time they can milk them for what they are— using it as a justification for dehumanizing a group to line their own pockets.

and god forbid one of them tries to “mess” with that money. even if the intention isn’t malicious. take for example, Brian Littrell from the Backstreet Boys or Niall Horan. Brian had to get open heart surgery, and they pushed him back into a worldwide tour and promo cycle almost straight after. Niall Horan has had knee surgeries that were prolonged for long enough until they were mandatory and he was on crutches during promo stints. their health and well-being is on the back burner if it compromises their ability to be a cash crop. their agency is stripped to be objects to an industry who looks at them and instantly sees wealth. they walk in a room not as individual people but as a well-oiled machine, which can mess with how you think people view you outside of the group. “would these people speak with me if i wasn’t apart of this?” “would i be able to get into the studio with certain producers/song writers if i was on my own?” “would i have the same opportunities without this goliath presence on my back?” “will i always have that part of my life carried on my back, unable to pick apart if my own talents or my past talents is what’s given me the success i have now?” “is this image the only thing people see and use me for when i walk in a room now?” “what is success if it isn’t the success i had in the band?” a lot of identity issues are created in this isolated bubble, and it’s no wonder why any member of a boyband has insecurities and doubts when they leave that model, not knowing who they are or what they represent.

and finally, you have to take into consideration how tightly controlled their entire life is beyond just promo or images. their schedules are blocked months if not years in advance, not being able to have personal freedom unless it works around things that have already been confirmed for the group (i mean let’s example girl group little mix here. two of them were afraid of becoming pregnant when they did bc their schedules are confirmed ages in advance, and they thought they’d be scolded for it). their agency is gone. their independence is gone. their freedom of just existing is gone. they exist in relation to the label and their “handlers.” they have lives, and they can do things, but many of those things have to be worked through the system and approved. think about how isolating the 1D bubble was. almost none of them had gaggles of famous friends that weren’t also there to sell a certain image of the group. they were contained for most of their youth to just those five boys. from 16+, their teen years and growth into adulthood was centered around this bubble mentality. they were stunted, and you can see the affects of that even now— years later.

so, i don’t blame these groups for taking indefinite breaks or disbanding altogether. that environment is toxic and erasing and superficial. it’s harmful. and i think it’s important to know this. because there’s no foul in loving boybands/girl groups and who they are, what their music sounds like, and what they represent to you. they’re a special type of celebrity that many connect with in different ways than they do individual artists. in ways, who they showed to you was genuine and loving and their friendships within the band cannot be faked. most times, they only have each other through the chaos of fame so they rely on themselves and their fans every night as their support beams so, don’t feel guilty or shameful for liking a band and supporting a band as you weren’t the ones who created this for them— it’s the age-old history of how the boyband model operates and tbh until it “breaks” i unfortunately don’t believe it’ll be fixed.

#grey #ugh sorry this is long #long post

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vkelleyart · 4 years

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Thoughts on fandom: inclusion and engagement.

(Art credit to the kindhearted @penpanoply!)

There’s been some stuff floating around on Tumblr about strife in the CO/WS fandom, and though I haven’t been explicitly named-dropped on anything public, my DMs have been... active. lol Rather than rehash what’s been said already, I just want to impart a little wisdom and perspective in the hopes it may soothe frayed feelings and offer a way ahead for cultivating a respectful community. As someone who has been an active participant in online fandoms since the mid-’90s, which was the advent of online fandom content creation (shout out to my fellow X-Philes!), and who has also spent a chunk of her professional life managing social media for the federal government and for activist groups, I can promise you it’s all gonna be okay.

Here’s some context for why strife happens and what we can do to create a more inclusive and communicative fandom environment.

1) It sounds cliché, but fandoms go through growing pains.

In the case of the Simon Snow fandom, what was once a small and cozy space untouched by cataclysmic events (such as the release of *gasp* a sequel) has grown exponentially in a relatively short amount of time following the release of Wayward Son. Newcomers are eager to find a home in this space at the same time as folks who’ve been here a while may be consciously or unconsciously wary about widening their circle, and It’s important to remember that this is not necessarily an expression of bad behavior on either side but just human psychology doing its thing.

The byproduct, however, is that tension and stress builds over time from the lack of meaningful communication across the divide, which subsequently fuels misunderstandings. Ironically, the interfaces we use to communicate don’t help with this because any existing communication about the tension happens in tiny vacuums until a trigger goes off and bad feelings go public.

Way Ahead: These moments of destabilization are opportunities to see where we can be more self aware about how we engage with fandom and the kind of community we want to be. Can you promote, support, or befriend someone trying to gain a foothold? If yes, please do! Each person must reach their own decision about what they can do within the confines of their available energy, health, and time, but a little self awareness goes a long way as long as you’re honest with yourself and others if applicable about what you can contribute. Anyone who judges you for it isn’t worth the strife.

2) In a fandom comprised of vulnerable/marginalized people, it’s more accurate to say that cliques are “bubbles of trust.”

This one's important. Just by nature of the source material, the CO/WS fandom includes fans with a wide array of backgrounds and experiences, especially when it comes to those who identify with the characters’ queerness, mental illness, and/or trauma. I really believe––based on individual conversations/group chats––that the difficult lived experiences that so many of our fandom peers have endured has produced one of the most open, aware, and accepting fandoms I’ve had the pleasure of participating in. Our vulnerability is, in a real way, our strength.

That said, a community of survivors also has the side effect of cultivating small circles of engagement that I call “bubbles of trust.” When you’re a survivor of abuse, marginalization, mental illness, fill-in-the-blank, it’s often quite hard to risk casting a wide net and expanding your circle to include new faces––which can subsequently be internalized by equally sensitive and vulnerable newcomers as rejection, judgement, or inadequacy.

Way Ahead: First of all, there may indeed be gatekeeping and exclusion going on. But before internalizing someone’s cagey behavior as gatekeeping or purposely exclusionary, ask yourself if you have all the information. Many people are private (I include myself in this assessment) because life has regrettably taught them to be this way, and so they may insulate themselves to a small group of people who have earned their trust. Some people might also triggered by certain content (case in point: smut triggers my anxiety) so they don’t engage with it. Others might have something in their pasts that define how they handle certain subjects (for example, a person of color should not be tone policed for getting angry when confronted with a racialized microagression, however accidental it was). You just don’t know what you don’t know.

The solution here is to regularly check your privilege and ask questions in a private space if you sense you’re being treated unfairly by someone. If you go public with your grievances in hopes of mobilizing the mob, you may accidentally find yourself stepping into the role of the aggressor instead of the victim.

3) Social Media is not built to help you get engagement. It’s built to help itself make money off of you.

Repeat after me: Hits/likes are not a measurable indicator of talent or worth. There are ridiculously talented folks on Tumblr and elsewhere who, for whatever reason, haven’t had their viral moment, and it’s not their fault. Loads of factors come into play where things like likes, reblogs, and comments are concerned, among them being posting frequency, subject matter, the time of day, the day of the week, the week of the month, the month of the year, the current administration, the stock exchange, the concentration of middle class users, who just won the Superbowl, a madman trying to steal an election and undermine the democratic process, a PANDEMIC, do you get where I’m going with this?? lol

At the end of the day, my humble successes have been helped along by good luck, good timing, high profile signal boosters, and an absurd amount of work. (This is why I try to signal boost new work whenever I get a chance over at @vkelleyshares.)

So while you cannot control Tumblr’s interface, trends at large, or your fellow users, here’s what you can do to ensure you give your work the best possible chance of exposure.

Have an image ready to go with your post. Tumblr is a visual platform (no matter what it says about being good for text). Not good with images? Set up a Canva.com account and get access to free graphic software with a gazillion templates to create whatever attractive image you want to attach to your post.

Keep the outward facing text brief and easy on the eyes. Too long and eyes will glaze over. Put excess text behind a “read more.”

You may think you’re being cute when you do this, but don’t put yourself down in your posts. (Don’t put yourself down in general, of course.) Doing so acts as engagement repellant. If you don’t believe in your work, no one else will.

Related: Be your best cheerleader. Confidence is a magnet, and if you don’t have it, go ahead and fake it until you start to convince yourself you are worth the buzz. So promote yourself! You have gifts that only you can impart. Use that knowledge to fuel everything you do from your art/fiction writing to your outreach with other content creators, and by golly, if someone’s done it already, acknowledge that contribution and then tell the world that this is YOUR unique take on it.

Treat your fellow fandom creators as human beings, not art/fiction/content boosting machines. I cannot count how many times I’ve had folks slide into my DMs with offers of friendship only to disappear once they realize I’m not available to draw a picture for their fic. It hurts because it’s manipulative and it makes me want to hole up and not signal boost anyone. Creators who truly support each other will not give off a transactional vibe. I want to help you reach more people, but not if that’s all I’m good for in your eyes.

The long and short of it: Lead with compassion, do your best with the opportunities at your disposal, and remember that fandom belongs to everyone in it. ❤️

What saves a fandom made of sensitive and vulnerable souls from imploding when it goes through growing pains is radical compassion from those who can offer it. Begin with the assumption that your fellow fandomers are not trying to harm you, and wade into the water knowing that your insight into the lives of your peers is limited by default and you may need to temper your words or actions accordingly. If you’re a content creator, save compassion for yourself as well, as there are indeed challenges to gaining an audience, and lack of engagement does not mean you lack talent or skill. Be your best advocate, and if you have the bandwidth to lift up a fellow creator and make a new friend, please, go ahead do it!

And finally, fandom belongs to everyone, and no one has a monopoly on characters, tropes, or themes. Create and consume what you love (with respect for your more vulnerable peers), and bask in the variety, my friends!

That’s all I’ve got in my head at the moment, although I’m sure there’s more I’m forgetting. Thanks so much to @penpanoply for letting me use her art for this and to everyone else, hang in there and try not to judge each other too harshly. These are unprecedented times, and most of us are doing our best in circumstances that are pushing us to our limits.

As always, if you have questions or want to sound off on anything, shoot me a message or an ask, or ping me on Discord. It might take me a second to respond (thanks, Covid) but I’ll get to it! Love, love, and more love to all.

#fandom stuff

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luckyspacerabbit · 3 years

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would you ever share the background you created for kai leng? i'd be so interested in hearing it!

Hehe, yes! Thank you for waiting anon. I wanted to really think this through and make sure I was working with all the possible details of his character.

Okay, so my goal with fleshing out Kai was not to excuse him as a villain or to necessarily redeem him, but to humanize him and hopefully incur sympathy because I find his depiction as a mysterious lackey boogeyman to be 🙄 one dimensional and playing on racist tropes like the yellow peril ✨ (also bioware making him predominantly chinese + a lil russian. extrapolate what u will lol)

So here is my background for Kai :) Lots of childhood headcanoning and then some general talk about his character/why I chose certain elements as I did (such as dumping that dumb phantom blade for butterfly swords AEORHIG)

Childhood: According to the wiki, Kai is Earthborn, and from his general heritage we can assume that he grew up in Northern China (omg that's where my ancestors are from). The most populous city there is Beijing, which, if there was a spaceport or alliance recruitment anywhere, it would be there.

I headcanon that he was born to a bit of an unsteady family, where it was likely there was estrangement and unsafe conditions between the mother and father that may have created a sense of helplessness and neglect from a young age.

In my canon, Dan Hyun's mom, Hannah Shepard was the head of an agricultural research facility on Trident, and was an old friend of Kai's mom (From University, possibly).

As conditions worsened throughout Kai's childhood, his mom decided to take a chance and flee with Kai (age 10 at the time) to Hannah Shepard's science facility on Trident (Sentinel Agricultural Research Facility), where she and Kai would stay for about two years as his mom worked to save enough money for their own place .

Since Dan Hyun was already being homeschooled, it was easy enough for Kai to join up alongside her.

Dan Hyun (12 at the time) was extremely happy to have a friend since life on the facility could be really lonely-- but with all these changes Kai was having a difficult time adjusting, especially when Dan Hyun felt put off by his competitive attitude. After so long feeling neglected and growing in a tumultuous home environment, he craved external validation: homeschool provided an avenue for that. They developed their own academic-based competitive rivalry that counted towards friendship, but grew distant when he moved out with his mom about two years later.

When Dan Hyun was 18 (Kai at 16), she managed to apply to an Alliance Research Training program and receive admission-- something that was considered highly prestigious, despite her parents' reluctance. Kai had already begun to build resentment towards her due to the way her parents treated her (very preciously, sheltered, and without exposing her to the difficult parts of life) in contrast with what he lacked in family and world kindness, creating a drive to supersede her and compete with her once again, if only to have tangible proof that just because he began in a lower place didn't mean he couldn't surpass the vision of success.

After this event, they would strike up a still somewhat friendly rivalry again that continued until Kai enlisted in the Alliance at the age of 18 (his attempts to join directly at 16 failed in my canon lol, but he sure tried )

Alliance Service:

Kai took the combat-driven route while Dan Hyun was receiving training for her eventual research establishment in Akuze, meaning that in their line of work, they never crossed paths-- Though they maintained occasional communication and met up here and there whenever Kai was back from his tours.

This is where I believe his decline truly began.

Some habits, like his desire for tangible proof of success and seeking external validation, manifested more heavily in this time. Collecting badges off of dead soldiers (To remember his skill first hand) is a notable one, but I speculate he relied heavily on the word of his commanding officers to counter his self-esteem. Titles were incredibly important because they were proof. When he began to feel a loss of control which led to emotional outbursts and breakdowns, he would fall back on these bits of evidence that he had done something, anything.

The weight and violence of service combined to break away his mental strength and conditioned him to that of a soldier.

Famously, he was discharged in 2186 after his N7 designation. In a bar fight on shore leave, he murdered a Krogan (OKAY. Listen. The wiki says "first-degree murder" but first degree requires premeditation and bar fight implies heat of the moment. So IDK I think the details around this one are a little fishy. He was on leave but he was a soldier, so ? he probably just had a weapon on him? Okay, I'm not excusing him but premeditation is a bit different from manslaughter so just something I've pondered. It separates intentional killers from accidental murders).

At this point, he is formally incarcerated and set to serve a twenty-year sentence.

Cerberus Contact:

The year is 2177, and Kai has lost everything he's ever worked for. His prestige is gone, he is at the worst place he has ever been, his mom won't talk to him, and he has no one. He had even stopped hearing from Dan Hyun, the only person he could have considered a friend once.

Through a small TV in the prison, he is able to hear about the attack on Akuze, and its one survivor: Alliance Scientist Dan Hyun Shepard. In the attack her biotic abilities (Which she had kept secret for many years) were revealed, prompting immediate recruitment into the N7 Program and a contract for ten years of service. This drove Kai into rock bottom-- while he had nothing, Dan Hyun was steadily on track to uprooting the only thing he had ever felt like he had accomplished.

This is when Cerberus intervened, promising him a home, freedom, belonging, and success.

So of course Kai agreed. Why wouldn't he? He had nothing left in his miserable life and there would never again be a place for him.

Cerberus Intervention:

It's my belief that Kai wasn't necessarily "alienphobic" in the beginning. Instead, I think The Illusive Man saw a very clear opportunity to recruit and nurture a broken man into a pawn of service. TIM is incredibly smart-- everyone who works for Cerberus is. He knew what Kai needed was validation, the promise of success held directly on the tip of his tongue to drive him into tenacity and action.

Organizations like Cerberus, even in real life, prey on people at weak points, fulfill their needs and drape their ideology on top like icing on a cake. That's not to say that Kai is completely innocent-- he ate the sweets and readily threw the world to the side in order to attain more-- but it does give some perspective.

Kai in Cerberus:

In ME2 we know there is some apprehension on Kai's part about the role Shepard will play. He is already starting to feel slighted from failures with Rasa and takes even the possibility of rejection from TIM extremely hard and with violent emotional outburst. This evidences how much TIM has whittled him away over the decade of service. Kai feels as though he owes everything to TIM, that TIM saw something in him-- failing him is disproving that and accepting what Kai has feared all along: that he truly is a worthless and incapable person.

Kai and Shepard:

Kai is best known for his direct antagonism towards Shepard in the events of ME3, directly killing their allies and potential love interests in a way that is extremely personal. Yes, it is part of the job, but at the same time, it's clear Shepard gets under his skin. It's because in the end, after all that setup, Shepard is the one person who can take it all away from him.

They can replace him as TIM's prodigy/ They can bring an end to the organization that gave him everything (From his cybernetic enhancements (uh indoctrination cough couch) ) to his purpose in life. Kai threw it all in with them because he didn't see another choice.

My Canon: The End

So how do things end for Kai in my canon?

As you're aware, you can unalive him, violently. But Dan Hyun is very emotional and due to their shared childhood, I like to believe that there was still a grand feeling of kinship between them, a recognition of the other due to shared insecurities. I don't think there was ever a time Dan Hyun looked at Kai and saw anything other than her slighted friend (which is very romanticized, but SHE is very romanticized), it was just about getting Kai to see that too.

She locked him down the best she could, yelled, cried, and beat the shit out of him, but ultimately, preserved his life. After the crucible had been fired and Thane (alive ofc) attended to, she sought to right things between her and Kai: whatever form that takes. Who knows if he'll ever be able to live comfortably in society again-- but at least here, he has the chance.

Random Tidbits:

Some notes! At his best, I like that Kai is portrayed as Loyal, Hard Working, Methodical, Clever, Tenacious, and Factual. I think sometimes he can be written off unfairly as wimpy or scared, but in truth, he's very sure of his abilities and able to calculate his chances extremely well. He's smarter than fandom gives him credit for.

He has an interesting conflict between arrogance based on title and humbleness. He knows he wants to be the best but he never airs it-- like when Rasa suggests that he wants to be the leader for Humanity but he grows quiet and says to just focus on where things are at right now.

His time as a soldier absolutely affected him in ways I think sharpened him to the killer he became. It instilled values that remained with him in Cerberus, such as when he berates Bates for abandoning his squad and calls him a traitor. Kai doesn't betray-- he's quite literally ride or die.

Also? The ninja sword is super dumb because Kai is Chinese and the swords and Phantom's themselves are designed to appear Japanese in aesthetic. Ninjas= Japanese, but China did have their own sect of Assassins which I believe gave birth to Wu Ching as a type of Martial Arts? Or was drawn from it hmm

To keep to accuracy, Kai would have trained more towards their martial art techniques which focuses on close combat and quick movements, as well as the use of dual blades called butterfly swords (You'd likely recognize them as a set of rogue daggers).

That's all for that meta! Phew. If anyone actually read to the end, hey wassup, hope you enjoyed, and take most of this with a grain of salt since it's my headcanons and background work :) Thank you again for reading!

#my meta #kai leng #anon #asks #PHEW #THAT TOOK A WHILE #HAHAH #dan hyun shepard #mass effect #meta

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potteresque-ire · 3 years

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I’ve got several asks about BJYX supertopic’s recent battle for the top CP ranking. I’ve meant to answer them the way they’re asked, but the answer gets long. Dear Anons ~ please forgive me for splitting the answers into multiple posts!

As with everything I’ve said about CPs, they’re mostly my limited observations—unlike history and news, it’s impossible to find articles about any of this that pass journalistic standards. Therefore, please consider the following to be my personal impressions and ramblings, and as usual, everyone please feel free to point out mistakes and add your own thoughts!

Everyone probably knows already, but the new drama that has brought waves to the Weibo’s CP ranking list is Word of Honour (山河令, which I will abbreviate to WoH), and the CP pairing is known as Lang Lang Ding (浪浪釘, LLD). I haven’t watched this drama yet but as a Wuxia (and slash) fan, it is on my to-watch list. Nonetheless, I’ve been watching the developments surrounding the popularity of the drama and the CPs, and I think I can make the posts long enough just with these observations alone. (I’m incredibly long winded :D )

For the CP competition, I think it’s important to point this out: the LLD supertopic is a mixed character-CP and real-person-CP supertopic, unlike the YiZhan supertopics (BJYX, ZSWW, LSFY) that are real-person-CP only. This means comparing LLD and the YiZhan supertopics is really … comparing apples and oranges, especially when WoH is still airing (and therefore providing fresh candies for the character CP with every new episode). I therefore wish this kind of popularity competition doesn’t take root in the international fandom; it’s … a bit silly to me, really. It makes little sense.

That said, however, I understand why c-turtles are fighting so hard for the #1 CP spot. C-ent (as is true with many other aspects in the country), numbers and ranking are everything. That 20(?), 40(?) minutes during which BJYX supertopic fell to #2 the first time already made “news” headlines that claimed that WoH had surpassed The Untamed (TU)—an even stranger comparison, if one thinks about it. BJYX, technically speaking, doesn’t have anything to do with TU. It’s a GG/DD real person CP.

But it doesn’t matter—numbers are numbers, and they talk to c-ent watchers, the commercial interests looking for their most promising future investments. The perceived power of c-turtles hinges on them and by power, I mean both fan power and spending power, which are almost synonymous terms in c-ent. Many of you have probably seen those charts that rank the popularity of c-ent entertainers by how much goods, in monetary value, they’re able to sell. How much do the c-turtles contribute to these monetary values? Are they, as a collection of fans, worth keeping, worth wooing?

The notion that only the fan’s spending power means something may cause unease in many i-turtles—and it is, indeed, a very cold-hearted assessment, as it implies that fans are little more than living wallets to be emptied. My observations have been that such a notion doesn’t bother c-turtles for the most part and, IMHO, they’re being realistic for their sociopolitical environment. They also respond to this notion accordingly—while it is difficult to tease out the exact percentage of turtles among Gg and Dd’s active fans (fans that make major purchases goods and merchandises), c-turtles have previously demonstrated their ability to contribute a substantial fraction (in the 10s of percent) of money spent on Gg and Dd. As these splits are only very occasionally visible to the public, the CP ranking likely serves as a constant reminder of c-turtles enormous fan/spending power — without which, Gg and Dd’s popularity will also take a hit.

In that sense, c-turtles are fighting for their right-to-exist. Remember when I talked about the “traditional” thinking that CPFs < solos, and that one CPF = one (loyal) solo lost? This means c-turtles must be able to demonstrate their ability to offer something that the solos cannot, and more importantly, that their offer will not come in any other name. If c-turtles proved last year that they wouldn’t change their name to solos, then this year they’re set to prove they’ll not change their name to LLDs or other CPFs.

If the latter sounds a bit like a battlecry, it may be exactly that. Ever since the announcements of the long line of upcoming Dangai’s, ample inflammatory posts have been made on the platform to get c-turtles to “defect” to the new dramas, or predict that as soon as another pair of random, beautiful men start to throw candies on screen, c-turtles will promptly forget about Gg and Dd and join the fun. The latter, especially, can be quite insulting to read, as one can imagine. However, with c-turtles being a loosely connected group of millions, despite their apparent firm stance that they shall stay turtle, their underlying nerves that these “insults” may turn out to be true can also be felt — the worry that c-turtledom will haemorrhage when the next popular Dangai with enticing M/M CPs (character or real person) come along.

WoH, as the first drama that fits the criteria, is therefore a test— a test that many c-turtles likely view they must pass with flying colours to prove their point, to stand with their heads held high among those who do not care about BJYXSZD (not necessarily solos—many solos, BTW, have actually helped the turtles out this time); to show that turtles are not only every bit as loyal as other Gg and Dd fans, they’re not so … cheap as to take any random “industrial saccharine” (工業糖精; referring to ZQSG-free candies created solely to lure in fans) and walk away.

The reform of the BJYX supertopic (which now allows candy analysis and explains the sudden appearance of many old candies), the flood of BTS videos from almost every Zhan Jie previously involved with the YiZhan CPs, the temporary retaking of the top 3 CP spots by BJYX+ZSWW+LSFY ... can therefore be viewed as a rally of c-turtles. The message is: we’re not going anywhere. We’ve got enough candies that no other (M/M) CPs can hope to match in quantity, in quality.

(And the parade is indeed impressive.) (The reform also didn’t come out of thin air; there have been discussions about the supertopic’s candy sharing rules before.)

Some c-turtles have rightfully been concerned about how such a parade of candies can affect Gg and Dd. They point out that some candies should still remain 閱後即焚 (“burn after reading”, instant return to hiding after release like certain BTS videos); that at some point, c-turtles have to let go of their obsession of staying on top of the CP rankings. TU is already almost 2 years old, and being a little lower on the CP ranking list will take the heat off the YiZhan fandoms in the long run, incite less outside forces trying to fan the flames between the shrimps and the motors and the turtles.

The rules and guidelines of c-turtledom therefore remain a work in progress, and c-turtles, the millions of them, are still learning as they go.

Personally, I have faith in what will come. I also haven’t been too concerned about the candy parade, because most information is already out there for those who’re determined to find them — on Bilibili, Douyin, Zhihu etc. I spent some time talking about the Gg Assistant fic not with the goal of eliciting pain or panic, but rather, as a demonstration of why it has been the tradition of CPFs—not only the turtles—to play things very cautiously, with 閱後即焚 and 圈地自萌 (“to play within the circle”; ie, keep all information and candies within CPFs) being the default rules even after removing the “queer factor” from the discussion. Real person CPs have fate as one of their writers and so, unlike character CPs, their candies can have unintended, unpredictable consequences. As the YiZhan fandoms have now grown big enough that their candies can no longer be realistically well-contained, it may not be such a bad idea for especially the sensitive candies to return under the “jurisdiction” of the BJYX supertopic, so to speak. c-turtles can then gain better control of their comes-and-goes. Their narratives.

(CPN below.)

About narratives. @rainbowsky have previously written a thoughtful piece on the possible reasons the YiZhan fandoms have been allowed to thrive, and I’d like to add the following hypothesis—it may be a way to take pre-emptive control of the Gg/Dd narrative in preparation for the scenario where their relationship is exposed without their consent. Some i-turtles, I think, may have already gained a sense of how ruthless, cruel and above all, quick the c-ent rumour mill can be. If Gg and Dd get outed by a third party, chances are they won’t have time at all to create a fresh narrative, and the one that come out of the rumour mill will likely be … very ugly, containing every worst misconception people have against homosexual relationships. Whereas now, c-turtles already have a narrative at hand—the canon-fanon that, while c-turtles may not agree on every detail, is largely agreed upon on the important milestones. The supporting materials are also ready: the videos, the images, the voice and arrow guides on them.

For me, another interesting question is whether this c-turtle rally and parade of candies are truly necessary in the end.

I’m curious about what will happen to the LLD supertopic when WoH completes its airing. There’s really no precedence for this kind of a mixed character + real person M/M CP supertopic setup — the history of Dangai is short, of popular Dangai’s, even shorter.

Guardian (鎮魂), the first successful Dangai aired exactly a year before TU (in the summer of 2018), never had a dedicated CP supertopic (please holler if I got this wrong! I know there’re Guardian fans here ~ hello! *waves*). Discussions of Guardian’s CPs were found within the drama’s supertopic (剧版镇魂); the real-person-CP also never had its own name; its discussions were hidden under the character CP (巍瀾) tag.

Then came TU. Its real person CP (BJYX) split away from its character CP (WangXian) long before the airing for the drama—the birthdate of the BJYX supertopic was 2018/04/28 (TU’s airing date: 2019/06/27).

After TU, two Dangai dramas have already aired before WoH that seemed to have largely passed the attention of i-fandom: The Sleuth of the Ming Dynasty (成化十四年) and Winter Begonia (鬢邊不是海棠紅). Winter Begonia, in particular, was well received. Their character CPs never really took off, however, being conceived and perceived as more brotherhood than romance. Age also played a factor for Winter Begonia—Yun Zheng (尹正), known to many turtles as Dd’s motorcycle buddy, is 34, and Huang Xiaoming (黃曉明) is 43. The associated real person CPs also never became popular as a result; Huang Xiaoming’s famous marriage to a beautiful actress also meant that a real person CP was likely to be off the table for Winter Begonia from the start.

The best reference I can think of then, when it comes to speculating the fate of LLD, is therefore the fates of the CP supertopics of 2020’s summer hit, Love and Redemption (琉璃). I’ve talked about its character CP before; essentially, just days after the drama was done airing, the (het) character CP (初遇夫婦) was broken up and in a manner largely criticised as unnecessarily cruel to CP fans. Its supertopic closed immediately afterwards. The supertopic for the real-person-CP (冰橙汁) got to live, however, and is still active today.

The commercial forces behind WoH will likely break the character CP as soon as the drama is done airing; popular het and non-het character CPs in the recent years have gone through similar fates. What does this mean to LLD then? Does it mean the supertopic will be shutdown, since the drama itself already has its own supertopic? But what will happen then to its real-person CP, which has been incorporated within the LLD supertopic? Will the real-person CP be broken at the same time as the character CP to allow for immediate “purification” of real person CP fans into solo fans, to avoid future “headaches” like BYYX—a bound between the actors that cannot be severed—or 227 that, in the eyes of many passerbys, remains an issue of solo vs cpfs?

Only time will tell, and I very sincerely hope it’ll get a happy ending. Fans are made to love, and it saddens me every time to see them being severed from their loves, or pitted against each other especially when it’s clear it’s the social media platforms, the commercial interests behind the scenes — not just the production/media companies but the YXHs, the water armies — who will reap the benefits in the end. Personally, I feel no joy in seeing anyone’s favourites getting torn down, even if they aren’t my own. Gg and Dd’s safety — and the safety of every upstanding, hardworking c-ent entertainer like them — doesn’t hinge so much on their CP or solo or drama ranking, but whether their fans can refrain from bringing their conflicts into the public eye, from “occupying social resources”—ie, deflecting the public’s attention from the “core socialist values” the government intends it to focus on.

Fandom is big enough for us all.

#pie metas #yizhan #bjyx

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diariesofaplutonian · 4 years

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Pluto in the 1st and 12th houses

Pluto in the 12th House natives have deep, rich inner lives, but often suffer privately from intense mental battles and struggles. These people are often intimately acquainted with the notion of suffering. They feel pain very heavily and if not careful, they can let it consume and ravage them. I’ve noticed a lot of these natives are intensely talented or artistic or creative, in fact, a lot of musicians have this placement; that being said, natives also seem to immensely struggle with severe depression for they are easily overcome with unfortunate life events and stresses/stressors. Sometimes, it may feel as though life has it out for them. They may grapple with despondency or chronic depression. These individuals can struggle to remain positive when it seems their faith is always tested, but these individuals are also gifted with extraordinary willpower and intense focus, discipline, and dedication. They have the power to make all their dreams come true; their superpower is their relentless ambition, and the responsibility they feel to the world to prove themselves: this is their number one obligation and promise to themselves. They hardly ever fail in this act: proving themselves. Many of them deeply struggle with insecurity and may have an inferiority complex or suffer from imposter syndrome when it comes to their beliefs in their talents or abilities. They battle against these fears, doubts, and anxieties when they consistently demonstrate how bold, how fearless, how determined, and how gifted they are. They do, however, often internalize their failures as proof of some kind of self-issue, some inadequacy, some inability to do good, some lack, proof of bad performance, etc. They need to realize that even when they feel subpar, the work they do is optimal, and the world can use their gifts, so they should embrace all the skills they have to offer. One of the downsides of this placement is that while these natives often fall in love with potential, they most often fail to see their own. They also need to stop doubting the possibility of an outcome and start finishing what they start to reap the efforts of what they produce, so even if they do manage to not live up to their own exceptionally high standards, they will know it is because it wasn’t the right project and not that they weren’t the right person for the job. Sometimes, they can truly be their own worst enemy; they need to stop letting their inner voice undermine their relationships and their lives. They build walls sky high around their heart because they don’t want to be let down, and if their defenses are up, they falsely believe their security can’t be threatened. Many carry deep wounds stemming from unhappy childhoods, wounds they have lodged deep inside of them. Many have never fully recovered from or properly addressed traumatic life experiences. May have an aversion to or distrust of not only modern medicine, doctors, and healing practices, but a distrust of hospitals, therapists, psych units, and counseling, as well. May have issues talking about their deep-rooted fears.

Very private, complex individuals. Vigilant because they’ve experienced harrowing episodes or encountered visions they should have never had to bear. May have been witness to shocking events they shouldn’t have seen. May often find themselves in the wrong place, wrong time scenario. Often seeks out danger. Parts of them are incredibly reckless, daredevil-like, driven, and sensation-seeking. Finds not comfort, but intense pleasure in thrill and high-risk activity. Constantly chasing a high—not necessarily drug-induced—and pushing the boundaries of themselves. Constantly defying self-limits. Often suffers from loneliness and feels exiled from the world or even rejected or unaccepted because they’re too weird or dark or unusual or frightening, in a way that they don’t follow the rules, or they’re the black sheep of some sorts, but more often than not, their isolation is self-imposed. Well-versed with their shadow side. Trust doesn’t come easy to them, but once they have it and it remains unbroken, you will have their loyalty for life. They also reward loyalty. Their friends/confidantes are their closest allies. Harbor many secrets. Has addictive habits. May have grief due to private dilemmas. Feels uncomfortable with but unafraid of death. Intense control issues—if not properly resolved, this can lead them to be very controlling. Intense love affairs. May have a hard-knock life, even if successful career-wise, with many ups and downs. May have difficulty regulating or controlling their emotions. May struggle to find inner peace. May question their purpose or belonging. May feel trapped or powerless in situations involving spiritual matters—i.e. God—or earthly/temporal matters, such as life or death. May feel tested and challenged by unpredictability but thrive off of it or need an element of unpredictability in their lives to feel useful, inspired, or creative. Creativity is often linked to deep pain, in these natives. It is often an emotional outlet for them. These natives feel uncomfortable when they feel seen by others. Incredibly resilient, brave individuals. They lack a strong self-concept. Identity is weathered by forces the natives cannot always see but are often held back by. Struggles with deep sadness and loss or grave emotional pain at times. Feels strongest when not experiencing the uncomfortable emotion of regret—this emotion is the most difficult for them to confront/contend with. They’d rather feel nothing at all. Natives may have a stark view of themselves or a black and white picture of the world. Their internal or external reality/world may be harsh to them or unlivable.

Pessimistic at times, prone to cynicism. Intensely probing, thoughtful, solemn, demonstrative, reserved. Much internal activity. Acutely sensitive to their environments—emotional/psychic and physical. Senses, intuits, and often feels other people’s emotions. Perceives others’ objectives or goals, and others’ thoughts of them. Has an instinctive grasp on human nature, especially of the shadows and the darkness and all else that is germane to the human condition. Suffers a lot in the world, sometimes by their own hand/as a result of their own doing (self-inflicted pain is often their coping mechanism). Needs better coping skills—healthy ones. May self-harm or turn to self-destructive behavior when in a rough spot. May be the victim of poverty during youth. May duel themselves. Often subject to high stress. May believe in the existence of supernatural entities, i.e. ghosts, aliens, demons, etc. Very active imagination, dark thoughts that they attempt to run away from. Seeks refuge in solitude. Silent by choice. Natural observer. Knows more than they seem to know. Omits on purpose. May have unusual proclivities, i.e. engage in activities considered taboo or NSFW. In touch with their “wild” side—the parts of themselves most people are uncomfortable with. Relishes in what makes people uncomfortable. Finds joy and incomparable beauty in that. Attempts to fill a void caused by a state of incompleteness. Strives to assuage that with superficial emotions, relationships or vices, but it only leaves them more desperate and more empty, feeling more deprived. Always analyzing themselves and others. Danger of too much self-analysis. May be prone to self-violence (real or metaphorical). Intrigued by distressing situations, moodiness and violence. Doesn’t like nosiness. Prone to internal self-conflict and fanatical obsessions. Strong sexual appetites. May feed into lies or deceit out of self-preservation. May disguise selfishness through seemingly selfless sacrifices/acts, which are used to gain the favor of someone so they can do their bidding. Can be forceful or coercive at times. Very fixed and untenable at times. Learns a lot about life through painful experiences and private ordeals or feelings of being in crisis or having suffered identity or existential or health crises. These obstacles only serve to make them stronger and build/solidify their character, however. Adversity feeds and replenishes their spirit and helps them sprout wings, though, it feels like swallowing poison. They may, however, experience bouts of mortal illness or encounter near fatality as a result of such ordeals and life tests/tragedies, which is a testament to their individual strength. Clings to a feeling of independence and armors themselves with it. The first to say “I can do it on my own”—needs, not wants to make it through life saying they did it without help. Needs to realize that everybody needs help sometimes and they can’t indeed do it all on their own. There’s no shame in needing help or needing to take a break sometimes. Emotional scars must be dealt with. May be malicious or spiteful/vindictive when angry, which can come back to them in the form of karma. May face/encounter many near-death experiences in their lifetime or remember past lifetimes of violence or violent death. May have vivid and possibly violent dreams or suffer from nightmares. May be haunted by the past in the form of past lovers, past unresolved traumas, past relationships/friendships, past actions, past bills, past secrets, etc. Their past is never unburied, it seems. It always comes back to bite them. Seduced or entranced by the notion of revenge, for some, others by the idea of creating something permanent, whether via their work or via they, themselves.

Pluto in the 1st House natives inspire intense feelings from others—positive or negative. Public reaction to them is nearly always extreme—they are either worshipped or conspired against, loathed and plotted against. They inspire very polarizing reactions from people. For as many people rooting for their downfall, or for as many haters as they have, they have admirers who believe they can do no wrong. They attract massive fanfare and devotion from those who do support them, who often support them for life in a ride-or-die fashion. These individuals tend to suffer many private betrayals and public backlashes or attacks on their character and reputation. They are often subject to nasty rumors and lies made up by those who hate them or want to see them “ruined” or “destroyed.” Most of it is not true, but these attempts at character assassination often successfully taint their image or sully the general public’s perception of them. They often have to win them back. May have to admit or show weaknesses or give the allusion of groveling in order to gain public support again. Often loses themselves and has to recover themselves. If not careful, they can destroy themselves, as they are very self-destructive people. May turn to drugs or negative coping mechanisms such as gambling or alcoholism or other recreational drug use when feeling defeated or down in life. Doesn’t really know how to address painful, negative emotions without being swallowed by them. Often ruin themselves trying to cope with the pain they feel internally that they can’t escape. Paranoid and untrusting, but for good reason. A lot of people close to them have shady intentions or are trying to use them or manipulate them or get close to them for deceptive motives. May be subject to blackmail by friends turned enemies, lovers turned enemies, and so on, more than actual perceived enemies/foes. Are often “ruined” by those closest to them, though, while these attempts may seem victorious, those with Pluto in the 1st house or Pluto conjunct Ascendant often triumph in the end because they rule comebacks. If anything, being “canceled” or reviled only motivates them. They will succeed at all costs, and no hate can prevent that. These natives possess a controlled image. Part of them wants to be known, more of them wants to be unknown, or at the very least, they wish to control what you do see of them. They are often obsessed with power, their own and that of others. Gaining power, losing power, reducing someone else’s power, etc. Feels most empowered when they are in control. Needs to feel like the boss or the one running the show/pulling the strings. Needs to feel like an authority figure.

Often is very close to a mentor or father-like figure that tends to be older and wiser, often in the field of business or coaching. May manufacture an enigmatic personality or genuinely have one but hide behind it for privacy or safety purposes. Fearful of being anyone’s puppet. Doesn’t want to give their power away. Fears being controlled by others and retaliates when they feel dictated to or controlled. Their relationships are often high-stakes, high drama, and emotionally demanding. May be addicted to toxic people—drama and chaos, especially of the emotional kind, and power struggles give them a rush, though, they may deny this and claim they hate drama and toxicity. Can be manipulated or abused in relationships, or they themselves can abuse their power, especially if they are abusing a substance or easily influenced at the time. Often in crisis. These natives tend to have deep, penetrating gazes and luminous eyes. For as much as they value privacy, when they do inevitably have a fall from grace, it is often painfully, visibly made public, quite to their embarrassment, and all their secrets are “exposed.” Most of them try to get ahead of potential scandals or involuntary public releases about them by self-disclosing embarrassing, scandalous information or personally divulging their secrets and “exposing” themselves so they get ahead of the story and don’t become the story, so they control the narrative. Control is really important to them—not just the illusion of it but the actual concept of being able to take action or determine the course of an event without being dictated by it. They often disappear and reappear in the public eye at will. These are not the type of people to go make an apology on the notes app when they do something the public doesn’t like. They will address their actions when they feel like it and if they feel like it and only if they do feel like it, always on their own terms. And they don’t apologize unless they mean it, so don’t expect to see them putting out disingenuous statements. They always have their guard up because they are weary of being hurt and they’re used to going through unsettling situations. Have dry humor and strong physical/sexual hungers/appetites/lusts; may be shady at times. Have dealt with a lot of trauma in their lives, for many early on, in their childhood. May succumb to their deepest, innermost fears if not careful. May suffer from intense paranoia—always suspicious of loved ones. Fear of being [double-]crossed or backstabbed. May have a difficult time forgiving or understanding people who turn their back on them. A sense of mystery surrounds them. Time does not heal their pain. Struggle feeling isolated and alone but needs lots of alone time and goes through periods where they shut themselves off from everybody and go ghost for a while, typically to recover from private battles, or draw back/recover strength from life. Acutely aware of their own mortality. Recovery to them looks like healing. They often call this—healing—surviving.

Resolute, assertive individuals. Can contradict themselves at times. A web of contradictions emerge when specifically attempting to define who they are. Struggles to feel healthy emotions, easily overpowered by their own excess emotional energy. Can feel dead inside sometimes. Often secretly struggles with addiction, past trauma (including in some cases sexual or emotional or physical abuse, depending on other factors, as well), and suicidal ideation. Frequently possesses a low mood or bleak outlook on life. Struggles to keep positive. Finds enlightenment in the most unexpected, unusual places. Often finds God or the spiritual equivalent after some tragedy—doesn’t have to be a near-death experience—or after hitting rock bottom, however they define it—this may be losing the love of their life, being fired from their job, being publicly ousted or held accountable for some moral breach, being sued, being accused of alleged wrongdoing, true or false, etc. They nearly have to lose everything—or what is most important to them—to come to some great epiphany or startling realization and make drastic changes in their life. Sometimes, they may wait until it’s too late. Difficult to decipher. Subject to varying moods, sulking, and general somber periods. Some natives may have a morbid fascination (curiosity) with their own death, or on the opposite side, a healthy fear of it. May struggle to have/develop/facilitate a healthy relationship, not only with others, but with themselves. Good judge of character, but can be blinded by infatuation or blind trust at times. When they fall, they fall hard. Very intuitive and sensitive, perceptive individuals. Self-transformation often comes at the cost of something they want, including their selves. Sometimes, it’s as though parts of them have to die in order for more of them to live. Often very powerful, secretive individuals who come to amass much power in life, but can just as easily lose it. Overwhelmingly strong survival instinct. A need to conquer, to be the best, and to win. Dominant personalities. Difficult to know, not difficult to love. Tend to have many secret admirers and enemies, and are feverishly wanted or desired by those who can’t or shouldn’t have, want, or want to have them. Besides having a magnetic gaze, these natives often have an intriguing, possibly even sexual aura that either strongly repels or attracts others. After a breakup, can be demonized or made the villain by past vengeful partners, especially if there were sordid affairs or the native was unfaithful.

#astrology #zodiac #pluto #pluto in the houses #1st house #12th house #astro notes #astrology notes #astrology observations #my post #personal #text #n #me #my words #mine #how i feel #pluto conjunct ascendant #aspects

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charliejrogers · 3 years

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Klaus (2019) Review & Analysis

I remember recently discussing with my fiancée how, though there have undoubtedly been a number of Christmas movies released in the last twenty years, none have really risen to the level of a “classic” – something you would want to watch every year as part of a tradition. It’s true I have not seen it, but still something tells me that 2008’s Reese Witherspoon vehicle Four Christmases is not on anyone’s annual watchlist… nor 2017’s Mel Gibson-infested Daddy’s Home 2. We concluded that the last “classic” was 2003’s Elf. And, while Christmas movies don’t have to mention Jesus or religion obviously, please don’t try to tell me that Frozen is a Christmas movie… it’s not! In some ways, given how secular things are, I began to wonder if there even was a market for holiday family fun movies, but of course, I’m an idiot because you can just make a whole movie about Santa Claus. Move over, Jesus, we gotta talk about the reason for the season!

Klaus released last holiday season on Netflix and at least in Chicago I saw billboards for it everywhere. Netflix went all in on promoting this as the next big Christmas movie and had some moderate success; they even grabbed an Oscar nom for best animated picture. Unlike most animated films these days, Klaus was made by neither DreamWorks nor Disney, and it shows. It lacks the refined polish of a Disney/Pixar feature, but also has a heart unlike a DreamWorks picture. The animation style can be best described as a hybrid of 2D and 3D (yet not quite 2.5D). At times the character models look like classic hand-drawn 2D models set within a mostly computer-generated 3D environment. But at other times, they look more 3D. It’s confusing to describe, and inconsistent to watch. It often felt like I was watching a compromise between a studio that wanted a distinct animation style but didn’t have the budget to fully realize it. Still, more often the not it’s a pretty movie.

More than the raw visuals, the movie has a fantastic sense of atmosphere… perhaps even too much at the beginning. Klaus is, in one sense, the story about how a lonely woodsman becomes the legendary Santa Claus, but for such a jolly premise, much of the film is shrouded in shadows and dominated by an oppressive, cold, snowy bleakness. In retrospect, this makes sense as the true triumph of Santa and “Christmas spirit” can only be best appreciated when it brings light to the darkest of places and times. Still, upon first viewing, I was quite surprised and shocked by the dark atmosphere and downright violent imagery on display at the beginning of the film, so much so that I was wondering if this really was a Christmas movie!

The darkness stems from the fact that our woodsman Klaus lives deep within the forest on a far north island, far far from the closest village which is a town called Smeerensberg and is famous for its never ending feuding and wickedness. It’s a genuine Nineveh of the North so it seems. The town’s feud centers around two rivalling clans (the film’s equivalent of the Hatfields & McCoys) and every villager belongs to one clan or the other. The two families’ feuds go back longer than anyone can remember (cave paintings exist that depict their feud), implying an original sin of sorts with the town being more born from hatred than spawning it. Hatred is so foundational that it infects every part of society. Unwilling to allow children to interact with the rival clans in classrooms, children just don’t go to school. Instead, they roam the streets playing pranks on old people and stabbing snowmen with carrots.

For the most part, Klaus lives his life separate from and unbothered by these unruly residents of Smeerensberg. What breaks his solitude is the arrival of a new post officer to Smeerensberg. More than a trivial side character, this post officer, Jesper Johansson, is surprisingly the main character of this movie all about the origins of Santa Claus.

Much like the residents of Smeerensberg, we the audience come to the film with a primary misunderstanding, much of what makes Santa famous today (the home invasion via chimney, the responding to letters, the reindeer-pulled sleigh) were the creative inventions of a spoiler-brat-turned-postman. So despite this movie being about the origins of Santa Claus, being a Christmas movie, you should have guessed that this will be some variant on Dickens’ classic tale. Jesper isn’t a classic Scrooge in that he doesn’t abhor Christmas, but he is self-absorbed, materialistic, and all-around not a great guy. He’s the spoiled son of a successful postal worker who controls a postal empire that looks more like an army. (The true fantasy of this movie has nothing do with sleigh bells and stocking stuffers… it’s the idea that the post office is a well-organized, well-respected, successful enterprise.) Anyways, recognizing his own son’s worthlessness, Jesper’s father decides to whip him into shape, ship him off to the God-forsaken land of Smeerensberg with an ultimatum: Jesper must process 6,000 letters from the town of Smeerensberg in a year or else be cut off from his father’s wealth. The problem? With how ugly the feud is in Smeerensberg, no one needs to write a letter to express their feelings when a cold snowball to the face (or worse) will get the point across quite clearly.

So now with the spoiled postal heir longing for silk sheets as he tries to survive out in the cold boonies, the movie gets a hint of the Emperor’s New Groove flavor… sans llama. It is only by sheer “chance” (we’ll get to that) that when Jesper visits the woodsman in a last ditch effort to find one person on the island who wants to send a letter, a piece of paper falls out of Jesper’s bag as he flees in horror of the woodsman (we’ll get to that). This piece of paper contains a drawing that a little boy made of himself locked in a high tower looking sad. In a very humorous scene, we had seen Jesper accidentally stumble across this drawing and then unsuccessfully try to scam the boy into giving him money so that Jesper could “mail” it back to him, rather than just give it back. Regardless, recognizing the little boy’s suffering, the woodsman decides to do something about it and enlists Jesper’s help. Luckily for the children of Smeerensberg, the woodsman has a barn full of toys. Yes, “a barn full of toys” is as creepy as that sounds and the films uses that creepiness to full effect when Jesper first meets the woodsman. The large, imposing, hooded, axe-bearing woodsman is far from the jolly fellow we know he is destined to become. He’s downright scary and given how violent the town of Smeerensberg is (Jesper almost dies when he first arrives because he’s tricked into ringing the war bell which sends the whole town into violent frenzy), we and Jesper are not wrong to assume the woodsman holds only ill-intentions. Essentially, the first meeting with the woodsman is supposed to be something akin to the reveal of the Beast in 1991’s Beauty & the Beast, a film so scary it sent my then two-year-old sister running out of theater in tears. Ultimately, I can’t speak for the mind of a child, but the tension for me here is certainly lessened by the fact that… well… we know the woodsman is Santa Claus. So even though Jesper is scared shitless and flees after meeting the woodsman, we know that there will be more to their story.

Still, even if not necessarily scary, the film does successfully shroud the woodsman in mystery, and his backstory is slowly and beautifully revealed throughout the film. I won’t spoil it here, but the script does a fantastic job of contextualizing the woodman’s stoic and aloof nature and explaining why that barn is so full of toys. The explanations come naturally and speak to a real human pain that I was not expecting from this film. In terms of emotion, the woodsman’s backstory almost reaches the opening montage to Up. ALMOST, I said, so put down the pitchforks!

So Jesper and the woodsman team up to deliver a present to that first child from the drawing. Or more accurately, the woodsman throws Jesper down a chimney to deliver a present while the woodsman looks on. The ensuing scene when the boy opens his present brought tears to my eyes. The woodsman (and we with him) watching the pure joy of a child receiving a present is truly nostalgic in its most literal sense. It hurts to see such joy, remembering that at one time you too could feel such joy from a hunk of plastic, and knowing you will never feel that way again. It’s a joy that few films outside of A Christmas Story with its the red rider BB gun really nail. Anyways, the little boy sees the woodsman through the window and finds his original drawing of himself locked in the tower which the woodsman leaves behind by accident. He surmises that the postman had devliered his drawing to the woodsman, and the woodsman responded with a present.

After that… well the rumor spreads wildly of the mysterious woodsman who comes down chimneys at night to give presents to children in response to letters. Now, the once dormant post office becomes a bustling hub of activity as children from all over flock to send letters to this Mr. Klaus. Kids even beg to go to school so that they can learn to write in order to get presents (much to the dismay of the disilliusioned teacher who long ago gave up on her dreams of teaching in a town where no child goes to school and had turned to being a fishmonger in order to pay the bills and one day afford to leave the town for good).

Gradually the children, who seemingly had no toys prior to Klaus and Jesper’s escapades, now joyously play together, regardless of which clan they belong to. Initially this upsets their parents greatly, but in the end it’s hard to really hate the parents of your children’s friends. The film promotes an age-appropriate and inspiring, if fanciful and naïve, notion that all the world’s problems would be solved if we all thought like children. As by spreading joy throughout the town, Jesper and Klaus inadvertently make the town a better place to live. It’s the theme of the film (not that they’re subtle about it): one act of good-will always begets another (or something like that). Still, all this doesn’t please the village elders, who abhor the change from the town’s hateful origins. They will ultimately serve as villains trying to put an end to all this gift-giving business.

Of course, there’s another villain of sorts, as well. Despite all the good he’s doing, Jesper is ultimately still motivated mostly by the notion of getting back to his old cushioned life. He is essentially using Klaus and preying on his kindness in order to launch himself back to a life of selfishness. It’s here the story feels most Dickensian, particularly in a scene where the school teacher (now love interest) acts functionally the same to the ghost of Christmas present and takes Jesper to the city center to see for himself the love and joy that he has helped bring to the world. But, still his desires to go home are strong, and, of course, he keeps them a secret. So between Jesper’s inner conflict about where he belongs in life and the external conflict of the community trying to fight back against a change in its culture, the film naturally comes to climax when the two conflicts meet and Jesper must confront both challenges at once.

What I’ve realized in writing this review … is that I am very impressed by the plot’s complexity and depth. The film weaves together at least three solid story arcs (Jesper’s coming-of-age/Scrooge-like-change-of-heart, Smeerenberg’s bubbling kindness revolution, and the woodsman’s aged hero who finds redemption and purpose after so many years alone). That all three feel fully supported and without any bloat is a testament to its absolutely solid writing, and for a kid’s film no less! Furthermore, the “origin” story genre can sometimes fall flat as it can just feel like the writers are writing more Wikipedia entries, explaining how every little aspect came to be more than just telling a good story. I call it the Han Solo trap. As for Klaus, the little tidbits about why Klaus uses reindeer and not horses, who the “elves” who work his workshop are, always clever and grow organically from the plot.

Plus, despite my opening doubts regarding whether the dark tone really fit a “Christmas” movie, the film very capably captures the joys of the Christmas season. Like Christians think about Jesus, Klaus/Jesper bring a world of light into a world of darkness. The film teaches about the importance of creating a loving community, of being selfless, and most importantly of respecting the spiritual aspect of the season. Even if this is a decidedly capitalistic/entrepreneurial movie, the film is not without a spiritual side. The previously mentioned “chance” of the woodsman seeing that initial drawing of the boy locked in the tower is no chance at all. Instead, throughout the film we see that the woodsman is “haunted” in a sense by a ghostly wind that points him in the path of righteousness. The film has its own explanation for what the force behind the wind is, but it is not too far of a stretch to point out the similarities between the wind and the Christian idea of the guiding Holy Spirit. Now, I’m not going to sit here and tell you that the woodsman represents God the Father and Jesper God the Son, (or is Klaus more the Christ figure?) because I think this movie is decidedly not Christian, but more I just want to highlight that I enjoyed that the film allowed for the presence of spirituality, which moves this film from the realm of secular kindness to one that recognizes the power and presence of some spiritual goodness, aligning with how many think of the “Christmas spirit.”

Now, let’s be clear, this is a fun, family classic, but it’s not a perfect film. In fact, I downright disliked the first twenty to thirty minutes, for the aforementioned tonal reasons, but also because I really disliked Jason Schwartzmann’s voice acting in the lead role of Jesper. My dislike lessened with the introduction of the woodsman, but it never went away fully. I can’t help but think this movie would be better with a different actor voicing Jesper. Everyone else does an adequate job with the voice work. J.K. Simmons as Klaus takes on an almost Batman-like stoic gruffness, and Rashida Jones as the teacher and love interest is just fine. And, again, I never really fell in love with the art style and it sometimes distracted me, and I found the soundtrack, particularly the main song to be rather lame and too much “of its time” than the typically timeless, more Broadway productions that Disney/Pixar put out. Still, director Sergio Pablos has done something I did not think possible. He and his team created a *new* Christmas classic, one that I’m sure will be played on an annual basis in many households across the world.

***1/4 (Three and a fourth stars out of four)

#klaus #klaus 2019 #jason schwartzman #rashida jones #j.k. simmons #sergio pablos

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everydayanth · 4 years

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American Beauty Standard: A Brief History and Modern Application

I learned this in an anthropology class and I don’t remember the resources, but I know one of them was Tocqueville talking about the American obsession with committees and associations as a way to accomplish tasks with people from tons of different cultures and backgrounds and no formal aristocratic class.

So, back in the day of colonial America all the way through like... probably modern day if we’re honest, wealthy families that came to America kept strong ties with relatives or positions in their home countries. When their sons came of age to marry, they would often find a wealthy upper-class woman from their home country or ethnic background to wed, which meant that wealth circulated the culture it was coming from. A wealthy English lad would go to London and find himself a lady to bring to the US, a wealthy Frenchman would stay with his family in Paris or wherever, the would tour the continent blah blah, and come home with an upstanding lady of the gentry.

UNLESS an American girl could catch their interests first. This was why American girls were taught independent skills (homemaking rather than the class skills of entertaining), why they were allowed to marry for love (lack of a gentry class and singular cultural/social rules to follow), and why, at the end of the day, beauty became the most valuable tool.

Because a poor American girl who was beautiful and useful could out compete the European class rules of etiquette to secure herself a wealthy husband. And if you start there and work your way forward, our obsessions with smart or pretty girls (but watch out for too-smart or too-pretty), our beauty pageants and cosmetics advertising, our taboos and traditions, our girl vs. girl competition, it all starts to make sense.

Because being beautiful, witty, and useful meant you could be noticed and loved or admired, and married to a wealthy man. Wealth meant comfort and comfort meant safety and safety meant security and security meant freedom. Isn’t that what we all want? Isn’t that what we still want? Aren’t we still just competing for independence, for respect and freedom? Same tools, in many ways the same world. Girls fighting over college admissions, internships, medical research funds, they aren’t any different from girls competing in beauty pageants or arts, it’s always about freedom and for some, beauty is a way to get there.

There are a lot of socially aware people on the internet and I just wanted to add this nugget of history to the conversation about beauty standards. We seem to be aware that being able to follow trends is a sign of wealth, we seem to easily discuss that beauty standards themselves are an impossible oppressive tool to control and manipulate, and we are perfectly blunt about the wealth of industries capitalizing off insecurities. I wanted to bring this history into the conversation as well. Because like it or not, competition and our ability to be “wives” has historically been part of “American” culture since colonization, and that includes an incredible amount of isolated puritan and protestant extremists coming to the “new world” because their countries called them out on some bullshit or maintained economically exclusive advantageous relationships with their leaders.

Anyway: American [white] female beauty standards begin with competition for wealthy husbands and the illusion of comfort and freedom they could provide (with plenty of truth to the illusion) and still exists today. American girls were taught to “make” a home as a resource for their husbands while their European counterparts (of the same [similar] class) were often taught to entertain and host within the home as an accessory to her husband’s success, as expected by their class and/or station (often equally oppressive).

There are so many other interesting components to the conversation as well and I just figure that if we’re interested in having it at all, I might throw some other things out here:

WARNING: Long geeking rant about individual body adaptions and why they are incredibly beautiful follows:

Like how male beauty also evolved, with Americans emphasizing the fitness of a laborer or farmer, becoming the independent middle class, while their middle class European counterparts were often more slight and “intelligent” (relative, as perceived by access to education) businessmen, lawyers, doctors, etc., as they retained the inherited gentry and the American self-made man became more desirable to American women who had no single cultural courtship ritual and so relied on love and picking out a reliable husband based on their own choosing (which leads to its own conversation on American victim-blaming in assaults on females, especially when combined with that puritan past).

Which is then complicated further when looking at pockets of immigration where different adapted physical male bodies are living next to one another in America (the Dutch and Polish of W. Mich are a great example). They are separated by countries in Europe, so their different builds are suddenly compared in an entirely new environment that doesn’t necessarily fulfill their previous adaptions (MI isn’t as cold as Poland, so the shorter stature isn’t as useful, while the sexual selection of the tall Dutch male remains, it isn’t as differentiated from other larger Europeans (like lowland Germans and Scandinavians), and so isn’t as genetically insulated.

Anyway, these are all focused on “white America,” other cultures and ethnicities will also have changing and adaptive standards for different reasons. There are also some we will share as a whole culture. We’re having smaller families so each child will want to be the most healthy available. Guess what big booties are a sign of? Healthy babies (the type of rich fat stored in the butt is used to help form baby brains and shit), so as a general correlation, humans tend to figure out that curves = healthy babies. As our family-size expectations get smaller with the lowering of infant mortality and rise of individual life expectancy/health/comfort of average citizen, and as we push the age of first conception, we want to make sure that one-shot kid is healthy af.

Being black anywhere but the American South is hard, and even that’s muggy and wet as opposed to the drier conditions of the west coast of Africa many African Americans were adapted for when brought as slaves. Which means the likelihood of being vitamin D deficient is higher, without being too crass or negating to address social racism issues, I’ll round it out and say we’re all going to eventually have a Brazil effect, where people living in areas for a long while will adapt to them or “breed into” them and we all become a similar middle skintone. The SW US is going to be more “Mexican” because that’s the “proper” (ie most useful) adaptive skin tone to protect from the changing climate there, while those in a place like the Olympic Peninsula in WA are going to be a bit lighter as an adaption to the weather, but probably not as white as Europeans.

What is natural for an area’s skintone is also based on diet. The Inuit and Sami live at a similar parallel but the Inuit are much darker skinned on average. Why? Well, they eat more fish and seafood with Omega3s and Vitamin D (therefore needing less of the Vitamin D to enter through skin from sunlight) and live often on open plains (therefore absorbing more sunlight when it is there), while the Sami eat more red meats from reindeer herds with less Vitamin D, and travel through fields/forests (therefore needing more Vitamin D to enter through skin which results in lighter skin).

My favorite statistic I ever learned was that on average, an African’s skin can absorb NINE TIMES more sunlight than their European counterpart without getting burned. Nine times! For one hour in the hazy European sun, a black person would need to spend nine (+) to get proper Vitamin D amounts, while in Africa, a white person after ONE HOUR would begin to burn from too much uv. That’s so cool! Bodies are crazy awesome!

That applies to hair texture as well, black hair is often coiled to protect the head (you know, cus we stand on two legs and it’s in the sun all the time). Two inches of coiled black hair can dispose of that 9x uv by holding onto water and a bunch of other crazy amazing processes, while two inches of white hair generally dries quickly and lies flat against the head to insulate and keep warm, not expel heat.

Hair, eye, and skin color are all affected by melanin counts in the body (or melanocytes, which is where melanin is created, including collections of melanin at melanocytes which cause freckles and moles!), lots of melanin produced by the body makes someone darker skinned, but that doesn’t mean they need the coiled hair protection from the sun, which gives us so many varieties of follicle shape (which is what defines the curl tightness or looseness of a hair, with round holes producing straight hair and curved/slanted holes producing curls and coils like how you curl a Christmas ribbon with scissors, which means yes, you can have curly patches on your skull, your hair will change as you grow and based on your diet, hydration, products, etc.).

Having little to no melanin makes someone “albino,” or extremely light (which affects eyesight as having little or no pigment in the iris doesn’t shield the retina from light, though some may simply have extremely low pigment with light blue eyes). There are in-between colors like red hair, hazel/green eyes, and highly-freckled skin that result from different concentrations of melanin in different parts of the body, and there are things like heterochromia (different color eyes) which result from different concentrations of melanin in the same body part, and other things like Vitiligo (what Michael Jackson had), where concentrations in melanin change overtime, in this case from the shutting down of melanocytes which then produce little or no pigment for the skin, causing patches of whiteness.

There are so many ways for bodies to be different from one another and it’s incredible when you start to understand how unique our individual combinations are! Nose size is a direct correlation to air humidity, as are our sinuses. Face shape can often be the result of language, people from the American midwest accent will have rounder cheek apples from pulling their mouths wide and working different muscles than those with say, an RP British accent who pull their jaws down and cheeks in instead of wide on many vowels, resulting in more defined cheekbones. Jawlines are a symbol of genetic diet, if you have a less defined jaw, your ancestors were probably coastal people, more adapted to seafood proteins, which requires less chewing than those in higher altitude and mountain regions, which would require herds of red meat or poultry for protein, which is more chewing, plus the different textures plants must have to grow at different altitudes and climates. This is a loose correlation and there are plenty of other factors that combine to make different results, but they always fascinate me!

Why are African men often stereotypically faster than Europeans? Because their adapted environment is often flat savannah and adaptions for running long distances and fitting the climate generally involve being tall to expel more heat through the skin (while a cold-adapted person is generally more stout and short to keep more heat in with less skin surface area – there are always exceptions for other reasons, the Dutch are tall due to sexual preference of females, the African Baka people are shorter due to reasons still being discovered, most recently it is thought to due with denying puberty growth hormones because denying them retains immunity to certain dangers found in the environment or provides some advantages over niche environments). Part of being adapted tall and slim to dispel heat (Allen and Bergman’s laws for you curiosos) is that pelvises are more narrow, males even more than females, and narrow hips mean more straight femurs rather than the slight bow of wider/rounder hips, which means, if you go to physics, a faster turnover with no need for overcorrecting the bow, and less strain on joints. While a European body adapted to its environment would require different survival adaptations, the bow of the femur allows for less speed, but often more agility for moving through forests and up and down highland slopes and rocky craigs. Again, there are always exceptions, which is why you cannot identify race by a skeleton, though there are probabilities.

Adaptions to altitude are their own category and they begin from birth and before. It’s so cool! Being born in high altitudes develops larger lungs for taking in more oxygen in the less oxygen-dense atmosphere, which can develop into barrel lung, where the chest is nice and round like a barrel to allow the lungs full expansion. That’s so cool! When I go to higher altitudes, my sea-level coastal body is just like... wheeze. I also broke a bunch of ribs and they don’t expand easily due to complications, so it’s even harder for me to be at a higher altitude now, being adapted to it if I have to live there sounds ideal.

We seem to understand things like race are a result of biological adaptation to environments, but we don’t often carry on the conversation past that. What does adapting to climate change look like? What about colonization and immigration? What about pollution? What adaptions happened in the past, did we lose them when they were no longer necessary? How long does it take for people to become adapted to a new environment? Generations? Why do we socially present some things as more desirable than others? Why do we create beauty standards at all? How does a shared culture of diverse backgrounds even have a “standard?”

Everything comes down to predicting health and trying to live longer, to protect ourselves from danger. Whether that’s trying to be accepted by an outsider community or blending in with the “standard” at large, our understanding of beauty will continue to change as our social, political, economic, and climate/environment aspects of our shared culture change as well. For me, learning about why my body is the way it is was endlessly enlightening. Any doubts about my big nose (which was also broken, so bigger than my relatives’) are quelled by understanding that it helps humidify and avoid that horrible feeling I hate in dry air where it feels like my nose is going to start bleeding (I’ve only gotten it in saunas though). Moving around the country helped too, I understood a lot more about the purpose of those adaptions and saw how different localized beauty is marketed.

In Southern California, along the coast, the ocean spray makes everyone’s hair a bit curly, the humidity is high and I loved it (Jake, not so much). But the sun got to me. I got so many new freckles and my skin was always a bit dry, I had to work extra hard to stay hydrated and moisturized (even though my Polish side tans really well and I don’t burn easily, I was always dehydrated). Then we moved up to Seattle and I loved it even more! My hair stayed curly (though I’ve since learned that shower water and products make the biggest difference), I got more freckles as my skin adapted to not needing so much melanin and my hair got a lot darker for a while, my eyes seemed to get lighter in San Diego, which was crazy (and kinda cool). Then we moved to the desert-desert, the straight Mojave, and my body did not love it. I smelled all the time (dry air, my sweat is made for humid, but not too humid lol, that’s why I think white people smell in Asia and it’s not just a stereotype), my hair got sun-bleached and I lost a lot of the curl, it wasn’t the worst, but I was only there for a few months. Then we came to New England and I started to notice the change in trends and how my own preferences had changed in beauty and fashion. Marginal peripheral influence will do a lot and I can’t imagine living in that with none of the “qualifying” standards.

So basically, I’m writing this book of a post to say that if we step back and look at all the pieces, they have reasons, some of them shallow, others valid, but that they are changing and will always be changing and so is all of humanity. Your body is doing amazing things to protect you every single day, beyond digesting your food and feeding you dopamine. Every single thing about it has a purpose and a goal or a reason, except for maybe genetic mutations. I’m not going to go stand on a hill and say you’re missing an arm or your body hates you for a reason, my body built my stomach outside of me during fetal development and I promise that was just a fuck up, there was no reason (but my mom will tell you there was and it was God).

Bodies are crazy cool, sometimes they mess up and make cancer and don’t notice and it gets too big and we need help. Sometimes they only have one red-haired gene and we get blonde and brunette men with confusing bright red beards (lol, Jake), sometimes we’re in the middle of an adaption and we get patchy beards while living in a society that values them (looking at you, boys from genetic lines of men adapting to humidity where beards kinda suck or cultures that don’t like them). Sometimes we have been moved to a place where our genes aren’t as advantageous or actually hurt us and we don’t know about it or have to work harder than others to stay healthy, and sometimes our native or natural diet isn’t available to us and we work really hard to stay healthy but our bodies just don’t respond because they can’t or won’t.

For some people it feels overwhelming, or blasphemous, to talk about humanity as a whole, to look at ourselves as a single version of all the endless possible combinations of changes that can happen in a body, but I find it incredible! There is no one like you, but there are people who are similar, there are places where you’re perfect and there are cultural adaptions to help you when you’re not. Understanding the reason or purpose behind the body’s reasons for selection or change, combined with the lottery of your localized DNA options from your parents and potential genetic mutations during development and later in life, understanding that the body is always changing and adapting to what is best for you or catching up from past changes can explain so much of ourselves!

I just think it’s really cool!

I used to geek out about it a lot more and Jake would play a game where he would point at a face and ask me to guess their genetic heritage or combination of peoples/geographies. He still does it sometimes, I’m pretty good at it, but it’s more fun to be wrong and surprised, if I’m honest. Humans are just cool.

That being said, if there’s a thing about yourself you don’t like or don’t understand, that you feel doesn’t fit in to beauty standards and never will (for me, it was my nose and freckles, why so many freckles?), shoot me a message and I’ll do my best to tell you why it might be a thing so you can appreciate the incredible diversity of your own body as it adapts to your ancestors’ forced or willing migrations and changes to fit its new environments!

American beauty standards are complicated, but if there is one thing they always revolve around, it’s a humble confidence in your own value. I found that value in others, in seeing how intricate and unique humans are from each other, which lead to an appreciation of my own unique pieces. No industry standard or media pacification can take that or change it or judge it, because it’s your body doing its absolute best with the tools it has to protect you and make you the safest and most comfortable you can be in any place of the world. <3

#thanks for coming to my ted talk #sorry for the book #sorry not sorry #adaption #humanity #beauty standards #american beauty standards #anthropology #culture #society #beauty #beauty trends #diversity #unique

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soyouareandrewdobson · 4 years

Text

The biggest post yet: Analyzing a multipage story

Before I begin, I like to thank every follower so far and the ones who helped me over the course of the last weeks to build this tumblr up. This is for you and in a way the first test run for future, hopefully more elaborate reviews of Dobson’s comics. Hope you enjoy it and learn something.

Without further ado, ladys, gentlemen and the colorful rianbow inbetween, I present the unpublished “So you are a cartoonist?” story about the King of Queens trying to become a comic artist

Okay, this is not quite right. What is going to happen is as followed:

A few years ago Dobson released via his patreon the unpublished sketches of a multipage comic story about the struggles of a webcomic artist by the name of Kevin James, with no relation to the famous comedian who as of recently is also playing a neo nazi in a supposedly pretty damn good home invasion movie.

What I want to do is now go through this comic and point out some of the flaws in the writing/progression, okay? Cause honestly, this is not going to be the worst thing Dobson ever published. But it unfortunately has more than a few little hiccups that show Dobson’s flaws when it comes to creating a story.

So off to the next pages

Now as you can see, it is pretty obvious that the story is heading into a direction where Kevin seems to be a down on his luck creator. Having to work at the blandest named Burger Joint since Good Burger, with discount Doctor Wily as his manager and getting pretty little money into his account. Seriously, only 206 $ plus? I don’t know much about minimum wage in the states, but are you really getting that little even after taxes have been accounted for? Or is it likely Kevin is pretty deep into the reds and his deposit was even putting it into the plus again. If so… yaiks.

And now we are getting into the pages where a few slight problems may show up, depending on your own interpretation of things.

See, in my opinion it is obvious that we are meant to feel sorry for Kevin, cause he lost his minimum wage job now for simply being late. Something that can happen to all of us. And yeah, losing your job when you have not really much in the bank, that sucks. So I would wish for the character to get at least a new job soon. However, we also need to acknowledge that the manager is not in the wrong here. After all, Kevin supposedly has shown up late for work for some time and his excuse that he was late because he had to work on his comic is not reasonable. For a lack of a better word, making this comic is just his hobby, not his job. His job is to make burgers and sell them, because the manager of the burger joint is paying him for that. So excuse me if my sympathy is not that much with him

Not really much to say here. I just want to point out two things: One, the countdown that showed up also in previous pages and goes further down the longer we get into the story, two that it actually may be a good thing that Dobson has not drawn the copy shop employee in more detail. Cause one thing I came to realize over time with Dobson is, that often times his sketches have more of a softness to them than the final product, where e.g. faces are more harsher and frankly, uglier than they need to be, in addition to being a bit oversaturated thanks to the colors. And with Dobson’s tendency to make also angry faces genuinely spiteful, I wonder if the copy shop owner would have come off in the final product as more “strawman mean” than necessary. Cause it is very obvious that “poor Kevin” seems to suffer from the indifferences of his environment.

One month since he was fired and one more month till we are in the present and he loses his electricity cause he has not paid his bills. And this is where I slightly start to lose my sympathy with the character. Again, it is obvious that the story wants us to feel bad for Kevin because he is down on his luck although all he wants to do is just create his comic.

But at the same time, only halfway through the comic I have to ask, how much of his shitty situation is not just him doing nothing against it?

I mean, he has obvious money issues, he can’t pay the electricity bill and he has been fired a month ago. Shouldn’t he at this point not have attempted yet to get a replacement job? Or ask for unemployment support? Do commission work for fans in exchange for money?

I am just saying, his woes become a bit less relatable if he does not really attempt to at least try and fix the situation.

And unfortunately, this development continues still

Gesh, this comic is really old when Kevin still owns a flip phone…

Also, I need to give his mom credit. 500$ send to her son so that he can pay his debts off and live well enough for a few days. Sorry, but 500$ is actually enough for me to live for a month and pay my groceries and major bills if I am careful enough. Lets hope Kevin is the same and that he looks out for a job

… nope, he does not look for a job. Two weeks after he got the money he still does not have a job to support himself and assure he has a roof over his head. In fact, he likely loses more money than he necessarily needs to by going to a diner.

Look, unlike other characters created by Dobson, I really do not hate Kevin. Primarily because he does not show any of the despicable or idiotic traits other characters by him do. But Kevin is not doing anything to improve his situation, period. And that is not really how you should write “down on their luck” characters, cause that doesn’t really make them sympathetic. The sympathy a reader gives those characters stems primarily from the fact, that though they really try their best, fate is not working into their favor for different reasons beyond their control. But here the problem is, that Kevin has to a certain degree control over his situation. He can decide what he wants to do with the money, he can decide to either do or not do anything to improve his situation at least slightly. And he doesn’t do anything.

Dear lord, Kevin is essentially Dobson when it comes to the laters overall situation and how he does little to improve anything when he is stuck.

Then there is also the entire thing about the waitress calling Kevin’s work amazing. For starters, I kinda doubt that that in our modern day society and work environment her acting like that in front of a customer, even if the customer does not mind, would fly with her employer. After all, professionalism and all that. Next, her praise feels shallow. The typical cardboard speech praise checkmark lines you can give to any piece of work, that don’t really mean anything if you do not elaborate on what it really is you find amazing about the characters in terms of personality or what it is about the story that hits home (e.g. can you realte to the characters, are you genuinely thinking the story is funny etc)

In fact, what even is Kevin’s comic?

I get that his work is not the center stage of this story, but think about it: we are supposed to think that Kevin is talented and that he needs his lucky break. But would his work even justify success and admiration? All we know is that the comic features a character called Kat (not really an original name) who for a lack of a better word and based on the sketch outline may just be the bastard offspring of Bubsy and Talus from Alex ze Pirate. And that is it. For all I know, and taking for shit and giggles a made up meta narrative into account, his work may actually be on the same level as Alex ze Pirate itself. And if that is the case, let me just fill out an application as janitor for Kevin right now. If he is lucky he can make around 1000 dollars a month soon.

This right here is actually a prime example of a common problem in Dobson’s longer story: Him breaking the old rule of “show, don’t tell”. The narrative tells us e.g. via the words of the waitress and the fact he has fans, that Kevin is a good cartoonist. But we do not see it for ourselves. And I am not suggesting here Dobson should draw 20 additional pages of Kevin’s creations and comics, because that would be freaking overkill. But imagine if this comic started off with the first page being part of a a very fantastic fight scene or story. Something rich in color and characters. Only for it to be revealed in the next page to be actually NOT the story we are supposed to read, but something Kevin creates right now. By doing so Dobson could not only show for the actual main story that Kevin is justified in having success, Dobson could have also shown for himself how he can be imaginative. How he can toy with tropes and expectations, while also creating something “new” out of nowhere just for fun. But that is not what we got. And all we have now are four more pages.

Again, ONE MORE WEEK passed and he still did not get a job. And in fact, he is also overdue on his rent and wants to ask his mother AGAIN for money.

Dude… I am all out of sympathy. Sell your freaking kidney for all I care, offer your landlord oral sex or that you are going to do work around the house for him, just try to do something except beg mother to help you out again. Especially as she has already send you 500 dollar. What have you done with that money anyway? Did most of it get spend on your electric bill? If so, how huge was it? And did you fail to pay rent for a couple of months now that even your landlord is having enough? I ask the later in part because I genuinely do not know how fast a landlord can vacate you in the US. See, where I live you can get vacated too when you don’t pay up, but most landlords are by law forced to at least let you stay for a few more weeks till you either find a way to pay up or another place to live. Forceful removal of a tenant can mostly only happen if the person causes severe damage to the apartment or is facing criminal charges.

So NOW you are looking for a job. Good luck getting 700 dollars in three days though. I can’t imagine that even if you get hired, that anyone will pay up that amount of money upfront to help you. Again, do you have no other options, Kevin? Also, for how long was that sign up there? How often have you gone by that diner? Also dear lord, the waitress really is not the smartest if she thinks being a webcomic artist pays all the bills

So if the manager has already found someone, even if it was “just” now, why was the “now hiring” sign even still in the window? And he assumes there are even more bills? Kevin… do you have a genuine problem when it comes to handling finances? Would you do better, if you only get an allowance? Just one more page. And with it my biggest complains

And so our comic ends with all the build up of how down on his luck Kevin is, being essentially pointless, because at the end of the day he is still lucky and all his problems get resolved not by his own doing but by deus ex machina.

Okay, this is not entirely accurate.

After all, Kevin DID create this comic. He wrote it, he drew it, he send the script to multiple publishers, he got rejected multiple times and now he is also going to finally get recognition for it all. You can say he worked to get his foot into the industry. The problem is, that none of that work is really shown in the story presented to us. We do not see him work on the script, potentially rewrite or fix up mistakes, get the impression that even with the bad situation he is in, he still wants at the very least this passion project to succeed. All we know is he worked on something and now because it is convenient for the story, his misfortune is going to end and he gets a happy end that is way too convenient for my taste.

Look, I know nothing about how publishers work. If someone reads this and has genuine experience in how publishers approach you if they are interested in your work and how much money you can really make through it, you are free to tell me what you know or have experienced directly or indirectly. Cause frankly, I find it hard to believe that any publisher would immediately do the thing Kevin now experiences here. First off, why would they not attempt to call him or get into a more convenient contact with him than the mail? Second, advanced payment? Shouldn’t you at least try to handle out basic deals before you send him a paycheck over?

I get it is supposed to be a happy end for Kevin here, but honestly, with the way how even if people are getting published, success may not be immediate or not to a degree Dobson actually hopes for. Sorry, but I am also just jaded enough as a person to know that even otherwise acclaimed work does take time to really hit a certain level of popularity. Luke Pearson e.g., wrote and drew the first volume of the comic series Hilda in 2010, just a few months after he finished college. The comic was a success and resulted in him publishing up to four more books till 2016. But only with his comic being adapted into a Netflix series in 2018 did he also get recognition outside of Great Britain, from which he is likely going to make enough money to have a comfortable life for the next couple of years. Mind you, I said comfortable, not “luxurious”. Cause this is actually one thing I fear with Dobson to a degree: That he thinks that being a successful comic creator equals also becoming stinking rich. Cause as far as I know, this is not really the case for many comic creators around the world. But I digress.

This post is not about the potential delusions of Dobson when it comes to how much of a fortune he could make through a successful publication, this post is about judging a SYAC story that got never published.

And frankly, the story of Kevin James… I don’t hate it. Honestly, I think there is potential for a decent, even longer story about a webcomic artist trying to get his big break. The problem is, this is not a story about the challenges Kevin faces in creating his comic. This is not the story about someone being determined to get his work out, even if he struggles in real life. This is not the story of someone facing and dealing with his real life struggles in a mature way, making the happy end all the more feel rightfully earned. This is a story where honestly there would be no drama at all (or at least less drama), if Kevin even attempted to do something halfway logical most other people in real life would do, if they found themselves in his situation (like looking for a job, trying to work commissions etc.) . And a drama where the dramatic event would not happen if some basic logic even a kid can think off would be applied, is at least for me not really a drama.

So yeah, it is not the worst thing by Dobson, but it is very flawed to say the least.

#so you are a cartoonist #syac #andrew dobson #storytime #comic review #webcomics #comics #multi page #criticism

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nicklloydnow · 3 years

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“Absent a perfect harmony of all interests, conflicts regarding scarce resources can only be avoided if all scarce resources are assigned as private, exclusive property to some specified individual. Only then can I act independently, with my own things, from you, with your own things, without you and me coming into conflict.

But who owns what scarce resource as his private property and who does not? First: Each person owns his physical body that only he and no one else controls directly (I can control your body only in-directly, by first directly controlling my body, and vice versa) and that only he directly controls also in particular when discussing and arguing the question at hand. Otherwise, if body-ownership were assigned to some indirect body-controller, conflict would become unavoidable as the direct body-controller cannot give up his direct control over his body as long as he is alive; and in particular, otherwise it would be impossible that any two persons, as the contenders in any property dispute, could ever argue and debate the question whose will is to prevail, since arguing and debating presupposes that both, the proponent and the opponent, have exclusive control over their respective bodies and so come to the correct judgment on their own, without a fight (in a conflict-free form of interaction).

And second, as for scarce resources that can be controlled only indirectly (that must be appropriated with our own nature-given, i.e., un-appropriated, body): Exclusive control (property) is acquired by and assigned to that person, who appropriated the resource in question first or who acquired it through voluntary (conflict-free) exchange from its previous owner. For only the first appropriator of a resource (and all later owners connected to him through a chain of voluntary exchanges) can possibly acquire and gain control over it without conflict, i.e., peacefully. Otherwise, if exclusive control is assigned instead to latecomers, conflict is not avoided but contrary to the very purpose of norms made unavoidable and permanent.

Let me emphasize that I consider this theory as essentially irrefutable, as a priori true. In my estimation this theory represents one of the greatest – if not the greatest – achievement of social thought. It formulates and codifies the immutable ground rules for all people, everywhere, who wish to live together in peace.

(...)

The difference between the Right and the Left, as Paul Gottfried has often noted, is a fundamental disagreement concerning an empirical question. The Right recognizes, as a matter of fact, the existence of individual human differences and diversities and accepts them as natural, whereas the Left denies the existence of such differences and diversities or tries to explain them away and in any case regards them as something unnatural that must be rectified to establish a natural state of human equality.

The Right recognizes the existence of individual human differences not just with regard to the physical location and make-up of the human environment and of the individual human body (its height, strength, weight, age, gender, skin- hair- or eye-color, facial features, etc., etc.). More importantly, the Right also recognizes the existence of differences in the mental make-up of people, i.e., in their cognitive abilities, talents, psychological dispositions, and motivations. It recognizes the existence of bright and dull, smart and dumb, short- and far-sighted, busy and lazy, aggressive and peaceful, docile and inventive, impulsive and patient, scrupulous and careless people, etc., etc.. The Right recognizes that these mental differences, resulting from the interaction of the physical environment and the physical human body, are the results of both environmental and physiological and biological factors. The Right further recognizes that people are tied together (or separated) both physically in geographical space and emotionally by blood (biological commonalities and relationships), by language and religion, as well as by customs and traditions. Moreover, the Right not merely recognizes the existence of these differences and diversities. It realizes also that the outcome of input-differences will again be different and result in people with much or little property, in rich and poor, and in people of high or low social status, rank, influence or authority. And it accepts these different outcomes of different inputs as normal and natural.

The Left on the other hand is convinced of the fundamental equality of man, that all men are “created equal.” It does not deny the patently obvious, of course: that there are environmental and physiological differences, i.e., that some people live in the mountains and others on the seaside, or that some men are tall and others short, some white and others black, some male and others female, etc.. But the Left does deny the existence of mental differences or, insofar as these are too apparent to be entirely denied, it tries to explain them away as “accidental.” That is, the Left either explains such differences as solely environmentally determined, such that a change in environmental circumstances (moving a person from the mountains to the seaside and vice versa, for instance, or giving each person identical pre- and post-natal attention) would produce an equal outcome, and it denies that these differences are caused (also) by some – comparatively intractable – biological factors. Or else, in those cases where it cannot be denied that biological factors play a causal role in determining success or failure in life (money and fame), such as when a 5 foot tall man cannot win an Olympic gold medal in the 100 meter dash or a fat and ugly girl cannot become Miss Universe, the Left considers these differences as pure luck and the resulting outcome of individual success or failure as undeserved. In any case, whether caused by advantageous or disadvantageous environmental circumstances or biological attributes, all observable individual human differences are to be equalized. And where this cannot be done literally, as we cannot move mountains and seas or make a tall man short or a black man white, the Left insists that the undeservedly “lucky” must compensate the “unlucky” so that every person will be accorded an “equal station in life,” in correspondence with the natural equality of all men.

As for the Right, the answer is an emphatic “yes.” Every libertarian only vaguely familiar with social reality will have no difficulty acknowledging the fundamental truth of the Rightist world-view. He can, and in light of the empirical evidence indeed must agree with the Right’s empirical claim regarding the fundamental not only physical but also mental in-equality of man; and he can in particular also agree with the Right’s normative claim of “laissez faire,” i.e., that this natural human inequality will inevitably result also in un-equal outcomes and that nothing can or should be done about this.

There is only one important caveat, however. While the Right may accept all human inequalities, whether of starting-points or of outcomes, as natural, the libertarian would insist that only those inequalities are natural and should not be interfered with that have come into existence by following the ground-rules of peaceful human interaction mentioned at the beginning. Inequalities that are the result of violations of these rules, however, do require corrective action and should be eliminated. And moreover, the libertarian would insist that, as a matter of empirical fact, there exist quite a few among the innumerable observable human inequalities that are the result of such rule-violations, such as rich men who owe their fortune not to hard work, foresight, entrepreneurial talent or else a voluntary gift or inheritance, but to robbery, fraud or state-granted monopolistic privilege. The corrective action required in such cases, however, is not motivated by egalitarianism but by a desire for restitution: he (and only he), who can show that he has been robbed, defrauded or legally disadvantaged should be made whole again by those (and only those) who have committed these crimes against him and his property, including also cases where restitution would result in an even greater inequality (as when a poor man had defrauded and owed restitution to a rich one).

On the other hand: As for the Left, the answer is an equally emphatic “no.” The empirical claim of the Left, that there exist no significant mental differences between individuals and, by implication, between various groups of people, and that what appear to be such differences are due solely to environmental factors and would disappear if only the environment were equalized is contradicted by all everyday-life experience and mountains of empirical social research. Men are not and cannot be made equal, and whatever one tries in this regard, inequalities will always re-emerge. However, it is in particular the implied normative claim and activist agenda of the Left that makes it incompatible with libertarianism. The leftist goal of equalizing everyone or equalizing everyone’s “station in life” is incompatible with private property, whether in one’s body or in external things. Instead of peaceful cooperation, it brings about unending conflict and leads to the decidedly un-egalitarian establishment of a permanent ruling-class lording it over the rest of the people as their “material” to be equalized. “Since,” as Murray Rothbard has formulated it, “no two people are uniform or ‘equal’ in any sense in nature, or in the outcomes of a voluntary society, to bring about and maintain such equality necessarily requires the permanent imposition of a power elite armed with devastating coercive power.”

(...)

First off: Why should anyone be particularly nice to anyone else – apart from respecting ones’ respective private property rights in certain specified physical means (goods)? To be nice is a deliberate action and takes an effort, like all actions do. There are opportunity costs. The same effort could also be put to other effects. Indeed, many if not most of our activities are conducted alone and in silence, without any direct interaction with others, as when we prepare our meal, drive our car, or read and write. Time devoted to ‘niceness to others’ is time lost to do other, possibly more worthwhile things. Moreover, niceness must be warranted. Why should I be nice to people who are nasty to me? Niceness must be deserved. Indiscriminating niceness diminishes and ultimately extinguishes the distinction between meritorious and faulty conduct. Too much niceness will be given to undeserving people and too little to deserving ones and the overall level of nastiness will consequently rise and public life become increasingly unpleasant.

Moreover, there are also genuinely evil people doing real evil things to real private property owners, most importantly the ruling elites in charge of the State-apparatus, as every libertarian would have to admit. One surely has no obligation to be nice to them! And yet, in rewarding the vast majority of ‘victims’ with extra love, care and attention, one accomplishes precisely this: less time and effort is devoted to exhibiting nasty behavior toward those actually most deserving of it. The power of the State will not be weakened by universal ‘niceness,’ then, but strengthened.

(...)

In order to reach total control over each individual person, the State must pursue a divide et impera policy. It must weaken, undermine and ultimately destroy all other, rival centers of social authority. Most importantly, it must weaken the traditional, patriarchic family household, and especially the independently wealthy family household, as autonomous decision-making centers by sowing and legislating conflicts between wives and husbands, children and parents, women and men, rich and poor. As well, all hierarchical orders and ranks of social authority, all exclusive associations, and all personal loyalties and attachments – be it to a particular family, community, ethnicity, tribe, nation, race, language, religion, custom or tradition – except the attachment to a given State qua citizen-subject and passport holder, must be weakened and ultimately destroyed.

(...)

You cannot be a consistent left-libertarian, because the left-libertarian doctrine, even if unintended, promotes Statist, i.e., un-libertarian, ends. From this, many libertarians have drawn the conclusion that libertarianism is neither Left nor Right. That it is just “thin” libertarianism. I do not accept this conclusion. Nor, apparently, did Murray Rothbard, when he ended the initially presented quote saying: “but psychologically, sociologically, and in practice, it simply doesn’t work that way.” Indeed, I consider myself a right-libertarian – or, if that may sound more appealing, a realistic or commonsensical libertarian – and a consistent one at that.

True enough, the libertarian doctrine is a purely aprioristic and deductive theory and as such does not say or imply anything about the rival claims of the Right and the Left regarding the existence, the extent and the causes of human inequalities. That is an empirical question. But on this question the Left happens to be largely unrealistic, wrong and devoid of any common sense, whereas the Right is realistic and essentially correct and sensible. There can be consequently nothing wrong with applying a correct aprioristic theory of how peaceful human cooperation is possible to a realistic, i.e., fundamentally rightist, description of the world. For only based on correct empirical assumptions about man is it possible to arrive at a correct assessment as regards the practical implementation and the sustainability of a libertarian social order.

Realistically, then, a right-libertarian does not only recognize that physical and mental abilities are unequally distributed among the various individuals within each society and that accordingly each society will be characterized by countless inequalities, by social stratification and a multitude of rank orders of achievement and authority. He also recognizes that such abilities are unequally distributed among the many different societies coexisting on the globe and that consequently also the world-as-a-whole will be characterized by regional and local inequalities, disparities, stratification and rank orders. As for individuals, so are also not all societies equal and on a par with each other. He notices further that among these unequally distributed abilities, both within any given society and between different societies, is also the mental ability of recognizing the requirements and the benefits of peaceful cooperation. And he notices that the conduct of the various regional or local States and their respective power elites that have emerged from different societies can serve as a good indicator for the various degrees of deviation from the recognition of libertarian principles in such societies.”

#hans hermann hoppe #hoppe #libertarianism #libertarian #liberty #property #right #left #rothbard #konkin #agorism #conservatism #conservative

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fyrapartnersearch · 3 years

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Looking for some sci-fi shenanigans!

Obligatory long post ahead warning: this post is quite long and I know it may be intimidating to some readers but please don’t let it put you off if you’d still like to rp with me :)

Hello ladies, gents and fellow rpers. After having a writing blast and seeing how I’ve got room for some more partners I’ve decided to come back in search of some partners who are interested in what I’m looking for.I’ve got a good ten or so odd years of rping experience under my belt but any potential partners do not necessarily have to have the same experience, they simply need to fit under these three things:

-third person only with correct spelling, grammar and punctuation.

- at least one small (no less than seven lines) paragraph per post as well as being willing to write more if the situation calls for it. Please do not contact me intending to give me only small paragraphs with each response as the above is simply the bare minimum I’ll accept if there’s not much going on in the rp that warrants a full paragraph.

-no one liners, one worders, script talk, poorly written sentences or just laziness in general.

This isn’t terribly much to ask for as picky as it sounds.

An important thing I shall mention is that NSFW (i don’t fade to black nor do I care when the smut happens. Just please don’t leave me once the smut has happened like lots of people seem to unfortunately do) and dark themes are a thing that occur in all my rp’s so I require you to at least be eighteen before you reach out to me. I will not accept anyone younger than 18 since I myself am in my early twenties. Underaged characters are also a no go as well. Please know that I’m in the eastern Australian time zone but almost any time zone Is compatible for me as I am awake at very odd hours. Another important thing I shall add is that you must be able to post at least once or more a day and if I don’t get any response after two weeks then I shall simply move on (only exception is if you notify me beforehand as to why you may not be able to post for a while. I’m not that vicious).

I only rp as male characters, as it’s simply my preference, I do MxM or FxM pairings. I will not double and I do not play multiple characters. I don’t do sub/dom dynamics when it comes to any aspect of the relationship. My characters are also non human (they’re aliens since this is a sci-fi rp after all) but what species your character is doesn’t matter to me at all as long as it’s not some god modded Mary Sue. Please remember that alien simply means a creature not from earth. Aliens can have fur, scales, feathers, etc, depending on where they come from. An alien with fur or scalies is not a furry or a scalie and please do not refer to them as such as it’s rude to label someone’s character as something they’re not. I will not write with someone who will insist that the theory of chimpanzees and humans unable to crossbreed should apply to hybrid characters regardless of whether they’re alien/alien or human/alien. This is fiction, not reality. Please also do not control my characters or dictate their actions. My characters are also premade and only have descriptions, I don’t do face claims or pics. I also do not care if you make a character up on the spot.

Please remember that this is a sci-fi rp and that I will not accept requests to do fandoms or any genre that doesn’t fit within the category of sci-fi. i will not accept a character that has no place in a sci-fi rp either like a dragon,harpy,demon, elf or some other fantasy creature.

Forced:

“there’s no such thing as a bad person. Only bad choices.” Is a saying that is older than time itself. For many who are forced into a position where they have no other choice but to put their morals aside and do as they’re told, this is all too true. A space farer is captured by criminals and forced to choose between death or working as the criminals captain’s personal assistant. That means every order has to be obeyed and every rule must be followed or consequences will be dealt by force. As time passes and life go ons, the captured spacer starts to see his predicament in a different light.

(Important point of notice: I will be playing the captured spacer. You will be playing the captain.)

Forbidden romance:

aliens and humans are forbidden from associating with one another in any way that isn’t political. Whilst the two races have put aside enough of their differences to coexist in their own little pockets of space, not everyone is accepting of the idea that the two different species could live together as one, let alone ever simply just coexist peacefully together without insisting that alien planets and human planets are to be kept seperate. To trespass on the strictly human or alien occupied planets is a crime that few dare to commit. What starts out as a simple act of one sided rebellion and show of courage turns into an unanticipated adventure.

(Important point of notice, I shall be playing the alien. I’m open to this also being an alien X alien pairing.)

The hunter and the hunted:

bounty hunting was one of the few illegal professions in the galaxy that made any trouble you got into for participating in the act of killing or kidnapping someone for worth it depending on who it was you’d been given the task of tracking down. Many bounties were more profitable alive of course since it cut back on many of the legal troubles one could face if caught with a dead body. A galaxy renowned bounty hunter has been tasked with taking down one of the roughest and most wanted criminals known to man and alien with the orders to return them dead or alive. Will they succeed or fail like many before them have?

(Important point of notice: I shall be playing the criminal. You shall be playing the bounty hunter.)

Space criminals and the law:

humans and aliens have been living amongst each other side by side ever since humanity dared to venture beyond the Milky Way and made first contact with aliens. With the solar system no longer being man’s only playground other planets were quickly colonised under the new alliance between extraterrestrials and Homo sapiens. Whether you were an alien, human or a hybrid did not matter in the known galaxies. All that mattered was who you were. Not everyone took to the integration very well (there were numerous protests on both sides) but most people were willing to share in the hopes of peace. Not everyone had good intentions though……

Trouble in the alien kingdom:

the planet of (insert generic planet name here) was one of prosperity, hardship and wealth. The kingdom of (insert generic kingdom name here) was ruled by a king and a queen whose heir was betrothed to a rival planet in the hopes that a political marriage would prevent another war from happening. Only problem was that no one could see the rival planets true plans….all but one. Unfortunately no ones going to listen to a deranged commoner who probably may not even be telling the truth. What’s one to do when no one will listen?

Exile:

The wind howled as thunder crashed and shrieked all around the abandoned cargo ship. Rain pelted the metal hull, turning the ground into a cold, treacherously slippery and muddy shallow river. The ship itself had crashed into the planet countless centuries ago and was slowly being reclaimed by the environment. Plants grew from cracks in the floor as moss and vines decorated the walls. A figure sat miserably hunched in what was once the cockpit of the ship, their only shelter from the raging elements outside but not from the storm that raged inside of them. The figure leapt to their feet as the sounds of footsteps in the mud drew closer and they held their breath. Who would dare to venture out here on such a miserable night?

War of the worlds:

humans and aliens were never meant to coexist peacefully with one another. There was too much fear, Too much misinformation and too much bias on both sides for such a thing to have ever been successful. It was the humans fault that the war had started. They were the ones who’d shot down the alien ship that had been packed with specially chosen diplomats that represented each alien race known to the galaxies they dwelled in that had been on their way to earth to negotiate a truce and a plan for peace. They hadn’t even hesitated to shoot the ship full of aliens yet they’d been surprised when war had been declared on the spot. Two races. Two worlds so different yet the same fighting one another for what was either a mistake or intentional murder.

Rehab:

The UGWP alliance (unite the galaxies for the protection of all worlds and for peace alliance) portrayed themselves as calm, charismatic and kind men and women who held only the thoughts of a life together with all species living happily together. They advertised campaigns for inter species jobs, provided information to the public about human/alien interactions and encouraged diversity amongst planets. Their rehabilitation program for troublesome fellows was considered to be a god send to try and cut down on the amount of space related crimes. No one ever questioned what went on beyond the closed doors to the facility, if they did, the UGWP would have their darkest secrets revealed. Something they strove to keep under wraps. When the arrival of a particularly wild prisoner occurs, the threat of their first failure and first escaped prisoner is lurking around the corner.

(Important point of notice: in this rp idea I’d be playing said prisoner, I don’t mind if you choose to be one as well.)

Academy days:

the galaxy alliance and military defence force academy was one of the most respected training academies in the known galaxies. Men, women, aliens, humans and all of those who were in between went there to study, train and, one day if they passed the mentally, emotionally and physically gruelling years of tests, fly and be put in their own squadron. There were approximately six spots to fill on any team and the cadet who suited that spot the most would be given the title of pilot, squad leader, second in command, engineer, gunner and navigator. Each team was similar but unique in what they did. Not everyone gets along though and rivalries grow high during that delicate time between graduating and being put on a team. What happens when the top student and the lonesome outcast with a temper clashes?

Captured:

Space criminals have been around ever since advanced technology allowed others to travel and live in space as if they were living anywhere else. They’re often cunning, tricky to catch and more often than not are clever at disguising themselves whenever those wanted posters come up. It takes skill to be on the wrong side of space law and true talent to get away with it. The galaxy’s current most wanted man has finally been captured by an alliance captain and his crew. Will he beg for mercy? Will he be given a trial before being thrown into a cell to rot or will he be given a chance to turn himself around with some hard labour?

(Important point of notice: I’ll be playing the criminal for this one. You will be the alliance captain)

Enslaved:

imagine living the life of one of the most successful people on the run that could exist. Galaxies trembled at your name. You and your crew swam in wealth and the going was good. Mutiny, sadly and sometimes not sadly, exists on its own accord. One man reflected on this as he was forced to his feet. A collar attached to a chain and electromagnetic handcuffs prevented his escape as he stood for all those who cared to glance as they walked by in the market to see. No one wants to have their only life’s purpose to be to serve another……only sometimes people don’t get that choice.

(Important point of notice: I’ll be playing the slave/servant. You’ll be the master/mistress.)

Betrothed:

for as long as there has been civilisation and leaders, there has been arranged marriages. Arranged marriages, or betrothals as they were more often called, consisted of pairing two people together and making them get married in order to secure ties to another land or another planet. Political marriages benefited everyone but the married pair it always seemed. After all, you couldn’t possibly be happy being married to a complete and utter stranger? How does one who is betrothed build a life of love and prosperity when the one who bears the rings of their union is not the one who also bears their heart?

(Important point of notice: this can go two ways, either our characters are betrothed to each other or one character is betrothed. The idea has endless possibilities)

Invasion:

march 18th in the year of 6079 was the day that the aliens invaded earth. They’d been planning the take over for some time as they came prepared and easily took out Earth’s defence forces. No one knows exactly why the extraterrestrial beings from the outer worlds came to the humble blue and green planet the humans had existed on for millions of years nor did they seem to have any true intentions known other than conquering the planet and taking it for their own. This has led to the belief that all aliens must be the cruel monsters the humans stories have made them out to be. What happens when the actions of one alien puts that to the test?

(Important point of notice: I’m open to having this idea turned around and having the humans invade an alien world to take over.)

The chosen:

The galaxy alliance had chosen its newest crew to serve and protect the known galaxies. Five young cadets who’d graduated at the top of their classes and would hopefully mark the start of a new generation of spacers and heroes. The leader of the new crew has yet to be decided and tensions are high because of this. Can differences be put aside and acceptance shown? Or will nothing but chaos ensue?

The Walking wounded:

when one worked as a galaxy defence force member, they were on the frontline of everything. Every battle. Every loss. Every victory. Every struggle that the force went through they had to be there and follow the rules. You could not kill an unarmed person regardless of whether they were hostile or not. You could not turn down a plea for help even when there was reasons to suspect something was amiss. In simple terms: you simply couldn’t do anything that would make your morals be questioned. What happens when even the captain says to leave all those rules and everything you were taught by the door when faced with someone who seems to be the exception to the rule. What’s the right thing to do not by them but the entire galaxy?

Stowaway:

the galaxies were once a place of freedom and exploration. A place where you had no limits as to where you wanted to go. Now thanks to new laws, permits are required to access certain systems, quadrants and galaxies. Problem is, this permit is unobtainable by the average civilian so many have taken to learning the art of boarding another’s ship and hoping for the best. Discovery is more or less a matter of life and death. What happens when someone is unfortunate enough to be discovered?

Monster:

aliens. Aliens were terrifying beasts that were the monster in every bedtime story the humans told their children to keep them home at night. Many mothers wept when their sons and daughters applied to the space military in order to keep the extra terrestrial scum away from the galaxies they’d claimed as their own. When a human ship crashes on an alien world so far away from human civilisation it may as well not exist to the aliens and a crew member is found lost and alone by a wandering alien, will their fate be decided by a monster? Or a benevolent being?

(Important point of notice: I will be playing the alien in this scenario. I’m also open to the characters situations being swapped around so it’s the alien who crashes.)

On the run:

even on the most modern of planets, life on the lamb can be difficult. There’s authorities to avoid and even more rules to break in the game of survival. No one takes pity on those who have done wrong to the point that they have their face in the paper. Even if it’s not your fault will anyone give you shelter from the harsh cold winds of reality and a biased opinion. What happens when someone does take a chance on a poor wayfaring stranger? Will the wrong doer be turned in or given a new lease on life?

Disgraced:

when one entered the royal guard they took upon themselves an oath that bound them by blood and courage to the dedication of the protection of their king, queen and the kingdoms heirs. They were sworn to protect them from any harm whilst at the same time not allowed to use their position or power to hurt anyone else. When one breaks that oath, they are sent away in disgrace and branded as a traitor who must swear to never return. Life on the run changes people, sometimes for the better…..or for worse.

Space pirates and nobles:

space was a vast starry and endless sea that many voyaged across for the purpose of research, leisure or finding ones destiny. Like any real ocean, it was filled with dangers. The most feared of all was space pirates. Bands of blood thirsty cut throats and scandalous troublemakers whose sole pleasure in life was to steal, kill and take others prisoner against their will. Only pirates dare to do what other criminals would not. When a merchant ship is robbed by pirates what fate will befall the nobles onboard?

Healing wounds, growing love:

winter on the planet of malgor is one that is feared for its extreme weather. Snowstorms could appear out of nowhere and many a traveller had frozen to death whilst trying to make their way from one village to another. It was also a time where people were at their most vulnerable, relying on the winter harvest to feed every mouth that had been born and raised in the kingdom meant no mercy was spared for poor wayfaring strangers. When a kind soul finds a wounded outcast and decides to bring them home, they discover a threat that’s lurking just beyond the borders of their place of protection.

The knight and the heir:

royals could be spoilt. There was no denying that. A life of good food, wealth, the knowledge that they’d be pampered and weighed on hand and foot by servants was more than enough to turn even the most well mannered child into an insufferable brat. The knights tasked with the protection of the future royals knew this all too well. What happens when one particularly gruff, no nonsense knight refuses to bow to the whim of their future ruler and shows them what it means to be a true leader?

The last of a dying breed:

long ago, in a time when nobles, governments and space Pirates ruled the starry seas of space, there was a terrifying race of aliens that were considered to be the most dangerous creatures to have ever lived. When the great wars started up again due to rising tensions, the humans destroyed the planet these aliens lived on to ensure the battlefield was even. The aliens were furious at the death of an entire race and very quickly turned each and every human occupied planet into a warzone littered with their bases and encampments. Only in very small pockets of the universe does this war not exist. What happens when the last member of the species shows up on a small backwater planet?

(Important point of notice: I will be playing the alien who is the last of their kind, you are free to play as a human or the story can be made to suite a scenario where you are also an alien.)

Harden my heart:

once upon a time, there was two friends who were the best of friends that anyone could have ever seen. Two people who had each other’s backs through thick and thin. Two people who supported each other endlessly even if their morals weren’t entirely inline with each other’s. Two friends who swore to never leave each other’s sides. Alas with the time of great growing came changes, the two friends bond had severed and they’d gone their separate ways in life. What happens when they run into each other many years later?

(This idea is one open to brainstorming, anything is possible.)

captain on deck!:

captains weren’t meant to fall in love with their subordinates. They were supposed to be well refined leaders who only mingled with those of a similar status. They represented the people they worked for after all, therefore they had an image that had to be strictly maintained towards the public in order to not be disgraced in any form. Behind closed doors however…..feelings were allowed to be a little more free. Secret lovers were frowned upon but one could take the risk if they were careful. After all, the captains word was law.

yes sir!:

order.serve.fight.lead.mourn.sleep.eat.rethink your life choices and repeat. Such was the ways of a military lifestyle on a world where war seemed to be a permanent occurrence and the leaders of every world trying their best to outspite one another with their relentless attacks that it made one think of how they could improve the boring daily routine they endured each and every day. In the army, you have to be tough if you want to be a leader. You had to be charismatic, strong, cold, incapable of doing anything that would sway you to possibly turn the other cheek and let your comrades be hurt. However, even the most stoic and battle hardened leaders can get lonely despite the fact that attachments to ones comrades outside of anything but friendship are forbidden by an unspoken law.

I need you:

space is a cruel mistress to even those who are experienced with charting her waters. Space, although beautiful, is often the grave of many brave explorers, soldiers and other space faring strangers. When a stranger comes to scavenge parts from a newly crashed ship in the hopes of finding something useful, they come across a familiar face. Old feelings stir and clash with one another when the crash’s survivor awakens and finds out who their rescuer is.

Sooooo….. about those pairings. What has two stars next to it is what I’m going to play if we choose the scenario:

1: enemies to lovers or rivals.

2: **captured criminal** x prison guard or other prisoner.

3: two soldiers from seperate sides falling in love.

4: **academies bad boy/outcast** x top student

5: **low ranking ship crew member/second in command/captured space criminal** x captain.

6: **commoner/rogue/knight/street rat** x prince/princess/king/queen

7: **slave/servant** x master

8: army superior x **lower ranking soldier**

9: married person X unmarried person

10: stowaway x captain

11: nurse x **injured soldier**

12: human x **alien**

PLEASE DO NOT APPROACH ME IF:

1: YOU GHOST AT THE DROP OF A HAT.

2: YOU ARE NOT WILLING TO PUT EFFORT IN TO MEET MY REQUIREMENTS.

I’m open to discussing and potentially mixing these ideas up till we get something that we both like. If you want to learn more about a certain idea tell me the name and I shall expand on it.

The only platforms I rp on are discord,telegram and google hangouts. I will not rp on any other platform other than the ones listed. If you do not have any of those then unfortunately we cannot rp. When you reach out to me requesting for an rp via one of the below platforms In the opening message tell me what idea you liked, why you liked it, give me a little introduction about you and you must put 123 somewhere in your message so that I know you’ve read all of my post, don’t just put “hi wanna rp”. Make it interesting.

My contacts

Discord: crankypurplespacecat#6187

My telegram: Tiberionwars

My hangouts: [email protected]

I look forwards to meeting potential partners.

#oc rp #multiple paragraph #para #long term #literate #action #adventure #drama angst #original #post apocalyptic #romance #scifi #long post #submission

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