also frankly you can make a shapeshifter character trans Without them being multigender/genderfluid, as much as I love those characters. like it would be interesting to see a character who sometimes shifts to a typical cis woman presentation for fun/pleasure but always identifies as a guy, or vice versa.
wanna come over and put a gun to my head? sorry, typo, i meant do you wanna come over and put a gun to my head? i mean a gun to my head? shit sorry idk what's wrong with my phone. i'm trying to ask if you wanna come over and put a gun to my head? i mean
Every time I m being clingy I realise that I m being clingy which makes me wanna disappear from the face of earth but I end being more clingy it’s a never ending cycle
thinking about mobius and how he couldn’t prune the kid, he wanted to save him, he wanted him to just live but the kid died anyway. thinking about how mobius told loki he couldn’t offer him salvation but maybe he could offer him something better; a second chance for the scared little boy shivering in the cold, and it all ended with loki still out there in the cold and alone anyway. there’s just something so deeply tragic about it; how his kindness and heart is pivotal to the story and how it contributes in saving the universe, in saving loki, in saving literally everything but at the same time he ultimately failed to save anyone the way he intended to.
something i find a little bit funny but mostly just really tragic is that utena is fully convinced she's in a found family show for so much of it. and in the most fucked up way imaginable she's kind of right? we all know what being akio's family means.
i do think she sees akio as an older brother figure for a lot of the show, much more so than she ever has genuine romantic feelings for him. this is clearest to me in the black rose arc, where all he is to her is her best friend's older brother who gives her advice and respects her more than any other adult ever does. it makes sense that she'd want to see herself as a part of their family too. there's nothing to imply that her feelings are at all romantic in nature. it's only when he starts getting closer to her and intiating physical contact that she starts blushing around him and might be developing a crush -- although personally, i read it more as confused uncomfortable embarrassment most of the time, combined with the expectation that romance is what she should want, and so that must be what she's feeling, right? (this gets kind of naively reenforced by wakaba telling her how cool and handsome akio is and how lucky utena is to be close to him.)
and i don't think it's a coincidence that akio starts calling utena "part of the family" after he's planted this idea of romance in her. reenforcing her previous feelings towards him only after he has started to make them change into something different. he is deliberately trying to cofuse her idea of a familial/sibling relationship with that of a romantic/sexual one, because to him there really isn't a difference, and so that when she inevitably learns about him and anthy, utena will see her not as a fellow victim to find solidarity in, but as competition for his affection. and it works, at least at first.
all this is why i vehemently disagree when people call utena stupid for not noticing that something is wrong about anthy and akio's relationship while she's living with them. not only is it deliberately being hidden from her by both of them for a long time, she also literally has no idea what a sibling relationship is supposed to look like. she has no healthy example to compare anything to. even if she did notice something off about how anthy and akio interact, why would she assume she knows better than them how to be a family? she doesn't have one, after all. and when akio tells her that she is his family, he very much does not treat her like it, but she doesn't really have much choice in believing that it's normal, because isn't that how he treats anthy as well?
yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.
to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!
i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.
also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.
they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.
they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.
i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.
the fact that radar clarifies to henry that pierce and mcintyre are hawkeye and trapper respectively despite that fact that henry almost always refers to them as pierce and mcintyre implies the fact that henry rarely remembers who has the last name pierce and who has the last name mcintyre , and the only explanation i can draw from that is that hawkeye fully just responds to the name ‘ mcintyre ‘ as though someone were talking to him and trapper does the same thing with the name ‘ pierce ‘ , therefore th
obsessed w this post. feels really expressive of the ideas behind "socialism is against human nature". the humanities are Bad and Stupid which is why they like socialism, and socialism won't work because the fucking insane idea that "ugly people" (by which they undoubtedly mean "fat people") go to the beach to "benefit from the presence of sexy people" like. what the fuck are you talking about ❤️
So I’m rewatching S4 and...lmao. I’ve just come to the absolutely mf insane revelation that the theme from “You’re the Heart” that plays during Mike's monologue also plays another time—
—in S04E07, when Hopper is telling Dimitri that 1) he was just getting in El's way the last time he tried to help (!!!), 2) that it’s hardwired for people to reject their fathers and 3) he hopes that El is coming into her own. Literally.
This...combined with how Hopper says its natural to worry about our sons and daughters? Hopper talking about GROWING and MOVING ON?! The emphasis we see in El's revival of Max focused on "Not Hopper, Not Mike—You?" El's refusal to come out of the void when Mike asks her to, and the way she seems disinterested in the romantic and "I need you" sentiments of everything Mike says to her?
The independent El subtext (and just text, really) grows stronger with every passing moment. Anyway: feel free to listen for yourself!