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#and even after i posted this i keep thinking of more shit people have said
astraltrickster · 11 months
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What frustrates me about disability advocacy is that...of all the people I've seen talk about it, 99% of them - even ones who are disabled themselves - have eventually proven that their support has limits. Really stupid and arbitrary ones, at that.
You support disabled people...but if you see an adult with a DIAPER BULGE in their pants in public it's ON SIGHT, get your kink out of my face! Actually, even if it's not a kink, that's still gross and, like, it's not like the diaper exists to CONTAIN waste, you're a biohazard! Just stay home!
You support disabled people...but, ugh, you're so sick of masks, they feel so icky, the CDC isn't advising them anymore so really how bad can it be, if you don't want to be permanently disabled even worse than you already are then why don't you just stay home forever?
You support disabled people...but if you see anyone using a non-conventional straw that someone's billed as "anti-aging" on TikTok you proudly declare that you'll smack them, because what do you mean it might be a motor control or sensory thing?
You support disabled people...but no one is REALLY so disabled that they can't manage their lights conventionally, clean their homes by themselves, or hold a pen for extended periods of time or at all; that's just something people make up as an excuse for Bad Tech and exploitative luxury services.
You support disabled people...but, god, control your by-definition-uncontrollable tics, they're SOOOO annoying and rude!
You support disabled people...but when someone stops masking or runs out of spoons and starts speaking in a choppy, hard-to-understand way, it's a joke.
You support disabled people...but AAC is, like, sooooo annoying and hard to understand, learn to talk like a normal person instead of pointing like a baby or whatever, geez.
You support disabled people...but you hate image descriptions and video transcriptions because they're, like, sooooo ugly and transcriptions SPOIL things. (Not to be confused with "frequently not having the spoons to translate images and videos into text, which is a skill; one which everyone should try to develop, but a skill nonetheless" - I get that, it happens to me, but if you take issue with OTHER people adding them to your posts for Aesthetic Reasons, you're...kind of a dick! I'm not sorry for saying it!)
You support disabled people...but you think teehee funny joke annotations are a much more valuable use of caption tracks than, you know, actual captions are.
You support disabled people...but you still concern-troll people with armchair diagnoses of heavily stigmatized disorders for harmless weirdness, or try to paint them as icons of some kind of horrible social ill.
You support disabled people...but you're still convinced that every asshole is mentally ill, probably A Narcissist, and what do you mean that's a loaded thing to call someone when a heavily stigmatized disorder is rudely misnamed as such too, isn't it easier to, like, change the name of the disorder throughout the whole system than it is to just stop using that word as your go-to Bad Person Pathologizing Word, which you definitely need? (Or worse, you see no problem with this clash because you're convinced it IS Bad Person Disorder...)
You support disabled people...but you see someone mumbling to themself on the bus and you get as far away from them as possible because it's "scary".
You support disabled people...but you constantly try to pull "gotcha"s about people telling you not to touch people's assistive devices.
You support disabled people...but someone being okay with their delusional disorder and talking about that is BAD and PROMOTING SELF-HARM.
You support disabled people...but your body positivity still focuses exclusively on "people can be healthy and fat at the same time!" as if people who ARE fat because of health issues and/or have health issues BECAUSE of their weight don't exist or deserve support.
You support disabled people...but you declare that advocates who want us all to have more access to things that improve your quality of life are the REAL ableists for acknowledging that those things that you currently can't do tend to improve quality of life.
You support disabled people...but your advocacy for yourself involves distancing yourself from people with more support needs than you.
You support disabled people...but you treat addiction of any kind, or use of anything with known addictive tendencies, as a moral failing.
You support disabled people...until the accommodations they need clash with your own, then it's not just a benign incompatibility that sucks just as much for them as it does for you; no, you are an innocent victim and they are a horrible ableist.
You support disabled people...until it's too inconvenient. Too weird. Too scary. Once that line is crossed, it's not a disability issue anymore, they're, conveniently, just a Bad Person.
It's fucking exhausting and I'm sick to death of it.
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ghostcrows · 6 days
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that damn web comic is rattling around in my brain ...
#i just felt smacked in the face with a mirror reality something i could see not only myself but so many other people i know/have known in#with a frighteningly sharp precision#some of the people in whn look IDENTICAL to real life friends or exes or people i knew in high school or coworkers#i sent it to my friend and he said 'i feel like this HAPPENED to someone i know'#i keep thinking about that awful feedback loop of mental illness isolation and social media addiction#but its so much more complicated than 'touch grass' like you could shoot all these peoples phones#and theyd just turn to something equally toxic and retraumatizing and self-flagellating#they already show this because they have ed's and self harm and abuse substances and spend money they dont have#the chronic online-ness is a symptom not the disease#the thing that makes me a little sick is how much i relate to milo refusing to delete his tumblr even after everything#i have had instances in my life where posting on tumblr was actively making my life worse or harder or getting in the way of real shit#and i still use it as a crutch in the worst of times#its just funny cuz its this thing that saves you from riskier vices while still obviously perpetuating those things#because its a place that reflects You so heavily#you reblog sad shit cause youre sad and it makes you sadder#you wanna self harm you see people post their cutting pics now you feel like its not so weird or bad#its making me ask questions like 'am i stunted' 'what does it mean to be stunted' and then of course#when is someone 'acting like a victim' and just A Victim and can you do both and what does that mean#man....
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astrxealis · 2 years
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thinkin abt parallels between my FAVES from DIFF FANDOMS (i mean lucisan and wolgraha)
#⋯ ꒰ა starry thoughts ໒꒱ *·˚#i want to cry#i didn't mean to type that but actually yeah. yeah. wolgraha ALWAYS. FUCKING GETS ME. it's peak#the whole . the whole buildup there ... and the FAREWELL. THE FAREWELL. and then that FUCKIGN ASSHOLE#okay no spoilers ^___^ but yeah. idk#idk where i was going w this post but yeah when they said farewell that shit makes me cry#and idk uhm. idk. RIGHT. okay. i think sandy and raha being my favs is really obvious of me and#the person who indirectly got me into liking graha sm. i liked him since hearing his voice and then when i found out who he was#it was thru this gbf twt i used to follow (not anymore bcs i didnt realize they were 18+ </3) AND. AND. THEY HAD A FFXIV OTHER TWT#N I SAW RAHA THERE AND THE YK CLICKED. IT CLICKED TOGETHER. so yeah thanks sandalphon for helping me w my love for raha yeah#but yeah they both are good people at heart (though at the start they kinda aren't really mhm. wait nvm)#but the thing is they both have their 'villain' moments. i relate more to sandy w his bcs i think if i got so yeah i'd be the same :')#but then raha... he is such a good person... even if i really really really despise lies bcs of my childhood </3#both of them are so. ejhbgajha. one of them yeahs to my liking of angels and the other to my childhood obsession w crystals!#both have really beautiful themes and something to do w the color red!!!!#lucifer in this reminds me of wol in how they kinda just. yk. they just care for raha/sandy#even after all they've done mhm ^^#actually idk i ws mostly thinking of sandy in 000 going yeah i'll head off now! and it just reminds me of raha w the farewell#and then later on with the promise. also YEAH THE THEMES OF PROMISES.#ehgbhjabejg i want to cry over raha again gods......... he is so. he is SO. SOWHBAJGJHSDBJGH. our promises always keep us together..........#that cat breaks my heart so many times but he makes me so unbelievably happy man
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weirdmageddon · 8 months
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i love these tags this person is so right
actually, can you imagine if dave was raised by B1 roxy?
i wanna get into this actually
(ok i had to spend a few hours rewriting this because IT DIDNT FUCKING SAVE AFTER FIVE HOURS OF WRITING WHEN MY COMPUTER UPDATED WHILE I WAS AFK so it would mean a lot to show this post some appreciation. i LOVEEE hearing what other people have to say)
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even though these things mom does are presented in an extravagant, kitsch, jokey way, her intentions always came from a place of sincerity. she is simply Funnie
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but rose reads too far into it and assumes things that aren't there, that her mother is passive-aggressively feigning interest in rose's interests simply because the things she does are so extra. "why do all of this if not to mock me"
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im telling you right now if dave lived in this household he wouldn't assume antagonism, he'd go,
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don’t forget who LITERALLY patented tangible jpeg artifacts as their post-scratch adult self and scattered shitty scummed up statue of liberties all over the planet. theres no way some of that overboard artful shit wasnt post-ironic / circling back around to genuine funny sincerity
dave's natural state is funny sincerity like roxy. he's had the natural capacity for this type of humor from the start and this is the direction he goes towards when he grows out of his brother's shadow by the end of the comic. dave and roxy share an earnest “so bad its good” type of humor
(lots more under the cut; the length of this meta analysis just got unwieldly with all the pictures and whatnot)
despite the alcoholism, roxy is a supportive mother. she's not the ideal guardian but hells of a lot more supportive of her kid than bro is. if she knew dave's interests she would totally indulge in them with some over the top silly goofy haha shit as a genuine gesture simply because she loves him
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rose isn't too keen on it though. but she is more similar to dirk in her natural state of thinking of overthinking shit and assuming the worst, like the tags said
and yes dave got the sweet cuddly yet sometimes backhanded ouppy gene from roxy, probably even moreso lol
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roxy's even said rose "sounds like girl dirk"
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side tangent here, but this is something i wanna talk about.
i dont think bro should ever be in custody of children ever but if theres anyone who would be up to the task it's rose probably. i know she'd be able to keep up with him. not only does she have a defined personality (dave is more malleable and absorbs his environment like a sponge), if anyone can pick apart B1 dirk's batshit brain and probably be right on the money it's her. lil cal has been pumping patriarchal nonsense into bro's head and rose would be able to bring the fucking facts to the table without losing her own and being a living example of a badass little girl. i also don't think bro would try to force masculine roles onto rose like he did with dave, seeing as she is a girl, so she would actually have more of a leg up and get some passes that dave was never afforded. and rose wouldn't stand idly and accept any bullshit; she is no doormat. and i think this would earn bro's respect
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but anyway, from this, couldn't we conclude roxy "sounds like girl dave"?
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yeah okay. we havent even gotten into their penchant for funny typos or misspeaks, deliberate or otherwise
so, dave's environment
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the sentiment "god you hope you can be as good as your bro at this some day" might have been genuine at the time when he idolized bro but of course he's not able to express that in any sort of sincere fashion because he's in dirk's fucking household. and this level 10 irony shit isnt doing dave any favors
his role models were the Internet and a vague idea of what Bro was like. So he built up his facade based on irony–not the literary definition of irony, as Rose might be quick to point out, but a popular concept of irony based on the idea that things that didn’t make sense actually made sense in some roundabout way. As a master of irony, Dave probably reasoned, he could see in a way other people couldn’t why a world that was scary and didn’t make sense really did make sense, and could therefore convince those people that he was superior to them. And he would wield his knowledge to maintain the appearance of superiority by calling everything ironic and pretending he didn’t care about things that didn’t make sense, and he would use walls of vaguely rhyming words to keep everyone at arm’s length so they wouldn’t discover his insecurities (source)
roxy's style is the embodiment of post-irony. being raised by mom lalonde would be like being raised by joel vinesauce ok
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what can i say ….. (getting meta about this actually, hussie got these jpeg wizard wallpapers from a spyware website. link takes some time to load because internet archive)
rose is quick to read post-irony as actually being a joke/insincere, which in bro's case would be true. but i believe dave's natural instinct, outside of the influence of bro, is to read post-irony as genuine, which is exactly how mom serves it. we see this as early as act 3 from him; he understands her motives better than rose does herself:
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and in act 6 intermission 2 i think it's pretty clear
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but the thing is, it's always genuine from her. dave wouldn't have to second guess it because he's not one to naturally second guess someone's sincerity; that was learned due to his bro being virtually unassailable
there two types of ironies at play here:
seems like a joke, is actually genuine (roxy)
doesnt seem like a joke, is actually a joke (dirk)
you can make the argument that the second is is more psychologically destructive because it makes you question the reality of what is genuine sentiment and what isn't. dave never knew what was genuine and what was irony so he just sort of existed in this sincerity-ironic limbo and always did the opposite of what he genuinely felt on principle even if it always did originate from a genuine place.
"it just a joke bro i was just being ironic i dont actually x" is so much more trust-breaking and psychologically damaging than "wait are you being serious" / "i am being so fucking fr rn davy gravy" / "ok thats actually pretty fucking awesome. giant ass wizard statue" / "RIGHT"
how much about dave would change do you think? his character arc would be completely different for one thing, i think he'd have it good aside from mom's alcohol issues. he'd be left with the sweet and funny parts of him that we see at the end of the comic. the fake coolguy stuff is out, but this remains. this is dave in his element and we see it as early as act 1
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he'd probably have no shades growing up in the lalonde residence* either cause those were given to him by bro straight out of the crater as an extension of his own cool image. and john gave dave ben stiller’s aviators for his 13th birthday to replace them so he could “spread his wings”
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dave said he was wearing them for the ironies but i kind of doubt it. maybe post-irony but there was some reacharound to it being genuine because dave never put those pointy anime shades on his face again.
*though... it’s kind of hard to imagine him without his shades at all? B2 dave still got stiller’s shades from stiller himself so maybe getting them is a universal constant. i can imagine mom getting him them as a birthday gift cause shes pretty wealthy and probably could buy it out in an auction. but also itd be cool if john still gave him it as a gift
dave is actually a lot more genuine and easy to read than he lets on even when grappling with his upbringing with B1 dirk (again, see this post). this can be seen all throughout he comic but a good example is the evolution of thoughts about his interest in the preserved dead things in his room:
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if B1 roxy was dave's guardian he probably WOULD have pursued paleontology because she wouldve indulged him in it and probably find it cool and worthwhile to pursue, instead of allowing dave to flounder under ironic detachment, being poisoned by irony to the point of gaslighting himself into believing he doesnt actually believe he thinks this shit is cool. even if it was indulged in this such a way; a superficially kitsch and ironic appearing presentation, it comes from a genuine place and inspires genuine interest. just read the comments.
basically, i think if B1 roxy raised dave, their relationship would have a surface level appearance of being bizarre or over-the-top but they’d have an unsaid mutual understanding that it’s completely in earnest and just build on each other's funny and absurd gestures of affection. rather than seeing it as one-upping each other, it'd more like collaboration of some silly bullshit that you take a step back and look at full and just say, "fucking incredible"
speaking of paleontology, mom had the proto-ectobiology lab. maybe they'd be able to use the equipment to appearify paradox ghost imprints of the dead shit to create paradox clones of things from the cambrian era??? sounds like a fun mother son bonding activity. and theyd actually put the sciencey shit in the household to use
oh god i know exactly the kinds of music shed listen too also growing up as a teen in the 80s. she on that (post)-punk/art rock/new wave/new romantic mtv stuff. XTC shit fr. this is a B-52S HOUSEHOLD. maybe the associates for the campy melodramatic flair. so he gets to keep the record on his shirt cause he is an enjoyer of the shit in her vinyl collection. dave would still gravitate towards musical expression and music itself but of more variety outside of just rap, with an 80s-90s, even 70s flavor due to mom’s influence. see this for perhaps a glimpse. ​she probably visited new york city a lot for business trips and because the music scene was cool as hell around that time, imports came straight from jfk airport, she probably got in on that a bit and have remnants in the form of vinyls and cassettes. in this way she could be distributing void to dave (influencing him with forgotten / presently irrelevant music). now he can REALLY rave about bands none of his friends have heard of. “hey davy grvay watcha listenin to” (he holds up vinyl cover) “omg snakefinger”
btw dave lalonde would look like this to me
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jeyneofpoole · 2 months
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asoiaf dash simulator again
🌼 night-of-flowerz-girl
the blatant misinformation on this waebsyte is crazyyyy. guys. loras tyrell is NOT DEAD that is literally lannister propaganda 😭 please check your sources omg how do you think his family feels???
🛡️ fieldmaiden
margaery tyrell can dry her tears on the finest cloth of gold for all i care have we not established that the tyrells are smallfolk panderers who only talk about serf issues to keep us placated and working their fields? stand UP. anyways tyrelloverparty forever hope the burns hurt 🙏
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🍃 greenseeeerr
omfg stop lusting after the children of the forest they are literally minor coded 😭😭😭 what is wrong with you people!!!!!
💄 andalsandal
hey op what the fuck does this mean
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🐻 moremont
me and my big hairy bear husband have three beautiful daughters and i couldn’t be happier
🐻 moremont
THE ANIMAL.
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⚡️dondarriugh
omfg beric is DEAD??????
⚡️ dondarriugh
ok there are some conflicting reports in my inbox hold on
⚡️ dondarriugh
oh no he’s actually dead. fly high king!!!!!
⚡️ dondarriugh
wait what????
⚡️ dondarriugh
WHAT IS HAPPENING
⛳️ brotherhood-without-banners-official
Lord Dondarrion is hale and hearty, thanks be to the Lord of Light ❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥
⚡️ dondarriugh
HELLO??????
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🛖 small-folk-big-ass
save me bowl of brown…… bowl of brown…… bowl of brown save me…….
🛖 small-folk-big-ass
hopital
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🐉 rhaeeenyraaa
the revisionist history on here is fucking insaneeeee. cersei lannister is NOT maegor come again guys let’s use our critical thinking skills ok?????
🚬 sourleef
cersei lannister is a nepo baby who dicks down her twin brother on the regular and squeezes out evil kids with weak jawlines like it’s a sport. let’s not act like she’s some kind of win for wench suffrage she’s a fucking dictatorial monarch
🍁 weirdwood
wait don’t you mean her twin brother is dicking her down?????
🚬 sourleef
i know what i said.
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🐕 ramsay-bitch-imagines
IMAGINE…
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
You’re Ramsay’s favorite dog, and he wants to reward you after a successful hunt.
WARNING: DEAD DRAGON DO NOT EAT!!!!!DON’T LIKE, DON’T READ!!!!
Read More
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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🐋 s4ltw1fe
who’s going to tell lady asha that she doesn’t have to date those foppish little boys as community service. don’t worry queen EYE see your caerybaenor……
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👤 reynesofcastamere-deactivated-3738372920
lmao that blonde little cuck is NOT getting his gold back
👤 tarbeckhall-deactivated-4748392038383
we should hook up for rebellion lol. what’s he even gonna do about it?
🦁 hear-me-roar
hey guys.
🧼 barmaid
oh my god this is THE post
🍺 pintofale
holy shit i never thought i’d see this outside of illuminated vellum screenshots
🪡 tall-tailor
this post is a fucking graveyard
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fatesundress · 1 year
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⭑ for the love that used to be here. tom riddle x reader
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summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.
tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people
note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡
word count. 21.8k (i know... i KNOW)
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You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.
You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.
He evidently does not.
“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.
You narrow your eyes. “‘Scuse me?”
“I said the powder has to be completely fine.”
“I heard you completely fine. I know how to read.”
He stares blankly at you before returning to his own station, and that’s that.
It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.
There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.
That decides it. Flotsam still floats.
Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 
…It’s just that he’s insufferable.
The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.
Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 
“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.
You blink at the vague shape of him. “What?”
“If you don’t hurt them back, eventually, they’ll just kill you.”
In hindsight, it’s an assumption so hastily bleak only a scared child could make it.
I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.
You roll over and pretend to sleep, and in the morning, you hurt them anyway.
It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.
Tom sits with you in the Great Hall for dinner that night, and he never really stops.
You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.
When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.
You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.
Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 
Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.
You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.
For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 
You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.
It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.
Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.
You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.
Tom is cross-legged and sat straight, his brows furrowed in concentration.
“What’ve you got?” you ask, leaning over to answer your own question.
Tom as good as rolls his eyes, holding up the book to give you an easier look.
“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”
“It’s the stuff they’ll never teach us.”
“I wonder why.”
He steals a glance at your own book and smiles in that smug way that makes you want to slap him.
“What, Tom?”
He shrugs. “You might want to know you’re reading stories about the author.”
You look down. Lore of — Godelot wrote Magick Moste Evile? 
It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.
“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”
“Well, they’d be out of his quill.”
“Oh my God, Tom, shut up.”
All good things must come to an end. Term resumes and your hackles are back up. 
Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.
Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 
You suppose, for them, it’s a question with few answers. 
For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.
He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)
Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.
You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 
They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.
You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.
“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.
He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”
“Don’t get ahead of yourself. I’m only curious.”
“Curiosity—”
“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”
He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.
You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.
But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.
“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.
“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”
“Of course,” he says blankly. “Hence this.”
This — restricted books and furtive duels — should not be necessary. 
“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”
He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 
It isn’t enough to be as good as them. You have to best them, and you have to do it forever.
The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 
The worst of the world has impeccable timing.
A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.
So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.
And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.
BOMB’S HAVOC IN CROWDED PUBLIC SHELTER
MOTHERS AND CHILDREN AMONG THE CASUALTIES
DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN
All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.
The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.
It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.
In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 
You figure the reason for the extra space is probably not one you want to know.
Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.
But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 
He doesn’t, or at least doesn’t say he minds your relocation.
You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 
You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.
“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.
Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.
He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”
“...Riiiiight, but that isn’t a proper answer.”
You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 
“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”
“An altercation.”
“Very good, that is what I said.”
You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 
“And I suppose you’re above such incidents,” he muses.
You cross your arms and huff. He always wins games like these.
You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 
But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 
She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.
For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.
Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)
Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.
“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.
“Perhaps someone else has,” Tom suggests.
“What? Malfoy?”
You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.
But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”
Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —
“A professor?”
“It may be.” He says it like he’s already decided his suspect.
He is, as always, and ever-infuriatingly, correct.
It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.
He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.
Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.
You consider it a warning.
Tom does not.
“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”
His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.
“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”
“So?”
It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.
“So?” You make an aggressive move with your knight. “So don’t give him one!”
He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.
“Are you stupid, Tom?”
You glance at the board. He’s got Check. A terrible, true answer.
“No,” you finish. “Then don’t act like it.”
Your king glances at you and you nod. He falls. The game is resigned.
Tom acts stupid.
Dumbledore knows.
It all happens very fast.
You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.
You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.
You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.
“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”
Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”
You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.
“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”
“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”
“I —”
“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”
You swear a great deal when you’re cold and mad, apparently.
“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”
“It doesn’t matter! He knows it’s you! He was staring at you all class!”
“So nothing novel then.”
“D’you want me to blast you again?”
His lips form a flat line. No. That’s what you thought.
You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”
That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.
“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.
“Tom.”
“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”
“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”
Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”
“I am half-drowned, dickhead.”
And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.
It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.
The day everything changes starts the same as any. 
You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 
Tom has cracked the book.
It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.
“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.
He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.
“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”
“Tom, I have no idea what you’re talking about.”
“It’s an Encyclopaedia on Parseltongue and its known speakers.”
You flip through the pages and none of it means anything. “Parseltongue?”
“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”
“Okay, so, what — you’re trying to learn it anyway?”
“I have no need.”
You frown. “You… you already know it.”
“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —
“You’re not muggle-born.”
“No, I’m not. And Dumbledore knows.”
“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”
“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”
“Why would he lie?”
“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”
You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.
“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”
He sighs, taking your hand and leading you further into the woods.
“Are you trying to murder me?”
“I might.”
“You’d be the first suspect.”
“No, I wouldn’t. You’ve far too many enemies.”
Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.
He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 
It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.
“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.
There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.
“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”
You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.
“Oh my God. Oh my God, Tom.”
The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.
“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.
He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 
“Should I?”
And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”
It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.
Tom’s smile fades. “We’re nothing like them.”
The thing is, neither of you know that’s the day that changes everything.
You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.
Summer blisters when it comes.
Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 
And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.
A stupid remark. You fervently ignore it.
Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.
But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.
It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?
You say the same to Tom and he rolls his eyes, but the amusement is there.
“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.
“If they’re yours, I doubt they have anything worth discussing.”
And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.
He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.
Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.
You always are.
The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 
Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.
He’s had an ego forever. He just has a few too many reasons for it now.
And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.
Everything changes but the observable truth that he is still insufferable.
You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.
You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.
You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.
Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 
You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.
So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 
It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.
It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.
Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.
The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 
You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.
Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 
But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.
“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.
Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.
“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”
He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.
You move to catch his wrist and manage it this time. “Tom.”
“Don’t argue,” he says thinly.
“You’ll get sick.”
His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”
Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.
Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.
When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 
What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.
You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.
Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.
You are regardless. 
It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.
A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.
Life is for the magical, you find. The muggles can burn.
It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.
You remember with a small ache that you no longer means you and him.
And then — it makes sense. You feel incredibly stupid.
“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.
He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”
“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”
“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”
“Why did you tell him, Tom?!”
“Why?” he deadpans.
You throw your hands up. “Oh, for fuck’s sake.”
“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”
“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”
Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.
To be short, he’s close, he’s very beautiful, and sometimes you despise him.
“Trust me,” he says again, without the derision of the last time. “This will change things for us.”
You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.
You are not his keeper. You know that. 
“Change them for the better, Tom,” you say on a sigh.
He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.
And he does nod, finally, but he does it with his thumb brushing the corner of your lip.
What? Sorry. What’s going on?
He pulls it away like he’s heard you. “You had something.”
You’re almost positive you did not.
Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.
You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.
Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.
Your contentment is remedied quickly.
Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.
You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.
Tom nods at your theory when you manage to escape to the Black Lake together in November.
“That isn’t unreasonable,” he says. High praise.
You sink into the moss, sighing. “Do you think there’ll be more?”
He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.
You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”
“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”
“How’s that?”
“No one would be senseless enough to try.”
And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.
One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.
It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.
You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.
It happens again.
Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.
There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.
You cry that night. You can’t remember the last time you cried.
This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.
You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.
You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)
He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 
And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.
Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.
And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.
The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.
The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.
That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.
One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.
The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?
You take to the library.
Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.
The third sign is the end. 
You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.
He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 
And he’d killed Myrtle Warren.
So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.
Don’t become like them now that you’re not like me.
He’s something else entirely.
What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.
You stand; and you tell no one. Not even Tom.
His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 
You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 
“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.
You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.
“Mhm,” you hum, transfiguring the daisy stem back to its regular length.
Tom observes it with curious eyes. “You’re getting good at that.”
“I’ve been good at it.”
His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.
His own doing and still you flicker with some relentless hope that he's drowning in regret.
“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.
You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.
You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.
He sees all of you.
Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.
“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.
“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."
He stares at you. There’s nothing there.
“Tell me, Tom.”
Your breath catches on an automatic please but you don’t want to offer him that.
“I cannot.”
Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.
It’s late winter and it’s too cold.
“You killed her,” you say quietly.
“If I told you I did not wish for it, would you even believe me?”
“What are you… so it was an accident?”
“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”
“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.
He’s so composed in the face of it that it only makes you more incensed.
“You told me to change things —”
“You killed someone! Can you understand that?”
“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”
“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”
“Do you want me to lie?”
“What could her death possibly bring me, Tom?”
“Her death is the first step to —”
“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”
“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.
All you can do is nod, arms falling to cross over your chest.
“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."
You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.
“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."
“...What?"
“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”
You blink, feeling dizzy. “Myrtle was the sacrifice.”
“Myrtle was there,” Tom remedies.
“How lucky for you.”
“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”
“For — you’d do it again? Again, Tom?”
His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.
“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."
“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”
And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 
You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 
“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 
Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 
Of course you can't stand or talk or think. You're you, contemplating a life without him.
“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 
He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.
After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"
“I thought I would have time.”
“To come up with a good lie? Something I’d sympathise with?”
He bites his cheek. “Evidently the particulars matter little to you.”
Fuck him. “Fuck you.”
“Very cogent.”
“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."
He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”
You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.
“You have lost me, Tom."
He stills as if suspended. Some maceration must follow but it doesn’t.
You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 
You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 
There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.
You fail your N.E.W.T courses. Quite spectacularly.
Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.
That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 
You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.
And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.
You tear the envelope open and pull the letter out.
It’s from Dumbledore. Some of it melds together, but the key words stand out.
Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.
Be well.
You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —
You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.
Some of your letter melds together but the key words stand out.
Thank you, Sir. Whatever you need.
It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.
You find that to be true.
Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.
Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 
“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.
You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 
Teacup to gerbil — to cat, and inverse.
Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.
Study Antar’s Doctrine. Miss Wright will act as your partner.
Due February.
It’s far too much to be done in that time. “Sir?”
Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”
Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.
You nod. “I hope… Good luck, Sir.”
Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”
And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.
Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.
You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.
You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.
In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.
Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.
You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.
But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.
You drink, and don’t look away.
By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.
There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.
You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 
An animal — like that isn’t the vaguest instruction you’ve ever received.
You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 
You’re better than them. You can do it forever.
The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.
The Ministry worker swallows. Dumbledore smiles.
“And — and back?” the worker says, like that will be the thing that stops you.
You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.
You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.
The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.
He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.
You find out you’ve passed with an Outstanding on your birthday.
Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)
“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.
You sigh into your own, partially giddy and mostly nervous.
Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”
You push her hand away but can’t help a small smile. “Outstanding,” you correct.
“Outstanding!” She bursts out laughing. “Bloody ego on you now…”
“Well, I am the smartest person you know.”
“I take that back.”
She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”
Your hands raise in surrender, and you steal only one when she’s gone.
You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.
It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.
On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.
There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.
Indifferent it is. 
“Can I help you?”
“You’re causing quite the stir,” he says, taking one of Mari’s chips.
You’re allowed. It’s infuriating when he does it.
“Am I?”
“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”
“They’re afraid of the wrong mudblood, then, aren’t they?”
Indifference effaced. You’re angry.
He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”
Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.
It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.
“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”
Something in his face shifts at the name. You swell with distorted pride.
He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.
He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”
You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.
“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.
Where is Mari?
“Your friend was at the bar, last I saw her.”
You stare at him with wild eyes. How the hell — ?
“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.
You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.
“Well then —” 
Right. Tom hasn’t actually moved away. You turn and his face is just there.
His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.
“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —
“That would be wise.”
He’s still looking at your lips.
No one else is looking at you at all.
It could exist in just this moment, you deliberate; separate from everything else.
Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.
“So I’ll be going now,” you say again.
“I haven’t protested.”
But he’s leaning in, and he has to know that’s impedance enough.
“But you will.”
His lips touch yours. “Yes, I will.”
You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.
The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)
You’re pulling away in intervals. “You don’t have me, you know.”
“I know,” he responds, lips on the corner of yours.
“You still lost me.”
“I know.”
“I hate you.”
He pauses for a moment. “I know.”
You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.
“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”
You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.
He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.
“My door is always open,” he says.
He lets you go.
You graduate with Mari’s hand in yours, and you aren’t afraid.
Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.
If he’s offering you lodgings now, he could have done it all along.
It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?
You think of him often. You think of his offer.
My door is always open.
Plenty of doors are open to you now. Why should you want to go back to his?
Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.
It’s a tempting door.
The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.
You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.
The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.
Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.
The Ministry job is truly, infinitesimally, insignificant. 
It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.
But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 
A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.
My door is always open.
Then you’ll slam it bloody closed.
Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.
She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.
When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.
It’s one stupid accident the next fall that changes things.
A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.
“Renauld’s on it, though,” your coworker says when the news finds your department.
“Renauld?”
He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.
“Well, yeah —”
You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”
“But McCormack sent him.”
“Where is it?”
“I… McCormack said that —”
“Where is it, Flack?”
“Um. Um, near King William, I think. Moorgate or, um —”
That’s good enough. You toss the Floo Powder into the fireplace and go.
The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.
But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.
“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”
You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”
“Oh my God! Fix. The muggles.”
You afford nothing else before pushing past them to enter the bank.
It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.
“Heal their wings,” you say without greeting.
Renauld jumps. “What? What are you doing here?”
“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”
“Who authorised you?” he hisses.
“I did.”
In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.
But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.
You were completely out of line and utterly right.
It isn’t something people like you are allotted.
Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.
And… he does.
With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.
It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.
There’s really no choice but to promote you.
Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.
By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.
The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.
Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.
After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.
“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”
“You’d have to be able to keep your mouth shut for that, Alves.”
Emilia punches Renauld in the arm.
“What are the aurors up to?” Flack asks.
“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”
“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”
“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”
“Hillicker’s not a source,” Renauld scoffs.
“Yeah? Why don’t you ask your daddy for something better?”
“Alves, I’ll have you know —”
You lean in over the counter. “What do you mean they’ve never seen anything like it?”
She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”
You roll your eyes, taking a drink.
That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.
But something about it itches.
You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.
You are green, through and through.
Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.
You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.
You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.
And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.
That makes it much worse when you sleep together. 
There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.
“Thanks for the — well, you have a nice home — I do think I should —”
“Yes.”
“Right.”
“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”
“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”
“I thought you might like to know. Don’t be daft about it.”
You’re incredibly daft about it.
There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 
The itch exacerbates.
You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.
You wake up and he isn’t there.
It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.
The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.
And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.
You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.
You tear the place apart and Transfigure it back together when you’re done.
All you find, in the end, is a scrap of an old envelope in a suitcase.
R.R
It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.
You return to Hogwarts posthaste.
It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.
The Grey Lady is as beautiful as she’s rumoured to be. 
You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.
“Is it found?” she whispers. The snow floats through her.
Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.
“Yes,” you say. And you dare further with the context you know, “In Albania.”
“Oh,” she hums. “Oh…”
And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.
Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.
There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.
But you do, because he told you.
You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.
It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 
It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.
You wait, legs crossed on an old loveseat, fiddling with your wand.
The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 
It strikes you only when he’s standing before you that it’s his birthday.
You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.
He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.
“I placed wards," he says, hanging his bag on a rack by the wall.
“I thought your door was always open.”
You see his posture change from just his silhouette.
“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 
He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.
“Duly noted. What are you here for?” He tries your surname like a foreign language.
You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.
You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.
“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."
“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”
“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."
His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"
“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 
Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.
“Is this a warning? I assure you, I don’t need the condescension.”
“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 
You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"
“Yes."
You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.
“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”
“I earned this,” you hiss.
“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”
“Fuck you.”
He smiles. “There you are.”
“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”
The humour dissolves from his face and you despise the immense glee it brings you.
“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”
“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.
You hum, meddling with your nails. “So what’s your plan?”
“I’d need a Vow for that.”
You laugh. “I’m not that desperate.”
“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”
“How many do you plan to make? How many people do you plan to kill?”
“A Vow.”
“Absolutely not.”
“Tea, then? Biscuits?”
“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”
“Hm. Terrible shame.”
Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”
He smiles at the barb in your words. “You never were good with subtlety.”
“I wasn’t trying to be subtle. This place is horrific.”
“I was referring to your inability to see more than what’s directly in front of you.”
“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”
Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 
“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 
He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.
“Yes,” you concur, “I suppose you should have.” 
You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”
Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.
“You have wandless magic,” he tries. A weak recovery.
“Scout’s honour, Riddle.”
He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.
He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.
“I should have killed you,” he repeats.
It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.
“Yes,” you agree.
It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.
Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.
There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.
He was your first in everything but this.
You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.
You pull him onto the sofa and crawl onto his lap.
“How long?” he asks thickly.
You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 
“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."
You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"
You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"
His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 
You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 
“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"
“N-no.”
He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."
Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 
But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 
You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.
He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.
Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.
His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 
You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.
He dips in and your eyes wrench shut, grasping frantically for his wrist.
“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.
You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.
“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”
And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.
You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.
He’s stroking at you now, pleased by the way you lurch against him with every touch.
You have to recover, you have to make it even, you have to… you…
A finger presses inside and you moan.
“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.
“Doesn’t make me yours,” you breathe.
He shakes his head. “I know. You’ll still take it though, won’t you?”
Oh, fuck.
He makes a sound of approval. “Good.”
Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.
You’ll take it, won’t you? Yes. 
Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.
You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.
He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.
But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.
Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.
“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.
“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.
“Will you give me more?”
Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.
He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.
You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.
He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —
“Want you,” you protest shakily, hand on his abdomen.
That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.
You sound frail, but you have to ask. “Is this how you wanted me?”
A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?
And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.
Maybe you already do.
Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —
He slides in. You cry out at the feel of him inside you, the angle of it like this.
“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”
You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.
“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”
You whimper.
“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.
If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.
“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”
Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.
“You can — uh — you can — ”
"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”
And he slams into you again, drawing a mewl from you that slices your unfinished thought.
You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.
“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.
You remember then. What you meant to say. “You can take me too.”
You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.
He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 
He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.
You have to promise yourself he’ll never have it again.
But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.
Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.
“Look at me,” he says, and for the strained need in it you do.
You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.
He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.
You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.
“Goodnight, Tom,” you say, finding home in the warmth of his chest.
You’ll dream of a morning where you wake up beside him, but you won’t be there.
3K notes · View notes
boiohboii · 8 months
Text
Protective girl (Charles Leclerc x reader)
Inspires by @charles-eclair16 's fic
When fans go too far, yn wants to protect the one treasure in her life
or
in which we finally get to see the roles reversed
N.B: this is been in my drafts for so long, omg! Let me know what you guys think!! WARNING: not proof read, some swear words, might have messed up a date, don't focus on any dates mentioned, this is all fictional anyways. Hope you guys like it
masterlist
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Liked by Arthur_leclerc, carlossainz55, pierregasly and 1,379,064 others
itsmeyn: charles always goes above and beyond for every single fan of his, he tries to take as many pictures and sign as many autographs as possible, but what happened last night was a fucking joke. He doesn't like what I'm writing cause he says that it was just a mistake and that it was fine, but it really isn't, it's so disrespectful and disgusting! He always wants to meet his fans and make them happy only to receive this insanity, him falling AND HURTING HIMSELF because some of you can't fucking wait and be organized like a human being! Charles isn't an animal in a zoo where you race to pet him! He is a human being, he is a son, a brother and a boyfriend! This wasn't just an accident, i have seen these 6 girls multiple times in multiple places! it's so obsessive and so so sick of you to follow him everywhere.... Charles won't speak up because he is Charles and he lives seeing the good in people, but I will tear everything and everyone for his safety, so for you 6 girls you will be hearing from court soon so better prepare a good lawyer you assholes!
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Liked by leclercboy, ynistheitgurl, fuckferarri and 91,739 others
F1_updates_live: Charles Leclerc's girlfriend, YN LN, seen today arriving in front of the UK's courthouse in a red SF9 Ferarri. It had been quite a week for YN as she was seen hitting a fan after the said fan pushed Charles. YN took this fan and 5 others to court, no one knows on what bases but what has come out is that she has won the case which means that Charles and YN have restraining orders against the group.
username: OHH HEEEELLL YEAAAAAHH
username: yn doing God's work
username: yn serving justice
username: that's what we needed
username: hot girl shit
username: the car and suit combo is so fucking hot of her
username: I think this is too much, like these girls just wanted to see Charles
username: @.itsmeyn can we make them 7?
username: another one
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Liked by Charles_leclerc, danielricciardo, pierregasly and 617,829 others
itsmeyn: don't blame me, love made me crazy
username: YN IS A FELLOW SWIFTIE?!?!?
username: if I had a nickel for everytime yn and I had something in common I'd have 2 nickels, which is not a lot but it's weird that it's happened twice
username: now I just want her to watch all the charles edits done with a taylor song
itsmeyn: who says i already don't 🌚
username: and I oop-
username: THIS IS THE SWEETEST AND CRINGIEST SHIT EVER!
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Liked by wolfffam, maxverstappen1, lance_stroll and 817,629 others
itsmeyn: congratulations to my baby, the love of my life, you deserve it and so much more ♥️♥️
username: FINALLY!!
username: idk how to react, ferarri has let us down too many times that all I know is lose
username: I don't see how he deserves it tbh, all of his results are shit for quite a while , he's only where he is cause he's driving a ferarri 🤷‍♂️
itsmeyn: oh, I'm sorry, I didn't know you were the one in a formula one car, in a ferarri, that by the words of many professionals is at its worse era. I don't care about you and your opinion but don't state it as a fact, no one can do better with these strategies. I hate to keep saying this but when your own fucking team doesn't have the same dream as you it turns to shit. Even if charles is the only one in the car, it's still a team sport, not a one man sport. Fuck you and your tiny ass brain that can never survive one lap in a formula one car, it'll probably explode cause of all the bullshit in it before the first lap anyway. So next time you wanna talk shit maybe try to do fifth of who you're criticising is doing, I bet that'll shut you up real quick you dimwit.
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Liked by leclercpascale, pilotesofmonaco, tswiftyn, and 52,719 others
F1_updates_live: YN LN, Charles' long time girlfriend, seen today fighting Xavi in Bahrain due to his mistake on the radio which resulted in Charles losing his podium position.
username: good for her
username: charles is so lucky
username: I love how she always stands up for him
username: honestly, whenever charles or carlos ignore the strategies they win... I really wanna see more of that.
username: this is just Monaco 2024 GP all over again, yn was so fucking furious (rightfully so) cause Xavi's mistake costed charles a p1 in his home race.
username: this shit was so heartbreaking man
username: I think this was the first time we ever saw yn angry at sabotaging charles, like the most we saw was her holding his hand when crossing the street, making sure he eats first, playing with his hair when nervous, but I've never seen yn make someone literally cry until 2024 with Xavi being her victim
username: pffft, victim, he 100% deserved it
username: oh yeah, definitely. All my homes hate Xavi, like can you not say the strategy properly 😒
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3K notes · View notes
Text
All Thanks to You - T.Nott
Summary - At first, Theo found her gifts sweet and kind but the longer they went on the more they annoyed him. He had the false assumption that she was chasing after his money and status but he was very wrong. He didn't realize how wrong he was until he overhears her sticking up for him in library.
Pairings - Theo Nott x Fem!Reader
Warnings - Use of Y/N, female reader, profanity, stress
Author's Note - I'm getting through all of my requests slowly but surely, this will probably be my first and last post of the day. I'll try my best to keep banging these out but unfortunately today was my last day of spring break and my vacation from work. Thank you for being patient!
Based off the request by an anon
Expect delays in my posting! My semester has started and I am taking 4 classes! Please be patient with me!
My requests are open!
my masterlist
Feedback is welcomed and encouraged!
Enjoy!
It was almost disgustingly obvious how much she liked Theo, except to the boy himself. It had taken him ages to figure it all out. He thought it was weird at first, he was always getting baked treats, a seat saved, books that he ended up loving and notes sent to him. Then, it started to annoy him, he thought that she was just trying to get to him because of his status and money. That of course wasn’t her intention but he didn’t figure that one out until he overheard a conversation, one revolving around him and all of his flaws and untrue rumors.
He was about to jump in himself until the sweet voice of the girl sending him all of these good things chimed in. 
“That’s not true at all. Theo is so kind and sweet. He cares so much about his friends and only acts cold to people like you because you believe and spread all of these bullshit lies. He’s not rude, he’s not unnerving, he especially isn’t ugly or gross to girls. He’s sweet and kind and loving and a great person and if you can’t see that, then don’t consider me your friend anymore,” She ranted before packing up her books and walking away, not expecting to bump into the boy himself. “Oh shit, I’m sorry, I wasn’t watching where I was going, I’ll get out of your way.”
“Wait,” He pleaded, having every expectation of her walking away but she stopped in her tracks and turned to face him, “Thank you for sticking up for me. I know I said your gifts were annoying but I don’t really think that. I honestly thought you were after me for money or to boost your status or something, I shouldn’t have assumed that.”
“No, you shouldn’t have. You’re a good person Theo. I’d love to talk more but I really have to go study for the potions exam,” She told him.
“Study with me, I have an O in the class, I can help you.” The smile on her face brightened the room, making his heart skip a beat, a smile finding its way onto his own lips.
“Okay! I know the best spot in the library,” She chirped, grabbing his hand and leading him to the top floor into a quiet corner. The two of them studied together for nearly an hour before she spoke again, “How in the fuck do you make a draught of the living dead again? I can’t remember anything right now, my brain is fried,” She groaned, resting her forehead on crossed arms.
“You need a break, love. Let’s go to the kitchen and get some food from the house elves,” Theo offered.
“Won’t we get in trouble?”
“No, I’m friends with the prefects on duty, let’s go before they change shifts.”
The whole way down to the kitchen, the two were holding hands, neither of them had even noticed until Draco stopped them in the stairwell leading down to their destination. “What do we have here? The infamous Theodore Nott holding hands with his admirer?”
“Oh shove off, we need you to cover the kitchen while we get food,” Theo told his friend, still holding onto her hand even though they were caught.
“What’s in it for me?” Draco asked.
Before Theo could open his mouth, Y/N answered, “Pumpkin pasties, green apples and cauldron cakes. I see you eating those a lot so I assume you like them?”
“You assume correctly, fine, let’s go lovebirds.”
Holding up her end of the promise, she got Draco his favorite sweets, snacking with the two Slytherin boys. The blond boy had taken a liking to her, finding her genuine, funny and observational. The bond between Theo and Y/N had grown and only got stronger by the day. It was no surprise to any of their friends when they started dating not long after studying together. 
They continued to have study dates until the day of the Potions exam. She was extremely nervous and Theo was nervous for her. They didn’t get to see each other until dinner that day. Taking her usual spot next to Theo at the Slytherin table, casually sliding a paper to him. He furrowed his eyebrows before opening the paper, the red ink stared him right in the face.
“You got an O?! Bellissima, that's amazing! I’m so proud of you!” Theo exclaimed as he hugged her tightly, placing kisses on her head.
“All thanks to you, handsome,” She smiled at him.
Theo kissed her deeply on her lips causing groans and gags around them. Neither of them having a care in the world other than her O.
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lovetei · 10 months
Note
Heyyy,
I saw your toxic things the demon bros will do to keep you with them and i absolutely fell in love with. More of, my mental health issues felll in love with- ANYGAYSzz
I was wondering if you could maybe do the same for the side characters¿¿¿¿
Also did you drink water today? Cuz if thats a no here you go 💧💧💧💧
And some cookies just incase 🍪🍪🍪🍪🍪
Love anonymous 👑
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I'm not actually supposed to post anything for tonight, because I don't know? I didn't get to start anything this morning so I crammed this post T_T
But love lots! Hope you enjoy this piece ^^
But seriously, I was like "Oh shit, the algorithm I don't have!" And proceed to finish this.
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What are the most toxic thing they will do in a relationship just to make you stay with them?
Versions: Demon brothers, Side Characters
Warnings: Manipulation, yandere themes, execution, mention of torture, psychological torture, love potions, Mentions of murder, framing, alcohol
Links: Masterlist
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DIAVOLO will use his authority
He's already so happy to have you by his side
And by staying there you already secured the position of the next ruler that will stand beside him
So, why do you have to leave..?
And the reasons
"I'm not fit enough..."
"I don't deserve this much..!"
"There are more people out there that are more worthy than me..."
Won't cut it.
He knows your worth and he's sure you do too.
So why?
Perhaps you're just nervous that you won't be able to match his grace?
You don't need to.
His grace is unmatched among the demons and yours is too among the mortals.
You both are on the same chapter, just on different pages.
So why make things hard for yourself?!
All you need to do is say yes and everything will be taken care of.
Clothes, food, money, status, security and literally anything.
He loves you and you does too so it's not going to be a marriage with no love...
SO WHY?
You're starting to drive him insane, MC.
And he might just do the same to you
So he'll invite you over for a fancy dinner and a few drinks
You accepted, despite knowing that Diavolo might try something after he got you drunk
Thinking that Diavolo forgot that you can't get drunk by just a basic demonus
Fool
That's what you are for thinking Diavolo actually misses something, anything about you
So he changed the bottle of demonus to an actual human liquor but neutralized it's taste by the help of his one, loyal servant
Barbatos
Not even two hour passed by and you're already putty in his hands
Dancing just like how he wants it on his palms
Then he'll slide a paper into the table to you, together with a beautiful pen
He then point at an empty line with his finger and said "Look at that MC, this line right here wants your signature."
"Hmm, why?~"
"Because it's such a huge fan of you and it needs you to become something, someone better, so why don't you give it a sign?" Is what he said while smirking.
And there you are, signing the papers while your mind is clouded with alcohol
Oh what is it?
Just a marriage contract
You don't want it?
Look into rules and regulations, Claus 5
It's against your human rights?
How foolish, you're not in the human world.
You will tell the whole Devildom about it?
Lèse majesté
And what's the punishment for committing that? Simple.
Death.
BARBATOS and his timeline power
He loves you
So much actually
At first, it was fun to be in a relationship with him
It's fun, slowly opening him up like a present and seeing the gift, a part of him that only you know.
He builds up trust for you and so do you for him
Then it started to get suffocating
He won't admit it openly but you know,
You know that the one who kills anyone who dared act close with you is him
And it terrifies you
You may allow it if it actually harms you, severely
But it's not for your protection anymore
He's doing it out of pure annoyance now
He doesn't like you around the brothers
The angels
Solomon
Thirteen
Or even Lord Diavolo
In fact, he doesn't want you around anyone.
And it's making you feel more unsafe
He's starting to isolate you from everyone and everything
He's trying to isolate you from the world
So you decided to end things with him
And he doesn't seem to take it lightly like how you expected...
How did you know?
Simple.
You woke up weeks before that break up happened
You know how it happened and you know who made it happen
It's none other than your boyfriend of course
You thought that maybe if you talk nicely with him he'll actually understand the problem
But he didn't
He started to get more and more aggressive with you
Then when the week end
It repeats
And repeats
And repeats
And repeats again
And again
But it will keep going on like that until you learn
Until you learn that there's no other option than him
No other ending than him
He doesn't mind driving you crazy if it means you'll continue to love him
So good luck, MC.
SIMEON might just ask Father for help
Ho doesn't understand!
Why would you want to break up with him?!
He did everything, MC!
It's not clear!
Nothing is clear!
You just belive that you two are not fit together..?
You don't want him to end up like Lilith..?
He doesn't care!
He'll burn these precious, white wings for you!
He'll kill for you!
He'd actually prefer to end up like Lilith rather than this!
Because, at least, Lilith managed to be with her love until her life ended...
He'd rather be a demon or a human rather then live like the adored angel he is without you...
...
You'll still leave huh?
Alright then.
I guess he has no choice but to ask Father for help
What do you mean it will cause him to fall? Oh dear, it won't.
It might actually even promote him into a higher rank.
Father wants you in his side.
In fact, the whole celestial realm want you on this side
So when he asked "Father, it seems that we need to take even larger measure to have MC side with us. What do you think we can do?"
...oh?
Luke?
What a brilliant plan.
Now,
Let's see if you can still leave knowing an innocent life, Luke, will be put under danger because of this tantrum,
Because of you.
SOLOMON and his hidden antics
Oh dear, angel
His little devil
His most prized possession
His favorite concubine,
You won't be leaving him anytime soon, dear.
When you told him that "I want to break up with you."
He kept himself quite for a while before answering "Let me give it some thought, MC. For now, stay with me."
And just as he expected you listened obediently.
But then, his grip around your waits became more rough
And the hand he used to playfully wrap around your neck became more tight
It's hard...
It's hard to feed you his love laced cooking
But he found out that you just loves, adored even, Luke's baked cookies...
And since you're a human, he knows that Luke creates special cookies just for you
One that don't contain exotic ingredients that will upset your stomach
And it just made the work of latching love potions easier for him
He'll just add a few drops and it will do the magic for him
So, all he has to do sit tight
And wait for you to crawl back to his lap yourself.
RAPHAEL will use spears for example
Haha...
But he loves you, MC..?
He might just start crying if you say more
"Sure... But I'll make sure you'll come back to me..!"
At first, it sounded like a joke and it's funny enough to make you giggle
The beautiful memories of peaceful separation didn't last long after you saw a dead body pinned by spears though
His spears, to be specific
It doesn't even make sense
You don't even know this guy...
He hasn't talk to you and you don't even know him
Hell, you don't even recognize his face...
So what's the catch?
Why is he killing completely random people...
That's what have been running around your mind
You haven't seen him around RAD anymore
And if you do he refuse to answer your questions
Except his face will lightly flush and he'll even smile a little before sa say "Ah~ It's nice hearing your voice..."
His tone, the way he says it, none of theme are innocent
And he made it known that he knows what he's doing
The curiosity didn't last long
Until you found out that the corpses aren't for you from him as a threat
It was for the families of the victims
You found out that each of them have high power among the nobilities of Devildom
And he killed them to make the families think that you're telling him to do so
It's not to make you feel guilty, it for them to start attacking you
Until you're pushed back to a corner where no one else can save you
Except for him.
MEPHISTOPHELES's way only
Ha...
Man he loves you so much...
But all he do is stare at you blankly after you told him you ant to break up
Staring at you like you're just some kid throwing a tantrum
It's Mephistopheles in front of you, I mean, he's rich, handsome, tall, smart and has good family background
If he's a human everybody would have gone crazy over him already
Plus he wears heels and he has a sexy cane
What more could you ask for?
But yeah...
You don't want to be with him forever?
Sure, he'll talk to Diavolo.
"I'll buy MC's contract and I'll put them under my wing." Is all the reason he needs to say and a few more to have Diavolo selling you
What about your family?
This amount will do right?
I mean...
He paid for what your worth so don't expect it to be much.
Anyways, you're his now
By the eyes of the law, money and his
He'll never let you get away?
And if you did try to?
He'll simply frame you for treason and let's see if you won't come crawling back to him
After finding out that he can choose what type of punishment, torture method, to give you.
But don't worry.
He likes the game cat and mouse
He don't like playing it for a long time though
So be careful
His patience isn't as long as the line of money and connection ahead of him
THIRTEEN basically holds your life
Break up?
"You're not." Is all she said as she holds your candle
She's grinning widely as she let your candle melt, its 's wax falling directly in her hands
"Why would you even want to?" She asked even though she knows, no reason can separate the two of you
And if you did say "I don't care." as she holds you candle
She might just accidentally extinguish one of your loved ones candles
So be careful, MC.
Among everyone
She's the only one who won't joke around.
And just so you know
Her patience is shorter than the amount of time it requires to kill someone's fire off of their candle.
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yamujiburo · 6 months
Note
About your building a following document you linked. I have been thinking about it, because it's something I've struggled with for a long time. I think there's something to add to it.
Being personable and talking online. You talk, and people get to know you and they want to interact with you. This interaction keeps you visible and in people's minds and also furthers them getting to know you. It's a nice cycle sort of.
That being said, I'm not sure if this is a real question that can be answered, but do you have any tips for talking online? I tend to post my art and then just reblog it a few times before posting more art a week or two later. I talk on my private twitter, but even then, not often. I'm not sure what to talk about publicly, and sometimes I back out of saying things. Of course when I do say things, I don't get much interaction, which makes sense because people barely know me. I hope I'm not sounding self depreciating or anything. I just see how you and other artists interact with people, and I want that! I want to be able to say things and have conversations! It just seems fun.
I do mention that in the doc! More along the lines of commenting on other people's stuff and generally being nice
Throwing your thoughts out into the void is fun! I wouldn't do it with the goal of trying to get people to talk to you. It should be natural if people do happen upon your account.
Then on the other end, going and commenting stuff on peoples' art, beyond the "awww cute" and "i love this!" kind of thing. It's not that these comments aren't greatly appreciated or bad in any way, but generic compliments will usually bring on generic replies of gratitude. If the person drew something you're interested in show that you're interested in it and know the subject matter! On Team Rocket or Pokemon fanart, I'm always commenting something like I like their interpretation of the characters, or that it reminds me of a bit from an episode I'd seen, etc. That tells the artist you're really engaging in what they drew and might incline them to talk more about a thing that they enjoy as well.
The nice thing about being an artist yourself is that you can draw too! My favorite comments are the ones where people add on to my drawings. Examples!!
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This might just be the board artist in me but I love when people build off of the stuff I do either to punch it up or add to it in a funny way! And this doesn't only apply to drawing. Whenever I get comments detailing a little headcanon that came from one of my drawings or someone writes out a funny scenario they think would come after a comic I do, I'm in. This is the shit I live for.
Of course every person has different boundaries but that's the kind of thing you find over time~
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kitscutie · 5 months
Text
snow and roses: part III (coriolanus snow x fem!reader)
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pairing: coriolanus snow x reader
warnings: none except the nature of the Hunger Games franchise! later on in the series there will be hints to dark!coriolanus snow and lots of angst so be prepared!
summary: you and coriolanus have been dating in secret for months, all it takes is one songbird for everything to come into the light.
a/n: part three is finally hereee! sorry it took so long i've been dealing with some shit and doing a lot of work as life's just gotten very busy but don't worry - nothing will be left undone and trust me when i say i already have the ending for this series planned out :)
im sorry to say guys but i will have to close my taglist as the size has began to affect my posts and tumblr keeps glitching out, sorry!
word count:2k
find parts one and two in my masterlist!
After the incident the previous day between Brandy and Arachne as well as the suggestions from Coriolanus taken on board, the mentors had been allowed one hour with their tributes to discuss tactics.
It was good yet bad all at once. You wanted to give Wovey advice, a fighting chance but yet you knew no matter how hard you tried, no matter how much help you gave her, she stood no chance compared to people like Reaper and even Lucy Gray.
She was small and innocent, young.
"In spite of yesterdays - tragic events, our president has decided that the games must go on. Show everyone the Capitol is unafraid of such acts of terror, to which I and Doctor Gaul wishes you to preview the arena this afternoon - with your tributes. Later this evening, there will be a specialised television presentation of each tribute to our audience to, well get to know them. You will have an hour to discuss strategy. You may begin." Dean Casca Highbottom spoke into the echoey room, so large it was almost comical.
All of the tributes had been chained to the tables like animals and it made you sick to your stomach. You were aware they may harm you but at the same time such treatment would drive anyone to violence, it wasn't simply because they were District.
"Hi Y/N." Wovey smiled, so innocent. So naive.
"Wovey. I was thinking about how you might approach the games and I figured what might be best is to hide. You're small, an advantage that the other tributes don't have. I'm sure we can find some spaces this afternoon that might prove useful?" You suggested, not wishing to make this conversation more painful and personal than it had to be.
"Sure." She murmured, gaze positioned on the chains around her wrists.
"And if you wait until it's dark and everyone is sleeping you could go to the middle - collect whatever weapons they have left, just in case but otherwise I recommend waiting it out. If they can't find you they can't kill you." The sentence left a bitter taste in your mouth, you had never pictured yourself recommending a child to wait her death out in your life. The Capitol Academy was sold to you with visions of wealth and power, and now you has gone from student to mentor.
"I don't want to kill anyone." She frowned. She didn't even care that she could die, only fearing harming others. You felt your heart ache and yet, you could do nothing. No words would be good enough to reassure her, no actions would be able to save her. For once, you were useless.
"Wovey-" You began your sympathetic speech though Casca cut you off.
"Snow, Y/N. Let's go." He said as peacekeepers arrived to escort you to Doctor Gaul.
You rose without another word to Wovey, aware nothing you could say would be of any help at this time.
You knew it was about Coryo's proposal which you had not helped in and yet you weren't too upset about it. You didn't need the Plinth Prize nor did you need Doctor Gauls' approval and so you set out to let her know of your lack of involvement in this task.
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"How is your tribute?" Coriolanus asked after minutes of silence.
"Her name is Wovey and she's fine. A little frightened but aren't we all?" You said, you were hesitant to tell him too much of Wovey's weaknesses and you didn't know why. This was Coriolanus. Your best friend of over ten years and your boyfriend of a few months and yet, you had a feeling whatever you said would be used against you.
"I suppose." He answered. You supposed his tone was meant to come off charmingly but all you felt was unease.
"This proposal. I haven't done it." You let him know, it was the least you could do before facing the psychopath known as Head Gamemaker.
"We have. I handed it in this morning." He answered with a hint of pride. Impressed with himself that he had taken initiative, helped you.
"I thought I made it clear the other day that I wanted no part in this plan to profit off of peoples lives, Coriolanus." You muttered, increasingly angry with his dedication to the Games and what they stood for.
"Well if you want to help Wovey, I suggest you don't tell Doctor Gaul that." He smiled, holding the door to her office open for you in a feign attempt at being a gentlemen.
As you walked into her office you couldn't help but feel disgusted. It was littered with mutants, clearly created to kill, all sat in glass jars on shelf upon shelf. Stacked all the way up to the ceiling.
"Mr Snow, Miss L/N. Come and see my new babies." Gaul said as she appeared at the back of the room. Where she had been hidden, you had no clue.
You did as she said, never one to disobey your superiors, climbing the snake tank alongside her.
"Is there a point to their colour?" You asked curiously. The snakes were surprisingly beautiful, chromatic as they shifted around on top of one another.
"There's a point to everything Miss L/N. Or to nothing at all, which brings me neatly to your proposal. Which one of you actually wrote it." She asked, as if to catch you out but you felt no remorse in admitting it wasn't you.
"Coriolanus, Doctor." You answer, sensing Coriolanus' hesitation in baiting you out.
"Well, how shocking. I expected more of a conflict." She replied, as though she were annoyed by your honesty as she reached into the snake tank, pulling Coriolanus' proposal out. "They're good your suggestions. I'm going to recommend my team implement as many as possible for tomorrow. Now run along you have an arena to promote, and Miss L/N I must say - I am most disappointed by your lack of involvement in these brilliant ideas."
"Well thank you, Doctor Gaul for your offer but, I thought Mr Snow had it safely under his control." You smiled politely before you both left to 'promote' but more so survey the new arena. "Wait." You said stopping Coriolanus before you got into the truck. "I don't know what has become of you Coriolanus Snow, but I want the little boy who fought to provide for his family while also caring for others back. You are turning into one of them, and I'm not going to be there to watch the world burn beneath your feet." You spat, leaving him to think as you sat in silence for the rest of the journey.
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It seemed Coriolanus felt spiteful towards your words as he too ignored you up until this very moment as you walked into the arena.
You smiled reassuringly down at Wovey who looked just so scared. You were only three years older than her and yet you felt a motherly protection towards her, one you couldn't shake off.
Infront of you was Coryo and Lucy Gray. At first you pitied the girl, coming from twelve must be hard as they were food deprived and worked to the bone and yet now, as she stood holding your boyfriends hand in her beautiful rainbow dress, you loathed everything about her.
Your eyes rolled as far back as they physically could, your disgust clear to anyone looking but only one person was. Sejanus. He looked at you with pity and for once, you appreciated it. You decided he must know about you and Coriolanus and seeing as nobody else did they all whispered about him and Lucy Gray, how sweet they seemed.
You walked around alone before he appeared at your side.
"You deserve better, Y/N." Sejanus said, eyes never meeting your own as you continued to survey the arena, never even noticing his eyes stuck on his watch.
"Debatable." You chuckled, feeling a sense of self responsibility for getting with a man as dangerous as Coriolanus Snow in the first place.
"I wouldn't worry. If there's anything I've learnt about Coryo it's that he likes shiny things, new things - and she's definitely a spectacle." he chuckled to himself, it was safe to say Lucy Gray's ability to impress a crowd hadn't been missed by anyone.
"He'll grow tired eventually. I was his precious rose once." You sighed as the reality of the situation finally settled in.
You soaked in the silence for a few moments before you realised Sejanus' lack of response, turning in annoyance to see his eyes following the hand of his watch clock closely as he mouthed a countdown of the minutes.
"What are you-" You began.
"We've got to go." He said, grabbing your arm and beginning to walk towards the exit cautiously, not catching the attention of any guards.
"What do you mean? Sejanus?" You asked as he would not slow, not for anything. You looked around, seeing everyone else still stood stationary as they calmly conversed.
"Just follow me, Y/N." He said, still attempting to stay calm but you noticed his wide eyes.
You walked in silence, your heartbeat getting louder in your ear with each step until you hearing went completely silent, vision going black as both you and Sejanus were thrown to the floor in a cloud of smoke.
It took a few moments for you to be brought back to reality as you sat up, dazed hearing the yells of people around you. Once again before you could even figure out what was happening Sejanus' grabbed you, pulling you to your feet as you ran out of the door. 'Enjoy the show' now sounding muffled.
"What about Coryo?" You cried out in desperation, no matter what he put you through he was your first love and you had always pictured him to be your last.
"If we go back now, Y/N, we'll die." Sejanus replied as he continued dragging you until you reached the fresh air outside. Your charred lungs welcoming it.
As you looked back through the doorway you saw nothing, no one. Simply black smoke. You felt guilty and yet still - deep down - your heart yearned for the death of Lucy Gray.
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It had been five hours now, sat around Coriolanus' bed alongside Sejanus and Tigris.
He hadn't so much as twitched and it had your heart racing with panic, if he died, you knew a part of you died with him.
Tigris comforted you as best she could in her own worry, noting how his chest continued to move up and down steadily and that the doctor only mentioned an injured arm, not that he was at risk of death.
The appearance of bright blue eyes caught everyone's attention as you rushed to be by his bed.
"Coryo." You said, a large smile on your face. You watched as his eyes flickered around in confusion, landing on you for a few moments. You don't know what you expected, a look of love? What you most definitely didn't expect was one of disgust.
"Lucy Gray, is she-" He stated, looking to Tigris for an answer.
"She's alive." Tigris responded through gritted teeth as she looked to you with sympathetic eyes. Her reply was lost to you as the ringing in your ears after the explosion returned. Your heart beating loud in your chest. You placed a hand over it, feeling it pound against your palm.
Your eyes glazed over as you walked away into a secluded corner, waving Sejanus off as he attempted to follow you.
It felt now more than ever so official, so real without a doubt. You had lost Coriolanus Snow. He no longer loved you, cared for you or even worried for you.
The cage that was his heart had opened wide, setting you free and instead capturing something new and desirable. A songbird.
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transmascissues · 5 months
Text
conversations i’ve had with my mom this week about top surgery that will make my brain melt if i try too hard to make sense of them:
i was talking to her about how i might have to extend my medical leave because i probably won’t be ready to work at 4 weeks. she told me she didn’t expect my recovery to take this long. this is the same woman who, before i got top surgery, told me horror stories about someone she knew who had complications for months after having a mastectomy. was she just making shit up? was she lecturing me about things she was actively still in denial about? i can’t even begin to guess.
i mentioned to her that i’ve been posting about my experiences with recovery and she seemed…offended? by the idea that i was talking about it publicly. i shouldn’t be surprised because she’s the one who once told me the online trans community is “cult-like” and that she thought i was only getting top surgery because the trans people in my computer convinced me. the thing is, she’s also constantly asking me how my recovery timeline compares to other people so i…don’t know how she expects me to get that information if she also thinks talking to people about my recovery is bad.
she was asking me about how my incisions are healing and she told me to describe how they look to her…but “not anything that’ll make me cry”. do i know what she meant by that? nope! i can only assume the right move was to not describe anything too in-depth, even if it meant not including important details because they might upset her. priorities, am i right?
she asked me if, having been through the worst of recovery and knowing what it’s like, i would still make the same choice to get top surgery. obviously i said i would. she then proceeded to keep saying things like “really? are you sure? even after all this? you know you don’t have to say that, right?” as if it was completely impossible to believe i don’t regret this. why did she ask if she didn’t really want to hear the answer? god only knows.
we found out how much my insurance paid for the part of my surgery costs that were covered and it turns out they paid way more than any of the estimates i was given. my mom kept saying “that’s a lot of money you know” over and over again, as if i didn’t know that an amount of money high enough to buy a small house is a lot. i think she was trying to make some kind of point. what point? idk man.
0/10 totally incomprehensible interactions. i don’t even know what to make of them. i think now that the surgery is done and she can’t fight it anymore, she’s gone from being overtly ridiculous about it to just bringing the absolute weirdest vibes to every conversation about it.
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multifariousqueer · 11 months
Note
hear me out— crazy and openly flirty! reader with her crazy and jealous bf Miles 42. Expand on that however you want
Okay so I had a thought...
A/n: Keep requesting fics as always. I’m not gonna be as active but I’ll post as often as I can bc I’m going on vacation for a week but idk, ill prolly still post a ton 💀
Warnings: Mentions of blood, implied murd3r, you being a flirt and Miles being crazy asf, lmk if I forgot some
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It seemed like a pretty normal day, you were designing some stuff for one of your classes and y/f/n(your crush/friend) decided to tag along. Y’all weren’t that close but everyone could tell there were sparks between you two, even more so than your boyfriend Miles.
Everyone(even y/f/n) knew that you two were dating and were happy but they still interfered. People claimed you were a slut and you were insane and you were forcing Miles into a relationship even though, people close to y’all claimed it to be the opposite. You never really broke the habit of flirting for fun and this pissed Miles off to no end:
“Y/n he thinks you’re single” Miles would say
“Well I’m not. I’m just naturally flirty” you would defend
“You’re also beautiful mami and people want to take advantage of that” Miles said
“Well thats why I have you” you would say, standing on your tiptoes to kiss Miles
“Mmm he better watch himself, let’s just say that next time he pulls that shit, I might not be so nice"
Miles was a wonderful boyfriend but your exact opposite. Where you were bright, happy, always had a smile on your face and friendly; Miles was dark, nonchalant, cold and walked around like his opps were around the corner, about to kill you. You two shared a few things though, you were both crazy and possessive of each other. If Miles spoke to a girl you didn’t know, you would come over and kiss him, touch him, and flirt with him; making him flustered
“Miles, te necisito, papi” you would flirt while tilting your head and rubbing his lower back
“Oh! Who is this?” the girl asked, with a hint of venom in her voice
“I’m Y/n but you can call me his wife” you said, putting out your hand for her to shake
“Girl chill, we’re 16. He ain’t marrying you anytime soon” the girl clapped back
“You don’t know me.” Miles would say coldly to the girl
“And you won’t get the chance to” you would finish and smile at the girl
The girl walked away in a huff after that and Miles smirked at you:
“You jealous ma?"
“No. I just don’t want people pushing up on my man” you said
He chuckled and said:
“Don’t worry, Mami; I’m not feeling no one else but you."
After this little escapade; You and Miles had the mutual agreement to stop flirting with other people and you held up your end of that well until y/f/n came along and kept pressuring you to go out with them and give them a chance:
“You know, if you were with me, I’d never let you out of my sight. Anywhere you go, I’d go. Class? I’ll carry your books. Home? I’m right behind you. The Bathroom? I’m-“ they started
“You’re what? No. Go ahead and continue that sentence, I dare you” Miles said suddenly
“MILES!!! Thank God you’re here, I was so scared” you said, clapping your hands together like a prayer had been answered(because it had).
“Dude, chill; I was just joking. Y/n knows I’d never overstep like that, bro” y/f/n said, holding out a hand in an attempt to dap your boyfriend up
“I’m not your ‘bro’ homeboy, watch how you step, it might be your last if you keep fucking with my girl like that” Miles said taking a step towards the person. They were almost equal height but Miles was slightly taller(6’2 yes ik its not canon and idc)
It seemed like they would fight right there in the hallway with the way Miles was staring at y/f/n and while y/f/n was a bit intimidated, they weren’t backing down. They were another one of your victims of over-flirtation but unlike the others, they were persistent and tried the friend angle in order to get to you but they didn’t sound on your boyfriend being jealous and possessive. Eventually, they walked away and Miles pulled you aside:
“Don’t fucking talk to them again, you understand ma?” Miles said
“I understand. I am so so sorry, they just came up to me and cornered me.” you explained with watery eyes
“It’s fine, ma. Don’t let it happen again, tu entiendes?” he said, grabbing your chin to look him in the eye
“Si, papi. Te amo” you said
The next few days were quiet. Miles stayed closer than usual to you, y/f/n stayed away but they stared at you constantly and smirked at you. It was one faithful Saturday that would change all of that in a flash.
Miles was away doing Prowler stuff and you were designing possible suit, mask and gauntlet combos when you heard a knock on your dorm. You opened the door and were shocked to see y/f/n:
“Hey, y/n. Can we talk?"
“Uhm I should wait for Miles. He’ll be back shortly” you lied. Prowler shit took four hours min because Miles would carry stuff out in bulk so he could spend more time with you
“We can talk without him right?” Y/f/n said, pushing into your dorm. Your dorm mate was away for the weekend, visiting her parents in nantucket.
“Oh. I guess” You said
“so what you drawing?’ they asked
“stuff” you giggled
“Fuck I love your laugh.” they smiled
“um thanks” you replied
“a pretty laugh for a pretty girl” they said, grabbing your chin and staring at your lips
“thanks. You caught me at a bad time, I’m just about to go shower” you said pushing their hand away
“Oh can I join, haha?” they joked
“hahaha.” you said, silently praying Miles was outside your window witnessing all of this and waiting to strike
“You know, I’ve had a huge crush on you since you first came here? You were genuinely sweet and kind and pretty. Miles doesn’t know how lucky he is to have someone like you” They confessed, closing the gap between y’all
“Yeah but I can tell he appreciates me. He never makes me feel uncomfortable” you said with a hint of venom
“Am I making you uncomfortable?” they asked, approaching your lips
“Yeah, very” you said trying to back away. At this point, you were praying for a miracle when all of a sudden, you hear a slashing noise and see blood on your floor
“I told you to stay away from her. I gave you a warning, this is on you homeboy”
“Who are you?” they spluttered out.
A mask opened up and suddenly he appeared
“I’m Miles Morales, but you You can call me the Prowler. Right, Amor?” Miles looked at you
“Right, baby. You said, kissing your man as the person in front of you, fades away.
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xlatiwritesx · 2 months
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Soft Launching with Lando 🧡
You both realize you’re comfortable in your relationship
You’ve been together for four months
Met at the paddock in Monaco
You kept looking at him even though you were there for Ferrari
But McLaren suddenly looked so good
He caught you staring
You caught him staring back
It was “good job on P-5” that made him immediately ask you out
“McDonalnd’s?” You couldn’t keep in your cringe
Who took anyone to McDonald’s on a first date?
He smiled sheepishly at you
“Gotta make sure you’re not after the money” he shrugged
You laughed
Really hard
He smiled at you
Then joined
You smiled at the memory, scrolling through your photos
You landed on one of you taking a mirror selfie
You were wearing one of the beaded bracelets Lando had made for you
It was made with orange beads
With 04 standing out as the only beads different
Lando’s number
You suddenly felt like posting it to your instagram
Seeing whether people would connect the dots or not
So you do
You and Lando have been talking about going public with your relationship for a while now
You bit your lip
Nervously waiting
“Orange and 04…?”
“Wait WAIT”
“That bracelet looks familiar”
“GUYS LANDO NORRIS’ NUMBER IS 4 AND HE DRIVES FOR MCLAREN”
“Some of yall are delusional fr”
The comments flooded your notifications almost immediately
People assumed
Others didn’t think much of it
You suddenly heard soft laughter
You looked up to see Lando shaking his head
Looking at his phone
“Can’t believe you did this” he smiled at you
He sat on the couch next to you
You cuddled to him
You both watched the internet break in amusement
“Let me make it more clear” he said mischievously
He liked your post
This was the first time he ever liked any of your posts
And people were quick to notice
“WAIT LANDO LIKED THIS”
“What is lando norris doing here”
“Wait…”
“ITS HAPPENINF”
“Can’t a guy like a pretty girl’s post now or what 😭😭?”
“You guys are delulu”
The comments kept coming
You both read out loud the best ones to each other
You stayed like that for hours
Laughing in each others arms
Enjoying unraveling the protective cover off of your relationship
You knew you loved Lando enough to want to scream about it to the whole world
He knew that too
“Is this what you’re doing when I’m not on your ass before races?”
“Shit” you sat up at Zak’s message which popped on Lando’s phone screen
He quickly enters the chat and opens a link Zak had sent him
It’s an article
“McLaren Driver, Lando Norris, Wrapped in Dating Rumors”
The headline read
You both doubled over
From laughter
Not believing you made it to the headlines
“Well that was definitely worth a try” he laughs and you nod
“Definitely”
“Coming to the race next weekend then?” He asks
“Of course!” You assure him
“Except I get to hold your hand on the way in and kiss you after the race” Lando sang and you smiled at his excitement
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smooth-perceval · 5 months
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A holiday promise.
Lando Norris x Fem!Reader
Summary: it was Christmas time- unfortunately for the reader she wasn’t feeling the spirit when her boyfriend was being distant, little did she know he had a promise for her.
Warnings: Fluff, swearing? Some self doubt. Implied smut at the end but no smut included!
Key: Y/N (Your name) Y/L/N (Your Last name)
Word count: 1094
A/N: The longest I have written (for 12 day count down) andddd we’re posting 40 mins earlier so technically I posted a day early but we won’t discuss that 🥲
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Lando had been different lately, I don’t know what I done- but it’s like he didn’t want to be around me… or he had a secret he was keeping from me.
And like any girl I doubted myself- and maybe him a little… there was days that he was my lando and there was days where I didn’t even know he existed.
The days were rounding closer, and closer to Christmas Day, and I clasped onto the fine strings of my heart that this guy would stay around at least for Christmas…
I mean we share the same apartment but yet felt like two strangers… and I miss him- today I declared I was sitting my lando down and getting our shit together- today was the make or break.
Taking a deep breath I braced myself for the conversation ahead of me. Stepping into our apartment I kicked my shoes off and tugged my coat along with it. “Lan you home?”
Silence… until I heard a little thud from down the hall. Signalling he was but just ignoring me.
“Lan… if you scare me… I swear to the heavens I will leave your ass quicker than a McLaren pit stop!” Shoulders tensed I round the corner, pausing in my step.
“Lan?” Eyes trailing over the fake snow along our hallway floor. “Did you decorate without me?!” A gasp falling off my lips, I practically stomped down the hallway.
“You promised you wouldn’t!!”
“I hate talking to myself right now.”
“Lando Norris we need to-”
There he stood infront of the tall glass balcony doors, candles surrounding the entire lounge, the fake snow scattered around on the floor… clearly he ran out of snow half way through but it still looked magical, a mixture of the moon and the candles bouncing off his face. He looked pretty.
“Need to what?” A teasing smile was on his face, and I finally took in his appearance.
A plain black top and some joggers, pure white socks (with a lot of fake snow stuck to him but we won’t talk about that) and a small velvet box in hand.
“Needed to talk… what is going on- is this what I think this is?” My eyes welled with tears as I stood in the doorway slightly.
4 meters away from him and out of touch.
“What do you think this is?” My hand clasped over my mouth as I violently shook my head. “Words, use your words bubs.”
Silent tears fell on my cheeks as my hands slid down soothing my churning stomach. “You want to get married?” Whispering over to him, I embraced my arms around myself trying to stop the excitement and butterflies.
“Once I ask you then yes.” Laughing a little he nudged his head signalling for me to come over.
But I couldn’t move I was stuck in place. The only thing I could do was ball like a baby, Lando rushed over having a little giggle to himself wiping away my tears with his thumbs as best as possible, “hey, hey… it’s okay-” tilting my head back slightly, his eyes board into mine before dropping to one knee.
“Oh my-” sniffling I looked up at the ceiling before finding the courage to looked down at him, body still shaking like a leaf.
“You always said you didn’t want some huge proposal… said you preferred it being more intimate, nothing out the crazy- just two people declaring their love for one and another.” Nodding my head to everything he was saying I felt myself laugh a little. “You’re not the guy to do some huge proposal anyways.”
“Do you want me to ask you orrr?” A teasing smile crept back to his face, voice dripping with sarcasm.
“Please ask me.”
After a brief pause, us both stopping the little giggles, he then took another deep breath before continuing. “Well here I am, down on one knee declaring to love and care for you for as long as you want me, hopefully till death do us part.” Laughing again a little he then shuffled slightly on his knee.
A choked laugh left my lips- but I couldn’t control myself from being a blubbering mess, sinking down to my knees infront of him, gripping his kneeled knee for security and support. “Y/N Y/L/N will you marry me?” And I froze once again.
Just staring at the man I love… this was all the reasons why for the last few months- it was all leading to this… I thought he’d leave me before Christmas… but yet here he was asking to love me.
“You really want to marry me?” Smiling at him, I squeezed his knee holding back another weep.
“It would be my honour.”
“Then yes Lando Norris, I will marry you.”
His eyes widen slightly, it took him a moment to realise what answer I had given. Before he sprung into action. I say sprung, we both watched his shaky hands take the beautiful ring out, before taking my hand in his and placing it on my finger. And only then did it feel real- it was a weird sensation, once that ring was on my finger it was like a wave of relief, love, security- everything washed over me.
In a split second his lips were on mine, eager yet tender- urgent yet full of love… business men share handshakes to secure a deal- lovers share sweet kisses to secure theirs, it was a sealed deal between me and Lando- for better for worse, till death do us part.
“I thought you were going to leave me…” mumbling against his lips, a little smile playing on mine.
“How could I ever.”
“I’ve been asking myself that continuously the past month, I didn’t believe you would.” Whispering feverishly lips now barely brushing as we pulled away. Leaning back we both basked in each others presence.
“Oh my camera!” Jumping up he quickly ran across the room, kicking snow everywhere.
“You recorded this?” A wide smile was on my face as I started to get up off the floor.
“Max didn’t believe I’d do it. I now have proof.”
Rolling my eyes I moved over to him as he toyed with the camera in hand. “Remind me why I said yes.”
“I can show you instead…” wiggling his brows at me I shook my head giggling.
“Please leave the camera in this room-” laughing also he set the camera down wrapping me up in his arms before whisking me away- sealing our holiday promise another way.
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ineffable-suffering · 8 months
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Aziraphale, I love you. But you lied. And here's why.
Okay. I’m not gonna beat around the bush for too long. It’s time now for me to also throw my try at a personal Good Omens Season 2 Magnum Opus into the mix of already existing magnum op..i? Opusses? (Smited? Smote?)
If I’m honest, it isn’t fully my own magnum opus, as I read this meta not too long ago that made me go: „Oh! My God! That’s it!“ And I’m pretty sure a lot of other people have clocked this too by now. Of course I’m not saying it’s the objective truth but after having mulled it over for many endless nights and days, wading through the onslaught of coffee theories, body swap theories, The Metatron re-writing the Book of Life theories and many, many more, this is the one I think is most plausible and, if you look closely, most obvious.
And it goes as such: Aziraphale lied.
To all of us. All of them. And most of all, to Crowley. He lied to him. Well, he sort of did and also sort of didn’t. He certainly didn’t tell the truth. At least not all of it. I hear you ask: “OP, what the fuck are you talking about”. I answer you: Let’s start from the top and under the cut.
(Small note: this meta ended up being way too large for Tumblr, which is why I will redirect you to an external doc at the end of the post, where I have written it all down nicely and accurately. It's about 35 digital A4-pages long, just in case you want to save it for later.)
(Word count: 12.831 | Approximate reading time: 50 minutes)
Let’s start with a short recap of what happens before the Metatron crashes the bookshop party and everything goes to shit. The proper visuals for this are in my Tumblr post but I am absolutely convinced that right up until when the Metatron comes to take Aziraphale away and talk to him, the angel is fully ready to get into Crowley’s Bentley-chariot and finally ride off into the sunset (or Alpha Centauri-set or whatever). You can see it in his face and body language. You can see when the penny drops for him that a) Crowley loves him b) he loves Crowley and c) they can finally start their happily ever after. Aziraphale realizes this all throughout said Brielzebub reveal in the bookshop. And he’s such a lost cause once he does. 
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I mean, look at that. Look at it. This (very shitty recording, sorry, I'm not tech-savvy enough to avoid the Amazon Prime screen recording blocker) is the very second Aziraphale realizes hat Crowley loves him. When he hears him suggest Alpha bloody Centauri as a getaway for Gabriel and Beelzebub, as Crowley has done to Aziraphale for so, so many times now. He finally understands what Crowley was trying to tell him with that all those times.
Aziraphale realizes this all throughout the Brielzebub reveal in the bookshop. And he’s such a lost cause once he does.
Right when Crowley suggest Alpha Centauri as a nice getaway spot to the two, Aziraphale looks at him and he gets it. That Crowley has loved him, has been loving him for millennia. Truthfully, they've both known that for a long while now. But there's a difference between knowing, wanting, craving and actually being able to finally have something. And that's exactly what we see on Aziraphale's face here. This is it. This is where it all starts working out for Crowley and him. This is were they can start their eternity together.
So from that second on, Aziraphale only has eyes for Crowley. He keeps physically pawing at Crowley with complete heart eyes, as if to say „Look, look, that’s gonna be us too! Finally!" He’s actually so smitten that he doesn’t even hear what Crowley is saying when he asks Shax if he can have back his apartment now because he’s sick of living in his car. (Also, what way to drop that bomb right in this moment Crowley, lmao). 
Once the Metatron comes in, the first thing Aziraphale says is that they don’t need to talk because „he’s made his position quite clear“. He doesn’t even want to talk to the Metatron, because in his mind, he’s already made the choice. Actually, he made the choice way before the bookshop showdown. For starters, I’m convinced that the Jane Austen Ball actually never was for Maggie and Nina but for Crowley and him (you can read more about that here). And apart from that, for this whole season we have seen Aziraphale trying to advance his relationship with Crowley romantically and domestically and move them to the literal next base (our car!). And after everything he just witnessed with Brielzebub, the final nail in the coffin of ethereal-infernal romance being possible, his choice is absolutely crystal clear: It’s Crowley. It’s always been Crowley and it always will be Crowley. And now it can be Crowley. They can be an us.
The whole of Season 2 is such a massive learning curve for Aziraphale’s character, with him remembering all those important pivotal points of his past,  and this very moment is the peak, with him not only understanding that Crowley loves him (because he certainly knew for quite some centuries now) but accepting that love, letting himself have that love, being allowed to want that love and taking that love and starting their new and final chapter with it. Nevertheless, the plot clock ticks for them. The Metatron saunters into the bookshop, evil and stinky as Metatrons do, and urges Aziraphale to come with him with his whole Take The Coffee schtick, which I will get into later. And Aziraphale, immediately sensing there’s Something Up, does. Can’t really turn down someone as high-ranking as the the voice of God, after all. Even if you were currently already planning how you were going to elope with a certain red-haired serpent of Eden. 
he next time we see Aziraphale on screen, it’s so painfully evident on his face that he is neither happy nor excited. Not even the slightest bit. We’d know if he was, thanks to Mr. Michael master-of-microexpressions Sheen. None of the usual “Aziraphale is happy”-signs are there. No blinding eye-smile, no giddy wriggling, not giggles and gasps. No, when the Metatron tells Aziraphale to „go tell your friend the good news“, his expression looks like this:
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I’m gonna go out on an entire limb here and say: That does not look like someone who’s absolutely tickety-boo hyped to tell his demon soulmate that he just got the juiciest promotion and that they can both be angels and live happily ever after in ethereal eternity now.
This, folks, looks like someone who knows exactly that the news he has to break right now, are going to be tickety-shit awful and very upsetting to said demon soulmate. And already, from that very short snippet of conversation, we can tell that Aziraphale isn’t really given a choice by the Metatron. Because while the Metatron does tell him that he doesn’t have to „answer right away“, he immediately follows it up by: „Go ahead and tell your friend the good news!“ Very distinct and definitive choice of words here. It’s “good news” because it’s already been decided. Because it’s already a done deal. There is no “yes, no, maybe”. This is the only choice he’s giving to Aziraphale. Because it’s ‘Coffee or death’. 
And he already gave him the coffee. 
***
Tumblr won't let me continue this over a certain character limit and I am not even remotely done yet – so, I feel like this is a good moment to redirect you to the continuation of this insane meta before we're in too deep. You can do so right here!
I'd love to hear your thoughts and opinions about this once you've fought your way through it. Hope you have a good time with it!
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