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#and also very difficult to accomplish
icryyoumercy · 29 days
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i love that a legitimate way to prevent tetanus in an unvaccinated individual is 'just make the wound a whole fucking lot bigger'
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twocutlines · 27 days
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this may be an unpopular opinion but personally i think the thing i struggle with regarding the idea of buck and eddie having satisfying romantic arcs apart from each other is that it is possible for sure, but i don't really. see a way for it to happen without some kind of a shift in the relationship they have each other that moves away from the level of intimacy and closeness they have developed over the past six (6!) years.
because, like, obviously you can have meaningful platonic relationships outside of your romantic partner, but even though buck and eddie are not in a romantic relationship their whole deal is also... not platonic. the space that they occupy in each other's lives is. well. it goes beyond friendship (sorry). and as others have pointed out, part of the reason buck and eddie's past relationships (taylor, ana, etc) have felt so lackluster in comparison to their relationship with each other is simply because they just do not have the kind of emotional intimacy with anyone else that they have with each other – and i don't really think you can have it both ways. the relationship buck and eddie have on the show right now can't continue as it is if the goal is to have them both in well-developed, believable romantic relationships apart from each other; something would need to change.
and i mean. they could do this; it's not impossible. but i think would be a mistake, and not just because i think they have a good foundation for a romantic relationship (though i do) – so much of the story they've told with buck and eddie is about two people who were both very alone in different ways meeting and becoming an integral part of each other's lives, and the relationship they have with each other is a really compelling part of the show. so while having them grow apart from that relationship is technically possible, i don't think it would be a good or satisfying choice narratively
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voluptuarian · 1 year
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My World History teacher is making us pick a theme for our final from a list of questions, and then we have to answer it with primary sources from the class.
Catch is, we haven't looked at a primary source in like 3 months.
So, instead of writing or doing anything worthwhile on this final, instead I'm sitting here having to re-watch lecture videos in the hopes I can find some nugget to use there.
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ghostlyanon · 2 years
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Annie is definitely the kind of person to buy and gift sweaters, hoodies, and other garments to her partners that she will definitely wear herself at some point.
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qqueenofhades · 3 months
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https://www.tumblr.com/qqueenofhades/743255237060689920/the-thing-that-confuses-me-about-the-dont-vote
The “don’t vote” left’s point is basically that, if Biden gets a second term, it’ll basically signal that “They’ll vote for us as long as we’re not Republicans, why don’t we do some REAL fucked up shit, if we can get away with it?” It takes the power out of the people’s hands and places it firmly in the party’s.
I can’t completely disagree with that, my caveat is that there’s no real alternative system or party in place, because top-down change is ineffective; a third party president has to contend with a two party congress.
Except no. This whole "Biden just wants to do as much fucked up shit as possible while not being a Republican, and if you give him a second term he'll do more fucked up shit deliberately to spite you" mindset is only possible as an interpretation if you a) deliberately and comprehensively ignore everything he has done to date, and b) you approach the situation with the maximum bad faith possible. Not to mention, the ultimate outcome of this Big Important Teaching Biden A Lesson is that Trump gets back into power and makes everything orders of magnitude worse, because he does in fact want to deliberately do evil shit to everyone and says so at every opportunity. There is not some magical happy alternative that springs into existence by not voting. If you choose this as a year to Teach Biden A Lesson, you are enabling Trump. Trump will be much, much worse. If you don't care about that, I still do not care what your Great Ideology is. You are not helping anyone and you are directly and irreversibly hurting everyone.
I made a post a few days ago wherein I mentioned that I want to assess Biden fairly, taking into account both strengths and weaknesses, but the rampant bad-faith, lying, misreading, misrepresentation, and open sabotage of him (especially by the online left; the GOP sometimes only wishes they were as good at turning Biden's voter pool against him) makes it really difficult to do that. My frustration with those people makes me just want to go "BIDEN IS GREAT THE END." I know he is a flawed old man (though by literally every account of a career spent in public service, he really does care about making the world a better place and any remotely good faith reading of his accomplishments thus far can see that). It is also very likely that he goes MORE left in a second term because he won't have to face the electorate again, he has always gone more left when pushed before, and he's not actually the scheming genocidal mastermind that leftist social media paints him as. Shocking, I know.
I know there are things in the world we don't like and don't want and want to stop, and therefore we blame our own president for not making it stop. But I have zero, no, none, absolutely none whatsoever sympathy for this pseudo-populist "WE NEED TO TEACH BIDEN A LESSON BY ELECTING TRUMP AGAIN, I AM VERY MORAL MUCH ACTIVIST" mindset. There's this funny thing about America wherein it is still (for now) a democracy. If Biden wins a second term, he can't run again. I would take literally anything these people said more seriously if they focused on developing their dream progressive successor for 2028 (and also figured out how to get that person elected and in a place to make real change) rather than cynically sabotaging Biden in the most consequential election year, again, of our lifetimes. If you don't like him now, find a way to make his successor a better option. Throwing a toddler tantrum and handing the country back to a senile, deranged, fascist, revenge-riddled, theocratic Trump HELPS. NOBODY. I still don't know how many times I'm going to have to say that, but yeah.
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DPXDC prompt: Friendly neighborhood forensic pathologist Danny Fenton is a new master of The Court of Owls? (Dead on main, of course) +Part 2: Talon Dick
Don’t underestimate what a ghost will do for a higher education. You see, it's the custom of the Fenton family not to run away from things they are afraid of but to face their fear. So Danny Fenton, who has learned to fear scalpels, steel clamps and surgical retractors, decides to do something about it and to dedicate his life to giving souls of those who died a violent death the final rest and justice they deserve.
Well, it didn’t really come to him at once. It started out as a simple joke:
Danny didn’t think he could continue his education after school. Frankly, his grades suck. However, Tucker for fun applied for a scholarship for gifted villains from Gotham University on his behalf.
And hell, they are willing to pay money for his education. Pay in full! Living in Park Row is also incredibly cheap. And with his flying ability, he’ll also save on transportation.
Danny is not a villain. And he’s not planning on becoming one. But he couldn’t lose that chance.
Why do you deserve this scholarship? “My parents are renowned ecto scientists, and I’ve seen their dissection work at its best. Medical school is expensive, and this scholarship will help me accomplish my goal of becoming a forensic pathologist and helping maintain the boundary between the world of the living and the world of the dead…or use it for my own ends. Of course.”
Well, Mr Two-Face was fully confident that despite his grades in the subjects, Danny was fully committed to achieving high academic achievement. Finally, work experience of Dan came in handy somewhere.
There were only few things about the death that Danny didn’t find on his own or from his ghost friends, so he managed to graduate in record time. Young Fenton thought he was lucky enough to get a job near Crime Alley. It was odd that the job was available. Even a new specialist like him was allowed to work full-time. And the salary was very decent.
~~~~~~
Danny: Yes, Jazz, everything is just fine. I found a great job and I’m trying to relax and find a hobby, you know. Started feeding the local birds. Apparently they were abused, the poor things are so shy and aggressive.
The local birds:
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~~~~~~
Let’s say that a returned Jason as undead cannot be killed for forever. The stab wounds heal quickly, the bullet holes sometimes itch unpleasantly for a few days, but in general his regeneration is at a level with some metahumans. This is convenient. But when Red Hood wakes up in the morgue after a particularly severe injury, he’s not happy. Sometimes even looking in the mirror at his dissection scar is difficult for him. And this situation is a fucking nightmare. Danny: Oh. Are you awake now? I’m sorry I didn’t have time to put you on the couch, I didn’t have clean sheets and my assistant would have killed me because of the new stains. Red Hood: What the hell? I’m sorry?! It’s fucked up! I’d love to see you wake up on the dissection table. Danny: Been there Done that. But hey, I didn’t put you there. You didn’t get here on my shift, give me a break.
Jason: …So, what's now? Danny: Well, I can offer you tea or coffee. Of course, only after I sew up the hole in your stomach and give you a change of clothes. Or I could go after the documents and pretend I didn’t notice one of my bodies got away. But then don’t dream about novocaine blockade. Pretty liver by the way, you don’t see that much in crime lords. Jason: Um, thank you? But you’re weird. Usually people are praised for the beauty of the face or eyes rather than… Danny: Wow, now I feel attacked.You wake up in your helmet. I can’t compliment what I can’t see. Jason: Gee, I’m surprised your colleague hasn’t taken it off yet. Danny: And lose important evidence? It is not customary for us to put curiosity above professionalism.
~~~~~
Jason learns quickly that although Batman is willing to go anywhere to track him, there are always exceptions to the rule. The morgue was one of them. Not surprisingly, the emotional constipation and uncomfortable theme of Jason’s death worked like a perfect bat repeller. Over time, Jason becomes really interested in a guy who genuinely laughs at his death jokes and listens to his problems at work without judgment. Danny is too cute and nice.
Danny*works*: No visitors allowed here.
Jason: Unless you are a zombie, right?
Danny:...Still not one of your hideouts. The book is where you left it, make some tea if you want it.
~~~~~
Jason, once again delivered without a sign of life to Danny after the fight, woke up during pupillary reflex test.
Jason: Oh, beauty, you are just dazzling today.
Danny: As I thought, your regeneration didn’t cure your concussion before your resurrection. I’ll give you referrals for all the tests and examinations. And we really should stop seeing each other like this. Please take care of yourself.
Jason: I don’t think you have the right to prescribe them to me. Danny: Technically I do not. But we live in Gotham. And for some time the hospital where I work at night is very sensitive to my requests.
Red Hood: And why? Danny: It’s hard to explain… Red Hood: Doctor Handsome, I’ve been through some shit, so try to surprise me. Danny: Okay, okay. Look, you are a crime lord for not too long, right? But criminals and cops are afraid of you and kids and your henchmen really likes you. Jason: ..So what? Danny: Can you please recommend how to maintain a reputation but so your people aren’t afraid of you? Jason: Why do you need this information? Your assistant finally realized you’re friends with walking corpses? Danny: It’s not about that! Although, like.. you aren’t wrong? It’s complicated. I may, well, accidentally, honestly, have seized power over a local secret aristocratic criminal society.
Jason: Baby, please tell me everything. I have a restaurant as a front for a business nearby. It’s a date. Let's go. Danny: Let me finish a few stitches first, Jay.
~~~~~
Red Hood and Red Robin fight near Batman: Hood: Replacement was on patrol without permission! Red Robin: And Jason is dating the new owner of Court of Owls! Batman:.. he's doing WHAT? Jason, how could you take such a risk? it is completely unprofessional and Red Hood: At least he loves me for what’s inside me! Red Robin: Yeah, like a beautiful liver. It’s a great relationship base. Red Hood: I’m talking about my feelings and interests. Dumb lil stalker with a big mouth! I’ll teach you not to bother my boyfriend.
~~~~~
Henchman: Boss. We shouldn’t go into that area, the rumors are that there are Talons here. Red Hood: All under control, they won’t touch us. Henchman: How can you be sure? The poem says 'Beware The Court of Owls, that watches all the time, ruling Gotham from a shadow..' Red Hood: Yeah yeah "speak not a whispered word of them or they'll send The Talon for your head". I’m sleeping with their boss, of course I’m sure. Henchman: Boss, don’t kid like that. Red Hood: I don’t pay you for gossip. Let's go.
Dick, to whom the memories began to return, haunts Jason because he did not cut for Lil Wing apple slices like he likes for lunch: Talon came to finish the job. Henchmen: scream
~~~~~
Jason *shows Danny 'Red Flags' on youtube*: Hey, baby, want to be a little shit on our date? I know where Brucie Wayne’s having dinner tonight, so you can meet the family.
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astrochaosmind · 6 months
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astrology observation🐀
🦦sag 11h people can be the one who’s constantly making friends wherever they go and tend to be the “loud” one of the group
✨leo with cancer placements can be very difficult to understand or even get too know sometimes
🎀taurus placements especially 6h could be the type to only have a makeup/skincare routine and call it the day
⭐️pisces moons are the REAL empaths out of the other two water signs they constantly visions or use their imagination as if they were in someone else’s shoes
🌫️any virgo/pisces placement even asteroid or nn/sn are always people who help or want to be needed by someone or something , they will give you unwanted information and tips out of love and support
🍋leo 11h people are the definition of loyalty especially towards friends they do anything and every for/with them and will love you with ALL their heart
🌊cancer suns are really shy , quiet while cancer moons are talkative and love knowing people on a personal level
🫧virgos excessively lie idk if it’s the anxiety or they can’t handle accountability or what
🧌Capricorn 4H could mean you had to be mentally and emotionally independent or keep yourself busy, company from a very young age
☕️moon-saturn can mean having a very strained relationship with your mom or she didn’t really allow you to do anything as a child and now you are hesitant of getting out there and having fun
🦪many 9h placements are into foreign languages and traveling more than sagittarius natives
💫cancer risings with their leo 2nd house spend their money on frivolous things like clothes/makeup/art supplies and anything that they can express themselves with and cute their boredom
❄️speaking of cancer placements I think some cancer people with 3rd house cancer could love yearbooks , academic trophies or anything that reminds them of their accomplishments in school
🌹you can spot scorpio/aries placements a mile away the prominent brows , sharp features and the hard facial expressions
🪴libra 10H people attract a lot of people infatuated or insanely attracted to them finding them sexy/sex appeal??
🐚pisces + gemini in big 3 makes someone very creative and fun but also emotionally in-tune with their emotions plus extremely talkative
ANY AND I MEAN ANY LIBRA PLACEMENT IS SO FUCKING PRETTYYY🪷
🪰gemini venus can have like multiple standards/expectations for the people they wanna date
🐸aquarius suns are very adventurous and not afraid to take risks with gemini and libra think things through and can’t decide if they want to do it or not
🪩3rd house/9th house venus and moons listens too a variety of music genres they can go from hip-pop to country music
🌆Sagittarius risings or prominent jupiter influence in first house people have big cheeks ifykyk and very noticeable, contagious smiles
🎢air 3rd house people can go through or have many cars throughout their lives like they have a new car everytime you see them
🎠people with heavy mercury influence are very funny they are quick with it
🧌gemini mercury people are very good at mocking or mimicking how people sound or sing especially if has aspects or a Venusian degree (2°,14°,7°,19°)
👽Uranus 1H people can have very big/muscular calves even ankles
🧸something about aries moons and gemini suns just give off chaotic energy
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queenofcoquette · 8 months
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where to start
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introduction:
self-improvement looks very simple on paper. eat better, workout, have a skin care and hair care routine. lower your screentime, study, be organized, have hobbies. but trust me i know how difficult it is to actually DO the things you talk about doing. how hard it is to even know where to start, and how to stay consistent. roadblocks also happen, things out of your control. but ultimately you can make change in your life, just little by little.
planning:
during this stage you need to think of what you want to accomplish and creating an action plan full of steps that can get you there. i've provided my own example too :)
prioritize your physical and mental health. when those things are improving then pretty much everything else in your life will start to follow. just look at yourself now and think 'what can i do better? how can i be happier & healthier?'
write down your goals.
create an action plan for each goal. what steps can you take to achieve this goal? make a step by step plan.
come up with things you can do everyday to reach that goal. what adjustments can you make in your everyday routine that'll help you get there? for example, i want to make an etsy shop so i sew for 20+ minutes a day on weekends, and sew 30 minutes on weekdays.
excecuting:
the most important part is slowly easing into your new habits. look at your goals and think 'what steps am i taking to reach it?'
meeting your basic needs. before you even think about self improvement make sure you're taking care of your health and hygeine. this means eating enough, being hydrated, taking care of your hygeine. always make sure that your core needsre met consistently before you even begin.
start small. once you've gotten consistent with meeting your basic needs then start making small changes. (ex. exercising for 10 minutes, reading for 10 minutes, start small with the habits you planned) dont overwhelm yourself!
have a fluid plan. be open to change- if something really isn't working then adjust it! and, when you continue to do something for a while, start doing it longer- i used to walk around 1.5 miles daily for almost a month and then started doing 2.5. keep increasing until you're at a healthy point.
having a good mindset. as always make sure your mindset is good. remember that progress isn't linear- you're going to screw up sometimes and get off track. just make sure you learn from every experience.
conclusion:
no matter what there ARE going to be problems or things that don't go your way, things that aren't in your control. since my 15th birthday i've been applying to jobs left and right, over 30 or so, and it's been 5 months of rejection due to my age (15 year olds can only work 3 hours in a row and most places need more). since i can't control that i just keep applying and in the mean time i focus on the other aspects of my life! it can be really frustrating but you just have to keep pushing.
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stellarwhisper · 3 months
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Random Astrology Observation
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The fact that Mars is in the first house suggests that confidence, physique, and self-image are highly valued. These people appear to focus their energy on keeping up a powerful, alluring persona. Being eager to give people more self-assurance points to a helpful and inspiring personality.
Mars's position in the ninth house presents an exciting and daring image. The love of adventure, philosophy, and travel fits very well with this placement's expansive character. Extreme sports fervor is indicative of a will to push limits and experience life to the fullest. A desire to disseminate knowledge and a broader viewpoint are reflected in the goal of education and teaching. Adhering to specific values gives their approach more depth and makes the journey lively and meaningful.
Sagittarius Mars traits indicate a great dislike for anything that restricts their freedom or stifles their independence. They don't like to wait around and value efficiency, thus being on time is crucial to them. They cherish their autonomy, therefore any attempts to limit or control them may encounter opposition. People in this role may also become frustrated by unreasonable responsibilities and rigidity.
The variety of characteristics that people with Leo moons exhibit, from a difficult connection with trust to creativity, forgiveness, and a craving for attention and giving. The knowledge of their inclinations, driving forces, and educational experiences deepens the comprehension of this lunar positioning.
Even though it can occasionally come out as judgmental, Virgo Sun people's honesty is valued for its directness. Their readiness to be open about their true emotions and to offer candid counsel is indicative of their dedication to truth and authenticity.
People with Jupiter conjunct Moon are described as having a strong and alluring emotional presence. They seem to have a significant influence on people around them if they can control emotions and use their auras to create a spell. Through their artistic or intellectual endeavors, individuals appear to have secret knowledge banks that open up when they communicate their feelings. The secret to revealing the depth and richness within is found in the allure of their bursting emotions.
In fact, the 10th house in astrology is frequently linked to one's profession and public life. It stands for a person's reputation, accomplishments, and career goals. The planets and signs that make up the 10th house, along with any aspects that they may form, can provide information about a person's attitude toward their work, public persona, and desired global influence.
The depiction of Pisces Mercury in a relationship creates a lovely image of profound understanding of their partner and nearly psychic communication since they have sensitive energy to sense whether something is off. When words are utilized they will use it to bring out the most understanding and sensitive parts of their partner, they love a connection that appears to be a source of consolation and healing. They want their friendship or relationship to take on a lyrical and inspiring dimension due to their appreciation of arts especially music and they have the possibility of writing or even dedicating songs for their loved ones.
Mars in the seventh house frequently denotes a forceful and proactive approach to interpersonal connections. People that have this placement tend to be direct, aggressive, and passionate in their relationships. They can be looking for a companion who can have lively conversations and is just as vivacious. They might have a strong desire to take the lead in relationships and relish the excitement of working together on projects. Direct communication and a desire to resolve conflicts amicably are two possible components of conflict resolution.
Venus in the Ascendant, sometimes referred to as Venus in the First House, frequently improves a person's attractiveness, charm, and relationship style. People that are placed in this position typically have a friendly and cheerful disposition. They could be naturally magnetic, capturing the attention of others with their charisma or beauty. Their identity is greatly shaped by their relationships, and they may place a high importance on harmony and aesthetics in their self-expression. A great desire to establish and preserve lovely relationships in the social and personal domains may be present.
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vidavalor · 5 months
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Crepes: The 1.01 sex meta thing
Alright, my romantic and horny murder hornet friends...
...come and get your very requested 1.01-scene(s)-that-shows-that-Crowley-and-Aziraphale-are-lovers sex meta thing.
We'll be getting a bit blush-inducing NSFW under the cut so keep that in mind...
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As Fraulein Maria suggests: Let's start at the very beginning... a very good place to start... when you read, you begin with: A, B, C...
...when you speak Ineffable Husbands, the show tells us, you begin with: lunch, alcohol, and crepes...
We're going to do this semi-glossary-style, since those have proven popular and it works well for this. There are some very brief mentions of Satan's attacks on Crowley, for those that would like to know of that ahead of time. Other than that, I don't think any other trigger warnings apply.
"Gentlemen, in your role as the audience, could you, perhaps, give us more to work with?" -- William Shakespeare, 1601, meta-ing for the writers and performers of Good Omens, requesting us to dive a little deeper.
Temptation accomplished.
~~~
Secret language. A language spoken by secret agents for the purpose of keeping the full, true meaning of their conversation hidden by those who might be observing them. Comprised of code words and phrases that contain other layers of meaning beneath the more easily understood surface layer. Difficult-- and, at times, impossible-- for those who do not speak the language to understand it without a key that unlocks at least one word of the language, revealing the hidden conversation beneath the surface.
Key. Additional context that reveals hidden meaning in a secret language by providing understanding of other layers of meaning beneath the surface in a conversation between secret agents.
Example: some bleating goats in 2500 B.C. illustrating for Aziraphale via additional information and context the true meaning of Crowley's words in the scene. Most keys in Good Omens are separate scenes; this one is an exception because it's the origins of their secret language in the first place. This is also a partner scene to the "no nightingales" moment in 2.06.
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Partner scene(s). In Good Omens, a scene or scenes which act as keys to other scene or scenes, providing information and context necessary to fully understand the initial scene, which is usually one we saw earlier in the story.
Example: The Bullet Catch scenes in The Blitz, Part 2 in S2 adding layers of context and meaning to both Crowley and Aziraphale with the paintball gun and Crowley giving the office workers miraculous escapes from death at Tadfield Manor in S1.
Crowley and Aziraphale. Supernatural secret agents of sorts, introduced to us that way by our narrator, God, who points out their penchant for meeting alongside human secret agents in St. James Park. They speak in a secret language that we'll call in this meta Ineffable Husbands Speak that only they-- and God-- speak fluently... but for which Good Omens has been slowing giving us enough information to learn how to speak as well.
Code words. Often neutral-sounding and very common words--by design-- in order to keep the hidden meanings of the secret language secret from outside observers by making it sound like everyday conversation. As a result, code words have dual layers of meaning: they refer to a literal thing on the surface level but also have a secondary meaning beneath that within the secret language.
Example, in Ineffable Husbands Speak: "dining at The Ritz."
To "dine at The Ritz" (in Ineffable Husbands Speak). Surface, literal level: to eat a meal at the restaurant at The Ritz-Carlton, London. Hidden level: to take steps towards being less secretive about their relationship and to live more of a life that is theirs together.
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Code phrase/cypher. A phrase that sounds as if it has a single, understood meaning on the surface but is comprised of code words put together to convey a meaning that is hidden from anyone who might hear the phrase but does not speak the secret language. Impossible to understand unless you either created the language or were given instructions on how to speak it... unless you can come into possession of a key that can unlock it.
If spoken to someone who does not have a key to understanding it, they might possibly be able to recognize that you are speaking in a kind of code... but they will not have the understanding of the double meanings of the keywords, nor the context required, to figure out just what the hell you're talking about.
Example: "The clarinet can make beautiful music."
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Good Omens included this scene right near the start of the season in 2.01 in which both Crowley and we the audience have no idea what Agent Fuzuli is *really* saying, even if his sentence makes technical, if not really contextual, sense. We can recognize from his over-the-top obvious spy-speak that he is speaking in code. They did so to highlight the existence of hidden language in the show and how important it is to unlocking more layers of meaning in the story.
Neither we nor Crowley expressly need to decode this particular sentence to understand what's happening in the story of Good Omens because Good Omens is not about the romance of Agent Fuzuli and his new paramour, the Azerbaijani Sector Chief. (Cupid!Crowley really out here matchmaking everyone in sight in S2 lol.) If it were, we would be needing to figure out what this clarinet and its beautiful music are all about. Instead, though, the show is suggesting that hidden language and decoding it is paramount-- but we should focus a bit more on the secret language of our main characters Crowley and Aziraphale instead.
Sexual innuendo/sexual euphemism: A kind of secret language in which something that is not inherently sexual is given a sexual connotation. Relies heavily on suggestive tone and context. Often full of in-jokes. Often done to soften talk of sex-- and, just as often, paradoxically, tends to make things actually a bit sexier. Relies on a sense of humor and so increases a sense of playfulness and fun between partners. Is flirting by way of creating a secret language out of innuendo.
Example: To "mend his shirt" in the (code-named) Mrs. Sandwich's sexually euphemistic speak, as brought on by Aziraphale's 19th century-era magic during The Ball, is to give a blowj-- well, actually, here: Crowley will define the innuendo for us through the use of partner scenes...
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"Fine *stable* of ladies"... the horse statue where Crowley keeps his glasses in the bookshop... mending Aziraphale's shirt in a way evocative of mending Aziraphale's shirt...
Mrs. Sandwich. A "seamstress." Not her real name. A walking, talking intersection of secret language, innuendo and sex in Good Omens, whose name and the content of her scenes help us confirm we're on the right track in decoding Ineffable Husbands Speak.
Sandwiches. Popular, common food that can be eaten anytime during the day but are most commonly associated with lunch.
Lunch. Midday meal. What Aziraphale offers to buy Crowley in thanks for Crowley rescuing him from The Bastille in the Paris, 1793 scene.
Paris, 1793/The Bastille. Partner scene that acts as the key to the 1.01 scene-- and its subsequent scenes-- that shows the nature of Crowley and Aziraphale's relationship through their use of secret language.
Let's Have Lunch. The 1.01 scene that, when unlocked using its partner scene of 1.03's Paris, 1793 scene, reveals that Crowley and Aziraphale are lovers. How so? Read on. :)
Armageddon: Round One. The end of the world and what Crowley and Aziraphale both separately learn is in motion in 2008 in 1.01. They meet the following day to discuss it and the show tells us then, at the start of the story, exactly one bullet point on their shared timeline-- the very first thing we ever learn about the entire 6,004 years that they have been living on Earth together since the last time we saw them together in Eden. Something important enough that it received its own partner scene in the 1.03 Cold Open basically entirely to help decode this scene in 1.01-- and re-contextualize the 2008 minisode (and a lot more) as a result.
What is this single, very important bullet point?
A lunch they had together in Paris in 1793.
As Crowley & Aziraphale head through the park and argue over whether or not to stop Armageddon, they eventually reach the spot on the side street where Crowley has parked The Bentley. This brings them to not just a conversational impasse but a physical one-- there's nowhere left to walk because they're now at the car and this is when Crowley says:
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"Well, let's have lunch, hmm? I still owe you one from..." At this point, we're too busy being charmed by this vintage-y angel and this rock star demon who lunch together on Earth arguing over Armageddon to barely notice the content of this scene and that might be by design. It is sandwiched between two other scenes, both of which understandably get a lot more attention: the "celestial harmonies" conversation on the bench in St. James Park and the kinky lunch at what we'll later learn is The Ritz. ("Lunch" in Ineffable Husbands Speak is not *just* the food kinky lunch, as we'll get into below.)
We also don't yet have the key the first time we watch this scene to decode it because we aren't given that by Good Omens until the 1.03 Cold Open and its Paris, 1793 scene. We can pick up on some vibes in this scene in 1.01 but unless we use the Paris, 1793 scene to fully decode Let's Have Lunch in 1.01, we aren't actually understanding what they are saying and, as Fraulein Greta Kleinschmidt would say, we must know what they are saying... (since we're all not Nazi Zombies, we'll be able to actually figure it out...) :)
...but we do now have the 1.03 Paris, 1793 scene so now, let's check out the moment this scene becomes, um, important-- and that is Aziraphale's response to Crowley's invitation to lunch:
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Oh, what's this now...? Crowley owes you lunch from *when,* Aziraphale? From "Paris, 1793", did you say...?!
You mean from the time that you dragged Crowley to The Bastille to save you from a situation you put yourself in and could get yourself out of the entire time because you have a Neil Gaiman-Ask-confirmed, canonical thing for him rescuing you (and because, as a fun S2 partner scene suggests, rescuing you always does make him so happy) and you were so very grateful for the rescue that you offered *to buy him lunch*?! A lunch that this scene in 2008 will confirm you went and had together? A lunch that we had *an entire, separate scene about* in the middle of the 1.03 Cold Open-- alongside The Arrangement and the 1862 breakup and 1941 and the 1967 holy water scene, in terms of importance to understanding this relationship from the show's perspective? THAT LUNCH?! lol
Paris, 1793. The ONE TIME IN THE ENTIRE HISTORY OF THIS RELATIONSHIP lol that it can be safely said that Crowley absolutely, 150%, *most definitely does not owe Aziraphale lunch*. The time we had a whole extra scene over, just to confirm how much Crowley does not owe Aziraphale lunch from this one time in Paris in 1793...
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Well, well, well... seems we have ourselves a key. :)
Lunch. Code word in Ineffable Husbands Speak. A code word that, when unlocked, helps to unlock additional language, as we will see.
If Aziraphale's reply to Crowley's lunch invitation is to say the one time in history from which we know Crowley doesn't owe Aziraphale lunch, then Aziraphale's reply is really in response to the hidden, second layer of meaning beneath the lunch invitation, which means that Crowley isn't just asking Aziraphale if he wants to go grab the midday meal together and Aziraphale is more than aware of that. As we will see from the dialogue below, this suggestion that they have lunch on the surface level is also, on the hidden language level, a suggestion that they have sex.
So, ok, let's try this 1.01 scene again, now that we've started to factor in the information we have from its 'Paris, 1793' partner scene from 1.03...
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What Aziraphale Is *Not* Saying When He Replies "Paris, 1793" to Crowley's Lunch Invitation in 2008: That he would like to time travel to The French Revolution for lunch; that he would like to go to Paris in the present for lunch; that he wants to go to their favorite creperie; that he wants to go get himself locked up in a maximum security prison so Crowley can come rescue him...
What Aziraphale *Is* Saying When He Replies "Paris, 1793" to Crowley's Lunch Invitation in 2008: That he would like to go to lunch and also that he would like to go to *lunch*-- which is to say that he's in agreement that sex sounds perfect-- and that what he "wants for lunch" is a repeat of how they made love in Paris in 1793.
Let's repeat that because mmhmm lol...
Sitting there in the middle of the second half of Crowley and Aziraphale's second scene in person together, in the middle of the first episode of the show, is Aziraphale recounting sex he and Crowley had over 200 years prior to when this scene is taking place in response to Crowley's suggestion that they shake off the Armageddon blues by sexy lunching their way to spending the night in Aziraphale's bed.
This conversation on the surface is about going to lunch and they are very funny with the literal part of their secret language, as they will actually go to lunch, as we know-- and during that lunch, Crowley will make a joke about the dual layers of meaning of their language when defining the next word in their language for us, which we will get to in a moment. For now, though, let's just go back to the "let's have lunch" scene here and look at the rest of it now that we can understand it on both levels of meaning...
"Well, let's have lunch, hmm? I still owe you one from..." Crowley does not actually owe Aziraphale lunch; this is a way to throw the decisions to him, keeping it sounding like they are just talking about eating lunch-the-midday-meal on the surface when we now know that it's more than that. He trails off and both verbally and non-verbally indicates a whole "you tell me" attitude, having offered up the idea and now giving the choice to Aziraphale. (It's not a magical influence "you tell me" like he did with Sitis, just a verbal ellipsis/non-verbal head shake that hands the conversation over to Aziraphale.) As a result of this and their responses in the rest of the scene, this becomes:
"Well, let's have lunch, hmm? I still owe you one from..." Well, let's have sex, hmm? Let's do our kinky lunch thing. Tell me what you want for later and we'll do that. Whatever you want. Armageddon already fucked up our lunchy dinner that we were supposed to sneak out to have at the fascinating little sushi restaurant where they know you last night-- it can go fuck itself for the afternoon. We're both depressed and tired. Eleven years left. We're almost out of time. I just want to be close to you. Let's have lunch.
"Paris. 1793." I could eat. I never can resist you, you know that. Remember Paris? After The Bastille? I'd like that.
Does Crowley remember The Bastille?
Oh, Crowley remembers The Bastille...
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Someone had a very nice time in Paris in 1793 if that little smile and that look and the little "yessss" are any indication. Crowley is down with revisiting The French Revolution and after this, they're both just heading to The Bentley as they continue talking because lunch is on. But why are we even talking about Paris 1793 when we have all seen this episode and know they aren't about to instantly drive back to the bookshop and get their Bastille on?
Anticipatory kink. When partners arrange to have sex in the short term but not immediately and spend the interim time discussing the sex they plan to have as a way of arousing one another over anticipation of the future lovemaking. A form of psychological edging/delayed pleasure. Fancy way of saying 'teasing the fuck out of each other' lol.
The first part of lunch for Crowley and Aziraphale is deciding what's for lunch-- before they go to have lunch-as-in-some-food-- even if part of lunching is that they aren't going to have sex for hours still to come. In addition to the anticipatory element, it's just fun to talk to your partner about sex and the way they do so also has them euphemistically refer back to past times they made love as a way of turning each other on with the memories of those past encounters-- so, doubly fun.
"Yessss. The Reign of Terror. Was that one of ours or one of yours?" Crowley's response to "Paris, 1793." He says 'The Reign of Terror' a little sarcastically, implying that while that is the historical name for the era, he and Aziraphale were actually pretty happy during it, which goes along with what we saw in The Bastille scene. On the surface, though, Crowley and Aziraphale are still attempting to make it sound like they're talking about The Reign of Terror so, technically, "was that one of ours or one of yours?" is a question that is supposed to be about who (Heaven? Hell?) was responsible for The French Revolution but oh, that Paris, 1793 scene is a good partner scene as we know the answer to this question, too...
The French Revolution. Not Crowley's demonic work. The humans thought it up themselves. Established in the Paris, 1793 scene, to help us better understand this bit of the Let's Have Lunch scene.
"Was that one of ours or one of yours?" Look at the wording of that. By definition, since Crowley is speaking to Aziraphale, the "ours" has to include Aziraphale. It's a subtle but present indicator that this isn't entirely smooth language on the surface here because it's accounting for two layers of meaning at once. If it is just about who is responsible for The French Revolution, the sentence doesn't actually make sense but that's because it's designed to sound like something of a casual reply to the surface question about The French Revolution but this conversation is now happening more on the second, hidden level and there, it really means:
We had all the sex in Paris in 1793, angel. Talk to me more about what's got you all hot for The Bastille. I remember all of it but want to know what's lighting you up here so to keep us talking about it, I'll start throwing out some options from Paris under the guise of pretending I'm talking about who is responsible for The French Revolution. Was that one of ours or one of yours? Meaning: do you want to fuck each other later or am I fucking you? By tossing these both out as options I'm obviously also saying that, if you're up for it, I'm in the mood for "ours". I currently have both the need to be inside you *and* the need to get done into next Thursday right now...
"Can't recall." Aziraphale's response to "one of ours or one of yours?" A blatant lie on every level lol. He remembers that the humans were responsible for The French Revolution and, based on how quickly he reached for it when asked what he wanted for lunch on an especially harrowing day, Aziraphale remembers every damn minute of the two of them in bed in Paris in 1793. He knows as much as Crowley what they got up to. "Can't recall" is a reply designed to sound like he can't remember who is responsible for The French Revolution on the surface level but answers Crowley's question on the hidden language level by using "can't recall" to signal that he doesn't have a preference. It's whatever you would like is fine with me. He's definitely noted the "ours" request, though, as we'll see later on.
But Aziraphale also still needs to answer Crowley's underlying question of what's he's wanting that's got him all hot and he keeps the euphemistic, hidden sex chat going by telling Crowley what he's picturing from Paris exactly that he wants later on:
"We had crepes."
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Did Crowley and Aziraphale go to lunch-the-midday-meal in Paris after Crowley rescued Aziraphale from The Bastille and have crepes-the-food for lunch? They absolutely did. Lunch-the-midday-meal (or, really, *any* food/meal that is probably not breakfast, which they seem to had yet to sort out by S2 because of Crowley not staying the night) is part of lunch. But we know that this conversation in this scene in 2008 is not really about lunch-the-meal so crepes is our next bit of Ineffable Husbands vocabulary. We can tell at this point that this is a sexual euphemism. That The Guardian of the Eastern Gate and The Serpent of Eden use types of food as euphemisms for types of sex because of course they do lol...
Does the show get into what, exactly, "crepes" are in Ineffable Husbands Speak? Oh yeah. They do lol. But it's mostly on the other side of kinky lunch so we're going to come back to it...
Off of Aziraphale's crepes declaration, they get into The Bentley and peel off and the next time we see them, we're at...
The Ritz-Carlton, London. One of the finest restaurants in the world; known for their famed afternoon tea and world-class service. The origins of the word 'ritzy.' Where Crowley and Aziraphale have lunch in 2008, for what we will learn in the subsequent scene between them is the first time. We won't know that this restaurant is The Ritz until the S1 finale, when they return there after specifying that it's where they are going. We won't begin to understand fully what it means to them in their language to do so until then. The first hint happens around midway through S1 in the 1967 scene, when it becomes apparent that they are speaking to one another in a coded way-- even while alone, as they are just used to their own language by this point-- and that Aziraphale's "dine at The Ritz" aspiration was something tied to the idea of them taking some more steps towards being more openly and fully together.
In 2008, Crowley and Aziraphale decided to go to The Ritz while in The Bentley after the "let's have lunch" scene, in a scene we aren't shown, likely because the decision to do so would include directly referencing their relationship in a way the show has avoided doing so far but, as the 2.06 kiss showed us, won't be doing forever. (We also are never shown them past a certain point at night-- the show choosing to leave them in 2008 after the "godfathers" conversation in the bookshop and again in 2019 after we last see them holding hands during the ride back to Crowley's flat in London from Tadfield. This seems likely to change in S3, especially because there is almost certainly a The Blitz, Part 3 and we last left them late at night drinking wine alone in the bookshop making eyes at one another.)
Right, so, back to The Ritz in 2008 and the kinky lunch part of lunch...
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Foreplay. Activities between partners-- physical, psychological, emotional, or all of the above-- that are designed to stimulate sexual arousal, in order to put the mind and the body in the mood for sex.
Kinky lunch is a form of foreplay, as Aziraphale is into the pleasure of being watched by Crowley as he enjoys the pleasure of his food and Crowley is into watching Aziraphale enjoy himself. This is also where the anticipatory kink starts to make even more sense as if they've already decided a bit of what they're going to get up to in bed later on, then they know what each other is thinking about all afternoon-- but especially during kinky lunch.
First date. There's also something of a romantic element to this, which a partner scene in S2 provided, which is that kinky lunch is essentially repeating what first happened thousands of years earlier in Job's cellar in 2500 B.C.. That night was, more or less, Crowley and Aziraphale's first date. Not all the sex they have is tied to lunching but part of lunching is, essentially, weaving their first date into these little sexy dates they're going on throughout different periods in history. Pretty romantic stuff for these two who also literally cannot say the word 'couple' but are basically married.
Biblical "fruits of knowledge." In Good Omens, what happened in The Garden of Eden is canonically known and it's that our Serpent of Eden Crowley tempted Eve into eating an apple from The Tree of Knowledge, which she then shared with Adam. The two of them then followed up the pleasure of eating with exploration into other sensual pleasures, discovered sex, and Eve-- whose biology really is something-- was basically eight months pregnant about two days later when Aziraphale snuck them out of Eden, jumpstarting humanity. Humans, though, have had ongoing debate over Genesis in The Bible as to what, exactly, the "fruits of knowledge" were that Adam and Eve consumed.
One argument is over what kind of food it was that Eve actually ate. In Good Omens, it is the most commonly thought food-- an apple-- but arguments have been made for everything from grapes to different berries to figs to even wheat. While Crowley does eat and different things than this, most of what we've been shown that he's consumed is humorous because it's almost all things related to speculated foods of the Biblical fruits of knowledge (wine-- grapes/berries; whisky-- wheat; an apple-looking tea in the S1 finale at The Ritz, etc..)
The other argument that is made is whether "ate fruit from The Tree of Knowledge" is actually just a metaphor for having sex. In Good Omens, the answer to this question is the opening of its story and it's not an either/or. It's both, with one leading to the other. Crowley and Aziraphale are more than aware of this and of the parallels with Adam and Eve to their own relationship and, like with everything else, they're very dryly funny about it. The two who are responsible for all sensual and sexual pleasure for all of humanity since the literal beginning of time have kinky lunch and a language full of food euphemisms for sex and flirty innuendo mixing the pleasures of eating with the pleasures of sex ("constitution of an ox!") because they're witty and playful like that.
Scrumptious. How Aziraphale describes his dessert at The Ritz. Means both "delicious" and "attractive/sexy enough to eat." Is basically the foremost adjective that describes human, physical beauty in terms of taste. It's kinky lunch-- a mix of the the sensual pleasures of eating food with sexual desire-- in a word.
Scrummy. Shortened version of 'scrumptious.' How Aziraphale describes the grapes he buys at The Globe Theatre in 1601, which he then spends the scene eating in front of Crowley, who flits around him like the horny little murder hornet he is, trying to flirt his way into Aziraphale's bed. 192 years before The Bastille.
Affirmative consent. Verbalized, informed and positive consent to participate in a sexual act. Needs to be direct and clear-- the more explicit and enthusiastic, the better. Good sexual practice is checking in with your partner before and periodically during to ensure that you're both still on the same page and having a positive experience. True of every relationship-- but especially true if one or more partners has had their autonomy violated in any way in the past, as Crowley has (and as Crowley had again the night before in 2008, when attacked by Satan in The Bentley, which was one of his many motivations for wanting to lunch with Aziraphale the next day.)
A cleverly-worded partner check in need not break the mood but is still equally important to do, even if everything seems to be fine. A sense of safety brings about trust and trust is sexy, after all.
"So, what are you in the mood for now?" Aziraphale's pitch-perfect partner check-in after he finishes dessert at The Ritz. He knows Crowley well enough to know that he's alright so this is flirtier than it might have otherwise been had Crowley not been. Still, it's presenting an opportunity to stop and giving Crowley the same sense of control and choice that he gave Aziraphale at the start of their lunch date. It's all done with a practiced ease and a subtle, sexy confidence that highlights that Aziraphale is very good at this and probably undid Crowley even more than watching Aziraphale eat lunch did.
Alcohol. Fermented fruit, wheat/grains or the like. Consumption of alcohol can lower inhibitions and the ability to be fully in control of yourself. To drink with someone then is to let them experience your most vulnerable self and to trust them to keep you safe and unharmed while you're not in a state of full control. It's intimate. It's sex, in food/beverage euphemistic terms, and we already know that Crowley and Aziraphale have a whole food-related sexual vocabulary... which Crowley jokes about in this scene.
When Aziraphale asks Crowley what he's in the mood for now that they've finished their dessert course, the point of the initial shot of the scene comes into focus-- the way the camera swoops a little over the surface of the table before settling back to show us Crowley and Aziraphale. The swooping shot illuminates what's on the table. It shows us that they've already eaten lunch, as Aziraphale is on the last forkful of his dessert. The key bits, though, are the beverages-- the coffee and the wine glasses.
Aziraphale has a larger, cappuccino-sized mug of some form of coffee drink while Crowley's dessert was a dessert coffee, based on the size and shape of the mug he's drinking it from. This is also where it's fun to point out that Mr. Six Shots of Espresso in a Big Cup has drunk half of what would be less than two shots of coffee, in a normal-for-the-drink-sized cup, and that the coffee is light in color, suggesting that it's cut with cream. But while the coffee and its symbolic freedom tied to S2 is fun to look at, the point here is that Crowley's coffee looks to be a dessert coffee, most of which frequently contain alcohol and, even more prominent in the shot, are two, empty wine glasses-- one in front of each of them-- that each have a little hint of red wine stuck in the spot above the stem in each glass, confirming that they both had at least one glass of a red wine with lunch.
The point is that they had wine with lunch and Crowley's likely been sipping an alcoholic coffee with dessert, and they're literally surrounded by bottles of wine behind them, as they're in a restaurant lol-- they're at The Ritz, which is known for their service and isn't exactly rushing them out. They could sit there for hours drinking more alcohol, should they want to... so, when Aziraphale asks Crowley what he's in the mood for now and Crowley-- who has spent this scene looking like he's considering freezing time and throwing Aziraphale over the table-- picks up the spoon from his likely Irish coffee and uses it to ding his wine glass-- that is empty of the alcohol he already drank out of it--to get the check lololol and says he wants "alcohol-- quite extraordinary amounts of alcohol", well...
Alcohol (in Ineffable Husbands Speak). Literal, surface level: Alcohol. Hidden language level: Sex.
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"Alcohol. Quite extraordinary amounts of alcohol." "Sex. Quite extraordinary amounts of sex." Enthusiastic, affirmative consent from Crowley over here. He loves kinky lunch and he's glad you asked, Aziraphale, but he's very, very okay at the moment and wants to go to the bookshop now for more alcohol and, later, for quite extraordinary amounts of alcohol.
"An extremely alcoholic breakfast at The Ritz." A complete sentence in Ineffable Husbands Speak in S2 that Muriel doesn't understand but that we can by this point. Muriel not being able to speak Ineffable Husbands is the point of the moment-- it's to highlight that Muriel is missing information because they don't have the information needed to decode what Crowley is saying or to even realize that there is something to be decoded. It's to point out to us that we have this information and that's why we can understand what Crowley is saying. It, along with "no nightingales", is a moment designed to point out the language and how we can't interpret what we're seeing without being able to understand it. The context of the "us time" scene in S2 helps to reinforce that we have this language correct then also makes it an additional partner scene to the 2008 minisode, as it reinforces this interpretation of the language and the relationship between Crowley and Aziraphale that suggests.
Why does Muriel need to leave the bookshop in 2.06 if Crowley and Aziraphale are going for breakfast at The Ritz? We know it's because breakfast is the latest step they want to take when it comes to dining at The Ritz and alcohol is also sex so the Inspector Constable needs to leave because Crowley is out to have some lunch for breakfast.
Right, so, after kinky lunch at The Ritz back in 2008, we then catch up to Crowley and Aziraphale as they are walking up Whickber Street towards the bookshop.
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Romantic stroll. They seem to like to go for a little walk together as part of lunch, if they can swing it. In 2008, they're caring a little less because they've just dined at The Ritz for the first time and they have 11 years left until the end of the world, so they're taking some moderate more risks. This might not be always typical of lunch but it is in 2008. They did this on their first date in the Land of Uz, sneaking out of the cellar to take a walk under the cover of night after the storm stopped. They also take a little stroll from the park to The Ritz in 2019 at the end of S1. All three of these times are possible exceptions-- it was night in 2500 B.C. on their first date and 2008 and 2019 are examples of not just lunching but dining at The Ritz, in the sense that they are in an era of being a little less guarded, if still cautious enough to maintain a sense of secrecy. There is a practical reason for the walk, though, as well as well as a romantic one, and that's related to:
The Bentley. Parked nowhere near the bookshop. On a side street somewhere, like we see Crowley has been doing ahead of S2 and is doing during S2 (including the night before the season began.) Crowley staying in the bookshop late into the evening is a given since they're lunching and have already planned to have some alcohol after their alcohol. The Bentley cannot be parked for hours in the evening in front of the bookshop without them running the risk of being caught so, even if they are coming back to the bookshop during the daylight of the mid-afternoon, The Bentley is already parked away from the shop because lunching comes with an understanding that Crowley will be staying in the shop well into the night.
This all seems routine for them at this point. As speculated in another post, this is probably how Crowley became friends with Mrs. Sandwich, whose work has her outside a bit in the early morning hours just outside the side door to the bookshop. Either way, the car is away from the bookshop so Crowley can stay most of the night with Aziraphale.
1921. The year in which Aziraphale bought a dozen cases (144 bottles) of Chateauneuf-de-Pape "for special occasions", as he either tells or reminds Crowley on their walk up Whickber Street. Twenty years before The Blitz.
This is an interesting comment for this exact moment here because one of the two pretty large gaps of time in the last few hundred years in their history is 1862-1941, right? We don't know much about what transpired between their whole breakup mess in St. James Park in 1862 and The Blitz. One of the flashbacks that was cut from S2 might have illuminated some of this, as it was the one set during The Gold Rush in America, which means it would have had to have taken place before about 1893. We know about Aziraphale learning to gavotte in The Hundred Guineas Club in Portland Place in the 1880s, we know that Maggie's great-grandmother started The Small Back Room with Aziraphale's help in the 1920s and we know that Crowley bought The Bentley sometime around 1933. In the midst of all of that, though, there's this one reference to 1921 here in the 2008 minisode that is pretty interesting when you consider why Aziraphale might be bringing it up in this moment.
Aziraphale is saying that he made an investment in the idea of them having a future of special occasions to celebrate together-- in whatever way they could manage to do so-- in 1921, which is a year in which, as far as we can tell so far, he might not have had a lot of hope that this would be possible. They do seem relatively incapable of breaking up for very long but it's also evident that they don't really fully start to get beyond 1862 until 1941 from what we've seen so far so it might have been a bit slow to heal. We do know that they were in contact and not just from the deleted America flashback but from the canonical reveal that Aziraphale got his driver's licence in the early 1930s, after Crowley bought The Bentley. But Aziraphale might be trying to say to Crowley that things didn't seem especially hopeful for them in the early 1920s, either, but Aziraphale has always held out hope.
1941. A special occasion, as that is Chateauneuf-de-Pape that they are drinking in The Blitz, Part 2.
2008. Year in which this minisode about lunching is taking place, when Aziraphale says that there "are a few bottles left" of the Chateauneuf-de-Pape he bought 87 years earlier, implying that they've drunk their way through almost 144 bottles worth of *just* "special occasion" wine *alone* in the last just under 90 years.
"For special occasions." Would be a truly insane way to refer to learning that the world was ending so safe to assume that Aziraphale is wanting to bust out the Chateauneuf-de-Pape in 2008 because what we see in 1.01 is the first time they dined at The Ritz. It was maybe not the most ideal way they'd ever wanted to as it was largely reactionary to learning they were almost out of time but they did it so time for the Chateauneuf-de-Pape.
Chateauneuf-de-Pape. Wine with quite the holy history. Translated from French, means "The Pope's New Castle". The Catholic papacy in early 1300s were big fans of the Burgundy wines in the area, spearheaded their popularity, and used the church to help spur the economic growth of the Avignon viticulture in that area. They drank the wine exclusively themselves and the papacy had been relocated to Avignon so, to an extent, Chateauneuf-de-Pape is something of a "holy water", symbolically. Maybe the antithesis of it-- holy water (water blessed through the power of Heaven) can kill Crowley, Chateauneuf-de-Pape (wine made by humans; symbolic of sex and love and a lifetime of special occasions with Aziraphale) is the stuff worth living for.
Wine is alcohol is, therefore, in Ineffable Husbands Speak, sex.
"Not very big on wine in Heaven, are they?" What Crowley says on their walk to the bookshop, in response to Aziraphale's suggestion that they break out the Chateauneuf-de-Pape.
A very funny line made even funnier by this partner scene in S2:
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Well, you'd better pop off and get it then, haven't you, Aziraphale? lol
What, exactly, was going on between these two Influencer Brats of Job and their usual angels-- do we even want to ask? Probably not. The way Keziah says "they haven't brought the wine" with that little emphasis makes it feel like it's possible that their usual angels bring some Heaven-blessed wine as a pretense but that 'bringing the wine' is sexually euphemistic. Ennon hitting on Aziraphale adds to that sense by giving us the feeling that Job being God's favorite human means that, prior to the bet, Heaven was sending angels to see to the needs of the family and the elder two siblings have a pair of usual angels who service their, uh, beverage needs. All of which is, objectively-speaking, against what Heaven says it disapproves of (sex, alcohol/drunkenness, etc.), emphasizing the hypocrisy of the fascist state of Heaven.
The Job minisode then serves to reiterate the wine/alcohol = sex throughout the series and makes even funnier the fact that Crowley then drank the rest of the house's existing wine in revenge for these older kids being such brats and Ennon treating Aziraphale like a whore.
What it shows, though, is that maybe the only consumable beverage that Heaven *is* very big on-- if not on drunkenness-- is wine, like many big religions on Earth, right? As a result, Crowley's "not very big on wine in Heaven" line is then emphasized to really be "not very big on sex in Heaven, are they?"
Ok, back to 2008...
"Not very big on wine in Heaven, are they? Or Chateauneuf-de-Papes... Or single-malt scotch... Or frou frou cocktails with little umbrellas..." Crowley's full response to Aziraphale's Chateauneuf-de-Pape discussion on their walk. Translated from the Ineffable Husbands Speak below.
"Not very big on wine in Heaven, are they? Or Chateauneuf-de-Papes..." Not very big on sex in Heaven, are they? Forget music and food and books and our life here with our human things and our special occasions and spending time together, you are going to spend an eternity trapped in a open-floor-plan office building in the clouds with a bunch of prudish religious zealots. Forever and ever and ever... We have, potentially, eleven years until we'll never make love again. You *love* sex and if we don't stop Armageddon somehow, you're never going to come again...
"...Or single malt scotch..." Scotch is whiskey made in Scotland. Talisker, Crowley's favorite whiskey and recurring drink order, is a single malt scotch. So, this is: Not very big on *me*, either. Not exactly like I can just ride the elevator up for a visit... if I even survive Armageddon. You might have noticed Heaven is not tagging everything on their Tumblr #bildaddy. In case it wasn't obvious that this entire time, I've been listing other things you like about life on Earth while under the surface basically screaming "WE WON'T BE ABLE TO BE TOGETHER, ANGEL..."
"...Or frou frou cocktails with little umbrellas..."
Frou frou. American slang for "fancy", sometimes overly so. The American English sister word/answer word to "ritzy". Spoken by Crowley after they've just left The Ritz and as they walk past what will be the American-themed Give Me Coffee or Give Me Death in S2. Comes from America's longest allies--the French-- where it means the rustling sound made by skirts as they move and is onomatopoeia (words derived from the sound they make, rather than rooted in a language.) To reference Scotland, the United States and France within two sentences while bashing Heaven is very Crowley, who doesn't see Heaven as The British Empire or anything lol.
Cocktails. Mixed drinks. What you get when you combine alcohols. Also ties to the scene in S2 with Mr. Brown of Brown's World of Carpets in The Dirty Donkey, which is now a partner scene to this as well. Crowley's "a sherry for you, a whisky for me." It's another example of alcohol as symbolic of sex as Crowley bringing Aziraphale his preferred drink is their attempt at getting Mr. Brown to get the hint that they are a thing and they like now to keep the alcohol just to the two of them.
A cocktail, though, being a mixed drink, can refer in the context of discussion of Heaven and their relationship to the fact that they are an angel and a demon and Heaven is not very big on that particular cocktail.
Frou frou cocktails with little...
Umbrellas. Canopies.
Canopies. The essential setting component of Crowley's Vavoom in S2, as we heard him talking about (while having a drink) with Aziraphale in S2: "You mean like a sudden rainstorm forces them together beneath a canopy... and they look into each other's eyes and realize they were made for each other."
Vavoom. Alternatively: va-va-voom. Voluptuously sexy. Of or portending to sensual pleasure. How Crowley described his hypothetical-for-Maggie-and-Nina erotic-gazing-into-a-passionate-kiss-while-sheltering-from-rain-together-under-a-canopy thing that is absolutely not Crowley and Aziraphale's first kiss recounted back to Aziraphale by Crowley as his definition of romance. Not at all. Crowley just has a thing about tree canopies and their modern rain-sheltering cousins, umbrellas, ok? We didn't just spot The Vavoom hidden there in 1.01 a bit, too. Absolutely not. ;)
"Or frou frou cocktails with little umbrellas" (in Ineffable Husbands Speak). Heaven is definitely not very big on opulent mixed angel-demon drinks like us and our little romance... We're never going to kiss again, angel. Do you really want to spend *eternity* without ever kissing one another again?
According to S2, the answer to that question is that Aziraphale cannot handle the thought to a point of having a complete breakdown of 'what if you were an angel again so we never had to worry?' desperation, so this is probably why Aziraphale's downward hands of 'argh, not right now-- I can't handle this' show up at this point in 2008, as they finish crossing the street and arrive at the entrance to the bookshop.
This is when Aziraphale starts in on his whole "I'm an angel; you're a demon" stuff again but the tone of it is pretty soft and he adds this bit into it:
"We're hereditary enemies." Something which is hereditary is something which you've inherited through no fault of your own and without your agreement. Often, something foisted upon you that you would not have chosen. Aziraphale's comparing their situation to things like hereditary disease-- they didn't ask for it. It's not their fault. The reality of it, though, is still present. This is a way of reassuring Crowley that, even though Crowley could see through the Yay, Heaven! from the earlier St. James Park scene, that Aziraphale doesn't see him as the enemy and would never have chosen this whole mess. He's not yet agreeing to help Crowley stop Armageddon-- the odds are good that he never was going to while they were outside of the bookshop anyway and Crowley knows that. Everything Crowley has said so far is preamble to his argument for stopping Armageddon later on, when they're inside, sobered up, and Aziraphale is ready to work on a potential plan with him.
After "hereditary enemies"...
"Get thee behind me, foul fiend." Blasphemous Bible-speak delivered flirtatiously as a sexual invitation. Not the only scene in the series with blasphemous innuendo but this one line alone could be its own meta so, in an effort to keep this at under 4 billion words lol, we're just going to look at how this is relevant to lunching.
Foul fiend is just Biblical speak for wicked demon. "Wicked" and "demon" are words in the same vein as "wily", "thwart" and "smitten"--words with dual layers of contradictory meanings that Crowley and Aziraphale love to use in their language. To be "wicked" is to be evil in the sense of in line with Satan, yes, but it's also to be playfully mischievous and is a positive adjective used in place of "excellent" at times. To be a "demon" is to be a familiar of the Devil, yes, but it's also to be extremely skillful and talented at a particular thing.
Aziraphale does the whole "I'm an angel. You're a demon. We're hereditary enemies" thing but then turns around and uses "foul fiend"/"wicked demon" in the non-satanic definitions of it through his fond and suggestive tone. He's not calling Crowley evil-- he's calling Crowley playfully mischievous. He's calling him trouble in a light and fun way. He's not calling him a demon in a derogatory sense but in the skillful sense. The same words that mean "evil ally of Satan" also mean "playful and talented"-- Aziraphale has added context by situation and tone of voice/delivery to essentially turn "foul fiend" into calling Crowley "a demon" in bed, in the "skillful" sense of the word. It becomes fuck me, my very wicked demon by use of a suggestive tone.
But it's the use of "get thee behind me" that is most relevant to 2008 here because remember when I told you we'd come back to crepes?
Crepes. Thin, French pancakes. Can be had almost anytime of the day because they are quite versatile-- savory, sweet, for lunch, for dessert, you name it lol. As sexual euphemism, though, we are really looking at how 'pancakes' have been used traditionally by people using food as euphemisms for sex and that is, unsurprisingly, in relation to how a pancake is cooked. I think we've all probably made actual-pancakes-the-food before or at least have seen it done so it probably will not come as a surprise to you that you have to turn a pancake over to griddle it on both sides for it to be done.
As a result, any sexual euphemism involving pancakes is referring to sex that involves a switch from an initial position to a second position that is literally just the receptive partner turning over. So, in order to fully get Aziraphale's love of his romantic French pancakes here, we'd have to have the starting position of crepes and that is something the show actually gives us because why not at this point lol.
"Get thee behind me" after they've spent the afternoon setting up this 1793-inspired crepe-a-palooza indicates that the starting position of crepes is Aziraphale getting done from behind but he'll turn over because he likes to finish his French pancakes facing Crowley.
Vavavoom Yellow. The color of Crowley's eyes and the actual name of the actual paint the actual people involved with this show painted the actual walls of the bookshop. The color Aziraphale turned The Bentley after making it take off its black and silver sunglasses. Crowley's only out here trying to seduce Aziraphale in every other scene by looking at him over his glasses or taking them off or going on about their tantric eye sex into their first kiss... Seems possible Aziraphale might have a thing for Crowley's eyes, no?
"After you." Aziraphale wants crepes for dessert, though. After "get thee behind me, foul fiend", he gestures Crowley into the bookshop with a very witty "after you", which is both politely letting him go first into the bookshop and insisting he is in bed later as well.
Inviting Crowley inside the bookshop with the "after you" in tandem with inviting him inside with the "get thee behind me" is also then using the fact that Crowley is allowed into the bookshop as sexual metaphor for being allowed inside, well, Aziraphale. This gives it a partner scene in S2, when Aziraphale turns The Bentley into a sexual metaphor and is going for the innuendo gold when he then again uses the bookshop to euphemistically refer to himself with "... just as that bookshop is, technically, my shop... but we both get *plenty* of use out of it, don't we?"
God. The only other character on Good Omens aside from Crowley and Aziraphale themselves who speaks Ineffable Husbands Speak. Character responsible for teaching us one of its most important code words-- "nightingales"-- and who ships it so hard that She had a literal nightingale singing as a joke on their dual-meaning-happy language in the S1 finale. Our narrator in S1.
"...while, in London SoHo, an angel and a demon had been drinking solidly for the last six of them." As we cut away from Crowley & Aziraphale's scenes in 2008 to see The Youngs leave the satanic nunnery with their new baby, God points out-- with a hilarious 'oh my stupid children, scared of a baby' tone-- that "The Antichrist had been on Earth for 24 hours." If we can assume that The Youngs were not sent home from the hospital with a new baby in the middle of the night and that it's closer to the more civilized option of a dinner hour, then that would also go with the fact that Aziraphale was having dinner during all of this the night prior, right? Which means it's dinner time, if we're at 24 hours later. Which means that if, in London SoHo, an angel and a demon have been "drinking solidly" for the last six hours, then God is counting the entire afternoon since Crowley and Aziraphale met up for lunch as "drinking solidly" and that's because "drinking" in Ineffable Husbands Speak isn't just alcohol but sex. Yes, that's God making a sex joke. (She has a few more in S1, too.)
"Baby." Term of endearment for a romantic and/or sexual partner that has been documented as having been in existence since at least around the 1830s but was mainstreamed by American jazz, soul and rock 'n roll music and cinema.
While Crowley and Aziraphale are in the alcohol stage of their alcohol, they get plastered on Chateauneuf-de-Pape and Crowley, in a drunken ramble that we will realize by S2 is inspired by Aziraphale's magic words and their conversation in 1941, is going on about what is going to happen to the creatures of Earth when the world ends. He begins to try to say that the fish will be "turned into bouillabaisse" but that word is too difficult for him to say while drunk. While attempting to, he gets distracted gazing at Aziraphale and calls him "baby" in a low voice and then we get their hilarious very drunk kissy faces. Crowley manages to translate "bouillabaisse" in his mind enough to "fish stew-- anyway!" and they sober up soon afterwards to have an actually semi-coherent conversation and some actual alcohol.
In the context of lunching, this becomes getting drunk and distracted by thoughts of later in the middle of trying to talk-- and we know now thanks to S2 that Crowley is also distracted by thoughts of 1941 here at the same time, as he's going on about bananas, fish, and gorillas. We've never heard him call Aziraphale anything but his name or "angel" with the exception of this scene, when they're alone in the bookshop with alcohol on the brain. Aziraphale is drunk but he also doesn't react like it's unusual-- if he heard it, to be honest, as he seemed a bit devoted to stringing together his thoughts related to The Kraken... that great, bigggg bugger, as Aziraphale described him, not at all thinking about the quite extraordinary amounts of buggery they were going to get up to later on.
But, anyway, there's the scene where Crowley calls Aziraphale "baby" in 2008 and that might suggest that he does if they're alone and there's no risk of anyone overhearing it. (As "angel", at least, is theoretically meant to be calling Aziraphale by what he is in a semi-derogatory way but Crowley's honestly never made that work a day in his life lol.)
Thwarting. See: separate meta on my blog on "wily", "thwart" and "smitten" as examples of words with contradictory, dual meanings that Crowley and Aziraphale like to use in the 'angel-and-demon' sense on the surface but in their 'sexy/romantic' connotations in their hidden language. While talking about a plan to stop Armageddon, Crowley uses "wiles"-- the enticing and feminine-leaning-in-connotation definition of "wily"-- in a dry joke where the surface level is about how it's the role of an angel to stop the Evil One (his demon counterpart) at every turn but is really using "wiles" in its seductive definition. He also uses "thwarting" in a way that is substituting it in a sentence for "fucking" on the hidden language level: "You can't be certain that thwarting me isn't part of The Divine Plan, too."
Indeed, Crowley. Indeed.
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"...at every turn." Ha. Crowley has crepes jokes. Think of all the French pancakes we can have for eternity if we thwart Armageddon, angel...
Godfathers. The 2008 minisode scenes end with them deciding to have a baby. Crowley's like I have a plan to stop the end of the world and it's that we crash this mansion and live together raising a kid like a little family and I've thought of a way you can sell it to Heaven-- whaddya say? And Aziraphale melts into a puddle of sparkly-eyed joy and they have some quippy lines about being damned that feel like foreshadowing for Aziraphale something fierce but this is where we leave 2008. Right here.
After alcohol, but before alcohol, ya dig?
Lunch (in Ineffable Husbands Speak). A recurring date of kinky lunch and spending time together that is pre-determined to end hours later with sex that is at least somewhat decided upon at the start of lunch, often euphemistically through discussion of " lunch food" and/or their romantic encounters in their shared past.
Off of this, let's go look at our partner scene of The Bastille again, now using 2008 to illuminate parts of it.
Paris, 1793. Crowley and Aziraphale playing 'damsel in distress and dashing hero rescuer' in The Bastille. Seven years before Aziraphale opens the bookshop; thirty years before Crowley's dragged to Hell in Edinburgh. They've been getting away with this forever at this point, to a point that while they're still overall cautious and terrified of getting caught, they're starting to think it's possible they never will because they've managed to keep it a secret this long. Aziraphale is dry and arch when referencing the recent "strongly-worded note" he apparently received from Gabriel about doing "frivolous miracles". Even though the note might not exist as this whole scene is, basically, a roleplay game, the attitude there is that they're getting one over on Heaven & Hell and are taking advantage of it.
We all know things like Aziraphale lighting up when Crowley shows up and the "oh, good Lord" while raking his eyes over him-- we're just going to look at some bits here that have more significance in Ineffable Husbands Speak.
As a side note here: the buttons on the black part of Crowley's outfit in Paris also are very similar in style to the jacket he's wearing in the Let's Have Lunch scene in 2008, in a fun bit of visual paralleling between the partner scenes via the costuming. This scene is also a great one for the consistent thing in the series where Aziraphale will casually reference God and Satan ("oh, good Lord"/"luck of the devil" in the Tadfield Manor scene) but Crowley will not ("what the deuce are you doing locked up in The Bastille?").
So, Crowley does his whole haughty and faux-put-upon thing upon arriving and S2 actually makes how he arrives even funnier because he spends the first half of the scene lounging on the floor across the room, which has real Job's cellar vibes. Later in the scene, we get the "well, you're lucky I was in the area" and Aziraphale's reply of "I was", both lines of which are arch as all fuck. They ring with a kind of knowing playfulness that honestly signals the whole thing is not exactly an organic situation. Crowley has come to Aziraphale's rescue out of nowhere before and odds are solid that led to Aziraphale's whole rescue kink awakening here lol but this scene in 1793 is not that. Crowley was absolutely "in the area" with his calendar cleared for whatever sexual hijinks the angel wanted to get up to that afternoon. He's committed to the bit and asks near the start: "what the deuce are you doing locked up in The Bastille?", prompting Aziraphale's response of "I got peckish."
"Peckish", meaning "slightly hungry", but you don't wade through a revolution because you could use a snack so Aziraphale's downplaying it for humor-- he's fucking starving. And not really for food. They have food in England. Aziraphale has intentionally got himself locked up in The Bastille because he's horny, which he's expressing using food terms because of course he is. Ineffable Husbands Speak was created by this dry-humored and self-deprecating duo, one of whom is the Serpent of Eden and the other of whom is a bit of a raging gourmand and, together, they've never met anything consumable that they can't make into sexual innuendo.
To learning that Aziraphale on the surface needed a snack and, in Ineffable Husbands Speak, needs a snack, Crowley has this hilarious response:
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Go on, Crowley, keep pretending like you're offended that this is all just because Aziraphale is horny and like you think it's not specific to you, like you wouldn't let him nibble on you whenever he wants lol.
Tell him he's special, Aziraphale, and not just one of your favorite toys. You dragged him to a prison cell feet away from a guillotine for this.
"Well, if you must know, it was the crepes. And the brioche. Can't get decent ones anywhere outside of Paris." is Aziraphale's quite illuminating reply.
Paris is France and anything Parisian or French is coded as romantic and as related to love to them, even if we know how much they speak around those words. We know what crepes are now from the 2008 scene and we'll look at brioche in a moment but we can already see that this sentence, translated from Ineffable Husbands Speak, is Aziraphale saying that he can fuck his way around the world (and we know it's suggested that he has at times) but he feels that it's never as good for him as it is with Crowley because the crepes and the brioche are better when they're had in Paris-- because sex with Crowley is better for Aziraphale than with anyone else because of how they feel about each other.
Probably also worth mentioning that crepes and brioche both originated in France (many societies around the world have versions of crepes but the crepe itself is French) so this is also really saying it's just always been Crowley for Aziraphale since the start and Aziraphale was alluding to that to Crowley in the Paris, 1793 scene.
Brioche. A bit of a bread, a bit of a cake, it is a bit sweet and rich like a pastry and falls mostly somewhere there on the French deliciousness spectrum between the two and treated by chefs and bakers as a bit of both. As a result, can wind up in many different meals throughout the day, in different ways. Brioche = Crowley, in food form. Can be used to make sandwiches (ha) but is most well-known as the signature bread used to make French toast. French toast is traditionally made the same way as crepes-- involving turning, like pancakes.
Brioche (in Ineffable Husbands Speak). Both Crowley himself, in food form (bread is necessary for sandwiches, after all) and crepes-as-sex reversed between them with Crowley as the receptive partner.
[Crowley is also suggested to be black bread, according to God's narration, in the St. James Park scene, leading me to believe that he's just every kind of bread Aziraphale likes, which is probably most of them.]
Aziraphale invites Crowley to lunch and we know now that lunching was already a thing for them then. True to form, the scene ends with their first step of lunch-- the anticipatory part-- with Crowley asking "what's for lunch?", which we now understand to mean the same thing as "I still owe you one from..." in 2008. He's asking Aziraphale what he would like for lunch and we know already from 2008 that they went out for crepes and had a whole French buffet.
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Armageddon: Round One. 2019. Averted. Afterwards, they meet up in a park and swap bodies back unnoticed because we didn't have enough secret sexual relationship stuff already happening on this show lol so yay metaphor and now there's a full-circle back to the bench at St. James Park in 1.01 but now with them having survived and at least temporarily halted Armageddon. Then, as they start to adjust to the whirlwind being over, it's Crowley with:
"Time to leave The Garden." Crowley likening Aziraphale and himself to Adam and Eve-- and just prior to proposing that he and Aziraphale go get their Garden on with a little lunch. Shows that Crowley and Aziraphale are more than aware of how much they parallel the first humans and reinforces that all of the Eden references and related humor in their romantic relationship that we've seen is not coincidental but intentional.
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To ask Aziraphale if you can "tempt him to a spot of lunchchch" while opening up your hip to spread your thighs and angle yourself to suggest that your body is also on the menu. Complete with the 'wanna go to bed?' head tilt of 1601 and 2008 fame. I mean...
Meanwhile, Aziraphale's barely conscious of the fact that he's rubbing his thighs and looking at Crowley's lips...
To reply "Temptation accomplished." with a cutely dorky little laugh to Crowley's invitation to lunch. To never be one to say no to a spot of lunch and accept the invitation, while joking around about how neither of you ever actually tempt each other, you just find each other tempting, in the 'attractive' sense of the word.
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Anticipatory kink. The first part of lunch.
To say that a table at The Ritz has miraculously come free. To suggest that you have 2008/Eleven Years Ago for lunch, coming full circle back to 1.01 in the S1 finale. 2019 is 2008 is 1793 is...
Champagne tea/high tea. The meal that Crowley and Aziraphale are actually eating when they go to lunch in the S1 finale. Features champagne and macarons, both of which are French, adding to the romance and the ties to 1793. There also appears to be an apple-hued tea on the table, nodding to Eden.
PTSD. What causes Crowley to sometimes go quiet and zone out. In 2008, we came in on the end of their meal at The Ritz and Crowley was in the moment. In 2019, we see the start of their lunch part of lunch and Crowley is not at all present. He's facing ahead and staring into space at nothing, exhausted and not in the moment. Aziraphale's partner check-in is different this time, as he can tell that Crowley is not with him. He draws him back to the now with a bit of romance.
"...if you weren't, at heart, just a little bit of a good person." I love you, you know.
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"And if you weren't just enough of a bastard worth to be worth knowing." I love you, too.
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"A Nightingale Sang in Berkeley Square." Romantic 1940 song containing the lyric "angels were dining at The Ritz" that formed the basis for Aziraphale creating "dining at The Ritz" as a code phrase meaning a more acknowledged and somewhat more open relationship in the future... which they then celebrate agreeing to try by literally dining at The Ritz, in line with their dual layers of meaning-happy language. We're still awaiting the origins of the song as their song but it is to a point that one of them has the pianist playing an instrumental version of it during this afternoon tea lunch in 2019. We also get Tori Amos' cover playing over the scene because dual layers of everything.
Literal nightingale singing. God showing only us the bird that Crowley and Aziraphale don't know is actually singing is the show acknowledging that our perspective is, like God's, on the outside of the relationship but we are now able to understand it. To see the literal nightingale but know what it means both symbolically and in Ineffable Husbands Speak is to see that there are different levels of meaning beneath the surface of what we've been watching.
Nightingales (in Ineffable Husbands Speak). Romantic love. Specifically, Crowley and Aziraphale's word for their love for one another.
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loving-n0t-heyting · 7 months
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I'm pretty pessimistic about attempts to dissuade the United States from bankrolling Israel's atrocities. I'm to young to remember much of Iraq but I know we did this whole song and dance then and nothing changed it still happened an a lot of people died. This is not really a pessimism I can voice to any of my friends as we are all struggling to figure out how to resist. I'm voicing this to you because I've long enjoyed your blog and consider your writing to be principled will still empathic and that is very important.
Behind the scenes, American officials also believe there is limited time for Israel to try to accomplish its stated objective of taking out Hamas in its current operation before uproar over the humanitarian suffering and civilian casualties – and calls for a ceasefire – reaches a tipping point.
In fact, there is recognition within the administration that that moment may arrive quickly: Some of the president’s close advisers believe that there are only weeks, not months, until rebuffing the pressure on the US government to publicly call for a ceasefire becomes untenable, sources told CNN.
Even aside from the above, I think Palestinian solidarity rn is in a pretty different position from the antiwar movement in the lead up to Iraq. Iraq was the culmination of decades of neoconservative organising with the invasion as its end goal; the current aid to Israel is a response to an increasingly inconvenient and unruly ally, with whom the current administration (odious as it is) is already expressing frustration. The support for the iraq war among mainstream pundits and officials was virtually unanimous; already we are witnessing dissent on the Gaza war reach high places. And most importantly, the protests against iraq were comparatively narrowly focused and time-bound, while the campaign for Palestinian liberation is a decades long international movement that has made real strides, especially in the U.S. The same kind of international movement that eventually helped the ANC to bring down apartheid in South Africa. There’s some room here for optimism of the intellect as well as of the will
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celestemona · 2 months
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WHEN THEY'RE DADS
and they take their children to the work
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pairing: dad & husband! cyno, kaveh, lyney, wriothesley x fem! reader
cw: original characters, slightly ooc to fit the plot, parenthood, domesticity and fluff. not beta-read.
reblogs and comments are appreciated ♡
x
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Cyno
If the Matras had ever dared to think that they'd see a softer, more relaxed side from their general since he had become a father, they could not have been more mistaken as Cyno remained as ruthless and as sternly faithful to his beliefs as he had always been.
In fact, the birth of the twins only served to intensify his sense of morality and justice; his desire for preservation and security not only applied to the Akademiya' laws, but now extending to the well-being of Aryan and Isaar as well.
Even so, it was still common for many to still try to test their luck in deceive the General Mahamatra and risk cheating the system believing that they'd get away with it in the end. After all, what are the chances of their actions being noticed by Cyno when he already had so many duties to worry about?
Even if he was working, surely the well-being of his sons came as the first priority, right?
That was what they thought.
With the little ones babbling and fidgeting uncontrollably on his torso, it wasn't difficult to assume that Cyno would focus all his attention on his children rather than his surroundings, giving the advantage of a perfect loophole for some scholars of Rtawahist Darshan to escape into the desert to do use of forbidden knowledge — too unaware of the reddish irises that were also watching them attentively.
“They never learn,” he sighed in irritation as he adjusted Isaar into the sling to his chest and Aryan to his back, “Looks like we have a long day ahead of us, little ones. Dad will show you what happens to those who dare defy the rules.”
A cute laugh escaped his babies' mouths bringing a soft smile to Cyno's face at their reaction. Well, it seemed like he couldn't let his kids down now, could he?
On that day, Cyno had returned home early with a feeling of satisfaction and accomplishment; his twins babies, although remarkably happy, were already sleeping snuggled by their father's warmth, very exhausted from the day's activities.
On the other hand, the scholars who had dare challenged his abilities learned that Cyno's judgment should never be tested ever again. His frightening reputation was not something to take so lightly. However, there was something even terrifying about being stopped by the General Mahamatra while he takes care of his children.
They took notes to never doubt a dad' sense of responsability ever again.
Kaveh
There was something so absurdly attractive about Kaveh carrying your daughter in his arms as he discussed a construction project that you could do nothing but revel in the sight of.
The seriousness in his eyes, his slightly disheveled hair and the professionalism in the tone of his speech were three of the main characteristics that made you fall in love with the architect. But the addition of your baby girl sleeping snuggled against his chest definitely served to leave you — and all the other women present there — enchanted by him.
Perhaps this was the reason why his clientele had increased so much in recent months and the number of scams had dropped significantly, consequently also increasing his workload. Not only had fatherhood served to boost your husband's reputation and diligence, but your daughter had unwittingly become the architect's lucky charm as well.
While it wasn't unusual for both you and Kaveh to bring the baby with you to your respective jobs, the frequency with which Zahra accompanied him to the sumerian streets intrigued you. Not that you doubted your husband's ability to provide the necessary security and well-being for the little one, no. When it came to his daughter, you knew that Kaveh wouldn't think twice about risking his own life if it guaranteed her smile. It was more your uneasiness as a mother and wife speaking louder that even your husband's reassuring smiles couldn’t appease.
But in the end, you could only laugh to yourself at how worried you were for nothing because both Zahra and Kaveh were doing very well.
Kaveh's serene expression told you how calm he was and you assumed that negotiations with the client were also going well. Although Zahra was still sleeping, your little princess caught the attention of the citizens around them who cooed at the sight of father and daughter, causing some to approach them and taking an interest in Kaveh's work in the process. 
Or in the case of some ladies, taking an interest in the handsome dad who was giving them some decorations advice and a bright smile for free.
Who would've thought that to become such a respected professional you only needed to bring your cute daughter to work, huh?
You just hoped that these potential clients would see Kaveh's beauty and dedication beyond appearances, otherwise you’d have bad news to tell your husband. And a lot of spinsters to put in their place too.
Lyney
“Ok, kids. Remember to listen to papa and auntie Lynette, and no runs. Especially you Quenn. Stay by your sister’s side, please,” you tell your twins who are getting ready to leave with their dad.
Quentin only giggled and Corinne nodded in agreement like the good girl she was. You could already imagine the antics that were going on in your son's head now that he was somewhat aware that he’d be going out alone with his father, although you also knew that Quentin was a well-mannered boy and would do everything he could not to cause problems for his parents or upset his twin sister.
It wasn't your children's first time accompanying their dad to a rehearsal at the Opera Epiclese, but it was definitely the first time that you wouldn't be around to watch them since you had personal matters to attend to. Even if you didn't worry about your husband's ability to care for and keep the children safe, you still liked to remind them how they should behave to avoid possible accidents as the twins had also reached the dreaded curiosity phase. 
Furthermore, this reminder not only applied to the little ones but also to the magician, who had a heart as genuine as those of his children and could often be more playful than them.
“Don’t worry, my love. I'm sure the little ones will behave very well”, Lyney assures you, placing a kiss on your cheek and bringing the twins into his arms, “Ready to see daddy's new magic tricks?”
Luckily for Lyney, it wasn't a busy day at the theater; his team was already carrying out their duties even before his arrival and Lynette had already tested all their new magic items for the performance that’d take place in a few days.
Corinne and Quentin, despite being too young to understand what was happening around them, couldn't help but love watching all the preparation for what they knew would be a huge spectacle. Their little amethyst eyes sparkled like two pairs of jewels as they saw the stage being set up and, of course, their father starting some illusionist tricks.
Seeing the sweet curiosity on his children's faces, a warmth spread in Lyney's chest as he felt truly happy to be able to share his passion with his family.
And taking advantage of the twins' focus on him, the man created a small and brief exclusive show where he took a deck of cards from his pocket and manipulated each one of them so that they appeared and disappeared from one hand to the other. When the entire deck was gone, Lyney giggled at Corinne and Quentin's shocked looks. But when it reappeared once again from under his sleeves and the cards were thrown up, transforming into dozens of crystalflies soon after, the children's joyful and melodious laughter echoed throughout the Opera Epiclese bringing a smile not only to their dad but everyone there.
At the end of the day, when the whole family was back home, Lyney proudly shared with you how a good boy and a good girl your kids were; listening carefully to their father and aunt, and respecting the other employees.
But, well... it wasn't like you needed to know that the reason behind their behavior was because Lyney had barely worked; instead, he preferred to spend all his time in the company of his two favorite people in the whole world.
Wriothesley
The Fortress of Meropide’ veteran residents already knew Cameron as you and Wriothesley had no problem taking the little boy on your respective patrols.
In fact, many of them looked forward to meeting the Duke's son and being able to interact with the docile and laughing baby. Cameron's melodious giggles could melt even the hardest of hearts, and you and your husband appreciated the affection the prisoners showed your son.
However, when it came to the new inmates, you and Wriothesley had a mutual agreement to prioritize Cameron's safety before introducing him to the unfamiliar faces. After all, you can't be too careful, and the information documents about the detainees that came from the Palais Mermonia did little to say what kind of people you’d be dealing with.
Fortunately, to this day you or Wriothesley have never had to use your strength to educate newcomers and you hoped it’d stay that way.
That day, however, Wriothesley had no option but to take his son to welcome the new “residents” who were arriving. Normally you’d have stayed behind to look after your son, but you were also suddenly summoned to a meeting at the Court of Fontaine and left in a hurry after saying goodbye to your family.
“It seems it’s you and me again today, buddy,” Wriothesley said to his baby as he finished changing his dirty diaper and dressing him in appropriate clothes. When finally secured in the sling, Cameron cooed in delight.
Wriothesley smiled fondly.
“Yes. That's right, Cam. We’re late. Time to welcome the new residents.”
Now, although it was common knowledge that the current director of the Fortress of Meropide was nothing if not a fair and respectable man, there were still rumors about his strength and ferocity in combat that frightened even the most brutish of men. The fontainian citizens still harbored a certain fear of him and the prison's residents, so his reputation on the surface was not a pleasant thing to hear, even though Wriothesley didn't seem to care what these people thought of him either.
Thus, the prisoners who'd arrive that morning were already preparing for the worst when they went to meet the Duke; from physical punishments to psychological torture.
What they didn't expect, however, was to be cordially received by the director himself, who was carrying a baby that looked a lot like him trapped on his chest. While it was no secret that Wriothesley had a wife and son, the sight in person was shocking.
In the end, the reception had ended well for both sides. The new prisoners were given all the essential information about the prison system and its administration, and Wriothesley was able to get to know them better. It seemed that people became unconsciously more honest in the presence of babies.
Hours later when you returned home, your husband was enjoying a cup of tea while Cameron happily drank his formula while enjoying the warmth emanating from his father's arms.
You could say they had a good day.
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bunniekittiee · 8 months
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Shattered Ice- Bi-Han x Fem. Reader
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This is my first Bi-Han fic (besides headcanons) I promised you all, and I tried to get his characterization correct in the way I wanted it to be. Credits to @magic-schoolbusdropout ‘s post and their ideas! I did not base it solely on their idea but I incorporated it into the fic. I wanted to give it a shot.
It is not exactly proof-read so there may be errors!
CW: a lot of angst, bi-han going crazy, yea this is not the usual fluff stuff guys im sorry :(, also this is extremely long so like beware.
“Where are your brothers, Bi-Han?” she asked so quietly, her voice barely reaching his ears. Like a little mouse squeaking.
“They have forsaken our clan.” He rasped back. “They do not want the Lin Kuei to succeed. They want us to be at the hands of Liu Kang.”
Her heart dropped. Memories of the faces of the two brothers echoed in her head. Never to be seen again. “You have… abandoned them?”
Jaw clenched, Bi-Han’s eyes narrowed at his wife. “Abandoned them? They have abandoned our clan. They made that decision when they did not follow me.”
“Bi-Han, they are your brothers-”
“They believe we should be shackled by Liu Kang’s rule.” He interrupted her. “The Lin Kuei deserve much more than we receive, and the only way to accomplish that is by removing ourselves as Earthrealm’s protectors. Kuai Liang and Tomas have departed from us, they are banned from coming into our land.”
Her eyes watered. “Bi-Han… this is not right. You have forsaken your brothers.”
“Do not talk back to me in that tone.” He said harshly. “You are my wife. Know your place.”
“Abandoned your brothers for complete rule? Your father would be so devastated Bi-Han!” She fought back against him. “The Lin Kuei are supposed to be Earthrealm’s protectors.”
He rolled his eyes. “My father was a foolish old man, he did not know how to truly rule the clan. Sektor has been advising the development of the Cyber Initiative with me. We will flourish.” He was certainly proud of his decision, which made her feel worse.
“I do not know who you are anymore, Bi-Han.” She said, tears falling from her eyes as her wide (e/c) locking with his brown eyes. Eyes that were once soft to look at now held frigidness and irritation.
“I am still your husband.”
“Hardly.” She choked out as she got up from her seat. “You are someone else, a stranger.” She stormed away from him, his eyes still stuck onto her figure. His heart ached. In the worst ways possible. But he could not waste his time on making her understand. He had a lot to do, and he needed to work.
The couple’s home was silent for many months. She avoided him at what chance she could, hardly interacting with Bi-Han when he came into their room. He did not make an effort to talk to her either. Bi-Han felt lonely in their large bed as her body was on the opposite side of him. She stopped cuddling with him like she used to. She stopped giving him her sleepy kisses that warmed his cold heart. It was as if she hated him. It hurt in ways Bi-Han thought it would not hurt, but he could not let his pain show. It was weak, and he was angry at himself for being so bothered.
She struggled sleeping. It was difficult to rest when her husband, an entirely different man, was so cruel. Leaving his brothers behind. The faces she loved like her own brothers, now gone due to Bi-Han’s thirst for something more for the Lin Kuei that costed him his family. How much was it all worth? That, she did not know.
Dearly missing the brothers, she conspired. She loved Bi-Han very much. It was obvious as many commented on her look of infatuation and adoration when looking at him, but she was lonely. And deep inside of her, there was an intense feeling of terror building up as Bi-Han’s personality began to change drastically. He was much more agitated and withdrawn. When their eyes met, he would quickly turn away from her. Sometimes, if he stared at her for too long, his once comforting brown eyes would shift to a blue hue. It ached deeply. She wanted the old Bi-Han to return back to her once more, but she was not so sure if that would ever be possible.
Bi-Han was always busy with Lin Kuei matters that he never discussed with her. Before, he would make time to come back and rest with her, or at least sleep with her during the nights. However, he was slowly stopping that. So she decided that it was the perfect time to try and find Bi-Han’s brothers. It was a matter of slinking past the guards and others that roamed the grounds, but it was something she could manage.
She quickly packed a few things just in case she decided to stay with them for a few days. As much as she did not want to be with a tyrannical clan, she could not leave forever. And she could not leave Bi-Han, for he was her husband. They were tied together for the rest of their lives.
Bi-Han was not in bed by the time she decided to leave, so she carefully descended down the stairs of the palace and avoided the guards. He had taught her a few tricks to not be seen by others and she never thought she would need it, but here she was now. Her heart thumped loudly in her ears as her adrenaline rushed. She was terrified of being found by Bi-Han or even Sektor. Bi-Han had never raised a hand to her, but with his personality changes, she was not too sure anymore.
It was incredibly dark outside, the wind swaying the trees to a slight rustling. This enhanced her paranoia as she snuck in the shadows, hiding from more guards. The Lin Kuei were much more guarded now due to Bi-Han breaking away from Liu Kang. Whether it was due to the fact the Shirai Ryu were beginning to rise up or Bi-Han was trying to increase numbers, the areas were guarded heavily. It made her escape difficult.
After some time of slinking past the darkest parts of the Arctika, she let out a small breath as she quickly padded in the direction of the horses’ stable. She knew that her journey would hardly be accomplished on foot, so having a way of transportation would grant her enough time to get away before Bi-Han realized she was missing. Whether it was the Gods’ way of helping her, the stables were not guarded. Luck must have been on her side tonight.
Quickly getting the gear on her horse, she frantically looked around to make sure no one would walk in on her. She could not be found out now. As she led her horse out of the stable, she looked around once more before lifting herself up onto her horse. She tried her best at being silent as she left, and the stables were on the outskirts of the Arctika. Once she hit the main pathway out, she looked down at the map she had stolen from Bi-Han of where the Shirai Ryu could possibly be at. It was in preparation for her trip. Her anxieties lessened as she increased her distance from the Lin Kuei, but guilt chewed her insides up. Bi-Han was going to be ravenous with revenge and fury.
Exhaustion hounded him like a starving stray dog. He had hardly slept for a while, the dark circles under his eyes darkening as he continued his bad habits. He craved the touch of his wife and her voice. Bi-Han missed her dearly. She had not taken the news of his new ruling well, and Bi-Han suspected that she was beginning to loathe him. But he tried to give her the benefit of the doubt.
“Firefly,” he whispered as he creaked their bedroom door open. “I have missed you so.” He entered the room, eyebrows scrunching at the sight of an empty bed. His mind wracked where she could possibly be at during this hour of the night. Jaw clenched, he turned away from the room and began to stomp around their home, asking his soldiers if they had seen her. They had not.
Panic ensued within him, however he did the best he could to compose himself in front of his clan. If they had not seen her, maybe Sektor had. He hunted him down rather quickly.
“No, I have not seen her.” He replied back to the Grandmaster as he studied one of the cybers on the table. He looked up at Bi-Han. “You don’t think she left, do you?”
“I do not know.” Bi-Han snapped. He was extremely worried. His brain was running a million miles per hour thinking about where she could have went.
Sektor ignored his tone and thought over what could possibly be the reason why the Grandmaster’s wife had disappeared.
“Unless… you don’t think the Shirai Ryu could have possibly taken her?” Sektor suggested.
Bi-Han’s blood froze. He felt the room spin as his eyes widened and he thought deeply about Sektor’s suggestion. It made sense. But how did they sneak inside so easily? Bi-Han had it heavily overseen with troops. They were on lock down practically, but he did not put it past them to kidnap his one and only weakness.
His brown eyes began to slightly shift in color, beginning to turn blue as energy surged through him. “We have to infiltrate their base immediately.” He said gruffly. “We cannot let them hurt her.”
She studied the map more as her horse carried her further away from her home. It had been at least eight hours with a few breaks in between for her horse and herself. At a galloping speed, she was able to get across more distance. She was cold, shivering from the wind. It reminded her of Bi-Han’s cold body when he changed his body temperature. Sometimes if she had hot flashes or extreme high temperatures, he would simmer his own in order to give her relief. He would cuddle her close to him as he did so, making sure to not overdo it. Her heart hurt as she thought about their memories together. After his betrayal, he was not the same.
Glancing around at her surroundings, she heard rustling in the trees around her. Her paranoia had risen once more and her horse had heard the noises as well, ears standing on end. She swiveled her head to see if it was an animal or a person. The rustling quickened, and she dug her heels into the side of her companion to run. But she was not so lucky, as they were both caught in a net. Her horse stopped dead in his tracks, squealing angrily as they were both thrown to the ground by the force of the net. Surrounded by unknown soldiers who had wrapped rope around her horse, she screamed. Adrenaline coursed through her body as her fear made her nauseated. Bi-Han was not around to save her, and she had led herself straight into the jaws of death.
As she attempted to get up, she was tackled back down to the ground once more. Her forehead was painfully wounded as she struggled against her captor who was much stronger than she was. Blood blurring her vision, she could not see very well. The soldiers had tied her extremities and picked her off the ground, silently making their way back to where they came from before. She continued to scream and thrash her body around, until another solider roughly tied a gag around her mouth to shut her up. Tears ran down her face and she could not help but sob. Her heart felt like it was going to come out of her throat as she knew she was meeting her demise. Without ever saying good-bye to Bi-Han.
She saw the dirt ground turn into a pathway, but soon after she had seen a glimpse of it, her head was obscured by a burlap sack by the same soldier that gagged her. They must not want prisoners to know the layout of their land. That made sense to her, she had seen the Lin Kuei practice the same method. For a moment, a fleeting thought passed through her brain. Maybe this was the Shirai Ryu clan. That meant she was near Tomas and Kuai Liang.
But then again, she was not so sure. That made the anxiety in her stomach twist. If she was wrong, it meant it would cost her her life. After some time of walking, she assumed she was where she needed to be when she was tossed to the ground like a rag doll. Her body ached tremendously from the cold, as well as the rough state her body was in.
“Unmask her.” A familiar voice rang out, but it was muffled by the burlap sack and her stinging head wound that made her lightheaded and dizzy. The sack was violently torn off of her head as her eyes adjusted to the light that the torches gave off.
Looking up, her vision was blurry as she could barely make out the two figures that sat near her. “By the Gods! Untie her immediately!” said one as he approached her fast. “Now now!”
“Y/N…” said the other who came near her form. “Is it really you?”
Kuai Liang and Tomas engulfed her in a hug as she began to cry. From pain and relief. She found them…
“I have been searching for you both.” she said, her words wavering. “I am so grateful to have found you.”
“We need to take you to the medics, little sister.” Kuai Liang said as Tomas gently picked her up off the ground. “That is a nasty head wound they gave you.”
“My horse…”
“They will take care of him.” Tomas said as Kuai ordered them to free her horse and put him in the stables. That was if they could avoid getting kicked in the face.
Reaching the medics, Tomas set her down on the bed as they began to work on her scrapes and wound. “If we had known it was you, we would have not allowed them to hurt you like that.”
She sighed quietly. “It is okay, Tomas. I was in your territory, a stranger. They were only doing what they were ordered to do.”
“How did you escape the Arctika?” Kuai asked. “I thought Bi-Han would have everything guarded heavily.”
“Well, he does. I was able to sneak past the guards and get to the stables. They do not exactly have soldiers patrolling the stables, and since it is on the outskirts of the Arctika, it is easy to escape.” She explained.
Tomas grabbed your hand gently. “If you have escaped, Bi-Han will not be that far behind you. He will go to the ends of the earth to find you.”
Looking down, she frowned. “I just… missed you both very much. Bi-Han is not the man he once was. He is much more aggressive and distant. He is searching for the Shirai Ryu. I have barely interacted with him since his betrayal, and I cannot bring myself to stay in a place that does not bring me joy.”
“Do not twist my words, I still love Bi-Han very much, but what he is doing is not what your father would have wanted. He has corrupted the Lin Kuei.”
Kuai Liang furrowed his eyebrows. “I heard that he was following through with the Cyber Initiative. That is what Shang Tsung had promised him. I cannot believe that he is doing all of this.”
“Neither can I. I wish he was easier to reason with, but he is very relentless on this matter. He believes you both have betrayed him, not the other way around.” She explained while gripping Tomas’ hand. “He is blinded by his own anger.”
“Bi-Han was never one to master his own anger, that was always an issue he has struggled with.” Kuai Liang replied. “I do not see him having mercy, especially now that you are with us.”
“But do not fret,” Tomas interjected. “We are happy to have you here until you recover. That is, if Bi-Han does not find you until then.” He exchanged a worried look with Kuai Liang who only nodded his head. “He will not take it lightly that we have his wife.”
She understood. She knew how much they were risking letting her stay with them. Bi-Han’s rage was not one to be in the crossfire of. She had hoped he would not find her just yet, she had barely reunited with the brothers and wanted to spend more time with them.
After cleaning her wounds up and bandaging her, the brothers led her out of the infirmary to walk to the temple. They talked about old memories of being together, the adventures they would go on. Tomas had asked how Jia was, which Jia was a little sad since the brothers were exiled. They were a part of her life since she was a kitten, it was not a surprise she carried melancholy since they had left. Many of their conversations were reminiscing as they did not want to talk about the present. It was saddening to know that they would never have the same bond they once did with Bi-Han, he would always crave for bloodshed. He already spilled Kuai Liang’s blood when he gave him that scar on his eye, he would continue his journey to spill more. Bi-Han did not see them as brothers anymore, they were enemies. Kuai Liang and Tomas understood that.
The brothers made sure she was fed and had a comfortable space to sleep. She was exhausted. She quickly fell asleep the minute her head hit the pillow, forgetting the events of her day in the dream state she entered.
However, Kuai Liang and Tomas were not so easily able to do the same as her. They stayed up, their anxieties chewing away at them.
“If Bi-Han finds her here, he will assume we took her.” Kuai Liang said while he brushed his hair. “He is not one for reasoning while he is angry.”
“Believe me,” Tomas replied. “I know he will be wrathful. There will be no way of explaining anything to him. He will ignore it.”
Kuai sighed. “As much as I am happy she is here, it also created a disaster in the long run. I just hope that Bi-Han will not be able to find her, at least for some time.”
“But if he already had a map developed of where we are at, then he will not take long.” said Tomas. “Once he is on a mission, he will never get side tracked.”
“You are right, brother.”
The glaring sun bore through the window near her bed, making her shift her body and scrunch her face up. She was not used to this as the Arctika did not have much sunlight coming through in the mornings. But where the Shirai Ryu were, there were lots of lighting. Eventually, it woke her up.
Blinking slowly, she remembered her journey that she had taken to get here. Her breathing increased when she remembered Bi-Han, and how he was going to eventually find her. It scared her. She did not know what he would do once he found her with his brothers. Maybe he would kill her? Keep her prisoner? Leave her to stay with the Shirai Ryu? The possibilities were endless, and Bi-Han was not exactly predictable like he used to be.
She crawled out of bed and made her way outside to enjoy the sunshine. The Arctika did not have sunshine with this amount of intensity, so she decided to embrace it as much as she could before she would have to leave. She sat down in a spot with direct sunlight, sighing with such peace as she closed her eyes. The sun felt good on her skin as the morning dew created a refreshing feeling.
Hearing the crunching of footsteps, she opened her eyes and saw the brothers approaching her. She smiled at them. “Good morning, brothers.”
They nodded their heads. “Good morning, sister.” They both said as they sat down next to her.
“It is a beautiful morning.” She said with a small smile on her lips. “Much better than the ones at home.”
Kuai Liang chuckled. “Definitely. The sun feels great out here.”
“I can see why Syzoth enjoys it, although he is a reptile, so it makes sense.” Tomas said. “It makes you feel good.”
They sat in a comfortable silence. However, they all had the same thoughts in the back of their mind. It always lead back up to Bi-Han no matter what. The worries of him arriving soon had nagged at Tomas and Kuai Liang. They could not abandon Bi-Han’s wife, as she was like a sister to them, and they knew they had to take care of her. But they knew they had to prepare for war. Bi-Han could arrive at any time, and they knew that.
“We came to greet you, but we must be on our way. Sorry, little sister.” Kuai Liang said as he placed a hand on her shoulder. “We have to prepare for war as a precaution. I hope you understand.”
Smiling sadly, she nodded solemnly. “I understand. I am very sorry.”
“Don’t ever be sorry, we are glad we found you. We hate to let you go so soon.” Tomas frowned. “We wish you could stay here forever, but your life is with Bi-Han. He…”
“He would not know what to do without you. It is better if you are with him, even if he is corrupt.” Kuai Liang finished Tomas’ thought. “But we will not throw you out, of course.”
Nodding once again, she said her goodbyes to the brothers so they could tend to their duties and prepare for Bi-Han’s arrival. She felt her eyes water, but she blinked her tears away. She could not allow herself to cry, not yet. She had nothing to cry over, until it was time.
Eyes ablaze with rage and distress, Bi-Han lead his army to where he speculated the Shirai Ryu were at. He did take notice of the map missing from his study, he had almost believed that his wife may have taken it, but he did not think so. Why would she scheme against him? His trustworthiness for her was beginning to diminish, but he could not let it go too far. He could be wrong.
After planning with Sektor and Cyrax, they gathered what they had of the cyber Lin Kuei and combined it with their human counterparts. They could overpower the Shirai Ryu. At least, that is what Sektor had promised him. All three of them were riding their horses in front of their army, the only sounds echoing around them being synchronized footsteps and the click-clack of the horses’ hooves.
It was now sometime in the late afternoon to evening, and they had hardly taken any breaks. Cyrax was looking down at the map they had, thankful that Bi-Han had more than one map of the possible location of the Shirai Ryu. As he did this, Sektor was beginning to converse with Bi-Han.
“Grandmaster, I do not want to worry you, but-” he started.
“What is it, Sektor?” Bi-Han snapped as he was led out of his own thoughts.
Sektor raised his head a little higher and bit back his retaliation. “When I went to get our horses from their stables, your wife’s horse was gone.”
Bi-Han glowered. “There is no way of her horse walking out on its own, were any of the stable doors open.”
Sektor shook his head. “Not at all, Grandmaster. In fact, some of the gear was missing as well. I do not want to assume she may have left on her own, but it would explain why her horse was missing.” He carefully chose his words.
Bi-Han tightened his grip on his horse’s reins. “Why would she leave me like that? She has nowhere else to go. Besides the Shirai Ryu.”
“Either way, it is still a positive sign to continue our journey.” Sektor replied.
Sektor’s information did not ease Bi-Han’s heart. He felt like it was going to shatter. Why would she betray him like this? It was bad enough that his own brothers did the same, but she? His own wife, the love of his life? His heart was beginning to harden after everything he had known. Why show her mercy if she was disloyal to him and the Lin Kuei?
“Halt!” Cyrax called out loud. “There is something on the ground.”
Bi-Han rolled his eyes. “Why are we stopping over something that pathetic?”
Cyrax hopped down from his horse as he approached the spot on the ground, studying it carefully. “Grandmaster, it is blood.”
Narrowing his eyes, he let himself down from his horse as he approached him. “Blood you say? Is there a chance it could be hers?”
Sektor had decided to leave his horse as well and study different parts of the area to find more clues.
“I am not too sure, Grandmaster. It could be an animal’s but there is also a chance it could be hers. But this is not near the assumed location on the map.”
Sektor was studying some sharp branches closely. There was something off about them. Almost as if-
“Grandmaster. Cyrax. I have found another clue!” He said as he pointed at the clothing. Bi-Han quickly approached him. “Look at the branches. There is clothing caught on them.”
“That is the colors of the Lin Kuei.” Cyrax said in slight awe. “You have great eyesight, Sektor.” Bi-Han reached forward and grabbed the cloth. He rubbed it between his fingers. It felt just like the clothing she wore. His eyes darkened as he glanced back at the blood and the clothing that was now pointing them into the right direction.
“They hurt her. They are where the cloth will take us, in that direction.” Bi-Han said as he pointed. “We must act fast before they cause more harm again.”
Kuai Liang was meditating, taking a small break from the large amounts of preparing he and Tomas were doing. They had to get their soldiers ready for any threat, as well as their land guarded at every point possible. They had to stay on high alert of the Lin Kuei showing up. Kuai Liang knew it was coming no matter what.
His eyes widened as the hair on his arms stood on end. He had a sense of impending doom, a feeling all too familiar to him. From experience, his senses were hardly ever wrong. Getting up rather fast, he had to warn Tomas. Bi-Han was here and he was ready for warfare.
Bi-Han’s lovely wife was resting due to her head wound causing her to feel dizzy. Tomas and Kuai Liang did not pressure her to leave her bed. They were already busy as it was due to her staying with them. It was only a matter of time before Bi-Han arrived like a bat out of hell. Eyes closed, she drifted off to an in between state of sleep and alertness. That was, until a solider of theirs stormed into her room. “Grandmaster Bi-Han’s wife,” he said. “We need to put you into hiding, they are here.”
Her heart sank. She nodded, getting up from the bed and following the soldier to a spot underneath the floor where should could possibly be safe at. That was if Bi-Han did not find her. He was a very thorough man, there was a good chance he would.
Encased in mostly darkness, she sat on the dirt floor and pulled her knees to her chest. She could hear the footsteps of the Shirai Ryu overhead, and the approaching sounds of their rivals. It was only a matter of time before they were murdering each other. All because she left. She realized how much trouble she had caused for Kuai Liang and Tomas just by arriving at their home. She shouldn’t be hiding underneath the floor, she should be trying to reason with Bi-Han.
“Where is she, Kuai Liang?” Bi-Han spat while placing a hand on the handle of his sword. “Give me back my wife that you took from me!”
“Brother, I did not do such a thing.” Kuai Liang said, eyebrows scrunched. “She came here looking for us. We did not tread on your land.”
Bi-Han did not want to believe them. Why would his own wife betray him like that? “You defile her name, you speak lies, snake. Why have you hurt her? There is blood on the ground.”
Tomas internally cursed and looked sullen. “Bi-Han, it was an accident. They did not know who wandered into our territory.”
Gritting his teeth, Bi-Han’s eyes glimmered with anger as he began to pull his sword out of its sheath. “Incompetent. I do not expect anything less from either of you. Give her back to me, now. Before I rip apart your home.”
Tomas and Kuai exchanged a look before averting their eyes back to Bi-Han. “Only if you stop your mission to kill us. And you will leave her alone.”
Bi-Han signaled his soldiers to attack, not wanting to hear more out of his enemies. Kuai and Tomas knew it was going to come to this, so they wasted no time in lunging at Bi-Han to calm him down. Despite all he had done, they did not want to hurt their brother. But he was starting a war that neither side could not afford.
Curling into a ball, she felt terrified and lonely. She wondered when it would all be over, but then, their faces appeared in her head. Bi-Han had the chance to kill his brothers if he wanted to, all because she made the choice to leave. To find them. It was unfair, and she knew that. As she gained courage, she rummaged around the small space, trying to find anything she could to break out of the confinements. She had to reason with Bi-Han. It was the only way to get him to stop this.
She wrapped her hands around the handle of what she assumed was a broom and began to slam it into the trapdoor. Over and over. Continuously, until the floor began to somewhat break. She used her hands to strike at it as it was weak, and it eventually gave away. Pulling herself up, she squinted her eyes as she adjusted to the lighting. She could hear the yells of the soldiers much more clearer. With adrenaline rushing, she sprinted out one of the doors and whipped her head around. In her attempts to find Kuai Liang and Bi-Han. Back farther into the forest, she saw glimpses of smoke, fire, and ice. They must have taken their fight away from the Shirai Ryu Temple.
Avoiding as much as the bloodshed as possible, as well as the soldiers fighting to the death, she ran in the general direction she had seen the men’s powers. The soldiers were too occupied with one another to see her. Otherwise, the Lin Kuei would have immediately attacked her. The sight of the cybers increased her fear. That is what Bi-Han and Sektor were developing. It was horrifying.
As she got closer to where the brothers and her husband were at, the smell of blood stung her nostrils. Her worries almost came out of her mouth as bile, but she could not let herself be so weak in this moment. She needed to help them.
“Surrender, and I will call off the Lin Kuei.” Bi-Han rasped as he stared down Kuai Liang.
“Now you lie, brother.” Kuai replied as they paced around. “You will never call them off.”
Bi-Han’s eyes narrowed in irritation. “Obey your Grandmaster and heed my orders!”
“You are not my Grandmaster no longer, brother.” said Kuai as his emotions were written on his face. Sadness, betrayal, and grief. “You are not who you once were.”
“And you are not my brother, a mere stranger to me.” Bi-Han lunged forward at Kuai as their swords clashed together. Bi-Han stepped back once again.
“Bi-Han,” said that sweet voice, one that brought him comfort, love, and warmth. “Bi-Han, you need to stop this!”
“Little sister!” Tomas said as he went to her side. “You are not supposed to be here!”
“Get away from her you fool!” Bi-Han yelled at Tomas as he began to walk forward. Kuai pointed his sword out at Bi-Han to stop.
“You will not touch her,” Kuai growled. “You leave her out of this, Bi-Han.”
“I want my wife back, the one that was wrongfully taken from me!”
“Bi-Han, I made the decision to leave.” She blurted. “I left to find them. They did not take me away from you.”
Another blow to his heart. His beloved, his most cherished human being in his life, left him. To find the Shirai Ryu. Sektor was correct in his theory. “You betrayed me!”
“You betrayed them first, Bi-Han.” She argued back. “You made that mistake.”
“You have forsaken all the Lin Kuei principles!” His voice increased in loudness and raspiness. “What have you done to me? You were supposed to rule beside me!”
“I missed them, Bi-Han! You cannot blame me for my sadness, you brought it upon me and I had no other option but to accept it. You are not the same man you once were, and it shows. I wanted to see them again, Bi-Han.”
Jaw clenched, his eyes moved from his wife, to Kuai, to Tomas, and back to her again. “All three of you have abandoned the Lin Kuei. For your own selfish purposes. You all could have ruled beside me and witnessed us flourishing. Instead, you have betrayed me.” His eyes began to shift in color, his arms beginning to turn icy and the nature around them as well. His feet created ice underneath them.
Kuai Liang took a step back as Bi-Han’s rage was focused on him, his now blue eyes staring into his soul. Raising his hands, Bi-Han shot ice out of his hands, enough to give Kuai injuries and more. But, it did not hit Kuai Liang.
Body thudding the ground, her face paled quickly as the ice began to seep into her body and penetrate her blood. Bi-Han’s eyes slowly moved down to her small form laying on the ground. It did not register in him that he hurt his own wife. The woman he promised to never hurt and always protect. Yet here she was, lying on the ground as her limbs encapsulated themselves in ice.
“Bi-Han…”
“What have you done?” Tomas said as he kneeled down next to her. “Kuai, we need your fire now.”
“Unhand her now!” Bi-Han said as he ripped her body away from Tomas. “You… will not touch her again.”
“Bi-Han, she needs immediate attention! She is going to die.” Kuai said as he stepped towards Bi-Han.
His eyes began to glow which did not settle right with Tomas and Kuai. They had never seen him do this before. “I do not need your help. Leave it to me, now.”
“Brother-”
“Silence!” He screamed, breathing unevenly and placing his hands gently on her pale face.
"Bi-Han, she will die if she does not-"
Their vision was immediately obscured by white, ears ringing as the whistling of the winds began to pick up. They were surrounded by snow and snowflakes. They squinted their eyes at attempts to find Bi-Han and his wife, but they could not see very much.
"Kuai Liang!" Tomas yelled over the whistling wind. "I think he created a blizzard!"
"I did not know he was capable of doing so!" he replied as he grabbed onto Tomas. "He will be easily angered in this form, I do not see him reasoning with us."
"We need to help her! If she does not get the help she needs, she will die!" Tomas yelled again. The look of defeat crossed their faces. They were not going to have much power to reason with Bi-Han to accept their help.
Bi-Han felt his word shatter as he stared at her limp form. Her heart beat was still there but it was rather faint. Her lips were beginning to turn blue from being surrounded by cold and ice. Bi-Han's eyes were still glowing as the winds increased more, as well as the snow fall. Picking them both off the ground, Bi-Han began to walk in the general direction he assumed where the Shirai Ryu were at. He had to leave now. They had to make it back to the Arctika before she gave up on them. He could not rely on the Shirai Ryu to help, as they would only use it as leverage. And Bi-Han knew that he could not bite his pride back and let them help her.
The blizzard Bi-Han created followed the Lin Kuei all the way back home to the Arctika. They had difficulty navigating back because of how heavy the snowfall and winds were. It only seemed to get worse as they approached their home. Bi-Han attempted to keep his wife warm with many blankets as possible as Sektor kept track of her heart rate, but her condition did not improve much. Bi-Han felt hopeless, his moods taking a turn for the worst. He was distraught as he felt many emotions he did not think he could feel. He was hurt. His heart hurt so much. How could she do this to him? How much did she tell Kuai and Tomas? He was not sure, and he almost did not want to ask. He felt like he could not trust the only person who he loved so much, for she had taken his trust and ran with it.
But Bi-Han loved her. He loved her so much and he knew he could not stop loving her no matter what. Could he stop trusting her? Yes, yes he could, but stop loving her? That was impossible as much as he wished he did not turn soft. For many hours of their trip, Bi-Han continued to monitor her closely as they were far from their home. Any moment Sektor's facial expression somewhat changed when he listened to her heart rate was another stab into his heart.
After many grueling hours, the Lin Kuei and their Grandmaster made it home. The blizzard was at its peak, but the soldiers hurried inside the confinements of their home. Sektor and Cyrax instantly began to prepare the infirmary for the Grandmaster's wife. Bi-Han was relieved to be home, but his anxiety was not at ease. It made him nauseated. He felt out of control, it was not normal for Bi-Han.
He waited impatiently, pacing and rubbing his face constantly as Cyrax and Sektor began to work on her hypothermia. No matter how much warmth they used, she did not improve. They knew it would take time, but telling the Grandmaster that was as if they were telling him she was going to die. Cyrax and Sektor exchanged small, concerned glances as they continued their work. Bi-Han was not acting normal, in fact, it seemed as if his defenses were down.
"Grandmaster, we can give you a moment alone if you want." Cyrax said to him, noticing how pained he looked. Bi-Han did not reply as he got up which signaled to them to leave. Closing the door on the way out, Bi-Han sat next to his wife, gently cradling her freezing hand between his own. If anyone had seen Bi-Han, it would look as if he was in mourning. His dark circles were extremely dark, his eyes bloodshot and containing no glimmer of hope. His lips were pulled into a tight line, whether it was to prevent himself from showing any other emotions or another reason, it was unknown.
"Firefly," he said softly. "Never underestimate how much I love you. You have to be strong, you are Lin Kuei. Lin Kuei fight their battles well, no matter if it is in physical battle or in health. Do not give up." He did not know if she could hear him, but a small part of him wished she did. His eyes scanned her face while his grip began to slowly increase. She was alive, a fact that put his certain worries at ease, but she was lying on her death bed. That he put her on. It was his fault, he had lost control and was not disciplined enough to master his own powers apparently. That was evident to Bi-Han.
Lowering his head, he continued to hold her hand as he closed his eyes. All the fighting and long nights were beginning to hit him all at once. He could not help but feel himself drift off to sleep. It was not peaceful, that was something he could not argue against.
Drowsily opening her eyes, her teeth chattered immensely at the freezing cold that pricked at her body. She was covered in multiple blankets and had some sort of heaters around her, but it was not able to fight against the cold that made her body convulse. She looked over and her mouth opened agape. Bi-Han was sitting next to her with his eyes closed, holding her hand in his large one. She felt her fear consume her, as she began to move away from Bi-Han’s figure. She could hardly move her limbs, it was as if they were frozen.
Bi-Han heard her struggles and awoke fast. He got up on his feet, now awake and registering his own wife moving away from him. He placed a hand onto her. “Firefly-”
“Get away from me!” She croaked. Bi-Han retreated his hand, as if he had touched a red, hot knife. “Stay away from me, Bi-Han.”
“You should know I never meant to hurt you.” He replied solemnly. “It was meant for Kuai Liang.”
She felt herself tear up. “Hurting me or your brothers will not help your cause. Get away from me, Bi-Han.” She tried to say this sternly but she could not help the few cracks in her voice. “You frighten me.”
It anguished him to hear her sharp words. The pit of his stomach fizzled with nausea and bile, his chest felt that broken, horrifyingly warm feeling as his vision blurred and his ears began to ring. His breathing increased. “My beloved, you do not understand.”
“Understand what? That you are a monster?”
He gritted his teeth. “It was you that left me. Had you not left me, this would have never happened.”
“Well, it happened, didn’t it? All for what? So you could get the upper hand against the Shirai Ryu?” She spat back, bringing her knees to her chest as she cuddled against the blankets. “You were going to hurt your brothers.”
“They are not my brothers no more. You of all people should know that.” His irritation was beginning to increase. “You have betrayed me. I cannot trust you.”
“I can’t trust you either. Now I am going to be fearful if you will hurt me again or cover me in ice.” She replied with venom dripping off her words. “You are a cruel man, Bi-Han. Leave me alone. I cannot bear to be around you.”
With her last words, Bi-Han stormed out of the room. He did not spare her a passing glance. She let herself cry, sobs wracking her body as she pulled the blankets closer to her and tried to warm herself up. But she could not. She craved Bi-Han’s warmth and touch, but she could not be held by him. He was corrupted.
Sektor and Cyrax recommended lots of bed rest, warm foods, and extra warmth to help her condition. She was eventually moved from the infirmary to the comfort of her and Bi-Han’s bedroom. Servants gave her what she needed, and they gave her warm baths in order to ease the aching cold. But it was hardly improving much. It was as if Bi-Han had given her a deadly frost bite.
Ever since their last argument, Bi-Han had avoided her like she was an illness. She had not seen him since. But little did she know, Bi-Han did see her. He was check in on her when she was asleep to see if she was still breathing. She was just as beautiful as the day he married her. He wanted to crawl into bed with her and hold her close to him. Give her warmth. But he had to listen to her orders to stay away. It was for her own good. He could not bear to hurt her again like he did. She was even lucky to still be alive.
He occupied himself with work and overworked himself in large amounts. He had to oversee the production of the Cyber Initiative as he had taken some to battle the Shirai Ryu. They found out their weaknesses and made the cybers stronger. Soon, they would be unstoppable.
Yet his achievements did not make him feel any better. He missed his wife dearly. He wanted to hear from her how proud she was of him, and how the Lin Kuei would never have to be servants again. Instead, he felt like a monster living within human flesh. The blizzards hardly faltered since that day she had gotten hurt. The weather conditions were horrible on the Arctika due to this. Bi-Han did not know he was capable of such a powerful weapon, but he had concluded that he could only do so when he was agonized.
In dire need of seeing his wife once again, Bi-Han had risen from his chair and decided to take a stroll and find her in their room. That was where she mainly stayed at due to medical orders. Cyrax made sure she did not disobey these orders, as she had already broken Bi-Han’s trust.
His feet carried him to their room while he was deep in thought. It felt as if he had teleported his way to their sanctuary. His hand turning the door knob quietly, he peered inside and was taken aback. She was not asleep like usual, she was awake. Her head swiveled to him, their eyes locking together as they stared at one another. Bi-Han entered the room and she began to flinch away from him. She moved her body further away, and it tugged at Bi-Han’s heartstrings. She was afraid.
“What do you want?” She asked him, still looking at him.
“I came to see you.” He breathed quietly. “I always do when you are asleep.”
She felt her heart beat faster at his words. Despite how much they were hurting, he still came to see her. It warmed her heart, but she could not bring herself to forgive him just yet.
“I know I hurt you.” He said with his arms crossed. “I am truly sorry. I never meant to hurt you.”
“It is hard to believe you. With your behavior changes and what you have done.” She frowned at him and felt herself begin to tear up.
Bi-Han started to approach her but she scooted back quickly. “Please stay away, Bi-Han.”
He stopped where he stood and put his arms behind his back. “I am sorry, my beloved. I never wanted this to happen.”
As much as she craved his touch, she could not trust him. Just as he could not trust her. “We both need time, Bi-Han. It is too soon.”
He nodded his head. “Understood. We both do.”
Many months had passed since her accident. Bi-Han tried to keep his distance away from her, but here and there she warmed up to his advances. They had not made love for almost a year, although Bi-Han was not a fiend for such an act, he still wished they could divulge in it with her. He missed being so close to her and her body. But he knew she needed time to trust him, just as he needed time to trust her once again.
“Bi-Han,” she spoke softly.
He raised his head up. “Yes, my firefly?”
She stepped closer to him. “Please hold me, Bi-Han.”
This was a huge step for them, but Bi-Han did not want this opportunity to slip from his hands. He gently wrapped his arms around her waist as he brought her closer to him. He felt her arms wrap around his body. He breathed in her scent deeply. She smelled wonderful. It was comforting to Bi-Han.
He wondered if their relationship would recover fully from what had happened. It felt that these wounds were partially healed, but Bi-Han did not want them to re-open. His brown eyes started to tear up as he held her close to him, but he blinked them away. He wanted to stay like this forever.
“I love you, Bi-Han.” She said as she closed her eyes.
“I love you much more, my sweet firefly.”
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jubileemon · 2 months
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In the music video, Blitzø is represented by the Moon, while Stolas is associated with the ocean, initially walking on it before being submerged in it. This is actually very symbolic of their dynamic. The Moon controls the tides, but at the same time, it orbits around the Earth. Blitzø relies on Stolas and is drawn to the force of his power that he needs to accomplish his goals. However, Stolas is controlled by Blitzø's gravity as well, to the point of drowning in his emotions for the imp. They both profoundly affect one another.
Even the string that ties Blitzø and Stolas together is deeply symbolic. The majority is Stolas's blue, which is representing how much he's put into the relationship so far, as well as the massive amounts of feelings he's going through dealing with possibly losing Bitzø once he gives him the crystal. He has so much length to it because he's being so much more open about his feelings as well.
Meanwhile Blitzø's red is barely there because he doesn't, and possibly can't, put more into the relationship than he currently does. He has so much self-hatred that it's almost impossible for him to love anyone romantically, considering he doesn't even love himself. That and he's scared to put himself out there only to be hurt. He shows so few emotions and so his portion of string is immensely shorter. When it snaps, it all goes back to red on his end as all his trauma and repressed emotions about it flood back and envelope him in the moon once more.
Pay attention to the size of the moon. At first the moon was small, that is, these "walls" were thin or insignificant (this can be recognized from the childhood of Blitzo and Stolas, Blitzo was full of enthusiasm and hope, but now it is slowly fading away). Previously, Blitzo was more open, but after many events in his life, his walls began to increase (he was used by his father for profit, his best friend Fizzaroli suffered because of him, etc.), and eventually became huge and impenetrable (he does not share many things, not even with his own daughter, and he's afraid to trust Stolas on purpose). Even Stolas, with his tall stature, cannot compare with them. This literally shows that Blitzo can't trust anyone.
Stolas sees this and tries to break through them, but until they talk, the walls will not be possible to get through. It is precisely because this "barrier" cannot be destroyed that Stolas will give Blitzo the opportunity not to depend on him because of some kind of grimoire. The Moon's increasing size may also indicate that Blitzo is becoming a significant figure to Stolas. He wants to be with Blitzo not only physically (by type of sexual attraction), but also emotionally. In other words: Stolas fell in love with Blitzo seriously, not in childhood, when it was just sympathy, but real love, which is difficult to get rid of.
The symbolism of Blitzo as the Moon is very reflective of his and Stolas' relationship. Not only is it a callback to the fact that they mostly see each other once a month on a full moon to do “the deed”, but it it's also just a great metaphor for Blitzo as a character. Humanity has been fascinated by the Moon for a long time and tried to reach it for centuries and it was only in 1969 (relatively recently) that they managed to do it. The moon had always been this gorgeous, desirable, yet unreachable thing and that's exactly what Blitzo's love is from Stolas’ perspective.
Stolas' love for Blitzo is represented by the moon. First small and bright, something he can hold close and dear. Then larger, something harder to hold but something still fully within his grasp. Then at the end, impossibly large while also just out of reach
The moon also mirrors the power dynamics between Stolas and Blitzø, at the start with Stolas holding all the power, then Stolas putting himself at Blitzø’s level when he finally tries to look deeper and see what Blitzø needs and his walls. Then the moon grows larger than Stolas as he intends to give Blitzø the crystal so he doesn’t have to depend on him anymore. And now the power in the relationship shifted towards Blitzø. Whether the relationship continues is now up to him.
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mcflymemes · 2 months
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PROMPTS FOR FAKE DATING & GOING UNDERCOVER *  assorted dialogue for muses going undercover as a couple and having to maintain the illusion that they're dating, and all the chaos, feelings, and whatnot that come with it, suggested by dollhidden, adjust as necessary, send "reverse" for the reversal of action prompts
DIALOGUE PROMPTS
come on. at least pretend that you like me.
if we hold hands, that'll sell the illusion even more.
what petnames do you think we'd use if we were actually dating?
please don't make this too difficult on me.
stop letting go of my hand.
you're going to pay for this later.
that was way too close of a call.
[petname]? that's what we're going with?
could you at least look like you like me for an hour? is that so hard?
admit it. i'm not half bad.
didn't think i would enjoy this as much as i am.
did you take acting classes growing up?
excuse me! i'm just trying to sell the illusion!
do you think they bought it?
you don't look like you love me. you look like you're constipated.
way to lay it on thick. i think you might have done too good of a job.
pretend to laugh at one of my jokes.
i guess i didn't expect you to dress up for this. i'm impressed.
you know, if you treated me like that on the regular, i might actually start falling in love with you.
they have to believe we're together. how hard can it be?
quick, pretend like you're about to kiss me.
you clearly care more about the tiny appetizers than you do me.
i'm just here for the free champagne.
you clean up nice.
that honestly wasn't as bad as i thought it would be.
they're looking over here. quick, say something funny.
that... was surprisingly smooth of you.
you don't date much, do you?
we should pretend to date more often.
hey! my eyes are up here!
shit, they're coming. kiss me.
ACTION PROMPTS all of these are written as if both parties are fake dating and going undercover at some specified event, but feel free to add your own scenarios if you'd like!
[ hand ] sender quickly takes receiver's hand in public to avoid getting caught
[ waist ] sender quickly slides an arm around receiver's waist in public to avoid getting caught
[ propose ] sender stages a dramatic fake proposal to further sell their relationship to the crowd, catching receiver completely off guard
[ fake fight ] sender and receiver stage a coordinated fake fight/messy breakup in front of the crowd
[ kiss ] realizing they need to sell their relationship to an important person/people, sender and receiver kiss for the first time
[ coat ] noticing receiver is cold, sender gives them their coat
[ entrance ] sender and receiver approach the entrance of the secret event and discuss their plans for selling their fake relationship to the crowd
[ slip away ] sender slips away from receiver in order to take a break from pretending, and receiver goes to find them
[ off limits ] sender and receiver are exploring an off limit portion of the event space, get caught, and are forced to try to explain how they got lost
[ the big kiss ] to conceal the fact that they're exploring an off limit portion of the event space, sender kisses receiver dramatically once they're caught
[ introduce ] sender introduces receiver as their lover/date/partner to a very important (and potentially dangerous) person at this event
[ family ] sender introduces receiver as their lover/date/partner to their family, who just so happens to also be at the event
[ lost ] sender loses receiver in the crowd and rushes to relocate them before their cover is blown
[ flirt ] when someone else shows interest in receiver, sender steps in and makes it clear they're "taken"
[ exit ] sender and receiver have successfully accomplished their goal, and now must sneak out of the event as covertly as possible
[ spill ] sender accidentally spills their drink on receiver and rushes them to the restroom to clean them up
[ private ] in a brief moment of privacy between the two fake daters, sender admits to receiver that they don't think receiver is as bad as they thought
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dantesunbreaker · 8 months
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Cold Cuddles with the Papas(Headcanons)
No warnings apply, just some tooth rotting fluff from our favorite old men!
Primo 
As the eldest brother, it is safe to assume his circulation isn’t as great as it once was. Thus, blankets and warm fuzzy socks are always in abundance with Primo
When you approach him complaining about the cold, Primo is pulling out a pair of double layer socks before you have even finished getting the words out
If he still has work that needs his attendance, Primo will usher you both to the loveseat in his office. An end table will be pulled up to use as a desk, blanket wrapped around you both so you can nestle against him for warmth
But when there is no work to be done, Primo will brew a nice hot pot of tea for you both to share
Together you retire to his chambers where the heat is always turned up to the perfect comfortable temperature
Always takes up the chance to put you in one of his older sweaters because Primo loves the sight of your sleepy face while bundled up in his clothing
If even all of that does little to fight off the could, Primo will sit and cuddle with you beneath a layer of thick blankets until you are warm enough
Your favorite is the occasions where this turns your evening into soft warm cuddles the rest of the day and sharing some delicious soup made with vegetables from Primo’s garden
Secondo
Seems very much like a tough love kind of guy. First response when you come to him complaining about the cold is “well damn, I can’t control the weather”
But a quick flash of the puppy dogs is all it takes to change Secondo’s tune
If you are outside together and you begin to shiver, Secondo will groan, but always will offer up his coat. Pretends he walks with his arm around you to further keep you warm, but you know it because he also feels the cold
When inside and you mention being cold, Secondo simply offers to turn up the heater. 
He often takes things for face value, so either prepare to work for it if you want cuddles from him or simply be blunt about it. No matter the method, you end up getting what you want. 
Sometimes, when you can’t manage to pull him away from his work, you will rest on his lap with a blanket pulled snug around your shoulders as he continues going through paperwork
Other times Secondo will take the time to sit down and relax with you lounging under a throw blanket together in his office
Offers to make you something hot to drink, whether it be coffee, tea, or even hot chocolate. 
Don’t tell his brothers, but he loves when you pick hot chocolate because he uses it as an excuse to also indulge in the delicious chocolatey drink
Terzo
Most likely to be over dramatic about the situation, and also most likely to be equally as affected by the temperature
Do not expect Terzo to offer his coat! “But the outfit was planned around the coat! Taking it off will ruin the look!” He will however walk with an arm around  you, pulled tight against his side so that you can share his body heat
Getting Terzo to accomplish any work when it is cold is a difficult task, but you don’t want him getting in MORE trouble with Sister Imperator
So cold mornings you find yourself accompanying Terzo throughout his day, hot drinks always in hand, warm coats and blankets at the ready constantly
You will stand behind his chair, arms around him with blanket hanging over so that you can wrap him up in your loving warmth as you coax him to get through at least half the stack of papers on his desk
But when Terzo does not have work, expect an extravagant yet cozy night ahead of you
Expertly gets the fireplace going, all the lights off so only the firelit illuminates the room. Absolutely has a huge furry rug in front of the fireplace, which is where you spend the evening cuddling with dozens of pillows and extra blankets
Special occasions you can also expect to share some mulled wine as you bask in the warmth of the fire together, tangled up in each other’s limbs
Copia
Always one to worry, Copia will instantly be fretting over you if you mention being cold around him
Before you can even say anything else, Copia is pressing the back of his hand to your forehead to check for a fever followed by rapid fire questions asking if you are feeling ill
Takes a couple of minutes to settle him down enough to explain that you aren’t sick, you are just a bit chilly and in need of some Copia cuddles
Worry is quickly replaced with affection, throwing his arms around you and holding you tight against his chest. “Oh! Why didn’t you just say so!”
Often one to work too hard, Copia however will set aside his work in these kind of occasions
The couch in his office always has a rather thick throw blanket on it, strategically left by you entirely for the purpose for when you have days like this
Copia will get you both nice steaming cups of hot chocolate, mini marshmallows included!
Both of you curl up together on the couch, blanket thrown over your laps as you carefully sip on your drinks and talk about whatever comes to mind
On some occasions you fall asleep against him, and Copia absolutely refuses to wake you from such a pleasant slumber. So, he instead he simply does his best to complete whatever work he can from the couch until you eventually wake up on your own
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