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#and I'm just thinking about how good this franchise is at its best
tamelee · 2 days
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i just saw a posts about novels that went like
sarada told sasuke he has lipstick stain, sasuke tries to wipes it off and she says he doesn't have one and sakura doesn't wear lipstick.
how do they defend this novels with their lives? it confirms sasuke never kisses sakura and doesn't know if she wears lipstick or not and kisses someone else who wears lipstick. it also confirms naruto likes to wear lipstick XD.
Please. These novels are ridiculous. Kishimoto already confirmed they’ve never kissed in Gaiden. Twice. 
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(* something nicer = meant the forehead poke)
Though I wouldn't believe anyone if they said they actually like these novels, because the story (or lack thereof) is complete shit, but it’s fine if they do. A good story isn't the intention unfortunately. I genuinely wish that people understood what exactly it is they are defending. I’m writing a post for someone who asked something regarding canon, but I need to take brakes from it because it pisses me off that this happens constantly to franchises— not just Naruto. 
And in this case it’s even worse, or perhaps it’s just a prime example, because Jun Esaka (writer for some of these novels) made such a fool of herself on twt by making it all too obvious what her intentions were by writing them. (If it wasn’t already obvious.) First, when people pointed out the many flaws, she admitted that it’s “just her story” and “just her interpretation” (she had only read 'Naruto' for the first time a few months before that), but when other ss-shippers started to defend her and said she was a better writer than Kishimoto (as there’s 0 love between SS when he writes), she basked in that glory and went along with it. Even to the point that she completely disrespected Kishimoto, the story, the craft, openly made fun of other characters (mostly Hinata) and ships like NH and demanded her other novels to be animated as well. It’s unprofessional af. And then when fans asked her for a nsfw novel for SS she agreed and told them to harass the company about it. (She didn’t say ‘harass’ exactly, but come on you can’t be that dense given their reputation with staff.)
What are they defending? 
How can you defend anything when the motive is so obviously just personal bias/gain and/or financial profit to a company where both in this case don’t give a shit about the original story. It's not about shipping though, it happens all the damn time to all my favorite franchises and I'm genuinely sick of it. And it's not even about a writer writing about what they want either because I already expected that, but Esaka did her absolute best to try and disprove the bond between Naruto and Sasuke and change narratives completely even for individual cases for the sake of telling her "story". SNS-moments weren’t romantic to her and she quite literally made fun of it by copying them in her story to point out its "irrelevance", but give them to her het-ship and now all of a sudden it is romantic???? She basically calls Kishimoto a liar because ‘Sasuke Retsuden’ in particular is a direct response to ‘Gaiden’ (made by Kishimoto). She blatantly tried to disprove anything he said and indicated about her ship. She wrote about characters that, yes, have the same name as those in ‘Naruto’, but are so out of character it hurts. It took me months to recover my lost braincells. 
I don't think my post about it is still up, but to name a few things in that novel if you're interested: Sasuke resents Naruto and his test-tube daughter because he’d rather travel with Sakura, his wife whom he loves so much. But he has to do stuff just because Hokage Naruto said so and his daughter wants to stay in Konoha so he has no choice but to comply. Being apart from his wife-(did we mention he loves her so much? because he does. so much.)- makes him feel so very lonely and he misses her body so much because he knows it so well. He fails to do anything other than being jealous about the women-deprived prisoners going after the new hot doctor, Sakura, who is his wife btw. that he loves a lot in case you missed it. and he rather stares at trees that remind him of her than helping his friend Naruto who’s apparently dying from his own chakra or whatever kind of bs. Sasuke lets himself be bullied by prison-guards that aren’t even Shinobi, for having long hair and looking like a girl, though Esaka makes sure to mention how so very handsome he is and he looks like a cat. Sasuke loses a battle against an overgrown lizard and tries the same damn jutsu 4 times(!!!!) before realizing it may actually not work, I think because he forgot how to fight, but he can however create anything from ice like Elsa (Frozen), or from dirt like some Gaara-hybrid to make Sakura a ring because he loves her so much ofc… oh and he’s now a healer too. Sasuke sacrifices people’s lives even when it’s not necessary at all bc ig Esaka thinks he's a killer, and also he wouldn’t mind being brought back with Edo Tensei if it means he can stay with Sakura, because fuck everything they’ve been through in the original story, yeah? They also immediately forgive the bad guy cuz he's so relatable even though he just murdered I dunno how many people. SS kiss while an injured Naruto is squished in between them because SS-shippers have some sort of “Naruto has to watch our ship being in love to really make it legit because that’ll learn him for getting in between!”-kink (that's real actually) and according to Esaka, Sasuke is so worried about his daughter and in fact did meet up with them during those 10+ years because he loves them oh-so-much and fuck you Kishimoto that’s why. 
Be so fr right now. It’s such a joke. And these are just the few things on the top of my head that I remembered ;-; ...
Again, what are they defending exactly? It would be nice to just have a genuine fan of the story write an actual story. No other motive other than "I really like the story and would love to explore some options while respecting Kishimoto's work because it'd be fun!" Except, that's unfortunately not very marketable and ffs it's just sad. (I know there's a Kakashi version and I personally really want to know more about his role as Hokage and what he's done etc, but alas.)
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not me spiraling down a rabbit hole of star wars insanity and pinning 342346873264 different SW meta tumblr posts on pinterest like i'm 14 again
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bogleech · 4 months
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MY DRAGON QUEST MONSTERS THREAD
Dragon Quest Monsters: The Dark Prince is the first DQM game I've ever gotten to play after admiring the series since childhood. The bad news is that it leaves out exactly the three DQ monsters I love most. The good news is that everything else about it is great. I've been taking regular screenshots as I play and I am going to start adding things about it to this post, so it is going to get long. First of all here are exactly my next three favorite monsters in the franchise, which they fortunately did include, and were all available to me by almost the first area:
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"Mad Mollusk" or in other dq games "taileater" is great because it has a sad flabby slug face at one end and a fanged leech mouth at the other end. When it uses magic, it reveals giant eyeballs in its antennae somehow?! Love how big the "carnivorous" mouth gets in the attack animation. What a stretchy guy!
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"Lunatick" is just called "meda" (eye) in Japanese, I'm glad they decided it was like a parasite thing in the localization.
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Finally there's DROHL, a classic DQ enemy that looks like...well I'm not gonna say what it really looks like but I think it's a cool little freak unrelated to that and I think it talks exactly like Droopy dog. Oddly it's known as a "Drohl DRONE," and I believe there are other "castes" in other DQ games, but only the "drones" are in this one sadly. I've yet to find this in the wild; I got it through the breeding system!
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....Which is by far the most addicting thing about this game. The actual gameplay is good solid turn based RPG stuff, if a bit basic, but every monster can be bred with another monster to unlock a slew of other species. This is one of the first games in which they actually call it a "fusion" system now, I guess dropping the word "breed" from the English localization, but all other in-game dialog still calls these the 'parents' and 'offspring' and even makes jokes that they're getting married, so yeah, it's still breeding. What happens when you breed a slime with someone's dead grandpa??
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.....There are multiple monsters you can get from that, but one of them, and the one that makes the most sense, is Slimeshroom! This is a new DQ slime that's some fungus! What's also fun is that every monster has up to three skills, and each skill actually unlocks a ton of spells, attacks, boosts and effects as you spend skill points on them. Then when you breed two monsters, you can give the baby any three skills from the parents. Any at all! I used this to make my Slimeshroom both a healer and a fire mage in the early game. This catches you up with the same progress I talked about when I first got the game almost two months ago so here's some things that have happened since:
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I bred a flying cat and a vampire chinchilla to get a.....sexy bat??
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I helped a fat rat - that's the name of his species - rescue his son
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I bred a people ghost with a lamp ghost to get a bag of dirt!
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I fought this bastard giraffe man who called an elderly wizard a "naughty boy" and put him in candy jail.
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"Duffer" from the Giraffe quest is also best friends with Eileen the eye demon, and when you rescue him, they become your loyal subjects! BAD NEWS: this entire game is actually a prequel to Dragon Quest 4, and the player character of this game is the villain of Dragon Quest 4. Duffer and Eileen are also in Dragon Quest 4. They die :( .......Maybe this game gives you a chance to fix that future??? I don't know.
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bookshelfdreams · 5 months
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ofmd wasn't "profitable" enough but I didn't even get the feeling hbo wanted to make money off of it. They didn't promote it when s1 dropped, and the promo for s2 was erratic at best. They don't sell merch. Or physical copies. There's no bts documentaries other than what actors (shoutout to Samba ilu) make themselves in their spare time.
It took more than a full year for me to be able to watch s1 legally! I still can't access s2 legally anywhere! It's not that ofmd is unprofitable, it's that hbo refuses to profit off of it, because - well, because profiting off of it would mean investing work and money into it.
And like. Of course, when you compare it to the juggernauts hbo holds rights to, like GoT, ofmd is small fishes. But.
How on earth do these clowns think cult classics happen?
A Game of Thrones was first published in 1996 and didn't make it on the NYT beststeller list until 2011. The first edition of the first Harry Potter book was 500 pieces. And yeah, TV shows are different, but if you look at today's media landscape, would things like Star Trek, or Buffy, or Doctor Who stand the slightest chance? These things take time, is my point. A piece of media doesn't become a massively profitable, beloved classic over night. It takes time and effort to build that kind of franchise.
And the thing is! Nobody who makes these decisions even likes stories. I'm convinced that whoever is in charge at hbo, at amazon prime, even at disney, thinks storytelling is dumb and for idiots. They think it's enough to just slap the name of something people love on whatever garbage they spit out, for it to be profitable. They think it's the brand that sells: Look this has "Lord of the Rings" on it! Look, this one has "Game of Thrones", you like Game of Thrones don't you? Watch my show, boy.
But this isn't how this works. It's not the name that sells (unless, I suppose, you're the MCU, and even there one gets the impression the trick is finally stopping to work), especially not when the product is bad. People aren't idiots.
But it's not about making something good. It's not about making a meaningful piece of art, or telling an engaging story. ofmd served its purpose; it drew in all the subscribers it ever would, so there's no point in letting it go on. Even in the s2 that we did get, this is evident: the penny pinching is palpable, it's clear that the studio didn't want to spend any more money than absolutely necessary on it, and then cut the budget by 40%.
It's not about art. It never has been.
And it's not even about profit, because to be profitable eventually, stories have to be allowed to thrive first. You tell a good story first, and success happens later, often much, much later.
And ofmd was incredibly, astonishingly successful. It was the most in-demand series for weeks after the s1 finale. But even that wasn't enough, it's never enough, ofmd could have made record-setting profits and it still would have been cancelled, because -
Well, I don't know. Because we live in a bad time for art. Because Orwell was right, and stories have become commodities, like shoelaces. Because. Well. It's not about telling a story, is it?
What's the point of a story? What's the point of making something for the joy of making it? What's the point of a piece of art, existing, if it cannot be transferred into numbers for the stockholders?
idk how to end this. I hope David Jenkins finishes the story he wanted to tell, even if just for himself. I hope, against all odds, that weird, fun, heartfelt, beautiful little stories like ofmd continue to happen.
But goddammit.
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tsxkkis · 9 months
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# bokuto koutarou - not an idiot
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a/n = this is so stupid but it fits bokuto sm i think (i just feel bokuto is stupid with geography for some reason ALSO he would call his s/o pookie unironically) the dumbest one i wrote yet but it was fun to write so who cares fr
summary = bokuto's teammates finally get a chance to meet his girlfriend.
warnings = nothing really
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bokuto koutarou could never shut up about you.
it came to a point where even his teammates knew everything about you; your favorite installment of the 'saw' franchise, your favorite order at that cool cafe around the corner, your favorite spots to go to when you need to clear your mind, your favorite desserts and snacks, even your favorite breed of cats. but aside from all that, they were happy their captain finally found someone for himself. somehow it seemed like he was even more energetic and passionate about everything now that he met you, and it was good not only for their volleyball games but also for minimizing the risk of him going into his emo mode.
and yet they never once got a chance to meet you.
it was quite odd for the team; bokuto would talk about you non-stop but never invited you to come watch him practice or play a game? from what they knew, you had been dating him for over three months now, so it seemed strange that the gray haired boy didn't even try to drag you to meet his friends; he wasn't one to be secretive about being in a relationship, so more than anything, it was a bit peculiar.
most of the time, they didn't pay much attention to that, though, thinking that you're probably just shy. so much so, that they didn't seem to notice a curious eye peeking through the slightly opened doors to the gym, curiously scanning the situation inside.
you had no intention of going there that day, but the circumstances made it so that you didn't really have a choice, at least that's what you could get from bokuto's message of 'come here baby it's really incredibly extra urgent' with a few emojis following it. and now that you were finally there, you contemplated whether or not you should enter the gym, the thoughts of whether or not you should interrupt their practice roaming your head.
until you heard bokuto.
"MY LOVE IS FINALLY HERE!"
his voice was high pitched, echoing through the entire gym as he suddenly dropped the ball, running towards the door to open it wider, hence getting the attention of everyone inside. he didn't spare even a second as his arms wrapped tightly around you, his face lighting up as he hid it in the crook of your neck. you could only smile gently, still getting used to how affectionate your boyfriend was as you hugged him back, thumb caressing his arm.
he loosened the hug as you looked up at him, a shy smile on your face as you tilted your head to the side.
"so, koutarou, what was that extra urgent emergency about?" his smile faded a little, its place taken by an awkward expression, the tips of his ears bright red. you couldn't help but giggle at his reaction, the boy avoiding your gaze at all costs.
"i just wanted to see you." he muttered quietly, eyes roaming around the gym, looking everywhere but you. your eyes widened at his statement, your smile disappearing just to be replaced by a more serious expression, brows furrowed as you smacked him in the shoulder. "ow! that hurt, you know."
"i drove my bike for twenty minutes as fast as i could because i thought something happened to you!" suddenly, you seemed to forget all the people around you, your focus solely on bokuto, standing in front of you with the cutest pout on his face (you were close to giving in to him when looking at it, but you decided today's not the day). "ahh, sometimes i forget i'm dating an idiot."
"i'm not an idiot!" the boy exclaimed loudly, hearing his teammates giggle slightly at his words. you looked at him, a grin appearing on your face as you tried your best not to let out a laugh too.
"tell me where surinam is located, then." he gave you a puzzled look, his face resembling that of a sad puppy.
"you're making words up right now."
"am not."
"yes, you are."
his teammates watched the scene in front of them with amusement in their eyes, enjoying the chaos between you two. even the managers seemed to find it entertaining as they stopped the gossip session they had planned for today's practice only to giggle at bokuto and you.
"you want to make me look stupid in front of my teammates." bokuto pouted, his eyes looking resembling those of a cartoon lamb. a chuckle left your mouth, your hand coming up to ruffle his hair as he seemed to melt into your touch.
"you probably already did that yourself many times." you added, smiling gently at him. "i still love you, though."
he seemed to completely ignore your teasing comments at this moment, coming back to his usual self as a big, proud smile appeared on his face, his face leaning in to give you a quick smooch on the cheek.
"obviously, i'm the best after all." he said, straightening up his stance as he looked at you. "i love you too, by the way."
he suddenly turned around, his hand resting on your waist as he faced his teammates, looking as if he was going to start showing you off in a second, a deep breath escaping his lips.
"guys, meet my pookie, the love of my life-"
you could only hide your face in one of your palms as you heard his words, the entire fukurodani volleyball team bursting into tears of laughter.
"you did not just use pookie seriously, right?" you mumbled, head turning towards his as you tried not to crack up too, the sight of bokuto's clueless face in front of you.
"is there something wrong with calling you my pookie?" he asked, and this time you joined on the laughing too, your voice mixing in with the others, face hurting from smiling so much.
"god, i'm definitely dating an idiot."
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taglist: @ox1-lovesick @moonswolfie @wyrcan
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victoriadallonfan · 12 days
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Lets Talk: The Predator Franchise
About two months ago, I put my thoughts into my feelings on the Alien Franchise, and why I felt that they've been faltering so much.
It felt only fitting that I do the same for the Predator franchise, but I ran into a very curious thing... there's only one bad Predator movie.
A shocking statement, I know, but I'm not counting the AVP movie series (that's it's own separate thing). The Predator (film) is easily the only bad film in the entire series, but I'll get to that later.
First things first: lets talk about Predator (1987).
It's an all time classic, a great deconstruction of the 80's action film, with insanely quotable dialogue and memorable characters - not just the Predator itself, but all the human characters are easily recognizable.
Unlike the Alien (1979) and Aliens (1986), Predator is not predominantly a horror film, nor is it emphasizing a tough topic such as sexual assault. It does HAVE horror aspects (the first time they find the skinned corpses is intensely unnerving, especially when they realize that this group of marines apparently lost all self-control and fired in all directions), and it does touch a bit on how the US government is using its own soldiers as cannon fodder to destabilize third-world countries.
But it's not really built to scare the viewer so much as to present a simple idea: what if these action heroes met a bigger, stronger, more advanced version of themselves? And the result is a near total party wipe.
Watching the original film, you realize that the Predator is depicted as incredibly unfair. The majority of its kills are it sniping someone from afar, rushing them when they aren't even looking (while cloaked), and doing a combination of the above. It would have killed Arnold while his back was turned, if the net trap hadn't been set in place.
Hell, it even kills a wounded soldier that Arnold is carrying, after Billy's "last stand" (that lasted mere moments at best, implying the Predator didn't give him the time of day).
(Also, speaking of Billy... he's psychic? Apparently?)
But yeah, the Predator depicted is not the honor clad warrior that some fans may stan (and some writers believe) but more like the equivalent of Counter-Strike hacker. The fact that it takes Arnold untold amounts of traps, ingenuity, and willpower for the Predator to finally face him man to man, no tech, no weapons is meant to be a testament to how impressive Arnold is.
Likewise, the Predator decides to blow himself the fuck up while cackling manically like a supervillain as he tries to finally kill Dutch, also opens him to showing that as alien as it is, it's remarkably human. A spite filled asshole of a human, but humanish nonetheless (amplified by him copying human speech on prior occasions).
It's a really great film about how alien life, if more advanced than our own, might see us as lesser people or outright livestock to hunt (keep a pin in that).
Predator 2 (1990) is often divided amongst fans.
Some hate the fact that it takes place in the "modern day" LA, instead of sticking to the blazing heat of the jungle (as the lore of the first movie implies that the Predator or a Predator visits at the hottest time of the season to create the local bogeyman figure), but this film does a fine job justifying the LA heatwave and honestly... the idea of keeping the Predator to one type of biome is pretty limiting. So I don't mind that.
As one can tell already, I don't think this movie is bad. As good as the first? No, it rehashes a bit too much for that. But it's still a fun and good movie.
And, notably, scarier.
But for context, Predator 2 is set in the far future of... uh, 1997 LA, where there has been open warfare between the LAPD and the Jamaican and Colombian Cartels. Like, not drug busts or stings, but actual warfare with armies of gangs and shit.
The late 80's and early 90's loved to depict LA as a dystopian hellscape where "law and order" was the only defense from total anarchy (as anyone who has ever lived in LA can tell you, racial tensions, especially between the public and police have not been good to say the least).
This entire setup is like a D.A.R.E nightmare or wet dream depending on who's asking.
(Also the Jamaican drug leader, King Willy, might also be psychic? This is the last time it's brought up, but man, I sort of wish we could see future plot lines where people are randomly psychic in these films.)
Anyways, the situation is certainly perfect for this Predator (named City Hunter to differentiate between Jungle Hunter), who takes to the city with a gusto. The difference in how the Predator is portrayed is fascinating, because the bare bones remain the same: he hunts people who are deemed as sport with alien technology.
Fitting with the ultra-violent theme of this film however, this Predator feels like a legitimately horror movie monster. Unlike the Jungle Hunter, City Hunter doesn't prefer to attack from afar, but rather ripping and tearing in close quarters combat, and when he does use ranged weaponry, it's stuff like spears, bladed discs, and nets that shred people into bloody messes.
And he's 110% a bigger asshole that Jungle Hunter: when the City Hunter decides to focus on our lead man, Danny Glover, he doesn't just hunt the man but psychologically torture him. He murders his partner - who is probably the least threatening human in the entire series - just so he can taunt Glover with his necklace at his own grave. He then copies the innocent words of a child just so he can use it as a creepy catchphrase when he decides to hunt Glover's other partners.
The iconic subway massacre perfectly exemplifies both aspects of the City Hunter. He interrupts a massive stand-off between armed civilians, gang members, and the police, just wading in and killing everyone indiscriminately as people frantically scream and claw over each other trying to escape.
(Speaking of, this film does have a LOT of fun having the Predator on modern sets. The above subway scene, City Hunter investigating a meat locker, and him performing emergency surgery in an apartment bathroom are all really cool).
Also, for being so divisive, this film creates a lot of Predator lore: the Predator won't kill (unarmed) children, he won't kill pregnant women, and he WILL kill the elderly if they are packing heat.
And this includes the trophy wall (with xenomorph skull - actually funny because we never see a Predator collect a xenomorph skull in the AVP films) and that the Predator tribe will honor and respect those who defeat their kind with a reward.
It does include that the government is aware of the Predator existence and tries to capture them, but this won't be a major plot line again until The Predator (2018) though it gets some tongue in cheek reference in Predators (2010).
Anyways solid film, lots of cheesey scenes and very tropey stuff that hasn't aged well (or aged in a way that makes it amusing). It's also that last movie that actually tries to be true horror, in my opinion. The rest of the films stick to Action with Gore, but Predator 2 is truly the last film where you feel like this was written to be a horror film.
Also, this film will be the last to really play into the world as being an overly dramatic action movie earth. It's all realism from here.
And then the film franchise will go quiet until 2004 and 2008 for the AVP films (that I won't cover here).
Finally, we get to Predators (2010), and obvious title call back to Aliens (1986) and I have to say, a pretty good trio of ideas: The human targets are actually kidnapped and dropped on a safari planet, there are multiple Predators with their own unique designs and gimmicks, and there is a internal war between the Bad Bloods (aka the Predators who break the "honor code") and the 'normal' Predator clans.
(It should be noted that Bad Bloods have been a thing for years in comics and books, but not really in the mainstream until this film introduced it to movie audiences)
I have to say, despite having a fondness for the film and loving the new ideas, this film is not as enjoyable as Predator or Predator 2. It unfortunately suffers from what I call 2010ism, where there's a lot of CGI blood/gore, a lot of lighting/shadows aren't natural in a horror sense, and the dialogue isn't memorable because it wanted to ditch the action movie dialogue.
The last part isn't necessarily too bad, and it even works with how Adrian Brody is portrayed as a cynical asshole who is purposely meant to be the opposite of Arnold in every way. But the most memorable dialogue is definitely from Walter Goggins (including his highly disturbing "bitch raping time" speech).
Also, it really wastes Topher Grace, Laurence Fishbourne, and Danny Trejo, along with the whole idea of a gang of multinational killers/soldiers/enforcers forced to work together. Not nearly enough time is given to them to bond as a team and have a moment where they show off how cool they are like Predator and Predator 2 did.
Coupled with the safari world being just... a jungle, it feels like a lot of good ideas with "safe" execution.
I don't mean to rag on the film, it's still very fun, and a lot of that is due to the Bad Bloods.
The idea of a particular group of Predators being so evil that they are even warring with their (smaller) counterparts is a great idea, imo, and these Bad Bloods are memorable for their gimmicks.
You had one who used drones as "falcons" to scan and scout out large tracks of terrain, another who employed alien "hounds" to harass humans like a fox hunt, and the leader who had a rapid-fire plasma caster that was overpowered as hell. They also employed other tech like alien bear traps, net traps, and voice decoys.
This movie definitely had the most advanced Predator tech seen on film at the time, making the Jungle Hunter and City Hunter look low tech by comparison, and I think also served to try and force the idea of the Bad Bloods being really "unfair" compared to others.
And of course, we get our first Predator vs Predator fight, which was suitably graphic and badass. Also, I liked that one Predator died by a human pulling a suicide vest attack. Idk, I thought it was pretty ironic considering that's what predators do when they are about to lose, and thought it was neat.
Ultimately, there isn't much else to say about Predators (2010), even though the film ends on a cliffhanger with more people (and aliens) being dropped on the planet. I enjoyed it, it had a lot of cool ideas, cool tech, and cool lore... but if the prior films could be compared to novels, this one felt more like a guidebook.
And now... eight years pass and we get The Predator (2018)
Where do I begin with this movie.
I guess I start with the obvious: it's bad. It's a genuinely awful movie with few redeeming qualities. I'd say it's on the tier of Alien: Resurrection, except this movie is actually offensive because of autism ableism (turns out that autism is actually the next step of human evolution and makes you naturally predisposed to using Predator technology).
And don't get me started on the sex offender controversy.
Sorry, I'm getting ahead of myself. It's just that this movie... jesus christ, I rewatched it for this post, and it feels like a fever dream.
The Predator (2018) ultimately, is a film that looked at everything that came before it and said, "What if we did it all on a grander scale? And make it bad?" The plot is that a Predator is being hunted by an even larger, more powerful Predator, because it plans on harvesting humanity. You see, in this movie, some Predators use the genes of animals they hunt to improve themselves. The Super Predator as he is called, is a massive 10 foot tall monster that has turned his body into a super weapon, with technology built directly into his biology.
The Good Predator arrives on Earth to warn humanity and deliver a "Predator Killer" suit of Iron Man armor that will help humanity defend the Earth from the oncoming invasion force. The Super Predator wants humanity harvested because... autism makes them super geniuses.... and he declares that a 12 year old boy with autism to be the greatest Predator he's ever met... just because he has autism...
Look, I don't know how the fuck I'm supposed to describe the plot of this movie. It's just bad. It's stupid. At one point they turn a Predator hound good by giving it a bullet lobotomy.
It feels like this movie hates everyone. It hates the Predators, literally killing off the Good Predator not even halfway through the film. It hates the cast, because all of them are forgettable except for Olivia Munn and Super Predator, and it kills the mystique of the Predators because it has Super Predator monologue like an actual supervillain.
The dialogue is genuinely awful, the actors have no chemistry, and the comedy (oh yes, this film acts like a comedy on several occasions) is the definition of cringe. I would call it "ChatGPT writes Predator" but honestly, ChatGPT could do it better.
Let it be known that my words do not do how awful this movie is justice. You can only understand how bad it is by watching it, but it's absolutely NOT worth the time.
Is there anything good about this movie? Besides the Holiday Special on home release?
The effects are pretty good. We see a lot of high tech Predator stuff and that's always cool. I think this had the highest budget of any of the films and it shows.
There's an action set-piece where Good Predator escapes from a government facility and uses an M4-Assault Rifle which is badass. One of the best action scenes in the movie and a neat tie-back to the government investigating them.
The Super Predator is a cool concept and I actually enjoyed him for a large part of the film. I liked that he could just pick up a human like a toy and gut him like a fish before tossing him aside. I love the idea of a Predator that isn't a hunter, but rather a soldier sent in to fuck shit up, showing off the different tech. Really gives the impression that their society has different roles and tech for Predators beyond hunting.
I wish they gave him a helmet and didn't let him monologue like a supervillain.
And that's it. That's the good stuff. Nothing else matters. It says a lot that I don't think Super Predator or the autism plot has been accepted into lore in comics or books.
It's even been argued that this film was deemed non-canon because of how abysmal the reception was.
Suffice to say, after this awful film, fans were pretty low spirit. Which made it all the more surprising when Prey (2022) was released 4 years later.
There was a lot of drama about this film: the franchise is dead, why is the film so woke for including woman and minorities, how can any human expect to beat a Predator with a bow?
This drama is stupid and should rightfully be mocked.
Prey (2022) was a breath of fresh air for the franchise and I'd argue the best film in terms of quality.
It quite literally goes back to the roots of the series and does something that really elevated the film: it made the Predator symbolise something!
This film takes place in the 18th century on the Great Plains, following Naru the Commanche healer who dreams of being a hunter. Meanwhile, a young Predator - known as the Feral Predator for his aggression - is dropped on the planet for his first ever hunt.
Obviously, you can see the parallels between the two as Naru learns to use tricks and tools to handle her weaknesses, while Feral uses brute-force and high tech equipment to slaughter the animals and humans of the planet. The Bear hunt scene, where Naru is forced to flee from a bear and helplessly watch Feral kill the creature with it's bare hands (haha), thus condemning her in his eyes as not a threat is perfect character foil.
Also, he's such a piece of shit, cheating the moment he feels like his prey has the better of him. But in a good way that makes sense for his character.
But on the grander scale, the Predator represents colonialism. A secondary antagonist of the film are the French fur trappers, who have been skinning wild buffalo and depriving the commanche of their food source, openly compared to the Predator skinning animals/humans for trophies instead of resources.
It's actually a lesson Naru has to learn from her brother and mother, that to become a true hunter is about doing so to support a community, not just for ego and idolization.
Its no accident that the Fur Trapper leader dies when Naru sabotages his gun and Feral dies when Naru does the same to his gun as well, with both of them trapped and crippled without any means of escaping their demise.
This film finally moves to make the Predators feel like evil villains who are supremely selfish, much like the first 2 films emphasized (and the third film did to a lesser extent).
But talk of how amazing Naru is as a protagonist and how great the Feral predator is as an antagonist, the film is just good. The cinematography is gorgeous, the actors are great, the Predator effects and costume are terrifying, and lore wise, it does a lot to show that the Predator society is not stagnant.
They evolve over the years and it shows.
And my god are the action scenes incredible. The Predator vs Fur Trapper fight is probably one of the most iconic scenes in the entire franchise now, and for good reason.
Or Naru's knife fight massacre
All in all, this film really shows that the Predator films can be more that action films and... whatever the fuck The Predator (2018) was trying to be.
These films can be used to explore the history of humanity and symbolize concepts that deal with oppression, bigotry, and dehumanization.
The title of Prey - the focus on making the protagonists human - versus the Predator title is incredibly fitting.
While a sequel is left up in the air, we do have confirmation that a new standalone film - titled merely Badlands - is set to come out soon.
I can only hope they learned the right lessons from Prey and we can leave the horrid past of The Predator (2018) behind us for good.
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clanwarrior-tumbly · 4 months
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Kieran Kieran Kieran Kieran Kierannnnnn
Boi deserves more love cause he's truly one of the best characters in the entire franchise and they definitely did him justice with his story arc(Even if we made him get a ton of therapy and a near-death experience after his villain phase...)
With that, the fact that he can afford multiple tickets but not a phone is... Weird. However, that's where writers come in soooo- Can I please request the reader, Carmine, Paldea gang, and BB E4 throwing Kieran a surprise party and cashing in together to get him the lastest rotom phone with Applin/Hydrapple case?
Extra bonus if you're also able to include individual gifts that everyone would get Kiki
EXTREMELY BASED REQUEST <3333
......
One day it suddenly occurred to you, the BB E4, Carmine, and your Paldean friends that Kieran's 15th birthday was coming up and....according to his sister, he's never had a party.
You found that to be 100% unacceptable, and so you all decided to band together and plan one right in the League Club room.
Ofc you had to be sneaky about it, making it so that Kieran didn't suspect anything was up.
The biggest challenge--at least for the others--was figuring out what presents to give him.
But considering that he still doesn't have his own rotomphone (despite having more than enough money to get you, Arven, Penny, and Nemona plane tickets to Kitakami), it wasn't too difficult to decide what gift you wanted to get for him.
Luckily you had a Persian and Gholdengo who knew Pay Day and Make It Rain respectively and wore amulet coins, so you took them out to the terarium to battle other trainers, gathering more than enough cash to finally afford the gift.
When Kieran's birthday finally arrives...he's a little sad bc he only got a few wishes from random passerbys, and none from you or his friends or sister--who all seemed to have mysteriously vanished.
He thinks it's some prank and lowkey sulks as he shuffles to the clubroom....
Only to get startled when you all jump out and surprise him--with Ogerpon, Miraidon/Koraidon, and your Hydrapple (who was once the Applin he traded you) wearing party hats and kazoos--wishing him happy birthday.
Once his mini heartattack subsides, it takes a second for everything to sink in....before he gets extremely sappy and stands there with tears rolling down his face.
At first Crispin thinks he's genuinely upset and starts apologizing profusely, thinking the group had the wrong date-
"N-No, it's today. I'm just....wowzers.." Kieran laughs, wiping away his tears. "You all..really did this for me?"
"It took careful planning and precarious coordination." Amarys speaks up with a smile of her own. "We have [y/n] to thank for orchestrating this. But I could understand if it caused you some minor distress this morning."
He just waves her off, reassuring her that everything's good now, and soon the festivities commence!
You gift him the latest Rotomphone, having commissioned for it to have an Applin phonecase (even with its own tail and eyestalks) that shimmered in the sunlight, with all of the features offered by the League Club's BP system already unlocked.
Ofc, it may take him a while to learn how to use them all...but he's SO happy and hugs you tightly.
He lowkey forgot that everyone else got him a present, too, and lets you go to open them.
Carmine, knowing her brother, gave him an assortment of chocolate (but insisted that he didn't eat all of it at once and had actual food every now and then).
Amarys gave him a single heavy ball with a Shiny Aron inside. She doesn't think it's much but gets flustered when he smiles and thanks her with a hug, too.
Lacey gifts him a Granbull plushie, and at first she thinks it may be too "cutesy" for him, but he holds onto it tight and insists that he loves it.
Crispin and Arven got together to gift him a cookbook they collaborated on: half the recipes are spicy dishes and the other half contains sandwich recipes.
Drayton presents him with an empty friend ball, and inside was a Wimpod keychain and a note that basically says "sry for calling you ex-champ, ex-champ".
Fortunately they both kinda got over that grudge and could laugh about it now.
Penny got him the same Eevee backpack that she has (after recalling how he stared at it one too many times back in Kitakami and played with the ears when she left it unattended for a few mins) and initially feels awkward, but he adores it and promises to swap his old bag out from time to time.
Nemona gave him a whole bag of EV-boosting items (carbos, zinc, feathers, mints, you name it) for his team so their next battle could be even MORE exciting....and he's embarrassed to admit his competitive team's stats are already maxed out, but he'll use them for his casual team.
All in all, the party is a huge success.
It's definitely one Kieran would never forget, and he's so, so grateful to have real friends who did all of this for him--especially you.
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lno-x · 1 year
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What about character design in Tristamp?
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A person had a question for me, what is it about character designs in tristamp? It's like Vash from Tristamp and Vash from Trimax/98 adaptation are COMPLETELY different characters, and my answer to that is: they are REALLY DIFFERENT CHARACTERS, and I'll explain why right now.
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To begin with, I would like to note that I have a great deal of trust in the Orange studio and its co-founder, Eiji Inomoto. Orange is one of the best CG studios in Japan, known for such acclaimed adaptations as "Beastars" and "Land of the Lustrous". These are not just some studio, but a really big guys, and by big I mean that Inomoto's experiments with the frame rate in the film adaptation of Lustrous at one time were a revolutionary thing in animation, which was picked up by the animators of the spiderverse and then that's all led to the beloved dynamic animation of the "Puss in Boots" sequel. I mean, these are THAT big guys. I'm not talking about the fact that Inomoto boosts the development of 3D in the anime industry as much as possible and literally shits from a high bell tower on the fact that everything is spitting with 3D animation purely out of principle.
Okay, the studio is cool, it is unlikely that they will make a bad product, we figured it out, but what about the designs? They don't even look like themselves! Vash does not look like a mop at all, he has lost his leather pants and berets, and looks like some kind of sucker in sweatpants and a windbreaker, and Meryl gives the impression of a schoolgirl who has strayed from the school excursion, instead of the stately lady in caprons, as we used to seeing her. Only Wolfwood hasn't changed much, except that he doesn't know how to tuck his shirt into his pants and has undergone whitewashing (which, by the way, I'm not ironically upset about). So, is that mean designs is bad as hell? Nope. Just because things look different doesn't mean it's inherently worse. Again, remember that tristamp is a REMAKE, and their task is not to stupidly repeat the same thing, but to breathe new life into the franchise, looking at it from a different angle. And I think they did a FUCKING GOOD job on it.
In interviews and at conventions, director Kenji Muto and producer Katsuhiro Takei have repeatedly said that they are big fans of the original manga and the film adaptation of 98, but it was important for them to touch and reveal those aspects of the story that their predecessors did not reach their hands on.
That is why, despite the fact that the Tristamp is very close to the original source (manga), the studio plays out many details differently or even saves them for later, so that the audience can fully experience the development of the characters. Therefore, in Tristamp, everyone looks much younger than their previous versions and / or very different from them.
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The easiest way to prove this, however strange and unexpected it may seem, is by the example of Meryl. In the manga and anime 98, we immediately see her as a stately lady with a bunch of derringers under her cloak, but they don’t tell us how she came to this and what led to this. Yes, there is literally a page in the manga about some colleague who told her about self-defense and sort of taught her how to shoot, but finally he is drawn on one frame and, in general, we don’t give a shit about him.
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While in Tristamp, this colleague has a name and is one of the most main characters - this is Roberto. Throughout the series, he acts as Meryl's senior mentor, protecting her whenever possible and pulling her out of trouble by the scruff of the neck like a kitten. That is why she looks so youthful and charmingly stupid compared to her previous version. Throughout the series, she literally hits herself with her heel in the chest, saying I AM!!! MERYL!!! STRIFE!!! I AM NOT NEWBIE!!! while Roberto calls her the same way, ignoring all her protests in this regard, and I think this was done for a reason. Specifically, in Tristamp we see her almost in the past, when she has not yet learned to protect herself and be fully responsible for her decisions, although she is very eager to do so. Although Roberto is a character, for the most part he is still a crutch and trigger for the development of Meryl. Through his death and the transfer of HIS gun to her, we see right before our eyes how she changes and from a shy "newbie" turns into the confident Meryl Strife. And after the timeskip, they generally show us the scene of exactly how she becomes the senior and takes Millie under her wing. And by the way, her image visually changes too.
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I repeat once again, there was no such development of the character of Meryl in the manga, in the 1998 film adaptation nether.
Orange build her development completely differently and in their own way, despite the fact that she, in fact, is the same Meryl Strife no less than other versions of her. She just a little different character, which goes to the image already familiar to us, passing through kind of other events
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The same thing happens with Vash! At first, he doesn't look like himself at all, but towards the end, we see how he takes on a more recognizable image. I think that in fact by the second season they will all mature and look much more "canonical", this can be seen from the concept art but in general
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Tristump characters go a different way and get a different development, as happened with Meryl above, therefore, I I think we should perceive them rather as completely different characters that have common roots
And by the way, the studio Orange discussed everything very closely with Yasuhiro Nightou (author of the manga) and he gave her green light and creative freedom, because he saw how reverent people are about their job and want to develop the story. He even drew his and studio designs together!!!
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All in all, the tristamp designs are really quite different from the original, but I don't think that's a bad thing, as the studio does it purposefully and cleverly to give them the development that the manga or the '98 film adaptation lacked.
Again, this is my personal opinion, and it’s worth notice here that I’m far from being an old fan and I flew into the fandom just a month and a half ago, so the character design initially did not cause me rejection, like many old fans.
But in this tirade, I tried to be as objective as possible and describe what was what, thanks to come in my ted talk
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waitmyturtles · 6 months
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SOME GOOD SHOWS THAT I LIKED IN 2023! (AND SOME THAT I DIDN'T)
I watched A LOT of stuff that did not originally air in 2023 by dint of my Old GMMTV Challenge. This list is inclusive of this recognition!
THE BEST SHOW I WATCHED THIS YEAR: HE'S COMING TO ME
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I have no other words: this is my favorite Thai BL of all time. Perfect length, perfect plot, perfect celebration of Thai culture, perfect acting, the greatest coming out scene of all time, the BEST of the best BL moms. Perfection.
THE OTHER BEST SHOW I WATCHED THIS YEAR: BAD BUDDY
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I don't even want to think about how many words I've written on Bad Buddy this year, but they're well deserved for this REMARKABLE show. I've got a thing for shows by Aof Noppharnach that feature Ohm Pawat, what can I say!
THE MOST INFLUENTIAL SHOW(S) I WATCHED THIS YEAR: LOVE SICK AND SOTUS
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The influence of Love Sick and SOTUS can be seen in SO MANY Thai BLs, even through today. Without having watched these two shows to start my OGMMTVC project, I wouldn't have the context for what later shows like Bad Buddy and Theory of Love were commenting on by way of their content and structures. Love Sick in particular was a HELL of a lift -- but I am damn glad I watched it, and I certainly feel nostalgia for it today.
Honorable mentions of influential pieces that had impacts on Thai BLs: Love of Siam and Dew the Movie
MY OTHER FAVORITE OLD SHOWS I WATCHED: UNTIL WE MEET AGAIN AND THEORY OF LOVE
BANGERS!!!
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If New Siwaj ever tops Until We Meet Again, I'll fly to Bangkok and give him a gold medal. That long-ass show, 17 EPISODES, I WANTED MORE! OhmFluke's chemistry was great, the story delved SO deeply into historical homophobia and how culture and acceptance changes over time -- scrumptious. Theory of Love, man, the way this show ate up implicit compassion bias and gave it right back to us. I loved it. KHAI FOREVER!
THE BEST SHOW I WATCHED THAT ACTUALLY AIRED IN 2023: MOONLIGHT CHICKEN
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Not only was Moonlight Chicken my first real live fandom experience on Tumblr, it was a hell of an amazing show, incorporating so much of what I love particularly about Thai BLs, and how many Thai BLs do not shy away from celebrating Asian cultural touchpoints. From exploring Jim's internalized homophobia by way of his rural upbringing, to juxtaposing Pattaya's spiritual symbols with growing development that upends older strains of local culture, Moonlight Chicken offered a lovely commentary on what it means to be queer in an ever-changing Thailand.
THE OTHER BEST SHOW I WATCHED THAT ACTUALLY AIRED IN 2023: WHAT DID YOU EAT YESTERDAY?/KINOU NANI TABETA? SEASON 2
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BRILLIANTLY ACTED by literally the best actors in the Asian BL game: we are blessed that Nishijima Hidetoshi and Uchino Seiyou have given so much to this franchise. It's hard to write about this show because it's so perfect -- it needs no extraneous words. Plot, pacing, acting, character development, gratuitous food shots. It has it all.
THE OTHER OTHER BEST SHOW I WATCHED THAT ACTUALLY AIRED IN 2023: I CANNOT REACH YOU
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Just like Bad Buddy looked at Thai BL tropes in the eye and said, "over my Nong Nao," I Cannot Reach You asked Japanese BLs about the efficacy of almost every trope we've gotten used to, and questioned them with efficiency. The biggest shocker for me? REAL COMMUNICATION, encouraged by the CIPHER, Hosaka, that allowed the two lead protagonists to confirm their love and understand each other. It was straightforward and FUCKING GOOD.
A SHOW THAT AIRED IN 2023 THAT I HAVEN'T WRITTEN ABOUT YET, THAT I NEED TO REWATCH IN CHRONOLOGY, THAT ALSO DID SOME TROPE/GENRE ASS-KICKING THAT I'M STILL THINKING ABOUT: LA PLUIE
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La Pluie was FEARLESS. The show had a LOT to say about romance and soulmates not being as much of a realistic thing as content-makers... and, frankly, majority society would like us to think. La Pluie made its characters WORK for love and understanding, and had us viewers face our implicit biases about how romantic content should and could work. I watched this show out of order of the OGMMTVC watchlist to see it it was one of the best of the year, and it certainly is. I'm planning a deep rewatch for early 2024 to pen my words on it.
A SHOW THAT ALMOST TOPPED MY 2023 LIST BUT GOT DOCKED BECAUSE I ENDED UP LIKING THE NOVEL A LOT BETTER: I FEEL YOU LINGER IN THE AIR
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@neuroticbookworm and @lurkingshan know that I flipped THA FUCK out over this show -- FABULOUSLY acted by Nonkul Chanon and Bright Rapheephong, FABULOUS cinematography, great story up until the end of the series. My fangirling led me to read the original novel by Violet Rain, and -- I found out that Jom was a lot more damn sassy than we got in the show! Tee Bundit's penchant for sadness won. This is not to dock the show, but the novel had more than enough material to carry the series through without repeating themes in the end. So it fell on my 2023 list, womp womp. BUT I STILL LOVE LOVE LOVE THIS SHOW, DON'T GET ME WRONG.
TWO SHOWS THAT I'M SUPER GLAD I CAUGHT UP WITH WHILE THEY WERE AIRING: THE EIGHTH SENSE AND BE MY FAVORITE
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Be My Favorite looked at Krist Perawat's checkered past as a BL idol and said: we are going to examine this and make an honest BL out of inspiration from it. It wasn't a perfect show, the time travel shit didn't end up adding up in the end, BUT -- excellent acting from two GMMTV VETS made up for those tangles, and I loved the contextual philosophical references throughout the series. The Eighth Sense looked at the tug-of-war that Korean BLs have with K-dramas and their tropes and said, actually? We will have these dudes full-frontal kiss, and placed that energy against commentaries on mental health, both topics that Korea hasn't quite embraced as quickly as other countries.
HONORABLE MENTIONS OF OTHER AWESOME SHOWS THAT MAY OR MAY NOT HAVE AIRED IN 2023
Make It Right, Our Dating Sim, Dark Blue Kiss, Gay OK Bangkok, Dirty Laundry, 10 Years Ticket, I Told Sunset About You, I Promised You the Moon, 3 Will Be Free, Lovely Writer (underrated?!), Our Skyy 2 x Bad Buddy x A Tale of Thousand Stars (UNDERRATED!), and Manner of Death.
And the shows that are airing that I know will stay with me well into 2024: Last Twilight and Cherry Magic Thailand.
I had fun!
WHAT ELSE, WHAT ELSE: THE "NO" SHOWS: THE PROMISE AND STEP BY STEP
I'm not even hyperlinking my thoughts on these shows, nor gifting them with gifs. Insert Bugs Bunny NOOOOOO gif here! We got Man Trisanu, though.
THE SHOW I WAS THE MOST OBVIOUSLY DISAPPOINTED BY: ONLY FRIENDS
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Despite my passionate disappointment for this show and how it ended: in the context of the OGMMTVC, Only Friends is still an incredibly important inclusion to the list. Some amazing Tumblr bloggers offered commentary that the bias against sex that OF contained within the show was actually importantly and culturally contextual to the still-conservative state of acceptance that Thailand is currently in (here and here for more reading).
Only Friends reminded us that despite any kind of marketing that we here on Tumblr, as a majority non-Thai audience, may receive about a Thai show -- that we are still not fully plugged into the non-verbal expectations of what a show like OF could promise to do, and to be okay when it doesn't reach those heights. In light of the seemingly pro-sex marketing blasts that previewed the series before its airing, OF ultimately seemed to want to take casual sex, chew it up, and spit it out. There might be reasons why that happened that we just don't know about as outsiders to Thailand. But as an Asian-American viewer that was hoping for neutral -- and maybe even supportive -- commentary on single folks having casual sex without judgement, OF did not deliver for me.
I'm ending the year reading Dr. Thomas Baudinette's book, Boys Love Media in Thailand, the first book-length ethnographic study on the impact of BL on queerness, media, and more in Thailand and across Asia. Baudinette comes from the world of Japanese queer media studies -- as someone who came to Thai BLs this year from Japanese BLs, I appreciate his trajectory. It's clearly a necessity for me to read this book in the context of the OGMMTVC, to understand how Thai BLs have changed over time, and to understand the incredibly larger impact of heterosexual/heteronormative media and themes on Thai media as a whole, as larger and larger swaths of Thai, Asian, and international societies welcome and watch BLs with open arms.
All of this feeds into my ever-growing body of knowledge about the impact of Thai BLs, both in Thailand and across Asia, as Baudinette writes about, and how these shows have and are developed/developing over time. It's been an AMAZING YEAR of watching old and new dramas for me, and I'm looking forward to seeing how the genre grows even more in 2024.
I also made AMAZING FRIENDS on Tumblr -- y'all know who you are! What a year of growth and discovery for me: this has been a fabulous experience, and I'm looking forward to even more growth in the new year!
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tleeaves · 2 months
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Folks going "WHAT they made a show about the Fallout franchise?? I've been hearing people say Bethesda messed it up, but I haven't watched it myself, so I'm going to trust the word of other people -- some of which also haven't finished watching it" is driving me insane.
Being a hard core fan of something obviously brings with it a lot of passionate feelings when adaptations come into play. Of course, there's going to be people going "but in 8 episodes of the first ever season they made, they didn't explore Theme C or D, didn't introduce factions E and F and G, and because the source company is notorious for its scams, we and everyone else who's a TRUE fan should hate it".
The Amazon Original series Fallout follows the videogame franchise of the same name. It is a labour of love and you can tell by the attention to detail, the writing, the sets, and YES THE THEMES ARGUE WITH THE WALL. It's clearly fan service. I mean, the very characterisation of Lucy is a deadringer for someone playing a Fallout game for the first time. She embodies the innocent player whose expectations drastically change in a game that breaks your heart over and over again. Of course, she's also the vessel through which we explore a lot of themes, but I'll get to that.
There're some folks arguing that the show retcons the games, and I gotta say... for a website practically built on fandom culture, why are we so violently against the idea of someone basing an adaptation on a franchise that so easily lends itself to new and interesting interpretations? But to be frank, a lot of what AO's Fallout is not that new. We have: naive Vault dweller, sexy traumatised ghoul that people who aren't cowards will thirst over, and pathetic guy from a militaristic faction. We also have: total atomic annihilation, and literally in-world references to the games' lore and worldbuilding constantly (the way I was shaking my sister over seeing Grognark the Barbarian, Sugar Bombs, Cram, Stimpaks, and bags of RadAway was ridiculous). Oh, and the Red Rocket?? Best pal Dogmeat? I'm definitely outing myself as specifically a Fallout 4 player, but that's not the point you should be taking away from this.
The details, the references, and the new characters -- this show is practically SCREAMING "hey look, we did this for the fans, we hope you love it as much as we do". Who cares that the characters are new, they still hold the essence of ones we used to know! And they're still interesting, so goddamn bloody interesting. Their arcs mean so much to the story, and they're told in a genuinely intriguing way. This isn't just any videogame adaptation, this was gold. This sits near Netflix's Arcane: League of Legends level in videogame adaptation. Both series create new plots out of familiar worlds.
Of course, those who've done the work have already figured out AO's Fallout is not a retcon anyway. But even if it was, that shouldn't take away from the fact that this show is actually good. Not even just good, it's great.
Were some references a little shoe-horned in to the themes by the end of the show, such as with "War never changes"? Yes, I thought so. But I love how even with a new plot and characters, they're actually still exploring the same themes and staying true to the games. I've seen folks argue otherwise, but I truly disagree. The way capitalism poisons our world, represented primarily through The American Dream and the atomic age of the 45-50s that promoted the nuclear family dynamic -- it's there. If you think it's glorifying it by leaning so heavily into in the adaptation, I feel like you're not seeing it from the right angle. It's like saying Of Mice And Men by John Steinbeck glorifies the American Dream, when both this book and the Fallout franchise are criticisms of it. If you think about it, the post-apocalyptic world of Fallout is a graveyard to the American Dream. This criticism comes from the plots that are built into every Fallout story that I know of. The Vaults are literally constructed to be their own horror story just by their mere existence, what they stand for, what happens in each of them. The whole entire show is about the preservation of the wrong things leading to fucked up worlds and people. The missions of the Vaults are time and again proven to be fruitless, unethical, plain wrong. Lucy is our brainwashed character who believed in the veritable cult she lived in before she found out the truth.
So then consider the Brotherhood of Steel. I really don't think it exists in the story to glorify the military. We see just how much the Brotherhood has brainwashed people like Max (also, anything ominously named something like "the Brotherhood" should raise eyebrows). Personally, I don't like Max, but I am intrigued by his characterisation. I thought the end of his arc was rushed the way he "came good" basically, but [SPOILERS] having him embraced as a knight in the Brotherhood at the end against his will -- finally getting something he always wanted -- and him grimly accepting it from all that we can tell? Him having that destiny forced upon him now that he's swaying? After he defected? If his storyline is meant to be a tragedy, it wouldn't surprise me, because Fallout is rife with tragedies anyway. And a tragedy would also be a criticism of the military. That's what Max's entire arc is. It goes from the microcosm focusing on the cycle of bullying between soldiers to the macro-environment where Max is being forced to continue a cycle of violence against humanity he doesn't want to anymore because a world driven to extremes forces him to choose it to survive (not to mention what a cult and no family would do to his psyche). Let's not forget what the Brotherhood's rules are: humankind is supreme. Mutants, ghouls, synths, and robots are abominations to be hated and destroyed. If you can't draw the parallels to the real world, you need to retake history and literature classes. The Brotherhood is also about preserving the wrong things, like the Vaults (like the Enclave, really). They just came about through different method. The Enclave is capitalism and twisted greed in a world where money barely exists anymore. The Brotherhood is, well, fascism plain and simple.
Are these the only factions in the Fallout franchise? Hell no. But if you're mad about that -- that they're the main ones explored, apart from the NCR -- I think you're missing the point. These themes, these reminders, are highly relevant in the current climate. In fact, I almost think they always will be relevant unless we undergo drastic change. On the surface-level, Fallout seems like the American ideal complete with guns blazing that guys in their basements jerk off to. Under that surface, is a mind-fuck story about almost the entire opposite: it's a deconstruction of American ideals that are held so closely by some, and the way that key notion of freedom gets twisted, and you're shooting a guy in-game because it's more merciful than what the world had in store for him.
I mean, the ghoul's a fucking cowboy from the wild west character he used to play in Hollywood glam and his wife was one of the people who helped blow up America in the name of capitalism and "peace". There are so many layers of this to explore, I'd need several days to try and keep track and go through it all.
The Amazon Prime show is a testament to the Fallout franchise. The message, the themes? They were not messed up or muddled or anything of the sort, in my opinion.
As for Todd Howard, that Bethesda guy, I'm sure there's perfectly valid reasons to hate him. I mean, I've hated people for a lot less valid reasons, and that's valid. We all got our feelings. But the show is about more than just him. My advice is to keep that in mind when you're judging it.
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shellshooked · 2 months
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Can u plz do more of the Zelda movie au? I really like it and would like to see like maybe a documentary comic about the filming and are the actors for link and Zelda dating or is it just them as characters? (u don’t have to actually draw that if u don’t see this or u don’t want to)
im so late replying to this but i have SOOO many ideas on the zelda movie au!! let me share some lore hehe
So you know the spiderman actor and his love interest actress dating curse? how every actor that has played spiderman ends up dating the actress for mj / gwen Stacy? i like to think it's a similar trend with the zelink actors, except not all of them are dating. Botw / totk zelink DEFINETLY and the actors like to keep the details of their relationship private, but Link is NOT shy about how head over heels he is for zelda
Skyward sword zelink? you can never tell. it's the type of dynamic where Twitter stans are dying to know and interviewers always ask them about it but they both dodge the question successfully each time. They could be besties. They could be secretly married. Nobody knows.
Now, oot zelink are not dating, but in my head they're like Jennifer Lawrence and Josh Hutcherson. Ride or die besties, and they're the biggest oot zelink shippers you'll ever find.
Tp zelink aren't necessarily dating, perhaps some tension (?) however i like to think that their dynamic is more a trio one with midna's actress, who's best friends with zelda and they both playfully bully link
You know who else bullies link? oot ganondorf's actor. Irl he's actually in super good relations with every cast member and probably the warmest kindest most solid dude you'll ever meet but in every interview, every red carpet, every con event he always pretends like oot link is a nuisance and that he's only doing this because he's getting paid. When the Wind waker releases, he's obviously cast again (because duh, same ganondorf, so he's also in the Twilight Princess movie), and he takes care of link and tetra very well on set and makes sure they're always comfortable as child actors, all while he acts to be this super evil guy on camera. I love this duality, I feel like he would be so chill to talk to
In a way, I feel like the major cast from the franchise all know each other one way or another whether they're friends or just professional colleagues, they all relate to each other in some way. There's always a playful competition between botw and ss zelink actors on which pairing is the best, tp link's actor always jokingly disses wind waker for its seemingly childish approach while ww link insists his movie has the better soundtrack.
And now I'm rambling, and I definetly did not mean to dump this all on your ask omg I'm so sorry but this au transpires so much fun to me it makes me silly
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factual-fantasy · 9 months
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I has 21 asks! :DDD🌟🌟
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@minophlia
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@ocinstituterep
I'm not sure if they would line their coats with the Captains fur,, <XD I'm not sure my Barnacles would even shed! My Barnacles has his fur cut really short to accommodate for the warm climate. Which is why he has to wear a coat like the rest of the crew when he goes to the Arctic!
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@elegysonnet
Awe, thank you! And I'd sayyy.. its probably cookies and cream. If that counts?? XD If thats not what you meant than milk chocolate-
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@cudlycorncornsworthcoberson
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XDD I love all the theories! Your enthusiasm means the world! And don't worry, you wont be in the dark for long.. 👀👀
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@artist-of-obsessions
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aaa thank you so much!! That means the world!! :DD
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That's a really interesting detail actually, I'll have to take note!
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@toaster-os
I have not actually, it looks really cute though! :DD
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@boxofcreampuffs
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THANK YOU SO MUCH!! 😭😭
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Thank you so much!! :DD
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Yes, please do take it down. That would be greatly appreciated 🙏
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@thatwolfnamednyla
XD I forgot about that game, too funny!
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@tmelvinborg31
I'm excited but also preparing to be greatly disappointed...
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I kind'a saw it comin. I think everyone did-
I'm not disappointed, I think its a cool and mysterious plot line to have :00 Also I didn't notice the Monty carpet! Very interesting,,
Also this doesn't change my Monty at all obviously. <XD I made him a good guy out of pure spite and I'm KEEPING him that way!
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Unfortunately Vanessa is not part of the Fazfam <XD
As for her importance, I cant specify too much.. but I will say that she does indeed play a big part in the over all story of my au. 👀👀
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@spookylightblizzard
Yeah I did, it made me kind'a sad :( But honestly good for him. The man deserves a good retirement for voicing a lot of our childhoods ✨🌟✨
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@excalibent
Thank you <:) I'm doing my best!
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@graycoin
I was thinking it'd be less visual differences and more internal. Although I haven't fully decided what the differences will be-
Some ideas I had was maybe Peach and the others are Herbivores? What if they can only eat fruits and veggies and Mario sees a slab of cooked meat and he's just like "OO STEAK" and chomps into it and everyone just looks at him like
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ALSO! Maybe Peach has to sleep a lot more than Mario does. OR maybe a lot less? Imagine if peach only needed 4 hours of sleep and then she was wide awake. Or maybe the opposite? Imagine if 12 hours is a standard amount of sleep they need. Mario is running around at 7 AM on 8 hours of sleep and Peach is like "whyyyy are you uppp so earlyyy go back to sleeeppp"
Or SHES up at 4 AM like "Mario are you up? Hey Mario are you awake? Do you want breakfast? I made you breakfast. Its cake I hope that's okay-"
I also imagined temperatures! I mostly imagined that Peach cannot handle the heat what so ever. Mario's out there in 35°C (95°F) heat and Peach is tucked away in her dungeon like a vampire. Or the OPPOSITE?? Its 40°C (104°F) and she's out there gardening and Mario is cooped up inside just miserable <XD
ANyways, I think you get the point. Differences like is what I had in mind. 😅😅
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Cassie's not in it because I just kind'a dont like her entire existence XDD But maybe she could be a friend of Gregory's down the road when he grows up yeah.
Also I love/hate the DLC. I think its really pretty, I LOVE how it leaned more towards a horror theme this time..
Buuuuuut all the complicated lore stuff put me off. Cassie, the Mimic, the big purple glitchy bunny thing. Uhhhgg.. I love this franchise but I wanna punch it really hard sometimes. <XD
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@skywillow28022
All of the bots got a system reboot after Gregory's first night there, as a safety precaution. Moony included. As to how the reboot effected him specifically and if he's still infected? Well I guess we'll just have to wait and see.. 👀
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Kaiju Week in Review (March 24-30, 2024)
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A coworker asked tonight me how Godzilla x Kong: The New Empire measured up to Godzilla Minus One, and I responded, "Almost as good, but in a completely different way." If you like monsters (and if you're following me I have to assume you do), see it, no questions asked. There's about a million of them and they're all delightful. The franchise has long struggled to recapture the specific charms of the Showa era, and I think this comes closer than any of them. (It's the climactic tag-team battle... also Mothra returning to knock some sense into Godzilla). Pure junk food, but you can't just watch Oppenheimer all the time.
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Godzilla x Kong tore up the box office this weekend, performing well above expectations. Its $80 million opening Stateside was the second-best of the Monsterverse (after Godzilla). It added another $114 million internationally for the best overall opening of the (still-young) year. China was a big part of that with $44 million; giant monster movies are among the few Hollywood imports that still play well there. With a $135 million budget, lowest of the Monsterverse by a wide margin, it's a matter of when, not if, Legendary announces the next one.
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The Oxford English Dictionary has added an entry for tokusatsu, defined as "A genre of Japanese film or television entertainment characterized by the use of practical special effects, usually featuring giant monsters, transforming robots, and masked and costumed superheroes." It's part of a group of 23 freshly-acknowledged Japanese loan words; unclear if the timing is coincidental. Oh, and if you're curious, they added kaiju in 2018. As someone who remembers when the only English-speakers who used either word were in fandom, it's pretty wild to see.
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French company Extralucid Films will release Gappa on Blu-ray in June. The impressive-sounding bonus features are naturally all in French, but there's one that transcends language: 17 minutes of extra monster footage. The U.S. version of Gappa, Monster from a Prehistoric Planet, only has about 7 minutes worth of shots absent from the Japanese version, so I'm pretty curious about the other 10. It's also the first time this footage has been released in HD (Tokyo Shock blew it in 2020).
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Season 2 of Chibi Godzilla Raids Again is indeed receiving official English subtitles, starting the same day as the Japanese premiere, April 10. Godzilla Battle Line also added a hilariously busted joint Chibi Godzilla-Chibi Mechagodzilla unit, along with a Destoroyah variant. (Maybe Godzilla x Kong units are next month?)
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A new Monsterverse movie means new books to buy. The prequel comic Godzilla x Kong: The Hunted is out already (not recommended), but officially you'll have to wait until April 23 for the novelization and May 14 for the art book. Chalk that up to the late release date change, maybe. Unofficially, people are already getting the novelization from Amazon, because they're a monopoly that can afford to pay the fines from publishers for breaking street date. The audiobook version also released on the same day as the film. I don't have intel on what it adds and changes yet; adding everything from the film itself to Wikizilla is all I can handle right now.
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The San Francisco Giants are offering a Godzilla VIP Experience on May 17, a long-overdue acknowledgement of the savior of their city. Tickets are almost gone, though I think it's a shame that the promotion is opt-in to begin; what happened to giving these tchotchkes out to the first thousand fans? Well, figures that they'd make getting merch of the Minus One Godzilla in the States a hassle.
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silenzahra · 3 months
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The best news for us Mario fans ✨
We had the BEST news today 🥹👏❤
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I literally did NOT expect whatsoever to get news of the sequel to the Super Mario Bros Movie today. Like, it was obvious there was going to be a sequel after that post-credit scene, but them actually confirming they were already working on it! Such a big surprise! 🤩🤩🤩 Totally unexpected but oh my God it made me so HAPPY!!! 😭😭😭 I swear I started to tear up and get emotional, there's still two years to go but that only means it's going to be made with just as much love and care like the first movie 🥹🥹🥹
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And the remakes!!! 😭😭😭
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Okay. This game. THIS GAME. This is my favorite Paper Mario game EVER. It means the world to me. It was the one that made me fall in love with this series so many years ago. You bet I started CRYING when it was announced last year. I simply couldn't stop sobbing at the news that it was gonna have a remake for the switch 🥹🥹🥹
I did think perhaps they'd announce its release date today, but I didn't expect it to be so soon! 🤩🤩🤩 I honestly thought we'd still have to wait till September, but oh my God, this MASTERPIECE is only two months away and I just can't stop SCREAMING and CLAPPING and CRYING 😭😭😭
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And my boy Luigi is coming back this summer AAAAHHH I just can't WAIT to play with him again 😭😭😭 I ADORE Luigi and I LOVE the Luigi's Mansion series SO MUCH, the idea of exploring a haunted place with my favorite character EVER simply fills me with so much joy and emotion 🥹🥹🥹 I miss so much doing it!!! Knowing that we'll only have to wait till the beginning of summer to finally replay this AWESOME game really has me JUMPING out of joy 😭😭😭
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And also!!! 🤩🤩🤩 These games coming to NSO in just a couple of days!!! 👏👏👏 Man I just LOVE Doctor Mario, it's so much fun! And Mario Tennis!!! 🤩🤩🤩 Oh my, this was my very first Mario Tennis game back in the 90s (yeah, I'm old 😆), and I was sooo good at it!!! 🤩🤩🤩 It was the game that made me understand how tennis works and how to play it, and it also made me wanna try every new tennis game that fell into my hands over the years! 🤭 And the music is so ICONIC, I swear every time I've played other Mario Tennis games, this music came to my mind whenever I was about to win a game 😂 I just can't wait to play it again!!! 🤩👏✨
I know I cry a lot over anything related to Super Mario, but on the one hand, I'm a totally emotional mess, I'm prone to easily crying for literally any reason, good or bad, and on the other hand, this franchise means the whole world to me and only brings me more and more happiness so of course all these news have me crying 🥹🥹🥹
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absolutebl · 8 months
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This Week in BL - lots, just LOTS
I thought I would be pretty lean reporting for Oct 2023 but then (for reasons relayed here) the weeklies got saved by a drunk avenging hacker in a hotel room.
Oct 2023 Wk 1
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Except I still can't watch IFYLITA, because I use my other computer for it.
Gotta say though, watching tese mostly all in one day (for travel reasons) is beyond even my BL superpowers. I did my best tho.
Ongoing Series - Thai
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Dangerous Romance (Fri YT) ep 8 of 12 - Sailom, sweetie, Kang is never sleeping alone again. It wasn't really translated, but Kang's way of speaking in that opening stinger was VERY cutsie. Also the gay sheets have made another appearance. I do have to say that "rich kid problems" is not my favorite story arc, but I still think this is a great Thai BL.
Naughty Babe (Sat YT) ep 6 of 8 - I love that they are finally talking to each other but Yi’s whole personality is shifting. Honestly, this pair is great at kissing and casual touches, but the friendships are the best thing about this franchise. Also Mr Chenne remains my fav character. But where did Diao's baby superhero team come from? And why? This show is very confusing... It’s also not very good.
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My Universe (Sun iQIYI) You Are My Soulmate ep 7 - This was the one of the series I was looking forward to the most, because silly, pretty, and v BL. It is, in fact all those things and nothing more. So I'm enjoying it, of course.
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Absolute Zero (Thai Weds iQIYI) ep 2 of 12 - I like it, but it feels like it's gonna be so sad. I'm having Promise and Dew the movie flashbacks. Plus 12 eps seems too long for this narrative thread. I am worried.
Venus in the Sky (Tues iQIYI) 6 of 10 eps - This show is so slow it's hardly worth the bandwidth, but we attained "baby is a floppy drunk" and thus a finger bite frustration scene, which was nice.
Only Friends (Sat YT) ep 9 of 10 (not a BL but I'm watching it anyway) - Ray is so mean to Sand. The not-a-thing with Sand & Nick was cute. I’ve had several experiences like that. All my queer friendship groups tend to be incestuous, but sometimes they're just too much of a sibling and trying to sleep with them is the most unsexy thing in the universe. To be fair, I’ve also been in Ton’s position (this ep). Jojo sure makes queer shizz. But also, Ton must have a magic rod with everyone wanting a repeat. (I'm so glad they put Neo in this role, no one else at GMMTV could play him as complex or sympathetic.)
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Ongoing Series - Not Thai
You Are Mine (Taiwan Fri Viki) eps 5 of 10 - now officially known by me as "I'm too sunshine for this seme" where our boss is being hella obvious but our cinnamon roll is just too ooey-gooey to notice. Al.though, baby boy, he takes you home, sleeps on top of you, feeds you cookies (IN HIS BED) and keeps you in his space? Surely even this sunshine is catching a few rays of truth?
Gaga's *unintelligible gay murmuring* is my favorite caption EVER.
Also the name of my new ASMR YT channel.
Bon Appetit (Korea Weds iQIYI) 3-4 of 8 - ah gay panic, also what is Korea's obsession with 7 year separations? Is it only true love if you wait 7 years? Dohoon is SUCH a flirt, it's kinda great! Also, since it's Korea, we got us a bit of a love triangle with 2 hyung romances, so I (of course) am torn. Either way Dohoon is going down. I do love how much time we are spending with the food in this drama, finally one that lives up to its name. On an entirely different note, Korean camping is the most bizare thing to me. It's SO damn civilized. There will be NO DIRT. They pack blow torches. And full dinner sets. Every time I see it in a drama, I'm amused.
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My Personal Weatherman AKA Taikan Yoho (Japan Sat Gaga) ep 7 of 8 - OMG these 2 are so in love with each other, and so ridiculous about it. They're tiny idiots but I love them.
If It’s With You AKA Even If I Fall In Love With You AKA Kimi to nara Koi wo Shite Mite mo’ (Japan Gaga) ep 1 of 5 - from MBS a live action adaptation of Kubota Maru’s manga ‘君となら恋をしてみても. Amane has stopped loving people due to trauma until he meets Ryuji. At first Amane just wants to play with Ryuji but… feelings.
I like the odd Japanese mature-childishness in this one. Plus a broken sunshine who is out in a kind of aggresive way and an instinctive caring seme. What's not to love? Well, it's Japan I'm sure it will surprise me one way or another.
Mr Cinderella 2 (Vietnam Sat YT) ep 3 of ? - the cray cray step brother quazi incest is a bit much for me. Why does VBL just suddenly get so unhinged like this?
Kiseki: Dear to Me (Taiwan Tues Viki & iQIYI) ep 9 of 13(?) - resumes next week
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It's Airing But...
I Feel You Linger in the Air (Fri grey) ep 8 of 12 - I will try to watch 8-12 and do a series review when I get back in November but... not sure I will be able to. Fingers crossed.
Love in Translation (Sat iQIYI) ep 8fin - I will complete and drop a review in Nov.
What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Fri Gaga) ep 1 of 10 - 4th installment in this series (1st series, 1 special, 1 movie prior) about a lawyer who lives with his boyfriend, a hairdresser, and cooks for him. I find thie series more fun to binge, som I'm waiting until it completes its run.
I Cannot Reach You AKA I Can't Reach You AKA Kimi ni wa Todokanai (Japan Tues Netflix-Japan & ????) - in classic JBL fashion, I Cannot Reach You could not be reached. 
Can I Buy Your Love From A Vending Machine? AKA Sono Koi, Jihanki de Kaemasu ka? (Japan cinema release in-country only) - This one is a movie from Japan so in customary fashion who tf knows when (or if) it will get international distribution. Salaryman Ayumu Koiwai just can't tear his eyes away from the strong, muscular man as he checks on the stocks of the vending machine in his office.
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In case you missed it?
Crazy Handsome Rich (Sun Gaga) Apparently ended its run I DNFed this at ep 3. So no review from me.
My Beautiful Man: Eternal AKA Utsukushii Kare Eternal (Japan movie Viki & Gaga) - Play it again Sam, only I'm kinda tired of this song. I was v dramatic tho. And it's always nice to be reminded JBL can kiss when it puts its mind to it. 8/10
Next Week Looks Like This
Upcoming October BL
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10/31 SHADOW (Thai VIU ????) - this is a horror BL featuring ghosts and other paranormal elements in a high school setting. I'm not wild about Thai horror (or horror at all, but if it must be done in BL let Japan do it). It features Singto (who did paranormal BL He's Coming to Me) opposite Fluke N (who's done a couple horror's before). Also Fiat. Dan suffers from sleep paralysis, and in his dreams he sees a shadow that suffocates him. It gets worse when he transfers schools.
10/? Bump Up Project AKA Bump Up Business (Korea ????) - BL staring OnlyOneOf that released(??) as a movie in July but is now being recut and reissued as a series. Stars NineMill and from Idol Romance bulled as a love story between a trainee who is about to debut and a celebrity from the same agency (based on a webtoon). OnlyOneOf have been auditioning for this since Libido IMHO. You can watch me chronicle their BL MV work in this post. Idol Romance will do sad but can do good kisses (Wish You, Nobleman Ryu, Once Again, Kissable Lips, Poongduck 304, Tasty Florida, Tinted With You) but I don't think we will get any in this. After that OmegaX Shoulder bullshizz buisness I am very wary of this show.
2023 forthcoming BL master post (see comments, some are inaccurate, NOT KEPT UPDATED).
THIS WEEK’S BEST MOMENTS
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I've seen this Chinese drama like... no wait... okay it's like EVERY Chinese drama ever.
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(both Mr Cinderella 2)
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I only got to watch this scene and the bath, but bot were pretty darn good! I Feel You Linger in the Air
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There's only one bed but they slept together on the floor anyway. One of BL's oddest tropes.
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I do love a finger bite. (both Venus in the Sky)
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Good advice
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(Naughty Babe)
(Last week) 
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fireflysummers · 10 months
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Final Thoughts on GO S2
I'm probably gonna pull back on discussing S2, at least publicly, after this. I did actually like a lot of the season, but it's triggering some of my religious trauma and also the fandom is already stressing me out. So here, let's have some final thoughts.
First and foremost: I am not a Gaiman simp. I've read a decent amount of his work: comics, short stories, essays, and novels. Aside from Good Omens, I've liked Coraline and The Graveyard Book the best by far, whereas American Gods just. Did Not Connect with me, even though it's should have, given the stuff I tend to enjoy.
However. Regardless of whether I like a given work (or even like how he adapted it, a la parts of The Sandman TV series), he is a veteran writer who has proven that he does, actually, know how to write a story with consistent characters.
Beyond that, I do actually believe that he's trying to do right by Pratchett, and loves and respects the story and characters they created together. He's generally shown up as an ally to a variety of social causes, and directly and respectfully responds to fans on Tumblr. While no saint, I feel that there is cause to give the benefit of the doubt that things will resolve satisfyingly in S3, and that there is Intention about some of the things in S2.
This, of course, does not absolve it of being "bad," but even here I think we need to articulate better the different types of "bad" that people are reacting to. There seems to roughly be three camps here: 1) People who thought it was "bad" because of how it ended, with the breakup and a lot of unresolved plot threads; 2) People who thought it was "bad" because it struggled on a technical level with its set, lighting, directorial choices, editing, etc; 3) People who thought it was "bad" because they felt the characterization was significantly off and that the internal logic of the series had been violated.
With regards to Point One, the only solution is to Wait and See. Judgement should be reserved until the story is properly finished--easier said than done, especially considering the current media landscape, and the number of series or franchises that fail to live up to their promises.
Point Two isn't something I understand well enough to contribute meaningfully, except that I suspect the pandemic affected this aspect the most and am willing to give it a bit more mercy. That aside, I for the most part I don't find it bad so much as not as good as S1. Except for the parts with epilepsy warnings, surely there could've been a better way to do that.
Point Three... that's the stumbling block for me, and I find it interesting that most of the folks who struggle with this point in particular are long time fans of the book.
I trust that instinct.
There are two different directions to go from here. The first is the assumption that these problems are a result of ego, carelessness, or lack of skill from the showrunners/writers/director. It's cynical but not unjustified. The second is the belief that the breaks in lore or characterization were intentional, building towards a much grander conspiracy. Of course, even in this case I don't think it forgives the lack of signposting that would indicate that this is a choice rather than an accident. It just makes it feel clumsy and poorly constructed, a major risk on a show that hasn't had its third season confirmed.*
However, regardless, it still feels salvageable. I've enjoyed reading a lot of meta on all this, and I've pulled some things from others (particularly That Theory by @ariaste), but I don't really want to put forth a single, defined theory myself. Instead, here's some questions I've got, why those questions are important (to me, at least). Actual theorizing comes after, and anybody who snidely mentions Sherlock in the comments or tags is going to get auto-blocked. Like seriously, I'm aware that some stuff is a stretch, but it's fun??? To theorize????? And I'm here for me and my peace of mind rather than trying to argue a point.
*I have some suspicions here, particularly with Gaiman stating that the decision from Amazon would come much faster than The Sandman's second season (which was four months). I don't know enough though to say if that's actually significant.
Questions
Who the fuck is telling this story?
This is the most important piece, in my opinion. There's this assumption when reading books (or research papers, newspapers, etc...) that the narrator who is writing the words is a non-presence, Neutral and objective. That's not the case, and an important part of literature critique is figuring out who the narrator is, and what their goals are. Oftentimes, the narrator and the author are the same person, but with Pratchett's work, particularly on Good Omens and Discworld, the Narrator was its own unique character.
This is why people struggle adapting Discworld to live action--that medium requires a Reason for having a Narrator, and especially in the age of method acting that's often considered immersion-breaking. Good Omens worked so well because they not only kept the Narrator, but they made Her God.
This added some really interesting new dimensions, such as the scene where Crowley speaks to God about his fall and the destruction of humanity. He doesn't receive an answer, but we're watching from God's perspective, so we as the audience know that She's listening.
Another advantage of making God the Narrator is that it justifies all the goofy little asides we get into the lives of minor characters (i.e. Leslie the Mailman), without losing focus. It helps the world feel like it’s full of people, rather than characters and plot contrivances, and the theme that individual people and their choices are important. The Narrator is such a central character of Good Omens that without it, the story struggles to stay focused.
It also highlights a key difference in the writing styles of the two authors. Pratchett’s work tends to introduce four or five totally unique plot threads that feel completely disjointed until the last act (if not even later), when it turns into a Chekhov’s Firing Squad. Plot twists around secret identities and backstabbing and schemes are relatively rare, as the omniscient Narrator doesn’t lie about the intentions of people or their actions.
Gaiman’s writing is typically not like that, to my knowledge. He buries characters in misdirection and hints, and you never know the true identity or motives until all the chips are down. It’s a perfectly valid way to approach storytelling, but it makes it jarring to see it in S2. The lack of a Narrator is a huge reason why S2 doesn’t feel like Good Omens to some folks.
My gut feeling is that the decision to shift from the original Narrator was highly intentional. It helps to obscure the thoughts and intentions of people, and it also muddles the insights that we’re supposed to take away. (I would have loved hearing God monologue about what’s going on in Jim’s head. I think it’d do a lot to make him seem less.... obnoxiously stupid.)
More than that, it brings up a reasonable potential plot point of: Where did God go? Why isn’t She present in the story? Even in her early appearance in the Job flashback, she doesn’t sound like the narrator for last season. After the first part of her speech (which Gabriel later quotes), her tone turns casual and condescending, which might line up with her being a bit of an asshole, it doesn’t line up with the whole “dealer of a mysterious card game who is always smiling”).
Also, I don’t think it’s safe to assume that nobody is telling the story either. Just because they’re not making their presence known doesn’t mean they aren’t there, and in a story like Good Omens, that’s concerning.
Wait, where's Satan?
Another person I saw while scrolling the tags pointed out that Satan is nowhere to be seen this season. He's really only mentioned in reference to a bet God made in Job, but then Crowley is the one on the ground causing mischief. There's no Hail Satan among demons (like Hastur and Ligur did at the start of S1).
That's might be because the writers didn't want us to think it was important (a la Hastur), but that feels off. Given that Satan speaks directly through the radio to Crowley in S1, complimenting him on his work, it's safe to say that he was at least aware of and involved in the goings-on in Hell. The fact that he wasn't even an worry for Beelzebub in abandoning their post? Feels weird.
(Also if you know where that post is, I'll happy credit + link)
What is Maggie?
Look, I love cute lesbians in love as much as the next queer, but I don't like Maggie. I don’t think she’s a person. Contextually, she’s a plot device, but I agree with That Essay that she might be an actual Plot Device.
Her characterization is simple and relatively shallow—a bit of an airhead, ray of sunshine that’s supposed to remind you of Aziraphale. When she describes her past to Nina, it’s almost robotic (also, her story implies it was Mr. Fell who first rented to her ancestor, not Mr. Fell’s great-grandfather like Nina implied). Her emotions are over-dramatic and seem to be turned on and off at random (scenes with her crying to Aziraphale about her woes had my “manipulator” senses going off for some reason).
When asked about a song, she not only IDs the song, its singer, and its year, but how and on what it was distributed. (Honestly thought this would’ve been something interesting, because she’s been pretty ditzy so far, it’d be interesting if she had like... an insane memory for music history.) And then she’s the one that sets Aziraphale on his little investigation by giving him the transformed records, while also planting the seed about her love troubles with Nina. Later, her advice to Crowley is... not awful, but feels insincere and a bit too forward, given her own self-proclaimed lack of relationship experience.
I don’t know what she is (a demon, hastur with amnesia in disguise, a literal plot device inserted by the current storyteller, etc...), but there’s something not right with her.
(Also the joke of “who listens to records anymore, it’s so old fashioned” just doesn’t land, lots of people buy records, and I’m saying this as somebody who has worked at a record store before.)
What's going on with Aziraphale?
There’s something Off about Aziraphale, and it’s not his choices at the end of the season. That makes total sense if you read him as somebody with severe religious trauma getting dragged back into the abusive system because other people need him and he’s been promised the ability to change things.
But I do think something is happening to his memory. Nearly all the flashbacks are from Aziraphale’s point of view and retelling, which means that they’re less reliable than God’s version of events in the previous season. Many of them don’t make logistical sense (post-church scene in 1941), depict Crowley as meaner or more sinister than we know he is, or frame events... weirdly. The scene with him trying food for the first time feels Really Bad, especially when the series has previously established that he’s a) prim and proper and b) his interest in food is one of the beautiful things that connect him to humanity, not some kind of gluttonous sin. Also he turns down alcohol.
Their meet-cute at the  start of the universe also doesn’t line up with their reactions to each other in Eden, or the fact that knowing each other Before has never come up or been hinted at anywhere ever. I don’t know what’s causing this to happen, only that Aziraphale repeatedly looks pensive when coming out of flashbacks, and Crowley is never there afterwards to corroborate said memories.
His actions also seem pretty inconsistent with what we know of him—i.e. I refuse to believe he would ever mistreat his books, even if they’re just old encyclopedias. Also, he feels a bit too...forceful in trying to get Nina and Maggie to fall in love? I mean, he didn’t exert that much direct influence on even Warlock, when he was actively hoping that the boy would turn out angelic rather than neutral.
I don’t think this removes his agency in that last decision, so much as explains how he was in such a vulnerable place at all. He still needs to apologize and fix things, because he messed up, and even if he hadn’t he still seriously hurt Crowley.
What's going on with Crowley?
There’s something Off about Crowley. The most obvious thing, of course, is his memories. At multiple points in the present day, characters state that they remember him or have met him before, only to be met with confusion. This is especially concerning given that he has a nigh photographic memory for faces (something mentioned in the book when he immediately IDs Mary Loquacious, 11 years after a 30 second conversation).
Overall, he seems to be better known by other supernatural entities this season, in ways that often tie him back to his angelic identity (i.e. saying they fought together in the war, Aziraphale stating he knew the angel he used to be, etc...). This doesn’t feel right, because S1 we see that Hell is largely apathetic towards his schemes, and definitely does not defer to him at any point in any capacity.
Then there’s the issue of his power level. It’s always been speculated that Crowley was a powerful angel prior to falling, when he mentions in S1 his involvement with star making, his seemingly unique ability to freeze time, and creating a pocket universe for Adam before the confrontation with Satan. He also has a tendency of breathing life into inanimate objects, like his plants or car. He also has the regular demonic skillset: miracles that can adjust physical appearance; the ability to change inanimate objects (like paintball guns into real guns); the ability to manifest clothing and similar items; and summon hellfire to his fingertips. This, plus the way he monologues to God with a degree of familiarity rather than reverence seems to indicate that he was Somebody Powerful and Important Before.
But in S2, his skills are significantly expanded upon. The miracle he and Aziraphale summon sets off alarms in heaven and hell, and it’s powerful enough to mask Gabriel from the Archangels. He summons a miniature sun to rain fire on Job, which is way bigger and flashier than anything we’ve seen him summon in S1. (If he needs fire, he alters the course of a dropping bomb, without creating one himself.)
Yet he’s able to cloak his presence so well he goes wholly unnoticed in heaven, or in front of heavenly agents on earth (i.e. the Job flashback). Muriel can’t clock him as a demon, or even as another supernatural being, despite their auras usually being pretty significant, such Aziraphale immediately sensing the archangels when they arrive.  He’s able to interfere with files that Muriel claimed required clearance (although I feel like that might just be a snark about Obeying Without Thinking? I would really need a Narrator to know.)
I might be misremembering, but I don’t think we’ve seen angels or demons transmogrify living beings before either. In the book, Crowley brings Aziraphale’s dove back to life after the failed magic show, and occasionally sinks ducks, but he doesn’t alter them? Not even Adam demonstrates that skill in S1. But he has no trouble turning Job’s children into lizards, however temporarily. Boy that would’ve been convenient during the flood. Or when the guard stopped then from getting to the air strip.
I might be misremembering, but I don’t think we’ve seen angels or demons transmogrify living beings before either. In the book, Crowley brings Aziraphale’s dove back to life after the failed magic show, and occasionally sinks ducks, but he doesn’t alter them? Not even Adam demonstrates that skill in S1. But he has no trouble turning Job’s children into lizards, however temporarily. Boy that would’ve been convenient during the flood. Or when the guard stopped then from getting to the air strip.
I don’t have any real issues with his characterization in the present day parts of S2, but there’s something weird happening with Crowley.
Where's all the people?
I really like a lot of the new characters, but how were there only like, 2.5 new humans named in the present day? Flashbacks don’t count bc the humans are all dead and can’t affect the story.
As much as I like Nina, she and Maggie don’t drive the story beyond being an occasional and awkwardly inserted plot contrivance? Both are actively robbed of their agency at several points, forced into situations that they could not have avoided or escaped. I’m not really sure what growth they’re expected to experience other than deciding not to date each other after everything. I literally can’t tell you anything about Nina other than that she remembers her regular’s orders, runs a coffee shop, and has a textbook abusive partner we never see. The only meaningful interactions they have are between those two, or in conversation with Aziraphale and Crowley.
Compare that to S1, where Anathema gets hit by Aziraphale and Crowley, but her primary relationships are with Newt, Adam, and Agnes Nutter (I think that counts as a relationship). We know that she’s got a wealthy family back in Puerto Rico, and that she was literally raised to save the world, and that she isn’t happy under all that pressure. Newt on the other hand is connected to not just Anathema, but Shadwell and Madame Tracy. He never even directly interacts with Aziraphale and Crowley. We know about his hobbies, his struggle to hold down a job, and his almost supernatural ability to destroy any electronics he touches. I don’t necessarily like how their relationship came together, but they were both very, very well fleshed out characters with unique backstories and goals. They weren’t just... waiting around to give Aziraphale and Crowley a new questline.
And while there’s no requirement to include a large cast of human characters that are exerting influence over the story, the lack of it is another aspect that makes this season feel not like Good Omens.
Also, it's just. Really weird to me that the events of S1 aren't really referenced at all? Like, Adam isn't mentioned, nor is Warlock. I don't expect them to keep track of the humans they met on the airfield for 20 minutes, but none of it is ever specifically referenced as far as I can tell, beyond Crowley threatening Gabriel. Like, I get that it's been a few years, but the pair caused a big enough disturbance that you'd expect some kind of ripples in their supernatural communities.
Promised by the Narrative (Obvious Chekhov's guns that I will be legitimately upset over if they do not go off)
A sincere apology from Aziraphale to Crowley that doesn't come with the expectation that Crowley will come back to him, but because he deserves an apology, even if the choices Aziraphale made were done with good intentions. Aziraphale does not expect forgiveness, and is shocked when Crowley grants it without hesitation.
A clear declaration of love from Aziraphale, which can't be rationalized away by either of them.
An "I'm Sorry" dance between Aziraphale and Crowley, but with greater sincerity and gravity. The most important piece is that they end up dancing together, which signifies a mutual apology and dedication to come together.
Since kissing is on the table, I expect an actual joyful, mutual kiss between these two assholes.
A shared cottage in South Downs.
Predictions/Theories (just some fun thoughts I've had)
When Adam declared that Satan was not his father, he didn't make himself not the antichrist, but accidentally crowned his human dad the King of Hell. Nobody knows this, because Adam doesn't have a good measure for "normal" supernatural situations, and Mr. Young because he's so "normal" that he explains away all the magical bullshit that's started going down.
When Adam declared that Satan was not his father, he erased Satan altogether. However, this left a vacuum in both power and reality. The defection of both Gabriel and Beelzebub only widens that crack. In an attempt to Fix things, reality is warping the story. Crowley has become leagues more powerful between S1 and S2, as the narrative is trying to force him into the role of his previous boss. Aziraphale is unknowingly being pulled into a similar version on the Other Side, perhaps to replace Gabriel or perhaps to replace God herself, who has been fairly absent in all this. The alterations to their memories or past have come about to keep the narrative running smoothly.
When the Metatron asks Nina whether anybody has ever asked for death, he was actually referring to Death, the sole remaining rider of the apocalypse.
If Maggie is indeed a Plot Device, it would be a fascinating exploration of Free Will to see her become aware of this (cue existential crisis), and then fall in love with Nina on her own terms, rather than because she was written that way.
Hastur will be back. Somehow.
The reason why S2 focuses so much on the supernatural characters is because S3 will be about how the events in S1 have changed the political landscape of heaven and hell. Angels are questioning their roles, demons are yearning for something more. It's scaring upper administration, and then the two most reliable folks in employment run away to alpha centauri. Recruiting Aziraphale and getting him back in line prevents him from becoming a martyr, control the range of his influence. The series reasserts its theme of choice and agency by highlighting that Aziraphale and Crowley aren't that special, they've just had the chance to live and grow, and that the others have free will too, if they want it.
The reason why they wanted to separate Aziraphale and Crowley, is not to get Aziraphale on his own, but to get Crowley on his own. He literally stopped time and made a pocket universe in front of Satan last season. He's powerful and dangerous and somebody wants to see that reigned in.
Wishlist (stuff I desperately want to see)
Crowley getting an audience with God and an opportunity to ask his questions, only to refuse to do so because he's found his own Answers and he no longer needs hers
Aziraphale and Crowley growing more into their book incarnations. Aziraphale becomes confident in his sense of morality, which he developed the hard way through millennia on earth besides humanity. He slowly learns what it means to be loved, unconditionally, but also is better at asserting and maintaining his boundaries. Crowley, still anxious and unwinding, works through his fear of abandonment, providing him opportunities to be kind and gentle and nurturing--all traits that he's aggressively hid since being a demon.
Hand holding. I know that Gaiman was referring to Ineffable Bureaucracy, but I still feel like we'd benefit from meaningful hand holding, especially since that got cut from the adaptation of the book.
Shifted focus away from the supernatural shenanigans, and back onto the humans that actually drive the story.
Cameos from S1 characters (if not a more substantial appearance).
The Four Other Riders of the Apocalypse.
Cursed Thoughts (why I shouldn't be allowed a social platform)
Ineffable Bureaucracy turns up in season 3 because Beelzebub got Gabriel pregnant somehow.
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