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#analysis by me
jan30els · 4 months
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Hiccup and Snotlout as Opposites
Ok so I haven’t posted anything for a couple of days now. I didn’t have any finished art and I lost motivation to draw (though I am working on something else rn). But I wanted to post something for day 11 because How to Betray a Dragon’s Hero is my favorite httyd book
So I wrote something
When rereading some of my favorite scenes in How to Betray a Dragon’s Hero, I noticed that Hiccup and Snotlout are opposites in a lot of ways.
Some are very obvious: Hiccup is small and (physically) weak where Snotlout is big and strong, Snotlout is the perfect viking while Hiccup doesn’t fit in, Hiccup is forced to be a leader even though he doesn’t want to be and Snotlout will never really be a leader no matter how much he wants to be one
But they are also opposites is some ways that are less obvious:
-Hiccup’s friendships grow stronger and become, in some ways, more important as the books go on. Meanwhile Snotlout’s friends kind of disappear; Fireworm leaves in book 9, and Dogsbreath is (if I recall correctly) only mentioned briefly in book 10 and doesn’t show up at all in book 11
-As Hiccup grows confident, Snotlout starts to hate himself more and more
-Hiccup’s relationship with Stoick improves while Snotlout’s relationship with Baggybum deteriorates
-Hiccup is emotionally very open, while Snotlout hides his tears and pretends he’s okay
-The torture scene in book 11 starts with Hiccup alone and trapped with the Dragonmarkers doubting him and Snotlout being praised for his betrayal by his allies. It ends with Hiccup escaping after proving his resilience and determination to everyone (even the Alvinsmen admire him) and Snotlout being hated by the Dragonmarkers and realizing he’s stuck on Alvin and The Witch’s side of the war (“They would never take you back. No, you are ours now, Snotlout, ours forever.”)
And lastly:
-Hiccup wants the world to change. Snotlout wants it to go back to the way it was*
*I'm planning on talking about this one some more in a separate post, I just don't have enough time rn
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liv45no · 1 year
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Oh my god I am so stupid.
Remember Richie’s fuckass nightmare doll? The one in the coffin with the message FOUND? The one that looks like this?
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Now remember what Richie said about Betty Ripson.
“Of course they’ll find her. In a ditch, all decomposed, covered in worms and maggots, smelling like Eddie’s mom’s underwear.”
Richie’s doll looks quite similar - decomposed, covered in worms and maggots- and one thing: dead.
We have learned earlier how Richie’s second biggest fear is disappearing and dying without anybody knowing or finding him (we all know the other fear, wink wonk). The FOUND shows how he’s gonna end when he disappears like every other kid - when he dies.
Today’s class has brought us two new accomplishments:
A) Richie told his friends honestly what he felt but overplayed it with a joke, like always.
B) He’s scared of disappearing and dying like the rest of the Derry’s children.
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keets-writing-corner · 3 months
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Thinking a LOT about Lucifer in the latest Hazbin episode. Idk what I was expecting but not this??
As I was watching my immediate thought was just "huh... Lucifer is kinda of weird..." but as the episode went on I realized the issue
the dude is off the chain depressed, like he says it as a joke but holy cow it is SO BAD
He's manically just creating rubber ducks cuz his daughter really like it that one time but it's empty, it's never good enough but he keeps doing it, maybe cuz he doesn't know how to pass the time otherwise.
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like I get the feeling he HAS better things he SHOULD be doing than making rubber duck after rubber duck. At first I was like, "Bruh why isn't the king of hell doing anything?" aaaaand then it became clear...
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The dude is disassociating so bad he can barely hold a conversation let alone remember information. He clearly WANTS to, he wants to be involved with his daughter so bad, he wants to care about the things she's doing so bad, but his depression keeps interfering. It's like he can only hear every other word and he grasps onto the ones he does hear semi-out of context. Like you can see every time he catches something that he hadn't before and he just "well shit I didn't catch that part"
and that's why he reacts so weird when people talk to him. He is struggling so bad to engage with the conversation he's only getting 50% of it
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does that look like the face of a man who knows what the hell the conversation is even about??? he is STRUGGLING
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like Charlie spent so long telling him about the hotel, and he STILL didn't understand what she wanted. Yeah it comes off as ditzy but literally I've been in that position where your brain just "nope, not doing this right now" and nerfs your conversation comprehension. So as someone who's BEEN in that position, to me it feels exactly like what he's dealing with. He's sorta engaged with the conversation, but only as much as his brain will allow
For example, when I'm dealing with this, this is what someone talking to me feels like this where the crossed out parts are what I missed and bold is what I catch, "Hey! You know I was thinking for dinner we could either make some chicken with rice? But if you don't feel like cooking, pasta is super easy and you love that right? What do you want to do?" you can kinda get that someone is trying to talk to you about dinner, and towards the end you get the impression that they asked something that needs your input so you can decently put 2 and 2 together and try and pass off, but crucial bits were left out, I would have no idea that either chicken or pasta is in the conversation only having heard "rice". When someone is just talking at me, I can decently pass off as being engaged but the second I'm required to participate in the conversation I'm screwed. Seem familiar? At which point I have 2 options, try to give a bullshit answer, or admit that I missed what they were saying and ask them to repeat
Lucifer, unfortunately, is trying so damn hard to hide that he's dealing with like 24/7 dissociation, so he can't admit that he's missing entire chunks of the conversation, hence his really weird replies. He does eventually get the full picture and then he and Charlie start having the real conversation
Also, the Alastor/Lucifer rivalry was hilarious but also really indicative of more of what Lucifer is dealing with
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Alastor is, unfortunately, really good at picking up people's insecurities, and thanks to Charlie's description earlier and watching Lucifer clearly trying to overcompensate, he immediately picks up on the fact that Lucifer KNOWS he struggles to be a good dad (we know cuz it's cuz of the depression, hard to be engaged when your brain keeps turning off) and decides to rub salt in the wound by pretending he's been acting as a surrogate father to Charlie. Now why Alastor decided to pick a fight with the king of hell is beyond me, I do not understand Alastor (and I LIKE IT) (maybe it's cuz Alastor thinks he's hot shit and was expecting Lucifer to at least have heard of him but Lucifer just treats him like a nobody? who knows)(why would Lucifer listen to radio anyways when he can't even pay attention to a conversation it'd just be white noise)
But yeah I just was expecting someone who oozed either charisma or presence and instead I got a depressed dad who's dissociating so bad he can barely function and be present in his life. The only thing it seems he CAN do is make rubber ducks cuz his daughter really liked it that one time
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Idk Lucifer is tragic to me. Whatever the full details of what heavan did to him absolutely broke him and he can't deal with it. He's aware of it, and he doesn't know how to fix it, so he tries to over compensate and sorta makes an ass out of himself but no one says or does anything cuz this guy is supposed to be THE king of hell
Suddenly it's making a lot more sense why he just rolls over and lets heaven do what it wants and even told Charlie to go in his place the start of the show. He's not in any headspace to hold a basic conversation let alone negotiate! He didn't even know who Alastor was, he's been so out of touch
idk I like him, he seems sweet, I hope Charlie brings some light back into his life. He really needs to get out of that rubber duck room
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descendant-of-truth · 9 months
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Shipping is fun and all but I swear every single time someone makes a comment, whether as a joke or in a legitimate analysis, about there being "no other explanation" for a pair's interactions, I lose just a bit more of my sanity
Like, no, you guys don't get it. Romance is not about the Amount of devotion, it's about the COLOR. the FLAVOR of it all. a character can be just as devoted to their platonic friend as they are to their romantic partner, and they don't love either of them more, just differently.
But because the majority of people still have it stuck in their minds that romance exists on the highest tier of love, I'm stuck seeing endless takes that boil down to "these two care about each other too much for it to NOT be romantic" as if that's the core determining factor to how literally any of this works
In conclusion: stop telling me that I don't understand the story if I don't interpret the leads as romantic, I am TIRED
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ambrosiagourmet · 4 months
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I think one of the biggest tragedies of Laios & Falin and their relationship is how much his actions impact her life. But like. Specifically how much they WOULDN’T impact her life as much if they weren’t both stuck in such a shitty abusive situation.
This part of the Falin-tries-makeup daydream hour comic is what got me thinking about it again because truly it just... it seems like such a like an offhand comment that I'm sure Laios didn't mean to be cruel or anything. That's just like. A little kid not thinking about what they are saying. ESPECIALLY when the kid in question is Laios.
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But man they depended on each other SO much as kids. Too much. It really feels like they didn't have any other source of positive reinforcement, or anyone else to share themselves with. So of course an offhand comment like that has a huge impact on Falin.
Or this little bit from one of the flashbacks:
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This tears me apart. Do you think it tears him apart to think about? I think it does. I think Laios holds every small failure to care for Falin against himself.
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And then there's the Bigger stuff. The way that him coping with his own trauma ended up impacting her.
Like his interest in monsters. Like him going to find a ghost, and accidentally revealing Falin's magic to the whole village in the process.
Like him needing to leave. And leaving her behind.
He shaped her life so much, and he carries so much guilt for it. And again, there should have been other people there to help. The same things that made Laios need to leave home are the things that made his leaving so hard on Falin. She ate alone after that. She shouldn't have had to eat alone just because Laios wasn't there.
She was 9 when he left for school, and he was 11.
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Nine. And Laios feels like he failed her because he didn't stand by her through this better. As an eleven year old.
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Both of these kids deserved so much better from the world.
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stars-and-clouds · 7 months
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HE DIDN'T WANT TO LET GO HE DIDN'T WANT TO LET GO HE DIDN'T WANT TO LET GO!!! -screams-
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bixels · 2 months
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I watched Starship Troopers tonight.
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spn2006 · 4 months
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the fact that eric kripke isn't even christian really adds something to the way christianity is depicted on supernatural. because its really not about being christian at all, but about living in america, a country dominated by christianity, and having to decide for yourself how to handle that. faith is huge in supernatural, and the mythology of the show is very bible-centric, but notably, christ is never there. even sam, who starts out revering the angels, who once said he prays every night, doesn't actually call himself a christian or imply that he believes in jesus--the show is steeped in christianity and biblical lore and yet neither sam nor dean are christians. in fact, over and over again the church itself is depicted as a haunted house that sam and dean will only ever enter as strangers, as outsiders. priests, preachers, faith healers, chapels, crypts, etc. are all just iconography that create an intense sense of unease that sam and dean respond to instantly. as a jew, its very relatable. an essential part of living in america when you're not christian is that exact sense of unease, of knowing that the culture of your country has ensured that you'll get knocked over by christianity no matter where you go, that you'll see hundreds of people truly believing they're good people while doing awful things in the name of their god, and you have no choice but to confront that. kripke gets it
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haematoclan · 2 months
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Leo's relationship with death
Leo really doesn't like to think about death.
I mean, we all saw how much impact Karai's death had on all of Mad Dogs but Leo was the only one that had to be dragged from her, yelling after her, he really, really didn't want to lose her.
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And I think when he lost her it left a deep scar.
I saw posts talking how Leo wants for things to get back to normal and pretend nothing happened, which I completely agree with. I think it's in big part because of his fear of repeating losing a close one.
He REALLY doesn't want to even acknowledge death.
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Here Raph seemed to be getting through to Leo-
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-but the moment he mentions possibility of his family dying?
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Nope, time to deflect, joke and feign ignorance.
Leo's aware that death is a big part of being a responsible hero and that's why he'd rather goof off with his brothers and not train.
Because obviously when you ignore something it just dissapears, right? So if they ignore severity of certain situations and possibility of dying it won't happen, right?
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If they don't treat it seriously they'll be fine! Totally!
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Then Raph shields Leo from the Krang and sends him away.
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And it's as if Karai's death stared right in his eyes.
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So Leo picks up the slack of leadership in order to save Raph. He behaves carelessly during this time but can you really blame him, he desperately wants to save his brother, to stop yet another family member from death that he is so scared of.
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He still tries to be positive and nonchalant, that "pfff obvioulsy everything will turn out alright!" but at the end of the day, it's not that simple.
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Casey's speech had hard time to really hit Leo, he's still avoiding confronting resposibility, literally and metaphorically turning away from it. But the moment Casey says Leo's whole family died?
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Now that made an impact.
And every time his family is in terrible danger he looks absolutely terrified and basically every time Leo has to be dragged away to not just return and try to save them again.
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And when there's nobody to drag him away?
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First thing he does is sacrifice himself. Because I don't think Leo is scared of his own death, or at least he is not as scared of him dying as his family. He'd rather give away his life than live through another grief.
Obviously I'm not sayin that the rest of the fam isn't terrified of close ones dying. But while they seem less aware (Mikey) and/or more ready for the possibility (Raph)...
Leo's wholly aware but he'd rather not be and ignore his fears until he can't anymore.
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coralnoodle · 3 months
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WHAT THE HELL IS LAB SAFETY!!
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improvapocalyps · 24 days
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You have 90 minutes to complete. (original poem: r.a.)
In participation of the MCYT Recursive Exchange 2024 hosted by @mcytrecursive!
Inspired by know that all my love will be your breath (i will save you when your lights go out)
[text under cut]
1. Have you ever been in love? (Please circle your answer.) a. It's me and him b. Our hearts beat in sync c. Our lives intertwined
2. Do you understand what you’ve done? (Please circle your answer.) a. I couldn't do anything b. I lost my balance c. I doomed us both
3. It's been god knows how long since you felt phantom hands on your neck and there is no one in sight. If you were soul-bound to him and both of you died at the same time then why are you still waiting in the void? Please answer clearly, in full sentences. (Not a correct answer:I just wanted to see him one more time).
4. Define two (2): Fate | The feeling of his forehead against yours Curse | The moment you realise he isn't linked to you anymore
5. True or False: i. It was your fault. ii. You wish you had met him under different circumstances. iii. You can’t regret a single moment that you had him. iv. You would do it all over again if you could. v. It ended long before either of you said anything.
thumbnails:
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sketch cover thing for imgur link:
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aheavenofhell · 8 months
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Aziraphale raising his wing for Crowley hits so different with the S2 context. I feel like we all looked at it as, here’s this sweet little principality, he’s kind and naive so he’ll shelter even a demon—but it wasn’t really that, was it? It wasn’t just some random act of kindness.
It was a message.
When Crowley slithered up that wall, Aziraphale was nervous. Because he gave his sword to the humans, sure—but also perhaps because he was seeing this angel again for the first time since he had fallen. He learns Crawly’s new name (Crowley never asks him for his name, he knows it already) and they have a brief exchange that was probably a lot like the ones they used to have.
Then when the thunder starts, it’s Crowley who’s first to move to him, to shuffle hopefully to his side.
I think when Aziraphale lifted his wing up, it was almost a way to say I remember who you are, I remember the kindness you gave me. I’m still here.
He wasn’t just playing umbrella. He was letting Crowley know he hadn’t been rejected by all of Heaven.
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my-heart-of-heart · 2 months
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I’ve always gone back and forth about whether to picture Martin stabbing Jon in the front or the back because there’s such beautiful symbolic potential for both.
Like on the one had you’ve got the image that they’re cradling the knife between them, both holding it during perhaps the closest thing they’ve had to a true act of free will in a long time. Jon can’t press the knife in, but he can ease the blow for Martin. He can tell him it’s okay, that he forgives him even though there’s nothing to forgive. It’s horrible and painful, but it’s also setting them free. The blood would get on both of them as they held each other, and, at first glance, you wouldn’t be able to tell whose it was.
But then on the other hand you’ve got nothing coming between them, not even this, not even now. It’s Jon being killed by the same person in whose arms he’s currently finding comfort—and those two things are not at odds. It’s the potential that, if the knife is long enough, Martin could cut himself as well, but that doesn’t matter because his heart already broke with Jon’s anyway. It’s two people who have always found it so hard to trust taking the ultimate symbol of betrayal and turning it into a symbol of loyalty.
And I don’t know which I love more.
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i adore how tmagp really leans into the idea that you are the horror. you're what's wrong here. you're listening. you're not supposed to be listening. you were transferred into this universe along with the fears.
you are a voyeur, and you do not belong here.
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antaresr · 1 month
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ambrosiagourmet · 4 months
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Hey wait hold on
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HEY HOLD ON
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HEY WAIT. WAIT HOLD ON. HEY. HEY.
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