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#am i actually going to write this?
just-an-alligator · 2 years
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Bnha : Mamazawa
Dadzawa is pretty much an established part of the bnha fandom at this point. But, let me just say that when I was rewatching episode 61 and saw this scene :
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And these faces
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The only thought I had was …
Mom?
Dadzawa is is very good but consider mamazawa
Either way he just exudes fed up parent energy and and it’s amazing. Whenever he cracks and makes an expression it’s always hilarious.
I think it would be fun to se a fic where the 1-A kids start calling Aizawa Mom/Mamazawa because ‘f**k traditional gender norms.’ And everyone just jumps onto it and soon the other students, teachers, his vigilante contacts are all calling him Mom.
He goes along with it because a) he knows the kids will just come up with something else, b) he really doesn’t care, c) he’s privately kind of touched.
… this is what my brain does when I don’t sleep for 72 hours.
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stoopidstapler · 9 months
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SO IVE BEEN GOIN INSANE SINCE THIS TRAILER DROPPED. JUST. SIMON. SIMON. SIMON.
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anneapocalypse · 1 year
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So, just curious how many writers and creators will have to be forcibly outed by relentless harassment before we acknowledge that "This queer characters was written by a cishet person and that's why they're bad" is not good criticism.
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poorly-drawn-mdzs · 4 months
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Lap Pillow
[First] Prev <–-> Next
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obsob · 2 years
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sending emails but sniffling and whimpering after typing each word
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idliketobeatree · 3 months
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watchingwisteria · 4 months
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aziraphale, the one who gave the first human exiles his flaming sword as both a source of protection and warmth, who did not look on them as sinners deserving of destruction but people entitled to the best chances possible, has never once looked at crowley, a heavenly exile, with anything other than compassion and a desire to protect. from their first meeting, he never wanted anything bad to happen to him. when crowley slithers up to him in eden, he treats him like an equal rather than an adversary. when crowley appears, his eyes fill with love and excitement, his gaze turns soft and hesitant, his whole body seizes with joy of seeing him. crowley might typically the one to seek him out, but aziraphale has always welcomed him home.
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peoplesprincessgeorge · 3 months
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nortrell + txt posts = true
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desertduality · 3 months
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gigs phasmo but the ghost is just confused mumbo jumbo
physically unable to write a snippet so here's a whole oneshot AKJSDKJ I hope you like it!! Personally I had a ton of fun lmao
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The house was nice, as far as haunted locations went. The flowers out front were dead, sure, but that was probably on account of their caretaker being dead as well.
The neighbors had been the ones to call this address in, claiming that although the owner of the property had died quite some months ago, lights frequently turned on and off in the house. The police had been by several times to check for intruders, and had come up empty every time. Finally, some desperate neighbor had given in and called paranormal investigators.
So there they were, Impulse pulling up on the curb just as the sun dipped below the horizon. Prime ghost hunting time, for some reason; Scar hadn’t really paid attention to the science and research when he’d signed up for the job. Besides, the other three had all that handled quite nicely. Scar was just along for the ride. 
“Scar, you know what you’re doing?” Impulse asked, grabbing a flashlight off the wall and clipping his walkie onto his belt. 
“Sir, yes sir!” Scar quipped, scanning the gear for his usual fare. “One paraba-dolical microphone coming up.”
“Grab a thermometer, too,” Impulse suggested, clapping him on the shoulder on his way out of the van. “Let’s try to keep this one clean! The company is running low on cursed items with resurrection abilities.”
“I know for a fact we’ve made the biggest dent in that,” Skizz’s voice crackled out of the walkie, changing to a slight echo as he presumably walked in the house.
“Why do you sound proud of that?” Grian asked, speaking into the radio as he grabbed a salt canister. Scar snickered, reaching over him to grab the thermometer. 
“We’ve got a record going, man! No one can stop us!”
“You have to admire his positivity,” Scar said brightly, clicking his flashlight to make sure it worked. 
“Yeah, I guess he’s got that going for him,” Grian replied, giving a short wave as he left the van. “See you on the inside, Scar.”
Scar gave a jaunty wave, doing one last check on his equipment before starting after him. A voice cut him off before he could leave. 
“Did anyone check the name?” Impulse asked, and Scar turned around to squint at the corkboard, eyes catching on the top. 
Huh. Interesting. 
Scar clicked the talk button on his walkie. “Looks like… Mumbo Jumbo?”
There was a long pause, and Scar almost thought they had missed it somehow. Then the response came.
“Scar,” Grian said, sounding tiredly amused. “If you can’t pronounce it, don’t just make something up.”
“No, It— It literally says Mumbo Jumbo,” Scar replied, glancing up to double check. “Don’t make me waste a photo to prove it. I will, you know I will.”
“Don’t, Scar,” Impulse jumped in, so quickly that the start of his sentence cut out. “We believe you.”
“Get in here before I come and drag you, Face,” Skizz chimed in, and Scar rolled his eyes with a chuckle, stepping out of the van. 
The house was warmer than the air outside, so Scar took that as a sign that someone had gotten to the fuse box. He wandered around with the paradabolic microphone for a few minutes, watching closely for big leaps in the readings. Eventually, Impulse called out from upstairs, claiming that he’d found the room. Scar hurried towards him, making it there just in time to watch him set up the video camera, fiddling with the tripod and muttering complaints about its stability. 
The room was a bedroom, a large bed against one wall and a shelf full of dead plants on the other. Everything was covered with a thin layer of dust, but that was pretty usual. Obviously no one had been keeping up with the cleaning.   
“Anyone done spirit box?” Grian asked, and Scar jumped and whirled around, finding him in the doorway. Grian giggled, and Scar huffed. 
“Not yet,” Impulse said, finally getting the tripod to settle. He looked over at them. “Want us to leave?”
“Not really,” Grian grumbled, starting to power up the spirit box. “But yes.”
Scar walked out of the door and Impulse followed him, closing it and leaving Grian in the room alone. Immediately, they heard the telltale singing introduction of Grian beginning to ask questions. The rest of the house was quiet. So far, everything had been entirely unremarkable.
“I’m going to go grab D.O.T.S and a book,” Impulse spoke suddenly, starting to walk away. “Maybe you could start grabbing some stuff for a polty pile?”
“Sure, will do,” Scar said, and started picking up objects from the table in the hallway. A lot of picture frames and spare wires, for whatever reason.
Grian opened the door to the room just as Scar arrived with his arms full, and Scar tilted his head at the odd look on the other’s face. His eyebrows were furrowed and he was wearing a faint frown. 
“What’s wrong?” Scar asked, curious. Normally, Grian came out of a spirit box session with wide eyes and immediately ran to the van. This was out of character.
“I think…” Grian started, contemplative frown getting more pronounced. “I think the ghost apologized to me.”
“...huh?”
“I asked where it was,” Grian said, spirit box slack in his hand. “And then it said something, and then I screamed, and then it— I could have sworn it said sorry. Like, for scaring me.”
“Oh,” Scar said, tilting his head. “Has that happened before?”
Grian shook his head slowly, staring at the spirit box for a minute before exhaling forcefully. “Let’s just keep going,” he said, shoving the device in his pocket. “We still have a job to do.” Then, into his walkie: “We’ve got spirit box, guys. One thing down.”
They kept doing their jobs like they normally would, but none of them could quite shake the sense of something being different.
Usually, the haunted locations they visited had a foreboding sort of feeling to them. They get in and out of those places as soon as possible, the feeling of imminent danger settling on their shoulders like a heavy jacket. There was none of that, here. It was obviously haunted, but it still just felt like... a house. It didn’t feel malicious at all. 
Impulse put a book down, and writing appeared a few minutes later. Just a single sentence, asking if they would water the plants on their way out.
They laid down D.O.T.S and stayed out in the van for a while, eventually seeing a tall, hazy figure pass quickly through. 
They caught ghost orbs on the video surveillance.
Impulse took the Ultraviolet flashlight and found fingerprints on the side of the video camera, like the ghost had been curious about it. 
The salt Grian had placed on the ground was smeared and scattered, almost as if the ghost had slipped on it instead of stepped in it. 
“If we discovered some new type of ghost,” Grian said eventually, muffled through his own hands covering his face, after hours of pouring over the conflicting evidence. “I am going to be upset.”
“None of this makes sense!” Impulse complained, flipping through the research journal that Scar had never touched. He was scowling at the pages like they’d personally offended him. “It won’t even hunt!”
“He seems kinda friendly,” Scar said, staring at the steady line of the EMF reader on the screen. “The poor guy just wants his plants watered. I don’t even have the heart to tell him that it probably wouldn’t help. Those things are dead dead.”
Impulse’s head thunked down on the table in front of him. “We’re so fired.”
In the silence following that statement, Skizz burst into the van, holding an object aloft in celebration.
“I found it!” Skizz yelled triumphantly, the wrinkly figure of the monkey paw clutched in his hand. “It fell behind some boxes. I told you it was here.”
“Oooh,” Scar said, rushing over in excitement. “What should we wish for?”
“A quick death?” Grian said flatly.
Scar waved a dismissive hand. “I’ve had too many of those. It gets kind of boring, believe it or not.”
“Let’s just wish to see it,” Impulse said, heaving himself up from his hunched position by the monitor. “We’ve done everything else we could do, let’s just do it.”
“Sure, why not,” Grian said, shrugging. “Let’s go out in a blaze of glory, then.”
“That’s the spirit!” Skizz laughed, and together the four of them marched back into the house.
The room was exactly as they’d left it, and Impulse took a moment to turn off the D.O.T.S. Then they stood in a loose circle, tense and determined. Whatever was happening here, it would be over soon. One way or the other. Maybe the company wouldn’t even bother to bring them back, this time. 
Skizz held the monkey paw aloft, dim light casting dramatic shadows on his face. “I wish to see the ghost!”
A finger on the monkey paw cracked and groaned as it bent down, and a chill swept across the room, quick and encompassing. Their flashlights flickered, and then died, leaving them in complete darkness. For a long moment, the only sound was their chorus of quick and shaky breathing.
When the lights turned back on, Scar was face to face with a ghost. A ghost that looked equally as startled as he was. 
Scar yelped and stumbled backwards, tripping over the open book on the ground and hurtling towards the bed. The ghost — a tall man with dark hair and an absolutely wonderful mustache — lunged forward and reached out as if to catch him, eyes wide and panicked. To be fair to the dead man, it absolutely would have worked if his hands were still a tangible thing; As it were, his attempt at grabbing Scar to keep him upright was rather rudely foiled by his outstretched hand passing right through Scar’s flailing arm.
Scar hit the bed with a grunt as various cries of alarm sounded out around him, light bouncing around the room haphazardly as the sound of clattering reached his ears; someone had dropped their flashlight, apparently. Scar laid on the bed and stared at the ceiling, dazed. 
“Oh gosh! I’m so— I didn’t mean to pop in like that, I—”
Scar looked up just in time to watch a crucifix fly through the air and pass harmlessly through the ghost’s head, hitting the wall with a thud and falling gracelessly to the floor. The ghost yelped and ducked — much too late, not that it mattered, anyway — and Scar’s gaze next landed on Grian, still standing there with his arm extended in a throwing motion, hand empty and eyes wide.
“What was that gonna do, G?!” Skizz asked hysterically, fumbling for his camera, accidentally snapping a picture of his own face and swearing when the light blinded him. 
Impulse had knocked over the tripod in all of the chaos, and was now frantically attempting to set it back upright. The ghost — Mumbo Jumbo — turned his anxious eyes on Scar, who for once was struck speechless, jaw slack. 
“Are you alright, mate?” Mumbo Jumbo asked, hands fidgeting together. “I didn’t mean to scare you, but— Well, you summoned me. There’s only so much to be done for that.”
With everyone else still scrambling about the room, Scar allowed himself a few seconds to process things. Most ghosts they’d come across — all of them, actually — had been nothing less than murderous and bloodthirsty. The cordial ghost of a perfectly normal man was not something they had been trained for, but that didn’t exactly mean that it was impossible. Sure, maybe it had come way, way out of left field, but Scar prided himself on rolling with the punches. He pushed himself up from the bed with a sheepish, charming smile. 
“It’s all good,” Scar said, bright and friendly. “For sure our fault, we summoned you and got surprised when you showed up. Kind of rude of us, I think. Your mattress is super comfortable, by the way.”
Mumbo Jumbo blinked, as if surprised by the onslaught of words, a confused little furrow appearing between his brows. “Thank you?” he said, glancing behind him at the bed. “It was…expensive.”
“I mean, hey! We spend a lot of our lifetime in a bed, right? Might as well shell out some cash for quality.”
“What are we doing?” Grian asked quickly, almost like he was talking to himself, hands pressed to his head in utter bafflement. “This is insane, what is happening.”
“Grian! Don’t be rude,” Scar admonished playfully, then turned back to grin at the ghost. “Mumbo Jumbo, right?”
The man nodded faintly. “Just…Mumbo is fine.”
“Sweet! I’m Scar,” Scar said, and then started pointing to his friends, all standing stock still in various stages of shock and confusion. “The rude one who throws stuff is Grian, that’s Impulse by the window, and over there is Skizz!”
“Nice to meet you?” Mumbo said, glancing around nervously. “I would offer to shake your hand, but…”
“God, this is weird,” Skizz blurted, eyes still wide but starting to relax his stance. “You do know you’re dead, right? We never actually get to ask any of the ghosts we meet.”
“Oh, I— Yeah, I’m well aware,” Mumbo said, laughing a little. “You’ve met other ghosts, then?”
“We’re ghost hunters,” Impulse said, and now that the shock was fading, Scar could see a spark of excitement in his eyes. “But I mean— We’ve never met any like you.”
“Mostly they want to kill us,” Grian said, stepping up next to Scar. “Are you sure you don’t want to kill us?”
“I don’t think I know how, much less want to,” Mumbo said, glancing out the window. “Did someone call you to find me? I’ve been trying not to scare anyone, but I suppose the lights might’ve done me in.”
“Yeah, that was pretty much what tipped them off,” Scar said apologetically. “A few too many weird things happen and boom, here we are.”
“What happens now?” Mumbo asked, chuckling nervously. “I mean, you found me. Job done, yeah?”
“Usually we figure out what type of ghost it is and the company sends out a specialized team to evict it,” Impulse answered, brow pinched in thought. “But normally that’s for safety reasons. You don’t seem like a threat. No offense.”
“Oh, none taken.”
“Can I ask how you died?” Skizz asked, eyes alight with curiosity. 
“Skizz,” Grian hissed. “You can’t just ask people how they died!”
“I was just wondering!”
“No, it’s— it’s fine,” Mumbo stuttered, and Scar had a feeling that if ghosts could blush, he would be doing it. “I… fell down the stairs.”
Scar nodded solemnly. “Could have happened to anyone.”
“So what are we actually going to do about this?” Grian asked, vaguely gesturing at the room. “It feels like it would be wrong to kick this guy out of his own house. He’s not really causing trouble.”
“Yeah, I— I do like my house,” Mumbo interjected, awkward smile on his face. “I’d rather stay, if that’s alright.”
“Someone’s bound to move in eventually, you know,” Skizz said, pitying frown on his face. “There’s already a for sale sign in the yard. The new owners might not be super ghost-friendly.”
Mumbo’s shoulders slumped, a dejected look on his face as he frowned at the floor. Scar felt a pang of sympathy grow in his chest, and he glanced out the window at the rows of houses down the street. 
It really was quite a nice neighborhood. 
“...You know,” Scar started, gaze drifting over to Grian, a slow smile forming on his face. “Our lease is almost up.”
Grian looked over at him, eyes already resigned, and sighed. 
Scar laughed, grinning, and Mumbo slowly smiled back.
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sergle · 6 months
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I'm thinking abt that pretty fall leaves embroidery pattern post and about how like... it is categorically a repost, it's a reupload. right? a thing that is generally disliked. but because it's credited, it's genuinely boosting the artist in question. and it could ALWAYS be like this. reposting content could ALWAYS be a symbiotic relationship, but because sourcing back to the original creator of something is so uncommon, it's just easier to ask people not to repost it at all. and people still don't understand the difference. or they'll go to the effort of cropping out usernames/signatures to repost something, which is More Effort than literally crediting the creator of something you liked enough to want to repost. Like. I literally don't actually care if my own shit gets reposted, you have to understand. I just don't want it STOLEN. But "do not repost" is easier to write on my art than "you can repost this, but don't alter the image/remove my signature, don't you dare write 'credit goes to the artist' because that is not credit, please link back to my original post or someplace that you can actually find me. please use an actual link/url instead of writing a non-clickable link of my username, because making it text instead of a clickable link cuts the number of people who will go to the effort of visiting my own page in Half." All those aggregate themed accounts, those fuckin annoying as hell instagrams and facebook groups that are like "body positive art we love wamen 💕 hashtag feminism" and then MASS-STEAL plus sized art created by women, if pages like these that always go and steal my older self-portraits and other works... If they just put a link to my prints of those pieces in the text of those posts, or, fuck, my commission info page? I would literally be living on the moon right now. I would have a house on the moon
#there is actually nothing morally wrong with running an account that just reuploads ppl's artwork or their jokes or their cosplays#if you just put a VISIBLE LINK in the description of your post with proper credit then it would be beneficial for everyone#because you can get your little clout or whatever it is you want by putting a bunch of same-category content on a page#but nobody's getting fucked over because if your post blows up then people just get FUNNELED to the source#because it's placed so plainly where everyone can see it#and yeah it's better to retweet or reblog but#on the rare occasion that I see my shit reuploaded on tumblr WHICH IS WEIRD BC I MAKE MY OWN POSTS HERE but anyway#someone making their own post where they upload my stuff. and it's always the floral self portraits so let's say it's a post with all those#if I scroll to the bottom and it says like. Artwork by Serglesinner on Twitter <-- clickable link [Sergle's Prints] <-- clickable link#to my etsy#I'm like oh okay and all the anger leaves my body and I'm like ah I see. and I toss the rock aside#like oh okay so you actually care that a person made these pieces. Instead of posting the caption ''women <3'' or smth#like you've GOTTA die if you do that. but if you just link back#or if you go to the effort of writing like a description with a BLURB? like it's a damn museum. like a light paragraph of info#about what the art is and who made it and their links#I am literally sucking you in a strange and peculiar manner. that is extremely helpful#and maybe other artists don't want this AT ALL and they'd rather people not reupload even if it is credited#but I feeeeeeeeel. like 99% of the time this would solve the issue#reposters could genuinely be helping ppl. sometimes the repost gets more traction than the real thing#as long as it credits the creator then that's an okay thing to happen!#that can land somebody a sale! a commission order! a new fan! A JOB#A JOB!!!!!!!!!!#sergle.txt#I didn't write this eloquently AT ALL what the fuck ever barkbarkbarkbark
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turtleblogatlast · 4 months
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[ cw: risk taking behavior / circumstantial self harm kinda / ignoring of injuries / self-depreciation / slight ooc-ness but for a reason! / ]
Post invasion, Leo is fine.
More than fine! He’s better than before, even. That is, if you don’t count the slightly cracked shell and still healing bones, but those are only a problem when the weather wants them to be!
Leo really is better in the ways that matter.
He’s not as cocky, not as self-centered, and overall just more heroic in general if he does say so himself.
Raph even said he was proud of Leo!
So obviously things are going well.
But.
It’s not enough.
Leo’s better, sure, but he’s still got work to do.
So - and here’s something that will probably make his brothers faint on the spot - he needs to train.
_____
His brothers do not faint, but it’s a near thing for Raph. Mikey has to fan the snapper’s face and Donnie almost brings out the smelling salts before Raph shoots back to his feet with an excited grin.
Leo’s big brother gets teary eyed soon after and envelops him in a bear hug, saying once again how proud he is that Leo is growing up.
Leo lets himself be hugged, even hugs back as fiercely as he can, because unbeknownst to Raph, this marks the end of Leo’s childhood.
He lets himself be hugged like a kid one last time, looking through the hole in Raph’s shell all the while.
_____
Leo only trains the regular way with his brothers and occasionally April and the Caseys, but most especially Raph.
But of course that’s not enough, it was never going to be.
So he goes through the motions of the stretches, the spars, the meditation, and then he leaves.
He makes sure to have his excuses ready, usually defaulting to Hueso as his go to since his brothers are easily bought off with the promise of pizza. Leo hasn’t yet found the tracker Donnie installed in him, but when he does that’ll be dealt with too! But for now, this should be good.
See, the invasion made him realize something.
It’s not about him, but it was his shortcomings that led to everything going to hell.
So he just…needs to get rid of those shortcomings.
He’s working on it, gaining fighting skill in training, but there’s more he needs to do, more skills he needs to train.
Leo watches intently as Repo Mantis swindles someone, he memorizes the sleight of hand that Hypno performs, he sneaks back into the Mystic Library and is so quiet the hush bats forget he’s there, he talks Big Mama into honing his manipulation, and he even sneaks into human hospitals and reptile veterinary clinics to get a clue on more serious injuries.
And after any of these, he heads to Run of the Mill to compete in the Maze of Death.
_____
This is his twelfth time going through the (newly remodeled and even more deadly) Maze of Death, and would be his fifth time winning. The first three times had him waking up in Hueso’s office, and each time he wakes his old persona shines through.
He always waves off Hueso’s annoyance and questions and insists on trying again next time before he steals some pizza and bails.
The skeleton actively tries to stop him from entering the Maze after the first time, but hey- mystics are allowed before you enter.
It’s easy enough to teleport on by.
Harder to meet Hueso’s - and later his brothers’ - eyes when he fails again.
When he first actually won, Hueso congratulates him in that typical deadpan tone of his.
“Ah, felicidades, Pepino. Now you can move on, sí?”
“Hm? Nah, boneman! That run was sloppy!”
And then Leo runs off before Hueso can stop him.
He doesn’t even look at his picture on the champion wall when he next comes around. It’s not much to look at anyway.
_____
His second win is much like the first, and only his third win is actually acceptable.
But he knows the field too much now. He needs a challenge.
When he attempts to go through it blindfolded, he’s quickly shown how much he doesn’t know the Maze. So, obviously, he loses again.
He got a bit more banged up that time around.
“Pepino, basta ya, you’ve already won. Where are your brothers?”
“I can’t stop yet, señor! This is for my brothers - no les digas, please.”
Even if Hueso wanted to tell Leo’s brothers, they haven’t been in enough for him to get to, and it’s not like Hueso has their number since Leo’s the one Hueso usually contacts. For now, Leo’s safe to continue as is.
Though his injuries are getting harder to hide, and there’s only so much his shell in particular can take.
So to speed things up, he incorporates the blindfold into his regular training.
His brothers question it, of course, but hey, he initially got the idea from seeing Lou Jitsu do it in the third best Lou Jitsu movie, so it comes as a great excuse now.
He’s only a little put off by how fast Mikey adapts to it when the others try.
“I dunno-“ Mikey shrugs when asked, “You guys shine so brightly anyway, a mask doesn’t do much.”
Seeing their mystic energies is pretty cool, Leo can admit.
He just wishes he could grasp that himself - and that it was useful for a death maze.
_____
Leo’s training pulls off eventually, and soon, after a few more losses, he wins a forth time. But it’s a near loss, and a near loss is the difference between someone living and dying.
He’s gotta go again.
Hueso’s more insistent than ever, though.
“You must stop, Pepino.”
“But I can do better-“
“You don’t have to! Your shell is bleeding - ¡por tu propio bien, poner fin a esto!”
“I told you, this is for their own good! For everyone’s own good!”
He forgets the pizzas when he leaves. He claims sickness when he hides under his covers.
He ignores how childish the act makes him feel.
_____
Leo’s getting better, and his reflexes and tact in training shows this. His other training of his subterfuge and medical skills also prove to be useful.
He’s pretty good at hiding injuries, now! Though not so good at hiding a pained shell. Even Donnie looks at him with blatant concern (and understanding) when Leo can’t help but take a sharp breath whenever he lands on his back.
It’s hard not to go right back into waving everything off with jokes like he used to. Deflections are easier when they’re annoying!
But- this is just another reason that he needs to get better, right? So his brothers won’t worry. He doesn’t need the spotlight anymore - he’s over that, thanks.
He squashes down the part of him that perks up when Splinter says he’s growing up. He actively kills the part of himself that cries at the same phrase.
_____
So. Yeah. This’ll be his twelfth time running the Maze. And, hopefully, his fifth win. Maybe he really will move on after this.
The Hidden City is pretty big! There’s probably a bigger challenge somewhere.
Maybe Big Mama has a more secret Nexus hidden away, out of the public eye.
Well, whatever. That’s a future problem for him to figure out, yeah? For now, he carries on like usual, teleporting to the entrance of the Maze and diving right in.
Even blindfolded, he works his way through, dodging and weaving and feeling as he goes. He even tries to evoke his inner Mikey and calls on his mystic energy. Not enough to cheat, but enough to feel.
Usually, when Leo teleports, he swears he feels every part of himself disperse into particles. Now, with energy thrumming under his scales, he can feel particles everywhere.
It’s not refined enough to tell him everything, and he gets a fun new burn and a nice whack to the back by getting distracted. Still, it gives him more than he had before. It makes him more aware of everything, like he licked a finger and held it in the air to feel the direction of wind, but every direction blew wind, all in different ways.
He makes it to the end with minimal injuries after that, and sure, his shell is screaming at him now, but he thinks he did a shell of a good job.
…Ah, he needs to cut that out, huh? Man. Maybe Donnie’s collar idea was a good call after all.
Leo needs to be a hero. Not a face man. Not a failure.
Not a kid.
_____
Leo doesn’t smile when the Minotaur takes his picture again for the champion wall, and he doesn’t listen when she tells him to “go home and never come back.”
He doesn’t plan to, anyway, yeesh.
He’s tired as he trudges out of the exit, and Hueso catches him when he stumbles.
Hueso doesn’t say anything. Leo doesn’t either.
Or, he doesn’t, until he feels a familiar large hand helping him up as well.
Leo’s face whips up as he flinches back, eyes wide as they meet with a worried (so, so worried) Raph’s.
“You told them?” Leo asks Hueso in betrayal, heart thudding wildly in his chest.
“Pepino…”
“Told us what?” Mikey pipes up from behind Raph, coming closer to get a better look at Leo, “Leo, what’s going on?”
“Your shell has been having pretty big setbacks on its healing, is this why?” Donnie demands, glaring fiercely as he motions toward the Maze.
Leo feels unmoored. “I-“
“Leo.” Raph interrupts, and no Leo doesn’t want to hear it- “Are you okay?”
And Leo wants to say “it’s not about me”. He wants to say anything that proved he learned his lesson, that he’s not a liability or worse, an active danger to his own family.
He wants Raph to continue being proud of him. He wants his brothers to trust him.
Instead, he passes out.
_____
The next time his eyes open, Leo’s on his side, staring at his blue lava lamp.
He knows without looking that his shell is re-bandaged. He knows his other injuries have been dealt with too.
And unless Leo learned how to do some pretty impressive medical sleepwalking, he knows he’s not getting away this time.
All three of his brothers being in his room prove that.
“What’s been going on, Leo?” Mikey asks, and his voice cracks partway through.
He’s looking at Leo like he’s searching for something, but Leo doesn’t have anything to show. Nothing’s hidden, he just did some light spring cleaning is all, throwing out all the parts he didn’t need.
All the parts they didn’t need.
And yet despite everything, he can feel himself falling back into old ways, a grin tugging at his beak and lackadaisical deflection on the tip of his tongue.
Maybe he should let that part of him show, just for once. It wouldn’t seem like too much of a setback would it? And he could really use a fun pun right about now-
No.
No it’s not about him. He needs to remember why he did all this in the first place.
“Okay- sorry, guys.” He smiles, softly, quietly, “I guess I got too caught up in training. I’ll work at it some more, don’t worry.”
“Oh, I see. Training. That’s all it was, huh? Training.” Donnie hisses more than says, nearly vibrating in anger.
“…yeah?” Leo nods slowly, because, uh, that’s literally the most honest thing he said. It was training.
“If it’s just “training” then why the secrecy, hm? Why in Curie’s good name did you prefer to sneak around rather than, oh, I don’t know, tell your family?”
Leo feels his shoulders rise at Donnie’s aggression, defensiveness welling up in him, “It was my training! Nothing went wrong, I’m getting better!”
“Better?” Raph asks incredulously, “Leo, you’re wasting away. A tap to the shell stuns you for minutes, you lost weight, and your dark circles are worse than Raph’s ever seen them! You aren’t getting better-!”
“YES I AM!”
The words rip out of Leo before he can stop them.
The room is silent as his brother look at him, all wearing expressions of hurt that Leo put there again.
“Yes I am.” Leo reiterates, shaking, “Because- if I’m not-“ He squeezes his eyes shut. “If I’m not-“
Then what was all this for?
Arms slowly wrap around him, and he knows now from the feel of the mystic that it’s Mikey.
“You’ve gotten faster, and sneakier.” Mikey says quietly. “When I accidentally cut my hand, you knew exactly how to take care of it.” His voice grows firm, and he backs out of the hug, “But those are your skills. You, though, you’ve been…you’ve been…”
“You’ve been dilapidating before our very eyes, and trying to hide it.” Donnie finishes, jaw tight. “You think we wouldn’t notice? After everything?” To Leo’s horror, Donnie’s voice is hoarse with tears, “You absolute dumb dumb.”
“I- but I need to train. The Maze is-“
“Leo, we don’t care that you ran through the Maze. We care you did it alone.” Raph says quietly. “We could have joined you, any time.”
“But- but I’m doing this for you-“
“Listen to your brothers, Blue.” They jump as a new voice joins the fray, heads turning to see Splinter make his way into the - frankly crowded - room.
“Dad, I-“ Leo begins, but trails off, suddenly more unsure than ever in the face of his father.
“It’s good you’re finally picking up training! Especially for your brothers’ sakes! But there’s such a thing as going overboard, you know.” Splinter pokes a sharp claw into Leo’s plastron, “Just because you’re dragging it out this time, doesn’t make this any less of a sacrifice. My son, you’ve taken after Karai an awful lot, haven’t you?”
Leo just looks at his father. At his brothers. Then, he looks down at his calloused hands, bandaged and scarred from overuse.
He swallows dryly. “Is that a bad thing?”
He feels his family crowd in around him, feels his father’s hand on his shoulder.
“It’s not wrong to want to be better, Leonardo.” Splinter says, softly and with so much grief and guilt that Leo can never begin to understand, “But you were never bad to begin with.”
Leo’s breath hitches.
“And-” Splinter’s hands rise up to frame Leo’s face. “You are much too young to ever consider sacrifice the best answer.”
“You got me to relax, Leo. So I’ll do the same for you.” Raph grins, eyes wet, “We’re still kids, right?”
And-
Leo smiles, watery but genuine. “Yeah, Raph. We are.”
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thefaeriecreek · 11 months
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Link would be the type of chess player that has a hard time concentrating on the strategy of the whole board and can only concentrate on a piece at a time. He loses most games, but his strategy is nonexistent, making him extremely unpredictable. Revali is a master strategist, (which we can see in his dialogue in Age of Calamity), so Link's blockheaded, rock-eating playing style is infuriating.
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starry-bi-sky · 22 days
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Stuck in the middle of a forest made of
Flesh and bones and they're all scared of
A lost little boy who has lost his heart
Fear's not enough, they have to
Tear him apart —-------
There are two things Daniel Fenton knows that his family knows as well: 
He’s adopted.
He can’t remember anything else before that.  
‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 
What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 
When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.
(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 
The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.
It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 
The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 
His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.
(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 
(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 
They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  
(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)
Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 
He turned back around and went inside.
—-------
Where do we go
When the river's running slow
Where do we run
When the cats kill one by one
—------
One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  
He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 
It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 
He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 
Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 
(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)
After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 
He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.
—------
Hazel beneath our claws
While we wait for cerulean to cry
Unsettled ticks run through time
Enough for the hunt to go awry
—-----
There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 
He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 
Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 
(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 
(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  
He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 
A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 
He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 
His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.
Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   
—-------
Harpy hare
Where have you buried all your children?
Tell me so I say
—-------
When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 
Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.
He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.
Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 
(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)
(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)
(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  
—--------------
It clicks and it clatters in corners and borders
And they will never
Hear me here listen to croons and a calling
I'll tell them all the
Story, the sun, and the swallow, her sorrow
Singing me the tale of the Harpy and the Hare
—-------
More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 
Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 
His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 
They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 
It is a fast dream. 
His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.
His brother, face obscured in all but his eyes, which are green as emeralds, nods. 
The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 
The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 
His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 
(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 
—---  
She can't keep them all safe
They will die and be afraid
Mother, tell me so I say
(Mother, tell me so I say)
—-------
When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 
The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 
(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 
(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   
Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 
(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)
—------
Seeker, do you ever come to wonder
If what you're looking for is within where you hold
Will you leave a trail for them to follow a path
You'll soon forget
Home
—---------
When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 
When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.
‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 
He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.
He ends up calling himself Phantom. 
(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 
----------
Home is where we are
Home is where you are
Home is where I am
-----------------
Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.
#dpxdc#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc crossover#dpdc#danyal al ghul au#amnesiac danyal al ghul au#songs in order of the album: the hartebeest / harpy hare / and the hound / neath the grove is a heart#musician danny has my heart and soul#yes this danyal IS an alternative danny from the other au. an au where things were a little better :) but still sucks#implied good mom talia al ghul#danyal is a momma's boy send tweet#dpxdc ficlet#dpxdc prompts#dp x dc au#dp x dc fanfic#danyal is sTILL five years older than damian in this au#no beta no edits we die like danny fenton#poc danny fentons#i didnt know where to end this :(( i was gonna go on but i blanked. i thought about going into his relationships with his rogues and so on.#but that felt too much like trying to just increase the word count rather than actually writing?? if that makes sense#ugh im gonna have forgotten to include things and im gonna be kicking myself later#morally ambiguous danny whoo! we love to see it#since this was just for fun it doesnt really go into it all that much other than like. it happens. and that danny realizes he's dangerous#phantom in a hazmat suit? nah phantom looking like an assassin >:].#danyal al ghul with damian and his mom: 🥰🌸✨#danyal al ghul with everyone else: 👹🔪#am i heavily implying that clockwork had smth to do with Danyal’s amnesia and appearance by the cabin? 👀 maybe#not enough danyal al ghul aus where him being an assassin actually. has some kind of affect on him
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I'm going to force you to play the joke FNAF dating sim my friend and I are making
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transmascissues · 8 months
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does anyone want to hear me rant about how jekyll and hyde can function as an allegory for how trans manhood is portrayed as an evil contagion that twists pretty, mild-mannered women into violent, deformed monsters? because i’m not even done reading it yet and i already have so many thoughts about the parallels between how hyde is described and how trans men are seen.
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harbingersglory · 4 months
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can i req some arlecchino kink headcanons? no pressure to answer! there's just a lack of new knave content lately ahhh.. ( ̄ヘ ̄)
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{☆} characters arlecchino {☆} notes drabble, hc's, gender neutral reader {☆} warnings 18+ content
{☆} dacryphilia
arlecchino is a sucker for crying. doesn't matter if you cry easily or not– either she sees it as a challenge to make you cry in the first place or to see how much you can cry before you have to tap out. her absolute favorite way to make you cry is straight up overstimulating (or understimulating you, depending on her mood) until you're practically sobbing. if you cry prettily enough maybe she'll take pity on you.
{☆} temp play
arlecchino has a pyro vision and she is absolutely going to use it. especially prominent if you're both in snezhnaya– it provides prime opportunities for her to slip her hands under your clothes when you least expect it just to see you squirm beneath her hands. she'd never actually do anything too scandalous in public, but if you're a bit more hidden away she'll have no qualms playing with your chest. if you complain about the cold you're just giving her an excuse to "warm you up" and see you tremble like a lamb.
{☆} face sitting
nothing prettier to her then seeing you above her with her face between your legs. her tongue is just as warm as any other part of her, and she knows how to use it, too. she'll hook her arms around your thighs just to hold you down until you've doubled over from the intensity of it– if you start crying, oh, she just gets worse. absolutely ravenous. she won't stop even if her jaw starts to ache. if you don't want her to stop, she could go for hours without a break.
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