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bengiyo · 7 months

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Alright, new question, I know how much you enjoy your Sad Gay Boy Hours. What shows, besides Until We Meet Again, because I know how much you love it, satisfy your Sad Gay Boy needs?

The Boys Who Suffered

The big thing about The Knowing is The Suffering. There is a melancholy that seeps into you and makes you think you aren't enough. These characters are hard to watch. I know you asked about shows, but I'm doing some movies as well because I've been thinking about genre history lately. For this it's about whether or not the quiet sadness in me connected to the quiet sadness I perceived in a character in this show.

Moonlight (2016)

He is the saddest boy in my heart. This is the moment that breaks him forever.

For The Boys

Jamal, Syed, and Anthony have suffered for being who they are, and they are hurting. They cling to each other and it's often too hard.

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Weekend (2011)

This man is so lonely even if people love him. I feel melancholy for days any time I watch this film.

Big Eden (2000)

I don't know who taught him shame, but there's this sense of surrender in Henry that has haunted me for fifteen years.

A Single Man (2009)

Colin Firth and Stanley Tucci play some of the saddest gay men who have ever existed. This entire project is about grief.

180 Degree Longitude Passes Through Us

Inthawut is the saddest man in BL.

Given (2019)

The reveals about the depths of sadness in this boy are really some of the best I've experienced.

Eternal Yesterday (2022)

He was suffering even before Koichi died, and it saddens me so much that the world bent to let him say goodbye to help him grieve.

The Pornographer Series

I just knew there was something fundamentally off about Kijima and the rest of these men.

The Day I Loved You (2023)

I keep meaning to write something about this show, but there's something special about going into a relationship you know won't be forever because of external factors, and also choosing to make that time as special as possible.

Tokyo in April is...

Ren suffering for Kazuma gets me every time.

Like in the Movies (2020)

I'm never getting over Karl and Vlad. I'm sad we'll likely never see them again because in so many ways the specific pieces of melancholy in each of them are why they didn't walk away together.

To My Star 2: Our Untold Stories

These two were not left at HEA and they didn't end there this time, either. Both of these two are carrying some heavy shit in their hearts, and I find comfort in seeing them stumble and keep trying.

What Did You Eat Yesterday?

Shiro makes me so sad sometimes, and I'm so glad he found Kenji.

The Eclipse

Every boy in this show is a sad mess.

The Eighth Sense

I'm glad Jae Won found Ji Hyun, because that country twink won't give up on him.

Kabe-Koji Nekoyashiki-kun Desires to be Recognized

I recently rewatched this and feel so much about Mamoru and Issei.

Our Dating Sim

Lee Wan was wrong, but I get him.

We Best Love

"Yes, I'm in love with you, but that's none of your business."

Stuck On You

The Philippines crushed the pandemic. This is quietly one of the better ones about people who were already suffering.

Blueming

Hwang Da Seul's oeuvre always seems to hit my sad boy core.

Sing My Crush

Every time Han Baram says Im Hantae's name I lose it.

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escapismthroughfilm · 2 years

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#48

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totheroses · 2 years

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A Single Man (2009). dir. Tom Ford

#a single man #tom ford #aline weber #2009 #film #eyeliner goals #makeup inspo #2000s

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adamwatchesmovies · 4 months

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A Single Man (2009)

A Single Man is an impressive directorial debut for Tom Ford, who went on to direct Nocturnal Animals in 2016 - a film that is permanently burned into my memory. This is a completely different kind of beast; a sensitive, contemplative, sad picture that’s confidently directed, brilliantly shot and showcases an extraordinary performance by Colin Firth. Aside from an aspect of the conclusion and marketing campaign, it’s just about flawless.

In 1962, George Falconer (Colin Firth) still mourns his longtime partner, Jim (Matthew Goode), who died in a car accident eight months earlier. As he prepares to kill himself, he takes the time to admire the many beautiful things in life he will enjoy for the last time.

The marketing campaign (and DVD cover) prominently show Colin Firth and Julianne Moore, who plays George’s longtime friend, Charley. Looking at it, you’d think this was a romantic drama about a straight man, which it isn’t. It’s more than a little insulting that the Weinstein Company tried to hide the film’s gay identity to make it more commercially viable. What George is feeling is universal; it’s just that having a gay man in the 1960s as our protagonist amplifies the story's drama and emotions. Jim was the most important part of George’s life but he isn’t allowed to go to his dead lover’s funeral. His oldest friend, Charley, doesn’t understand what kind of relationship they had. She assumes it could never be as fulfilling or ‘real’ as the one she thinks he is now free to have with her. Every time George sees another gay man, he’s reminded of what he will miss. Jim’s lips, the quiet, intimate conversations late at night, the smell of his hair, etc. In theory, George could move on and find someone else. It’s not unfathomable considering the people he meets but every first encounter feels uncomfortable. So much of the courting has to be done in code, gauging if the other person is saying what you think they’re saying. It's exhausting. Even if the men he meets would reciprocate his feelings, it wouldn’t be the same. With the Cuban Missile Crisis and the threat of nuclear armageddon looming in the background, what’s the point of even trying?

If it weren’t for the sadness George feels, the camerawork would make this film a gorgeous celebration of life. The shots of people jumping and swimming in water, the soft light of mornings and black-and-white photographs whose true meaning is only known to the people who were there all transport you to a vivid world of infinite possibilities. George is a very serious man but at one point, we hear him laugh. His laugh is so goofy and seemingly out of place it makes you see this whole other person who’s buried deep in grief and is itching to come out. The connection he makes with Kenny (Nicholas Hoult) is full of the same excitement you feel when you first catch the eye of someone you really like. It gives you hope that this movie won’t be as sad as it’s presenting itself to be… but then it is. A Single Man is not afraid of its gay characters but it is ultimately yet another variant of the "depressed, lonely gay man who cannot find happiness drama". All you’d have to do is cut it off a few minutes before the end credits and you’d have a far less typical film. A Single Man is still terrific but it succumbs to a cliché at the end.

Despite the disappointing conclusion, A Single Man is very much worth seeing. The performance by Colin Firth alone would be enough. He plays such a reserved character that at a glance, he might be difficult to read but in the scant 100 minutes the film plays for, you get to know him so well you see everything he feels even through the smallest visual ticks or the most unassuming words. Then, there’s the direction by Tom Ford and the cinematography. This is a gorgeous, thoughtful film. (On DVD, August 23, 2021)

#A Single Man #movies #films #movie reviews #film reviews #Tom Ford #David Scearce #Colin Firth #Julianne Moore #Matthew Goode #Nicholas Hoult #2009 movies #2009 films

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dandifiedstupefied · 2 years

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a single man (2009) // so now? by charles bukowski

screencaps credit to: @aconissa, @escapismthroughfilm, @generallynaive, @marypickfair

#a single man #charles bukowski #colin firth #matthew goode #poetry #light academia #dark academia #a single man (2009)#lgbt film

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jasonsutekh · 3 months

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A Single Man (2009)

A college professor undergoing a time of grief after his boyfriend’s death attempts to find something to live for.

One of the more engrossing features is the representation of love and grief in a realistic way and the subtlety with which it’s portrayed through the performances; all the cast were effective in their roles. The sexuality of the romance doesn’t even appear to be a key feature aside from enhancing the alienation of the lead from his surrounding community and intensifying the interactions with similar characters.

As with most films featuring gay lead characters, with the exception of farce comedies, the story was predictably depressing; an inevitability since it was set in the 60s and those stories never end well. Though the narrative was intimate and the flashbacks emotive as well as providing context, the lighter scenes never reach any kind of mirth or succeed in contrasting the bleakness of the main subject matter.

There’s a great deal of stylization in the colour palette which makes it more interesting and helps us understand the perspective of the character, the colour becomes more vibrant as he notices things of beauty or things that make life worthwhile. There are a lot of close-ups that also help with this as well as a very enjoyable and poignant soundtrack.

The connection to the spiritual was an engaging layer to the story but was left a little vague and felt manoeuvred to create a happier ending of sorts, or at least the suggestion of one. The ending is inconclusive for some characters since the perspective was strictly aligned with one character although the side stories were also interesting so it would have been good to explore those a little more too.

4/10 -It’s below average, but only just!-

#Film #Review #A Single Man #2009 #JasonSutekh

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mr-ribbit · 2 months

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a TV show where lin manuel miranda¹ rap battles a rude libertarian man* at the insane asylum talent show and by doing so the man* is finally able to win over his freedom from the asylum by going to therapy and being nice SOUNDS like a single or double panel strip in a boomer political cartoon thats readership is mostly ironic leftists posting them to roast on reddit. but it's actually a real part of an episode of house md from 2009² in what some could call one of the most generation defining television moments of the aughts (Ribbits 2024)

* Dr. Gregory House

¹ Pre-Hamilton

² Broken, Part 2 House MD, 2009

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kenananamin · 6 months

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Where did Nanami go?

a small collection of events where the people around nanami wonder if he's been abducted by aliens where they switched his brain after seeing how different he is with you (but they love it and keep hoping to see more) fluff, nanami being the best boyfriend, fluff literally just typed this all in one go and did not edit. lol enjoy!

nanami is the 'i'm not reading all that, im happy for you or im sorry that happened' person to gojo. but you send one long long message to nanami and gojo glaces to nanami's phone and just sees his whole screen covered in one long blue bubble. he asks if you're ok or if he needs to step away to call you but all nanami says is no and starts reading the message. gojo sees nanami read a bit, then types a small reply, presses enter for the next line, reads some more, then another small reply, and repeat. is he replying to every single sentence in your message?!

gojo gets curious so he leans a bit closer to actually see the message. it was not an emergency... but your review and interpretation of the 2009 movie Mother?!

gojo leans back shocked. nanami would never reply to such long messages he'd send. if the message was longer than 4 lines, then nanami might never even reply to it. but he's carefully reading your message as if it was the latest report that would be the difference between life and death in the next fight. he's replying to every single point you're making and are those emojis?!

gojo is floored, truly baffled and entirely speechless.

gojo wonders, what movie can i watch that might interest nanami and get him to reply to me in a message longer than a sentence?

———

gojo and itadori walk out of the school with nanami. it's time for nanami to clock out but gojo and itadori are heading out to try a new restaurant that evening. nanami gets a call at 6:01pm while he's still walking with them and stays back a few steps to answer your call. nosy gojo perks up his ear to listen if nanami's voice changes when he answers your call. it's not too different but gojo swears it did change a bit as if there was a little smile on his face. there was.

you ask nanami if he'd like to join you for dinner at a restaurant after work and nanami just asks for the address and says he's on his way. he excuses himself from the guys and gojo wiggles his eyebrows as nanami says he's got somewhere to be. yuji continues to talk about the last movie he saw that he loved but megumi kept rolling his eyes at.

gojo and yuji get to the restaurant after their leisurely walk and see nanami - wait! nanami setting the table?! they're both shocked bc even though their steps were unhurried, it's not like they took a long time to get to the place. you walk into the restaurant and spot nanami wiping what would be your side of the table with his hand, wiping anything that might have been missed by the cleaning cloth.

"kento!" you smile and jog to the table. he looks up and smiles when he sees you, but the smile drops when he spots the open mouthed gojo and yuji you just passed by. you stop walking and turn to see who or what he's looking at.

gojo snaps out of it and goes to introduce himself to you before leading the group of three to the table that nanami is now standing next to. he had heard about you because he pestered nanami enough to tell him about your existence and your name, and that's really all gojo knew. he asks nanami how he got to the restaurant so quick and nanami blandly replies that you work nearby and he wanted to get there first aka he lightly jogged but gojo didn't need to know that.

nanami was kind of expecting it but it still surprised him a bit when you extend a courteous invitation to gojo and yuji if they'd like to join you both for dinner. what was not a surprise was that gojo immediately sat down. yuji hesitates a bit but you tell the young man to sit and assure it's ok. nanami sighs but decides to just roll with it and goes to slide out your chair so you can sit. gojo and yuji give a quiet 'ooooohh' to the action and nanami just shushes them and sits next to you.

nanami is stiff at first and you notice so you slide your hand to hold his under the table. gojo notices the action though and feels like giggling and kicking his feet for his friend. it still takes a while for nanami to relax a bit but he eventually slumps a bit in his seat and smiles a lot easier after a few drinks w you. gojo and yuji stick to their sodas and nanami is happy to order wine for you both.

gojo and yuji make easy conversation and everyone genuinely has a nice dinner. nanami is ready to say bye to the guys as you finish a conversation with yuji about a show. gojo and yuji excitedly watch you both walk away as nanami keeps a hand on your lower back to lead you down the street then moves to hold your hand. they start giggling out loud, a little too loud, when you step even closer to hold his arm with your other hand and lean your head on his shoulder as you walk back home.

———

yuji excitedly goes to nanami to ask if he can join you guys after work. nanami is confused but yuji tells him to check his phone. you had asked if he wanted to visit an ice cream parlor and bakery with you and that you had asked yuji for the name since he brought up the place at dinner.

“we were talking about the show hannibal and she recommended a movie if i liked that show so i did the same and recommended something. she said she'd let me know what she thought the next time she saw me but i didn't know when that'd be and i think she read my mind so we exchanged emails,” yuji rambles nonchalantly about exchanging information with his girlfriend.

"nanamin, i thought you didn't like sweets?" nanami confirms that he does not care for them but you like them and he always finds another bread or alternative to eat as you eat your sugar-filled dessert.

yuji gives a thumbs up and that the man has his respect. nanami tries to ignore the comment… but the compliment feels nice. what didn’t feel so nice was two other kids attaching themselves to yuji and nanami for the ice cream.

he gets in the car and looks back at nobara, yuji, and megumi through the rearview mirror and hopes you don’t mind these kids attaching themselves like leeches on your date. and you don’t mind, it was nice to finally meet some of the people he’s talk so much about and you liked hearing new stories about him.

you’re getting a couple samples and pass them to nanami once you’ve tasted a bit. he wouldn’t get a full ice cream for himself but he could do samples... and indirect kisses. you read his mind (bc you were thinking the same) and try to flirt and raise your eyebrows at nanami seductively but shy away and start to laugh instead. nanami know what you were trying to do yet again and he finds it endearing every time you do it. he pulls you in from your waist and leans down to kiss your bare shoulder thinking the kids are too busy looking for their own desserts to notice. they were not busy, they were looking and saw it all.

the kids are shocked, nobara is taking notes bc she wants that romantic gesture, yuji wants to cheer him on, and megumi's eyes widen but he wonders just how long nanami's been hiding this side of himiself. all in all, all three kids want to see this side more and start planning ways to go out with you both again.

———

nobara and maki go shopping for some spring clothes and as nobara is talking about a store she saw while maki got an iced coffee she stops in her tracks. nanami is inside the store they were about to pass and he's standing as still as a statue... holding a couple shopping bags in one hand and a purse on his shoulder. maki follows nobara's gaze and chuckles but prepares to walk away. nobara grabs her arm and pulls her into the store but hides behind a rack to keep watching nanami.

you come out of the dressing room in the perfect little black dress and nobara and maki can't help but stare in appreciation and awe. they were impressed by how you looked but even more impressed when nanami took out his phone and took a picture. even from afar, they could tell it was a damn good picture and that that man knew your angles.

———

gojo wants to go to a club. he knows nanami will say no straight up so he starts the conversation with, "hey you know what y/n might like?" gojo tries to sell the club the best he can but nanami just says ok and walks away.

gojo texts nanami later that night to ask (plead) him if he'd want to go and all nanami says is that you both will meet him there. gojo hums as he gets ready and arrives to the club. he sees you and nanami walk into the dark and loud room but immediately notices nanami's black button-up that has the top few buttons opened and no tie, and your little black dress. it's shorter (and honestly sexier) than what gojo imagined you'd wear in an outing with nanami but he has to admit that his pair of friends were a damn wonder to look at. he discreetly takes a photo of you two and sends it to nanami. it becomes nanami's favorite photo.

gojo compliments both of you and you thank him saying you had told nanami he'd look great with that simple button-up and gojo agrees. nanami blushes a bit at your compliment. gojo asks about your dress and you laugh recalling when you were getting ready. you had asked nanami if you could wear the dress since you weren't sure if it was too short and he just nodded and basically said 'dress slutty, i can fight' (not in those exact words but that's how you registered it and you fell even more in love with the man). nanami really did not care about what you wore, he would definitely voice if something was not appropriate but he has not said anything about any of your clothes since you've met. gojo couldn't even laugh at nanami's response to your question, he was impressed and turns to nanami to give a thumbs up (and writes that down to use later).

———

all the students sit with nanami and gojo in the cafeteria. they're sitting around waiting for their meal after their mission when nanami remembers that he promised to call you after he was done. he had accidentally let it slip that the mission seemed dangerous and you asked if he could spare a moment after the mission to call or text you to make sure he was fine.

he excuses himself and gojo faintly hears your voice before his friend fully walks out of the cafeteria for his call. immediately after nanami leaves, the students huddle closer to the table and start talking about you. gojo is kind of shocked by the student's reactions but they all look at him and in their own way talk about how much they like you for nanami. a cold and serious man has the embodiment of bubblegum on his arm and they loved it. gojo joins his giggling students and nanami waits a moment outside the cafeteria door to listen to his team rave about you before walking back in with a light blush on his cheeks.

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zombie-eats-world · 6 months

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Crocodad Theory: The not-so-Crack-pot Theory.

Making this post in order to replace my old Crocodad thesis since I think I can do better now. Plus I was still using the old theory name then and I dislike seeing it pinned on my tumblr now. You can find that older post HERE if you desire to!

Crocodad theory, chances are you have heard about this theory if you are even slightly invested in the One Piece fandom. But despite its infamy, and outside its stanch believers like myself, it's mostly considered a crack theory and used for a laugh.

Now let's be clear, Crocodad theory is not a crack theory. A crack or crack-pot theory is more of a headcanon built on vibes, it's a fun idea made up out of thin air and isn't really serious. If the Crocodad theory was a crack theory it would have evaporated into the nether by now. It's over a decade old, after all, and yet it persists to this day! That is because the Crocodad theory has real evidence from the canon, the One Piece offshoots, and maybe even Oda himself.

If you weren't aware of the Crocodad theory, sometimes lovingly called Dadodile, let me summarize it very succinctly. The theory is that Crocodile is a transgender man and gave birth to Luffy. Crocodile is Luffy's other father and his birthing parent. If you think that sounds ridiculous or even hilarious, let me walk you through it because I assure you- that is intentional.

Let us begin where the theory began... Impel Down.

The possibility for this theory was born in 2009 with these panels:

The simple fact that Ivankov exists and that he knows Crocodile, from "when he was just starting out" mind you, makes this not only possible but probable.

What other "secret" could Ivakov be speaking of here? It's definitely not his weakness to water, that would just be bad storytelling. It could be that Crocodile is the child of Rocks which is possible considering we now know Ivankov was at the Gods Valley incident. But if I could speak as a writer for a moment, it would really be a waste for an author to introduce a character that can change genders and then bring back one of the first big villains like Crocodile, AND THEN connect the two with the mention of weakness but not make that secret that Crocodile had once been a woman. Or even at least a part of the reason.

But if that reasoning falls through for you, here is some in-canon evidence for the idea that Crocodile is transgender:

First of all, the agents' code names are so gendered: Every single digit agent is Mr with a Mrs, or Ms partner.

Crocodile’s name. His moniker is different from almost every other powerful pirate the story introduces to us. He isn’t just Desert King Crocodile, he is Desert King Sir Crocodile. Again it is oddly pronoun-centered. As if he is trying to remind people that he’s a guy.

The introduction of Bon Clay. Bon Clay is our first canon queer character in One Piece. He makes mention of being a girl many times and feels like a joke character when we first meet him. But as we know in One Piece, a pirate crew is a reflection of the Captain. Crocodile isn’t prejudiced to queer people like Bon Clay alludes to others being a few times. Crocodile even allowed Bon Clay to be both the male and female of his team!

Next up was the reveal of Baby Crocodile and how it’s deliberating ambiguous what gender Crocodile is. In every other Warlord's childhood look reveal, their gender is obvious, so why was Crocodile left out of that?

Then of course we have Gold Roger's execution, and how almost everyone got a reaction panel. But not Crocodile. No, we only see the back of his head. Oda has shown that he loves to get every single character's reaction to major events, sometimes to a fault. So why is he trying so hard to hide Crocodile from us? It just isn’t Oda’s style to leave someone out unless there is some kind of secret he wants to build up too. Now be sure to keep this in mind for later.

Last but certainly not least is just how much of an absolute troll Oda is. This will not be the last time I bring this up, Oda is a HUGE troll. He loves to play to his favorite fan theories and he decides most everything on how funny it is. And wouldn't it be funny if the first antagonist in the Grandline was secretly the birth parent of Luffy?

I mean just look at this! Oda, you absolute troll.

Bottom line: Trans Crocodile is more likely than not.

But this is where a lot of people decide the rest of this theory is crack, they take Trans!Crocodile and leave Crocodad out for reasons I honestly can't understand. Despite that, Cracodad has just as much if not more evidence than the Transgender part of this theory.

Before I begin I would like everyone reading to keep a few things in mind. All throughout the Impel down arc and the journey to Marineford, and even the first few chapters into Marineford, Crocodile could not have given a shit about Luffy, Ace, or the war at all. He did not care who won the war or if everyone involved died. He came to the battlefield for the sole purpose of killing Whitebeard. PERIOD. He was never once shown reacting with any concern when Luffy began facing down anyone strong. Not even Magellan. Crocodile had been around Luffy, seeing him do inspiring things for a massive amount of chapters by the time we get to Marineford, and yet Crocodile literally didn't care if Luffy lived or died, he just wanted to fight Whitebeard.

With that clear let's move on to what happened after Luffy's father was revealed to the world in Marineford. This moment is where the most obvious evidence first came about:

When Sengoku announces Luffy's father to the world we get many reaction shots, but once again Crocodile is conveniently missing from the lineup. He even disappears for a whole chapter! The young man who took down his decade-long plan to take over Alabasta just got announced to be the most wanted man in the world son, and we get no reaction from Crocodile... its suspicious.

Crocodile stopped Ace’s execution: Now Crocodile explains this by saying he ‘didn’t want to let Sengoku have the pleasure of victory’ but seriously? What kind of petty ass BS reasoning is that?! Crocodile has dreams and ambitions, and yet he gives up trying to be the one to take down Whitebeard to randomly save someone he canonly mocks in Impel Down? Someone he doesn’t care about. Some people will tell you it’s because Luffy inspired him like Luffy does many others, but what exactly is Luffy doing in Marineford that he didn’t in Impel Down or even Alabasta? Nothing. That means Crocodile has an entire about-face for no believable reason while completely off-screen. Which we've already said isn't Oda's style.

Daz and Crocodile face Mihawk to help Luffy: When Daz blocks Mihawk’s strike, Luffy questions it. Daz answers: It’s an order from above! That means Crocodile ordered Daz to specifically protect Luffy. Again, why? What reason did he have to do that? If this was some latent Crocodile has been inspired™️ moment, why wouldn’t Oda show it? Oda loves to hype up those moments, and loves to detail it all to the smallest piece. But Crocodile just randomly decided to have his main man Daz look out for this person that he COULDN’T HAVE GIVEN A CRAP ABOUT JUST TEN EPISODES BEFORE does not fit within the story. Then, right after Daz blocks Mihawk, Crocodile appears out of the woodwork to block another attack.

When Mihawk questions why he’d protect Luffy, Crocodile’s only response is “I’m not in the best mood now, Mihawk, you better watch yourself.” It’s interesting that he has no reason, none, he just comments that he’s in a shit mood. Maybe because he just found out he once stabbed his own child in the gut and left him to die?!

Crocodile vs Akainu: The brother killing Lava Man™️ is probably the most dangerous person in the war. He has no mercy, no morals, no restraint. So the fact that as Luffy is lying comatose and weak, with Jimbe slumped over him, Akainu about to deliver the final blow, Crocodile coming out of nowhere once again is so telling.

The fact is: Crocodile went above and beyond to save Luffy. That final stand against Akainu is so powerful. Crocodile doesn’t just save Luffy, he rushes to Luffy's aid, slicing through Akainu and reassembles to stand protectively between them. He did not need to do this at all. Oda didn’t need to have him do this either!

There were plenty of other characters that could have essentially done the same exact thing, but Oda chose to have Crocodile, someone who shouldn’t have been on Luffy’s side at all, save his life in the final moment.

Lastly, without a word, Crocodile uses Sables to get Luffy to Law’s ship. He risked his life, faced down the one person who could kill him without a second thought, and sweeps Luffy away to safety without any stated reason at all. In fact, everything he says is deliberately vague. Crocodile doesn’t believe in loyalty, he dumps people if they are weak (see; Alabasta Crocodile vs Luffy desert fight) so his line of “you gotta protect the one you wanna protect! Don’t let them have their way!” Feels so out of character. Crocodile has to have a reason for this odd behavior. And no, it doesn’t end there! In the defense of Luffy, Crocodile has an awesome and powerful moment where he stands in unity with all the Whitebeard commanders. HIS ENEMIES. Crocodile stands in unity with the people, he himself stated he hated more than anything, for Luffy!

These are the moments that alerted people to what would soon be called the Crocomom theory, now called Crocodad. But just because it began there doesn't mean there wasn't foreshadowing from before Marineford.

Let's go over all of that now:

First to talk about is once again Crocodile's crew. Miss Father's Day debuted in episode 124 of the anime and chapter 205 of the manga. She has a green amphibian theme to her, which is interesting because she is a woman with the moniker Father's Day while also having a theme of an animal that is famous for being able to change its gender. Her debut episode even has her introduced along with the reveal that Luffy's using his blood to fight Crocodile.

The next point is something Oda has never explained. Crocodile has strange relationships with children. From hiring a sixteen-year-old Miss Goldenweek, leaving her out of the Mr. 3 assassination order, and her history of actually sinking Crocodile's ships before getting hired, all the way to how Crocodile lectured Luffy in their fight. It just had the cadence of a parent. Not even Luffy's parent, just a parent. He lectures like someone who has experience with children.

Next, Luffy does not look like Dragon. That is a direct quote from Luffy in the manga. But you know who he does look like?

That's right! Luffy looks a lot like Crocodile. If you need more convincing on this, there is a great post by Dashevacotton that puts together many of the best canon pictures of Luffy dressed up like Crocodile. That post is here!

Crocodile and Luffy are incredibly similar. Not just in looks, but in personality, and in their general life.

These two have so much in common. From having a way with animals, to the amount of unadulterated loyalty they've inspired in their crews, all the way to the cadence of their speech.

Crocodile and Luffy even have a similarly goofy reaction to seeing the underground passage to the Alabasta Poneglyph.

Episode 123, episode time 13:16 Crocodile spots the entrance and laughs, "Ha, now I see secret stairs." Also in episode 123, episode time 20:47 Luffy looks around and spots the secret stairs. "That hole... it looks gator-ish."

Even what we know of Crocodile's backstory is that he had a rapid rise to fame just like Luffy by being a rookie who came in and beat down non-canon characters like Douglas Bullet to the shock of the world.

Next, let's bring up an earlier point: Oda-sensei is a mega troll.

This isn't exactly new information, Oda once deflected to bringing up a dick fight instead of answering if Zoro or Sanji was stronger. He is a Troll. He loves wordplay, and he likes to hint hint nudge nudge us all day long. Just look at Oda having Sanji call himself a prince in Alabasta as a joke, only to realize years later that he actually was a prince.

It's because of Oda's tendency to play around and make knowing jokes we've gotten some pretty compelling evidence for the Crocodad theory.

First would be the wordplay!

-Crocodile is closely linked to a Bananawani-> Monkeys like Banana -> Monkey D. Dragon is a reptilian Monkey attracted to Banana reptile. Fight me - A 'crocodile smile' is a term most often used to mean a fake or ingenuine smile. Crocodile's scar has been liked to look like a 'crocodile smile', which would mean Crocodile is the only character that always has a smile on his face. What a fun bit of wordplay to foreshadow the birth parent of Joyboy!

Then there is this SBS alongside the One Piece School spin-off manga by Sohei Koj.

What a great way to get out of revealing Luffy's parentage without actually revealing it!

And of course, we have the One Piece Mafia Theatre episode of the anime.

Oda would certainly make this canon just because of his troll tendencies. This is a hilarious theory because the story supports it yet only a fringe group believes in it. It's hilarious and therefore it's probably true.

Lastly, the symbolism makes this theory truly great.

I've already mentioned how Crocodile's scar being a 'crocodile smile' and thus giving him a permanent smile on his face would make him the most meaningful candidate for Luffy's birth parent. Joyboy, our Sun God Nika, was born from a man with a permanent fake smile; who is also named after an animal with the world's biggest smile.

It's just such a perfect setup, it makes my writer's heart swell.

Since Oda has stated a mother in One Piece would stop the adventure, it would fit that the first major villain in the Grandline to try and stop Luffy's adventure ended up being the man who gave birth to Luffy.

If we are going to speak of symbolism, I'd be remiss not to mention what a crocodile spiritually symbolizes. I really don't think I need to explain why adaptability, creation, ambiguity, and duality mean so much to this theory.

This theory could die or be confirmed any day now that we've entered a God's Valley flashback. I will love it either way but truly, honestly, I believe this. I hope I convinced a few of you to. If you are interested in the succinct list of Crocodad evidence that post is Here!

So in conclusion...

Crocodad is canon!

#one piece fandom #one piece #sir crocodile #anime #dadodile #monkey d luffy #fan theory #until the oda plops luffys mom in front of me i will believe this theory #theories #there is literally no other explanation for marineford without dadodile #luffy literally looks like crocodile #not a crack theory #long reads #long post

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