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#While the one wants to be the hero who saves the world
iwantasquaresbar · 2 days
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I just want to say that Sandra Lynn is genuinely one of my favourite characters ever created I love that women so fucking much. She’s complex, she’s messy, she’s made so many mistakes but you can tell she cares so deeply about everyone around her.
Her relationship with fig means much to me, you can tell she loves her daughter more than anything but it hurts to see herself reflected in fig and to see that relationship develop through the season is incredibly meaningful. On top of that the chat she had with Adaine in the latest episode and even some of the moments in sophomore year you can tell she really fucking cares about the other bad kids to and loves them for how they take care of daughter.
She was manipulated while she was young and it tore her life up and I just wish that, the young adventurer who got fucked over could see herself now with family and support network she has and although she may not be an adventurer, she’s still a hero and has been on other quests and helped save the world.
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choiceofgames · 3 days
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New game! “Werewolf: The Apocalypse — The Book of Hungry Names” — Unleash Rage and wield spirit to heal the land and rebuild your fallen pack
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Werewolf: The Apocalypse — The Book of Hungry Names is now available on Steam, iOS, and Android!
It’s 25% off until May 2nd! Furthermore, as a special offer, if you purchase "Werewolf: The Apocalypse — The Book of Hungry Names" by 11:59pm PDT on April 26th, we'll give away the "Wardens and Furies" DLC, featuring the options to play as a member of the Black Fury tribe or the Hart Warden tribe, for free.
You and your shattered werewolf pack must save the living Earth with Rage and spirit! In this interactive novel with hundreds of choices, can you defeat a Wyrm Spirit who manifests as a lie that you want to believe?
Werewolf: The Apocalypse — The Book of Hungry Names is an interactive novel by Kyle Marquis set in the World of Darkness. It's entirely text-based—1.8 million words, without graphics or sound effects—and fueled by the vast, unstoppable power of your imagination.
Shapeshifter. Mystic. Hero. Monster. You are a werewolf, and you are all these things. Werewolves are the living earth's last guardians, created by Gaia, given the gift of shifting between human and wolf forms, and called to stop humanity from destroying the world.
But you have failed.
Three years ago, packs of werewolves worked together as a Sept in Broad Brook, Massachusetts, battling the Wyrm, the enemy of Gaia. While other Septs fell to the Wyrm or tore themselves apart with fratricidal Rage, Broad Brook thrived. Some said they would be the ones to stop the Apocalypse.
But in one night, a Wyrm Spirit called "the Answering Tiger" destroyed the Broad Brook Sept and defiled its caern. In fact, Broad Brook had never been thriving at all. The Tiger had deceived their senses, disordered their thoughts, and turned them against one another. Where the different tribes saw trust, in truth there was resentment and growing Rage. Where the different packs saw safety, there were security flaws that could be exploited. Where they saw the Wyrm, there were innocents that they massacred, before reporting to other Septs about another glorious victory.
Their cruel pride allowed the Wyrm Spirit to deceive them, and they mostly destroyed themselves. The Answering Tiger had servants, too, monstrous Banes and fomori, and even werewolves sworn to the Wyrm. But they were only there to pick off whoever was left.
Now, the Stormcat, once the Patron Spirit of the Broad Brook Sept, has called upon you to rebuild a pack from the survivors and fight back against the Answering Tiger. In the savage woods and decaying towns of New England, you will forge your own legend.
Build Your Pack. Human and werewolf survivors haunt the woods and hide in the cities: find them to learn what happened and to rebuild the werewolf nation. But not all werewolves can be trusted: shun those wolves consumed by Rage, and pity those who have lost the Wolf and become empty shells.
Survive the Wilds. A desperate exile, shunned by those of your old pack who have abandoned their oaths to Gaia, you'll have to survive by your wits. A winter night can kill as surely as any monster: find shelter, seek allies among spirits and humans, and learn how far you'll go to survive.
Unleash Your Rage. You are one of Gaia's monsters, a living weapon, herald of horror and death. Now the Apocalypse is here: wield your Rage with savage cunning and keen discretion, or it will swallow you whole.
• Play as male, female, or nonbinary; befriend or romance werewolves and humans of all genders.
• Shapeshift among five forms to slaughter your enemies, or outwit them to take what you need.
• Choose your auspice (moon-sign) and your werewolf tribe: Bone Gnawer, Child of Gaia, Glass Walker, Shadow Lord, or Silver Fang
• Claim your territory and heal the spirits there to unlock Gifts that let you summon animals, see into the past, or enter the spirit world.
Buy it now!
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pillowspace · 13 hours
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i got my mom to listen to the magnus archives because she really likes that kind of spooky thing and every now and again, she will make a "guess/theory" that I have to hear her say with a straight face because it's so incorrect it's funny as hell. The most recent one is she got to the episode where Melanie tried to poison Elias and remarked "I think that while Elias is manipulative, he genuinely wants to save the world by any means necessary and he doesn't care who he hurts to get there"
Elias my favourite morally grey hero. He just wants to save the world, and everyone wants him soso dead. Hello Jonah, apologies for the deception
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physalian · 2 days
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Villain Power Scaling (It's over 9000!)
@sarah-sandwich ask and you shall receive
Quick! We wrote an insanely, unexpectedly successful one-off fantasy series! How do we top the villain?
A bigger, badder giant space laser
The villain’s secret jealous sister
The same power, but purple now
The True Mastermind you’ve never heard of
JK, they’re not actually dead!
When you choose to continue on a series and have already committed to possibly destroying the legacy of the characters who fought and died to save the world once by undoing it for money, you had better have a damn good story to tell.
So if you decide your new threat is any of the above, you have quite the uphill battle ahead of you, my friend.
What is Power Scaling?
Power scaling is the nature of the ability of the heroes and the villains to grow more competent over the course of the story via new skills, new powers, or more training. Protagonist’s first fight (that they win, at least) will generally be against a baby, tier-one mook and not up against the main antagonist (*cough* Force Awakens *cough*)
As the story progresses, the mook that was so scary and so hard to beat oh so very long ago will become unnamed cannon fodder in the climax of the story. Generally speaking, this is a linear event and the hero and the villain are constantly one-upping each other until they come head to head in the unavoidable final fight.
Sometimes, things run askew. Maybe the hero’s super special power that saved them last time was a fluke, possible only in those specific circumstances, or one-time use.
Maybe they have amnesia, or the being that gave them that power revoked it, or using it cost them too much. Maybe they got seriously injured in the last fight using it and can no longer go near it if they want to not get hospitalized. Maybe the super power was another character that won the final fight for them last time, but died in the process.
It doesn’t have to be linear, but if you’re going to regress your character without creating a “why didn’t you do what you did last time” plot hole, you will need an ironclad excuse.
So, feast your eyes while I summon the Supernatural fandom back from the dead.
What not to do, as told by Supernatural
This show was originally written to last five seasons and five seasons only. No matter how die hard a fan you are or were, you cannot escape this fact, and neither could the writers.
Season one villain: A demon and her demonic minions
Season two villain: Psychic demon children and Papa Demon Yellow-Eyes
Season three villain: OG Demon Lilith, and Dean’s ticking demon-deal clock
Season four villain: OG Demon Lilith and preventing the rise of Satan
Season five villain: Satan and some douchebag Angels
Then you have Ten. More. Seasons. trying to do better than Satan and the douchebag angels to… varying levels of success and stupidity.
The problem: Supernatural tried to be linear with their power scaling, focusing on ramping up the threat level to nonsensical ends while undermining the threat level of all who came before.
The other problem: Sam, Dean, and Cas never stayed dead long enough for any of these threats to matter.
What I mean is this: In making the threat of the season so impossibly strong, by threatening the world over and over again no matter how many times they save it, by never committing to killing your three most important characters, by never letting the world go a little unsaved in the end, you’re left with a story that *says* it’s bigger, badder, bolder, but is really just a rinse and repeat that goes blander and blander each time.
Coming off Satan and the Douchebag Angels to… Cas and Crowley conspiring over the souls of Purgatory and the unseen war in Heaven because they didn’t have the budget for that, without any of the thematic weight of *why* it was angels and demons? Talk about a loss of momentum.
I rewatch a grand total of one episode of season six, “The French Mistake”. I have lost all context for the plot surrounding this episode and it’s virtually independent of the rest of the season because Sam and Dean get transported into the Real World as Jensen and Jared and poke fun at each other for 52 minutes. This episode is timeless.
The show wasn’t a complete disappointment for the remaining ten seasons or it wouldn’t have lasted that long. It had good beats, but they shot their load in Season Five. After five whole years of buildup to this main event it never recovered.
Alternatives to Linear Power Scaling
Anyone who has or even hasn’t seen Dragon Ball should know that series is famous for infinite power scaling. There’s always someone stronger, always some new secret powerup to unlock with the power of Screaming, always some new Super Sayan color that we promise is more powerful this time, for realsies.
That show is so dedicated to the bit that it’s gone full circle to being loved, not despite it, but because it’s so ridiculous.
You did not write Dragon Ball. Do not do this.
Instead of the infamous clashing multicolored power beams, what other ways can you up the ante of this new threat after your heroes have conquered all they thought stood in their way?
Give a damn good reason why this villain, who is no different than the last schmuck, is unbeatable by the macguffin this time.
As stated above, there’s no need to make the villain More Powerful* if your heroes have lost the world-saving abilities that helped them last time.
Exploit the hero’s other weaknesses
More Powerful* is never as exciting as you think it is. Often times, especially in superhero sequels, the villain isn’t necessarily stronger, but the niche power that they do have finds the chink in the hero’s armor that they didn’t have to worry about last time.
Make the hero’s niche skillset completely irrelevant
This time, the threat might not be something they can punch or shoot or smack with a hammer. This time, it’s their reputation at stake, or the villain is un-punchable because they’re simply unreachable, causing havoc the hero is helpless to stop.
Make the issue not the villain at all, but the hero or their team
Maybe the villain is just a schmuck that would be beatable on any other day, but team infighting means that they make utter asses of themselves and the villain doesn’t have to lift a finger to win because they’ve taken themselves out.
This can get very dramatic like in Captain America: Civil War or the Teen Titans epside "Divide and Conquer". Or, to comedic effect in the Spongebob Episode "Mermaid Man and Barnacle Boy V" (the one with the International Justice League of Super Acquaintances).
Some would argue that the above options aren’t power scaling at all if it’s not linear, and that’s fair. You’re telling a story though—is your story going to be about the superpowers and how cool they are, or the people who wield them?
3. It’s not actually power scaling, it’s about stakes
Supernatural began to feel so stale because even though we were told the villain this time was bigger, badder, bolder, the stakes were always the same. OSP has talked about this, how threatening to end the world has a foregone conclusion of “never actually gonna happen” because what author is crazy enough to let the world get blown up and all their characters murdered?
Raising the stakes, too, is not linear. Last time it was the world, this time, it’s the life of the love interest, it’s someone’s sanity, it’s a ticking clock on a secret that’s about to go public.
That’s why the first five seasons of Supernatural were so engaging. Were Demons the problem every time? Yes. The Demons were causing the problem, but they were causing five different problems. It was finding and saving their missing dad, then it was uncovering the sinister plan of the psychic demon children, then it was trying to escape Dean’s deal, then it was trying to stop the rise of Satan, then it was trying to stop the apocalypse. It was not five seasons of demons trying to destroy the world.
The more personal the stakes, the more likely your audience will believe the hero could actually lose this time. That’s what will keep them engaged. Dean died at the end of season 3! They lost! There was no escaping that deal. Sure he came back in the pilot of season 4, but the entire 4th and 5th seasons are haunted by Dean’s PTSD and new pessimism about the world given what he’s seen and done in Hell.
4. Threatening the world without destroying a legacy
Covered in this post about timeskips and this post about sequels but it’s too important to not keep repeating.
So. The Star Wars sequels. Rain down your wrath like snow on a hot desert—these movies were a giant mess. The audience sat through six entire movies following the rise, fall, and redemption of one man who died to save his son and the galaxy.
Then, what, twenty years later, absolutely none of it mattered? New space Nazis are out for blood with the same equipment, same weapons, same soldiers, same reach, same motives. Within the theatrical release (because I am not paying money to buy content to do homework to understand a movie made for a layman audience) these movies undermined the legacy of the six that came before it.
It didn’t have to be a new galaxy-ending regime and the same rebels still rebelling for the same reasons—how the heck did they let another empire rise so fast?—it could have started small, inconsequential, and then the actions of the new cast then undermined everything Anakin worked for.
I feel like Mr. Incredible wondering why the world can’t just stay saved for ten minutes.
All of this is salvageable. End the world again if you want. There will always be bad actors out to do bad things, you can’t expect a utopia to last forever. But that bleak reality is for the real world, not fantasy. In fantasy, the sacrifice of beloved characters must matter. Otherwise, what’s the point of their story?
How do you do this?
Make the utopia the old characters died for last up until the new inciting incident, and make sure it’s the new characters’ fault, not just due to the passage of time
Make the villain threaten something other than their legacy
Make that legacy the banner behind which the new cast rallies, determined to make sure it wasn’t in vain
5. Or, burn the world down this time
Some of the best middle beats of a story feature a “did we just lose” moment a la Infinity War. The villain has won, fan favorites are dead, their home is in ashes, and now they’re not only starting from the bottom, they’re doing it with righteous vengeance.
Then the loss of the original character’s legacy *is* the tragedy, instead of a side effect. Then, in a way, they’re still part of the story, a ghost on the sidelines cheering on their successors, and we, the audience, are right beside them.
I have a shiny, fresh-off-the-press Insta @chloe_barnes_books now for this blog and my upcoming novel. Go check it out!
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pluralfuture · 3 days
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Fanfic inspider by @thisbelongsto-nohbodys 's future owlphibia au. Please excuse the fact that I have no idea how Ao3 works, so it's all posted here.
CW: Somewhat-more-than-canon-level violence, blood, minor swearing, and blatant shipping.
Armoured Knightmare
It wasn't supposed to go like this.
When Azura Noceda had met up with her frenemy, Lily Boonchuy, she hadn't expected their day to end up here. It was just supposed to be a normal hang out. But Lily had seemed especially down that day, so Azura figured a short adventure on the Isles would help cheer the blonde girl up.
It hadn't been long into their journey that Azura had noticed a structure she hadn't seen before. It looked old. Really old in fact. It was some sort of stone structure, looking almost like the entrance to an ancient tomb. Azura, of course, wanted to leave well enough alone. Who knew what sorts of traps were down there to kill potential grave robbers? But Lily marched towards it all the same.
“Lily, you're being stupid.” Azura said plainly as she jogged to catch up to her friend. “We have no idea what's down there.” Cotton, her tiny white bat palisman, squeaked in agreement from on top of Azura's head. Lily just gave Azura a look over her shoulder before continuing on.
“Listen, we came out here to adventure, right? What better adventure than an ancient, unopened tomb in a magical world?” Lily drew her sword and jammed the blade in between the two stone doors, and began to push on the sword, using it as an impromptu pry bar.
“The stuff above ground is dangerous enough.” Azura stated. Now that they were closer, she could make out faint carvings on the door. It was hard to make out what they were trying to say, but she could make out some sort of orb with tendrils stretching out, an armoured figure, and a group of witches and demons tearing the armoured figure apart. While she tried to figure out the carvings that were faded more than the others, she was startled by a loud scraping sound.
Lily smiled as she managed to open one of the doors enough to get a hold with her hand. Grabbing hold with both hands, she pulled, grunting in effort as she moved the large stone door. “Listen,” she said once it was open enough for her to slip inside, “I'm going down there. You can follow me, or you can stay up here. Doesn't matter to me either way.”
Before Azura could respond, she saw Lily slip inside the crack. Sighing, she started following after the blonde. “Why are you acting like this?” She muttered, more to herself than to Lily. If the other girl heard her, she didn't respond. All Azura knew was that Lily and her younger brother, Percy, got into some sort of argument, and Percy had said something about how Lily would never be like her moms. From what Azura knew of the younger kid, he had to have been pretty pissed off to say something that mean to his sister. And Azura partially understood why Lily felt the way she did. Her mom saved the Isles from Belos when she was younger than Azura was now, and Lily's moms had done the same for that other world, Amphibia. Both of them were daughters of legends, who had a lot to live up to. But sometimes, it seemed to Azura that Lily was either going to be a hero or die trying.
As the pair trudged deeper and deeper into the tomb, Azura drew a small circle in the air, casting a basic light spell and holding the floating orb in the air above her open palm. All around were mossy stone tiles and carvings covered in various vegetation. The carvings were practically gone, destroyed by the ravages of time. Whatever story - or warning - these carvings told was unable to be gleamed. However, Azura frowned at something else she noticed.
“There's no bodies or coffins.” The witchling noted aloud. Lily simply shrugged.
“So?” The human girl asked.
“A tomb of this size should have at least a few. Or even offerings to the dead or something. But it's just the stonework so far.”
“Well, maybe it's all just further in.”
“Bodies, maybe. But offerings are left near the entrance, so that visitors don't disturb the dead.” Azura pointed out. “And we've gotten far enough in anyways that there really should be bodies.”
Lily sighed. “Well, maybe it's not a tomb then. So, there's just something else to discover down here.”
“That's what worries me.” The witchling sighed and pet Cotton, who was letting out small, nervous squeaks.
The two continued deeper and deeper, the carvings soon giving way to smooth walls. And then, the hallway opened up to a massive stone room, easily a cube 50 feet in all directions. Azura jumped and Lily raised her sword as, when they passed the threshold from the hall to the room, light spells activated all around the room, illuminating it. The entire room was empty, save for some sort of stone throne with a rusted suit of armour slumped in the seat.
Lily sighed and looked around. “All this, for one suit of armour? Seems overkill.” Lily took a step forward, but Azura grabbed her arm tightly. In the witchlings hand, she held a miniature harp, one of her signature instruments for her bard magic.
“Lily, we should go. We can find something else to do. Maybe we can hike up the knee, fight a Slitherbeast or two. But we should leave this alone and tell someone else about it.” Azura's voice was filled with nervousness.
Lily grit her teeth and pulled her arm out of Azura's grip. “What, think I can't handle a dumb suit of armour?”
“Lily, that's not what I-”
“And even if it is magical and animates, it's not like I don't know how to fight!”
“I know that! I'm just saying-”
“What, that you think I don't have what it takes?!” Lily got right up to Azura, gripping her sword tight, knuckles turning white.
“I'm saying I don't want you to get hurt because you're too angry to think straight, you idiot!” Azura snapped. She panted heavily as she and Lily stared each other down. Lily glared hard at Azura.
“Screw. You.” Lily said, and marched towards the armour.
“Lily, wait!” Azura followed after her.
“If you're not going to help, just leave!” Lily yelled back at Azura without looking back.
Azura felt a growing sense of dread as they approached the armour. Something was very wrong, but she couldn't tell what.
Lily got right in front of the armour, staring down at it.
“Happy? It's just a normal set of abandoned armour. Now, please, can we just-” Azura yelled in surprise as Lily swung her sword with a scream, knocking the helmet clean off and sending it clattering to the floor. Azura watched Lily for a moment, the human girl panting heavily. It was only after a moment that Azura realized Lily wasn't panting, but starting to cry. Wordlessly, Azura pulled Lily into a hug. After about a minute, Lily finally spoke.
“I'm sorry.” Lily quietly said. “You're right. This was stupid. I just… What Percy said.”
“I know. I understand. Believe me. I really do. But if you need to blow off steam, there are much better places than old, creepy tombs.”
Lily chuckled dryly. “Yeah. Yeah, you're right.” Lily sighed and stepped out of the hug, Azura letting her. She wiped away the last of her tears and sighed. “How about lunch instead?”
“Sure. But you're paying.” Azura said with a playful smirk, earning an equally playful chuckle and punch to the arm from her friend.
“I don't have any snails, dumbass.” Lily let a small smile creep onto her face.
The two of them began to walk out of the room, but the bright mood was quickly broken, both girls freezing in place as the sound of metal scraping along stone behind them. Slowly, and wide-eyed, they turned around. Behind them, the armour was slowly getting up from it's throne, it's joints creaking with untold years of built up rust. From where it had landed on the floor, the helmet was floating up and over to the body. With a dull, hollow clank, it landed back where Lily had knocked it from. The armour rolled it's non-existent neck, pulling a sword from behind the throne and staring down the two young adventurers with empty, hateful eyes.
“Lily?”
“Run?”
“Run!”
The two spun around and started sprinting towards the hallway they had come from. Behind them, they heard the animated armour rapidly approaching. Azura spun around and strummed her harp, creating a magic shockwave that she hoped would cause the armour to stumble. When nothing happened, Azura whistled for Cotton, who transformed into its staff form, Azura hopping on.
“Hop on!” Azura yelled at Lily, holding her hand out to Lily. Lily reached out and grabbed hold.
And then the sword came down on her back.
And Azura saw a spray of red come from the wound.
It wasn't supposed to go like this.
Azura pulled Lily up quickly, holding the now limp girl close. She sped off on Cotton, the armour chasing after them, though with the speed boost from riding her palisman, Azura quickly outpaced it. She blasted through the open door, skidding to a halt and placing Lily down gently on the ground before running over and pushing as hard as she could to close it, Cotton even flapping over to help her. She could still hear the armour rushing towards them, which only spurred Azura on more. Just as she thought she was going to be trampled by the running armour, she slammed the stone door shut, the armour slamming into it from the other side, but seemingly unable to push it open from its side. Deciding that would have to do for now, Azura picked Lily up and rushed her to the only place she could think of.
Lily was breathing shallow, and looked up at Azura. “Z-Zura. I… I need to tell you something…”
“You can tell me later, okay?” Azura said, wishing now more than ever she didn't inherent her mama's weak nerd arms.
“No. No, please. Let me tell you. Please.” Lily's voice was weak, each word a struggle.
Azura had tears in her eyes, her attempts to speak failing and just slowly nodding.
“I… I like you ‘Zura. I know… I know I denied it, but… I… I like you.” Lily admitted, her eyes slowly closing.
“Hey. Hey, you keep your eyes open, okay? Lily? Lily?!” Azura shook the girl as she passed out in Azura's arms. Seeing where she was heading, she burst through the door, nearly out of breath. “AUNT VINEY! I NEED HELP!”
What happened next was a blur. She breathlessly explained vaguely what happened to Viney, who took Lily away. Emira contacted Amity and Luz, who in turn contacted Anne, Sasha and Marcy. When everyone arrived, Amity and Luz checked on Azura, while Anne, Sasha and Marcy waited with Percy and Maddy, Lily's younger sister and the youngest sibling, waited for Viney to finish up with Lily. All Azura could pick up was when her Aunt Viney said Lily's wound healed without a scar. After what felt like an eternity, Anne walked up to Azura, getting down to eye level.
Azura looked at Anne with teary eyes. “I-I'm so sorry. I… I… I'm sorry.”
Anne softly smiled and put a comforting hand over Azura's. “Hey. Don't be. Lily told us what happened. You saved her, Azura. Thank you. So much.” Anne softly pulled Azura into a short hug. “Now, Lily says she wants to talk to you about something.”
Azura nodded, getting up and walking past the rest of Lily's family. Sasha looked over at Azura as the witchling passed by and mouthed a silent “Thank you,” before going back to keeping their youngest daughter occupied.
Azura entered the room where Lily was lying in a bed. Already, the human girl looked much better. Azura took a seat beside Lily.
“So… um… your mom said you wanted to talk to me?” Azura shifted awkwardly in her seat, unsure if Lily remembered what she had said on the way here. Lily nodded.
“First off, thanks. And… And you were right. We definitely shouldn't have gone down there.”
Azura sighed softly. “While you're right, I probably should have done something more to stop you. But what's important is that you're okay now.” She smiled softly.
Lily nodded. A small blush formed on her cheeks. “And… um… I meant what I said. On our way here.”
It was Azura's turn to blush, her face going as red as a tomato. “O-Oh. Um. O-Of course. I… I just wasn't sure if you remembered.” Azura shifted awkwardly again. “Um…” Azura sighed, closed her eyes, took a deep breath, and looked Lily in the eyes. “I… I think I like you too, Lily.”
Lily's blush grew even brighter. “So… what does that mean for us?”
Azura took a deep breath. “I… I think this means… We take it slow. One date at a time. And see where we go from there.” Azura took Lily's hand with a smile. Lily smiled back.
“I think I can deal with that.”
From the doorway, Percy laughed. “Called it!” He received a pillow to the face from his sister for his troubles.
~Fin~
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childrenofthesun77 · 5 months
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Assuming that the whole 'mahiru is the vessel needed to bring back the count and the 9th servamp will be the servamp of vainglory' theory will be correct, it's interesting how both mahiru and touma can be accused of this sin even if the way it applies to them is opposed.
What touma wants is to be acknowledged and to that end he was willing to become the villain who destroyed the world before mahiru and tsurugi managed to change his mind:
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Mahiru's way of being vainglorious seems a lot more positive at first because he wants to be a hero who saves others, but it's self-destructive and encourages laziness in others:
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But thankfully we see mahiru starting to let go of the need to make other people proud of him and to prioritize making himself proud in his conversation with tsurugi:
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and later when mahiru has a meltdown because he fears his uncle might be dead and suggests sacrificing his life to save the world kuro rightfully yells at mahiru for acting hypocritical and not listening to his own advice:
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(I want to mention here that I really love how horrified kuro looks as he realizes that mahiru's reckless hero behaviour comes from a very self-destructing place:
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because not a lot of manga I know really acknowledge that maybe the way a lot of their protagonists try to be heroic is actually pretty unhealthy and shouldn't be encouraged? Like Sigurd pointed out at the C3 meeting, it's kind of shameful that the children have to save the day)
Which is why I love that mahiru decided to trust kuro to handle tsubaki without him going with him:
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He decides to stay back with everyone else, showing that he has learned that he doesn't need to be the one to do everything and can stay back with the others to buy kuro time.
Interestingly we see touma doing something similar. Opposed to his old need to have the whole world acknowledge him he now wishes for everyone to believe he's dead and he's helping to protect the city by creating a huge barrier without making it known that's he the one doing this:
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He's helping the protagonists seemingly with no intention of earning acknowledgement for it.
I think in a way it could be cool of servamp to subvert the shouned trope that for the finale battle the only one able to defeat the big bad is the protagonist while everyone else just watches on from the sidelines, not allowed to do anything because this is the protagonist's moment of glory.
What if lily's plan when he put kuro in mahiru's path was that if kuro tried to stop tsubaki at the gate surely his eve would need to be there with him, right? Because of course he needs his eve to fight and then there's also the distance limit. So why not make the vessel you need at that gate for the ritual to work kuro's eve? Then the vessel would be at the place where you need them without you even needing to do something because naturally they would be thinking they are doing the right thing by going with kuro to fight tsubaki together. And surely someone as vainglorious as mahiru would never pass up the opportunity to be the hero who stops tsubaki. It's foolproof!
Unless of course before the ritual the vessel learned to let go of their vainglorious nature, accepted that it's okay to take a step into the background and trust in others. And additionally also found a way to break through the whole forced proximity thing that the servamp and eves had going on.
I don't know, I feel like it would be a neat bow on mahiru's character arc and a unique way to thawrt the antagonists' plans if the creation of the servamp of vainglory failed because the 'it has to be me' guy they wanted to use as the vessel decided against glory and stayed back to let his partner handle things with tsubaki alone because he trusts him. Kuro on the other hand wants to make up for his past regrets and resolve the conflict through communication this time. Learning to trust in himself again by managing to talk tsubaki out of going through with the ritual on his own would be a logical conclusion to kuro's arc.
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smth smth about 'the thing that the character did that you thought was rly rly funny in the moment is actually linked to a terrible trauma that lies within said character.' or wahtever.
#jrwi show#jrwi fanart#jrwi riptide#gillion tidestrider#made this within a short span of wahtever bc i gotta go up to the mountains for my stupid gay job tonight n im trying#nnot to frrRREAAAK THE FUCK OUUTTTTTTi dont wanna work but. get that bread we fuckin shall i guess#ONWARDS TO THE FISH TORMENT!! sometimes flowers feel pain when you trim them before their blossoming. atleast i imagine so#i used to draw gillion with loooong hair tied into a big ol braid. and then it was confirmed that he had short hair when he was little.#AT FIRST I WAS SAD. but then i realized the duality of. when they were little. gill had short hair. edyn had long hair.#AND NOW THEYRE OLDER. and gillion has long hair. and edyn has short hair#both mirroring eachother. looking up to eachother. subconsciously or not. they most certainly care. and most certainly miss eachother.#GILLION ALWAYS LOVED HOW LONG HAIR LOOKs. atleast i imagine so. he hasnt cut it since he left the undersea. sure he wanted to go back home#but even at the very start. he knew he was free in some way now. free to grow out his hair. an adventure would await him before he returns.#he knew it would be a while. so he cant let this go. he cant let this sought-after hair-length get cut away from him again#not yet. not yet. i like to think he loved music too. I SAW SOMETHING INTERESTING A BIT AGO#i see alot of ppl commenting on my baby gill comics like;'i wouldFIGHT this teacher i wanna KILL EM i want them DESTROYED#all very good and nice sentiments! i LOVE the energy here! and it would be nice. to have that catharsis#but the story of young tidestrider is not a story of catharsis. it is a story of agony and being so so small and so special and also so dum#and sucking so bad. and just being a kid and doing the things that a little kid does and so many tired tired people reacting badly to it#youre supposed to be the hero that will save us. our world hangs in the balance and you are the one who tips the scales.#YOU are supposed to SAVE US!! you NEED to SAVE US! CAN YOU PLEASE STOP SQUIRMING IN YOUR STUPID CHAIR!!#you'd think that young tidestrider ought to prevail. and be tucked someplace all safe and sound.#elders gone missing and rotting in a jail. their cultists nowhere around. but theres no happy endings. not here not now.#this tale is all sorrows n woes. you may dream that justice n peace win the day. but thats not how this story goes#BIG ideas for this lil baby gillion series. if anything i make ever gets disproven im killing myself in a well as to poison a water supply
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jegulily-stuff · 11 months
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Started out with good principles but sacrificed doing the right thing for self preservation: Peter Pettigrew 🤝 Quirinus Quirrell
Morally conscious, always trying to do the right thing but have a bad grasp of what that is because of their communities until they sort themselves out: Regulus Black 🤝 Percy Weasley
I see people putting Reg in the first group like he came out of the womb knowing right and wrong and then gave it up. Why? No part of canon or the way human beings work suggests that.
I dont mean this as apologia. I think apologia is what people are doing when they make him have secretly good principles but bad actions anyway. (I dont agree that thats more moral but still). Like he's more sympathetic if he knows right and wrong but choses to protect himself instead. (The boy who literally tortured himself to death to do the right thing). Why doesn't Peter get more love and leeway then, because thats his situation.
I get that its hard to imagine someone joining the Death Eaters out of the desire to do the right thing, because from our perspective its obviously wrong, and that its harder to sympathise with that person. But thats the way its presented, that Regulus wanted to set the world back in order for his community. He actively wanted that, and was willing to risk his life in war for it. Isnt the point of the tragedy that he thought he was helping by making those personal sacrifices, but it wasnt actually making anything better?
Isnt his self-realised deradicalisation more interesting and genuine than 'secretly was enlightened with the morality I the reader hold but was a coward anyway'? He was a teenager, thats when most people start figuring out their own philosophies and morals, and which things they were taught were wrong and who was actively lying to you for their own benefit.
I get that theres a lot more nuance even than that, and theres a lot more I could say. I also get that people dont want to get into moral philosophy too much in their little fics so they compromise on where he should be in his morals arc, so he has the beliefs of the end of his arc but still has to have the actions of the earlier part. I just get a little annoyed by the coward fandom meta i guess.
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sylhea-raemi · 7 months
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the nero and airi connection is so important it's not just bcs theyre my faves
#sylhea talks maydare#i swear i made a post abt this somewhere but rn im remembering why them meeting and talking was may fav chapter it's so so important#like look theyre both- in a way- 'taken in' by kanon. kanon chose airi to be the saviour while kanon saved nero bcs he's essential#airi got kanon's 'hero' while nero got kanon's 'king'. one of them feared kanon while the other admires him#and yet kanon is their saviour. he took them away from a world that is cruel to them. yet airi and nero have different circumstances#oh my god wait there's more similarities than i thought#both of them were taken just after their important people had died and in a vulnerable state#airi back thwn had a childish (not meant to be /neg) mind while nero in the past was just a child#both are given a responsibility and both accepted them in different ways. while airi was in the delusion she's the 'protagonist' of maydare#nero understood what his purpose and what he's supposed to do. but also both of them wanted something they desire. they wanted 'peace'.#both of them wanted to be in a world where they can live freely. airi wanted to live the most of her delusions while nero wanted to live#the most of his life as a normal student. different but to its core they only wanted peace and be themselves freely.#and in the end both of them understood that they have to act their role in order to achieve that peace in this worl. they know they had to#face forward and fight.#IT'S THIS LONG AND IM NOT EVEN GETTING INTO WHAT MADE ME START THIS 😭 atp their parallels is the main focus here#so all of those and there's more. makia. their connection to makia.#nero is a friend of makia while airi is a friend of kazuha. and the people who knew about makia's past.#i'm guessing nero only knew makia's past life as the scarlet witch and dont know about her other past life#while airi only knew about makia's past as kazuha and didn't know about her being a reincarnation of scarlet witch#nero talking to airi about makia was also very important bcs yes makia already slapped airi into reality and makia was able to do it#bcs not only is she born and raised in maydare she also have memories of the other world. nero who is PURELY from this world and donxt know#about the other world helped airi accept that this IS an actual world. makia ACTUALLY lived in this world and she learned that from nero.#lmao i know that wasnt the intention bcs the intention was nero saying all that so there's proof makia really is the reincarnation of makia#but i'm already this far bro nero who's purely from maydare that came to know of the other world from someone else#and airi who is purely from the other world and isekai'd by someone else to maydare#it's so fascinating#god when this chapter comes to manga im hoping ppl dont immediately ship them#bcs to be honest i dont think airi is interested in men at all and nero is interested in romance in general#plus nero is 16 y/o while airi is 20 y/o so there's that LMAO#it's so insane to me how much damage airi actually had her experiences was actually REALLY traumatic
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eshithepetty · 2 years
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To start off this post I just wanna say, I hold mp100 dear to my heart and I say this with love, but.. I feel off put whenever people talk about the bad shit that anime usually has, and then say that. Mp100 has none of it. Because, like... sure, it has less of it than the usual, and I appreciate it for that, but that doesn't mean that it, doesn't have it at all? I mean. The transmisogynistic joke in episode 2. The fatphobia in season 2's episode 2. The lack of female main characters, Takeuchi's racist design.... don't get me wrong, the show is still great and I love it very much as I said, but you can love a show and appreciate all the things that it got right while not disregarding the things that it got wrong. You don't have to hate it for those things, you don't even have to necessarily talk about them if you don't want to. You just shouldn't deny that they exist in that media in the first place. That feels really disingenuous to me.
#mob psycho 100#mp100#mp100 critical#just tagging in case. i get not wanting to hear this stuff even mentioned when you're just trying to have fun with a thing you love#fandom critical#my own post#i also think a lot about the aspect of mp100 where.. it falls into the tired trope of villains being the only ones trying to chance society#and are obviously being very bad and harmful about it. while the heroes are the ones trying to maintain the status quo#it's interesting because. like theres more to it than just that in mp100's case??#like. for one a big theme of mp100 is children not having to deal with the worlds pressures and having to be the ones to save it#and nearly all the protagonists are children#so if they suddenly went on some arc trying to get involved in changing society in more drastic ways that could contradict that message#and it isnt like mp100 denies the fact that those societal issues exist? thats what mogami arc was in part about after all#so idk#at the same time i feel like including those elements could be really interesting#especially with mob; considering who he is as a character#someone whos main purpose through the story is changing others and thus making the world a better place#whos very compassionate and always eager to expand his way of thinking and better himself#hes already got some of that thinking in him - like how he got so mad on behalf of the workers world domination arc#so i just find it interesting to think about. maybe as he grows older he gets more concerned about that stuff.#its a hard balance tho with how he at his core wants to remain humble and ordinary. so some ordinary job; like a cleaner or a firefighter#like ive seen him be portrayed as still seems the most right#idk!! just find it interesting to think about so im rambling at this point hfgh#in the end; as the show says the most important thing is being kind. and just through being that you make the world a better place#even if its just through interacting with the closest individuals around you#thats enough in an of itself :)#so yeah#the tags got away from me ill stop now jdhdjd
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perenlop · 9 months
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Sitting on these but I may rename my Cubone hero "Vega" (referring to the "fallen star" meaning) and Skitty partner "Milo"
#also want to rework skitty's personality because i feel like his dynamic with vega is too similar to the partners in other games#like ''the partner is the one with more drive and pushes the hero to succeed despite their own troubles''#is something im leaning into with psmd and gti already#its hard cause like... im sorry rt partner easily has the least going for them out of all the pmd partners and its kinda sad#i mean they have content but personality wise theyre just... generically kinda supportive of you#it could just be that i have less emotional attachment to the character than with the other partners but yeah#but like rin is happy to be a vulpix and is deeply curious while nimbus is the anxious one who needs a push#and eris had already given up on his life before transforming and is now stuck in a pikachu body and pushed to save the world#and elliott doesnt let xemself express or feel negative emotions because xey think forcing xemself to be happy constantly#is better for them#and still ironing out the psmd team but froakie (hero) is a deeply anxious person who is terrified of the world and their new body#while riolu (partner) is loud and overconfident and has a genuinely kind heart and wants to see the entire world#so while thats still kinda similar to pmd2 its a roleswap and theyre still different#but like... idk what dynamic to go for with cubone/skitty that isnt too similar to those#ive decided that cubone is definitely fucked up cause shes a cubone. im thinking she's someone who is kinda desensitized to things#and is so determined in her goals that she doesn't care if people who oppose her get hurt. which is why pkmn square believes gengar#but where does that leave skitty bc i already have ''hero who is a pessimist while partner is an optimist''#i had him as this really determined guy who was brave and stuff but i kinda have that already with psmd partner#i have the idea of him being a gardevoir parallel so maybe he'll actually be really gentle?#echoed voice
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inkskinned · 9 months
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no, actually, where is the whimsy?
my ex had a best friend named larry who asked me once: what do you think comes after irony?
we were at the bar where larry worked. it was a quiet night, and he'd hopped over to sit with us on the patron side. i swirled the lemon around my limoncello martini.
earnest positivity, i said, while my ex said, art self-destructs.
i stared at my ex. he stared at me.
his argument was the cinemasins argument: look how bad media is becoming! look at the loopholes and the dumb shit!
it was roughly 2011. galaxy print was still in. at the time, i had a favorite shirt that was a wolf howling at the moon. it got ripped in half in the wash and i honestly still mourn it. i dressed like effie stonem, because everyone did. and irony was the name of the thing. men liked MLP "ironically." the internet liked the kind of crass, "anti-mainstream" vibes of things like fuck romance, touch my butt and buy me pizza. we put cats in sunglasses everywhere, which was because we only liked things in irony.
and media had the same vibe in it: anti-hero white men would be "hard to love" and then storm off the scene. nobody was just earnestly trying to save the world: they were jaded, angry, unoriginal. mad you even asked them to try to help.
my ex ends up not being wrong. cinemasins becomes super popular. a lot of people start viewing media with this lens that is the cruelest, most jaded depiction. it's wrong for your character to have unexplained powers, even if the entire movie is about how strange it is she has unexplained powers - that is still considered a "loophole." characters make thoughtless, panicked choices? loophole. characters are actually kind people, despite hardship? loophole. features a woman doing literally anything without assistance? loophole. movies become hyper-aware of scrutiny, and now irony rules the media.
which means you go to a movie, and the character has to turn to the screen and say "beats me!!" or one of the side characters has to have some kind of quip like "are you seriously telling me that you think this is normal?" because nothing can happen in earnest. like a sitcom laugh track, we now anticipate the fourth-wall break: the moment that the media acknowledges it is telling a story. the media has to apologize for itself, or else someone like my ex rolls their eyes.
but here's the thing: i wasn't wrong either.
the difference might be that i am (and always have been) so soft-hearted that any crack in the light of this world will spear me into the ground. and i was the poet in the relationship. (he thought that was the same thing as being naïve and stupid). i was making things daily. i knew how all of us artists are driven by some strange desire to evolve. he notably liked to critique art, not to create it.
so yes, i've made things that are bitter and angry and even ironic. i've made long, sharp poems with all capital letters, and i've made poems about how the silence stretches out like a song. someone wrote once that we will spend our whole lives just circling the place we grew up. i think it's more that we spend our whole lives trying to remake a home. i think it's that as we age, it becomes less exciting to build the castle on the beach - we become aware of erosion, of windforce. we realize what we really want is to come home to our dog, castle or not.
and while art in the foreground is mired in white male violence and irony, and aggression, and not taking anything seriously - i don't think that's true of all art. i think more and more artists are leaning in to the things we love. the world has changed so much. they have taken so many things from us. the only thing we have left is love. at the bottom of the moving box - all we get is the faint sense that we have to appreciate what little we've got. i can't enjoy this stuff ironically anymore: what room do i have for irony? if it makes me happy, that is an amazing thing. there are so few happy places left for me. i want to be happy because of how leaves shiver beside each other like nestling birds. i want to be happy because of the color pink, and how magenta doesn't exist. i have spent so much of this life suffering, i have earned my right to a gentle ending. if nothing matters, i get to assign meaning to the nothing. i get to create meaning. i am an artist first and foremost, which means creation is my thing.
where is the whimsy? wherever i fucking put it. because if this is my last fucking chance to do any good in this world - i want to do it earnestly. i want to write things that make you happy. that make people feel heard and seen. what comes after irony has to be positivity.
it was close to my 21st birthday. in 7 years, i would end up writing a book about this relationship, which is hopefully coming out somewhere around May 2024. i come back to this bar scene in my memories a lot. i keep thinking of how pale my ex was. the look that crossed his face. how i looked back at him. how for a moment, both of us couldn't recognize the other person. like the gulf between us was a suddenly wide and cavernous thing. like we were alien to each other. he never took my opinion seriously, and he always seemed surprised whenever his manic-pixie-dream-girl ever broke free of the plot. like in the whole time we were together, i wasn't human enough.
this knowledge: where he said nothing comes after, my only instinct was what comes after is love.
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yandere-writer-momo · 2 months
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Thinking about a Yandere Demon Lord. This is Part 1.
Yandere Head Canons:
Defying Destiny
Yandere Demon Lord x Isekai Saintess Reader x Yandere Hero
TW: Voyeurism, stalking, Somniaphilia, dacryphillia, dark content, etc
Part 2
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You were surprised to be alive after your cold fiancé pushed you into oncoming traffic when you got into an argument with him… all you had wanted was for him to show you that he loved you, but instead he killed you. Yet your life didn’t end… no. Far from it.
Rather than waking up in the supposed after life, you woke up in the Rerenth Kingdom. A fantasy kingdom in a magical world plagued with problems written in fiction novels. And the emperor explained to you, no, demanded that you to take on your role as Saintess to save them from the Demon King.
The demon king was now your enemy. Defeating him was the only way for you to go home… but did you even want to do that? In your last life and in this one, you were merely another unhappy pawn. The silk robes and dazzling abilities did nothing to shield you from the harsh reality of what your life has become once more… would you ever truly be free? Would you ever truly be happy?
The servants often spoke of the monstrous Demon King who controlled the forces of darkness that sought to destroy the light. A demonic entity none of the people in this kingdom had ever truly seen with their own eyes, but they believed him to be out there… how else were they to explain the supernatural happenings that plagued their kingdom? This entire ordeal made little sense to you since you hadn’t seen many disputes between humans and demons unless they were over territory. Vast majority of the time, it was humans that ventured into the demonic lands anyways. Was this perhaps some propaganda tactic? You didn’t know and you didn’t question it, you simply wanted to retire to a peaceful life.
It took a few weeks for you to be able to control your new holy power, but you were able to now harness it for barriers and for healing. Abilities that would be useless without a hero… a fact that the citizens soon realized so they began to devise another plan. To summon a hero!
Another few weeks passed by and they successfully summoned a valiant hero by the name of Reinhardt. His chiseled face was constantly covered by the taxidermied lion mask that adorned his face. The man was massive and intimidating, yet you couldn’t help but feel there was something familiar about him. You couldn’t place a finger on who he could possibly be since you didn’t know anyone else with an imposing stature like his but that gut feeling never left you.
Reinhardt would often glance you up and down when he thought you weren’t looking. His green eyes would bore into yours until you felt as if you’d be set ablaze. He was terrifying to you. Especially now that you were on a journey with him to defeat the demon king… along with a fox beastwoman fighter and an elven mage who had joined your party due to the emperor’s order. The Emperor didn’t see you to be enough aid to the hero on this important quest.
Both adventurers were quite rude to you at first since you had no offensive abilities. They often fawned over the hero who blatantly ignored their affections to instead watch over you like a hawk. A fact the two women didn’t really enjoy, but they accepted it as the weeks melted into months. And you still didn’t know their names since they never told you (and Reinhardt never spoke).
The three of them often fought and killed monsters and demons while you protected the supplies and healed their injuries. It upset you that your party ambushed them since the enemies usually were unarmed. Majority of the time, it was a one-sided slaughter. An endless bloodbath that you had no power to stop.
You often lied to your peers about monsters hiding, unaware that your small act of kindness would lead to a snowball effect in the future. You had now caught the eye of an entity much stronger than you and the hero’s party… all because you were merciful. You were kind and sweet. A true saintess.
Your softness had made your peers joke about you being a cry baby. The elven mage and beastwoman often jabbed their elbows into your side to joke about the tears you’d cry because they thought you were scared. The dense women never realized your tears were for the innocent monsters they slaughtered on a day to day basis too. You were never scared of the demons or monsters, you were scared of them.
Yet Reinhardt nipped the subtle bullying in the bud by shoving the other two adventures away from you with his strong arms. He always made sure you were safe before he offered his body for healing… which he’d just make gesture at you with his hands rather than speak. It seemed he was fond of you, a fondness you didn’t understand since he never spoke to you.
Reinhardt would often pick you up without asking you and tuck you into the crook of his large arm. It bothered you that he never took off his mask, but he had quite an attractive jawline with the slightest bit of stubble. There was not a doubt in your mind that Reinhardt was likely an attractive man, but that didn’t matter. Since he was creepy.
Reinhardt never uttered a word to you but would always dutifully stand by your side (or carry you like some sort of damsel). He often reminded you of your ex fiancé with his stoic demeanor and his bewitching green eyes. And the staring. You swore you felt bare under his gaze even if you had multiple layers on.
And it wasn’t just his eyes you felt on you, you swore there was someone else watching you in the shadows and the possibility of you having another stalker made your skin crawl. Had you finally gone insane from having Reinhardt be around you 24/7? Or was there something sinister amiss?
Maybe that’s why Reinhardt so dutifully clung to you? Whether his protection was out of obligation or simply because he lusted for you, his presence did little to ease the extra set of eyes. In fact, he made it worse.
Wherever you were, Reinhardt was never far. He was with you when you bathed to stand guard. He was carrying you if you couldn’t keep up with him and the rest of the hero’s party. Reinhardt even began to stay in your tent with you…
He didn’t utter a word when he watched over you whenever you had nightmares. Reinhardt never woke you up from the horrific dreams of the man with pitch black hair and sharp talons pulling you into his lap and having his way with you. No, Reinhardt instead dragged his tongue down your tear stricken face in delight.
Reinhardt knew his actions were wrong, but he couldn’t help but fawn over your helpless form. You were so weak without his protection… you were a lamb sent to a slaughter that luckily had a herding dog with you. You should be grateful Reinhardt had such an intense interest in you, otherwise you could have perished earlier on at the goblin camps. Or those other two party members would have likely broken a few of your bones from rough housing. You were a frail bird that needed to be locked up at all times and Reinhardt was willing to be the one to do that! He would keep you safe, even if it took you years to understand even an ounce of his magnitude of feelings for you. He was a patient man!
It wasn’t uncommon for you to wake up in your tent with Reindhart’s imposing form standing over you ominously. You’d cry every single time, but he’d make no move to comfort you. Only stare.
Over the last four weeks, you begin to receive little trinkets in your tent on the daily. Delicacies that Reinhardt would immediately pitch once he saw them, but it filled you with anxiety that he was not the one slipping you those gifts… who on earth could be gifting you such pretty rocks and wild flowers?
You were flattered, just the tiniest bit, by the small, temporary gifts. They were much more welcomed than the iron grip of Reinhardt’s arms. Even though the sender made you anxious, it was nice to know that someone took you into consideration. It was a small action that filled you with hope. Perhaps you would be saved from this fate?
Shame you didn’t understand just how much those tiny gifts upset the hero. Your eyes should only be on him. Your entire purpose should revolve around him. Reinhardt wanted to find the individual who sent you these gifts so he could rip them limb from limb. You belonged to him and he would show you that you had no way of escaping him. You were going to be his bride! Whether you liked it or not, the hero had chosen you as his destined one!
Recently, you’d wake up to him laying beside you in your tent with his large arms wrapped around you. His Roman nose buried into the crook of your neck. This was far worse than him lingering in your tent since he had become so physical.
And your peers did nothing about his harassment of you. To them, it was cute that the hero was so ‘enamored’ with the Saintess! You’ve even heard whispers of how the emperor will no doubt arrange a marriage between the two of you once the four of you eliminated the demon king. It terrified you even more because you knew you’d have little say in the matter… your life was spiraling out of your own control once more. This time, into the arms of some brute with attachment issues. You didn’t want to marry another emotionally constipated man! You wanted to have freedom!
You often cried yourself to sleep which only made Reinhardt even more overbearing. He now would press kisses to your cheeks and cuddle his body into yours. Even in your dreams, you couldn’t escape this massive man. If only you could be saved…
And when you drifted off into an unnaturally heavy sleep, your barriers deactivated. An action that allowed the Demon King to finally slip into your party’s camp and take what he wanted. You.
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mazeyphaedra · 17 days
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oisín hakinvar my mind is spinning with thoughts of you. you’ve gotten buff over the summer maybe for your own sake, but if the talented and beautiful diviner you’ve had a crush on since that first history of glyphs class one thursday morning in freshman year notices your tats and says hey, then what a win! right? who cares if you feel like she’s hiding something? or she runs away from you. or your party rogue gets bossier and angrier and you feel like she’s hiding something for you too. you keep a low profile, get bored in the auditorium while your crush’s friends do all these crazy bits—they’ve been killing it helping their party cleric campaign for student president, by the way—and you’ve had the lot you have for long enough to know that especially when she doesn’t get what she wants, kipperlilly gets mad. now she’s mad enough to cuss her opponent out in front of both your parties and. well. you aren’t by any means inexperienced, but you haven’t saved the world thrice. so you try to deescalate before this becomes a real shitshow and you just. watch as these intrepid heroes all square up in their cleric’s defense. and maybe something nags at the back of your mind, of a fight, of giants and sweetness and a cable knit sweater stained with blood, or maybe it can’t because you can’t remember the truth, or maybe or maybe or then their rogue starts hissing at you? you’ve met him maybe once? anyway. with all that over, oisín! your crush, the literal elven oracle, says she thinks you’re cool! you catch her eye, or try to, while her friends aim her head your way, and despite that, or maybe even because of it, you ache a little for a friendship as comfortable and familiar as theirs. but you have the lot you have. so you send an apology through a pointed finger and walk away.
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thatrandomsarahchick · 4 months
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DC x DP short
I'm picturing Danny moving to Gotham once he's an adult. He came out to his parents, and it went fine. More than fine. They listened to how he was struggling at school because he kept having to chase down the ghosts they let out by leaving the portal open. Jack was super proud of his son for being a ghost hunter even as a ghost, but Maddie understood his concern and set up some new protocols for the portal.
It now automatically closes after two minutes unless a specific command is put in by Danny to keep it open while he is in the Zone, and the shielding around it actually works to stop ghosts coming trig without hurting them now.
The shine of the mortal world has worn off for most of his regulars now, and those that come through have figured out compromises so they can still fulfil their obsessions without hurting others. The meta-protection act officially disbands the GIW, and Red Huntress is given a very thorough speaking to about personal bias and vendettas. She's not allowed back in the field until she comes to the realisation that ghosts are people too, and that she been the bad guy by hunting them the way she did. Phantom is officially recognised as a Hero, but he turns down working for any teams or joining the Big Leagues. He agrees to act as a back up though, in case of any world ending event.
By the time senior year rolls around, Danny has gotten his grades up enough that he can go to a pretty decent university if he wants to. He chooses Gotham University for his engineering degree because they're a feeder school for Wayne Enterprises, who in turn are a feeder company for working for the Justice League as a civilian engineer. Tucker also chooses GU for their tech program, while Sam elects not to go to university straight away.
Tucker and Danny move into an apartment right on the borders of Crime Alley and The Narrows. Tucker manages an impressive 4 months as a local hacker before Oracle notices him, but Danny only manages 3 weeks before he's spotted by a Bat.
He's lying down a foot above his building's roof, looking at the stars. It's a very rare cloudless night, and the power is out in his area. Poison Ivy had launched an attack earlier in the day that had taken cut the power lines, with her mutant plants feeding on the smog and pollution to get stronger.
Duke was up late, finishing the day shift by a quick loop of The Narrows, when he noticed a slightly glowing teenager(?) floating on one of the roofs. He takes note that the man isn't causing any harm and is just peacefully stargazing, before calling it in to Jason. He was technically supposed to be off the clock an hour ago, and besides, the building was on the Crime Alley side of this street. It's Jason's problem now.
Jason, on the other hand, is exhausted and just wants to have a quiet patrol before collapsing in bed. He hadn't been hit by Ivy's plants, but had taken a couple of tumbles while dodging them. He heads over to the address Duke gave him, to find the guy still floating there staring at the sky. He gets it, he does, he would float above the grime that coats Gotham rooftops if he could, but it's dangerous for a meta to be so unawares of his surroundings like this while obviously displaying his powers.
Danny, meanwhile, had clocked both of the vigilantes coming near him, but was really hoping that they would leave him alone. It had been a very long day for him. He'd finally managed to get to campus for his class, only to find that the place was covered in overgrown plants. He'd had to freeze a few to get into the building, and had then spent most of the afternoon in the library due to his class being cancelled. Unfortunately for him, his nearly finished assignment that he'd spent the day working on was eaten by one of the giant flowers on his way home. He'd been 'saved' by the stabby Robin, which had caused him to then also lose his laptop as they crashed to the rooftop a few streets over.
Thankfully, he had an amazing best friend in Tucker, who was doing his best to recover as much data as possible. On the downside, though, Tucker was mad at him for now having saved a backup of his files since they left Amity. He'd fled to the roof to escape his wrath, plans of bribes in the form of food running through his mind, when he'd caught sight of the Stars. Holy shit. It was so clear tonight!
He didn't even realise he'd begun to glow and float, too caught up in naming all of the stars and constellations he could see. His Obsession was feeling very satisfied tonight. Usually he had to invisibly fly above the cloud cover to see such a sight. Sure, the light pollution was still bad, but his mind was able to fill in the blanks across the sky.
The moment Jason landed on his roof, Danny heaved a great sigh. Damnit. The fun police were here. He wrenched his eyes from the sky, only to notice that - oh, shit - he was floating again. He fell to the roof with a light thump.
"Heeeyyy stranger, come here often?" Danny asked, as he rolled over to his side, propping his head up on his hand.
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dycefic · 1 year
Text
Tom Saves The World
Everyone knows that it’s super-heroes who save the world. They fight the aliens, or the monsters, or the bad guys. And mostly, that’s true.
But not always.
I’m a psychic. The thing is, my range isn’t that great. I don’t have much detail more than about 36 hours out, 48 for something really big. I’d had a nebulous sort of bad feeling for about a week before this one finally hit, and it was big. Something very tough and very supernatural was going to come up out of the harbor of Nova Roma, and the death-toll was going to be high. Crazy high.
I did all I could. I told the Unaligned Supers Job Placement Agency, and they put the word out to everyone on both sides of the Line. The Henchman’s Union don’t like natural disasters any more than anyone else, and they’re often quite helpful against eldritch horrors and stuff like that. Things that don’t hire henchmen and ruin the property values.
The trouble was, nobody big was around. The only really big team of heavy hitters on the West Coast were away dealing with some sort of doomsday cult - I never was clear on what that was about - and Guarde and Dog Fox were out of touch and even Mx Frantique was out of town at someone’s wedding. It was going to happen in less than two days and we couldn’t find anyone to help and I was seriously considering calling in some kind of bomb threat or something to get people away from the docks, at least.
And then, about eighteen hours out, it just… went away.
Which never, ever happens.
My powers might be short range, but they’re reliable. I don’t get stuff wrong, and I hadn’t been able to find any way to prevent what was going to happen, or even been able to identify anyone who could. But someone did. Someone had done something to stop the threat, something that happened literally while I was opening my car door. When I reached for the handle, thousands of people were going to die. By the time the door was open, there was no threat at all.
At first I thought it must have been a ranged thing. Like, whatever I’d been seeing (all those teeth, I saw them in nightmares for months after) had been distracted by something tasty on its way here and gotten off track, that it’d come up somewhere up or down the coast. My range isn’t that big, either. Anything outside about thirty miles might as well be on Mars for all I know about it. So we kept a watch out, and warned the chapters of the Union and the Agency in other cities.
But nothing happened. Nothing at all. I couldn’t explain it, and I was really unpopular for a while. Supers do NOT like people who cry wolf. There’s enough freaky shit we have to deal with without someone panicking everyone with a dire prophecy that fizzles out.
Thank all the gods that Tunny showed up. Nobody’s really sure what Tunny actually is - sentient fish creature, some kind of really mutated human, an alien, or what. She changes her story a lot. But she’s pretty friendly, especially for a twenty-foot-long horror-movie-mermaid-thing with four arms, so when she came into harbor to pick up some supplies a guy from the Agency went out to tell her what I’d seen. I’d gotten a wharf and dock number, so she went down to check.
I don’t think anyone had ever seen Tunny scared before. Her English wasn’t good enough to really explain what she’d found hibernating down there, but it was something very old and very powerful and very dangerous, and if it’d been woken up my vision would just have been the start of the crisis.
She rounded up a bunch of whales to help her move it, once she was sure it hadn’t been agitated and wasn’t likely to rouse if moved carefully. They towed it out before dawn, not wanting to scare the civilians, and when I saw the footage from the helicopter the Union sent up, when I saw how big the swell was, how many whales were pulling, I swear I nearly crapped myself. No wonder I’d been getting hints a week in advance. Somehow we dumbass humans had built a whole fucking city almost on top of some kind of Ancient Old… THING, and eroded the sea-bottom until it was exposed, and if someone hadn’t done whatever it was we’d all have been dead long before Tunny arrived. And not just all as in ‘all of Nova Roma’, it could have taken out half of the continent... or all of it.
It took me years to find out what happened. YEARS. It turned into a kind of hobby, tracking everything that might possibly have come into contact with Wharf 38 on that particular day.  
And what I found, eventually, was a city employee named Thomas Briggs.
I’d found out early on that 38 wasn’t in good repair. Not that bad, but not great. It was old, things were getting a bit saggy in a few places, but there’d been no sign that anything was likely to fall off on the day. It had sat there for a couple of years after the crisis that never happened,, doing its job without problems then been rebuilt without any drama at all.
Entirely, completely, and totally because of Thomas Briggs.
The story, when I finally pieced it together, went like this.
There’d been some project or other to build some sort of high-budget science project over on the other side of the harbor, hanging it off’ve Pier 8, the furthest out on that side. Something about tracking sea-life or ships or something. My conversational English is near perfect, I’ve been here for years, but I don’t speak science nerd in ANY language. It’d all been approved, some university was covering most of the cost, it was all gonna be fine. And it was gonna be over on 8 because that side of the harbor is the shallow end. It’s where the sailboats go. All the big stuff that would block visual sensors and deafen the thing with engine noise was over in the thirties, in the real deep water.
They were almost ready to install the thing when a bunch of rich dudes suddenly got their panties in a bunch over having a big sciency tower thing ruining the view from their yachts, and tried to get it moved.
To, and I’m sure you guessed this, Wharf 38.
Which was completely insane. It wouldn’t be able to do its job over there, it’d be way more in the way, and (although they couldn’t have known it) the installation would definitely have woken up the Thing sleeping by the wharf and we all would have died. But rich dudes with yachts don’t care about that stuff. They’d bitched out and bribed up their friends on the city council, and those friends had done their thing, and the scientists had been left in the dark, and it’d almost gone through. They’d figured to install it right away, so that when the science guys found out it’d be too late and they’d either have to pay a lot to move it or just use it where it was.
Enter Thomas Briggs.
Mr Briggs, Tom to his friends, didn’t give a crap about the yachts or the science. He was a senior money guy for the commercial wharfs, the one who figured out things like how much money they’d take in in a quarter, and what the repair budget should be, stuff like that. He found out about this thing two days before the disaster would have happened, and sat down and did the math.
Then he sent out an email to the guys trying to push this through, and he ripped into them like they’d threatened to knife his mother. I got my hands on that email, and I didn’t understand a lot of it any more than the council guys would have. It was ALL numbers. But at the top he wrote it out in plain English. Pier 8 was new, and rated to handle the weight of the thingy. Wharf 38 was going to be scrapped in a few years, and it was NOT rated for that kind of structure. Pier 8 had plenty of room around it. Wharf 38 was already a tight fit for the big commercial ships, and adding a structure sticking out on one side would block off at least half of the wharf to those ships completely.
Bottom line, putting the thing on Wharf 38 would cost the city hundreds of thousands of dollars more per year than putting it on 8, AND the city would have to eat the cost if 38 collapsed under it which it could easily do, AND the city would have to pay to move it in a couple of years anyway when 38 was due to be rebuilt.
And he cc-ed every important person he had an email address for, including the mayor, the anti-corruption people, and several reporters.
He must have sent that email right when I was opening my car door.
The whole plan collapsed right there, and some people got fired. There was no news story because the whole plan got killed before the reporters even got to the right office. The installation was started on Wharf 8 a few weeks later and I never connected it to a commercial wharf on the other side of the harbor.
One email, and a man who I never could have located in time, a man who had no powers at all, a man who was just conscientiously doing his job looking after the city’s money saved the city, and the continent, and maybe even the world.
Who could have predicted that? Not me, that’s for damn sure.
I can’t deny that I went home and got drunk off my ass that night. Just thinking about how close that had been made my hands shake. One man. One honest man who’d done the math.
I put the word out, once the hangover wore off. What had happened. That Thomas Briggs was the reason we were all alive and everyone better make his life real nice from now on, because he’d done what none of us could do and nobody but the supers would ever even know it.
He’s got a lot of luck coming to him, I can tell you. We don’t forget debts like that.
And I knew that’d freak him out, because honest men don’t like it when people start doing them a lot of favors for no apparent reason, so I tracked him down at the little bar where he likes to have a quiet beer on Friday nights before he goes home. Hell, I was the one who’d gone through it all, back then. I should get to tell him.
I sat down beside him at the bar and looked at him. I saw a thin, small, balding man who looked like he worried too much and didn’t get enough sleep, with lines around his eyes. Yeah, he looked like a man who’d do the math. “Thomas Briggs?”
He blinked at me through his glasses. “Yes? Do I know you?”
“No, you don’t. My name’s Barkhado Omar, and I’ve been looking for you for a long time.” I offered him my hand and he shook it, still looking confused. Which was fair, ‘cause I doubt a lot of seven foot tall Somali women came up to him in bars even when he was young. He’s got to be close to retirement now.
He frowned. “Looking for me? Why?”
I smiled at him. “Tom, let me buy you a drink and tell you about the day you saved the world.”
It’s usually us who save the city, or the world. We have all the intel, all the advantages, all the powers.
But sometimes it’s not. Sometimes it’s someone like Tom Briggs, doing the right thing at the right time and never knowing that he changed the course of history.
Wild, huh?
--
This story is a direct result of me and my ex chatting about how different the entire Marvel Universe would have been if Jean’s first ‘resurrection’ - being found in a life pod under a wharf, IIRC - had happened at like... any other time. Earlier. Later. It would have changed SO MUCH.
And we speculated about how it could happen, how someone just puttering around in middle management might have unknowingly saved countless lives, prevented Madelyne’s corruption, the legacy virus, all of it, just by postponing that particular set of repairs a bit longer.... and I couldn’t resist writing a version of the story in which Tom does, in fact, save the world.
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