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corvidcall · 2 years

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None Of You Know What Haiku Are

I'm going to preface this by saying that i am not an expert in ANY form of poetry, just an enthusiast. Also, this post is... really long. Too long? Definitely too long. Whoops! I love poetry.

If you ask most English-speaking people (or haiku-bot) what a haiku is, they would probably say that it's a form of poetry that has 3 lines, with 5, and then 7, and then 5 syllables in them. That's certainly what I was taught in school when we did our scant poetry unit, but since... idk elementary school when I learned that, I've learned that that's actually a pretty inaccurate definition of haiku. And I think that inaccurate definition is a big part of why most people (myself included until relatively recently!) think that haiku are kind of... dumb? unimpressive? simple and boring? I mean, if you can just put any words with the right number of syllables into 3 lines, what makes it special?

Well, let me get into why the 5-7-5 understanding of haiku is wrong, and also what makes haiku so special (with examples)!

First of all, Japanese doesn't have syllables! There's a few different names for what phonetic units actually make up the language- In Japanese, they're called "On" (音), which translates to "sound", although English-language linguists often call it a "mora" (μ), which (quoting from Wikipedia here) "is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable." (x) "Oh" is one syllable, and also one mora, whereas "Oi" has one syllable, but two moras. "Ba" has one mora, "Baa" has two moras, etc. In English, we would say that a haiku is made up of three lines, with 5-7-5 syllables in them, 17 syllables total. In Japanese, that would be 17 sounds.

For an example of the difference, the word "haiku", in English, has 2 syllables (hai-ku), but in Japanese, はいく has 3 sounds (ha-i-ku). "Christmas" has 2 syllables, but in Japanese, "クリスマス" (ku-ri-su-ma-su) is 5 sounds! that's a while line on its own! Sometimes the syllables are the same as the sounds ("sushi" is two syllables, and すし is two sounds), but sometimes they're very different.

In addition, words in Japanese are frequently longer than their English equivalents. For example, the word "cuckoo" in Japanese is "ほととぎす" (hototogisu).

Now, I'm sure you're all very impressed at how I can use an English to Japanese dictionary (thank you, my mother is proud), but what does any of this matter? So two languages are different. How does that impact our understanding of haiku?

Well, if you think about the fact that Japanese words are frequently longer than English words, AND that Japanese counts sounds and not syllables, you can see how, "based purely on a 17-syllable counting method, a poet writing in English could easily slip in enough words for two haiku in Japanese” (quote from Grit, Grace, and Gold: Haiku Celebrating the Sports of Summer by Kit Pancoast Nagamura). If you're writing a poem using 17 English syllables, you are writing significantly more content than is in an authentic Japanese haiku.

(Also not all Japanese haiku are 17 sounds at all. It's really more of a guideline.)

Focusing on the 5-7-5 form leads to ignoring other strategies/common conventions of haiku, which personally, I think are more interesting! Two of the big ones are kigo, a season word, and kireji, a cutting word.

Kigo are words/phrases/images associated with a particular season, like snow for winter, or cherry blossoms for spring. In Japan, they actually publish reference books of kigo called saijiki, which is basically like a dictionary or almanac of kigo, describing the meaning, providing a list of related words, and some haiku that use that kigo. Using a a particular kigo both grounds the haiku in a particular time, but also alludes to other haiku that have used the same one.

Kireji is a thing that doesn't easily translate to English, but it's almost like a spoken piece of punctuation, separating the haiku into two parts/images that resonate with and add depth to each other. Some examples of kireji would be "ya", "keri", and "kana." Here's kireji in action in one of the most famous haiku:

古池や　蛙飛び込む　水の音 (Furu ike ya　kawazu tobikomu　mizu no oto) (The old pond — A frog jumps in The sound of the water.)

You can see the kireji at the end of the first line- 古池や literally translates to "old pond ya". The "ya" doesn't have linguistic meaning, but it denotes the separation between the two focuses of the haiku. First, we are picturing a pond. It's old, mature. The water is still. And then there's a frog! It's spring and he's fresh and new to the world! He jumps into the pond and goes "splash"! Wowie! When I say "cutting word", instead of say, a knife cutting, I like to imagine a film cut. The camera shows the pond, and then it cuts to the frog who jumps in.

English doesn't really have a version of this, at least not one that's spoken, but in English language haiku, people will frequently use a dash or an ellipses to fill the same role.

Format aside, there are also some conventions of the actual content, too. They frequently focus on nature, and are generally use direct language without metaphor. They use concrete images without judgement or analysis, inviting the reader to step into their shoes and imagine how they'd feel in the situation. It's not about describing how you feel, so much as it's about describing what made you feel.

Now, let's put it all together, looking at a haiku written Yosa Buson around 1760 (translated by Harold G. Henderson)

The piercing chill I feel: my dead wife's comb, in our bedroom, under my heel

We've got our kigo with "the piercing chill." We read that, and we imagine it's probably winter. It's cold, and the kind of cold wind that cuts through you. There's our kireji- this translation uses a colon to differentiate our two images: the piercing chill, and the poet stepping on his dead wife's comb. There's no descriptions of what the poet is feeling, but you can imagine stepping into his shoes. You can imagine the pain he's experiencing in that moment on your own.

"But tumblr user corvidcall!" I hear you say, "All the examples you've used so far are Japanese haiku that have been translated! Are you implying that it's impossible for a good haiku to be written in English?" NO!!!!! I love English haiku! Here's a good example, which won first place in the 2000 Henderson haiku contest, sponsored by the Haiku Society of America:

meteor shower . . . a gentle wave wets our sandals

When you read this one, can you imagine being in the poet's place? Do you feel the surprise as the tide comes in? Do you feel the summer-ness of the moment? Haiku are about describing things with the senses, and how you take in the world around you. In a way, it's like the poet is only setting a scene, which you inhabit and fill with meaning based on your own experiences. You and I are imagining different beaches, different waves, different people that make up the "our" it mentioned.

"Do I HAVE to include all these things when I write haiku? If I include all these things, does that mean my haiku will be good?" I mean, I don't know. What colors make up a good painting? What scenes make up a good play? It's a creative medium, and nobody can really tell you you can't experiment with form. Certainly not me! But I think it's important to know what the conventions of the form are, so you can appreciate good examples of it, and so you can know what you're actually experimenting with. And I mean... I'm not the poetry cops. But if you're not interested in engaging with the actual conventions and limitations of the form, then why are you even using that form?

I'll leave you with one more English language haiku, which is probably my favorite haiku ever. It was written by Tom Bierovic, and won first place at the 2021 Haiku Society of America Haiku Awards

a year at most . . . we pretend to watch the hummingbirds

Sources: (x) (x) (x) (x) (x) (x)

Further reading:

Forms in English Haiku by Keiko Imaoka Haiku: A Whole Lot More Than 5-7-5 by Jack How to Write a Bad Haiku by KrisL Haiku Are Not a Joke: A Plea from a Poet Who Has Had It Up to Here by Sandra Simpson Haiku Checklist by Katherine Raine

#poetry #haiku #writing #literature #anime life #long post #i want to apologize but i had to get something off my chest #and the thing was. i love haiku #and when i see posts on here about haiku. i get so angy.#well ok i really get more disappointed bc nobody is really engaging with the form on its own terms #anyway i hope you enjoy some of my favorite haiku because theyre in there!!!!!#i didnt really get into the history of haiku. and i also did not get into why i got really into it #but i will say that i was really inspired by Jacob Geller's video A Thousand Ways of Seeing a Forest #which is a lot about translation #(which i mean. as an interpreter AND a poetry-enjoyer. really appealed to me lol)

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crystallizsch · 3 months

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the besties are judging you for your taste in men

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sneez · 2 months

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pathologic but it's a lost 1920s german expressionist film [id under cut]

[id:

image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.

images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads: 'Pest', a film by Robert Wiene Alfred Abel as Victor Kain Ernst Busch as Grief Lil Dagover as Katerina Saburova Ernst Deutsch as the Bachelor Carl de Vogt as Vlad the Younger Marlene Dietrich as the Inquisitor Willy Fritsch as Mark Immortell Alexander Granach as Andrey and Peter Stamatin Bernhard Goetzke as General Block Dolly Haas as the Changeling Ludwig Hartau as the Haruspex Brigitte Helm as Anna Angel Brigitte Horney as Maria Kaina Emil Jannings as Big Vlad Gerda Maurus as Yulia Lyuricheva Lothar Menhert as Georgiy Kain Asta Nielsen as Lara Ravel Ossi Oswalda as Eva Yan Fritz Rasp as Stanislas Rubin Conrad Veidt as Alexander Saburov and Tragedian Paul Wegener as Oyun Gertrud Welcker as Aspity

image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).

image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.

end id.]

#pathologic #artwork #conrad veidt #(i know there are many other actors but i dont have tags for them my bad)#anyway :D this has been my brain project for the past week or so i have been thinking about it so much #i have so many more things i want to draw for it but i am trying to hold myself back. for the sake of my Wrists #also obviously the cast list is way whiter than it should be for pathologic but german expressionist cinema was not particularly diverse an #i was trying to go for realism so apologies for that #i had so much fun with these i dont normally draw locations because i prefer drawing people but i found it so much more enjoyable #when i could mess around with the perspective and make stuff look wacky. thank you expressionism i love you expressionism #also it goes without saying that i was most heavily inspired by the cabinet of dr caligari (which is why i went with robert wiene. he would #do such a great job i think)#i hope you are all well my friends :D kiss you

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tapakah0 · 3 months

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Animation commission I guess...

Um... ha-ha, okay, it has been stuck in my head for the whole month, but if I will keep it any more I will explode, I need to busy my brain even more I'd like to take an animation commission. Like, a fully colored, shaded, with lightning, with in-betweens, with the clean line (and background). Up to 5 seconds depending on what you want to get I guess the price may start from 250$ and be higher or less depending on complexity of the details, character or movement (<- of course everything will be negotiated) I never took such commissions before so please be patient with me since I might spend even months ha-ha (really wanna beat this fear of taking something more complex) But I will do my best since it will be first experimental time for me 1. Payment via Boosty after acceptance of the sketch animation (very rough idea) 2. I think I can draw mostly anything (but won't 18+, guro and I can decline something if I feel like I will not like to do it) 3. You must have a reference of the character, I'm not ready to work with something that doesn't have a ref to start working right away 4. Please, properly think of what you'd like to see, I will not make 3 different rough animations of different ideas because you suddenly had another idea ;~;; 5. Note me in dms if you'd like to take commission... (I'd like to move to discord later since it's more comfortable in here) Uh... I have only this as a more or less proper example (it was based on amazing storyboard by yeye23)

Okay, I'll just leave it here if someone really will be interested and will delete if it if it will be decided.... I just feel like my brain is dying if I don't have an enjoyable/stressful more complicated work on a side that demands an attention from me. Have a nice day

#I just...#I have what to do #Plenty of what to do #But it doesn't stress me enough to make my brain work #Such kind of commissions give me both a boost of work and enjoyment because of the process #So... yeah ah my brain is very much lacking it right now #And I think it will be interesting to finally do something complicated again but more properly #from the very beginning #I need an experience while I have time to pay attention to it #commission #I'm still not very confident to take money for these kind of works so I need to understand what pricing is okay for what I'm able to do wit #animation...#*opens the door*#*leaves the stage*#hahhh my dear life why did you give me such a lazy brain...

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qwakque · 6 months

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falalalala la la la la

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da-birb-writes-sometimes · 9 months

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How You Turn My Word; Chapter 2

The day continues, and this time you find yourself in an entire new world... a world called The Underground.

Character; Lilia Vanrouge

Content; Gender-neutral reader, more shenanigans, reader isn't happy

Content Warning; Intoxication (Lilia), swearing

Word Count; 2.7 K

Chapter 1 | Chapter 2 | Chapter 3 | Chapter 4 |

Don't put my work into AI; I'll make sure you end up in the Bog of Eternal Stench.

Lilia’s night was not going according to plan and he was mentally cursing himself over it.

Thing Lilia did not plan for #1; he got lost. To be fair though, many a thing had drastically changed since the last time he romped around the mortal realm. A few hundred years would do that though. Humans now seemed to live in tall metal boxes rather than the humble cottages of ages past.

Thing Lilia did not plan for #2; a red flower deceiving him and containing something akin to liquor. So he was flying around lost while under the influence, which only worsened his situation. (Lilia did not know it, but the red flower was in fact a hummingbird feeder with sugar water which had been left out in the sun for too long and had fermented. Make sure to change your hummingbird feeder often on hot days so you don’t cause a nectar-loving friend to fly while wasted)

Thing Lilia did not plan for #3; getting himself stuff in one of those tall metal boxes, and he was now stuck inside some cursed metal labyrinth. At least it was not iron or silver, as it did not burn, apparently, humans no longer fortified their abodes with those metals. Perhaps the times have changed for the better?

But Lilia finally escaped the infernal metal labyrinth, perhaps luck was finally on his side tonight after all! He bumped around a few corners. My my, what a small hovel. Perhaps things have not changed all that much from the last time I was here… But Lilia was rudely pulled from his thoughts when something swatted him clean out of the air. And the culprit? A rather rotund grey cat with large blue eyes, which was now carrying Lilia into its lair, most likely to play with him for a bit before deciding that it had had it’s fun and ultimately put him out of his misery.

His night went from a jolly and somewhat embarrassing tale he would regale about at the local tavern, to a bedtime story parents would tell their children about the dangers of going places that you really shouldn’t. Should he get out of this sticky situation Lilia would not live this incident down.

The cat placed Lilia in a collection of socks and then sauntered off, calling out at the top of its lungs. Great, it's getting company for supper, and I’m the appetizer. How lovely. But Lilia knew he would have a better chance of getting out of this situation if he stayed calm and waited for an opportunity to escape. Even while tipsy, he could keep his cool.

And the feline was back and yanked Lilia out of the sock hole. Cracking open his one eye he saw that the cat did not come back with its hungry friends, but rather, a human. That was both good news and bad news. Good news; he most likely was not going to be eaten tonight! Yippee! Bad news; the last time he was in bat-form in a human’s abode, he was chased around with a torch, which he really did not want to go through again. So his best course of action was to play dead in this situation.

When the human left the room though, he took his chance and took flight once again, trying to find a way out. The cat was trying to catch him again, but Lilia knew of its tricks this time and dodged every swipe it sent his way.

But he was pulled out of his thoughts when the human screeched at the cat, “YOU CAUGHT A FUCKING BAT?!”

Oh yeah, they did not sound happy, not at all, but it seemed to be directed more at their feline companion rather than him.

As he was busy flapping around, trying to find an escape but to no avail, he also heard the human whispering to him. “Don’t fly towards my head, bat. I’m just trying to get you back outside. You’re a nice bat, right? Nice bat, nice bat.”

Were he not preoccupied and in a better state of mind, Lilia would have been amused by this. Currently, though he was occupied with trying not to be eaten and finding a way out of this cursed place. He was not in a laughing mood. All Lilia wanted to do was get back home, pass out in his bed but he would also be happy with his sofa as well, and pretend that this was nothing more than a bad dream after a night spent tavern hopping. Dealing with a horrid hangover would be better than this… and he was most likely going to have one of those anyways. Tonight really wasn’t Lilia’s night, not at all.

Then the human grabbed the cat, and Lilia was finally left alone. The window was open, but he didn’t know that, as his mind was too preoccupied with you know, not dying, that he hadn’t noticed that the human had opened it for him. So where did Lilia go? Well, he went back into the metal labyrinth (air duct), and fumbled around until he tired himself out. It wasn’t the most ideal of spots to crash for the night, but it was better than going back and possibly being eaten, Lilia would rather avoid that. So this was going to be his bed for the night, a lonely quiet corner of the air duct system, where he could hopefully wake up sober tomorrow. But he yearned for his warm quilts that awaited for him back at home, back in Faerie, or as some call it, the Underground.

Lilia wasn’t even supposed to be in the mortal realm in the first place, but curiosity had won him over, and he even ignored the travel advisory that was in place. Some crow fae had travelled there about a century or so ago and had yet to return back, hence a travel advisory. But yet here he was in the mortal realm, tiny, drunk, and utterly lost. His bad decisions could be looked into further detail once he got some shut-eye. So he wrapped himself in his wings and passed out in the corner of the air vent. Hopefully, when he woke up he could turn this disastrous day around.

…

Upon waking up, Lilia groaned — or rather, in this case, squeaked — and stretched his wings out. So the wretched metal maze and last night's fiasco was not some liquor-hazed dream; how lovely. Utterly delightful.

At least the strange maze echoed sound quite well, so he knew what exits to avoid. Not that one, he could hear a dog barking, and the feline encounter was enough for him. No, not that one either, he could hear children screaming.

Finally, he came to an opening, there was some quiet chatter, but it was far enough away where Lilia felt comfortable enough to explore this potential escape route.

Why does this look familiar? AM I BACK IN THE BUILDING?! Yes, yes he was. At least there was no sign of the ca–

“Mrp?” Speak of the devil.

The cat got out of its den and lept at Lilia, who dodged the attack, and the cat pushed some books off a desk. The cat was also screaming at him, and causing an all-around ruckus. Lilia managed to outmaneuver the feline, but soon a brand new human came into the scene.

The new human took one look at Lilia and backpedalled out of the room. But the human had just created another escape route for him, and Lilia flew, well, like a bat straight out of hell for it. Too bad the next room contained two more humans, including the one he had encountered from last night… maybe they would be nice again and spare him for trespassing on their small abode?

In the midst of the chaos, the human from last night knocked him out of the air with a broom. Okay, that hurt little Beastie. But that swing and the crash landing into a table caused Lilia to shift back into his human form, which also caused sparkles to happen. Did humans still think magic was evil? Well, he was about to find out.

Everyone remained silent, and after the sheer noise of the chaos, it was deafening, even the cat was quiet. And Lilia stared at the human that had knocked him out of the air, you. And you were staring straight back at him, looking utterly baffled. Well, this is awkward… I think I have overstayed my welcome…

Lilia snapped his fingers, and he started to disappear into sparkles yet again, this time going home since he wasn’t able to use his magic when stuck in bat form. And it was happening without a pinch, but you seemed to trip on thin air and crash landed on his feet, disappearing with him; a stowaway coming to Faerie.

… Well this is no good now, is it?

…

When the green sparkles subsided, you found yourself sitting in some sort of bog, and the water had made it into your mouth by some twist of fate. While you were busy spitting the bog water out of your mouth, the stranger was standing by the bank, dry, without any sulfuric-tasting water in his mouth, and looking better for wear.

Pulling yourself out of the bog water — eugh, you smelled like eggs now, great — you pointed an accusatory finger at him, water dripping from the end. “Where,” you spat out some extra bog water from your mouth, “am I? And why does it reak of eggs?!” You would have looked and sounded more imposing, but you were sopping wet, covered in mud, and spitting out coughs trying to get the bad taste out of your mouth; which wasn’t really commanding any sort of respect.

The stranger, Lilia, snorted before letting out a cough, trying to hide his amusement very poorly. He waved his hand, green sparkles surrounded you and you were now dry, still covered in mud, but dry. “Faerie, although some call it the Underground.”

You opened your mouth, but he wagged his finger at you. “And before you blame me for bringing you here, you have no one to blame for this but yourself!” Despite the cheeriness, there was something cold and off putting in his eyes, like he was calculating something. But that moment passed, and the almost annoying cheerful facade came back in full. “As for the smell? That so happens to be The Bog of Eternal Stench!”

“Like eternal eternal?” You really didn’t need to smell like rotten eggs for the rest of your days.

The stranger just chuckled, “Fret not, Beastie, I decided to return the favour, since your feline friend decided not to eat me. But it is indeed ‘eternal eternal’ if you don’t have the means to get rid of it.”

Beastie? “Uh, okay.” not the most eloquent of things to say, but really, could anyone blame you? You just fell through some kind of portal, magic(?) was real, and oh yeah, so were fae/faeries or whatever the hell they called themselves. So ‘Uh, okay’ was perfectly fine in this situation.

Mr. Sparkles — if he was going to call you Beastie, he deserved a dumb nickname — just gave you a smile, exposing the barest hint of his fangs; despite his small frame, he was still dangerous, and the hairs on the back of your neck stood on end. It was as if he was assessing you, to see if you would be worth the trouble to help. You didn’t know if either option would be good by the way his magenta eyes twinkled with mischief.

He let out a huff and started walking away, and you followed. “I wouldn’t recommend following me, Beastie,” he hummed, and you tripped over a rock, vines keeping you to the moss. “The court would not take kindly to you.”

You glared at him and tried ripping the vines off of your feet, but they didn’t budge. “And why should I listen to you?”

Mr. Sparkles booped you on the nose, “Well, it would ensure that you made it out of here alive, which I believe you would find beneficial and all.”

Obnoxious prick. But he did have a point, you would rather make it back home alive rather than fucking around and finding out (aka dying). “So what? Are you going to just leave me here? No welcome brochure? Thanks.”

You were being sarcastic, since it was either sarcasm or having a full-on existential crisis, since hey, magic wasn’t real in your world! Dimension? Galaxy? Where the fuck was this place?! How the hell did you end up here?!

“Hmm good point…” he snapped his fingers and there was now a book sitting in your lap. “This should suffice, do be warned though, Beastie, I may call on you later to return the favour. For now though,” he started to turn into green sparkles, “toodaloo!~” And he turned into a bat, flying off into the sunset, leaving you alone at the edge of the swamp with the only things to your name being the clothes on your back and a book in your lap.

How to Survive the Underground; For Humans! … Did he just give you this world’s equivalent of a For Dummies book? What the fuck? Was this kind of sick joke to him?

…

Once some of your ire had subsided, you decided to sit down on a boulder and read a bit of the book while there was still some sunlight out, but it was dipping into the horizon fast.

How to Survive the Underground; For Humans! By Yelworc Erid Preface …… i - iv Chapter 1; Surviving Your First Night…… 1 - 10 Chapter 2; Edible Food for Humans …… 11 - 31 Chapter 3; The Basics of Fae Etiquette …… 32 - 35 3.1; Species Specifics …… 36 - 146 3.2; Government Specifics …… 147 - 169 Chapter 4; Help! I Have Been Indentured to a Fae! …… 170 - 200 Chapter 5; Adjusting to Fae Social Life …… 201 - 224 Chapter 6; Transmittable Illnesses & Diseases …… 225 - 261 Chapter 7; Fae Courting Practices …… 262 - 264 7.1; Species Specifications …… 265 - 366 7.2; Government Specifications …… 367 - 389 7.3; Accepting a Courting Proposal …… 390 - 393 7.4; Refusing a Courting Proposal …… 394 - 401 Chapter 8; How to Handle Fae Children …… 402 - 452 Chapter 9; How to Leave the Underground … 453 Chapter 10; Adjusting to Life in the Underground …… 454 - 482 Acknowledgments …… 483 - 485

Looking back up to the horizon, you quickly turned the pages to Chapter 1; Surviving Your First Night.

“If you are unable to find yourself some suitable shelter, one should find themselves safe by camping out in a rowan tree. These trees can easily be found by their vermillion clusters of berries. They keep away all native species of the Underground,” you read out loud, turning your attention to the trees nearby, searching for those berries. “Rowan tree, rowan tree–”

A loud screech coming from the undergrowth only pushed you further.

Nope, I do not want to find out what THAT was! Nope! NoPe! NOPE!

Finally, you found a tall enough tree and you hauled your ass up it like there was a fire below you, and you were up in the canopy, far enough up that nothing could reach you, but also high enough where you needed to be careful, since you didn’t want to meet an early death because you made a wrong move. But for now, you were safe.

“Nice try buddy,” you muttered to yourself, trying to get comfy. Wood wasn’t the comfiest thing in the world, but you weren’t really in the position to be complaining. “I am not on the menu.”

The screech came again, this time closer; yeah, you weren’t sleeping tonight. The sun was now beyond the horizon, and there was no moon, the only light coming from the stars above; it was very pretty, but you could see jack shit. This was going to be a long night… and not a fun one, since you could also see the glowing eyes of unknown creatures which were, quite frankly, freaky as fuck. So yeah, no sleep for you.

“This fucking sucks,” you grumbled, and a chittering from the bog seemed to mock you. “This really fucking sucks.”

…

Tags; @busycloudy, @eynnwwyjth, @identity-theft-101, @ithseem, @krenenbaker, @lucid-stories, @ryker-writes, @twistwonderlanddevotee, @xxoomiii

~~~~~~~

Author's Note; This chapter is shorter, but it felt natural to end the chapter like this. This chapter, and the previous one, were both rewrites of an old WIP, so from here on out I don't have to rewrite! YIPPEE!!! Rewriting takes me forever, so we shall see what I come up with next.

If you liked this, do check out my masterlist for more content!