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tenebraevesper · 10 months

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The Observations of Miraculous Ladybug: The Tales of Wasted Potential

This is a compilation of various rules and messages within and outside the Miraculous Ladybug universe that I had discovered while watching the show and participating in discussions over the years. I might write more of them, but for now, these are my current observations:

-If you’re the main heroine, you have no control over your emotions and you should be punished for even just breathing the wrong way.

-If you’re the main heroine, you need to be taught a lesson in every episode, regardless if it makes sense or the same lesson is being repeated ad infinitum.

-If you’re the main heroine, you’re not allowed to move on from your crush on the main hero, regardless of how much suffering you went through, because this action somehow breaks the rules of the universe.

-If you’re the main heroine, you’ll be subjected to shocking amounts of humiliation, emotional and physical abuse, all either for committing the crime of being a teenager or for “comedy” purposes. Sometimes its both.

-Obsessing over your crush is “funny” and it should be used to further humiliate the main heroine. Even better if it’s labeled as stalking.

-If you’re the main heroine, nobody cares about your mental health, regardless of how stressed out you are or if you’re close to a mental breakdown.

-If the Writers says only a year has passed in-universe, despite the contradictory evidence, then only a year has passed. Stop trying to make sense of the timeline because it is only supposed to make sense to the Writers.

-If you’re the main hero, look cute and wear a mask to hide your identity, you are free to harass the main heroine without being called out.

-Remember girls, telling the main hero “No!” or “I’m in love with someone else!” translates into “I’m playing hard to get”.

-No, the main heroine has no right to consent because the universe already paired her up with the guy who harasses her and still doesn’t understand that “No means no!”

-If you don’t obsess over your crush and think about them day and night, are you even in love with them?

-Unless you’re French and a Writer for Miraculous Ladybug, you have no right to criticize the show.

-Yes, that also goes for those who are professional Writers.

-Even if you have valid criticism backed up by proper arguments and are capable of discussing it in a civil manner, you will still be labeled as a hater and blocked.

-”Miraculous Ladybug is more popular than Pokémon!” [Source: Thomas Astruc]

-Everyone who doesn’t ship the Love Square is evil. No exception.

-If you’re a 14 year old teenage girl who was spoiled and emotionally neglected by her parents and your biggest crime was to bully people, you are irredeemable and deserve to burn in Hell.

-Somehow, a grown adult man who mentally, emotionally and physically abused his son, manipulated people into committing crimes, committed many acts of terrorism (including murder) and almost started WWIII on purpose is somehow more redeemable than a teenager who was manipulated and abused by said man.

-THE ABOVE POINT BEARS REPEATING!!! A TERRORIST IS MORE REDEEMABLE THAN AN ABUSED TEENAGER!!!

-Oh, and the terrorist also gets a statue in his honor and is remembered as a hero after his death.

-If you’re the main hero, you are perfect and the world is flawed and needs to bow to your whims.

-If you’re the main hero, you don’t need character development. All you have to do is to whine and complain, and the universe will bend backwards for you and deliver everything on a silver platter.

-If you’re the main hero, knowing the main heroine’s secrets (which aren’t even hers to share!) is more important than saving the people. Who cares if people are dying, you need to know what your crush/co-worker is hiding for you!

-No matter of bad your lies are, as the B villain of the show, you have the power to lower everyone’s IQ to the point they’ll believe your lies. Also, Google doesn’t exist.

-Even if you have legitimate evidence that the Liar is, y’know, lying, you will be labeled as jealous.

-I’m amazed that Lila isn’t ruling the world when she has the superpower of making everyone stupid beyond belief.

-Paris is apparently isolated in its own bubble and the French government doesn’t exist. How else do you explain a teenage girl becoming the Mayor of Paris?

-The police in Paris is useless. Unless you’re Asian. Then they’ll SWAT you.

-Every great teacher knows that you punish the victim and reward the bully.

-You don’t want to write character development because it’s “too hard”? Replace the character with a cardboard cutout that is just like that character but nicer and/or perfect. Nobody will notice the difference!

-If they do and complain about it, label them as haters.

-If you’re the main hero, you will always get away with lying and gaslighting the main heroine. She is not allowed to contradict you because the Writers said so. If she does, the fandom will grab their torches and pitchforks to hunt her down and punish her.

-Mary Suethor Writing Advice 101: To redeem your character, reward them with a girlfriend or boyfriend. No, they don’t have to go through a redemption arc. No, evil characters don’t get paired up with anyone.

-The main heroes are not allowed to progress the story at all. That is reserved for the very character Astruc hates so much that he replaced him with the main hero.

-Being a mentor sucks! That’s why you can unload all of your responsibilities on the main heroine, who didn’t even want to be the main heroine in the first place, and peace out.

-We are going to show you precisely why the Love Square doesn’t work and is actually very toxic, but we will also pretend that had never happened in favor of shilling the Love Square.

-If you’re the main hero, you’re free to break anything you come across in a fit of rage. Don’t worry, the main heroine will fix it for you.

-If you’re the main hero, you will be forgiven for cheating on your girlfriend with someone who wants nothing with you because your current girlfriend isn’t your true love.

-If you are the main hero and can’t get together with the girl you had been obsessing over for 100+ Episodes, drop her and start a relationship with the girl you completely ignored but is now available. She’s a good enough replacement.

-If a child is being abused and/or emotionally manipulated, you should place the blame on the child and not on the adult who manipulated/abused them.

-The Status Quo will be upheld regardless of how ridiculous the show is about upholding it. If it doesn’t make sense, then it’s your problem and the Writers aren’t too blame.

-If you’re the main hero, you will be forgiven for attempted murder/actual murder of several teenagers, but God forbid you don’t feel bad for almost murdering the main villain.

-If you’re the main hero and don’t try to murder the guy who made fun of your girlfriend, are you even in love?

-Toxic relationships should be admired and looked up to.

-Somehow, 5 Seasons of filler are considered more important and impactful than any actual story progression.

-Who needs lore and world-building? Let’s shove that sucker into a comic book no one will ever read.

-Common sense doesn’t exist in this world.

-Neither to therapists nor CPS.

-Falling in love and getting together with your love interest will result in the destruction of the world and you should be ashamed for thinking love was anything but destructive.

-The main villain will win.

-Let me repeat that: THE MAIN VILLAIN WILL WIN!

-If you’re an adult male and your OTP isn’t winning, you are free to assault a teenage girl and force her to be with the teenage boy you consider her ideal partner.

-If you’re the main hero and you have caused a huge problem (think “abandoning the city you were supposed to protect” or “murder a girl” type of problem), the solution to it is to abandon your partner and let her solve it for you. Don’t worry, you’re a Gary Stu, everyone will forgive you for your “mistakes” or completely gloss over them.

-Calling a liar out on their lies is hypocritical and you should be ashamed of yourself.

-You cannot consider yourself a best friend unless you have committed the following acts: intruding on your friend’s privacy and break her stuff, cause her emotional distress for your own validation, force her into a situation that causes her to freak out or get hurt and then scream at her for not following a plan you never told her about.

-Doing something innocent with your powers, like delivering a gift, will result in the end of the world.

-Somehow, a candy cane suit is considered stylish. Yeah, I still don’t understand how Gabriel is a fashion designer with that kind of taste in outfits.

-All female superheroes should have skintight suits with the camera focusing on their breasts/butt. Have I mentioned that they’re all minors?

-The main hero doesn’t have to participate in the finale. Him learning that his father was the main villain will ruin his perfect image of his family and that is not allowed. We need to mollycoddle him to death.

-Instead of developing your support characters, make them all collectively share a single braincell. Mob mentality at its best!

-Who needs depth when they all have the minimal requirement of one character trait?

-If you break up with your boyfriend, go for his identical cousin. They already look the same and the cousin at least has a spine. Win-Win!

-Any important plot points will be swept under the rug and be forgotten about.

-Félix is still the best character in this show! I will die on this hill!

-Somehow, a 3 minute PV!Trailer delivers more than 100+ episodes of the Miraculous Ladybug show.

-FanFic Writers do a better job at writing than professional Writers. That’s not an opinion, that’s a fact.

-You want to add to or remove something from the story, but it creates a plot hole? Just retcon it and lie to your audience that this was always your intention regardless if it makes sense in the narrative.

-If the fans question you about the retcons, call them haters and block them.

-”This is a kids show!” is a valid excuse for lazy writing, according to Miraculous Ladybug Writers (and some fans).

-Negative emotions are bad and will turn you into a monster. You are not allowed to feel angry or sad at all.

-Characters are not allowed to make logical decisions. That would make them *le gasp* competent!

-Every support character is obligated to worship the Love Square. If they don’t, they’re the spawn of Satan.

-Gaslighting your crush into bending over backwards to your whims is considered romantic.

-If you’re a superhero, you are considered a celebrity and have no rights to privacy. The whole population of Paris is entitled to know who you’re dating.

-Unless you’re the main heroine or the bully, you won’t be faced with the consequences of your actions.

-Yes, even the villain gets away without any consequences.

-Miraculous Ladybug is about spectacle over substance. Don’t expect anything resembling good writing. Or anything that requires to think about the plot more than five seconds.

-Somehow, a teenage boy who attempted to kiss the main heroine once and got punched by her is more demonized than the main hero who did the same for 100+ episodes and still doesn’t care that “No means no”.

-Character development is overrated. Same goes for any story progression.

-If you’re the main hero, you’re free to abandon your partner in a moment of crisis and shirk your responsibilities. You’ll still be forgiven and everyone will act as if nothing happened. Same goes for attempting to murder your partner’s best friend.

-Being a good parent involves emotionally neglecting your daughter and abandoning her, as well as punishing her by sending her to live with her abusive mother. You don’t have to take any responsibilities for your actions and you can easily replace the “evil” daughter with a “good” daughter who isn’t even related to you.

-You are not allowed to sympathize with an abused child, but it is a-okay to sympathize with the abuser.

-The main heroine will always be punished, whether she deserves it or not. She is obligated to solve everyone’s problems regardless whether they’re strangers to her.

-For some reason, disciplining the bully is the obligation of the victim rather than, oh, I dunno... the parents and the teacher!

-It doesn’t matter if you’re an abusive father and a terrorist, you’ll still be forgiven if you did it out of love for your wife.

-If you like a character, but the majority of the fandom hates them, you will be bullied to death (I’m serious about this, this has happened).

-Rather than developing established relationships, it is more fun to add unnecessary love interests to complicate things, only to drop them in the next episode with no development and act like nothing happened.

-If you’re the main heroine and asking for help from other superheroes because your own partner is ditching you for no given reason, then you’re cheating (yes, it was phrased like that) on your partner and you should be ashamed of yourself.

-I hate Kuro Neko. Adrien is insufferable in that episode.

-If someone tells you “they’re made for each other”, you need to accept that you’re destined to only be with that person and no one else. No, you have no say in that.

-”She’s just a friend” is not a valid excuse for being dense as a brick.

-Seriously, if anyone brings up those quotes again, I’ll hit them with a brick.

-If you are paired up with someone, you are not allowed to have a life outside your love interest. That goes especially for the Love Square.

-Everyone in this show is an idiot to some degree. Félix is the one who holds all of the braincells, while Lila learned to break the system and metagame.

-If you want a better show that focuses on magic and romance, go watch any mahou shoujo anime in existence and spare yourself the hours you’re gonna waste with this show.

-How Miraculous Ladybug Should’ve Ended? Félix dusts Gabriel in Emotion and tells Adrien and Marinette that Gabriel was the Monarch. End of story.

If you have made any observation, leave a comment about it in the replies, because I’m sure that I missed some.

#Ten's Thoughts #miraculous ladybug #miraculous ladybug pv #ml salt #thomas astruc salt #ml fandom salt

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immaturityofthomasastruc · 5 months

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IOTA Reviews: Representation

Oh, so NOW child abuse is bad. Could have fooled me last episode!

Let's get into the twenty-fifth episode of Miraculous Ladybug's fifth season: Representation

We start off with an English news report recapping the ending of “Revolution”, stating that Ms. Bustier is going to run for mayor, conveniently ignoring her attempted coup in “Collusion”. We also see that Gabriel and Tomoe are still uncomfortably focused on making Adrien and Kagami appear to be a couple in public, much to their dismay. While Kagami is visited by Argos (who once again sneaks up on her, like he usually does), Adrien realizes he can transform into his space form and see Marinette whenever he wants and transforms into Cat Noir, planning to reveal his identity to Marinette. Hey, did he even tell Ladybug about his sudden departure? Because it didn't go well the last time he left Paris without telling her (New York Special).

We then cut to Marinette right after the events of “Revolution”, going to the end of the year dance... even though when we saw Adrien and Kagami in London, the sun was still setting, and France's time zone is only about an hour later, meaning Adrien and Kagami must have flown there at ludicrous speed.

Meanwile, Argos and Kagami somehow got from London to Paris offscreen, and watch Marinette from afar, with Kagami revealing she knows she's Ladybug. They decide to tell Marinette that Felix knows who Monarch is in order to ensure his downfall. Nah, I'm just kidding. Here's the real reason they're coming to Marinette for help.

Kagami: My mother and Gabriel Agreste will never allow us to love each other freely. Only Ladybug can help us.

Yep, rather than prioritize the fact that Gabriel is endangering the citizens of Paris on a daily basis, Kagami is seriously more concerned about her relationship with her boyfriend being tampered with. This is like saying Lex Luthor is evil because he cheats on his taxes. Argos transforms back into Felix, and... oh, for the love of God... he disguises himself as Adrien in order to get closer to Marinette. You can't keep portraying Felix as this master of disguise if he only has ONE disguise!

Marinette sees “Adrien” and assumes he came back from London from her, assuming her boyfriend is much more active that the writers actually believe he is, so she tries to follow him while avoiding the guests at the party. Meanwhile, Gabriel and Tomoe learn their children are gone, so he goes to talk with Nathalie and—why the hell is she like that?

Seriously, this has never been established as something that happens when someone uses the broken Peacock Miraculous. Why didn't this happen to Emilie? She looks pretty healthy in her little coffin, and I doubt Gabriel is an embalmer.

Anyway, after Nathalie once again reminds us that she hates Gabriel, but not enough to call the cops on him, Gabriel transforms into Monarch and immediately detransforms back in order to akumatize himself into Nightormentor.

Nightormentor is a pretty average recolor of the Collector's design, which kind of makes sense, considering that Gabriel himself intended the Akuma for himself. The star pattern is okay, but there's not much I can really say. As for his powers, he's just another Sandboy, being able to force people to hallucinate their worse nightmares, only instead of a pillow, his weapon is a staff created from a pen containing the Akuma, with the Horse Miraculous' Voyage to boot. Why he didn't just give himself the same powers he gave Truth when he's trying to find Adrien is anyone's guess.

Cat Noir arrives at the Eiffel Tower to talk with Marinette, just as Nightormentor appears. The two fight, and after a few civilians get caught in the crossfire, Nightormentor escapes through Voyage. As Cat Noir heads to the Dupain-Cheng bakery at the advising of Max, Alya and Nino decide that the totally not useless Resistance should get involved.

While Marinette gives chase, Felix leads her into the school's art classroom, where he transforms into Argos and creates a Sentimonster using Kagami's ring. Felix and Kagami use the Sentimonster's power to do... uh... whatever the hell this is.

Yeah, this is basically a flashback, but the animators probably blew their budget needed for the new models on Ms. Bustier's baby bump, so we're getting this instead, thanks to the Sentimonster Argos created. There are several scenes of Cat Noir and Nightormentor interspersed, but like what I did with Marinette's flashback in “Derision”, I'll give you the summary before I talk about my problems with this.

When Adrien's mother and aunt, Emilie and Amelie, were born, Emilie (who was born seven seconds early) was trusted with the family heirlooms, the two rings we first saw all the way back in “Felix”. Even though this meant she would inherit the family name, Emilie didn't really like doing... whatever the Graham de Vanily family wanted her to do, but Amelie did. Eventually, while studying abroad, Emilie met Gabriel, and the two fell in love. Before marrying Gabriel, Emilie gave up her role as the sole inheritor of the Graham de Vanily family's vague legacy, while Amelie married a man named Colt to please her parents. Both couples wanted children, but it's heavily implied that Emilie and Amelie were infertile, so their wishes weren't able to come true. Emilie finally managed to get a bun in the oven thanks to the Peacock Miraculous, but this made Colt jealous that he couldn't have a child. Out of the goodness of her heart, Emilie asked Gabriel to give the Peacock Miraculous to Colt, in exchange for letting the Gorilla guard Adrien in the future. Using his own jealousy as a source of power, Colt got Amelie pregnant, though at the cost of his health. Colt figured this was the price he had to pay for using “sorcery”, and used this as an excuse to treat Felix like a monster and ordered him around using the ring containing his Amok. Felix himself was unaware that he wasn't human until Colt accidentally broke the ring (which wasn't one of the two wedding rings used to control Adrien and was an entirely different ring containing Felix's Amok), which he stole as soon as Colt died. This is meant to explain why Felix decided to steal back the Peacock Miraculous, in order to save his life. Felix later met Kagami, and the two explain that they need “Someone like Ladybug” to help them.

Now if your only information about this episode is through my summary, it seems simple enough. For everyone else who actually saw this sequence in the episode itself, I'm guessing your thoughts were about the same as mine.

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Let's go over every problem I have with this scene, starting with...

#1: The Way Kagami and Felix Explain This

Let me just ask something: Why can't Felix just talk to Marinette about what he knows since he now knows she's Ladybug instead of telling her everything through this weird play? You can still tell Marinette all of this without your two-man show. In fact, why did Felix have to wait until he knew Marinette was Ladybug instead of just talking to her the next time he saw her? Yeah, you could argue it's easier this way, but like I've been saying since Season 4, Felix has had no excuse to wait this long to tell Ladybug about the fact that he knows who her greatest enemy is.

And why the hell is it presented this way? Why does Felix have to recontextualize the story of his family's history in the form of a play? Why turn it into a stereotypical fairy tale that leaves out the names of all the important people, like Emilie, Amelie, Colt (whose name I only learned through the transcript of this episode), and Gabriel? If it was like a hidden message Felix and Kagami wanted to convey to Marinette, that would make sense, but why do they have to be so cryptic when they're only putting this show on for one person? You could easily avoid a good chunk of the questions this raises if this was a show Felix and Kagami put on for the public that Marinette was able to learn the information from. Yeah, it still wouldn't explain why Felix can't just tell Marinette about who Gabriel really is, but at least it's something.

The way it all happens kind of reminds me of this scene from this old Halloween special I saw a lot as a kid, Scary Godmother: Halloween Spooktacular. In that scene, some of the kids act out a scene of this little girl's parents entrusting her with a flashlight to explain why she carries it around, in order to scare off any monsters she runs into, using the graveyard they were in as a makeshift set. This scene works a lot more because it's done in more of a tongue-in-cheek way, with some of the kids breaking character to boost their own egos (for example, the kid playing the mom comments about how responsible she is), and how one kid in particular gradually gets fed up with the whole thing. The scene does its job at delivering exposition in a way that isn't meant to be taken too seriously, and it's clear this is being done by some kids goofing around in-universe.

With this episode, it's clear that the writers want the audience to take this whole backstory seriously in spite of how absurd it all is. Seriously look at this.

We are seriously expected to take this backstory seriously when it looks like some theater major's midterm project. The animators want it to look artsy and unique for the sake of making it look artsy and unique. Why does it look like a play these two put together themselves if they're supposedly using a Sentimonster's power to do it? If the unnamed Sentimonster's powers is how Marinette is seeing all this, why can't it actually be seen as a flashback? Was it always intended to be a handmade play that was changed to the product of a Sentimonster at the last minute?

I get that the animators probably wanted kids to pick up on the visuals of the play, but even then, it makes it hard to really stomach the serious themes this backstory brings up, like infertility and child abuse, with the way they're presented. Not only do Felix and Kagami all play the characters using these white jumpsuits and masks, they also do all the voices, meaning that the only “dialogue” we hear from Colt is delivered by Kagami putting on a deeper voice. Let me repeat that: the only times we hear Colt, the abusive parent and all around garbage human being, talk, it's done by a teenage girl trying to make her voice sound deeper.

But hey, maybe the goofy voice will be overshadowed by the nuanced depiction of child abuse, right? Right?

#2: The Portrayal of Colt and the Double Standards Regarding His Treatment of Felix

I have never seen a single show struggle this much to convey a lesson as simple as “Child abuse is bad”.

When it comes to the parents in this show, terrible parents like Gabriel, Audrey, and Tomoe are almost never held accountable for the way they treated their children. If the writers aren't claiming they really love their children deep down, they're either downplaying how cruel they are at best or playing their behavior for laughs at worst. But here we are, the penultimate episode of the fifth season, and we finally have a parent who is unambiguously treated as a terrible human being with no redeeming qualities... and I still have problems with this.

This flashback really goes out of its way to let the audience that Colt was a real piece of scum in life. He only wanted a child out of jealousy, used his Amok to force Felix to do whatever he wanted, was heavily implied to have physically beat him at times, and blamed him for his poor health on his deathbed when he was the one who wanted to use the Peacock in the first place. Now that I think about it, why did Colt even use the Peacock to create Felix instead of Emelie? Was the episode so determined to paint Colt as a bastard that he wanted to be the one to create Felix himself?

The point I'm trying to make is that the show doesn't really explain why Colt was like this. Why was he such an angry man who treated his only child like crap? I don't know, because all the show's telling me is that he was just a dick. He honestly feels more like a caricature than anything else. He's only as terrible of a person he is in order to make the audience sympathize with Felix. I'm not saying that what Felix went through was okay, but it has the same energy as scenes of Gabriel talking to Emilie's body. It's mostly there to make the audience sympathize with an antagonistic character in spite of all the things they've done.

What's really weird is that even though the whole point of this play is so Felix can tell Marinette Gabriel is Monarch, so what does Colt have to do with this? I'm not saying he's not worth mentioning, but it makes no sense for Felix to tell Marinette about his abusive father before he tells her about Gabriel. It feels more like Felix wants to find a way to excuse his actions before telling Marinette about Gabriel being Monarch. And remember when “Derision” made a big deal about Chloe's terrible parents not excusing her actions? Funny how that conveniently doesn't apply to Felix in this episode.

In fact, let's talk about the elephant in the room: The fact that this episode aired right after “Revolution”, an episode that literally said a character living under an abusive and controlling parent was a fitting punishment for her. HOW THE HELL IS THIS ANY DIFFERENT FROM THAT? If anything, this episode really shows the double standards this show has about child abuse, how the only way your situation can be taken seriously is if you're a “good victim”. Chloe's a “bad victim”, so she doesn't get any sympathy when her mother outright says she's going to take control of her life, yet when Colt actually takes control of Felix's life, we're supposed to sympathize with him now. Why am I supposed to feel bad for Felix now when you just told me I shouldn't feel bad for someone in a similar situation last episode?

In fact, one theory I have about this backstory is that it was intended to kill two birds with one stone, no pun intended. I believe that this episode wasn't just written to give us more insight into who Felix is as a character, but also to show the audience what “real” child abuse is like. As far as the show is concerned with Gabriel, Audrey, and Tomoe? They're not actually abusive parents, Colt is, so you should condemn his actions, and not those three. It's blatant double standards, which is nothing new for this show.

#3: The Way Amelie Just... Lets This All Happen

In my “Derision” review, I discussed how strange it was that so many people in Marinette's life did nothing to help her against Chloe, and the same thing applies here with Amelie.

This episode never really explains where Amelie was when Colt was abusing Felix, much less if she was even aware of it. At least with Marinette's parents, they didn't know because most of Marinette's suffering was at school. Amelie lives with Felix and Colt, so what's her excuse? She seriously didn't overhear Colt yelling at Felix or notice the orders Colt gave Felix? Was she just that ignorant to her child's suffering? Remember, this is supposed to be Felix's good parent.

In fact, does Amelie even know Felix is a Sentimonster? Yeah, “Emotion” established that Amelie knows Felix is Argos, but this episode doesn't really make it clear if she knows Felix is a Sentimonster or not. If it was clear Amelie knew nothing about what Felix really was, it would arguably make things easier to stomach, as she wouldn't know the power Colt had over him.

Instead, even though she's Felix's mother, the show doesn't really explain what she actually did when Colt was making Felix's life a living hell, especially since the flashback says that Amelie was forced to marry Colt, so you can't even say she was blinded by love here. Hell, I'm not even sure if Amelie knew the cause of Colt's untimely passing.

#4:This Doesn’t Really Do Much to Explain Felix’s Actions

Now before you say I'm being insensitive, let me make one thing clear: My issue isn't with the fact that this was done to get the audience to sympathize with Felix. The problem I have is that the backstory doesn't do enough to explain why Felix did the things he did.

Okay, Felix wants the Peacock Miraculous. Understandable, he doesn't want to die, so he has to do morally questionable things to preserve his life like betraying the only person capable of stopping the man who can kill him. What's less understandable is his plan to get the Peacock Miraculous from Gabriel. You'll notice that the backstory didn't mention Felix's first appearance, where he only stole the rings belonging to Amelie's family, and he didn't even think to look for the Peacock. Instead, it cuts from Felix realizing he's a Sentimonster to him striking a deal with Gabriel, not even mentioning that he gave Gabriel back one of the rings as part of the deal, which still makes no sense.

If Felix's goal from the start was to get the Peacock Miraculous, why did he bother stealing all of Marinette's Miraculous as a bargaining chip for the deal instead of the family ring? In fact, why did Felix even steal the ring and wait an entire season to trade it back to Gabriel for the Peacock a season later? And for someone who claims to care about Adrien, he really didn't see anything wrong with giving Gabriel one of the two rings capable of overriding his free will.

As a matter of fact, why the hell is Felix even so hostile towards Adrien? Why did he go out of his way to smear his reputation in his debut episode if all he wanted to do was make a bargain with Hawkmoth? In “Risk”, he mocked Adrien for how he talked, while Adrien himself was aware of how he made him look bad in front of his friends, and that's not even getting into how he made himself look like Adrien as part of his plan to betray Ladybug, which would have screwed him even more if Adrien wasn't already Cat Noir. For someone who claims he wants to protect him from Gabriel, Felix really doesn't care about his cousin all that much.

In fact, why does Felix even hate Gabriel at all? The show hinted that the two had a history, yet during the backstory, which I need to remind you, was told from Felix's perspective on the events, has a surprisingly generous portrayal of Gabriel. Did Felix know Gabriel was Hawkmoth/Shadowmoth/Monarch during his first appearance? Does Felix blame Gabriel for how Colt treated him growing up? Does Felix hate Gabriel for how he treats Adrien? Did Gabriel intend to get Colt sick in the first place? Seriously, what is Felix's deal with Gabriel?!

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How does a flashback organized by Felix himself do nothing to really explain why he did the things he did?

#5: The Fact That There Are STILL Several Unanswered Questions Here

For something meant to fill the audience in on several important topics, there are still so many questions about the history of the Agreste and Graham de Vanily families.

Other than the vague backstory about them being rich, we still know nothing about Emilie and Amelie other than them being rich and possibly infertile. We don't know if Amelie ever loved Colt, if she knew he was abusing Felix, or if she even knew if he used the Peacock to play god.

On a related note, why did Emilie and Gabriel decide to use the Peacock Miraculous to create a son instead of adopting? Scratch that, why did she specifically create a Sentimonster to give birth to like a normal baby? Was there some kind of Macbeth-esque guideline that Emilie had to give birth to a child in order for said child to get the inheritance? Did she use the ring to control Adrien like Gabriel does now? Seriously, this is the character the show's conflict is all based around, and we still know nothing about her other than the fact that she was nice.

This flashback just makes no sense, and is such a stupid and confusing way to deliver exposition.

Anyway, during all this, Cat Noir and Nightormentor are fighting, and for the third time this season, Cat Noir attempts to Cataclysm him someone, even when he had Nightormentor pinned down. Nightormentor breaks free and hits Cat Noir with his magic dust, causing him to hallucinate... Cat Blanc?

Yeah, the script calls this form “Anticat”, but given how it looks like a reused Cat Blanc model coupled with the petrified people of Paris, this is clearly meant to bring Cat Blanc to mind. The problem is that NEITHER CAT NOIR OR NIGHTORMENTOR KNOW ABOUT THAT. Why would you remind audiences about an Akuma that technically never existed?

Better yet, is this what Cat Noir trying to his Cataclysm on people this past season (Destruction, Jubilation, Derision) has been building up to? The fear that he'll lose control? You could have fooled me, as he never really showed that much remorse for almost hurting people other than Monarch. Yeah, you could argue that because Nightormentor based his hallucinations off his victims' worst fears, but again, this fear had little to no buildup this season because Cat Noir never felt any guilt for Cataclysming Monarch after “Destruction”, and whenever tried to use his Cataclysm on other people, Cat Noir never really realized the weight of his actions. If you want to make a character arc about Cat Noir worrying about hurting people with his powers, go more into the guilt he feels for hurting Monarch and using that guilt to affect his actions. Don't just use some “Cat Blanc” nostalgia bait to convince the audience that there's been a character arc.

Nightormentor takes advantage of Cat Noir's emotional state to get his Miraculous, only for the Resistance to save Cat Noir by... throwing stuff at him. And this is how they defeat him. While Nino, Alya, Ivan, and Zoe distract Nightormentor, Kim and Max help Cat Noir focus, Cat Noir Cataclysms Nightormentor's baton.

Zoe traps the Akuma in a jar, Cat Noir doesn't take it, he heads off to detransform and confess to Marinette, only for the hallucination to still affect him since Ladybug didn't use Miraculous Ladybug to fix the damage, and even though he knows it's just a hallucination, he still uses it as a reason to not reveal his identity to Marinette, even after Ladybug de-evilizes the Akuma herself.

The episode ends with Gabriel and Tomoe locking Adrien and Kagami in these white rooms while under heavy surveillance to ensure they won't escape, vowing to start “Operation: Perfect Alliance”. Because these two like using the word “perfect” more than they like subjecting their children to what one of my anons referred to as “white torture”.

Because that's a good way to keep your children under control: psychological torment.

Other than the stuff with Felix and Kagami, this episode was pretty dull.

There's just not much I can really say here. The plot was barebones, all Marinette did was listen to Felix and Kagami's story so the writers didn't have to involve any of them in the main conflict, and even Cat Noir confronting his akumatized father doesn't have a lot of weight to it because towards the end, it focuses more on Adrien's nightmare instead of his relationship with his father.

This episode is nothing more than a prologue for the final battle. It's only here to establish Adrien and Kagami's presence in London, Marinette learning Gabriel is Monarch, and even more setup for Gabriel and Tomoe's final plan. And trust me, the buildup will be far from worth it.

THE BIGGEST IDIOT OF THE EPISODE IS... FELIX

It's amazing. The only time this season Felix goes out of his way to actually help Ladybug, and he still screws it up. He abducted Kagami from her hotel in London without thinking of Tomoe hunting him down again when that was the entire plot of “Pretension”, only decided to tell Marinette he knows who Monarch is because he's getting in the way of his relationship with his girlfriend, did so in an unnecessarily convoluted way, and even though he made a big deal about not wanting to use Sentimonsters in his last appearance, he still used one to tell Marinette his life story instead of just saying “My uncle is Monarch”.

And if you think Felix will get a chance to truly redeem himself in the finale, think again, bucko. Other than a brief cameo, this is the last thing he'll do this season. Aren't you glad the writers made this character prominent for seven episodes over three seasons and did nothing else with him?

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