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#ml criticism
red-balloon12 · 3 months
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I will never stop thinking about how Zoe has a crush on Marinette but she’s also supposed to be Chloe’s replacement.
I don’t think this just meant as the bee holder. I think this meant for a lot of things.
Being Andre’s new daughter, being the star for that movie.
The only thing Zoe hasn’t completely replaced Chloe in is being Adrien’s childhood bf.
So….with all of this being said…
DOES THIS IMPLY THAT CHLOE ACTUALLY MIGHT HAVE HAD A CRUSH ON MARINETTE AND IF CHLOE GOT HER REDEMPTION, WE COULD HAVE SEEN A CONFESSION FROM HER??? I-
This means that Thomas knew about the popular headcanon that Chloe was sapphic and was secretly in love with Marinette/Ladybug. HE TOOK THAT ISH AWAY FROM CHLOE AND GAVE IT TO ZOE-
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nixthelapin · 5 days
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Anyone else think Marinette’s new outfit is just really bad?
I can’t claim to have that great of an eye for fashion, but this just looks like a tacky performer costume to me- the tights, the jacket looking like a fake tux, right down to the tiny bow tie that’s just sitting on her shirt- rather than an outfit an actual person would wear, especially someone who’s biggest dream is to be a fashion designer. And I don’t really think the pink of her shorts go well with the brown-gray leggings, the colors just feel off to me.
I want to like it, I think it has aspects I enjoy, but overall it just doesn’t do it for me and I kinda hate it.
Idk am I going crazy here? I haven’t seen a ton of discussion about her new design, so it’s hard to say what the general opinion is, but even if the stuff I have seen, it’s usually excitement for it, nothing really negative (design-wise, not about the narrative or overall direction of the show lol). But I’d really like to hear what others think about it.
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copdog1234 · 1 year
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I'm trying so, so hard to not be a little salty about recent ml episodes cause I really do truly enjoy the show, but there's still just the nitpick of how Thomas treats Chloe like she's the worst person on the show, but then excuses the behavior of Andre Bourgeois, a notable enabler of Chloe's behavior.
I keep thinking I'm over Chloe's murdered redemption arc. I know that ship has long since sailed, but then we have an episode centered around Zoe or a flashback to Marinette's past out of nowhere which kinds just rubs it in our faces that, yeah, Chloe is supposed to be the absolute worst. And it annoys me.
Chloe is a child. An actual child and Andre spoiled her constantly, giving in to all of her (utterly) ridiculous demands no matter how outlandish or terrible it was. He constantly abused his power as mayor of the city. And you want me to believe that he, as Chloe's parent, had no control over any of that? That he did it cause he's blinded by his love? That he's a sympathetic character who is abused by both his wife and his daughter? And that he's actually a "good guy" who can be a "good father" as long as he has a kid who isn't a piece of shit?
No. I refuse. I actively refuse. He should've long since disciplined Chloe, being her only present parent. He had every chance for 14 years to be a good parent and he wasn't. Part of being a parent is teaching right and wrong and he did not. He is the primary reason Chloe is the way she is, not just her mom.
It's just so dumb. Why is the worst person on the planet a 14 year old girl when there is a person around her who actively nurtured her personality? But then that same person is narratively supposed to be the victim? HES AN ADULT WHO HAD A RESPONSIBILITY THAT HE NEGLECTED, HE SHOULD BE RECOGNIZED AS SUCH.
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m3nt4llyr4v3d · 2 months
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I loathe Andre Bourgeois
I hate this man so much, I hate his character, I hate how the narrative treats him, I hate how some of the fans treat him
I hate that I’m supposed to completely sympathize with a corrupt politician, but his daughter? The one he had the sole job of raising for most of her life, and obviously didn’t teach her how to act? Yeah, she’s awful, look at how she’s treating her poor father :(.
What’s that? He constantly abused his power? He literally tried to steal from Marinette’s family at some point? Erm, well he never wanted to be a politician in the first place! He had to give up his dreams cause of his awful wife :(. What do you mean he’s still intentionally using underhanded and illegal tactics to put certain laws in place, keep the public on his side, and win elections when he literally just shouldn’t do that? Well he gave up his power, so shut up!
What do you mean his constant abuse of power in his daughter’s name would literally enforce the idea that she can get away with literally anything without repercussions? No, she bullies him! What do you mean he still should’ve not indulged this since she was like, 7? Nah, she just bullied him then too! This makes perfect sense, now he doesn’t have to take a single ounce of responsibility for her parenting! That’s stupid and he should’ve been investigated by CPS literal years ago? Well Chloe’s gone, so the problem’s fixed, right? ————— I genuinely cannot believe of the fans are defending this man. I can get feeling sorry about the treatment he gets from his wife, but some of them literally try to absolve him of any and all parenting mistakes.
“Oh well, Chloe is old enough to know what she’s doing is wrong! It’s not anyone’s responsibility except hers! Everyone tried to reason with her, oh, and the one time he tried to discipline her, she said she’d call her mom! That means that he should literally never try, because she can do that!”
Except he fucking raised her like this. Him taking responsibility for the way he RAISED HER should be, I don’t know, getting her psychiatric help? Maybe actually setting boundaries? Disciplining her and making sure she doesn’t rely on his money or power? And her threatening to call her mom to complain? Do any of you genuinely think her mom is even going to answer that call? And even if you say it’s the threat itself, you should still absolutely be pinning this on Andre: he raised her to complain to him every single time she has any issue and to abuse his power constantly, this is a teaching he reinforced her entire life. She is taught to not take any responsibility and she harasses everyone because of this. She is taught to complain to someone in a higher power to fix/do everything for her. And when he does try, once mind you, to discipline her, she’s obviously not going to stop, she’s not going to reflect, because that’s not how she was taught to act.
Also the ridiculous double standard between people who completely him and not Chloe. Chloe’s mom leaving her and being verbally abusive for all of Paris to see doesn’t excuse Chloe’s actions, but I’m supposed to feel sad for Andre because Audrey is a terrible wife, and I’m just supposed to brush all his actions, including his fucking PARENTING, aside?? Not only that, people are saying that Chloe is old enough to know her actions are wrong therefore she’s not redeemable, but somehow her fucking dad is?? The grownass adult gets more sympathy? Absolutely ridiculous
You genuinely expect me to believe that I’m not supposed to feel anything other than pure vitriol towards Chloe, but sympathy towards that asshat? Get real
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weirdgirl92 · 3 months
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7 Ways to Fix Miraculous Ladybug:
Keep Marinette awkward and dorky, but don’t have her do any of the stalker things that would later make her more infamous and unlikable in seasons 3-5.
Introduce Master Su-Han as early as Season 2, and have him be the one to train Marinette while Master Fu trains Adrien. Fu could teach Adrien to be more responsible and not so reckless with his cat miraculous powers, and Su-Han could teach Marinette how to be more assertive and confident with her ladybug miraculous powers.
Have Lila hold onto the fox miraculous a little while longer for most of Season 2. That way we can have more Volpina, and more high stakes with Ladybug and Cat Noir having to deal with two miraculous wielding supervillains at once. Then, after a really intense battle with the two heroes, Volpina ends up losing the fox miraculous, leaving Alya to become its next holder in the Season 2 finale.
Leave Chloe’s character arc the way it is in Season 2, but then have her gradually become nicer as the seasons go on, and make Lila her rival from Season 3 onwards.
Introduce Zoe as early as Season 3, make her and Chloe be at odds with each other at first, but then have them bond over how much Audrey made their lives so difficult. Then, Chloe could teach Zoe how to stand up to Audrey, while Zoe could teach Chloe how to be a better person (this could also let Zoe serve as the metaphorical angel on Chloe’s shoulder, with Lila as the opposing devil on her shoulder).
Don’t make Adrien or Kagami sentimonsters, because it just retcons their entire characters. If there’s one character who SHOULD be revealed to be a sentimonster, it’s Lila, because it easily explains how she manages to get away with all her lies. Come to think of it, Lila could also be a sentimonster with shapeshifting abilities, because that would help the “multiple identities” angle make a lot more sense too.
Give the rabbit miraculous the ability to only move forward in time, and not back in time, because that way, we wouldn’t have this big massive plot hole in Gabriel’s plan regarding the ladybug and cat miraculouses.
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raedshadowlegends · 10 months
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Why Lore Olympus and Miraculous Ladybug are the Same Thing but in Different Fonts
Good evening, good day, hello and howdy. I am INCREDIBLY bored and I'm here to go on a nonsensical tangent about two pieces of media that I hate and have dedicated a vast amount of my free time to. This is all in good fun and all of my rudeness is intended to be satirical and/or comical unless indicated otherwise.
Now just to preface, if you know me then you know how much I dislike Miraculous Ladybug. Folks in my circle got to watch as I descended into madness writing a 64k word review on season 5. So I've spent an uncomfortable amount of time dissecting this show.
I have also spent an uncomfortable amount of time engaging with the shitshow that is Lore Olympus. And now my ass is gonna try and compare the two because there's a lot of shit going on here.
None of this is going to matter and it's all in good fun. Like I said, I am bored. And sometimes it's fun to compare stuff you hate.
Now let the insanity ensue. FP spoilers and MLB s5 spoilers below the cut btw.
To get a major difference out of the way, Miraculous Ladybug is a tv show. Lore Olympus is a webcomic.
But mediums aside, these two things still have a lot in common. So for the first comparison, I'd like to talk about the insecurity in both properties.
Insecurity
What I define as insecurity in this context is a piece of media that is too afraid to commit or adhere to a certain tone, story, style, etc. In short-- they don't know what they want to be.
Insecurity in Lore Olympus is a bit more obvious than with Miraculous so I'm gonna rant about that first.
Lore Olympus just straight up does not have a story to tell.
There are too many random ass plots being added and discarded on a whim for it to be a coherent story. A good way to explain it is kinda like this-- In this episode of LO, something cool new and interesting is set up and you have to keep reading to see what happens! And then nothing ever happens. Or it happens because the audience won't let the author forget so there's a half-assed attempt to wrap up that plot point.
LO is so insecure about what it is, it feels the need to add more and more to make it actually something. But what it is is a hollow story that lacks substance. So all of these new random plot points are kinda like bandaid solutions if that makes sense.
There are so many unfinished/under-utilized plot points that if you were to count out each and every one, you'd probably keel over dead before you finished. There's that many.
It's too insecure to commit to any one of them in the grand scheme of things.
I don't know how coherent all of that was so here's a shitty tl;dr
LO doesn't know what it wants to say anymore so it's just adding more shit to keep the reader "invested."
Yeah ok I think that makes more sense. As for Miraculous...
God. I fucking hate Miraculous.
It's insecure as hell and you can smell that shit from ten miles away. It's insecure with it's premise, I think.
If it just kept to the simple "monster-of-the-week" formula, I do not think I would have written so many words on it's fifth season.
Miraculous (apparently) had a grander story to tell beyond the "monster-of-the-week revert back to the status quo each episode."
But we don't see any of that in full swing till season 3, really. Which is a long ass time to get the ball rolling imo.
It's a little jarring to see the show go from the stupid kid status quo adventures to a heavy and emotional story??? And I say heavy and emotional with the most sarcastic tone possible because the only emotion I feel watching this shit is rage.
Despite wanting to make that shift to a serialized type of show, Miraculous was too scared to stray from the successful status quo format.
To explain a bit more I wanna talk about my review of the season.
While it is mostly filled with rude jokes and incomprehensible jargon, I bring up a lot of points in it regarding the state of things.
One of those things being the show's hesitancy to move the story along.
The fifth season was supposed to be a grand final battle and a conclusion to this story arc. But it was too scared to commit to that so there's way more episodes that are nothing but shipping fodder.
There are many episodes that season that just... feel the same. Just with different coats of paint. "Marinette is trying to date Adrien but she's awkward and clumsy and oh no! shenanigans ensue!" We've been doing this for 8 years.
If they want to tell a serialized story then they need to grow some balls and cut the shit we've seen a million times before.
Their insistence to stick to the status quo makes the writing exceptionally weak downright painful to sift through. It was too scared, too insecure, to stray from its formula.
That's a part of the reason why I think the season is paced so bad. There's so little time spent on the interesting parts of the story because they had to cram in as much shipping shit as possible. So by proxy, there was less time to tell a good story.
Both of these stupid ass properties don't know what they want to be. There are too many things being added and not enough balls to commit to any of them.
Now with both LO and MLB, we can all agree that the writing is pretty shit. Nothing new there. But shitty writing often bleeds into the characters and making them shitty by exposure. Almost like a spill of toxic waste, infecting anything near it and turning into a rotten pile of sludge and chemicals.
So yeah, the characters are ass as well. But I only wanna complain about the female leads for both of these things.
But just to mention Adrien and Hades, they are pretty similar. I won't go into detail but the short of it is, "Character with deep seated issues that could have been interesting, has a lot of potential, but is just kinda garbage in the end."
At least Adrien Agreste isn't monetizing death and has a bunch of shades in his basement doing his work.
Persephone and Marinette
So I always say that I don't like using the term 'Mary Sue' to describe a character. But as it turns out, I use that term a lot. So I'm not gonna lie about that anymore.
These two characters are Mary Sues.
Persephone first
Oh my god I hate Persephone a lot. She just ticks every box on my list of 'THINGS I HATE IN A CHARACTER.'
Which is funny because her character had a lot of promise and heart in the beginning.
I related to her a LOT when I picked up this comic before my frontal cortex developed. I related with her character and her struggles. Especially after the Apollo incident. That really stuck out to me. It was so powerful.
But all of those tiny things I liked about her character were stripped away. Her ambition to study in school? Poof, gone. Her charm? Not charming anymore. That kindness everyone in the story gushes about? I don't even think it was there in the first place.
Truth be told, I do need to reread this comic because the beginning is fuzzy as fuck in my walnut-sized brain. But I can tell you for certain that the way she was in the beginning is not who she is now.
And this isn't the case of a character going through an arc and developing and changing. She's just getting worse and the narrative treats it as a GOOD THING.
"Oh yeah, Persephone trashed Leuce's apartment instead of talking to her husband like an adult. She threatened to kill this nymph but you're supposed to find that endearing." Like, what??? I will not have a story try and get me to believe this is a good thing.
If this were a good story, Persephone's actions in that episode WOULDN'T BE REWARDED. But she's rewarded with sex for being a fucking psychopath towards a random nymph. Wow.
And that leads into my next point-- she can never be in the wrong ever.
AOW? Retconned, not her fault. It wasn't her fault she killed all those people. It's actually Eris' fault because she gave her wrath.
Trashing Leuce's apartment? She was in the right for that, apparently.
Killing people in a famine during the 10 year banishment? That's never explored, we just know she killed people, burned a library or something, and probably shot the president too. But it's fine, she's the good guy.
And most recently (and potentially the most frustrating);
Persephone causes winter.
Not her mother, Demeter, no fuck the myths. Persephone is the one who caused winter actually. AND SHE DID IT ON ACCIDENT SO TECHNICALLY IT IS NOT HER FAULT CAUSE SHE DIDNT MEAN TOOOO UWU She also probably killed a million flower nymphs in that snap freeze but its ok it doesn't matter.
WHAT?
WHAT THE FUCK? CMON NOW.
She's not going to receive any consequences for anything because she is just too perfect.
She's smarter than Athena, prettier than Aphrodite, better than her mother in every way, all the boys want her, she has a perfect body, she's pink, her eyes go red when she's angy, she has the most power of everyone in the world, she's a super rare fertility goddess, she has all the gifts, all the blessings, and none of the development.
It almost feels like a wattpad fanfic.
"My mom doesn't like me so she sold me to one direction and then I became queen of the underworld."
Yeah, I don't like her.
And the same can be applied to Marinette!
A character who is so blatantly perfect, the narrative fucking BENDS TO HER WILL.
She's a creepy ass stalker and has done some weird ass things to get close to this random famous white boy and it's all excused.
It's literally excused.
There is a rule about character backstories. They are supposed to provide an explanation for a character's behavior, not an excuse for it.
In season 5, episode 14 - Derision, we see a bit of Marinette backstory. Some stupid bullshit happens and Marinette essentially says she isn't going to say 'I love you' to anyone unless she knows literally everything about them.
She says a lot in that stupid ass scene but it's basically just saying that all of her stalking and creepy behavior is justified. Which it is not.
Marinette can do no wrong. The narrative won't allow it.
She's perfect in every way. And even when SHE is in the wrong, characters somehow find a way to apologize to her. Either that or she turns a situation about someone else into one about her self.
She's just the perfect character who ends up saving the world.
Fuck having Chat Noir face against his dad in the finale, Marinette has to girlboss all over the place and save the day but then actually lose because the "plot" demands it.
Oh yeah and she's probably never going to tell Adrien that his abusive dad was the villain they had been fighting for months. Do you think that's a good choice? I'll give you a hint; it is not.
It makes Marinette look like a HORRIBLE character but it's painted in a way that makes the viewer believe this is the right decision.
I don't think I need to get into specifics as to why that is wrong and disgusting.
If I had to make a prediction for this show going forward, she isn't going to tell him. It's going to be forgotten and she's going to be painted as the hero.
No flaws, no accountability, nothing.
Garbage character. Fucking hate it.
Both of these characters will never see consequences for their actions. Their bad actions are either excused or retconned out of existence. And that's not how you write a character btw. If you want them to be real, give them consequences. The world should not revolve around them. They should have flaws and issues that should be explored. But apparently that's too much work.
It's funny how both of these properties claim to be about feminism and somehow completely miss what feminism is
Miraculous thinks that feminism means "Girl power! Girls are better than guys in every way!" And Lore Olympus makes no attempt to be feminist at all. Women hate other women, and they don't get a lot of opportunities to explore and express themselves.
I could get into the whole purity culture shtick but that's a shitty rant for another day.
I've been ranting about this for a while and I got the big ones out of the way, methinks. I do want to get into the creators of both of these things but that is also a rant for another day.
Cause if I got into that now, we'd be here a while.
So let me just make a final comparison and wrap things up here. I don't think any of this makes a lot of sense but I hate both things and I'm passionate about it so I'm gonna keep rambling.
Miraculous Ladybug and Lore Olympus never attempt to grow as stories. They are both scared to try new things and to stick with it. Most of the time this results in rushed writing and horribly done characters.
It's so clear that both of these things are desperate to be something great but they just can't put in the work to get there.
Honestly, they both feel like the product of a team of yes-men. Bad decisions and errors slip by WAY too often and it's kind of embarrassing.
These are popular pieces of media and they have the resources to be great but they just aren't.
They're both too insecure to make something of themselves.
It's honestly really sad and I don't want this for either of these things. I want LO to be stunning and retell the myth of Persephone with the respect it deserves. I want MLB to be a serialized show with focus on the lore. Sure it can start as episodic but it can ease us into a deeper story and intrigue the viewer. But I want it to flesh out the world and be an entertaining experience.
It's sad but it's the way it is.
Who knows, maybe MLB season 6 will be good. And maybe LO will have a 4th season and it'll fix all the problems it has.
I dunno.
Thanks for reading this incoherent nonsense.
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gryficowa · 4 months
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The others blame Marinette for Chloe's behavior
The others blame Chloe for Marinette's trauma
And I blame Thomas for everything he wrote and did with his characters
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into-september · 6 months
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"Destruction" is the worst episode of Miraculous Ladybug
Oh hey guys, remember way back in April or something when I said I was doing this? Well, the one year anniversary of its premiere is a suitable time to post this, particularly since yesterday saw the airing of the last piece of canon to come out in a while, which happened to be set immediately after these events.
With the always obligatory reminder in place that I generally think that “Miraculous: Tales of Ladybug and Cat Noir” is in fact a good TV show whose appeal potentially reaches beyond its merchandise-mandated target group, it has an unflattering pattern of introducing the juiciest story threads and then just… do nothing about them.
The topic of today’s sermon isn't in isolation the worst offender. But it is thanks to this that the worst offender happens at all, so I'm not gonna be nice about it.
Scroll past to skip the negativity.
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So, “Destruction”, possibly the most eagerly awaited episodes of out S5 if you don’t count all the false advertisement that was “Revelation”. I remember finding this episode uncharacteristically charmless for this show when I first watched it. They've been onto heavy topics before, but those episodes still had that je ne sais quoi that gives this show such heart. But re-watching "Destruction" I found it lacking already from the first scene, and felt it only in glimpses. It's just not fun.
The episode is also poorly paced, no way around it. It is inexplicably a flashback to two episodes ago which is not evident from the start. More than half the runtime technically consists of Marinette and Alya having a sleepover. The battle and its game-changing outcome is over at 12 minutes into the episode, which is barely past the halfway point. After that, we spend five minutes - a quarter of the episode's full runtime - on a flashback re-playing the same battle but now with verbal exposition explaining Marinette's clever plan. Mind that the confrontation between Marinette and Gabriel lasts for all of seven minutes, meaning that the flashback is nearing the length of the battle itself.
To top it of, it's bogged down with lengthy exchange between Gabriel and the kwamis just to make clear that the haters on the twitter were totally wrong when they bitched about Orikko being OP because actually its powers were something else than we established last season. Here's a bonus plot hole which has nothing to do with everything else I'm going to nag about: Orikko allegedly can't give out the powers of time-travel because no kwami can replicate another kwami's powers. Except for Nooroo and Duusu, I guess, who have done so on several occasions. One of the more remarkable being the episode which first heralded the event that "Destruction" set in motion: "Timetagger".
And who can forget that this was the second time in three episodes where Ladybug and Cat Noir had Monarch at their mercy but spent so much time giving triumphant speeches that he gets away.
Or that that in fact was the second time on the same night.
But while those things certainly make the episode poor, they are not what makes it the worst.
What makes this episode the worst isn't its technical failures, but about the way it leaves its feces all over the themes and the character arcs it seemed like the show had been building up until this point. Moreover: in the role it plays in S5 and the Agreste storyline, and how the show's refusal to touch it again creates a black hole in the season at large, and arguably in the show as a whole.
I. THE INESCAPABLE CONTEXT OF WHAT CAME BEFORE IT
The art of telling a story is the art of highlighting what matters and leaving out what doesn’t. In a well-crafted story, no matter the medium, no detail is insignificant. Every word is carefully chosen, every line or hue made with intention. The curtains aren’t blue just because, and Miraculous Ladybug has made too many meta jokes to hide behind the claim that it’s just a silly rom-com for kids. It has trained its older audience into looking for context and connections; after “Mr. Pigeon 72”, you can’t insist that nothing that happened earlier in this show matters for what happens later. Titles matter a lot in a show where episodes are titled after the villain-of-the-week who usually is the thematic mirror to what our heroes are going through.
“Destruction” is the fourth episode somehow named after Adrien, and the third somehow named after Plagg. You bet this matters.
As some might know, "Kuro Neko" is not my favourite episode. That's not to say I don't like it! It's cute! It's playing a really interesting scenario! We get Plagg hanging out at chez Marinette! But to enjoy it, I have to willfully ignore the storytelling incompetence it flagrantly displays. Because the moment you peek beneath the surface of the events happening to consider theme, motifs, and narrative parallels, it's just
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"Kuro Neko" is the second episode that is named after Cat Noir. The first one was "Cat Blanc". There is a thematic connection between the two; not a very clear one and probably not an intentional one, but all the same: both episodes are about an alternative to Cat Noir. One is the result of his father's violence; the other is Adrien's own attempt to become more like the person he presents around his father. They also both show us Plagg and Adrien negotiation Adrien's relationship to Ladybug, and how Ladybug and Cat Noir negotiate that same thing.
"Cat Blanc", for all its apocalyptic visions, starts and ends with hope. It starts with Marinette’s hope at confessing to Adrien, to Adrien’s hope in finally knowing Ladybug’s identity and knowing her like he’s yearned for for three seasons. Those hopes lead to disaster, but the episode ends with Ladybug finding Cat Noir on the Montparnasse Tower, where he is singing his lullaby about the kitty being "all alone without his Lady". As is fitting, Marinette breaks the pattern: after having just witnessed a world turned to destruction because the two of them loved each other, she leans her head on his shoulder in perhaps the most romantic gesture she's ever given him.
"Kuro Neko", in contrast, starts with Adrien resigning the job when he realises that Ladybug no longer needs him and that makes him feel bad. It ends with him coming back and verbally accepting that Ladybug doesn't owe him any exclusive treatment; he isn't her unique partner, just one of many. Where the final scene of "Cat Blanc" seemed to confirm that Ladybug is indeed the answer to Adrien's solitude, the final scene of "Kuro Neko" and its continuation in the first scene in "Risk" both make clear that the opposite is now status: Adrien has to accept the painful fact that as much as Ladybug might be the most important person in his life, Cat Noir does not hold a similar space in Ladybug's.
(The end of “Strike Back” of course claims to remedy this, but those words don’t ring very true when to Marinette’s knowledge, nothing of what went wrong today had anything to do with her keeping secrets from Cat Noir. More damning: Marinette never follows up on her purported regret. In all of S5, she never once sits down to share all those secrets with Cat Noir. Status from "Kuro Neko" still stands, and Adrien is fine with that now. This has nothing to do with the many problems “Destruction” creates, but talking about “Kuro Neko” by necessity means talking about how it wasn’t fixed even if they put the words in Marinette’s mouth. And now back to our scheduled programming)
"Cat Blanc" and "Kuro Neko" by their very existence bring up a thorny topic: That Adrien being Cat Noir isn't wholly unproblematic, and that both Adrien as an individual and Ladybug as the Guardian might have legitimate reasons to question that choice. This has always been obvious to the viewer who knows Hawkmoth’s identity, but the show itself eventually starts calling attention to that from an entirely different angle - namely that of his powers.
Lest we forget: The first episode of S4 that aired wasn't the first episode chronologically: It was "Furious Fu", wherein we learn that The Order of the Guardians has it out for Plagg specifically, and where Ladybug's status as The Guardian is almost revoked on the grounds that she's letting him run around unsupervised. This question of Plagg's whereabouts comes up again in the only episode that is named after Adrien sans Plagg: "Ephemeral", a re-play of “Cat Blanc” except not good. This whole subplot is quickly forgotten, though it being the only one of Su-Han's complaints that weren't about him being a boomer, it's also worth remember that "Destruction" technically happens a couple of hours after he made his last appearance. One might expect that his one consistent lesson would be important enough to echo a bit in the episode where it’s proven to be justified.
"Destruction", as not only one very early episode of the season promising to finally bring about some significant and not the least permanent changes to their lives, but indeed an episode happening on the same night as Ladybug's declaration of regret and Cat Noir's renewed declaration to be her partner, would by its title and its topic seem like the obvious place to finally resolve what "Cat Blanc" and "Kuro Neko" both asked us to question: The existential terror of Plagg's powers, why it is that Adrien is uniquely chosen to temper them at Ladybug’s side, and how Adrien feels about being the one to carry that responsibility.
Yeah. Well.
II. ADRIEN'S PRESENCE IN "DESTRUCTION"
Where "Kuro Neko" and "Cat Blanc" place significant focus on Adrien Agreste in his civillian life, in "Destruction" he appears on screen for a total of 25 seconds - most of which are another flashback to a previous episode, and whose purpose is to highlight Gabriel's hurt from the cataclysm, not Adrien's thoughts about what is happening.
Cat Noir's presence is also marginal. Three minutes of screentime pass from his first appearance until the battle is over. Said battle is the turning point in the war between the heroes and Monarch, thanks to neither Ladybug's powers nor Monarch and all the kwamis, but Monarch using Cat Noir's powers for an impulsive act of self-mutilation. Cat Noir is distraught over this, turning desperate when Monarch first start toying with the idea and being near tears after he carries it out.
I'll get back to the impact of this event, but for now I'll point out that the aftermath is brief: After Monarch escapes, our heroes have this exchange:
LB: We had him, we almost had him! The kwamis were safe, they were right here! CN: I cataclysmed him! I can't believe this, I just cataclysmed someone! Granted it was Monarch, but - there was a real person behind that mask, and it must have hurt him terribly! Milady, you gotta fix this! LB: Cat Noir, Monarch just ran away with my lucky charm! Without it, I can't fix anything. I can't call on my powers and undo the effect of the cataclysm. There's nothing I can do...
We then cut to the slumber party, where Marinette tells Alya that she and Cat Noir "split up" immediately after, and Alya comforts her. From this point in the episode, Cat Noir and Adrien only appear in flashbacks. First a fifty-second flashback wherein Marinette sets up her convoluted plans, then a few seconds of him moving his statue in the wax museum before Monarch appears.
In the episode that more than anything should thematise Adrien, Plagg's powers, and his relationship to his father, Adrien is on screen for a whooping four minutes and twenty seconds.
And because I am that devoted to proving my point, I went and timed all of Alya's on-and-off appearances, which clocked in at a total of five minutes and six seconds.
Alya is of course core to the slumber party which frames the setting of the entire episodes. Moreover, it is with Alya that the emotional arc of the episode ends: it starts with Marinette tormenting hersef watching a Ladyblog report about Monarch's recent win, for which Alya chastises her. The last scene (before Gabriel pulverises the miraculous) has Alya reassure Marinette that she will get the kwamis back. When she regrets her lack of superpowers, Marinette in turn reassures her that Alyas true superpower is being her friend. The journey of the episode was for Marinette to stop blaming herself for messing up, and learning to rely on Alya's support in the new turn the war has taken.
...
IN THE EPISODE WHERE ADRIEN KILLS HIS FATHER.
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III. SIR NOT-APPEARING-IN-THIS-FILM
In the episode where Gabriel commits suicide on his son's miraculous, here are some things that got more screentime than the son forced into using his only source of liberation to kill his father:
Flashbacks to past events (four minutes and fourty-five seconds)
Alya (five minutes six seconds)
The kwamis (six minutes and nine seconds)
Bet you can't guess which one is the only kwami who doesn't appear in this episode!
...okay, and Duusu, but you get the point. In the episode detonating the nuke that is the gruesome potential of Plagg's powers, and the potential damage Adrien might deal with them, Plagg never appears on screen.
In the episode highlighting the presence of the kwamis and their importance to their holders, the kwami whose presence is the most thematically tied to his holder's character arc is completely absent.
In the episode irreparably going into the only kwami whose powers is straight up murder, the kwami who The Guardians have singled out specifically as particularly dangerous, the kwami whose irresponsible nature has previously caused problems both to Adrien privately and Cat Noir professionally, said kwami is never even mentioned.
It's almost as if we're not supposed to remember that it is because of his presence that this whole tragedy was possible.
IV. THE EXISTENCE-DEFINING HORROR OF A CATACLYSM GONE WRONG
And ain’t that a funny one, when the gruesome potential in Plagg’s powers was the driving factor in Adrien’s first true crisis as a hero?
Marinette faced her moment in "Origins", where she gave up on her miraculous after the first disastrous attempt. She knows that she is the only one who can do something about the situation, but refuses out of her own lacking courage. She only becomes Ladybug of her own choice when she realises that she can save Alya's life. After this, Marinette never again questioned her place. She would grieve the burden on occasion, but she never once thought anyone else could do better.
Adrien, as we all know, was the polar opposite: he jumped right into it without reading the manual, had to have Ladybug pick up the pieces after a rash cataclysm, and never doubted his calling again until he realised what Plagg’s powers could do when used on a living being.
The NYC special has Adrien quit for reasons that had nothing to do with being unsatisfied with Ladybug's HR policies. It is in part because he effed up his duty as Paris' substitute guardian, but it's certainly also because of the recent horror he just witnessed: his hand forced by someone else nearly killed Ladybug, and killed Uncanny Valley instead as she stepped between them. Adrien just saw a mother weeping over her daughter's corpse, and how only the lucky presence of Ladybug's powers could undo the damage caused by his, unintentional thought it might have been. Adrien would of course never kill anyone on purpose, but Uncanny Valley’s temporary malfunction was a brutal display of what would happen if he stumbled the wrong direction with the gun loaded. Ladybug might have the duty to protect Paris, but Cat Noir has the duty to not to disintegrate people on touch.
The show never before discussed the weight of this burden in Adrien’s presence. “Cat Blanc” did it from Marinette’s side, but this never was a consistent story thread, only briefly brought up as her remembering why his knowing her identity is a bad idea. The sabbatical in “Kuro Neko” has nothing to do with Plagg or with Adrien’s sense of duty, and where you’d think this would be where Marinette finally brings up the issue bridging the NYC special and “Cat Blanc”, neither of the two are as much as alluded to. That Adrien has the power of murder has yet to be explicitly discussed in the show proper, but in combination with his personal relationship to Hawkmoth being a ticking irony bomb, the question of can he even bear it is inevitable.
That Adrien’s post as Cat Noir wasn’t as given as Marinette’s as Ladybug is echoed in the amount of times that Adrien has either quit or at least contemplated doing so (“Syren”, NYC special, “Wishmaker”, “Kuro Neko”). He likes being Cat Noir more than Marinette likes being Ladybug, but he lacks her iron certainty in the role. It is notable, then, that THE ONE TIME where Marinette questions her part, it is after Cat Noir has quit. She says this, out loud, in words. When Cat Noir’s powers become too heavy for Adrien to carry, then Ladybug, too, disappears.
So surely "Destruction" must be the point where this is finally comes together - where Adrien's history of quitting meets his ultimate crisis, where his powers abused on a human being of flesh and blood forces him into confronting the potential cost of being this particular hero, which will foreshadow the ultimate choice he’ll have to take: between being Cat Noir and being his father’s son. And where his choice, in turn, will define whether Ladybug can exist.
Or not.
Maybe we'll never again have Adrien think about how he probably murdered a man. Maybe we'll just - oh I don't know.
Have him start trying to cataclysm people?
Repeatedly?
While showing none of the horror at himself which he clearly had in the aftermath of accidentally cataclysming the villain responsible for his later victims’ possession?
And in the end, after never calling attention to Adrien’s new and trigger happy ways, we’ll have him give in to his fear, claim that he isn’t strong enough to responsibly use Plagg’s powers, and send his miraculous away for Ladybug to use alone, because it turns out that “Kuro Neko” was right and the NYC special was wrong: she can be Ladybug without him.
Growth, amirite.
V. IN THIS HOUSE WE DON’T TALK ABOUT PATRICIDE
Dramatic irony was the main engine driving "Miraculous Ladybug" from the start, and it was Adrien who bore the brunt of it. Not only did he spend four and a half seasons in unrequited love with a girl who rejected him for himself; he spent five seasons doing weekly battle against his own father.
The superpower war between father and son isn't just a source of story tension, however: it is inextricably mirrored in their relationship as family, where the father is openly abusive and the son is magically incapable of protesting. The show repeatedly makes A Point about how the freedom Adrien so wants, is one that he only gets through being Cat Noir, and the only way Adrien is capable of fighting his father - albeit ignorant of it - is with Plagg's powers.
Cat Noir defeating Hawkmoth was necessary not just for his story as a superhero, but as his character arc as a normal boy.
And in "Destruction", this is exactly what happens. Thanks to Plagg's powers, the path to Adrien's freedom is finally paved, in the most gruesome and unwanted manner possible. Adrien might not get the big cathartic show-down with his evil father, but technically he was the one to bring him down.
But we don't talk about that. Except for his one (1) line after Monarch escapes with Ladybug's lucky charm, Adrien never again brings up the fact that his being careless with a cataclysm certainly maimed a man, by precedent (Aeon) possibly killed him. Rather than a story arc about Adrien being afraid of his own powers, it’s only now that he starts aiming it at people when he’s under emotional duress. This could of course have been one hell of a story point if it was intentional, but by all accounts, it wasn’t. When Adrien never again reflects on his having probably murdered a man, or reasons that Monarch is probably fine since he’s clearly still around so maybe a cataclysm isn’t so bad, and he never dwells on his nearly murdering two of his friends, there can’t have been any connection intended here. Moreover: when Adrien is scared of his miraculous towards the end, it’s not about its capacity for normal murder when he’s having a bad day, but its capacity of ending the world if he happens to be akumatised.
Gabriel is likewise disinterested in the cause of his impending disintegration. You’d think the man would feel some kind of special resentment towards Cat Noir and his powers, you could think this was where he’d get to re-thinking his relationship to the two people who are sitting on the keys to solving all his problems. Maybe he’d start doubting himself now, bearing the ultimate testament to his magical hubris. But no. The cataclysm wound is there and it’s a problem, but the reason it happened is completely irrelevant to the man who did this to himself and unknowingly, to his son.
That is almost as mind-blowing as the fact that they really had a straight up patricide happen on screen. Sure, death was never the intention of either of the two parties, and Adrien certainly holds no blame for what happened. But Gabriel must have at least known what he was risking, and even if the soft-hearted Adrien would somehow reason away the gravity, Plagg would certainly now. By its very nature, this one cataclysm drags out and distils a plethora of questions about both Adrien’s role as Cat Noir, about Gabriel’s vision of himself and his goals, and about their relationship not as father and son, but as villain and hero. The gruesome narrative irony looming over all this is in that regard just the icing on the cake.
There is certainly an Oedipal layer to the drama of Gabriel and Adrien, though the often more scandalous incestuous angle is considerably downplayed here. Even so: By the denouement of S5, Adrien has successfully killed his father and set up a home with his mother. That really happened, but we’re sure not going to investigate how this influenced the relationship between two nemesis, between father and son, between Adrien and his kwami.
The cataclysm in “Destruction” turned Adrien from anguished shoujo love interest to the hero of a greek tragedy, but the show is dead set on pretending that it didn’t.
VI. SO THEN WHAT WAS THE POINT
In isolation, "Destruction" comes across as weird more than anything. It's named after Adrien's kwami, it spends an inordinate amount of screentime on Adrien's father, it reaches back to Adrien's perhaps most defining moment as Cat Noir as it fundamentally changes the game between our heroes and our villains as one of them is finally dealt a damaging blow - which in turn sets Adrien's life down a path towards tragedy that must be interfered with for him to have a happy ending by the end of the season.
And yet, Adrien is a peripheral presence in it. Marinette and Gabriel dominate the screentime, Alya and the kwamis are consistently present as the thematic chorus at their respective sides throughout, the episode plays its events twice in order to make it clear that Ladybug is too clever for Monarch's miraculous, the emotional arcs that are followed are the follow-up on where Marinette and Alya stand after the disaster in "Strike Back" as well as Gabriel's renewed vigour. Adrien's only contribution to the episode is to follow Ladybug's instructions and to make clear that his relationship with his father is still awkward. The episode depicts probably THE most important event of the show, but this event is treated almost as an afterthought, and the horrors of it are confined to one (1) line of dialogue from Cat Noir.
The only thing in “Destruction” that is brought up in later episodes is that Gabriel is now actively dying. If they wanted for Gabriel to live on a countdown for his date with the grim reaper, there were countless other ways about it: Have it be his use of too many miraculous which backfires, have him having used the peacock before it was fixed, have it be too much evil on the hands of Nooroo, have him get a serious call from his doctor, have him screw up Tomoe's machinery, have him develop a drug problem. This is a fictional narrative; its twists and turns are absolutely in the hands of the writers, teenage girls being irredeemable or not. It was never vital that this happened by cataclysm specifically.
So what was the point, then? Did we truly turn our magical girl show into a Greek tragedy for the shocked pikachu faces only?
The one thing I somehow haven't seen people bring up, is that "Destruction" makes it impossible for Adrien to learn Monarch's identity. According to the writers themselves, the reason lies in two of the other episodes named after him: "Cat Blanc" and "Ephemeral", wherein he learns his father's identity and is promptly akumatised. This is of course bullshit: both these cases relied not on Adrien learning his father's identity, but on Gabriel specifically scheming to traumatise Adrien with both the Hawkmoth reveal AND the fact that he's been living in the same house as his mother's dead body for the last year or two (timeline here is spectacularly contradictory). There was anothing inevitable about this. You're the writers. You could've set up a scenario where Adrien didn't learn about his father's crimes as an act of psychological warfare, and where he'd have the time to absorb it, to grieve and to find support by the time he'd confront him with it. Having every person close to Adrien keep life-defining secrets from him “for his own good” is, by god, not a good look on anyone involved here. Still it’s understanable, at least for those who aren't either adults or gods of destruction.
"Destruction", however, serves as an explanation for the gaping plot hole in the epilogue: Marinette tells Alya, she tells Su-Han. The one she doesn't tell, though?
The partner who was at her side before Alya or Su-Han ever appeared, and stood by her in far worse storms. Because telling Cat Noir the truth would mean telling Cat Noir that he dealt Gabriel Agreste the killing blow, and ain't that a nifty way to ensure that Marinette won't. Because if Adrien does learn Monarch's identity and the truth about his fall in future seasons, Emilie better hide those garment pins.
The truly damning part of "Destruction" isn't so much what the episode itself does. It's what it doesn't do. It's the storylines it cuts short and leaves behind, and it is the storyline it by its very existence introduces, but which the show refuses to touch.
Per title and content both, "Destruction" should be the culmination of thematic storylines from "Cat Blanc", the NYC special and "Kuro Neko". It’s not; it’s not even about Adrien, and Plagg isn’t even present in it. Moreover: its lacking presence on future episodes make it painfully evident that ambitions, there were none. Those storylines were either aborted like Adrien picking up Felix's spyglass in the S4 finale, or the show never did mean for there to be such a thing as "layers" to this story about a boy who becomes a hero to unknowingly break free from his superhero father.
The real reason why "Destruction" is the worst episode of Miraculous: Tales of Ladybug and Cat Noir is that it obliterates the most cohesive character arc this show had going for it, and that this was done on purpose.
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gale-gentlepenguin · 6 months
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What is your opinion on the comments from the writers about the season 5 finale and the finale itself?
So I should say that the only comments I’ve seen (from the translation ) and this ( post )
My opinion on the writers and their commentary regarding the finale.
I do understand why they did the things they did.
Limited resources and wanting to utilize what they had.
I totally agree with their use of Piano Lucky Charm.
I think the fight the physical fight with Monarch and Bug Noire is phenomenal.
I can tell a Lot of effort went into planning this season out.
And as a Writer I can respect the references, nods, foreshadowing and jokes that were put in.
Fang using Kung fu is a hilarious image and it’s my favorite shot outside of monarch having a piano dropped on him.
People can say they like the ending, and if they do, awesome. I’m glad that you can enjoy this ending that I don’t.
So let’s have that put at the forefront
That is everything positive I have to say regarding the commentary and I will be going into detail on my ‘Problems’ below. And yes I will be getting angry.
(You have been warned)
I absolutely LOATHE their explanation on how they justify their ending.
Everything about it makes them sound pretentious and arrogant. They sound like they think they are being so clever with an ending when the ending is actually a fucking punch to the face of ANYONE that cared about having a resolution to this arc.
If the writers were so keen on having us CARE for Gabriel’s little arc. Why not take that Kwami’s choice special and replace it with a two episode arc of Gabriel, Emilie and co getting the miraculous? They can’t say budget because they could use flashbacks or the re-enactment from Representation.
And my goodness, the mental gymnastics it takes to say “Gabriel put down his other rings which means he lost” NO IT DOESNT. He is making his wish, he won. Why the heck would he need them after?!
“His wish is vague, so we don’t know what he wished for.” I DONT CARE IF HE WISHED FOR FREE ICE CREAM FOR EVERYONE ON EARTH! HE WON BY EVERY METRIC! It’s unsatisfying, it’s gross, and it feels all kinds of wrong to the point that my soul as a writer feels personally insulted.
The arrogant pretentious Pricks don’t even realize they left Ladybug in the losing position once again! She’s going to have to suffer the consequences of the wish. Not the person who died VINDICATED.
In the words of Brooke from one piece
“Death is never an apology.”
But she got the miraculous back? Yea, AFTER the villain got what he wanted. Adrien never finds out about any of this, Marinette is left gaslighting and hiding things from him, just like usual but now MORE people are keeping things from him.
All of this writing just end up with a cool final battle scene and then take a metaphorical dump all over it because their peak in character development is outfit changes.
The ending isn’t unsatisfying because it’s meant to be. It’s unsatisfying because it made 5 seasons of watching ML pointless.
And I didn’t think I could hate the finale more than I do. BUT THE COMMENTARY somehow made it Worse!? I don’t know how the f*** they did it.
But knowing their intent and knowing this ending was always intended makes VOLTRON’s ending SEEM serviceable. And yes I know how bad that sounds and I FUCKING MEAN IT.
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Fuck it, I'm fired up right now! I know I mostly talk about how badly Adrichat was failed by the narrative and Maribug as a friend, partner, leader, and Guardian
But that's because I can actually talk about that more or less fine. While, for example, writing about the way Marinette was written to make Toxinelle's entire redemption about herself is making my blood boil (which was the last straw for me, and I'm glad I got to draw it for a Marinette variation which reminded me about what I used to love so much about s1-s3 Marinette)
As does the way Maribug is waltzing through the Agreste mansion and emotional "family showdown" of the season 5 finale as a hypocritical destructive hero who plain obviously wouldn't have acted the way she did if ANY of that had ANYTHING to do with her, her family, fate, future, and were even a FRACTION her consequences to pay instead of ADRIEN'S.
That makes my blood boil so badly, I struggle talking about it so most of what I end up talking about is Maribug's treatment of Chat Noir.
But you wanna know who in my opinion got it even worse in Marinette’s guardianship and leadership than Adrichat? Which case makes me so upset that I stay away from talking about it?
PLAGG.
Fucking PLAGG was the most irrelevant and worst treated person in Marinette’s entire guardianship and leadership, and he's a fucking isolated KWAMI and one of the two miraculous powers the main villain wants.
Plagg's safety and well-being was almost entirely irrelevant in Marinette’s guardianship. He was stuck with taking on her role as Adrichat's partner and guardian because she justified neglecting and scapegoating BOTH of them.
Maribug at least had to interact with Chat Noir, but Plagg was entirely abandoned and stuck with nothing but the worst shortcomings of her leadership and still did everything he could to be there for his kid.
If we ever get Plagg refusing to acknowledge Marinette as his guardian because she never actually did anything in season 4 and 5 to ever properly help him and his kittens (ZOE COUNTS) in any substantial way, I will back him up like no tomorrow. Fuck that shit.
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fernsnouveau · 3 months
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If the Miraculous writers want to make the point that abuse victims are immature and infantile and volatile and need to be controlled by an authority for the sake of their own and the greater good, and therefore Adrien simply cannot be treated as an equal to the Great Marinette, then... I don't think they should be writing the two of them as a romantic couple. The inherent power imbalance is just no good.
(Don't get me wrong, even more so I just think that they shouldn't have taken that stance on abuse victims to begin with.)
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starlight-bread-blog · 8 months
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When a there is an outside factor building up to romantic leads not ending up together, while also wrecking the pacing of the ship...
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And the red herring's being toxic but the writers just hope you pick up on the vibe without holding anyone accountable...
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Is when it's time to check your bias.
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vennyvenadito · 9 months
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I’m glad I wasn’t the only person who had issues with the powers of the peacock miraculous
First of
The power is kinda the same as the moth miraculous, heck, even the presentation is the same
“A random person is sad so send an random akuma or feather, corrupt the item the person has, evil monologue and then BOOM new villain”
And what a huge coincidence is that both miraculous that has to do something with emotions has to be found by the bad guy
But the question is….what does the concept of “Emotion” has to do with creating living creatures, in fact, the concept of emotion works much better with the moth miraculous, but transmission still works too
The moth works better because the akumatized villains are created by what are they feeling, in fact, is like the villains in their designs is like a way to let out all of the emotions they are feeling right now
So then….what about the peacock? Why do we need two miraculous who has to deal with the emotions of a person?
Like, at least one of them is mostly about let the person get release all of the emotions they are feeling and they transform
You may say that to create a sentimonster you need an item and it’s created by the persons emotions, like love, hate, happiness, etc
But that topic comes to another problem with this power…look how I say a lot to of times create before and right now
create
create
CREATE
What miraculous HAS not only that power BUT also that specific concept?
THE LADYBUG MIRACULOUS!!
Why the heck the peacock is allow to create living beings BUT no the ladybug?
Like, why the ladybug is only allow to create random items but no living beings, it’s literally the concept of creation but also LIFE, the ladybug miraculous should be the one with that power, it’s work and match a lot better than with the peacock, because again, what does emotion has something to do with create a creature?
Can someone explain that, did I miss something???
I know it would make the ladybug miraculous more overpower than already is but at least it would make more sense, like imagen it’s like a power up, that could work
Anyway, that’s kinda all I wanted to say about that issue
What power would you think could worked with the peacock miraculous
I say before I did have two ideas, one spying people around mirrors and the other one was to with the feathers if anyone looked directly to them, they would be blinded by them
So, what do you guys think, do you agree with me or not, let me know
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m3nt4llyr4v3d · 1 month
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As much as I have opinions on how Miraculous goes about its writing, damn are the ideas it brings up so juicy
Like I feel like there’s something to be sad about how everyone deals with their problems or their trauma. Like, so many of the characters have issues, and it’s so fascinating to think about the way they respond to them
Marinette has the entire safety of Paris on her shoulders and basically in a constant state of trying to fix things even when it shouldn’t be her problem in the first place
Adrien was raised to be as obedient as possible and doesn’t know jack about how to be a kid, literally has no ambitions at the moment, he’s constantly apologizing for things that feasibly wouldn’t be his fault and trying to fit whatever mold he thinks someone wants of him
Chloe’s mom left her and is verbally abusive and calling her daughter a failure for the entirety of Paris to see, so she lashes out at everyone around her and constantly uses her dad’s power. Also the fact that two fully grown adults manipulate her before she’s sent away, just awful
Nino’s best friend has the worst dad imaginable and he felt powerless about the situation wanting to help Adrien (seriously I hope they bring up Guilttrip sometime in the future it reveals a lot of really concerning things about the characters), so he tries to be the best bro to him and give him every experience he can
No idea what happened to Lila as her backstory is uhhhhhh, but that lying, the disguises (she literally came to school in one), and the fake identities had to have come from somewhere. I remember, before the whole 3-moms-thing, theories about her lying for attention because her mom is never home and she’s genuinely lonely, using a scene where she’s talking with Nino and looks actually upset as evidence, so that’s something to consider
Luka’s dad left, and he basically became everyone’s therapist, which he really really really shouldn’t be. We’re told he’s this chill, go with the flow dude, but when your response when hearing your current girlfriend (or at least the in between friend and gf) still likes someone else and saying “I already know that”, that’s just concerning. Dude’s everyone’s therapist, but is anyone checking on him?
Juleka has anxiety and still has unresolved issues with her dad leaving and coming back and (my memory is fuzzy here) not really interacting with her? She’s quiet and keeps a lot of emotions just bottled up cause she doesn’t express them verbally
This is stuff off the top of my head, but damn. As much flack I like to give to this show, thinking about stuff like this is what keeps that little part of me who loved the show years ago alive. Like, I genuinely don’t care what some of the characters have done, I think all of them need a hug and as much therapy as possible
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melissak2802 · 9 months
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While I am at complaining about the supporting characters treatment in the show, may I speak about Sabrina.
Sabrina who is forced by the show to stay stagnant in abused and toxic position without revaluating her situation for 4,5 seasons,
after the protagonist attempts reaching out to her and explain she deserves a healthy friendship ("Evillustrator");
after her father loses his job on Chloe's whim ("Rogercop");
after Chloe repays her with open ingratitude and cruelty, breaking her heart, causing her akumatization ("Antibug"), and after it happens again ("Miraculer");
(And in both these cases her return to Chloe is framed as POSITIVE thing)
after she becomes a superhero ("Penalteam");
after she is akumatized because of Chloe's cruelty again but this time as purposeful manipulation by Chloe to force her akumatized self to participate in a crime of framing a person ("Adoration");
and then decided to rebel only when she is being forced to ruin 10 teens' career, but mostly because the plot demanded it ("Confrontation")... still better than nothing I guess.
Sabrina the only kid in the class whose first "akuma episode" is just an opening of another person's akuma episode (Chloe's, to be precise) and not even named after her;
(And whose second akuma episode is a Chloe-centric episode again, and whose third akuma episode is kind of Chloe-centric and kind of Zoe-centric)
Sabrina who has, like, several minutes of screen time in her superhero debut episode (that is, through, a misfortune she shares in "Penalteam" with Ivan, Nath, Marc, and also Kim in "Party Crasher");
Sabrina the only hero in the team who is replaced after one outing despite not even doing anything wrong as a hero or any explanation (in Season 4 finale Ladybug introduces Flairmidable as PERMANENT new Dog);
(And it remains completely unnoticed. Care to compare with the infamous Queen Bee retirement drama?)
Sabrina on whose personality the story cannot decide other than "she is Chloe's underling"(how willing to be a petty nuisance is she? What are her beliefs and values? Depends on the episode. What are her skills? Whatever the episode demands. Interests?...I suppose football was mentioned once).
Whose father's personality is retconned from protecting justice and people's rights despite corruption of superiors ("Rogercop") to approving of his daughter's rightless position and humiliation ("Startrain").
And whom being abused the story's deuteragonist (himself an abuse victim, mind you) is watching in enjoyment ("Lies").
And about whom the author has the gut to accuse VIEWERS of not caring about her enough.
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