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#Nicholas D. Johnson
sweetsmellosuccess · 1 year
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There is, apparently now, a "Searching" universe, a world in which beloved family members suddenly disappear, leaving worried relatives to pore over their internet footprint, sleuthing through all their digital touchstones until they can be recovered.
I speak, of course, about "Searching," Aneesh Chaganty's surprisingly engaging 2018 film, which followed the anguished trials of a widowed dad (John Cho), after his teenage daughter suddenly disappears, using all the tricks of the internet age -- Google, chatrooms, IG images, emails, texts, maps, et al. -- to track her down in time for a rescue.
Nicholas D. Johnson and Will Merrick's film "Missing" actually opens with re-created shots of the last film's conclusion, taken from an episode of a fictional TV show called "Unfiction," a true-crime reality show, watched by June (Storm Reid), a teen whose own father, James (Tim Griffin), passed away when she was little, leaving her with a single-parent mother, Grace (Nia Long), with whom she is often in contretemps.
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Missing
“Missing” brings more of what made “Searching” so suspenseful and engaging, but still managed to keep me on the edge of my seat.
 June Allen plans to throw a house party when her mother and her new boyfriend go on a vacation to Colombia. She’s asked to pick the two of them up at the airport when they come back. On the day June is supposed to pick the two of them up, they never show up. This leads June down a rabbit hole of trying to find her mother. In order to do that, June must uncover some dark secrets.
In the thesis of my review of “Searching”, I called the adherence to show the story through screens a ‘gimmick’. I’m realizing now that that’s not the charitable description that these movies deserve. The fact that these movies are shown through this medium is actually perfect for a modern-day mystery. Technology has come so far and made so accessible that it’s the obvious tool to use when uncovering any type of mystery. We’ve all done a bit of internet sleuthing in our days and “Missing” captures that feeling perfectly. It’s such an effective way of getting the audience invested in the story because June uses apps and tools that we would use in that situation. The story never has to slow down to explain what these tools do because they’re ubiquitous enough for everyone to understand. This leads to a feeling of nonstop mystery and suspense throughout the whole film. I was so sucked into this movie that I caught myself flinching when something happened suddenly or letting out a cry of despair when something went wrong. I was scared that this movie was following the same framework as “Searching”. I was scared that it would be the same story, but this time it was from the perspective of the child. Luckily, this movie quashed all my worries when the first series of twists and turns took place. I will admit that there were similar beats to the first movie, but they either changed it up enough to feel fresh or spent significantly less time on them to focus on more original things. For example, a big part of “Searching” was watching how all of Margot’s classmates suddenly acted like her best friend when there was increased media attention on her disappearance. There’s something similar to that, but instead of sympathy, the public discourse skewed negatively. I wonder if that was a subtle way of commenting on how the news portrays victims that are women and/or people of color since the victim in this case was a black woman. It’s a small change that completely changed the tune of what the first film was going for in a genius way. Plus, they don’t dwell on it for too long since it was such a big part of the first film. Also, I want to praise Storm Reid’s performance in this. She has been in a ton of top-tier works lately and I’m becoming a fan of hers. She was great in “The Invisible Man”, “The Suicide Squad”, and she was great in that one episode of “The Last Of Us”. Of course, she brings her A-game to this project and I’m excited to see her in more things. All in all, I am becoming a huge fan of this franchise and I can’t wait to see more from them. I think it’s safe to say that they’re doing something different from the rest of what Hollywood is making and delivering extremely quality productions. Definitely check this movie and “Searching” out if you haven’t already. I promise you, you won’t regret it.
★★★★★
Watched on March 7th, 2023
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rookie-critic · 1 year
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Missing (2023, dir. Nicholas D. Johnson & Will Merrick) - review by Rookie-Critic
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Found footage horror is a genre of film that, though the market got a little over-saturated with it in the 2010s, has managed to turn out some of the most classic movies that modern horror has to offer. Movies like The Blair Witch Project, Paranormal Activity, and Cloverfield are all mainstays nowadays, not just among horror fans, but in the world of film, in general. It even started to eke outside of the horror world with films like 2012's Chronicle, which acts as more of a sci-fi, subversive superhero film than a horror one. Then, moving past just the idea of "person free-handing a physical camera in story that acts as the footage that makes up the film," 2014's Unfriended sought to slightly evolve the genre, taking the footage from the camera lens to the computer screen by choosing to tell its story through a screen recording. That format, too, would break out of the horror genre in 2018 with the John Cho-led film Searching, which presents as more of a crime-thriller. I mention all of this to bring context to the subject of today's review, Missing.
Acting as more of a spiritual successor than a sequel to Searching, Missing is another story told from the point-of-view of device screens: mainly the screen of a Macbook used by the film's main character. I walked into the theater thinking I was about to be underwhelmed by this movie. I never watched Searching, even though I love John Cho, because it seemed gimmicky to me (I never watched Unfriended, either). I wasn't sold that a story told in that format could convey itself as well as actually being able to get up and follow the characters' motions through the world they are inhabiting. So, when the trailer for Missing dropped, I had two thoughts: 1) I can't believe they made another one of these, and 2) it looks like they gave the whole film away in the trailer anyway. Imagine my surprise to then walk out of the theater two hours later, very impressed by the story they were able to weave. I was enthralled. The story, they mystery, the influence that the constraint of this storytelling format has on your imagination and your patience. It's as close as a movie can come to telling the story from a first person perspective, as you are just as in the dark as the main character is. There is only one time in the entire film where you are given information that the protagonist doesn't have, and even that is done in a way that doesn't break the flow of the format. The writing is so tightly wound and Storm Reid, who plays the film's protagonist, is so captivating that together they draw you in. You buy into the story (or at least I did) to the point where you're barely even noticing the "gimmick" of the film telling its story through device screens unless the filmmakers want you to notice. Directors Nicholas D. Johnson & Will Merrick have cracked that crucial ingredient to making a successful "found footage" film: you write a story that is benefited by using this format. You can't just slap a found footage style on a movie that could have been filmed in a more traditional style, you make it to where the found footage method is the only style that film can work in. I truly believe that Missing benefited greatly from this fairly new evolution on found footage, and would not have been even half as interesting had it been presented in any other format than this.
All my raving and rambling aside, it's still not a perfect film. There are almost too many plot twists or revelatory moments, so many that I came very close to getting plot twist fatigue, and that would be a major detriment to the film if its big "oh shit" plot twist wasn't so wild. It really wipes a lot of those other moments away and brings you back down, allowing you to buy back into the drama of it. The other big problem with the film is that a good chunk of the dialogue is pretty corny. There is an element of humor in the film, a lot of which is visual-based, and a lot of which I did quite enjoy, but the corny dialogue did come off as more of a distraction than an endearment, and it is pretty persistent throughout the entire movie. It won't be topping any "best of" lists or winning any awards, but Missing was deceptively very good, despite a couple of tiring elements, and it just proves that as long as the writing is solid and the story is strong, gimmicks don't have to be or feel gimmicky. Any format works as long as the effort and care are put in.
Score: 8/10
Currently only in theaters.
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Missing (2023)
"I know you're in summer vacay mode, but do you have a sec?"
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Missing (2023) Review
June has been looking forward to her mother Grace going away for the week and has big plans with her friends. Agreeing to pick her up from the airport when arriving home she quickly gets worried when the flight lands and her mother is not on it! ⭐️⭐️⭐️⭐️ Continue reading Untitled
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Missing (15): "OK, Screen time is over young lady".
#onemannsmovies review of "Missing" (2023). #missingmovie. A cracking little thriller with some GENUINELY surprising twists and turns. 4.5/5.
A One Mann’s Movies review of “Missing” (2023). I really loved the film “Searching” with John Cho. So much so that I made it my No. 6 choice in my “Films of the Year” from 2018! It was a truly novel creation: every scene was seen through an electronic screen of some sort. But it was not just gimmicky… it had a decent story and a lot of heart too. Now, 5 years later, the same production team (and…
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stormy-skyzzzzzz · 4 days
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no but my type is just grown ass men who are babygirl.
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allamericansbitch · 2 years
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based on this thread, here is a list of famous people who have supported johnny depp and/or made fun of amber heard. fuck all of them:
Aly & AJ
Alissa Violet (Influencer)
Anitta
Ann Coulter
Ashley Benson
Ashley Park (actress from Emily in Paris)
Auli'i Cravalho (actress from Moana)
Bailey Muñoz
Bella Hadid
Ben Shapiro
Booboo Stewart
Chase Hudson (Lil Huddy)
Chase Stokes (actor from Outer Banks)
China McClaine
Chris Rock
Cierra Ramirez (actress from The Fosters/Good Trouble)
Cody Simpson
Connor Swindells (adam groff on sex education)
Cazzie David
Critical Role
Dakota Fanning
Dakota Johnson
Daniel Ricciardo
Diana Silvers
Dillion Francis (DJ)
Dominic Fike
Dove Cameron
Elle King
Emma Roberts
Florence Pugh
Gabby Douglas
Gemma Chan
Halle Bailey
Henry Golding
Ian Somerhalder
Jaime King
Jamie Campbell Bower
Javier Bardem
Jennifer Aniston
Jennifer Coolidge
Jeremy Renner
Jessie J
JK Rowling
Joe Perry (Aerosmith)
JoJo Siwa
Jordan Fisher
Julian Kostov (actor from Shadow & Bone)
Justin Long
Kali Uchis
Kat Von D
Kelly Osbourne
Kelsea Ballerini
Kyle Rittenhouse
LaKeith Stanfield
Lance Bass
Lennon Stella
Lewis Tan
Lucy Hale
Madelyn Cline (actress from Outer Banks)
Maren Morris
Matthias Schoenaerts
Michael Clifford (of 5 Seconds of Summer)
Molly Shanon
Nicholas Braun
Norman Reedus
Nyane (popular instagram model)
Olivia Jade
Paige (from WWE)
Paris Hilton
Patti Smith
Paul Bettany
Paul McCartney
Penelope Cruz
Perrie Edwards
Phillip Barantini (director of Boiling Point)
Pokimane (Twitch Streamer)
Reeve Carney
Robert Downey Jr
Rian Dawson (Drummer of All Time Low)
Riley Keough
Rita Ora
Ryan Adams
Sam Claflin
Samantha Hanratty (actress from Yellowjackets)
Samuel Larsen
Seth Savoy (Director)
Shannen Doherty
Sharon Stone
Sia
SNL cast and writers
Sofia Boutella
Sophie Turner
Stella Maxwell
Tammin Sursok
Taika Waititi
Tony Lopez
Upsahl
Vanessa Hudgens
Vanessa Morgan
Vanessa Paradis
Vincent Gallo
Yungblud
Zachary Levi
Zedd
Zoe Saldana
Zoey Deutch
People who publicly support Amber:
Aiysha Hart 
Alex Winter
Alexa Nikolas (actress from Zoey 101)
Amanda Seyfried
Amy Schumer
Anna Sophia Robb
Bianca Butti (Amber's ex)
Busy Philipps
Chace Crawford
Chloe Morello
Christina Ricci
Constance Wu
Contrapoints/Natalie Wynn
Corey Rae
Dana Schwartz (journalist and writer)
David Krumholtz
Dolph Lundgren
Edward Norton
Elizabeth Lail (actress who played Beck from you)
Elizabeth McGovern
Elizaberh Reaser (Esmé in Twilight)
Ellen Barkin
Emeraude Toubia (actress from Shadowhunters and With Love)
Emily Ratajkowski
Evan Rachel Wood
Finneas
Howard Stern
Ira Madison III
Jamelle Bouie (NYT columnist)
Jessica Taylor, Dr
Jon Lovett (podcaster & former White House speech writer & fiance of Ronan Farrow)
John Legend
Julia Fox
Julia Stiles
Julianne Moore
Kate Nash (singer, actress from Glow)
Kathy Griffin
Kristen Bell
Lauren Jauregui
Lena Headey
Lindsay Ellis (YouTuber)
Lindsay Lohan
Lindsey Gort
Mia Farrow
Michele Dauber (Stanford law professor)
Millie Brady (actress in The Last Kingdom)
Mel B
Melanie Lynskey
Melissa Benoist
Monica Lewinsky
Nathalie Emmanuel (actress on Game of Thrones)
Neil Gaiman (writer of Caroline, American Gods, Good Omens, etc.)
Nikki Glaser (comedian)
Patricia Arquette
Rachel Riley
Raphael Bob-Waksberg (creator of Bojack Horseman)
Robin Lord Taylor
Rian Johnson (director of Knives Out)
Ryn Weaver (singer)
Samantha Bee (comedian)
Sarah Paulson
Sarah Steele
Selma Blair 
Sophia Bush
Uzo Aduba
Willa Fitzgerald
Zach Kornfeld (from the Try Guys)
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throwingmetothelions · 8 months
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It’s so important that you read this disclaimer/TWs. I am a southern woman and I will be until I die. When I was a CW major for a decade almost all I wrote were southern gothic pieces, and this does not read like any fic I’ve posted here. This is very much Auntie V’s old writing style. I am taking you to my roots. The other main character in this piece is black. This is your one reminder that I am a black woman. Don’t start no shit - won’t be no shit in terms of my descriptions. Second - I really kinda put a spotlight on Noah at his lowest as far as my writing goes in the beginning. There are a few potentially triggering mental health allusions; some regarding hygiene, and I just wanted to make sure you understand that you aren’t alone. TW: Religious talk, mental health decline, one singular mention of a baby dying with no details, blood mentioned right after that. Oral sex f receiving, D/S dynamic if you squint. I would actually go as far as to say there's a smatter of angst up in this bitch. Supernatural shit. Noah kinda spirals toward the end and slips into madness. Absolute smut because it's me and I have never written anything else here. Let’s get spooky. WC: 6k (I chopped it a lil bit so that’s why it’s all one) 
NoahxOC? Is she really my OC? You be the judge.
It’s been exactly three hours and forty-one minutes since Noah decided that if that one dude in Pirates of The Caribbean could become one with the ship, he could become one with his mattress. No coral or sea stars to adorn him for the rest of his ever, just sweat and a little bit of deodorant, but nothing pretty. Thinks maybe he’ll turn to dust or something easily sweepable. No words and barely breathing. Continues inhaling the smell of incense he didn't light, and swallowing down saliva and self pity. Continues laying. Wallowing. Hits the play button on his memory bank and lets the hate scroll behind his purpling eyelids. 
“It’s all autotune”.
“He was so shaky at the Cleveland show dude idk”.
“They started all that mysterious bullshit with the masks and the no socials and his vocals went to shit immediately. Fuckin’ wild”.
“Noah needs to let Jolly just …” 
A well aimed throw from Nicholas ends with a pen hitting Noah in the middle of his back. “Snap the fuck out of it dawg. Since when have you listened to what people say about your singing? It ain’t true and you know damn well I’d tell you if it was,” Nick sighed as he leaned his acoustic against the desk. There isn’t much to say here. Nicholas has been there, albeit never there in the physical sense of not bathing for over a week and ignoring his best friend’s phone calls until the aforementioned friend threatened him with a welfare check from either him, or the cops. 
People often forget that “blood is thicker than water” is a bastardized phrase. “The blood of the covenant is thicker than the water of the womb,” but it is not thicker than the knots that Nick spent an hour combing from Noah’s matted locks after he threw him in the shower and helped him scrub yesterday. Do not speak to Nicholas Ryan about that fucking covenant. He wrote the anthology and dedicated it to Noah long ago. 
“Remember the story your grandma used to tell us when we were younger? Robert Johnson? Maybe you can just sell your soul to a demon and bam. Never miss a note again in your life,” he pokes the last vowel into Noah’s kneecap as he tries to lift the soggy and molded blanket of depression off of that moment. Off of his best bud. “I’m telling you bro, it’s - it’s real. I feel like it really happened,” Nicholas cuts his eyes to Noah for a split second before continuing to thumb the strings of his guitar.
“You also felt like you had Covid that one time, but it was just the jalapenos on that sandwich fucking with your tastebuds so …" Noah dismisses Nick’s 2 AM Red Bull fueled theories and rolls over on the bed to face him. “Besides. If that shit was true I would have done it ages ago,” he chuckles a little bit, and the clearing in his throat reminds him that he hasn’t done that in awhile. 
—---
I ain't goin’ to state no color 
“The lynch mobs ran his family outta town when he was a boy. Been a travellin’ man against his will his whole life. Learned to play in a dark graveyard, though the dead can hear like us”. 
But her front teeth is crowned in gold
“Went by many names, Robert did. Women and whiskey stole his soul long before he sold it to the devil at them crossroads. Only a beast would howl the blues like that”.
She got a mortgage on my body
“His wife and baby died bloody and hollerin’. They wouldn’t let him see the child that lived for that. Your loved ones are never spared from your debts, child”. 
And a lien on my soul
“He was poisoned like a field mouse in a corner basement. Ulcers in his throat where the demons took their chords back one by one. May death be kinder now.” 
—---
Noah shudders at the mental reel of his grandmother spinning that story from her recliner like a textile through her vein-blued fingers. He doesn’t hold on to many memories of her, and knowing that Nicholas is holding them for him settles in his gut like concrete blocks on the ocean floor. May death be kinder now.
“I think it works anywhere too. Johnson held up a guitar at the crossroad and the devil just popped up. I believe in you,” Nicholas whispered the last sentence while catching Noah’s knuckles with the flat of his palm. “I’m going to bed dude. Taking the couch because if you kick that one spot on my shin again I won’t be responsible for my actions,” he bites through a yawn as he drags himself over to the couch by the door. The unspoken knowledge that he would just be there until Noah was Noah again laid itself over the pair along with the dark as the LEDs timer faded out. 
—---
The alarm on his phone vibrated under Noah’s pillow an hour later. 
Gently kicking the blanket off of his body, he turned it off and put the flashlight on the lowest possible brightness. Through the white haze he could make out Nick’s chest as it swelled and fell with quiet breaths. No snores to give away his slumber, but his cracked mouth and the arm hanging down to the carpet told Noah that he was knocked, so his plan was still greenlit. 
Listen. If anyone asked Noah - yeah, it was a weird fucking time to be taking a walk, but his mental health was in the fucking gutter and he’d happily have his band mates vouch for that if he got into trouble. A 3:30 AM walk was better than no walk at all. Fresh air was better than the stale and dust-littered cloud that hung in his bedroom that he’d been choking on for god knows how long. Stretching his arms into his faded navy hoodie (no shirt because they were all in desperate need of some laundry detergent and some scrubbing) and stepping into some gray joggers, Noah gently padded across the floor and thanked some God that the door was cracked already. He patted his pockets: phone, knife, lighter, cigs, keys. He popped his feet into some slides, opened the front door, and Noah Sebastian took off into a humid Appalachian night. 
The stars looked something like crumbs swept from a placemat in their scattering. 
Fireflies peeked through bushes like sun does clouds, and they swirled the same.
Noah thinks thoughts that adults would. This new asphalt they paved looks great. Glad the holes are gone. Anything to keep his brain moving. Not stuck. It’s kinda hot for this time of year. I guess August is still considered summer, though.
See, the rollercoaster of fame was something Noah had been standing in line for since he was 13. He’d been growing and stretching and waiting his turn, but he hadn’t anticipated the steep incline to success. All the eyes were on him all the time, and the urge to spread them around and give them to his bandmates had never been stronger. He thought he wanted this, but the critics came on strong and took the form of delusional children on the internet wavelengths from reality. He felt like shit because, at this point, his arch nemesis was probably a twelve year old that had never seen a concert and he was the grown man assclown that let it get to him. 
Noah had been bracing himself for the inevitable drop that must come, but the only thing he knew for certain was that he absolutely couldn’t handle it. If it all came speeding down and stopped with screeching brakes and smokey sparks, he wouldn’t be the one in control and going off the rails with it all seemed like his only out.
Shaking his head from the fog, he noticed that the jagged white line of paint on the side of the road seemed to fade out. He pins it on a bit of “lazy painters” and a lot of “not my fuckin problem”.
Keep walking. 
His complaint about the heat must have been heard by some alien brainworm because he’s suddenly quite grateful for the hoodie and the breeze that rummages through the leaves like a searching hand in a kitchen drawer. Feels good. 
Keep walking.
The cicadas had stopped screeching. The noise, akin to a violin being played after all of its strings have broken, was gone. Maybe all things must sleep. Maybe they got picked up by an owl. May death be kinder now. Head down. Hood up.
Keep walking. 
Head up. Hood down.
There is no dot of red inside a white paint can, there is no water droplet in an inferno, and Noah is certain that there is no fucking desert in the middle of Richmond, Virginia. 
And yet. 
He finds himself staring out at nothing. There is sand, and clay, something red and dusty and on the horizon there is nothing. Noah whips his head backward and sees the same scene behind him. The road was narrow now, and there was another narrow road of black going straight through it a few feet in front of him. No street signs. Nothing. He rubbed his eyes with his palms as one would if they were waking up from a bad dream, but when his lids opened again he found that nothing changed. Same dirty slides, same clothes, same desert of nothing. Noah walked forward. His steps felt real, and his stomach immediately started to ache. He remembered the story. Remembered the absolute conviction and strength in his grandmother’s voice and teeth when she told him that the crossroads come to you when you need them the most. 
She pointed her finger at him in a way that Southern women do when she told him that praying and practicing, Jesus and magic, and your footpath and your heart’s blood compass could all align somewhere in this world. “All the trees aint your friends, and they keep their secrets in the Spanish moss”.
 Noah grew up on gravel, backwoods revivals, and a fear of God that was overcome through alcohol fueled tears and some screams ripped from his chest by the man himself. Maybe God took a rib as payment, and maybe he yelled like Adam. He didn’t have long to think, because the tornado of realization and helplessness took him down to his knees. The blacktop dug into his skin as he threw his head back. Noah didn’t know what he was feeling, but he had accepted some sort of … fate? Was it fate? Did he deserve whatever was about to happen, and what did he do? Why did it seem like this road was lit up by stadium lights that he couldn't see? Questions on questions, so he closes his eyes once more, places his palms on the tops of his thighs, leans his head back so the ends of his hair brush his heels, and he parts his lips.Tries to breathe. He did not repent in his last moments, but there were pictures floating of Jolly, Nicholas, Nick, and there were late nights and popsicles and beer cans and being young and dying young and that’s all very okay. Noah’s life was okay. May death be kinder now. 
All of a sudden, Noah felt two slender fingers slip past his lips, glide over his tongue, and purposefully gag the shit out of him. He felt cold rings catch behind his front teeth as the owner tried to wrench the fingers back from the wet of his mouth. His eyes flew open with immediate tears as he sputtered and coughed - the fit his reflexes threw landed him on his ass with one arm bracing himself. He hums and spits and jerks his head back and forth. His nose burns now. 
“What the fuck,” he yells as he glares up. Noah catches a glimpse of the veins in his hand as they pop and flare under his tense skin. 
“That’s a naughty word, boy,” the figure blew smoke from its mouth with every word effectively stopping Noah from seeing it clearly. It threw the cigarette to the side and cocked its head. “Try ya words again,” it spoke slowly. 
With the smoke haze gone, Noah got a better look at what he was sharing this space with. If he wasn’t already on the ground he might have been sent there again. His eyes started from the ground up, and they turned around and went down from her head again so no detail would be missed.
She was at least six feet tall. She stood barefoot, toes painted honeycomb yellow and some symbols tattooed on the tops of her feet. Gold anklets, bangles, and various types of black cord wrapped each ankle. Her legs were long and brown like cattails, and they spoke to unearthly strength as she stood flat footed. 
Noah couldn’t stop himself from memorizing the way the stretch marks on her exposed hips moved like sawgrass on a marsh plain when she shifted her weight. She wore a tattered skirt made of dull black leather and some other sort of hide. Her stomach pudged over the sides of her skirt, and he saw the same symbols her feet carried spread across it. Her chest was hidden by a bandeau made of the same black leathery material, but Noah caught the curve and fall of her tits and committed them to memory immediately. Her skin was the color of cassava and it held a sparkle. It could have been a sheen of sweat or something ethereal. Her arms ended in hands that held scars, a black hobo bag, and the same tattoos. Her fingertips were ink black, and her fingernails were short, and the same goldish yellow as her toes. Golden rings covered in ash and gems clung tightly to her digits, and her hair was piled high on her head; a beehive weaved of black locs adorned with glittering beads and small animal bones that hung and fell with the breeze surrounding them. Noah still swears he saw a Carolina wolf spider crawl around one. Her face. Her face was composed of freckled cheeks, sharp eyes the color of pitch, and that same mysterious tattooed symbol on the bridge of her nose. The plumped two-toned lips she had curled into a smile and revealed the gold capped fangs on her canines. A forked tongue shot out and licked over one, and he couldn’t help but assume it was some sort of warning. 
“Try ya words. Again,” she spoke. 
“This shit can’t be real,” Noah mumbled as he leaned his forehead on the palm of his hand. “Who are you and what the fuck is going on?”
She chuckled and shook her head at him, her necklaces rattled as she explained, “I am … well, the humans call me a few names. I know who you are though, Noah,” she sneered again as his pupils blew open. 
At this point, he was ready to swing on whatever the fuck this thing was. She was a deadly brand of unconventional gorgeous that brought the fog right back to his brainspace, but he’d convinced himself that it wasn’t considered hitting a girl if that girl was some ancient all knowing being.
“They call me ‘The Tempter,’ ‘The Accuser,’ ‘Belial,’ ‘Satan,’ among others. I’ve never been one for formalities, love. Call me Luci. I am the one that they presumably told you to fear,” she said as she knelt down to Noah’s eye level. “... boo,” her fingers wiggled around her face as small flames erupted from the tips.
“You’re - you’re the …” he stuttered as if he’d been backhanded.
“The …” her eyebrows raised with the octave of her voice.
“The fucking devil? I’m gonna pass the fuck out. This isn’t … you’re not real. You’re not real. This isn’t fucking real,” Noah rose to his feet from shaking knees. Every childhood Sunday was spent under a weather-beaten willow tree memorizing historic ways to shame the devil. To shame her. There was no pulling him out of this dream state, though he wished to hell and back that Nicholas would. He was sure his body should be flailing if it was still on the bed at all. Surely Nick could hear the curdling screams he was trying to emit. 
Luci brought a hand to Noah’s now tear streaked face, black smoke rising around them in billows. “Nicholas is - he is not going to make this decision for you. There’s nothing to be saved from because you’re not dreaming. I think you know why I’m here Noah. I know what it feels like to fall from grace, and I can pull you back from that ledge. You have somethin’ that I need, and it’s just a snap of the fingers,” she delivered a gleaming half smile and a raised eyebrow.   
Was his soul that valuable? And why did the preachers leave out that the devil watches people like some sort of demonic pervert? Was she just a demonic pervert? 
“I resent that,” she frowns over at him. “Trying to stop me from reading your thoughts is kinda   dumb. Blueberry muffins, Pepsi, fuzzy blankets … grass flip flops?” 
Noah decided that if he talked words with his mouth that his brain wouldn’t think too hard. Maybe. He’d accepted death twice that night already, and his music was his reason for breathing. Figured if his music career advanced, if he won, and he took the boys with him that … well, that all of his important things would be safe. No one could harm them. Call it selfish and narcissistic, but he felt that there was quite literally nothing on this mortal coil that he would be afraid to lose aside from them. As painful as it hit him, this wasn’t the first time he’d thought about this so there was no split second decision here. “So … what do I have to do to keep from falling? Like … to keep the fame?” 
Luci wasn’t taken aback at how expeditious he was with his decision. She’d been tasting the drive and hunger that he held in his chest for years through the atmospheric ether, and she craved it. He was so much more powerful than he would ever know, and she cursed his maker for the insecurities he plagued him with. They were insecurities that Noah thought she’d caused for a long time, and it couldn’t have been further from the truth. She was never the harbinger of the dark that nestled in his ligaments. “It’s not the way you think. It’s a bit more … personal and up close,” she mused as they looked each other dead in the eye - crow’s feather black to cracked chestnut brown. Luci reached a hand out and placed it on Noah’s flushed cheek. “Now,” she licked his pulse point, “I will give, and you will do the taking. I will speak, and you listen,” her voice flows out with another puff of smoke, and the smell of burning pine straw floats between them.
Noah mentally thumbs through the brain file labeled “Dumb As Fuck Things That Nick Folio Said While High,” and his mind pulls the page titled “Fear Boners,” to reference his current state. The devil was always shown as hot, but the realization that she was a leather-wearing tribal goddess that could kill him with a singular blink was a lot. May death be kinder now. This information was apparently well received by his conscience, and his cock.
Noah swears he feels her jagged fingernails carve a home in the nape of his neck, but her hands remain on her curved hips. He can make out whips and whirls of some sort of mist floating around her fingers. He feels his sweat dampened lips part open as the pressure around his throat increases and her stance stays the same. Unwavering and violently sure of herself, Luci relaxes the hold and speaks.
“Take it off,” she doesn’t ask. The devil doesn’t ask when she can smell how desperate someone is for her unholy helping hands. 
He makes quick work of throwing his hoodie to the eastern wind, and he had a hand in the band of his sweatpants before it stopped him. It - that misty glitter magic she was using … “The Force,” or whatever the shit from Star Wars was. Is she where they got the idea for - regardless. Luci’s magic brought his hand to a halt. 
She lifted her foot up and tapped the asphalt they stood on, her bangles gently clattering. The hard surface of black grit became a softer patch of Kentucky bluegrass; green, lush, and dew sprinkled. Luci walked behind Noah and let her hands wander down his torso. She stopped to pluck at his already hardened nipple, and the goosebumps Noah had been pricked with seemed to multiply. 
Her fingertips danced over the happy trail Noah was suddenly made well aware that he had. The feeling of her magic and the warm southern breeze twirling through the light hairs there told Noah that she might break him, and that he would beg for nothing less. “That’s a good portrait of Grim,” Luci quips as she moves to kneel at Noah’s feet, “we go way back,” her golden fangs scrape the tattoo that spreads across Noah’s torso. 
“Fuck yes,” he groans as his hips buck up at nothing. 
Luci drags his pants down his legs slowly, just enough to let the band catch on the head of his dick before letting his cock spring up to smack against his stomach. She wanted to hear that hiss she knew Noah kept under his tongue. “Tell ya what,” her forked tongue darted out to catch the small pearl of precum that had gathered at Noah’s untouched tip, “I’m gonna have my fun, and you’re gonna let me know why you deserve to be up at the tippity-top where the angels play, hmm?”
She rose to her feet and met Noah’s eyes again. One finger underneath his chin, the smell of the pine straw again, and the gathering mist were enough to bring his mouth forward and onto hers. He moaned so deeply it would have been some type of embarrassing if he was anywhere else, but the feeling of sucking in her plump bottom lip and licking over her teasing tongue with his own was sending Noah to a different plane of feel-good. 
Luci pulled away before she snapped her fingers and brought about a chair from some other universe. Nothing remarkable about it, Noah thinks, just plain brown wood. It looked like the broken seats that he’d seen off to the side of his grandma’s kitchen. No use sitting on it - those seats were for old newspapers and grocery bags and not the devil, but what the hell did he know? “Ya mouth may not always sing perfect, but you can come show me what else it can do,” she crooked a finger at him and pulled him over and to his knees in front of her. She sat in the chair and with a dismissive wave of her hand, her skirt caught the wind. Luci leaned back and spread her thighs open. 
Noah knelt in a way that said that no object forged by man would keep his body down, and levitating up to her spread before him would be the only honorable end to this. May death be kinder now. He took in the glistening lips, the way the brown gave way to the pink of her core, and the way that his tongue felt magnetized to that spot. “Looks like honey,” he mumbled as wrapped an arm under each thigh and pulled Luci to the edge of her seat. Noah brought his mouth about two inches away from her cunt. He took in the dark patch of curls above her slit, the way that they faded where her puffy lips started, and the way that he knew he’d have to work to get to the heart of her. 
Luci reached a hand down and used her middle and index fingers to spread herself further. Gathering a string of slick, she dangled it above Noah’s now open mouth and like a traveler finding water in the Atacama he took it down with a groan. Tasted like honey and something dark. “Come talk to her. Tell her why you deserve it all,” Luci threads her hand through Noah’s hair and beckons him forward with a tug. 
The tip of Noah’s tongue applies so little pressure that you wouldn’t have known he made contact with her folds if she hadn’t arched her back off the chair. “I uhm. I think I deserve it because,” he pauses to give her clit a kiss, savoring the way that her bud fit perfectly between his pursed lips, “because I know I've given this all that I have to give. I’ve already given it my heart and soul,” he licks around it in a wide circle before stopping his sentence with one more peck. 
“Keep going,” Luci mumbles as she lets her head roll back. Her locs fell around her as she let him worship her pussy. Feminine power brought the best of these mortal men to their knees, and she was not new to this. What she wasn’t prepared for was the stark smell of his yearning. This one didn’t just want to trade his soul for fame like the rest. A few touches below the belt and they were too bound by greed to be of any use at all. Luci couldn’t smell the green of that greed at all. Not just brimstone and hot guilt … he was all jasmine and cold water, moonbeams and sawgrass. Noah smelled like all he wanted to do was stay down on his knees with his lips on her lips, and it made her veins swell. She was losing her grip on her own magic, and bowing to the mercy of his. 
“And I think that the world needs to hear my voice,” Noah sucked one of her lips into his mouth and softly pulled while she pushed his face further into her pussy. His hands gathered as much of her ample thighs as they could, and his fingertips pressed into the muscles until small circles formed. Anything to ground himself and keep him from floating up to the wispy clouds where his head already was. “And I think that I’m multi-talented. I write and produce my own shit ya know,” he brings her throbbing clit back between his lips, starts a slow suckling pace, and moans from the back of his throat. Noah’s eyes close, and the only thing that changes his rhythm is Luci’s bucking. 
She brings her feet up from the grass to the rungs on the bottom of the chair and uses the leverage to lift her ass off the seat a bit. “Yes. Lick that fucking pussy,” she grits from behind clenched teeth as she brings both hands to his head and grinds her hips into his busy mouth. She was gone. The feeling of Noah working over her pussy with an expertise only found before in the mouths of gods was all but too much. “You're gonna make me cum on that tongue. Please make me cum on your tongue,” Luci feels the muscles in her upper back flex as she continues the filthy pace she’s set against his face.
Noah can feel her wetness spreading across his cheeks and down his chin as she does so. He knows he could drown in it, and he left the graceful art of giving two fucks back at home. This entire time he’s been ignoring the ache in his dick - scared that, at this point, he might be so hard that it would literally hurt to touch. In another universe, if this was some sort of sleep paralysis episode, he knew he’d wake up covered in his own dried cum. Wondered if he’d wake Nick up with the moans because he was probably humping the mattress, or fucking against the blanket. 
Noah didn’t have to beg for her orgasm with his words. The burn in his bent knees, the panting breath he hadn’t been able to catch since her juices hit his lips, and the act of accepting of a distinguished death by drowning screamed at her - yelled with all their might to flood plains in the way that monsoons do. 
Luci braced herself with one hand on the back of his head, and one hand gripping the side of the chair with such force the wood splintered. She came with a hard roll of her hips and a cry that could have stretched from one asteroid to another - wide and ringing. She thinks, for sure, that she obtained some humanity through it all. She offered Noah communion in a new way, and let him thank her for the gifts in a sense. Blood and body. May death be kinder now.
Noah never let her thighs go, but he traded his grounding grip for patterns rubbed in softly by satisfied hands. “I’m not saying I thought about it before, but the movies ain’t got shit on this”, Noah licked the inner crease of her thigh with a restless tongue and delighted in the jolt. He watched her regain her breath and thought about how, no matter the outcome, the power trip he’d just taken wouldn’t be matched. He, Noah Sebastian Davis, had made the devil herself fall apart underneath him. He was a force of nature that wasn’t to be questioned. He was the fucking king. 
He remained knelt at this altar. 
Devotion be damned, this one was holy to him. 
That old song tangled through his bones like the veins on an arrowplant leaf. Noah could hear it thrum internally as it traveled around his chest cavity and flew behind his eyes. 
I ain't goin’ to state no color 
But her front teeth is crowned in gold
She got a mortgage on my body
And a lien on my soul 
Thank you! We may see a part 2 if enough of you ask for it? But that definitely wouldn’t star Noah *cough*. 
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uwmspeccoll · 7 days
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Shakespeare Weekend
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In 1803 Joseph Johnson (1738-1809) published the fifth edition of The Plays of William Shakespeare, in twenty-one volumes, with the corrections and illustrations of various commentators to which are added notes. Originally written by Samuel Johnson (1709-1784) and George Steevens (1736-1800), this fifth edition was edited by Isaac Reed (1742-1807) and became known as the first variorum edition of Shakespeare.  
Reed’s collation of previous variations of Shakespeare proved to be a massive undertaking (twenty-one volumes!) that would be reprinted in 1813 and inspire future variorums like that of James Boswell the Younger in 1821 and the New Variorum Shakespeare Project that began in the 1870s and continues to this day as an official project of the Modern Language Association of America (which, btw, was headquartered here at the UWM libraries for 20 years, and the reason we have such a strong Shakespeare collection). The edition opens with a frontispiece engraving of Shakespeare by British engraver James Neagle (d. 1822) followed by an advertisement by Reed. Reed takes this opportunity to sing Steevens praises, including a eulogy written by William Hayley that reads in part “This tomb may perish, but not so his name who shed new lustre upon Shakespeare’s fame!” 
Volume One continues with various prefaces and essays by the usual Shakespearean scholars and critics of the time, Malone, Pope, Warburton and of course Nicholas Rowe’s Life of Shakespeare. Printed by John Plymsell out of London, our edition features marble endpapers in a Stormont pattern. 
View more Shakespeare Weekend posts. 
-Jenna, Special Collections Graduate Intern
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talesfromthecrypts · 1 year
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Why would she keep this from me?
Missing (2023) dir. Nicholas D. Johnson & Will Merrick
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caribbean1989 · 6 months
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GIF masterlist
Basically just what the title says: a masterlist of the GIF's/GIF sets I've made 😇. Fandoms / actors listed in alphabetical order (actors by first name). New fandoms / actors will be added to the list as soon as it applies.
0-9 911
A: The A-Team (movie) Aaron Taylor-Johnson Aidan Turner Antony Starr Aquaman Austin Butler
B: The Ballad of Songbirds & Snakes Barbie (movie) Being Human (UK) Ben Wishaw Benedict Cumberbatch The Boys Bullet Train
C: Charlie Hunnam Chris Hemsworth Criminal Minds Cursed
D: The Dark Knight movies Dominic Sherwood Dylan O'Brien Dune movies
E: Eddie Redmayne Elvis (movie) Elysium
F: Fantastic Beasts movies Freddy Carter
G: Game of Thrones Glen Powell
H: The Hobbit movies
I: Inception It (movie)
J: James Bond movies Jared Padalecki Johnny Depp Joseph Gordon-Levitt Jude Law Jurassic World movies Justified
K: Kit Harington Kit Young Kong: Skull Island
L: Logan Loki (series)
M: Matthew Daddario The Meg Michael Fassbender Miles Teller Mortal Instruments: City of Bones Muse (band)
N: Nicholas Hoult Nothing But Thieves (band)
O: Oscar Isaac Our Flag Means Death
P: Pedro Pascal Pirates of the Caribbean
R: Rami Malek Richard Armitage Richard Madden
S: Sandman Shadow and Bone Shadowhunters Sharlto Copley Star Wars Stranger Things Supernatural
T: Taika Waititi Thor movies Timothee Chalamet Tom Cruise Tom Hiddleston Tomer Capone Top Gun: Maverick Tropic Thunder
W: The Walking Dead Wednesday Wonka The World's End
X: X-Men movies
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homomenhommes · 3 months
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THIS DAY IN GAY HISTORY
based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more … February 9
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1923 – The Irish poet, short story writer, novelist, and playwright Brendan Behan was born on this date (d.1964). He is best known for this autobiography Borstal Boy. In his book, In Terrible Queer Creatures: Homosexuality in Irish History, Brian Lacey writes that the noted playwright, poet, and novelist, who spent three years in a British reformatory (where he discovered his "Hellenism," as he himself put it) for a 1939 IRA bombing, was Bisexual throughout his life.
At the time of his death, he was working on an unfinished novel, called "The Catacombs" after its setting in a real-life drinking place of that name in a number of interconnected basements in Dublin's Fitzwilliam Place that was a notorious homosexual hangout.
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1944 – Nicholas F. Benton is the founder, owner, and editor of the Falls Church News-Press, a weekly newspaper distributed in Falls Church, Virginia, and in parts of Fairfax County, Arlington County, and Washington D.C.
Born in Ross, California, Benton earned a degree in English from Westmont College (a Christian college) in 1965. After college he was a reporter and sports writer for the Santa Barbara News-Press. He obtained a master of divinity degree in 1969 from the Pacific School of Religion in Berkeley, California. He became a contributor to the underground newspaper Berkeley Barb, helped found the Berkeley Gay Liberation Front and wrote the first editorial for the newspaper Gay Sunshine.
In 1970, Benton was involved in to get the White Horse Inn (a gay bar a mile south of UC Berkeley) to loosen its restrictive policies toward expression of gay identity.
Also in 1970, Benton became the first Gay Liberation spokesman to address a major anti-war demonstration.
Benton worked for the Lyndon LaRouche organization from 1974 until the late 1980s, first as a political organizer, and later as the Washington D.C. bureau chief and White House Correspondent for LaRouche's Executive Intelligence Review.[10] In 2007, Benton wrote that he had left the LaRouche movement in the 1980s.Benton founded the Falls Church News-Press in March 1991, and in July 2010 celebrated the periodical's 1,000th edition. He has served twice as the president of the local Chamber of Commerce, been named Falls Church's “Pillar of the Community” twice and “Business Person of the Year” once, and had his enterprise named “Business of the Year” twice. He has authored a weekly national affairs column in his periodical since 1997.
In November 2009, Benton was unsuccessful in a bid to acquire the Washington Blade in the wake of the bankruptcy of the Blade's parent company.
In December 2010, he was elected to the newly created Stonewall LGBT Caucus of the Virginia Democratic Party.
Benton has been married and divorced three times; he has no children.
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1960 – Today's the birthday of Holly Johnson, lead singer of 1980s band Frankie Goes to Hollywood. The band were pioneering for having two openly gay members - Holly and second vocalist Paul Rutherford – and a sound and image that borrowed heavily from underground gay culture and dance music, which they in turn fed into with their controversial number 1 hit Relax.
In November 1991, Johnson learned he was HIV positive. This triggered a temporary withdrawal from the music business and public life in general, with one of his last TV performances around the time being at the Diamond Record Awards, Antwerp, where he performed "Americanos" and "Where Has Love Gone?". His condition was made public during an interview with The Times in April 1993.
In March 1994, his critically acclaimed autobiography, A Bone in My Flute, was published. In it he discusses his struggle with, and acceptance of, his homosexuality. The same year, he recorded a new single, "Legendary Children (All of Them Queer)", whose lyrics referred to famous LGBT people throughout history. During 1994, he performed live at London's Gay Pride show, where he performed "Relax", "Legendary Children" and "The Power of Love". In April 1998, he performed "The Power of Love" live at the Easter Gay Happening in Krefeld, Germany at Club Königsburg.
Since the mid 1990s, Johnson has worked primarily as a painter. His works have been exhibited at the Tate Liverpool, and The Royal Academy. He has contributed to Modern Painters and the Paul Smith sponsored CARLOS magazine.
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1965 – Stephen Raymond Merritt, better known as Stephin Merritt, is an American singer-songwriter, best known as the principal singer and songwriter of the band The Magnetic Fields. He is known for his distinctive and untrained bass voice. Merritt is openly gay.
Merritt created and played principal roles in the bands The Magnetic Fields, The 6ths, The Gothic Archies and Future Bible Heroes. He briefly used the name The Baudelaire Memorial Orchestra as an attribution for a song written for Lemony Snicket's A Series of Unfortunate Events, entitled "Scream and Run Away". Further music was recorded for the audiobook versions of the series and is attributed to The Gothic Archies. The Tragic Treasury was released by Nonesuch Records in October 2006 along with the 13th and final book of the series.
Growing up, Merritt used different spellings of his name for different purposes. Stephin was one such pseudonym that he used to sort his junk mail, and that became the spelling he used for his life as a musician.
Prior to 2013, Merritt had never met his father, folk singer Scott Fagan, who had a brief affair with Merritt's mother, Alix Merritt. The three met at a screening of the film AKA Doc Pomus in 2013, and Fagan is planning a cover album of his son's songs pending the outcome of a Kickstarter campaign.
Mrritt's lyrics are known for bending and blurring gender lines; examples include the song "When My Boy Walks Down The Street," sung by a male vocalist, which contains the lyric "and he's going to be my wife."
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1992 – Avan Jogia is a Canadian-British actor, singer, activist, director, and writer. He is known for his television roles Beck Oliver in the Nickelodeon sitcom Victorious, Danny Desai in the ABC Family drama Twisted, Roman Mercer in the Syfy paranormal action series Ghost Wars, and Ulysses Zane in the Starz comedy Now Apocalypse.
Jogia first came to prominence with his portrayal of Danny Araujo in the 2006 biographical television film A Girl Like Me: The Gwen Araujo Story. After moving to the United States in his late teens, he landed various television roles within series such as Caprica (2009–2010), and the miniseries Tut (2015). Jogia's numerous credits in television and cinema include Spectacular! (2009), Finding Hope Now (2010), Rags (2012), Ten Thousand Saints (2015), I Am Michael (2015) and Zombieland: Double Tap (2019). His directorial debut came in 2011 with the short film Alex, which was followed by the 2016 web series Last Teenagers of the Apocalypse.
Avan Tudor Jogia was born in Vancouver, British Columbia. Jogia's father is British Indian, and his mother is of English, German, and Welsh descent. He is the younger brother of Ketan, a music producer in London.
Besides English, Jogia speaks some Gujarati and French.
According to The Start, Jogia was a student at Killarney Secondary School until age 17 when he left to pursue acting full-time, having already gained a number of small television credits. In an interview, he said that his parents withdrew him from middle school in favor of home schooling. He moved to Los Angeles, California on the trial-basis that he would land a role within a six-month period – or return to schooling.
Jogia has cited British actor Tim Curry as one of his early acting inspirations, particularly Curry's role as Long John Silver in the 1996 musical adventure comedy film, Muppet Treasure Island. British actor Sir Ben Kingsley is another of Jogia's inspirations; the two would later appear in the 2015 miniseries Tut, and work together on the 2016 short film Of Dogs and Men.
Jogia co-founded the online PSA organization Straight But Not Narrow (SBNN) in 2011, with Heather Wilk and Andre Pochon, in conjunction with the support of fellow actor, Josh Hutcherson. The non-profit organization is aimed towards changing the attitudes and viewpoints of heterosexuals about the lesbian, gay, bisexual, and transgender community. Jogia believed, "[t]here was no one making straight youth responsible for their apathy. When you see a bully beating up a kid and you stand idle, that's as loud, or louder, than the actual oppression", and thus established the organization.
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1994 – Pope Iohn Paul II attacks the European Parliament resolution in favor of lesbian and gay rights.
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2018 – Adam Rippon  was selected to represent the United States at the 2018 Winter Olympics in Pyeongchang, South Korea where he won a bronze medal thus becoming the first openly gay U.S. male athlete to win a medal in a Winter Olympics. Later that year, he won season 26 of Dancing with the Stars with professional dancer Jenna Johnson, making Rippon the first openly gay celebrity to win the competition.
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breaniebree · 4 months
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Kismet Characters & Family Trees Part Eleven:
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George Weasley (1 April 1978) GRYFFINDOR m. Angelina Johnson (24 October 1977) GRYFFINDOR (1999): 1. Gideon Aaron Weasley (19 August 2004) GRYFFINDOR m. Ava Longbottom (1 July 2008) GRYFFINDOR (2029): a) August “Auggie” Gideon Weasley (5 July 2033) HUFFLEPUFF b) Caleb Neville Weasley (11 June 2035) RAVENCLAW c) Reed Jacob Weasley (15 March 2037) GRYFFINDOR 2. Roxanne “Roxie” Angelica Weasley (4 September 2007) GRYFFINDOR m. Cass Winchester (2004) GRYFFINDOR (2032): a) Ryder Cassidy Winchester (7 February 2034) GRYFFINDOR b) Foster Arthur Winchester (2 April 2036) GRYFFINDOR c) Topher Zachary Winchester (9 January 2039) RAVENCLAW d) Cole Gideon Winchester (18 January 2042) GRYFFINDOR 3. Asher Lee Weasley (17 November 2009) GRYFFINDOR m. Jia Zhao (2010) RAVENCLAW (2034): a) Bridger Asher Weasley (28 February 2038) RAVENCLAW b) Dalton Nicholas Weasley (23 April 2040) SLYTHERIN c) Saria Jia Weasley (3 October 2042) HUFFLEPUFF 4. Knox Logan Weasley (21 January 2012) GRYFFINDOR m. Layla Rivers (2012) GRYFFINDOR (2035): a) Rafe George Weasley (1 January 2039) GRYFFINDOR b) Gage Knox Weasley (19 February 2042) SLYTHERIN c) Miles Aaron Weasley (21 March 2044) RAVENCLAW d) Cade Asher Weasley (13 April 2047) GRYFFINDOR
Thanks to @ellieoryan7447 for taking the time and effort to create these.
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movieseverymonth · 8 months
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Missing (2023)
dir. Nicholas D. Johnson and Will Merrick
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EXCLUSIVE: Clan Fraser continues to grow in numbers as Tony Curran (Defiance, Red Road) has joined the Starz prequel series Outlander: Blood of My Blood as Lord Lovat, Jamie Fraser’s grandfather, in a series regular role.
Production recently kicked off on the new series, a prequel of the Starz hit period drama Outlander, in Scotland. The original series stars Caitríona Balfe as Claire Fraser and Sam Heughan as her husband, Jamie Fraser. The franchise is inspired by the work of Diana Gabaldon, who serves as a consulting producer on both shows.
Blood of My Blood will explore the lives and relationships of Jamie’s parents, Ellen MacKenzie (Harriet Slater) and Brian Fraser (Jamie Roy) and Claire’s parents, Julia Moriston (Hermione Corfield) and Henry Beauchamp (Jeremy Irvine). The 10-episode series will center on the two parallel love stories set in two different time periods, with Jamie’s parents in the early 18th century Scottish Highlands and Claire’s parents in WWI England.
Matthew B Roberts will serve as showrunner and executive producer on the series. Ronald D. Moore and Maril Davis, who developed Outlander for television, under their production banner Tall Ship Productions will also executive produce the series alongside Roberts and Story Mining & Supply Company. Outlander: Blood of My Blood is produced by Sony Pictures Television and will be available across all Starz platforms in the U.S. and Canada.
This is Curran’s second series for Starz currently on the slate. In addition to the Outlander prequel, he is set to star as King James I in Mary & George, opposite Julianne Moore and Nicholas Galitzine portraying the titular mother and son who are scheming social climbers. The seven-part limited series, premiering on April 5, is inspired by the scandalous true story of a treacherous Mary and George Villiers who schemed, seduced and killed to conquer the Court of England and the bed of King James I.
Curran trained at the Royal Scottish Academy of Music & Drama who rose to fame in the TV series, This Life. He has worked extensively across TV, film and theatre both in the UK and US.
Recently he starred alongside Martin Compston and Ashley Jenson in the onscreen adaptation of Andrew O’Hagan’s acclaimed novel Mayflies* for which he was nominated for Best TV Actor at the Scottish BAFTA Awards and won Best Male Actor at the Scottish Television Awards.
Earlier in 2023 Curran also appeared in the second season of Your Honor with Bryan Cranston alongside the 10-part investigative drama series The Calling written by David E Kelly and directed by Barry Levinson.
Additional credits include Outlaw King alongside Chris Pine, Florence Pugh and Aaron Taylor Johnson, the Showtime drama series Ray Donovan and the film version of the Emmy award-winning drama Deadwood, among many others.
He is repped by Innovative Artists and Link Entertainment in the U.S. and Scott Marshall Partners in the U.K. as well as Brecheen, Feldman, Breimer, Silver and Thompson.
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*Mayflies is a two-part BBC television drama starring Martin Compston and Tony Curran, adapted by Andrea Gibb from Andrew O'Hagan's 2020 novel of the same name, and directed by Peter Mackie Burns.
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Mayflies is an affecting story of a friendship tested by end-of-life issues, with some fantastic performances from Compston, Curran and Jensen.
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