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#I love a memory fic
somnimagus · 7 months
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My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.
[id in alt text]
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shrimpchipsss · 8 months
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read Living With a Tiger by x_los !
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average-hua-cheng-fan · 6 months
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another reason i think that xie lian felt an instant connection on the ox cart is because he and hua cheng both grew up in xianle.
there are maybe 4 people still alive that grew up in that culture. based on my own experience, you can pick up on things like accent, cadence, references, and humor that suggest a person is from the same place as you without consciously noticing it. that sense of comfort and similarity probably played into their instant chemistry.
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wigglesdtuff · 4 months
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Ask me about Olive sometimes I miss her she's on my mind tonight
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sen-ya · 2 months
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I just think fatherhood would suit him, roast me
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teehee-vibes · 21 days
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Read the most life-altering gay fanfic written by @some-guy-liam, everyone else should read it too
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not-rab · 27 days
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part fourteen of Music and Memories, a Marauders bandAU
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2015
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part thirteen | part fifteen
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anna-scribbles · 6 months
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thirteen update 🍂 🎹 🏠 👻
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chapter 2: November
chapter summary:
She was in a good mood. If she was ever going to take it well, it would be now.
“Maman, what if I went to school this year?”
excerpt:
“Heh.” Adrien flicked a finger beneath his chin and strutted the length of his bathroom floor, glancing at himself in the mirror. He twirled a rose—a red one, one he’d grabbed from the vase downstairs—between his fingers and then presented it to the mirror with a flourish.
“Haruhi!” he declared, “the spring of my heart surges upon the sight of your fresh smile, my love. My heart beats at the command of your drum! Your face is the fierce longing of my soul, and I present to you now this token of my lavish, undying—”
A sharp knock clicked against the bedroom door and Adrien froze, his hand still passionately hovering over his heart.
“Adrien?” Nathalie’s voice called, and Adrien—true to character, if he did say so himself—startled so hard that he slipped and fell onto his butt on the tile.
“Yeah?” he called, hastily pulling himself up and trying to find a place to set down the rose.
Nathalie peeked her head through the bathroom door and took him in, his rumpled hair and the too-small blue blazer he’d saved in the back of his closet for occasions such as…this.
“You have a guest,” she said flatly, and Adrien could not for the life of him figure out whether she was making fun of him.
She left before he could decide, and then it was only a matter of seconds before his bathroom door was thrown all the way open and a blonde ponytail bobbed into view.
“Adrikins!” Chloé crashed into him, wrapping him up in a hug that nearly knocked him over again. “It’s been way too long. You’ve been neglecting me. Aw, did you get me a rose?” She plucked it from his hands and then scrunched up her nose. “Ew, is this real?”
“As real as the current that springs from the well of my heart,” Adrien invented, and Chloé frowned at him like he’d just spoken Greek. “Nevermind.”
She looked him up and down and scrunched her nose up even more. “What did you do to your hair?”
Adrien frowned at his reflection in the mirror and pushed his hair further over to the side.
“I was trying to make it look cool.” He’d been trying to make it look like Tamaki from Ouran High School Host Club.
“It looks like you just rolled out of bed.”
read on ao3
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tennessoui · 11 months
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brain will not let me sleep until I say
same age padawans au where they’ve been in a weird wired frenemies thing for ages but now that they’re both mature adults (all of 24/25 years old) they’re more friends than enemies….
And it’s Obi-Wan that Anakin tells when he’s decided he’s going to leave the Order, not anyone else. He has a wife. There was a pregnancy scare a few weeks ago and it made her want their relationship to stop being a secret so they could really have kids. He has to leave the Order. Doesn’t Obi-Wan understand?
Obi-Wan, who has been a little in love with Anakin since they were younglings, does not understand. Not one bit. Instead of wishing him well and helping him pack, he goes to the Council and requests a mission in the Outer Rim….perhaps a month long or more…perhaps undercover? No contact with anyone on Coruscant. And maybe they could assign Anakin Skywalker as his back up? He can help with the undercover aspect.
And at first, Anakin is pissed because he was planning to resign from the Order in the next few days, but Obi-Wan convinces him to go on this mission with him….one last mission as a Jedi. To say goodbye to the Jedi life.
Obviously, Obi-Wan sort of wants to go on one last mission with Anakin because in his dreams, he wants the mission to go so perfectly that Anakin stays with him the Order. But realistically, he mostly wants to go on this mission to say goodbye to Anakin and then let him go, soaking up all his warmth and light, memorizing every casual touch bestowed on him because he knows they’re ticking down to the last handful of seconds together.
But then obviously the mission works TOO well and Anakin falls in love with Obi-Wan but doesn’t admit to it even to himself before they’re on the ship about to head back to Coruscant and Anakin realizes he doesn’t want to leave this planet because he doesn’t want to leave Obi-Wan if it could always be like this so he crashes the ship during take off so they can stay longer because he’s 24 and doesn’t know how to handle the immensity of his love except through destruction
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crybaby-bkg · 6 months
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cw: this got long sorry 😔 but creepy/perv bakugou, recording, film major bkg x art major reader, masturbation, coercion, dubcon before it just becomes con, voyeurism/exhibitionism
as an art major, you typically did some works for a few students on campus; for their plays, as background pieces while they danced, a cover for their released songs. it wasn’t out of the ordinary for people to ask you to create something for them, and you enjoyed it more often than not. but, you weren’t usually the art itself.
Bakugou is a friend’s friend that you’ve seen a few times, ran into at the library or at coffee shops. he’s a film major, and always looks so unhappy about the whole thing, as if he didn’t choose it himself. you joke to Mina that you think he’ll graduate and become one of those directors that hate everything and yell at the actors constantly and later on get sued for being a dickhead. you never say it to him though—you’ve never spoken more than a couple words to the man.
it’s why it shocks you when he approaches you one day. it’s after one of your painting classes, and he stands outside the door with a frown and his hands shoved in his pockets, his eyebrows scrunched as if pissed at the mere sight of you. he asks you, in that low and gruff tone of his, if you could star in his final project for the semester. says it’s supposed to be a film made with this criteria and that, but, you’ve kind of checked out on the conversation after the first sentence.
“You mean, you want me to create something and that be the star of your film?” you ask him, feeling so intimidated at his stature. he always seems to loom, his hair shadowing the lights above, creates a cast over a portion of his face, makes his eyes look…unsettling. like they’re looking straight through your flesh, can find the marrow in your bones. he scoffs like you’ve offended him, rolling his eyes into his skull, mouth pulled tight.
“No.” his voice is firm, gaze concentrated only on you, like the halls are empty and you’re the focus of his lens. “I want you to star in it.”
his words confuse you—you’ve never presented yourself as an actor before, never alluded to wanting to be in the spotlight if not for what you create with your hands. but he shuffles on his feet, looks desperate even. there’s some hemming and hawing for a minute or so—why not choose Mina?—she’s busy—why choose me?—‘cause you’d be perfect for my short film—what’s it about?—you’ll find out once you get the script.
and even after you hesitantly agree and get the script—you still don’t understand what you’re doing. why you’re here, why you’re the only person, why it has to be a solo film, why there’s damn near zero lines in the entirety of the have-to-be forty five minute film.
the scenes are all so long, and maybe it’s because movies aren’t your forte or chosen major, but you just don’t get it. one scene; you’re staring at yourself in the mirror while Bakugou holds a small, black camera over your shoulder. he’s eerily quiet behind you, whispers out a faint fuckin’ go when you have to wash your face in the sink, makes you do it over because your movements are too jerky and unnatural.
the rest of the scenes go that way; you doing regular at home activities, being put under a lens, quietly barked at to do this and move that way and fix your hair and remember to frown.
“Isn’t there another way to film this?” you ask him on the fifth day of shooting in his spacious loft. there’s a bubble bath scene coming up, one you dont understand the importance of, but Bakugou tells you it’s the most necessary part of the entire thing.
“No,” he grunts out, looking at you from under his lashes as he sits on the lid of the toilet. “But I’ll make it soapy, so the camera won’t see much.” the camera? much? you weren’t worried so much about what the camera captured as you were the man behind it. he looks at you with such intensity, you feel naked already despite the robe you wear that’s suspiciously already your size.
he leaves the bathroom when you sink in the hot water, returns before you can say it’s okay, hears the water splashing and thinks that’s good enough. he kneels on the floor beside you, camera pointed directly in your face, makes your chest hot and your skin feel prickly. the scene passes on regularly enough; you run the water over your arms, tilt your head back as you sigh, whisper the few lines scripted, lean back and close your eyes, sigh again. it’s almost relaxing, makes you forget about the friend of a friend recording you naked right now. almost.
“Touch yourself.” Bakugou suddenly demands, hushed and quiet behind the camera. your eyes immediately shoot open, looking to him in question, how he’s eerily still in his spot hovering over you.
“Huh?” you ask, unsure if you heard him correctly, looking around the rounded lens in your face, trying to ignore the red blinking light. but Bakugou only frowns.
“It’s a masturbation scene. Touch yourself.” he repeats, voice louder, more demanding this time. your stomach twists at the thought of doing something so intimate in front of him. he’s a handsome guy, for sure, even made you consider asking him out after this, figured he was just serious about his work and awkward about certain things. but…something had been off about this entire thing since the start.
“But—but I don’t, I’m not,” you stutter, sitting up a little, the bubbles covering your chest starting to disperse with your movements. but Bakugou only sits a little higher on his knees, finally pulling the camera away from his face for the first time since he’s asked you to do this for him.
“You want me to fail?” he asks, booming voice eerily quiet in the silent bathroom, carmine eyes dull, shaded over with something terrible. “Then do it.” he tells you when you shake your head quickly.
you stare at him until he gets back into position again, camera back pointed at you. when he doesn’t say anything else, you swallow thickly, wondering if the art that will come out of this will be worth it. so you listen, sneak a hand under the water, start touching yourself in a way you never have in front of anyone.
is it bad to say that it’s exhilarating? being watched and recorded by someone who breathes so heavily every time your voice hiccups? being directed to touch your chest next when the suds start to disappear and your nipples start to peek through? is it bad that you want him to send you this portion of his film, only, just so you can watch yourself again and again? make a portrait of yourself with your fingers on your nipples and your knees raising from the water and your head thrown back from the intensity in oil pastels?
“That’s a wrap.” Bakugou announces when you finish, head spinning and still panting. you look over to him, how he closes the camera, the obvious bulge in his pants. “I’ll get you a towel.”
you wonder when’s the next time he’ll need you. or better yet—maybe he could be the star in your final drawing project? you had finished it already but, what was the harm in starting over with him as your muse? as naked as you are? camera not blocking his face so you can paint the similarities of his blushing cheeks and eyes when you direct him to look at you? to touch his chest? to play with himself just like that?
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popponn · 6 months
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sometimes, you wondered if the 'i love you's you had said were enough. if he understood how much you mean to them. if he truly ever heard and took them with him, tucked in a secret corner in his heart.
you wonder, if he knows that you regret not saying it more to him.
"i..." you tried to tell the empty space in front of you. a space that had come to place itself in your life in a presence that resembles a puzzle's hole more than a crack.
something should have been there and you know more than anyone what it is—who it is. yet, it remained unfilled no matter how much you wish to reverse time back to a happier time.
you wish it was all meaningless. that all these thoughts are mere hauntings built up by your own fantasies and when you blink, he will be there. maybe he could smile, maybe he could feign a cool mask, but all the same, his finger would intertwine with yours.
maybe, he would take a step closer to you, bumping your shoulder. maybe, his eyes would stray and look around, while the heat from his body remains just next to you. maybe, full of concern, full of care, he will ask you, "what's wrong?"
but, it is mere wishful thinking.
from somewhere, the strangers' footsteps resounded in the distance and he was not by your side. it would have been like a penitence, like an admittance to no one. so, in the end, you swallowed all your words down.
"i love you," you wanted to say, "i truly do."
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sae, ISAGI, nagi, chigiri, VIL, jack, deuce, cater, jade, cyno, al-haitham, zhongli, NEUVILLETTE, wriothesley, diluc, KAEYA, XIAO + your faves.
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mappingthesky · 19 days
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not a prompt necessarily but I’m always down for planymphia angst 🙏🙏🙏
in response to multiple asks i’ve received for planymphia angst… here is this <3
i know baby, no attachment
None of this had been in the plan.
It was the first thing they’d talked about that first night in Jane’s apartment; Neither of them were looking for anything serious. They were both unavailable, incapable of making any promises. Not now. Not yet. It would be clean, simple, no strings attached. Just two people using each other. Innocently, admittedly using each other, but using each other nonetheless.
They’d been on the couch in Jane’s dimly lit apartment. Jane was an obvious sort of gorgeous. It was the first thing Nymphia had noticed about her, what drew her in on that first night they’d met: she’d been wearing something meant to lure you in, hypnotized by the clinging of her clothes to her body, the wave of her hair, her eyes tightlined and sharpened like knives. Jane was almost lethal to look at, all done up and primed to kill; the most magnetic friend-of-a-friend Nymphia had ever been introduced to. She was somehow even more gorgeous now, sitting on the couch in her casual clothes, her face aglow in the light of the television, her auburn hair pulled up into a messy top knot. She was painfully, effortlessly attractive, and, much to Nymphia’s surprise, only so much of a smooth talker. She came off suave at first, all punchlines and quick remarks, but after a while Nymphia could start to see her thinking. Jane would be in the middle of a sentence, flying through it, hurtling towards some revelation, and then she’d catch herself. She’d pause, freeze on a word and scoff at it, like she was considering whether whatever she was about to say would be worth the sentiment. And then she’d go a bit shy, averting her eyes and playing with the pilling on the upholstery, giving away just how carefully considered she was. And just when Nymphia was starting to think that Jane was completely nervous to her core, that Nymphia might actually have the upper hand in this situation, Jane would bring it back. She’d pick her head up and let the words go, say something so stunningly direct and devastating. It left Nymphia a little breathless, a little too endeared, a little too eager to kiss her.
They could have guessed at the chemistry, but it didn’t come close to the real thing.
What happened when Jane’s skin hit Nymphia was the sort of collision that produced suns and planets and supernovas, flinging particles off into space with enough pressure to form entire worlds. Nymphia could practically see the stars behind her eyes, fluttering shut when Jane was hovering above her, hand between her legs, finding some undiscovered place that Nymphia didn’t know had been there all along, waiting to be found. Jane turned Nymphia’s body into something more than it was before, transforming her irrevocably. Jane was a comet crashing through her atmosphere, and Nymphia was awe-struck, staring at the sky and watching the sparks shower. You can’t be prepared for such life-altering things, it's what makes them so devastating.
What neither of them could have predicted was the ease of what came after - the lying in bed, talking about it. The debrief. Nymphia was a bit too happily fucked, and unwilling to share the extent of her satisfaction. She was worried she would come off easy, inexperienced somehow. Jane, however, was endlessly attentive. She wanted Nymphia’s experience of the encounter, all the details - what she liked, what satisfied her the most, what she wanted more of. Her sheer desire to please was enough to pull the details out of Nymphia. She was rewarded when Jane allowed her to relive it, this time through Jane’s eyes. Jane’s gaze was far off with remembering, a smile playing at her lips as she recounted her experience of Nymphia in such erotic detail, every telling arch and shudder, and the whole thing was so overwhelmingly flattering that it sort of made Nymphia want to do it all over again.
Nymphia had known better than to pack an overnight bag. She thought she had, anyway.
Her eyes were closed and she was nearly asleep when she’d mumbled, ‘I should be going soon.”
Jane just chuckled. “You’re half asleep already.” Her fingers trailed up the curve of Nymphia’s thigh. “Just spend the night. If you want to.”
Nymphia's eyes were suddenly open, “Yeah?” Jane traced stars onto her hip.
“Mhm,” Jane hummed, eyes flickering up, then back to the curve of Nymphia’s waist.
Nymphia closed her eyes, savored in the feeling of Jane on her skin. A long moment passed.
“D’you cuddle? Or is that against the rules.”
Jane’s hum was an amused look at you asking so soon. She was already pulling Nymphia to her chest.
That first night turned into a three-day sleepover, because of course it did. Nymphia and Jane stretched themselves over the long arc of the weekend, sharing the sort of welcome, unexpected ease that you can’t put down, the kind that you’ll happily destroy your routine over and resign yourself to picking up the pieces after the fact. One weekend became another, and then occasional nights at Nymphia’s apartment with the door shut and her duvet crumpled at the end of the bed. And then they added the weekday rendezvous: Nymphia meeting Jane at her place after work on Thursday evenings, promising not to keep her up late and failing miserably, leaning her head on Jane’s shoulder in the morning as she locked the door on her way out. And then Nymphia was bleeding into Jane’s week, her Tuesdays and Wednesdays, her breakfasts and dinners, her late-night ice cream cravings and subsequent walks to 7-11. And then it was all too regular: Nymphia and Jane, Jane and Nymphia.
It's been a few months now, and there are so many things Nymphia loves about Jane.
She loves how Jane drives with one hand on her thigh, or with her fingers in her mouth. How she looks over to the passenger seat with that special look that's reserved just for Nymphia, and makes her feel like the only person she's ever wanted. She loves how she listens to her music loud, sings along when she’s drunk and tossing her hair, or when it's Sunday morning and she’s at the stove and there’s a record spinning in the living room. Nymphia loves how unabashed Jane is, how bold. How she never hesitates when it comes to the people in her life, how to be loved by Jane is to be fiercely defended by her. Nymphia loves how Jane kisses her in the middle of her sentences, especially when she's talking too much. She loves that Jane is so rough. How she can fuck her like she hates her. She loves how Jane can be so tender. How she can fuck her soft and slow, as reverent as religion. How Jane can make a mess of her, then put her back together again.
There are so many things Nymphia hates.
She hates that Jane is so impulsive, how she strikes so thoughtlessly, how she has to return to the wounds later to draw the venom out of them. How Jane is so stubborn, so set in her ways, so inflexible. How there’s two Janes - the one she’s with now, the one she is around her friends. The one who doesn’t kiss her, hardly touches her aside from a possessive arm around her shoulder or a tap on her knee. How the real Jane, Nymphia’s Jane, emerges as soon as they’re alone together, the one who will see her downturned gaze on the way home and coo what can I do, princess? Hmm? What can I do to see that pretty smile? Nymphia hates that she forgives Jane so easily, that she crumbles every time, that she loves Jane completely and entirely and beyond any measure of hurt that she could unknowingly inflict upon her.
She hates that she’s still sitting at this party, long after Jane promised they’d leave. She hates that Jane’s friends clearly like her; they laugh at Nymphia’s jokes, compliment her shoes, send knowing glances and winks across the room every time Jane so much as mentions her name. She hates how, when they ask what they are, Jane is all too quick to brush them off.
It's obvious that Nymphia’s upset by the way she pounds up the stairs, by the way she wordlessly digs through her purse for her keys, by the way the anger and the hurt and the disappointment emanate from her like poison.
“I just can’t believe they asked that,” Jane scoffs. Nymphia says nothing, gritting her teeth as she turns the key in the lock.
It should be obvious, but Jane is a bit too self-absorbed to notice.
“Like, we don’t even know what we are,” Jane says, and Nymphia feels sick, because she thought she did. “Why would she put me on the spot like that? In front of everyone?”
Nymphia pushes into the apartment, beelining for the kitchen.
“I mean, it was weird, right?” Jane continues, relentless. “Why do they need to know so bad?”
“Yeah,” Nymphia’s voice is hard, laced with venom. She chucks her keys onto the counter with a little too much force. “Why would they?”
“Right,” Jane doesn’t notice. “It would be nice if they could just let us-“
“I don’t know why they could possibly be so confused.” Nymphia interrupts, working off her thigh-highs.
Jane misses a beat. “Wait. Are you-“
“I can’t fucking imagine why they’d think that we’re together.” Nymphia lets her boots drop to the floor, one gut-wrenching smack after the other.
Jane blinks, brows knit together. Nymphia straightens up, fumbles with things on the counter that don’t need to be fumbled with. “Are you upset about this?”
“Why would I be upset?” Nymphia picks up a stray mug, sets it down again. “You just told all of your friends that we’re nothing serious. Why would I ever be upset about that, Jane?”
“I didn’t say that, Nymph,” Jane starts, already on the defense. “I said that we’re something.”
“Oh, right. My bad.” Nymphia scoffs. “We’re something. Let me know when you’re ready to illuminate me on whatever the fuck that means, Jane.”
Jane recoils at Nymphia’s profanity, unfamiliar with her frustration. She’s never seen her like this- so hurt, so ready to retaliate.
It's not funny. Jane shouldn’t laugh. She really shouldn’t, but she’s viscerally uncomfortable and horrifically unprepared for this situation, so she does anyways. “Are you really angry about this?”
The whole thing is white hot and embarrassing, and Nymphia has tears in her eyes when she turns and whips her purse to the floor.
Jane jumps. “What the fuck?” She’s wide-eyed, both hands held up in shock. “Nymphia. Are you serious right now?”
“I don’t know Jane,” Nymphia bites. “Are you serious?”
“What?”
“I kinda thought you might be,” Nymphia steps over her bag. “Y’know, because you cut me a key to your fucking apartment. I thought maybe that constituted we were more than,” she curls her fingers in the air, “something”.
Jane shakes her head, jaw tight and temple pulsing. When she speaks, it's in a lower voice, almost ashamed. “I don’t want to talk about this right now.”
“You never want to talk about it!” Nymphia’s voice cracks, a desperate wail. Jane’s mouth opens, already halfway towards defending herself until she looks at Nymphia and sees her bottom lip quivering, the spilling over of her tears. Jane looked back with a concerned, almost panicked expression, lips frozen and slightly parted.
“Do you love me, Jane? Do you even fucking like me?”
Nymphia surprises herself with the question. She’s so amped up, so high on adrenaline that she lets it all out- the culmination of weeks of words she’d bitten back, suddenly pouring forth from where they’d been collecting in a lump in her throat.
“No, seriously, do you? Because I can’t fucking tell. I think you do, because- because you say all these beautiful things, and you spend so much time with me, and you take such good fucking care of me. So you must fucking love me, right? But when your friends ask, I have to sit there and listen to you tell them that we’re something. Like it’s so fucking confusing to you. Like it's a goddamn secret. Do you know what that feels like?”
Nymphia is fully pacing now, walking the length of the kitchen over and over again. Jane follows her with wincing, pained eyes.
What Nymphia hates, more than anything, is that she doesn’t hate Jane at all. Not for any of it.
“I’m fucking in love with you, Jane, alright?” Nymphia whines, hands whipping through the air with frustration. “I’m so in love with you, and everybody fucking knows it. Your friends, my friends, my mom, everyone! But no one seems to have any goddamn clue if you love me too. And you know what? I’m not sure if I do, either.”
When she finally expels the last of the words from the hole in her heart, Nymphia looks up through her tears. She can barely stomach the sight of Jane, lips parted and wordless, unsure of what to do with the outpouring of Nymphia’s heart. She stares at her, eyes twisted in pain, then looks to the ground, like Nymphia’s words have slid off her and collected in a puddle at her feet. Nymphia just cries, a pained and exhausted whimper on her lips as she pushes past Jane and into the living room. She collapses on one end of the couch, pulling her knees to her chest and hiding her face behind one hand, hot tears sliding down her cheeks and into her mouth.
Jane stands in the center of the room with her back turned, still facing the phantom of Nymphia’s words that may very well haunt her kitchen forever. Her head is spinning, because how the fuck did this happen. Nymphia is openly sobbing behind her, and the sound is so gut-wrenching that Jane is nauseated.
Nymphia makes a horrible, shuddering gasp for air and Jane finally breaks, crossing the room and dropping to her knees on the floor where Nymphia sits. She doesn’t even look at her, just sobs, and Jane can physically feel her heart fucking breaking.
“Nymphia,” she says, placing her palm on Nymphia’s knee. “Nymph. Hey.”
Nymphia shakes her head, face contorted with tears. She flinches at Jane’s hand like it fucking hurts, and Jane winces as the guilt slices through her. She exhales a sharp puff of defeat and drops her head in hurt.
Nymphia just cries and cries, and the reality of the situation sinks in Jane’s stomach with every sob. She’s sick to her stomach with concern, worried that Nymphia might actually fucking hyperventilate, and then she’s gently begging the girl to breathe. She goes to reach for Nymphia again and pauses, scared to reach out, scared to hurt Nymphia, scared that she’ll recoil from her again. It’s then that Jane knows, for the first time in all of her life, what she wants. She knows, right as it threatens to slip out of her hands.
“I’ve never done this before.”
Jane hears her own voice. Her words hang in the air for a moment, floating like smoke between Nymphia’s shaky, shattered breaths. Jane looks up.
“This,” she says, a tentative hand on Nymphia’s knee. “What you and I have. I’ve never-”
The words are hard for Jane to stomach. They don’t pour out like Nymphia’s do. They catch in her throat, feel wrong in her mouth. She’s not sure they’ll be enough.
“I’ve never had this with anyone,” she says. “I’ve never wanted to. Not until now.”
Nymphia wipes at her eyes, shudders a bit as her breathing quiets.
“I, um,” Jane glances down, scared to look. “I don’t know how.”
Nymphia finally looks at Jane, so small and nervous and crumbling at her feet. She wants to take her hand, to show her, to be endlessly patient even if it kills her. The desire is so enormous, even now. She almost hates herself for it.
“I know I’m fucking it up,” Jane says to the floor, her voice tiny and wavering. “I’m sorry. You don’t deserve that.”
“I just need to know,” Nymphia whispers.
Nymphia swallows hard, and then Jane looks up and its so fucking harrowing, so moving, because Nymphia can see the guilt in her eyes, the desire, the glimmer of words she can’t figure out how to say. She watches as she considers, catches herself, lets it go.
“I do.” Jane says. Nymphia’s heart plummets, because she knows what she means.
“I don’t want to say it now,” Jane says. “I don’t want it to be an apology. I want you to know I mean it. Is that okay?”
Nymphia nods and Jane mutters over and over I do, I do, you know I do.
It's beautiful and tragic and overwhelming, and Nymphia wants to crash into Jane, to merge together and surpass the need for words entirely. It's too soon to know yet if it's for better or for worse, only that she does it - that she reaches out and takes Jane’s hand.
“I don’t know if I’ll be any good at it.” There’s a hint of a smile on her lips, a bit of Jane laughing at herself. “But I want to try.”
Nymphia just nods and feels more tears streaming down her cheeks, and Jane’s crying too, and then they’re crashing into each other. Nymphia is leaning down and throwing her arms around Jane, who is sitting forward and clinging to her like she’s scared to let her go. Like she caught a shooting star in her bare fucking hands.
It's a whisper against her hair, but Nymphia hears it. “Can I try again?”
Nymphia could hate herself for it for all of forever. She’s prepared to. Jane doesn’t know what she’s doing, and she doesn't either. Nymphia nods anyway.
It's a new world, one of their own making. It's unexplored, uncharted, and they’re venturing into it together, hand in shaking hand. It's dangerous. She’s doing it anyway. She might hate herself for it. It might be the bravest thing she’s ever done.
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ecoamerica · 2 months
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tsartistry · 21 days
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I absolutely love your Niobe kidnaps Lester au!! In a post you said that Niobe was dating Circe, so I'm just wondering that since Circe is a witch, would she teach Lester some witchcraft? (Other than the ones you have to be born with)
No, at least not at first! Lester's brainwashing is a continuous process. There are times when Circe needs to cull memories that bubble up from time to time. If she teaches Lester how to practice her witchcraft, there's a small risk that he might realize she's been using magic to mess with his memories.
Since Egyptian magic is different from Circe's brand of witchcraft, she and Niobe are a little more comfortable with him learning it.
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starcurtain · 1 month
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I think my favorite breed of RenHeng is definitely:
Even in the Shackling Prison, Dan Heng had just enough memories of Yingxing to be hopelessly, achingly in love with the man despite never meeting him in his current life, spending years agonizing over the cognitive dissonance of wanting to leave every single shred of his previous incarnation behind but being unable and unwilling to let go of the exquisite gentleness and warmth of that one person--
Only to be told that Blade is Yingxing. That his greatest source of horror and anger is the same person whose calloused fingers nightly trace the line of his cheek in his favorite dream, the one that used to make Dan Heng feel like a treasure, like something worth keeping--
And how, how is it fair that he's still being punished? How deep are the sins of his past that he isn't even allowed to keep the illusion of being wanted? How could Dan Feng take every fleeting glimmer of Yingxing's love and leave Dan Heng with only his hate?
How is he supposed to live, having all these broken, beautiful memories--and still having nothing at all?
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theminecraftbee · 7 months
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hermit horror week day 6: season 6 or flesh
Cleo hums as she looks over her pirate crew. Her ship is coming more and more to life every day with the help of the new armor stand book. Bringing real pirates to life to live in her crew--it's been a dream so far. She has a real knack for it, to. Everyone keeps commenting on it.
It's funny, thinking she of all people would be good at bringing life to things. There's a joke about that, she's sure.
She flips through the book, tilts her head and frowns as the crew prepares her ship for the day. Hm, no. She needs to make some more edits, though, before she declares it done. Her crew is a little bit too all the same color, at the moment, and there aren't enough that are the right height, and...
She walks up to the nearest crew member. He looks up at her and waves methodically before going back to his programmed actions. She flips the pages in the book, finds the correct pages to nudge, and starts messing with his height to make the crew more varied.
There is a horrible snapping and popping sound as the crew member freezes in place, and his torso and limbs begin to stretch to match the new parameters. The skin twists around the bone. Bones break and regrow. She waits patiently for the changes to be done. Finally, the twisted cracking stops, and the crew member stands at his new height.
Cleo makes a face.
"Yeah, I'm not sure that's right either," she says, even as the crew member stands up to start going back to his tasks. He's sweating and shaking, which makes it a bit hard to judge, so she re-locks the armor stand in place, freezing him.
She thinks she got his limbs wrong the first time, actually; that's why the new height didn't work well. It'll be individual reposing, then.
She starts making adjustments in her book when she looks over her shoulder and sees her crew staring at her. She shudders. It's unnerving when that happens. It always makes her feel like--she brings life to her builds like this, but it's not like the things are alive.
But sometimes, when she's adjusting the scene...
"Well? You lot get back to work!" she says, and she goes back to adjusting the first crew member she has to make changes for. She'll start with the arms, since those are proportioned worst. She needs to make them a little shorter.
The terrible tearing and popping sounds continue as things break and relocate. Cleo sighs.
One day, maybe this will be less trial and error, and she'll have to hear less horrible bone breaking? Today, though, she'll be fine with it. She's a zombie, she's probably heard worse.
As she finishes setting the arm in place, there's a low, strange sound, like an aborted scream.
She's really got to ask the datapack author one day about that, she thinks, and she moves to the next arm.
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after knowing the whole story of Breath of the Wild and Tears of the Kingdom, I still can't believe Nintendo really went for the Princess and the Knight trope
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ecoamerica · 2 months
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