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#I know this is the point of their characters I know other people have said it before and better
lovifie · 3 days
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Simon “I Will Never Be A Father” Riley, and how he ended up with a football team worth of kids.
CW: Like 2k words of fluffy Simon, and then 1k words of filth, massive breeding kink, creampie, disgusting sext talk mess. Enjoy! 🩷
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It's not his fault, it's yours. 
He met you really early in both of your careers, before either of you had really any important ranks, nor years of experience. 
But a mission together to recollect some intel was enough for the two of you to learn each other's names. 
It was back when rage still blinded more of Simon's senses, the loss of her family still recent. But you didn't know, obviously, and he wouldn't tell you. 
During that mission, he would constantly snap at you, unnecessary remarks and barks at you whenever you would ask something. 
Not that you would back down because of the overgrown chihuahua, usually just shouting back and ignoring him. Letting him to simmer in his guilty feelings.
But the time together helped to learn what buttons to press and when to act as if you hadn’t seen something, and by the time you made it back to base, to your different units; you said goodbye shaking hands and saying: “Nice to meet you, Riley. Don't die.”
He didn't say it back, but he felt it more. 
Years went by before he saw you again, and after a while, he simply assumed you did in fact, die. 
He was higher in his career, already being respected by most and always addressed as Ghost. The rage of his past was already on a secondary level. 
More mature, more knowledgeable, more experienced. 
But for some reason, he couldn't forget you. He had come across so many different people who would back down just for him looking at them, yet when he screamed at you, you didn't let him win. 
He missed you. 
He would never admit it, but he missed the girl he met on that mission those years back. Maybe if he had said it back you would be alive. 
Maybe.
“Riley?!” An unmistakable voice asks, radiant with happiness from his back. 
He turns around, eyes wide open looking for the source, for the girl he met so long ago, for the girl he thought had died. 
But he sees you.
The woman, on the same rank as his, grown, more mature, more knowledgeable and more experienced. 
Scars and wounds adorning your body just like his. 
“What is that mask, Riley?” You ask, smiling widely. “You turned emo?!”
You laugh loudly as you finally walk up to him, an awkward position of not knowing how to say hi after so long apart. 
“Aye, didn't want people falling in love with me like you did.” He says, completely baffling but still hoping it was true. 
“Argh.” You say, rolling your eyes as you slap his arm. “Well, excuse me, lover boy. Didn't know you have spent all this time fighting the ladies.”
There hasn't been any ladies. Not after you. He realises it in that moment.
“It's the uniform.” He explains, a stupid smug smirk under the mask. “And you? What have you been up to?”
“The usual, learned German, I knit now, killed a couple of hundred terrorists, and got my flying licence!” You enunciate, slightly jumping with the last. 
He doesnt realizes that the mask is not covering his eyes, and that no matter how cold and stoic he tries to act; you can see clearly as day the affection and happiness from seeing you again. 
This time, when you say goodbye, you keep each other numbers. A way to stay in contact, to check once a month if you are still alive. 
But again, time goes by before meeting in person again. 
And when it happens, Ghost is already on the 141; and it's not him the one that sees you first. 
“We are having a surprise guest on the next operation.” Price says one morning while they are having breakfast. “She’s from another base, but has an amazing resume. She's a lieutenant too. And with an ugly character, like you” He says, pointing at Ghost.
And he knows it's you. 
It gotta be. 
And a couple of days later, when you enter the mess hall; walking behind him and slapping the back of his head, he is elated.
“I knew I was smelling trash.” You say, looking down on him. Barely a bit taller than him when he is seated. 
He turns his body, resting his arm around your hips. “How long are going to be following me for, ya rat?”
“Hmm, not my fault you can't do your fucking job, useless bitch.” You say with a smile on your face as you rest your arm over his shoulders. 
“Well, somebody gotta take out the trash, you cunt.” He says, a smug smile on his face. 
“Aww, are you telling me to take you out, lover boy?” You say, resting your hand on your chest. That makes him bark a laugh, patting your side after, before saying. “I'm glad to see you are still in one piece, idiot.”
“The feeling is mutual, dickhead.” 
And that was the first time that Simon’s hand was resting on your hips, but definitely not the last. 
The first mission together with the 141 was an absolute shit show, everything that could have gone wrong… went wrong. And if it wasn't because of your stubbornness, it would have been Simon’s last mission.
Being trapped under debris, unable to get out of the burning building. Everyone was already out, only him inside, talking on the radio to tell the team to leave him behind. 
Except you, who managed to slip through Price's orders and run into the obvious death trap. Able to take the debris keeping Simon trapped with his help, both of you using the extra strength that only comes out in emergencies. Unknowingly, both of you going to the extreme of your resistance to make sure the other didn't die inside the building. 
And when he was in the hospital bed, days later, and you came to visit him, and you leaned forward and kissed him. It was the first kiss, but not the last one. 
The two of you, already adults perfectly functional, able to instruct armies, take down terrorist organisations, and yet… it was not until 8 months after the first kiss that one of you managed to ask the other out.
“The team were going out for drinks tonight, but they bailed… do you want to go still? The two of us?”
To this day, Simon still believes it was his doing that the two of you went alone to the pub, and you still have not had the heart to tell him it was you the one who asked Price, Soap and Gaz to tell him they couldn't go.
And once the door was opened, everything went smoothly and easily. Not bothering to call the relationship in any way, as if the two of you haven't been exclusive to the other from the first moment you met. 
Still, even more time went on before something more than kisses went down. Until the two of you went on separate missions, months spent apart from each other, only to reach base again at the same time. 
And as if you had planned, you walked to each other room. Meeting exactly in the middle and jumping into each other arms. 
Not that anyone else on the team had doubts about what went on between the two of you, but still was a surprising view. And you pulled Simon by his hand inside of his room, every doubt crumb was erased. 
And once it started, everything else went in a blur. By the time you took notice, the two of you were already married for a couple of years, the honeymoon phase was still strong, and expecting your first child. 
And Simon, who had always promised he would never have kids, now was obsessed with your pregnant self. During the pregnancy, he couldn't keep his hands away from your body.
Constantly feeling you up, every inch of skin, from your hips, to your breast, to your tummy. Completely obsessed and enamoured with your body, changing and adjusting to bear his child. His big-ass child. That had you wabling from the second trimester. 
He missed the birth, away on a mission when you were in your seventh month. Promising the mission would last a week, but he didn't take a step into your house until three months later. He didn't look Price at his face for weeks after the due date passed. 
The worst part was that there was no communication with you, complete radio silence. Again, like so many years ago; you could be dead and he wouldn't know. 
And when the plane landed, he took the quickest shower of his life. Because the worst case scenario was coming home to an empty house, but the worst second was holding his child for the first time with the blood of his enemies still on his hands. He wouldn't taint such an innocent thing. 
The door almost fell from the hinges when he entered, eyes looking through the house. Breathing only because he could see light from the bedroom, and then you walked out of the room. 
Looking at him with tears on your eyes as you run to him, jumping on his arms and getting crushed by his hug. Muttering apologies as he kissed your head, he still has not forgiven himself for failing you that day. 
You shake your head, grabbing his hand and pulling him towards the bedroom. He freezes on his spot, as if he just remembered that he had a child; your abdomen way flatter than when he left. 
“C’mon, Si… Do you not want to meet your son?” 
A son.
He had a son. 
He followed you into the room, unable to say a word as he saw the tiny human sleeping in the middle of the bed. 
He walked behind you, waiting for instructions, his brain struggling to work normally. You tell him to sit down, picking the baby to lay him on his arms. The father finally holding his son for the first time.
And when the baby exhaled a satisfied sigh at the warmth pooling from Simon’s body, the first tear rolled down his cheek.
He didn't sleep that night, it didn't matter that he had barely been able to sleep the weeks before, he couldn't pull his eyes away from the baby. So that night, he stayed seated, with the baby on his arms and with you sleeping by his side.
The happiest night of his life. 
He finally took his parental leave, almost smashing the phone against the wall when Price called him; even though it was to congratulate him. 
And Simon, who always had believed he would never have kids, now had one. And that might have been the first child he had, but it was definitely not the last one. 
Because a couple of weeks later, when the two of you went to base; to introduce the baby to his teammates, Simon couldn't stop thinking about how good you looked with his child strapped to your body. 
His little head resting over your full breasts, sleeping and perfectly unaware of every problem in the world. But Simon couldn't stop looking at your chest, body changed to bear and care for his child; it was only fair he paid back. 
So when Gaz asked if he could hold the baby, it was Simon who helped you take the baby out of the little koala backpack; letting him hold it.��
And with a weak excuse, took you to his bedroom. Barely managing to close the door before bending you over his desk, pulling your pants down and stuffing your cunt with his thick fingers. Giving you barely any prep before the strain on his hardening shaft was too much for him to keep it away from your soaked cunt. Groaning in your ear as he thrusts fast and hard into your sweet pussy, rubbing your clit with his fingertip making you cling into the desk. 
“Such a good fucking mama you are.” He moans into your ear. “Driving me fucking crazy every time I look at you, so fucking beautiful, so fucking breathtaking, darling.”
Half of what he says doesn't make sense and the other half you can't even hear from over the sounds of the moans. 
“Gonna fuck you full of my child again, gonna keep you barefoot and pregnant, mama.” He moans again, kissing your neck from behind as his free hand keeps roaming your body, needing to feel more and more of you. “Looking like a bloody goddess with my child, gonna keep fucking you until it fucking catches, and then again, and again, and again… Do you want that, mama? Do you want it as much as me?”
“Fuck, yes!” You moan back, just as fuck out as him. The unforgiving pace pushing the breath out of your lungs, your legs barely able to hold your weight but it's not like Simon would let you fall. 
More and more words and promises keep falling from Simon's mouth, making it hard for your orgasm to take any longer to wash over you. 
But then Simon turns you around, laying you on your back and pulling your legs up, your knees beside your head; before he starts to thrust into you again, his happy trail rubbing against your clit. 
“Gonna make it catch, gonna fuck you so deep it is not even going to spill. Gonna get you fucking pregnant again, and this time I'm not gonna go away for a fucking second. Gotta give the little shit a sibling, ah?”
The stretch of your legs being pulled so back into your head making it almost uncomfortable if you were able to think at the moment. Your hands grabbing into his forearms to steady yourself. 
“The best fucking mama in the world you are, ah? Taking such good care of him.” He groans, engulfing your boob with his enormous hand. “Getting these tits fucking massive just for him, fucking little shit don't know how lucky he is to get such a good fucking moma.”
And you are ashamed to admit it, but the disgusting praises are enough to throw you over the edge; your head falling back against the desk with a loud cry of his name. 
“Fucking hell, darling.” He groans just like you. “That's it, choke my fucking cock, love. Milk it dry, suck it in. Fuck! Such a fucking perfect cunt, I would fucking live here. Sucking me in so good, such a greedy fucking cunt. I'm gonna fuck you so deep, I'm gonna give you twins, darling.”
And he doesn't give you time to breathe, his hips slapping hard against yours making you mewl at the overstimulation. Clenching down at the prolonged orgasm. 
You hear him groan over your exhausted body. “Fuuuck… Shit, love. Yeah… just like that, take it in, love, take it in. Hold it in, don't let it go to waste love.”
You fill him spill deep inside of you, pulling your legs impossibly higher lifting your butt off the desk, bending you in half with your cunt completely exposed. 
“Such a beautiful fucking cunt.” He says before leaning down, kissing your clit as if he was pecking your lips, only for him to literally make out with your cunt. Making you hiss and pull his hair back to make him stop and be able to breathe for a second. 
He pulls his head back, only to accumulate the saliva and arousal on his mouth and spit it back over your cunt making you shudder. He lowers your legs, impaling you back on his still hard shaft, pulling the breath from your lungs once more. 
“There you go, mama. Stuffed and plugged, so there is no risk.” He says, letting your legs rest down as he moves his hands to each side of your hips, pushing you impossibly closer to him, hitting as deep as he has ever reached. Slightly moving you up and down so your clit rubs against his pelvic bone, making you whine as you clench around him.
“Simon… Si, I need to fucking breathe.” You whine, trying to grab his hand.
“Nah, you got this…” He says without looking at your face, completely hypnotised by the way your folds part to take his cock in. “You are doing amazing, sweetheart.” 
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Is only hours later, that Simon comes out of his room. Clothes changed, showered and without you (who is currently sleeping on his bed, too exhausted to even stay awake), and he walks up to the mess hall, where he assumed the boys are. 
Picking his beloved son from his captain's hands. “There you are, my boy.” He says softly, picking up the baby that looks ridiculously small in his arms. “Time for bed.” 
“Oi, LT!” Soap calls him. “So when is his sibling being born?”
He looks at Soap, his expression changing to a stern one. “Don't be disgusting, Johnny. That's my family you are talking about, have some decency”.
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@katreintjie @sacvh @archenillo @thesinsoflust @sodavrr 
@yuki2129 @mikaronn @idk-justkane @shanhalen @thatoneslvt 
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ronintales · 2 days
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ೃ₊ 🌾 ❝ So When I Die ❞ ╰►, Gojo Satoru
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𝐒𝐘𝐏𝐍𝐎𝐒𝐈𝐒 | following gojo satoru’s death, his ex wife is in charge of taking care of his funeral service and everything else that comes with it.
𝐖𝐎𝐑𝐃 𝐂𝐎𝐔𝐍𝐓 | 4,676 words
𝐖𝐀𝐑𝐍𝐈𝐍𝐆𝐒 | character death, possible spoilers, funeral, angst, and not proofread ;p
 𝐍𝐎𝐓𝐄𝐒 | I did NAWT want this to be my first work on here but due to certain circumstances…. AHEM his DEATH!!!! I felt it was necessary because laik… grief LOL. I wrote this a while back tho. Enjoy.
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꒰ 💌 ꒱ ♡ ༘° 𝒅𝒆𝒂𝒓, gojo satoru …
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Your ex-husband is dead, and in his line of work, yes, you know that he has a higher risk of dying than the average person, but still, death never comes expected, does it? Even if he always says—oh wait… used to, you suppose, say that he was crazy strong and no one could ever take him down. Well, he was wrong in the end like a bunch of other things. Like how well he took care of you, how he’d give you six kids, how—you won’t ramble, noting he’s dead now and there’s no point, but also because it’s quite rude of you to talk down on someone who is dead and can’t defend themselves. Whatever.
You just… don’t expect it. Yes, you understood he was hard headed and insanely cocky, but in a way… you always believed that he would always come home alive and, even if he did get hurt, he would be okay eventually as he heals. You don’t forget it, he’s only human, you know because of the many mistakes he’s made, but still… he’s… he’s gone?
You hesitated when you heard that. Gojo Satoru, the so-called love of your life from two years ago, is dead? Impossible, you think. Gojo Satoru found death embarrassing, with all the things he said. He said that he would be okay. He was always okay. What are you supposed to say to that?
When you get the call, you wonder why you, of all the people in his life, were the one they called to inform about his status. Why did you have to go to his place and clean out all his things? Take all his belongings with you? At first, your instinct was to say “throw it all away,” because what does Gojo Satoru mean to you now? You’re not his wife! He neglected you for years and filled your days and nights with sorrows. He broke your heart. But still, he didn’t mean nothing to you at the same time.
Those precious years of being his acquaintance in middle school. When you had shorter hair and he didn’t know much about you other than you were in his class and he had bought you cute white socks for your class gift exchange on Christmas that year. The long years that Gojo Satoru pined for you after you both attended the same high school. The hard and dark times he went through losing Suguru and shutting you out, though he loved you for so long. When you turned twenty, and Satoru had gotten better, to the point where he felt he was ready to move on and continue with his pursuit for you. When you turned twenty-three, and got married to him on a spur. When you moved in and shared a bed, until the marriage got cold and most nights you spent alone.
You couldn’t say for the past fourteen years, Gojo Satoru was nothing at all to you. The news was shocking, and knowing he was dead… did you have to be careful about how you felt about him, or how you thought of him? Well, now that he is dead, should you be so ruthless and hostile toward the man who broke your heart? You don’t know, so naturally, and it really just slips out, you agree to take care of the process of his passing.
For the most part, you’re calm. You don’t actually know how to feel, and you don’t know how to be. You’re not his wife, you have no obligations to take care of him, or anything that he cared about. Yet, you’re here. In his lonely apartment that doesn’t even smell like him. He probably never even spent much time in this place, even so, he still had a lot of belongings. Pictures of you in frames surprisingly. He did take them all when you got divorced and he moved out of the house, you just didn’t expect that he’d put them up on display. He probably didn’t get many visitors to question him about the lady in his pictures. You were sure that would get annoying.
Anyway, you don’t know if you’re supposed to cry or even feel sad. You don’t know if it’s strange to feel that way or not. You can’t quite make out how you feel, being surrounded by Gojo Satoru’s personality and things. You don’t think too much about the things inside the apartment because you don’t want to be too reminded of what you used to be. What you felt about the man once upon a time. If there was still love in your heart for him.
Gojo Satoru wasn’t a slob, but he wasn’t clean either by any means. Given he probably didn’t stay here much, it made sense that you didn’t need to clean a whole lot of the apartment. You get there and you take it all in. Satoru’s little apartment, because he didn’t want to pay for such a luxurious place he wouldn’t even stay in. Maybe that kind of place made him feel more alone too. Thoughts you should not be thinking start to trickle into your brain, but you stop yourself. You shouldn’t feel bad for leaving, nor should you want to go back. You made a decision to leave and you should honor it. It was the right thing to do for yourself (hopefully).
Do you even want his things? No, not really. But you have a keep, donate, and a throw away bin anyway. Most of it keeps going to the keep bin and donation box. Somehow the feeling of someone else getting Gojo Satoru’s things is unsettling to you, but it’s even worse to think that all these things will just go to a landfill where things that were once valued are forgotten and it’s all going to be considered “trash.” Maybe that’s because you know why every item is there and the story behind that certain mug or decor piece. You don’t know it, but you’re trying your best not to care.
You sigh, the thought that this is all so strange, bothering and pestering you like an annoying fly. You tell yourself you know that already, so stop thinking about it. Maybe you’re in denial that Gojo Satoru is actually gone. You can feel him. He’s still there, you know it. That or you’re just surrounded by his belongings and that’s why his presence is here.
In your hand, you hold a big black garbage bag as you make your way to his bedroom to clear out his closet. This is a room of his that you haven’t been to, strange right? You wondered if another woman spent time here. Jealous much? You’re supposed to be clearing out your ex-husband’s apartment, not pondering about what he was up to after you two had split. The man is dead for one, what are you going to do about it? Confront his dead body? You shouldn’t be thinking about things like that, so that thought is one you shake off and ignore too.
You sigh because you’re tired from cleaning all day and clearing his things out and you’re probably only a quarter’s way done with the place. It’s not even that big, it’s just been uncomfortably hard for you to bring yourself here with your mixed and strange feelings about this whole situation. Isn’t there anyone else who cares about Gojo Satoru? How come you’re stepping up to the plate when this is how you feel—confused and unsure? What are you even going to do for the funeral? You took the task up because Gojo Satoru would probably turn in his grave knowing the higher ups organized his funeral. So while it is strange for you to do all of this, you’ve rationalized the lot of this situation that you put yourself in. Once upon a time, he loved you right? So surely he would prefer you over—you’re so silly, thinking all these things when Gojo Satoru is your dead ex-husband.
You plop on the bed with a small groan as you turn over. This is a bit inappropriate, to be laying on your ex husband’s unmade bed. It’s left in the state that it was the last time he woke up. That’s a little precious you think, freely, not even denying it. Are you ruining this precious thing here? Well, in all honesty, you’re kind of cherishing it, because this is a small piece of Satoru that is really still here in the present times. He always liked soft things and this blanket is soft. The sheets still smell like your ex-husband. The light musk of his skin and his soap is there. The thought of this bed being his is comfortable enough. Like you miss his warmth and touch, you curl up on the mattress, hugging yourself to the scent of him surrounding, and you can almost imagine that he’s holding you right now, like he used to. His detergent is faintly there too, well actually, it’s the same as yours. He asked when you two had split and he was settling into his own place all the household items you used. You supposed that it was all he knew.
You offered to go shop for household things with him and it was probably the last time you two had exchanged any kind of affection. You let him put his hand on your thigh as he drove you two to the supermarket. He let you link your arm with his, sides flush together like you two didn’t just get divorced. It was a silent message of “I miss you,” because it was and—quite frankly, still is—hard to get over someone you loved for so long. Even if he left the marriage long before you did, emotionally and physically. This was something you wanted while you married, for Satoru to present, and in your arms. For him to show you that he cared and loved you. You were even a little upset that was the only time he was doing all of that for you, but you chose not to ruin the moment for the both of you.
Funny how all these memories and things between the two of you are flooding in constantly. It makes you feel kind of sick. Nauseous and unable to breathe. You open your eyes in realization of what you’re doing right now. You sit up immediately, flustered and embarrassed as if Satoru would open the door right now and have that annoying smug grin on his face with his arms crossed, just to say as he leans on the door frame, “I knew you missed me.” Following with your name because he liked your name the best. He always said your name was pretty and he wouldn’t give you a pet name because nothing will ever be as great as calling you by your name. A nice little reminder that Satoru loved your name makes you smile a bit. Weird how all of these just keep piling up. One thought triggers another and it almost makes you itch and feel bad for the way things ended between the two of you. You almost have regrets about—
Whatever, you have a deadline to clean this place up you remind yourself. You spread your palms out on the sheets once more, feeling every thread that Satoru once laid his body on. You should take these for your bed, you think. They’re not so bad, just a plain white sheet, but it reminds you of Satoru’s hair and it would be waste.You lift yourself from the bed and open his closet, not even noticing how you keep having to make excuses for yourself to keep some of his things.
Already feeling overwhelmed because you keep holding back, opening the closet makes you feel like you’re cracking. You let out a suppressed sound. You can’t even register what it sounds like. A squeak or something? But looking at all his clothes almost makes everything so real for you. All his uniform? All his coats and sweaters? Ah, the one from high school. And then you can see all the ones you bought him. Damn, does that really test your strength.
Lined up neatly and nicely put away, it’s almost a shame to you to give these away. Your hand shakes as you hesitantly reach for one of his favorite button ups. Your skin meets the soft fabric and you only lightly touch it because you don’t want to wrinkle it. You remember when you used to iron Satoru’s clothes early in the morning before he woke up. Even until the end of your marriage, you still ironed them.
You look up, reaching for his work uniform. This is what he wore most often, you know that. So you let yourself crumble. Carefully taking off the hanger and sitting on his bed as you hold the shirt close to you. You bring it to your nose, just to smell it. You wish it smelled like Satoru more, but even so, it makes you break down.
Tears prickle at the corners of your eyes as you take another sniff. The thought that Satoru really isn’t here anymore makes your heartbreak. It comes crashing down on you. You really miss him, and you regret that you didn’t spend as much time as you would have liked to with him. You wish you could have had the courage to tell him how much you still cared and loved him. Yes, it might not have been the same kind of love you had for him before, but you did still love him.
You let out a little sob. In frustration and despair, tears flow out as you hold his clothes close to you. The walls of your bruised heart collapses as you hold his clothes so tight as if he was still in them. Well, you really do wish he was. You’re desperate to feel him in your arms physically. Just a moment with him so you could say your last sentiments. Just a moment to see him again. Just a moment to love him.
You’re helpless as your tears flow endlessly onto his shirt. You feel silly, but you just can’t stop. You really miss Satoru, and you have been for so many months now. You stroke the shirt as you would his body, wallowing in the grief you’re supposed to feel, even if the dead man is your ex-husband. You spent so many years loving him, how could you just not feel anything to hear news of his death? How could you not feel any regret or remorse for how messy you left things with him? There’s so many things you want to say to him, and it kills you to know you will never get to say any of it to him.
You wonder if Satoru was still around, would he wrap his arms around you and tell you not to cry? Would he kiss your temple like he always did when you were down? You wish he would just do all of it. You wish you two could have tried harder. Your love for him never burned out, you know that much. It’s the reason why you’re here, alone in his room crying as you hold his clothes dearly to you. And even if you hate to say it, even if you don’t want to admit it, Satoru loved you until the very end too.
“I’m still in love with you y’know…”
“Shut up,” You mutter as you slide the eggs off the pan for the hungry man at the table.
It was the dead hours of the night when he returned from a mission, knocking on your door, telling you that he was hungry and needed a place to crash.You slammed the door on him of course, but he wedged his foot in the gap of the door (no, it didn’t hurt, he’s got magical powers that prevent him from actually getting hurt like damn maniac) and used his own strength against you to push his upper body through the door to beg you to let him stay. It was a mistake on your part, but it actually wasn’t all that terrible that night. You were just bitter.
“My bad,” Satoru said dramatically as he took a bite. “Just thought you missed me. That’s the reason you let me in, right?”
You narrowed your eyes at him, not in the mood for any of his games. His smug grin made everything even worse, because he was right. “Gojo Satoru, wipe that grin off your face.”
“Must have hit a nerve,” He teased like it was still appropriate to do so.
You actually don’t even remember what you said then after that, but you just know… Gojo Satoru has you all figured out yet… he never said anything about it to you. And that was just him. He knew well enough not to break your heart one more time, but he was selfish enough to constantly flirt with you any time he could. If he passed by, or was coming home late from a mission and knocking on your door to remind you that he existed. Not anymore.
After cleaning his apartment, it’s all empty now. Which is a little strange. You’ve never even been to his place until after he died, and yet… it makes your stomach turn and feel upset after realizing that this place is no longer where your ex-lover resides. You understand that he’s no longer occupying it. There’s no point in keeping it for him. But maybe because you don’t think it through while you’re still in the grieving process. You don’t think about Gojo Satoru being dead because you don’t want to. It makes your heart squeeze and your breath stop. You can’t face the fact that he no longer exists and you can no longer see him anymore. You just can’t, so you wonder: where will his home be? Who's going to take care of him? Where is he going to go to shelter himself from the rain or snow? Where is he going to sleep? Where can he feel safe and secure?
You sigh, rubbing your eyes. You really need to get some proper rest. You feel yourself withering in the bitter feelings you still have toward Satoru, but also the dangerous sorrow that’s sinking your whole body down. You can’t believe that you really miss Gojo Satoru after all this time hating him and wishing you two had never met when he was here and alive, waiting for you to just cave into what your heart wanted. Truth is though, you never would. You were too strong for that.
Finally, you pack up the final things, leaving absolutely nothing behind. Satoru isn’t here anymore, and it looks exactly like that. This little corner of the world isn’t his anymore, and you’d like to say that it never was because he didn’t spend much of his time in this place. It’s just sad to see it all gone, stripped to the bare white box it actually is without the fun of your late ex-husband. You shut the door, leaving this place behind and bringing this part of Satoru with you, maybe the only part of Satoru that is still worldly and able for you to have in your grasp. You leave the key to his apartment on the landlord’s desk and leave with the rest of Satoru’s things in your arms, all thrown in the cardboard box labeled “Satoru” in your handwriting with a permanent marker. Silly of you to not even realize it, Gojo Satoru’s home is not a place, it’s you.
The end of it was the funeral process. Which was much more work than cleaning his apartment. You wish somebody was worried about your well-being, but that somebody, the most likely candidate, was dead. Satoru would have told you to chill out a bit and ask you to wind down with him, but this is his funeral, he can’t really do that now, can he? But you don’t want to seem like you’re so reliant on him. You’ve done plenty of things without him, and this will be no exception. He just… sort of made the process easier and bearable. You’re on your 10th phone call with the carpenters of the coffin when you really wish you didn’t take on the task of carrying out Satoru’s dying wishes. He didn’t even have many, because he was so sure he wasn’t going to die so soon.
Through it all, you hold yourself together quite elegantly. Even through the eulogy. No one would even guess the mental strain you put yourself through to make this all happen. All the floral arrangements are beautiful, Satoru’s corpse is dressed nicely—though you grace him with a closed casket funeral because you were sure that he did not want anyone to see him so vulnerably lifeless and you simply could not handle the sight of his stale and unresponsive body. But everyone could indeed tell, Gojo Satoru was loved. They could understand your love for the man. You wouldn’t have done it if you didn’t love him. But you just deny it.
His guest list was quite large. Some people you didn't even know, and you were sure he did not want that. But the higher ups had their own agenda too, and you had to make compromises though you stood your ground quite well for the sake of your late ex-husband's well being in the afterlife. You wonder, would Satoru love you for eternity for loving and caring for him unconditionally and so thoroughly? When you eventually join him, will he thank you for so meticulously planning and giving him a proper send off? You hope so. You hope that he will continue to love you in the next lifetime, and in that lifetime, you two will be happily together. Not miserably apart like you are now.
Maybe the only time anyone can see you break is when the casket is lowered and this is the last time that you’ll ever see Satoru’s face again, except you don’t. His casket is closed and covered with all the flowers you bought to send him off beautifully. There’s a complex look on your face, and no one could quite read it, but it was clear that there was a storm going on inside of you, stirring and rumbling. Your eyebrows knitted together and your eyes glossy with a down turn of your lips. You’re just keeping yourself together for Satoru. You need to.
The only time you get to break down about it is when you get home from the long day. Crumbling down your door, as you miserably sob. How could the world be so possibly cruel that you had to bury the last man you loved for the past ten years? It never gave you time to move on. You weren’t ready to let go just yet and be content with the distance. Sure, you asked for it when he was still tangible, but now he was untouchable, not existing, and it felt so painful. You curl up in a ball, on the bed you used to share with him. The bed you two used to gossip on and the bed where you simply just held him to sleep on your good days. The bed that you laid alone for most nights wishing he’d come to hold you and not be too tired for you. All the bad and good memories come to make you think of one thing; you wish Satoru was here right now.
You lay there, contemplating if you just want to stay there for the whole week or get up and cook yourself something. You haven’t been eating with how hectic it’s been to take care of Satoru’s send off. You sigh, closing your eyes. Sleep sounds like the best thing to you at the moment. You were drained and exhausted from preserving the life of Gojo Satoru as well as commemorating it. You needed that rest.
When you drift into sleep, you kind of hope that Satoru is there for you, waiting in a field of beautiful flowers like he came to visit you in a dream. Even if it’s just your imagination. You’d like to think that he cared enough that he left you alone to deal with all of the things he left behind. He doesn’t though, because you don’t dream. You just black out and you wonder if you’ll ever dream again. But maybe you’re just being dramatic because you miss your ex-husband so much. You blink the tears out from your eyes, wiping them before getting up and pulling yourself together. You can be sad, but not miserable. You were never the type to just crumble, however, even this shook you down to the very ground and yes, it is hard to get back up. But everything with Satoru was hard, and this was no different. You should have been used to this.
Eventually, you do get yourself together. Sad, but you’re functioning. You go back to work and you continue with your daily life. Satoru’s never really been a part of your daily routine after the 3rd year of being married to him. It was no different not seeing him at all, but it was just the fact that he truly wasn't there anymore. If you were to call his cell, it would just ring on your dresser in your room and go to voicemail. Sometimes, you wait for the voicemail just to hear his voice, but most times you stay away from his contact. You’re recovering, just slowly.
People at work send their condolences, just like they did when they found out you divorced Gojo Satoru. They give you a pitiful look and tell you to be strong, but when they think you’re not listening they bash Satoru for passing and still putting the responsibility of carrying his will out on his ex wife—you. You don’t defend him nor does what they say settle well with you. They’re right, of course. Gojo Satoru has always been selfish, up until his last breath, but you just can’t seem to feel validated when you’re the one who buried Gojo Satoru. He was once your whole world, how could you just completely numb yourself to the pain of losing your connection with him, absolutely and completely?
Apparently, you’re the only person on his will too. You inherit everything of his one day, and it’s kind of overwhelming. All of his money is transferred to your bank account, all his belongings, everything is yours. You don’t even know what to do with most of it. You don’t even want to look and use anything of his. So you store most of his things in a box and label it “Satoru,” along with the other things that you took from his apartment, and you make an account to store all his money in, for what? You don’t know, just something.
When you're older, you’ll come to realize that you made Satoru a loved person until the very end, and that you were perhaps the only person that he still had love for, even if you weren’t his wife anymore. This is why Satoru loved you so much, and yes, he got very lucky with you, you will give yourself that. But you also won’t feel so bitter about having to be the person to handle his departure because you made sure to do just the way he wanted it, by you. for now, you’ll miss him lots and bring him flowers whenever the time comes. You won’t call him your ex-husband, but your late-husband. You keep some of his clothes to wear like you used to. You still sleep on your side of the bed, leaving the space Satoru used to fill empty for him. Life goes on the way it used to.
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spellbooking · 16 hours
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let me preface this by saying: you are allowed to have whatever pairing/ship you want. this post is not about saying you can’t nor should you feel bad for having them!
I will always use my blog as a means to advocate and boost queer material. But lately I’ve noticed the lack of engagement on queer tav x companion pairings. And it feels like it’s getting worse. It’s discouraging as a queer man who mainly ships men with men that a gif/art of Gale (or any other male companion) with a masc!/nonbinary tav will get 30 notes (if that!) in an hour but a headcanon or gif of a male companion with a fem! presenting tav will receive much more attention (100s of notes) within that same time period. For such an inclusive game, me and a couple other queer folks have come forward to say how excluded we are starting to feel. As someone who has a pansexual male partner, it is heartbreaking to see. I’m putting these in bullet points because it’s easier for me
• Gale, Wyll, Astarion and Halsin are NOT straight
• Gale, Wyll, Astarion and Halsin are PANSEXUAL
• Shadowheart, Lae’zel, Karlach, and Minthara are NOT straight
• Shadowheart, Lae’zel, Karlach, and Minthara are PANSEXUAL
• Just because a fem!Tav is paired with a male companion does not mean she is automatically straight. Stop erasing sexuality or assuming.
• Just because a masc!Tav is paired with a female companion does not mean he is automatically straight (I can relate to this one as I have a pansexual masc!Tav who is paired with SH and his sexuality gets swept under the rug)
The reluctance to engage with queer tav x companion media is discouraging and so disappointing. I know people will write g/n blurbs but honestly, upon reading them, they seem to weigh heavily towards AFAB individuals (if it’s about a male companion). I’ve seen blurbs be titled as g/n just to have an allude to AFAB individuals at the end. Queer pairings are much less likely to receive reblogs or engagement in this space and it’s baffling.
And honestly it’s even worse for nonbinary and trans individuals. You guys truly get the short end of the stick and I’m so so sorry. You don’t deserve that. But I am so tired of groups of people trying to claim these companions or claim what their “preference” is. Gale and Wyll are not “ladies men”. They’re just MEN. Even when these companions are headcanoned as parents, it’s conveniently forgotten that two men and two women can be parents. Stop claiming these characters as if they only prefer one gender. I literally made a gif of astarion kissing my male tav and it felt taboo because I RARELY see gifs of him kissing or engaging romantically with masc!Tavs.
The heteronormativity with these companions is frustrating. Us queer individuals are FRUSTRATED. I see it. I hear about it. People vent to me about it! The fact that people are so quick to give attention to fem!Tav x male companion or masc!Tav x fem companion but are so reluctant or give no attention to queer pairings is disheartening and I cannot sit by and not acknowledge this any longer. A lot of the fandom will preach equality and equal engagement but won’t even give said engagement? Please engage with queer content. Please reblog queer tav content. Please stop assuming sexualities of tavs. Please stop erasing sexualities of these characters. Stop excluding queer tav pairings from these narratives! All we’re asking for is equal engagement, please. We are tired, we are frustrated, please give us a voice too. And if you believe the companions cannot be with someone other than explicitly of the opposite gender, please block me.
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technically-a-kiwi · 2 days
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And so the cosmic AU story continues, this time focusing on the characters
So like I said on previous post, Peppino and The Noise are one of the many cosmic duos of the cosmic realm and have the immense responsability of watching over several universes, of course thankfully watching over universes isn't a full time job and both have a part time job in the cosmic realm.
Peppino continues his job as a pizzamaker, this time being completly free of debt and only doing it out of passion.
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Technically, cosmic entities don't fuel from food so eating is not nececary .But they don't care, they love Peppino's pizzas and Peppino loves making pizzas so everybody wins
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As for The Noise, he remains being a TV host, exept due to now being a cosmic entity, his chanel is now only broadcasted in the cosmic realm, on top of not being able to broadcast outside the cosmic realm, he isn't allowed to diverge into any other type of media like movies, comic series etc, to make sure his image doesn't slip pass the cosmic realm. And so by being a TV host that exclusively broadcasts in the cosmic realm, The Noise is litteraly the only source of entertainment you could possibly find in the entire realm.
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If you dare say outloud that you dislike his show, The Noise will make sure you'll have an "actual reason" for you to dislike his show, if you know what I mean
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Got nothin much to say now... Hum... Oh ! Yeah ! I haven't quite developed on our cosmic duo nor how they are as a cosmic entity have I ? Well better late then never right x) ?
For starters, Peppino.
As a cosmic entity, Peppino is (surprisingly) quite peaceful and mostly stays in his pizzeria in the cosmic realm, only interacting with his clients and occasionaly with Gustavo.
When first turning into a cosmic entity, it screwed him up quite a lot, not only did he have to process his actual death, he also had to process being in a whole new body with immense powers and brand new responsibilities he never asked for. This gave him a whole existencial crisis making him loose most of his sanity and making him into an even bigger lunatic then usual, thankfully overtime he reached to other cosmic entities who then helped him overcome his dread, slowly getting better control over his stress and bipolarity allowing to partially regain a sense of control and stability (yeah I know it's a little edgy but hey the whole AU itself is far-fetched so who cares at this point). Now he enjoys just taking things slow and appreciate the little things, such as making pizzas for others, taking naps in some deserted pastures and stargazing on top of his roof. He still has a long way to go to fully regain his sanity and stability, but the cosmic court considers his state is good enough to be handled the fate of several universes.
During his shift as a cosmic duo. Peppino is quite efficient, miraculously despite his stress and instability he always gets the job done, he does make mistakes here and there such as not being able to keep a low-profile at all or purposly exposing himself to others which is something cosmic entities must avoid at all cost.
Now bring The Noise
As a cosmic entity, The Noise is a freaking menace, fully embracing his new title of cosmic entity to mess up with people around the multiverse, using his new powers to satisfy his urge of being the ultimate prankster, one might say he his the Loki of the cosmic realm. He mostly gets away with anything he does due to the cosmic court being a huge fan of his show (much to every other cosmic entities displeasure).
When first turning into a cosmic entity, The Noise was confused on why he respawn with such a different look. As soon as he learned he had the powers of a cosmic entity, The Noise started pranking people around the multiverse, he seaked the title of ultimate prankster and for that neaded notoriety, thus The Noise's Nebula Show was born ! As time went on his channel became less of a prank channel and more of an entertaining channel. The Noise started doing other stuff on the side out of curiosity which he found quite pleasant and directly incorporated those things in his channel,slowly becoming more diversed and interesting, using his maniac and cocky nature to become the most charismatic, lively (and only) TV host the cosmic realm has ever seen. Due to The Noise originating from the same universe as cosmic Peppino, they got paired up to become a cosmic duo, much to The Noise's displeasure, it was hard enough to bear the existance of that potato looking head when he was in the same room as him, and now he has to WORK WITH HIM ? He knew such pairing would ultimatly lead to disaster, but he did it anyway, after all he's not gonna say no to having the front sit at seing Peppino's misery and struggles.
During his shift as a cosmic duo. The Noise barely does anything, he usualy stays in the back while smoking a cigar and lets Peppino do the job, he's not going to do any kind of rescuing, that would deteriorate his status of ultimate prankster! In the rare cases where his presence is absolutly needed, he solve the problem in the most ridiculous or incovinente way possible, usualy rushing it, he doesn't really care about others safety, as long as he get's the job done that's all that matters to him.
And here it is y'all ! Truly sorry if my sentences makes no sense whatsoever, I did this post very late at night like an idiot and I'm running out of water and motivation x)
Like the last post if you have any kind of question don't hesitate to ask me I'll be glad to answer all of them.
Now I'll give u some art I didn't know where to put in the post, enjoy
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comradekatara · 3 days
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so on a scale of aang (killing is always wrong) to katara (killing is a statement) to sokka (killing is a tool), where would the rest of the gaang + ozais angels go?
toph is hard to pin down because she’s the only character who ever actually kills people outside of the context of war. and i don’t know if she even realizes what she did, because she’s 12 and the adrenaline rush of discovering that you can actually metalbend probably supersedes any logical reasoning in that moment, but like, she did just leave two guys to die a gruesome death in a metal box. so i do think it’s more nuanced that simply saying, “to toph, killing is fun and flirty,” but like, there is a not insignificant part of her that will gladly kill as a means of asserting her power over others and individual autonomy, and has no compunctions about killing those who threaten her autonomy specifically, as it is such an acute point of trauma for her. but also, she’s twelve so like, she’ll probably develop a more nuanced approach to that quandary as she ages.
zuko’s stance on killing is mostly that he’s happy to outsource that violence and then take credit for it as long as he personally doesn’t have to get his hands dirty. like he’ll hire an assassin but won’t bring himself to admit that “end them” means “kill them,” or he’ll threaten to kill zhao and then try to save his life at the last minute. he wants aang to kill his dad but would never actually kill ozai himself, just as he wants katara to kill yon rha, but would never actually kill ozai himself. and i’m sure zuko thinks this is all because he’s a coward who simply lacks the capacity to be ruthless and effective (like sokka), but actually it’s symptomatic of zuko’s greatest quality, which is his inherent sensitivity, his queasy stomach for violence, his predisposition for gentleness, the fact that he actually struggles to deny his own inclinations and simply submit himself to a logic of brutal death and destruction. he thinks it makes him weak, but the fact that he actually has a desire to do the right thing and be a good person despite it all is truly his greatest strength.
azula is always operating from a place of survival because it was impressed to her from a very young age that she exists in a world that is unforgivingly cruel, and it is kill or be killed. she does not want to die (which is quite possibly one of her greatest points of deviation from sokka, but i digress) so she wholeheartedly submits herself to this logic, and unlike zuko, who struggles to erode his own humanity even under the threat of violence, azula is very good at becoming something “monstrous” (her words) out of fear, can contort herself into any shape necessary as long as the threat is tangible enough. so obviously azula approaches killing in the same way sokka does, no surprise there. murder is a tool to achieve her ends, to ensure her own safety and survival. it is simply a mechanism of war. but unlike sokka’s view of it, she also believes that the strong kill the weak because the weak deserve to die, and that logic she inherited from ozai.
we never see suki actively kill anyone, but she does threaten to feed sokka to the unagi, so like, even if she is (probably) joking, i don’t think suki is flat out against killing. i think she’ll kill if she absolutely has to, but would also prefer not to because she clearly values and holds a deep appreciation for life. but also, whenever there is a gap in our textual understanding of suki, i usually just fill it in by being like wwkd (what would kyoshi do), so maybe that’s why i just said. who knows
mai always makes an effort to never actually stab people with her blades, but rather pin them in place. that said, whether this is because a Y-7 cartoon simply isn’t allowed to depict blood or if it’s because mai is genuinely that attuned to not seriously hurting the people she throws knives at, i’m not entirely sure. i like to think that mai doesn’t actually want to hurt people, because like zuko, she is naturally inclined towards sensitivity and gentleness, but i think there’s also a part of her that would lock people in a metal box if she could. i think the best way to summarize mai is thus, excitement is valuable (including the heat of battle), but killing is unpleasant.
ty lee has actively refined a technique that makes her extremely dangerous without ever actually having to cause long-lasting damage to someone physically (psychologically is another story). yet another W for ty lee air nomad heritage theory, but i digress. ty lee is smart enough that she never actually has to be personally responsible and culpable for killing anyone ever, but she is also submitting to and enabling the violence of an empire for the sake of her own survival, so it’s not like she’s not complicit either. so to ty lee, killing is also a tool, but one she personally doesn’t need to employ, which is a comfort to her.
iroh (technically you didn’t ask about him but he’s fascinating so i can’t just leave him out) used to view killing as a tool, and now views it as an inviolable taboo because it took him like over 50 years to recognize the inherent value of human life and the grief of losing a loved one. so it’s not that he grew up in a “kill or be killed world” that fostered his need to kill to ensure his survival, but simply that he grew up in paradigm that dictated that “killing is the path to attaining glory” and he was good at killing, and thus glorious. but then he experienced the consequences of that worldview firsthand, and had to completely recalibrate his own logic of conquest and domination. and so now he’s still capable of violence in equal measure, but is less willing to exercise it for purely shallow, destructive reasons. yay..??
jet actually does think that killing is fun and flirty. anyone who disagrees with him deserves to die because he is simply right about everything. sokka? closet fire nation sympathizer, obviously. guy he met on a boat who said “hey im not really interested in joining your child militia”? well he’s probably the prince of the fucking fire nation (okay he was right about that one but he had no way of knowing it so). he watched the rough rhinos burn down his house and murder his family with a smile on their faces, and a part of him that day calcified and decided that the only way to truly reclaim his power was to beat them at his own game. so he does everything in his power to control the people he can, to control his narrative, to refine his logic in a way that makes him the uncontested hero no matter what. but in truth, it’s quite simple: he wants power because he has none.
haru exists somewhere between “killing is a statement” and “killing is a tool.” killing is a tool because it functions as a statement. killing is a statement because it functions as a tool. violent resistance is necessary by any means necessary, but you know, in a nice way. he’s basically just the model of the “good” colonized subject who fights for collective liberation instead of personal empowerment, so it makes sense that he’s introduced before jet as like the emblem of what katara should do (how she should fight, what she would fight for) versus what she shouldn’t. which is like, perhaps a simplistic reduction of “good” vs “bad” methods of resistance into “our noble collective action” vs “their senseless terrorism,” but like. lol. what can you do
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essektheylyss · 2 days
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for the ask game: 🧡🖤💚
🧡: What is a popular (serious) theory you disagree with?
Until I see definitive proof that Ludinus is in fact as old as he wants people to believe he is, I will not believe it. I don't even really have an opinion on how old he is; I just don't think he's as old as he tries to suggest. And lest it be said that I am playing favorites, the thing about Ludinus is that he talks the way Essek talks in 91—and there are a lot of things Essek says at that dinner that I take with a good heaping of salt. It's this sense that they're talking around things that they would rather people not question; they're both very skilled at talking around things in a way where they aren't outright lying, but they'd rather you not think too hard about it because there's shit they're not saying. To be clear I also won't be mad if there does turn out to be some evidence in canon that he is that old, but thus far, there is nothing definitive, and I do not take the word of unreliable NPCs at face value.
🖤: Which character is not as morally good as everyone else seems to think?
I don't think this is really an unpopular opinion at this point, but Jester. Nice =/= good. I don't think she's evil, by any means! But her morality is a lot more complex than it's given credit for and I think it's one of the things that is most interesting about her. I'd actually consider her largely amoral; it's just not really an axis of consideration that she worries about. She doesn't want people to hurt her or her friends and she doesn't want something to destroy the world, but otherwise she doesn't really care much about what someone's morality is. "Just don't be evil to me" is an incredible sentiment for a reason. She cares more that Essek said they were his friends than the fact that he's the traitor they've been looking for. Ludinus is so insignificant to her despite his literally world-spanning evil plots that she has basically forgotten him six years later, even though two members of her friend group have spent the last six years trying to pin him down. Jester is hilariously amoral and I love that for her.
💚: What does everyone else get wrong about your favorite character?
[cracks knuckles] OKAY, this is where I've got receipts, because hooo boy do I have an opinion and I will be proving it.
Essek does not have an opinion on the Prime Deities. He does not really have much of an opinion on religion. He actually does not by the end of the campaign have any real issue with the Luxon, and frankly he primarily expressed issue with the Dynasty's worship because, until he got to Aeor, he wasn't certain that the Luxon was a real entity at all—which he contrasts against the Prime Deities, in fact!—and he seems to believe there is compelling evidence in Aeor that categorically disproves his hypothesis that the beacons are simply constructed Age of Arcanum devices.
Originally he is mostly concerned that the Luxon religion is used as a "crutch" which is "distracting them from what other good things they could do with the time and focus". He does specify that any religion can be used as such, but he only remarks upon the one he knows. His theory about the beacons, as of episode 91, is that they may be "artifacts designed in the Age of Arcanum that have been misread" that could be put to even further use.
He also does parrot the Dynasty party line in their first meeting about the Luxon being "the basis of how we've been able to free ourselves from the binds of the lineage the Betrayer Gods left for us", and while I do not take him at face value here (see the above commentary about unreliable NPCs), I doubt the truth of this statement is lost on him, considering his familial connections to Bazzoxan, which I can only imagine would not exactly endear one to the Betrayers, though this is only conjecture. If we do care to take him at his word here, it's not unreasonable, since he obviously has a lot more interest in the power offered by the beacons than anything else.
With all that being said, his tune on the Luxon itself has at least changed by the time they get to Aeor. He discusses iconography found in Aeor and when prompted by the Nein about whether the beacons were created by mortals, says, "I do not believe that they are made by anyone but the Luxon. They are of the Luxon. But they've been around since the Luxon's been in Exandria, which is the beginning."
So we started with him largely apathetic to religion, uncertain if this god was real, and by the time we circle back to him, he has now sided fairly definitively with the fact that the Luxon is an entity that has been around since at least the Founding. (For those keeping track at home, this is longer than Predathos has been around. In the Dynasty's creation myth, it may also have been around before the Prime Deities arrived, which is technically not incompatible with the creation myth of Exandria at large, but I digress.) Like most of Exandria, and as is perfectly reasonable for both his culture and his region, he probably doesn't have any love for the Betrayer Gods, but doesn't express much opinion if any on the Prime Deities. He has no time for religion, but frankly, he doesn't have time for much except for his own research, so it's hard to really ascribe any noted contempt to that.
Like, look, I've written plenty of religious trauma Essek fic, and I don't doubt that that element of it exists, but overall, in terms of canonical statements, it's pretty tame.
With that being said, I do want to fast forward a bit to draw attention to something else. Because I actually do think he ends the campaign with some measure of respect for, at the very least, the Wildmother.
In 140 after the Raise Dead fails, he talks briefly with Fjord about the unfairness of it. Fjord passively directs him to "if you were to ask my wise friend Caduceus..." Immediately after this exchange, Essek challenges Caleb to not accept defeat, and admits he wishes there was more that he or any of them could do, but concedes that, "Unfortunately, this type of magic is beyond my purview."
Immediately after this exchange, Caduceus asks for divine intervention.
Of course, he then spends several weeks gardening in a temple to the Wildmother, and seems to find some genuine clarity and perspective there, but I think this alone is enough to argue that, for a person as driven by empirical evidence as Essek, this sequence of events in 140 would be plenty to earn a wizard's respect.
So my formal belief is that Essek is not in fact anti-god or anti-religion, let alone against the Prime Deities. My opinion is that it's very easy to imagine him on his post-campaign travels leaving a small offering at any shrine of Melora he might pass, not out of actual worship but as a sign of respect.
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bestworstcase · 2 days
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option 1: tai’s guarding the crown of choice.
pros:
a legitimately important task that recontextualizes his ongoing decision to remain on patch as a personal sacrifice he makes for the greater good.
ozpin would pick the guy named for the god of light to be the gatekeeper of choice, huh.
if any parent in this story is meant to die, it’s him, and narratively this is the most intuitive way to do it.
cons:
realistically, what can tai do to prevent salem / cinder / summer from accessing the vault if they find it? if he’s the gatekeeper, staying on patch alone after everyone else evacuates achieves nothing except, ah, signaling to the enemy that the real vault is under signal academy. bad plan.
it means oz is breaking his promise to be honest and forthcoming, undermining his character growth for the sake of ‘surprising’ the audience with the most obvious answer.
means qrow has either been kept in the dark (see prev point) or he’s also deliberately hiding this information from his nieces after they asked him outright if he knew where tai is; this is so far afield for his character as to border on character assassination, and likewise undermines his positive growth since v7.
honestly makes both yang and ruby seem kind of stupid. they know the crown is hidden somewhere near beacon, that ozpin did something to protect it differently from the others, and that their father hasn’t left patch. ruby was sharp enough to guess that long memory might be a relic hidden in plain sight; yang is just as smart, and she knows tai had “some things” to look after on patch. are we expected to believe that “hey, is dad guarding the relic?” somehow hasn’t occurred to either of them?
tai harbors a whole lot of resentment toward ozpin, and based on qrow kicking him out of ruby’s bedroom to drip-feed her hints on where to go next, he seems to have been on the outer perimeter of the inner circle. why would oz entrust him with the relic’s safety?
glynda—ozpin’s scrupulously loyal second-in-command whose emblem is a crown and whose semblance puts her on par with a maiden—is a far more narratively plausible vault-guardian than tai, and the “sun dragon” makes a damn good red herring.
if he’s guarding the vault, he dies. sorry. but the point of putting the father of 2/4 protagonists in between the two main villains and the thing they want most (choice) is so they can kill him to get it, increasing tension and raising the emotional stakes of negotiating peace. to be clear, rwby is willing to Go There, but i think it’s an unsatisfactory way to close out the rose xiao long family arc.
option 2: survivors trapped under mountain glenn, and tai is taking point.
pros:
a genuinely important, worthwhile thing for him to be doing—even more so than guarding the crown. likely sets up a resolution for him in the vein of “you can be a good huntsman or a good father, and tai picked being a huntsman,” which is an elegant way to balance his contradictions.
gives him meaningful stuff to do in v10; for example, one stealthy huntsman with a bullhead could slip in and out of mountain glenn to get a few dozen people out at a time, and/or run supplies and messages between the kingdoms.
we get to see zwei back in action around mountain glenn :)
introduces a natural segue from playing defense in vacuo to mounting a counteroffensive against beacon as tai’s work clarifies the situation in vale.
easily the most 'heroic' direction for him without contorting the story to arbitrarily lionize tai: he’s a scout preparing the stage for the heroes to take the fight to salem, making him the good counterpart to watts.
cons:
makes no sense to keep it a secret. the emotional beats of B4 can still happen if the girls know this is what tai’s doing: instead of “do you… wonder why he’s not here? i know qrow said he’s on assignment, but what’s more important than here?” yang says “do you… wish he were here? with us? i know qrow said he’s looking for survivors, but how many of them can there really be by now? we need all the help we can get,” and ruby says “maybe we don’t have the full picture” as in maybe dad knows something we don’t and that’s why he hasn’t given up yet. the emotion is the same, and the big "they’re hiding in mountain glenn" reveal is hinted without spoiling.
leaves hanging the narrative thread of what tai has been doing since the fall of beacon, because the “some things” he was dealing with in v4 obviously wasn’t this.
option 3: tai is dead.
pros:
explains the apparent secrecy; qrow knows tai was away “on assignment” (i.e., had taken a huntsman contract that brought him out of the kingdom) at the time salem attacked vale, so he is missing but not yet presumed dead.
might reopen the mystery box of summer’s last mission through the real-deal “left on a mission and never came back” echo.
cons:
raven would know.
it’s a cheap, narratively unsatisfying twist that fails to deliver on the bread crumbs set up in v2-3 (tai starts going on missions again) and v4 (“some things”), and also undermines any serious emotional resolution with regard to yang and ruby’s complex relationships with tai.
option 4: summer’s working with salem, and tai is trying to convince her to come back.
pros:
“some things” being his presumed-dead wife who left him to join the enemy and with whom tai is now having an affair or otherwise hoping to coax back to the heroic side through the power of love whilst also keeping his mouth shut about her being a) still alive and b) a traitor is OBJECTIVELY the funniest answer.
brings forward and interrogates the way tai’s romantic grief informs the choices he makes as a parent: from hiding raven and then refusing to talk about her with yang, to shutting down when he lost summer and letting his five-year-old pick up the pieces, to discovering and then keeping summer’s secrets for the sake of some faint hope that she might finally come back to him.
cogent with the Dead (Absent) Mother / Neglectful Father / Evil Stepmother fairytale paradigm rwby deconstructs with raven, tai, and summer; the father chooses the stepmother over his children.
raises the emotional stakes of the war for summer through direct confrontation with the life she left behind, creating narrative opportunities to develop her character (is she still in love with tai? how does she feel about being his first priority, over their children? does she resent that he has her on this pedestal even now?) and apply pressure to her relationships with salem and cinder (do they know? is summer keeping her communication with him a secret, too? or is he an “asset” she’s using for salem’s benefit?).
consequently, raises the momentum of the narrative toward negotiation with salem; tai still has the coalition’s trust, however strained his personal relationships may be. summer is the obvious ambassador for salem’s side of the war, but she’s also the traitor who needs someone to vouch for her good intentions.
the secrecy needs no explanation: just as summer’s last mission was a summer secret, tai’s "assignment" is a taiyang secret and the girls know everything that oz and qrow do, because all of them have been left in the dark. raven might know, and she has the means to find if she doesn’t, but tai’s whereabouts are entangled with what raven knows about summer, so she can’t explain where tai is or why until she reveals her deep dark secrets about what happened between her and summer that night.
foreshadowing is solid: tai starts to go on "missions" again in v2, after the inner circle becomes aware that salem has infiltrated beacon and just before the breach downtown. when ruby visits summer’s grave in v3, she says "[dad] told me he’s going to be on some mission soon! i think he misses adventuring with you." he’s got to "look after some things" (but he isn’t talking about yang, because he stays home after she leaves). and then with B4 we have ruby echoing what the blacksmith taught her about summer in relation to tai, "maybe we don’t have the full picture?"
juicy
cons:
???
dependent on the unconfirmed theory that summer is working for salem as herself, not some unrecognizable enslaved monster, but i am as confident in that as i was about salem going to vale next and we all know how that turned out :)
taking their mom was not enough salem had to go for the full set APPARENTLY
option 5: secret fifth thing
pros:
???
cons:
???
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kyupidos · 2 days
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04/28/24’s delivery 🏹✉️ twisted wonderland
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and, here’s to you!ヽ( ・∀・)ノ_θ彡☆Σ(ノ `Д´)ノ,ヽ( ・∀・)ノ_θ彡☆Σ(ノ `Д´)ノ ;; summary. ‘a date, for a kind thing they did for you.”
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characters. savanaclaw , octavinelle : ruggie bucchi , jade leech ( separate ) ;; romantic . 🖇️ tags. reader is gender neutral ( you/your ), reader may or may not be yuu ( up to the reader ), pre-relationship, romantic fluff
📡 _a/n. well, this is a little short..sorry for the late-ish update y’all, was busy praising my sebek nesoberi that i finally got 🙏🙏
r. bucchi
— oh wow, how ruggie would appreciate a buffet styled dinner date.. and to think he was getting it because he helped you out on some important assignments you missed out on because you were rotting sick in bed!! to have been able to have racked up this kind of debt for you to get this sort of pay…wait hey, did you think he liked you? oh, he doesn’t, not like the food he eats somehow tastes better when he’s eating with you, and it’s not like he’s oddly nervous whenever you near him. ..on obvious lie on his end—he knows full well he likes you, but he’s not sure he’d be able to provide for you, so he lays a little low until he can assess.
— so to know you invited him on this kind of dinner date, to a buffet? safe to say he’s stoked if nothing else. he’s just about ready to eat whatever comes his way, but at the very least he’d like to cater to you. this is a date after all, and he’d hate to ruin the chance you gave him. so take a seat at your table, he’ll bring him and yourself whatever foods may suit your fancy, and do his best to impress you since you’re the one paying for this. he wouldn’t want to disappoint, or take advantage of this in an unsavory manner ( obviously he’s still gonna eat as much as he can, what’d ya expect? ).
— once you get back to your dorms, nearing the dead of night around a little around when one would usually eat their dinner, expect him to invite you over to savanaclaw for said dinner, something he was ready to prep just for you. after all, while a buffet is nice, a homemade dinner is equally so, if not better given it was made from the heart of people you know.
j. leech
— after scaring some delinquent classmates off your tail with his scary ( not yet ) boyfriend attitude, you took it upon yourself to ask jade on a date to go mountain hiking—and who was he to refuse? after all he’s head over heels for you, and he’s been looking for a well enough opportunity to go on an outing for you; he would never decline a chance like this. if you hear his little giggles as he comes to find you didn’t stand him up, don’t point it out. not like he’s hiding it, but he might end up a little shy over it. give him a bit to settle into his usual confident mereel self.
— he wouldn’t want you to trip and fall on your hiking date, so he requests you hold onto his hand ( he knows full well you can handle yourself, he just wants an excuse ). either way he does his best to care for you, especially if you only asked to go mountain hiking because you knew it was something that’d make him happy. he might scold you a bit if he found out, not to mention if you happen to be inexperienced. but he won’t chew you out too harshly, because he’s enjoying the time he’s got to spend with you, and he’s hoping you feel the same.
— once the sun is set, finally the two of you go back, visiting jade’s room, which is surprisingly empty, leaving the two of you to bask in each others silence. just lay there for a little with him, and rejuvenate as you settle down into some light conversation after a nice afternoon mountain hiking date.
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dc418writes · 3 days
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✨Pairing✨: felon!Ari Levinsonxblack!reader
Summary🪄: Surprisingly, you’re Ari’s first stop when he gets out of prison
🚨: 18+ NO MINORS!! Ari (first and foremost because hello☝🏾lol), angst, talks of prison, allusion to violence (male-male), allusion to childhood trauma, a few bad language words, unprotected happy adult fun times (everyone please be safe!)
A/N🎤: Hi! So this is my entry for the Cum Together Extravaganza created by the amazing, talented, wonderful, whore-mone inducing @stargazingfangirl18 and @labella420 lol, and I hope everyone enjoys☺️! *This idea is loosely based off Nicolas Cage’s character from Con Air (if you know you know✨)
*DISCLAIMER!: although visual was created by me via Canva, I DO NOT CLAIM OWNERSHIP of pictures used as they were all found via Pinterest*
Prompt: Pining + Running into each other after a long time apart + Frantic Kisses
His heavy boots stop just a foot or two away from the familiar steps he’d climbed plenty of times before. A mix of emotions swirling through his brain causing a tightness in his chest.
He shouldn’t be here.
Not after he’d all but physically pushed you out the visitation room that day. A common tactic of self sabotage he developed over the years, along with his way of trying to protect you from the eventual hurt he knew he’d put you through.
You were so angelic that day. Your natural glow competing with the sun outside shining through the window against your soft skin seemingly made of gold. Brown eyes full of worry, yet still holding that sparkle Ari had never experienced from anyone before. This wasn’t a place for you to be. A place that would soon tarnish your purity - so white the freshest snow, having fallen directly from the sky above, seemed dirty.
“You’re hurt,” you stated wanting so badly to reach out and try to do something for the blue and purple bruise on his cheek. To clean the dried blood around the stitch in his right eyebrow, but you keep your hands to yourself following the strict “no touching” rule.
He only shrugged. Clearly uncaring of whatever happened, but there was also a dimness to his spirit.
Since your first meeting, you could tell there was something hidden behind the walls he’d built. Sense a complicated past before he felt comfortable enough to tell you some of what he’d gone through. However this was different. Past the point of reverting back to the old Ari that was known as a troubled, aloof hermit, it’s almost as if this was a completely different man.
“I uh wanted to bring you cookies, but the officer said no,” you started again, trying to change the subject since Ari wouldn’t tell you what happened. “Something about possible contraband smuggling? As if I could sneak something in a small cookie. Plus it’s me of all people! Where would I even get-,”
“Don’t come back here,” he finally spoke in that gruff voice. It takes you back at first, lightly chuckling to yourself thinking he was joking. His serious eyes - somewhat dark and with new adjoining bags from his lack of sleep - tell you otherwise quickly causing a furrow to your brows.
“Wha-What do you mean-?”
“You don’t need to be waiting for me. Just…leave.”
“B-But I love you Ari.”
He shakes his head before standing to his feet. “We’re done,” he calls over his shoulder as he reaches the metal door. Whoever was in charge apparently heard him from the pad shining green to grant him entrance back to the waiting hall where another officer met him to reapply his cuffs and escort him to his cell.
All the while ignoring your cries of his name and how you pleaded for him to talk to you.
But later that night, staring at the discolored white ceiling as he lied in his top bunk on an uncomfortable, lumpy mattress, it’s all he could hear. Those same tears that ran down your cheeks now silently running down his.
“Fuck,” he silently curses to himself while his fingers pass through his almond strands as he turns away - now hyper aware of how strange he probably looked to your neighbors just standing in your yard. He should’ve just gone to the halfway house he’d been recommended from the transfer counselor.
Try to stay far from you and this part of town for that matter.
He was slowly realizing though, that the heart he thought was closed off desperately craved attention only you could give. Only wanted your warm touch and smile that soothed a childhood ache he’d long suppressed.
Just as he moves to descend your stone path, the front door creaks open to staccato taps on your wooden porch. There’s a continuous clink of metal followed by excited barks as the black dachshund runs down the steps and around Ari’s feet.
“Barry! You can’t run-”
Beautiful as a painting in a museum, there you stood in your cut off jean shorts and some older looking shirt. Your hair much shorter than the last time he saw you eight years ago, but the pixie cut only brought more attention to your gorgeous face and adorable cheeks.
Other than that, it’s as if you hadn’t aged a day.
“A-Ari?,” you stammer stepping further out onto your porch.
He has to clear his throat to get rid of the nerves blocking his words from escaping. “I…I’m sorry for just showin’ up like this. Would’ve called, but when they gave me my phone back it was dead.”
“So..you’re out?”
“Yea,” he softly smiles. You don’t return it though looking as if you’d seen a ghost while staying planted on the top step. Even Barry had returned back to your side, circling a couple times until he felt comfortable enough to lie down. “This was a mistake. Clearly she doesn’t want you here.”
“I’ll uh leave then,” Ari says nervously scratching the back of his neck after a long - and awkward enough - moment of silence between you two. “I didn’t mean to bother-”
Before he can finish, you’re running down the steps - not caring of the dirt and grass on your bare feet. He’s prepared for your deserved anger, whether that be yelling, shoves, or even punches. Instead, your fists clasp the front of his shirt as you pull him down to meet your lips.
After years apart his hands still automatically find their usual place on your body bringing you closer. Ari’s right on the side of your neck, tilting your chin however he needed to gain the access to your mouth he missed, while his left dragged from your hip to the middle of your back holding you to him.
Your moan hitting him in a deep, long ignored place that has him embarrassed like a teenage boy how fast his blood runs southward.
The need for air has you both begrudgingly parting, while your foreheads stay connected. “I’m sorry..for everything,” he whispers letting his thumb graze along your petal soft bottom lip. It’s as if he thinks you’ll break he’s so gentle - like it’s a fragile piece of artwork he dared touch.
"I didn't-"
"Shh," you reply leaning up to peck his lips once more. "Later."
-
Your lips barely separate journeying the short distance from your front door to your bedroom. Both of them red and swollen, yet neither of you attempt to stop as your back hits the light blue comforter - fluffy and soft as a cloud.
His hands grip your thighs curling along his sides, yet fail to move where you need them most making you whimper as his mouth slides to your neck. Taking matters into your own hands, you pull his shirt over his muscled back - silently giggling to yourself and filling with a sense of pride hearing his pleasured groan as your nails rake against his warm skin.
They’re set for his buckle next, but Ari’s quick to use his rougher and stronger ones to pin on either side of your head. “Ari please,” you whine eagerly trying to grind your hips so your soaking core can get some type of relief. You know he’s desperate for something too briefly nudging the tent formed in front of his pants.
“I know, I know.” He unsuccessfully tries to kiss the pout from your lips. “I..I wanna take my time tonight. It’s been eight years sweetheart.”
The deprived and needy part of you wants to counter, urging him for the opposite since it’s been so long. Instead, you nod letting him completely take control.
Slowly, he helps remove your clothes before open mouth kisses and taps of his tongue flow down from your neck and across your heaving chest to your stomach. You moan arching your back to lift your breasts closer to his face when he returns there taking his time attacking one nipple with his tongue while the other is groped and plucked in his free hand.
By the time he finally reaches your waiting and wet core, it only takes one lick and your sweet release is covering his beard.
“S-Sorry,” you stammer feeling your skin heat even more from shame not wanting that to happen so quickly.
“Sorry?,” he softly chuckles before leaving a kiss on your mound. “That’s what’s supposed to happen.”
The sound nearly has you in tears knowing your Ari was back. The one you knew loved you just as much as you loved him.
Having had a taste after going so long without, he can’t wait for more switching between his skillful tongue and fingers until your juices flow again, His mouth attached to you; greedily slurping everything you could give him. Your fingers are seemingly locked in his hair as he rises enough to remove his pants. Grunting as he grabs the base - past the point of painfully hard - to direct himself inside you.
“Fuck,” he moans into your neck feeling you rapidly pulse around him. So warm and tight he has to restrain himself from taking you like a wild animal.
Not that you would mind.
“M’not gonna last baby.”
“Spose to happen,” you slur clutching around him urging him to move.
His hand tightly pinning your hip to the bed, his thrusts start slow yet hard before gaining speed the closer he feels. Simultaneously, your cries of his name get louder as well while his mouth and tongue move along your neck and earlobe.
“Shit, I feel you right there baby come on. Come with me.” You can’t comprehend anything with your brain in this foggy, love drunk state, yet somehow your body complies when his thumb finds your swollen and throbbing nub squirting against his skin and down to the sheets below. “Mm good girl.”
His final pumps have you filled until no more can stay. A small mix of both your releases leaking from your hole with every surge of his hips until he’s drained.
Exhausted, he carefully tries to pull out but your whines have him stopping. Softly smiling to himself while slowly lowering until he’s comfortably laying on top of you. “Calm down I’m here.”
Soon your even breaths fill his ears and he’s able to lie on his side - gently moving you with him- to completely take in the area surrounding him. His fingertips mindlessly tracing along your thigh as he reacquaints himself to your bedroom. It was fitting for you in every way, from the light yellow of the walls to the books lining the shelves he built for you long ago. Your few stuffed animals in a wicker basket in the corner as if they were prepared for bed themselves.
Ari notices one in particular - a white bunny with long ears and pink bows he bought you during a trip to the store one day - on your dresser next to a framed picture you must’ve secretly took. He appeared to be taking a break from something dressed in a gray tee, dark jeans, and work-boots with his utility belt on his hips. A bottle of water in his hand lifted to his lips as he looked off somewhere in the distance. Now that he thought about it, he was watching a bird peck the ground trying to find bugs or seeds to eat.
And he looked so peaceful. So calm for once in his tormented life. He had you to thank for that being kind and willing enough to share your light when he fought so hard against it.
In the bit of moonlight peeking through the blinds, he can make out ‘Home’ in the corner of the picture causing the slightest curl to his lips as he holds you closer.
“You kept putting up with me,” he quietly speaks pecking your temple. “So patient even after everything. Know I’m never leavin you again sweetheart. I’m home for good.”
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eisforeidolon · 1 day
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Destiel has definitely soured my opinion on Misha especially since he continues to feed into it. It would not be so bad if he didn't make everything so sexual in relation to this ship. It seems like out of the entire cast Jensen is definitely the one who is sexualized the most and destiel fans continue to act like that is ok because JA and Misha are friends. Not one of them care how Jensen might feel if he knew they look at him at this sexual fantasy to make their ship cannon. These people are not his fans no matter how much they like to claim they are. The ship only bothers me because the fans seem unhinged. Maybe if they shipped for fun instead of trying to make a statement that none of them even believe in other fans would take them more seriously.
Yeah, the hellers have annoyed me from the start, even way back when I shipped D/C in fandom over their disregard for other fans, the show, the actors, and basically anyone who didn't see their ship as an important cause/inevitable canon rather than just a fanon ship. But there also just came a point where I could no longer give Misha the benefit of the doubt either. Not because he's talking about shipping, or even specifically a non-canon ship? That could be fine! It's because of the specific way he talks about it and how a certain loud, batshit part of the fandom reacts to what he says.
Hellers want to pretend, despite everything Jensen has consistently said over the years about not wanting to talk about shipping in general and specifically not seeing D/C as any part of his character's canon story? That it's no big deal to keep dragging him into it. Actually, he's really into D/C and RPF of him and Misha - or it's at least a-okay because they're friends!
We'll ignore the part of that which is obviously deluded self-serving fetishistic bullshit. But it also pointedly ignores that there is a world of difference between joking with someone versus making someone the butt of your jokes. Especially regarding a subject you know they want no part of. Especially when you so specifically do it where they aren't present or active. The way he talks about the ship frequently treats Jensen and/or Dean like a subservient sexual object. It's often pointedly about laughably trying to make himself sound dominant. It's often pointedly crass and vulgar. It's often dishonestly contradictory to what Jensen and others have publicly said about the ship. They want to pretend like it's friendly banter/ribbing between him and Jensen, but it clearly isn't. It doesn't have the right tone, context, or level of interaction for that. It's him performing to his audience at Jensen's (and the show's) expense. As I've said many a time in regards to Misha, with friends like that ...
The thing is, both sides of that coin are about treating Jensen like a blow up doll. Any opinion or feelings he has don't matter, he's just a vehicle to project onto in the hopes it will get them what they want. In the fanatic shippers' case, the ship made canon. In Misha's case, continued money and attention. Funny how right when he needs to re-open Cameo for extra funds, this is how Grifter McQueerbait spent a J2-less con, huh?
Which is why Misha gets no benefit of the doubt from me. He doesn't care about his supposed friend getting called a homophobe for not playing along. He doesn't care about any of his other coworkers or the network who were very good to him getting similar blowback accusations from his lies and sly imprecations. He sure as hell doesn't care about his fans as he keeps setting them up to be disappointed over and over and over again. Hell, he doesn't even care enough about any of it to be consistent from con to con, because he changes his story according to his mood and whoever else is on stage.
Hey, if he keeps getting money and attention for it and someone else always faces the consequences, why change? Friendship? Integrity? Being gainfully employable? Pfft. Who needs it! There's $$$ to be made right now, baby! So I also just think he's a fucking idiot. Although I'll give him this, I didn't think even the hellers were daft enough to keep signing up to be fleeced this transparently with the same recycled material 3+ years post-show.
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rad-polls · 2 days
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I actually have a radfem topic I am split on myself so I’d be interested in discussion on this too —
I have seen and agreed with critiques of the trans movement taking key slogans from other groups and making them trans focused instead. Not just once or twice but over and over where almost all their slogans are reworked slogans from racial justice, feminist, intersex/DSD activist, disability justice and other such groups. This is implied to be disrespectful, to come from a place of over-focus on trans issues at the expense of the rest, and sometimes done in cases where people who coined the original specifically said “no don’t riff on this”
While I think some examples didn’t really fit (like cases where the original inventors of the idea clearly WANTED it to be copied into other movements) overall I thought it was a legitimate criticism for the trans movement having a tendency toward disrespect for any other cause having importance without being connected back to trans issues too. And to excuse themselves for everything instead of ever owning up to overstepping.
At the same time I am someone who likes to say “male supremacy” and “male supremacist” to really hit home what patriarchy is, especially for women who are jaded into seeing feminist issues as petty, boring or “already basically fixed”. The type of woman raised on cartoons with “eee the patriarchy!!!” screeched by a straw-feminist villain character. It’s sad and I don’t abandon the word patriarchy but sometimes I need other, less common terms to cut through the bias.
So I say male supremacist violence and talk about systems of male supremacy. Which all more or less mean patriarchy.
But it is 100% true I took this pattern from people of color discussing white supremacy. Whatever the history of these terms (like if actually “male supremacist” did get said first long ago, by someone) it’s clear at this point, in this language, that white supremacy is the established term, and male supremacy is the riffing on it, to make a parallel.
I hope it’s different mainly because we (feminists) don’t make SUCH a habit of it, have more original terms too, and have (I think?) a healthier relationship to intersectionality (mostly due to many centuries of efforts by multiple-times-over marginalized women)
But I do wonder about when it may be disrespectful. I also favor “male supremacists” because unfortunately I have had some women hear me say “male supremacy” and assume at first that I’m an antifeminist literally saying that male people are superior, supreme or am advocating for it. That’s just sad though. That that seems more likely to be what it means, to anyone.
So - thoughts?
Options:
- TRA slogan/term behavior is wrong beyond just disagreeing with their movement, and this is wrong too — slogans/terms should never be 1:1 from another group first
- I do think the TRA slogan/term behavior is wrong beyond just disagreeing with their movement, but the “male supremacist” term is different and ok
- I don’t know about the TRA side but the “male supremacist” term is ok
- riffing on slogans/terms from other movements is always ok UNLESS asked not to, I apply this fairly to myself AND movements I don’t like
- riffing on slogans/terms from other movements is always ok EVEN when asked not to, I apply this fairly to myself AND movements I don’t like
- it’s ok when TRAs do it (eg, trans lives matter, cis supremacy, trans rights are human rights) but “male supremacists” is a bad term (TRA button???)
- bald/nuanced/I have some other opinions and will write them out longform
- vanilla extract/no thoughts head empty/see results
please read the ask before voting, as I won't be able to fit the options properly in the poll!
Thanks for the suggestion! And thanks for making me laugh with the "vanilla extract/no thoughts head empty" part ^^
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@gehayi said: can you please tell us more about Israel Rank?
POV: We are at a slumber party and I am kicking my feet and giggling and telling you about the boy I like.
"Oh my god, his name is Israel Rank, and he's from a book called Israel Rank: Autobiography of a Criminal, and he is so hot! The musical A Gentleman's Guide to Love and Murder, and the movie Kind Hearts and Coronets were both based on the book, but they made him other things besides Jewish, which is so bogus. Roger Ebert said it made the story more 'universal', which I guess means half-Italian is more universal than half-Jewish, which, what the fuck?
Anyway, he's the worst person in the world and I love him. He's like Heathcliff plus Steerpike plus Edmund the Bastard. He's the really distant relative of and earl, and his mother was disinherited for marrying a Jewish man. Israel isn't technically Jewish, he was baptized and raised Anglican, but he looks Jewish- and also really hot, and he says that combination upsets people! Kind of an Adrian Brody thing? I would have cast Ezra Miller before they turned out to be a shitshow of a person. And his name is Israel, kind of as a fuck you to mom's family. So he decides if people are going to give him shit about it anyway, he's going to embrace it.
He's in love with this girl Sibella, who won't marry him because he's both half-Jewish and poor, so starting as a hypothetical lark he wonders if he could just murder every single family member between him and an earldom. And then he does it! After sexual fantasies about Lucrezia Borgia encouraging him to! What an absolute freak.
So he starts killing, and his narration is so dry and funny about it. He tells the reader that in his experience, Jews aren't all that violent- he speculates that Shylock would have walked back the pound of flesh if he'd had time to calm down- but he has the blood of evil rapacious noblemen on his non-Jewish side which are to blame. He kills most of his family, except for the cousin-in-law whom he marries. He also still love Sibella. And his wife! He just can't stop fucking, he's so awful! (And I think he's bisexual. At least, I don't know how else I'm supposed to interpret the part where he's in school and "the boy I loved chose me as his Jonathan.")
And he gets away with it! He's super popular at his trial because he's so handsome and charming and the same society that scorned him, now that he's an earl, gossips that his Jewish ancestry must be very slight and distant. And there's a twist that gets him off the hook which is actually a real bummer of a plot point, even he's bummed out by it, but it's such a perfect capper to a life of cruelty.
Honestly, I do get why none of the adaptations keep the half-Jewish thing, they're probably afraid it would seem antisemitic, but in my opinion it's a real shame because it's so central to his character and I think I do want a sexy Jewish Byronic antihero. He's the worst. I love him. I would marry him. I would immediately divorce him. His favorite book is Emma!"
For a more academic discussion, I did a podcast episode on him way back when!
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comradekatara · 2 days
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Can you go a bit more in depth about your post about Sokka in the Burning Rock episode? You said that it was basically his suicide mission, which I agree with. I'd really like to hear more of your thoughts on it.
okay yeah i mean i'm sure i've covered all these points before extensively because i love weaving a tapestry of sokka's fucked up psychological landscape more than anything in the world, but every so often someone will comment on one of my posts and be like "i think you're reaching i think sokka is the paragon of mental health actually" and i'm just like um. did we not all watch the boiling rock. did we just ignore the apotheosis of sokka's entire character arc. like katara's apotheosis in "the southern raiders" is both very overt and impactful and also, arguably, subtler than sokka's, because they don't explicitly spell out the themes every five seconds, but like. if you didn't watch the boiling rock then you cannot understand sokka. and weirdly enough i also believe that zuka shippers are the biggest culprit of this despite this episode being thee zucchini episode because they somehow still have the audacity to characterize sokka as "goofy sunshine who exists to comfort zuko" when like. the entire point is that sokka is legitimately suicidal here and zuko is doing everything in his power to support him thru what is quite literally a mental breakdown. like their relationship is legitimately interesting i don't understand how people have taken that and made it deeply boring.....but i digress.
the boiling rock is quite obviously sokka at his lowest. the worst thing that could ever happen to him – fumbling a mission that was squarely his responsibility, from its conception to its execution, due to not being able to sufficiently compartmentalize his emotions, leading to the mass imprisonment of most of his comrades, including the men of his tribe whom he idolized his entire life and felt immense pressure to live up to, including his father who he is deathly afraid of disappointing (for reasons that have nothing to hakoda being malicious or neglectful in any way, fwiw), and thus being directly implicated in the failure and the harm caused by said failure – happened. sokka is someone who is especially bad at dealing with failure, because a) he is exceptionally talented, and thus has less experience dealing with failure in both minor and major ways, and thus lacks the emotional resilience developed through the process of struggle and growth that normal people (such as, incidentally, zuko) go through and b) to sokka, whose primary desire at all times is to protect and provide for others in any way he possibly can, for someone else to sacrifice themselves for him constitutes a fundamental disruption to the order. there is a perverse wrongness to kya or yue or hakoda or suki making sacrifices on their own volition, because it means that sokka has existentially failed to protect them by martyring himself. like, he somehow feels so guilty about suki being imprisoned that when azula reveals this piece of information to him, it literally distracts him from his own mission. and mind you, there's absolutely no way sokka could have known or been responsible for suki's imprisonment. but he still feels guilty nonetheless. and azula knows that, knows exactly how to twist the knife to make him break, because, well, it's honestly pretty obvious.
sokka obviously cannot retroactively save his mother or his first girlfriend, but he can save his father and his current girlfriend. in "the awakening" aang says he has to restore his honor after the guilt and shame of his failure in ba sing se (aang is also an incurable gifted kid perfectionist, btw, as is azula. posts for another time...) and sokka repeats zuko's line again in this episode, after experiencing the guilt and shame of his failure during the eclipse. the driving motivation of zuko's entire character, feeling like he has failed in some ontological way and must therefore redeem himself or die trying, is reinforced through aang and sokka's respective experiences mirroring that drive. aang goes out in a storm and nearly drowns to redeem himself in some vague, nebulous way, because he isn't thinking rationally. and likewise sokka, who usually always has a plan and always thinks things through, feels that caution and foresight is pointless, because he came up with a genuinely brilliant invasion plan and it didn't work, so clearly there's something wrong with him (just as he always suspected) and no amount of planning even matters, because he's a capital F Failure and always will be. and so he vows to save his father, as he promised him he would when they parted on the day of black sun, or die trying, because if he can't even do that then what is he good for; at least he'll die a martyr, which to him, is basically his ideal situation. because to sokka, dying as a martyr is basically the highest form of fulfilling his purpose (being needed, protecting people) and so if he dies a martyr, then maybe his catastrophic failure (that is entirely his fault and rests squarely on his shoulders btw) can be forgiven. so his plan is basically just to sacrifice himself for his father so that he can die "redeemed." very normal, rational, healthy behavior, i would say.
sidenote, i also see people claim that "the boiling rock" makes sokka look stupid because why wouldn't he take any of the insanely talented benders to a prison in a giant volcano surrounded by a boiling lake, and it's like. sokka literally admits that he's not being rational, that he doesn't think he's going to survive this, that this is not a good idea. it would go against sokka's entire modus operandi if he brought the children who he feels a deep, presiding responsibility to protect on a suicide mission that he's lowkey hoping will fail (because he not so secretly loves courting death. it's like she's the moon or something). he only lets zuko come with him because he doesn't actually care whether zuko lives or dies at this point. sokka has absolutely no faith in zuko whatsoever (and frankly, why would he, zuko has yet to actually prove himself to him. he didn't even kill combustion man; sokka did) so he has no idea that zuko is actually going to be helpful and supportive in a meaningful way. and frankly, if he had known that at the beginning, or even remotely liked zuko as a person, he probably wouldn't have caved so easily when zuko invited himself to join. if he didn't think that zuko was objectively worse than him and basically worthless as a human being, i doubt he would have let himself be so vulnerable with zuko in the first place. meanwhile zuko is eating it up bc he's like "omg he's confiding in me he's letting me help him we're basically besties" because he doesn't actually know sokka well enough to realize that sokka doesn't actually do that shit with people he remotely respects. shit like "my first girlfriend turned into the moon" and "i had a feeling this was going to be a one way trip" are simply not things that sokka would say out loud 98% of the time. the fact that he is admitting something real is not a testament to the trust he places in zuko, but rather the opposite. sokka spilling his guts (you know, for him) to his resident collateral damage, sokka bringing his lovingly crafted space sword on this mission, sokka not even confirming whether or not his father is actually there beforehand – he's simply stopped giving a fuck, he doesn't care whether or not he lives to see another day, because to him, he has nothing left to lose.
but of course, that also isn't true at all. i mean, for one thing, zuko still needs to teach aang firebending, so he does serve a pretty important function to the group, and zuko simply telling him to do hot squats in his absence does not qualify as significant tutelage. but also, even more importantly, sokka is integral to the fabric of the group. when he's gone for a day in "sokka's master" they literally all just shut down and start complaining about how much they miss him (we don't actually see any b-roll of the gaang hanging around the western air temple because the episode is simply too busy for that, so who can say whether the same thing occurs twice). sokka cannot afford to simply die just because his first plan failed, he still has a major responsibility to his friends. fucking idiot. i've said before that sokka has the emotional resilience of like. a pathetic wet newborn kitten caught in the rain. but like, come on man. i mean, as someone who has also suffered from debilitating perfectionist issues and never had to be responsible for a failed military invasion that cost my people their freedom, i do get it, but still. not his best moment. although there is something genuinely admirable about the fact that after he finds suki, he decides that saving suki is enough, and genuinely does want to succeed in his mission going forward. like his love for suki is one of the only things that consistently makes him happy and makes him forget that his greatest dream in life is to be murdered, and that's so beautiful to me.
the entire point of this episode, by the way, is that sokka is wrong. if that isn't obvious. sokka's entire worldview, that he only has value insofar as he exists to provide for others, and if he fails to protect people in any capacity, he has fundamentally failed to uphold the one reason he even exists on this earth, and thus he does not deserve to exist unless he is bearing the weight of everyone's suffering or otherwise proving his worth through sacrificing himself for others, is um. fucking stupid???? and incorrect. and stupid. the thing is, unlike zuko, sokka can't really point to any one person who taught him to see himself this way. he can't just face his father and tell him that his abuse was cruel and wrong, because hakoda is a good father who has never not supported and believed in and encouraged him, done everything in his power to protect him, loved him unconditionally. hakoda has inadvertently damaged sokka's psyche in various ways, of course, but never with any intention to hurt him. like, ozai tried to kill zuko, on multiple occasions. it's a pretty obvious indicator of the primary source of harm in his life. but sokka is equally if not more Unwell, and there's no one single figure he can blame, because his complex lies within a tangled web of what my best friend fanon calls the "massive psychoexistential complex" of the colonized subject. he is being dehumanized not through interpersonal abuse, but through the violent logic of imperialism. sokka's formative traumas inform his psychology as he understands that he only has value insofar as he is protecting the people he loves (namely his sister) from being murdered by imperialists, much like his mother did. and that logic is continually reified through the violence he is being subjected to, until he truly absorbs the belief that his life has no value on its own, that he is genuinely Less than [human] in some fundamental way. which is obviously deeply tragic, but also lowkey kind of comical because he also happens to be the specialest boy in the world, who literally did come up with multiple working escape plans at the world's most secure supermax on the fly, mind you! but whenever anyone tries to point that out, including piandao literally saying "you're the most exceptional and worthy person i've ever met in my life" sokka is just like "um. that is incorrect actually." like NO ONE should depersonalize themselves and feel that their only value lies in their ability to serve and sacrifice themselves for others, but it's especially ironic that sokka literally does not think he has any value as a human being, and yet he is also objectively exceptional. like, do you understand why i adore this character so much. do you.
anyway. the point of this episode isn't that sokka has worth because he's exceptional, either. that's lowkey the point of "sokka's master," but also a) sokka doesn't really internalize it and b) the more important part of the episode lies in how much the gaang just misses his company because they miss their neurotic control freak big brother who makes bad jokes. but even if he couldn't come up with multiple working escape plans on the fly, suki and zuko still stay by his side anyway because they care about him. they are demonstrating that they would risk their safety and possibly even their lives, in the exact way that sokka is always trying to for everyone else, for him. that sokka doesn't need to be the one who always protects everyone else, and that he isn't a failure for letting people who care about him help him and protect him. and sokka has to accept their help, because suki and zuko are simply too stubborn not to force him into letting them support him. they are standing in a literal maximum security prison in the middle of a volcano and they are still choosing to prioritize sokka's mental health and wellbeing, which is honestly crazy, but also exactly what he needs in this moment. suki has known sokka for what, 3 days maximum? yes they're soulmates but like, girl get up. and in zuko's case, "girl get up" is magnified tenfold, because he literally risked his life to go with him to the boiling rock (also largely motivated by the guilt of not being able to stage his own prison break with iroh, but still!) and let himself get imprisoned despite being the fire nation's most wanted criminal, stayed by sokka's side no matter what including getting thrown into a literal torture chamber for him, jumped across a gaping boiling chasm with no guarantee that he'd survive except for the implicit expectation that sokka would catch him on the other side. like zuko is so fucking pussywhipped and sokka didn't even value him as a human being until like halfway through their entire mission. insane.
in conclusion: "the boiling rock" is a beautiful story of the most mentally ill boy on the planet (he took first place ever since jet died rip jet forever in our hearts), and his two ride or die bitches who he met like yesterday, and also his dad, and a casual homophobe named chit sang, all working together to demonstrate to him why killing yourself is a bad idea in most cases, probably. it's also the story of the most insane dyke drama of all time, but that's for another post (of which i have of course made multiple, most recently, here). i said it's the apotheosis of sokka's arc, and by that i mean it's the most overt acknowledgement of what his fundamental issue is, and the first steps one must take in actually resolving it (namely, accepting help and support from your peers and loved ones). do i think that sokka is magically cured after returning from the boiling rock? no, probably not (in fact, because i'm somewhat sick & twisted myself, i like to imagine that once the war ends, he actually gets worse). but he does seem genuinely happier after they return. and maybe that's just bc kyoshi warrior pussy hits different, but like. he was able to rely on others for help (including mai my best friend mai) who supported him unconditionally and prevented him from simply giving up, and that's so incredibly important. that kind of support is always important, to everyone, of course, but as we've established, it's especially important to sokka specifically, at his lowest (quite possibly ever), in this situation. no one has an obligation to risk their life for someone else, but sokka is something who thinks that his purpose is to risk his life for other people (namely katara), and so for people who really have nothing to gain and everything to lose in standing by and promising not to leave without him, to actually show that they support him unconditionally is huge. if sokka has no fans then i am dead and so is suki zuko hakoda toph aang piandao iroh the mechanist etc etc etc. perfect episode <3
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acourtofthought · 2 days
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Would you still consider it a celebration if Gwynriel’s book is next, bc it at least confirms endgame couples?
I will be very happy for Gwynriels and very relieved that it will help lessen the ship wars though I think I'll still feel disappointed.
I want Elucien to happen but I also adore Elain and Lucien as individuals so an Elucien confirmation isn't the entirety of what I want for them.
Az and Gwyn absolutely deserve a HEA and their own healing arcs but there is something to be said for the fact that right now, they are surrounded by love even without a relationship. Yes, they have their own internal struggles but they have a really strong support system, people that have their backs, that encourage them, that believe in them. Az and Gwyn both have their found families but neither Elain or Lucien do.
Elain and Lucien are regularly pushed to the side in favor of the other characters. I understand why that is, SJM has to stay on course with the narrative that they still need to find the court where they'll thrive, but in the meantime that has resulted in them being misunderstood by the others. It results in others speaking for them, the others not encouraging them or helping them find their powers. Hell, Feyre has known about Lucien's real father since ACOWAR and it's almost two years later yet she's still letting him wander around aimlessly thinking he has no place to go.
A Gwynriel book being next means we're going to have yet another book of Elain floating around the River House with no real purpose. Lucien drifting between Spring and the Human Lands while Tamlin remains depressed which means Lucien will feel the effects of that. Elain again not having the chance to have a POV on how she's feeling about the loss of her father, being made, Graysen's rejection, Az's rejection, how Nesta and Az believe she shouldn't be allowed to do anything dangerous. If a Gwynriel book takes 6-9 months, that means nearly three years will have passed from when Elain will have been forced into the Cauldron, given powers from the Cauldron that she still hasn't fully explored and hasn't been given help on training, a confirmed mating bond that remains unaccepted and unrejected, and we will have never had a single person actually ask her how she feels about any of that outside of Feyre's "you couldn't say a single word to him?"
I will be happy for Gwynriels but how can I personally be super excited when that means my two favorite characters will once again suffer for another 6-9 months without having the same support system in place that Az and Gwyn already do?
Gwyn and Az might not have romance yet but they are respected and loved by their friends and we've witnessed that on page. Meaningful moments, moments where their found family have gotten personal with them and asked them to get personal in response (though Az is kind of terrible in that area, we've seen Cassian and Rhys at least try).
Lucien has "friends" in Vassa and Jurian but we've never actually seen that connection, we're just told it's there so we have to assume it is.
And when he tried to open up to Feyre, she made fun of him.
Elain has "friends" with the wraiths but again, we're just told about it rather than witnessing moments that make us actually feel it. And yes, her sisters love her but they don't try to connect with her (Feyre only thinks of her as a pleasant companion).
And the IC, while friendly enough with Lucien, don't necessarily embrace him with any kind of true respect. There's always this underlying current of "can we trust him?", "what can he do for us?" And of course we know Az has issues with him.
The need to prove that both Elain and Lucien belong somewhere other than where they currently is starting to feel a tiny bit overdone to the point that it's a bit cruel, and while that to me would be a perfect time to end their suffering, I can only imagine what another book of that would look like.
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utilitycaster · 8 hours
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A less talked-about but no less interesting part of God Discourse I've noticed is that amongst the There Is Nuance Here crowd there's a weirdly pro-Betrayer God attitude; like there's examples of gods being bad right here (see: The Actual Devil in Literal Hell), but we're choosing to focus on Melora for some reason? Fascinating levels of dissonance here.
So here's the thing. I've found that this has also been an evolving position.
I think during EXU Calamity, the main argument was pro-Betrayer God. Some was that Asmodeus was in fact played masterfully; Zerxus, after all, fell for it. The rest seemed to be to me the usual dull "but I wanted it to be subversive" argument, upon which the motivations of that desire I can only speculate (and such speculation, while entertaining, is not productive). I would argue, Calamity was not lacking in subversion, notably with the portrayal of Vespin Chloras and the fact that this was ultimately an immensely hopeful, if also deeply tragic story of an averted annihilation.
I think currently? It's the Wild West, at best. I don't have much to add other than what I've said already, and unfortunately it does require either familiarity with the posts I'm thinking about or me doing something as tacky as publicly posting screenshots to get the full context. Suffice it to say I've rarely seen such unformed and unsupported arguments. They are phrased in apery of a coherent argument, but, crucially, lacking the evidence.
Getting back to your point I think the focus is more on the Prime Deities because those are the gods whom past characters (and FCG) were affiliated with. I honestly don't think most of them have the lore knowledge to recall deities who have not come up as directly in game; they're focusing on Melora because they know who she is. Possibly because she was Bor'Dor's deity; possibly because she was the deity who reached out to Orym and was insufficiently clear in her communication to Fearne to satisfy them (and yet we stan Liliana, queen of clear responses, amirite?); possibly because it's edgily rewarding to them to fantasize about upending and destroying Caduceus, Fjord, and Fy'ra Rai's lives. Similar arguments can be made for Pelor and the Raven Queen; one can point to the genuine harm mortals have done in Pelor's name and the fact that the Raven Queen collected on a deal, willingly made, from Vax, and you get to weakly and cringingly tell yourself you are dunking on people who like Vax, or Vex, or Morrighan. It is interesting to me that people are not focusing more on Lolth given her appearance and the fact that Opal's choice, while technically willing, was much more manipulated than anything the Raven Queen has every done. Lolth behaves in canon as idiots believe the Raven Queen to have done in fanon. I've found a significant number of the arguments against the gods rely on a profound misattribution or at best deliberate avoidance of what is voluntary vs. what is coercive or done without consent (eg: comparisons between Judicators and Ruidusborn).
Basically: they bring in the Betrayers when it's convenient for the argument and cherrypick around them when it's not; they do the same with the Primes. There's just a lot more to pick from with the Primes.
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Text
I’ve written about this a lot before but it bears reiterating now.
I’ve seen some takes that essentially say Taylor was callous because she broke up with Joe because he “couldn’t get over his depression” and how cruel that is when she said she loves him.
And I think that a lot of the people who think that are identifying with Joe, and empathizing with him and suffering from a version of somewhat understandable main character syndrome. I see this a lot in advice on how to be there for someone struggling with their mental health. It says things like “keep reaching out even if they ignore you. They appreciate it.” “Keep inviting them to do things even if they say no” “Continue letting them know you are there for them to talk to even if they repeatedly shut you out.” And I’m not saying this is bad advice, but it makes it sound like there is one person who struggles with their mental health surrounded by supporting characters who are 100% healthy and able to give an endless supply of emotional energy and that they never have mental health struggles that are impacted by this. (My mental health for instance tanks when I reach out over and over and get rejected because I feel like no one likes me)
From what I can tell from her music (which by the way is the only indication we have that Joe struggles with his mental health, so if we are accepting that premise we need to accept everything else she says about it) Taylor followed a lot of this advice for a long time.
Years of labor locks and ceilings
Pulled him in tighter each time he was drifting away
Always rising from the ashes
There was nowhere for me to stay but I stayed anyways
And she tried and tried until it was having a hugely detrimental impact on her mental health which she relates
She discusses how she had to revert into a dream world because of the impact of it:
I dreamed about it in the dark the night I felt like I might die
She talks about how holding on to the relationship made her feel:
I know my pain was such an imposition
My white-knuckle dying grip holding tight to your quiet resentment
My spine split from carrying us up the hill
Wet through my clothes weary bones caught the chill
She had a huge amount of anxiety about the relationship so much that her friends noticed how it was impacting her
My friends say it isn’t right to be scared every day of a love affair
My friends tried but I wouldn’t hear it/watched me daily disappearing
She got to the point where she wasn’t sure he even wanted her
Every breath feels like rarest air/When you’re not sure if he wants to be there
Is it really your anxiety that keeps you from giving me everything or do you just not want to
I wouldn’t marry me either
Her mental health was deteriorating, so if Joe deserved a partner that would support him when his mental health was struggling, doesn’t Taylor? There’s no evidence that he was able to give that to her and she felt very misunderstood by him
My face was gray but you wouldn’t admit that we were sick
How can you say you love someone you can’t tell is dying
You never read into my melancholia
Nobody noticed my new aesthetic
You say you don’t understand and I say I know you don’t
He don’t understand me
A pathological people pleaser/who only wanted you to see her
Why is his mental health considered more important than hers? One person doesn’t get to call dibs on being the one with mental health problems while the other person is assigned to be the supporting character forever.
It’s also clear she had hopes and dreams for a future that involved marriage and kids that he couldn’t or wouldn’t give her. So should she should give those up so as not to leave her partner who is depressed and be labeled a bad person?
It isn’t his fault that he’s depressed but Taylor clearly has mental health struggles too and one is not more important to the other. They were unable to be good partners to each other due to this, so ending it was the right thing. Were there better ways to do it, yes! But she was clearly struggling so incredibly much that I for one, will give her grace and understanding
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