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#I just watched the first episode season 2 for the first time in God knows how many years
txttletale · 2 days
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(Other than the really weird bit about "Male presenting Doctor") what were your thoughts about the specials?
pretty mixed bag, pretty messy, but good overall. i think they were very obviously a nostalgia trip for people around my age lol and it worked! i loved seeing tennant and tate back onscreen together, their chemistry hasn't aged a bit, and honestly just watching doctor who that wasn't written by chris chibnall was a breath of fresh air. they weren't boring, like seasons 11 and 12 were, and they didn't go too far off the other end into nonsense like flux did. characters want things again! the show can let itself just be silly! i was literally cheering out loud when donna and the doctor were just saying random scifi gobbledegook at each other for like a solid several minutes during the star beast.
the structure of the specials kind of baffles me. i love wild blue yonder--i think it's definitively the best of the specials as a standalone, it's absolutely fantastic, creepy and atmospheric and bringing things around to RTD's strength, which is well-written characters interacting with each other and letting good actors just act. but at the same time i dont understand why it exists? it feels like...idk. imagine if you watched the star wars original trilogy but instead of the empire strikes back the middle film was just a feature length film about luke and han surviving on an ice planet with no reference to anything that happens in the last film except the two characters' relationship. and then the next film was still return of the jedi, unchanged. it felt like that
i liked all the weird campy silliness of the star beast and the giggle, and they were both very fun! neil patrick harris gave a fantastic performance, there are a lot of very memorable sequences from the giggle, but it's very very all over the place. so many threads get kind of picked up and go nowhere. the toymaker's haunted house dimension goes nowhere. RTD's eyerolling social media commetnary goes nowhere (thank god tbh but yknow im illustrating something here). even the toymaker kind of goes nowhere, after ncuti gatwa shows up he's bascially an afterthought who loses by dropping a ball. obvious parallels to david tennant's first episode with that ball scene could be made, but just... aren't. it feels like load-bearing sectikons of the plot and themes were cut out to make room for a backdoor pilot for the stupid fucking UNIT spinoff
oh and it goes without saying i fucking hate all the UNIT wank in the star beast and the giggle. i hope space nine eleven 2 happens to their stupid fucking avengers tower i cannot stand kate stewart who is constantly a murderous bonehead (in the giggle alone she gets two pepole killed by not listening to the doctor and assuming that this teleporting godlike entity could be restrainted by Two Guys) who is both in and out of universe just a boring nepo baby with no merit of her own
um. i still dont know what happened with the regeneration. i think the implication is that when david tennant dies hell time travel back to become ncuti gatwa inside himself--at least the rehab dialogue seems to make that implication. but it's not really explained or explored? baffling. i do think that fourteen getting to settle down and live a peaceful life with his friends is cute.
oh yeah and the ask said other than that but goddd there was some good stuff in the star beast and honestly with the state of the UK media i will take any perspective on trans people that includes baseline human erespect but some of those lines made me cringe so bad. anyway overall i am cautiously optimistic for the future of the show--oh ncuti was fucking great did i mention that i instantly bnought him as the doctor he owned the scene, the moment he was there it was clear he was the protagonist, and i liked the church on ruby road well enough too--i am cautiously optimistic but i worry that a big UNIT-shaped tumor will devour huge chunks of it and it'll be annoying. also russel t davies is like 60 and i just dont want to hear what he has to say about twitter so im not looking forward to dot and bubble
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crownspeaksblog · 1 year
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This but it's ann walker looking at anne lister..
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theriverdalereviewer · 9 months
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please tell me someone here has watched 90210 (the cw remake)
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dbphantom · 11 months
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[H2O s2 spoilers] Charlotte has literally done nothing wrong up until now and yet the show STILL paints her as such a bad person in Pressure Cooker.
She admits if she knew Don was Cleo's dad she wouldn't have shown up and looks visibly uncomfortable (but still trying to be polite) when she realizes it's Cleo's house and has to sit there and watch Cleo openly be rude to her mother by giving away a gift bought as a gesture of goodwill.
Charlotte KNOWS Lewis and Cleo are talking about her and instead of being rude and nasty about it (LIKE CLEO WAS IN EPISODE 3 WHEN SHE MADE ASSUMPTIONS) is just like "yeah, your dad is really struggling right now, you probably wanna go back in there and help him..?" like OMG that was so sweet of her. Yeah she interrupted their conversation, but come on she was trying to be nice. Characters interrupt each other all the time on this show- it's a teen drama, that's how it works. Despite everything Cleo had already done to her, Charlotte was still looking out for her dad.
Then Charlotte accidentally knocks a thing of flour into Cleo and goes up to her room after Cleo storms off to personally apologize for even BEING THERE because she can tell Cleo is Absolutely Furious about her showing up, and openly asks her if she can spend time with/date Lewis because she understands the two of them were together and she SEES how Cleo is reacting, and CLEO GIVES HER THE GO-AHEAD, BUT STILL TREATS HER AWFULLY ANYWAY. She didn't HAVE to ask for permission, but she does anyway!! AFTER APOLOGIZING FOR SIMPLY SHOWING UP TO HER MOM'S WORK EVENT.
and THEN at the end of the episode Cleo is like "even if it IS Charlotte (who I hate for literally no reason other than she stood up for herself when I tried to shame her in public for hanging out with my ex-boyfriend who I broke up with), it's Lewis's choice" but then gives her an actual death glare at the very end of the episode when Charlotte is literally just looking at her and evil music swells all because Charlotte smiles. WHAT!!!!!
IF YOU WANTED ME TO HATE CHARLOTTE SO BAD WHY DID YOU MAKE CLEO SO UNREASONABLE AND MEAN THIS SEASON AND CHARLOTTE AN ACTUAL SWEETHEART WHO HASN'T DONE ANYTHING WRONG OTHER THAN ACCIDENTALLY KNOCKING A BOWL OF FLOUR INTO SOMEONE AND PINING AFTER A GUY WHO IS- I CANNOT EMPHASIZE THIS ENOUGH- SINGLE!!!
anyway brb making a list of all the times the girls openly use their powers or are just straight-up reckless in public SOLELY IN SEASON 2 so i can compare it to them getting really mad at Charlotte and holding her to a huge double-standard because she used her powers to mess with Nate a little bit because HUUUUUUH??? if you have any examples hit me up because im currently doing a rewatch and im on ep 6 and already have a few... most notably Emma using her powers during the soccer game to dunk on a seven-year-old, but also Cleo using her powers at school to [checks notes] take a shortcut across a field with a sprinkler instead of just walking around. I have a few from memory as well that i just haven't gotten up to yet (like Emma and Rikki harassing Lewis at his job and almost getting him arrested because they left the gate open)
>>>>>oh i see... tumblr desktop does not warn you if you have over 30 tags. noted... rip my essay on how Lewis also isn't 100% in the right here [with Charlotte. with Cleo he did nothing wrong (being overbearing... ok i get it, but she could have sat him down and talked to him abt how she was feeling before immediately jumping to breaking up) and even took her aside more than once to ask her if she was okay, if this is what she really wanted, and where he stands with her- to which she lies to his face during and says everything's fine, she's just protecting the secret, she isn't jealous At All, she doesn't want to get back together] because he unintentionally is leading Charlotte on bc he's not communicating the best, and then when they DO get together he's clearly not as invested in their relationship as she is, or how Charlotte was kinda jumping the gun a little but while their relationship is kinda messy in itself, it just doesn't compare to how annoyed Cleo makes me this season, i won't lie. also i did rant about the marine park incident again. it still really bothers me lolol
#H2O: Just Add Water#H2O Just Add Water#H2O JAW#maybe im just not picking up on subtle facial cues but Charlotte is literally just a sweetheart in the first 90% of#this season. a sweetheart who also doesn't take shit from Cleo trying to embarrass her publicly and reading her diary.#you'd think Cleo would know how shitty it is to do that to a person given Kim did it to her but NO! SHE DOES IT ANYWAY!!#cleo is so immature in s2 it is SO embarrassing... especially the fishing rod bit... girl that is like 100 dollars at the cheapest!!!#i get she's the main character so she gets to get away with everything ever but MAAAAAAAAAAAAAAN...!#i don't think she ever actually apologizes to lewis or charlotte for the way she acted in this episode. solely to annette so she could get#the business deal for her dad... it's so SO shitty of her. like oh my god charlotte apologizes and you can't even give her the same grace#also THE ROD THING!! you unspooled his entire line (sending this massive bout of fishing line into the ocean) and dragged it into the#water where he likely wouldn't be able to get it back. and he's still SOMEHOW willing to show up to your house to speak in person and u#don't even give him the time of day to Actually Listen because you are being SO IMMATURE about EVERYTHING#Cleo you literally did ALL OF THIS TO YOURSELF!!!! PLEASE GET A GRIP GIRL!!!!#YOU broke up with Lewis. YOU embarrassed yourself trying to call Charlotte out and she stood up for herself. YOU threw a total fit over#Lewis and Charlotte fishing together to the point he felt it was necessary to talk to you in person. WTF!!!!!! <- angry#aaaAAAAAAAAA-#this is what i MEANT when i said I CAN'T WATCH SEASON 2 WITHOUT GETTING ANGRY!!! I C A N ' T#also minor thing but Emma being so OOC in this episode she doesn't try to stop them from harassing Annette and Charlotte with their magic#THAT IS OBSCENE EMMA WOULD'VE PUT A STOP TO THAT BEHAVIOR IMMEDIATELY!!! INSTEAD SHE JUST GOES ALONG WITH IT#as if Emma wouldn't be very willing to give Charlotte a chance after everything she saw Cleo do like 3 episodes ago reading her diary and#snooping on her life because she's 'sus' when she literally isn't she just has a crush on Cleo's ex-boyfriend#who. and i cannot emphasize this enough. CLEO BROKE UP WITH IN THE FIRST PLACE!!!#why does it take until EPISODE <S I X> FOR CLEO TO REALIZE *SHE* BROKE UP WITH LEWIS SO SHE'S TREATING HIM UNFAIRLY???#SDKJGHKAFJGHAKLJHGKLJH AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA#im fine im fine.#spoilers#H2O spoilers#H2O JAW spoilers#H2O Just Add Water spoilers
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niuxita21 · 1 year
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ClassofO7 really had a chance to do something interesting in terms of romantic pairings with so many complex f/f relationships to explore if they didn’t want to forego having a “main slow-burn ship” with an all-female cast (Zoe/Amelia obviousy but also Genevieve/Saskia and even Phoebe/Renee) and yet they went with the laziest option possible in terms of representayshun by making the one lesbian character the comic relief side character whom it’s clear they never had any intention of giving a romantic storyline to
#and whom tbh I probably would have a hard time taking seriously in any attempt at a romantic storyline#it's like characters like jason mendoza or rogelio villanueva or orla from derry girls who are great for comic relief#but who stretch the limits of suspension of disbelief when trying to sell them as capable of sustaining a romantic relationship#with someone who is actually a fully formed 3-dimensional character#le sigh#a few episodes back I was gonna make a post about how my investment in this show and desire for a second season#were contingent on how they resolved the saskia thing because my GOD she was a monster in the first half of the season#I assumed that at worst there wouldn't be any lesbian characters and that was actually something I could get past#turns out the saskia thing was resolved in a pretty stellar way (episode 5 was FANTASTIC) so I thought we were in the clear#and now I'm questioning my attachment again for the ONE reason I didn't even consider lol#I understand that not everything needs to be about romance and that a show about female relationships such as this one is good enough#I just think this was a case in which an overarching serious romantic storyline would have really worked#and now I kinda don't want to continue getting invested in all these relationships where there's SUCH great buildup#only to know it's not gonna amount to anything (and now also with the possibility of dudes being added to a potential season 2)#(I still have one episode left to watch but it's a pretty safe assumption I think)#such is life you win some you lose some I guess#thoughts no one cares about
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beauspot · 9 months
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Thoughts on my second watch of Good Omens 2
i heard the fly buzzing in my first watch but didn’t know why and now i know
Maggie my sweet darling angel baby i love you
Aziraphale turning their car yellow
crowleys “no more dying” in extreme scottish.
Disposable Demon i’ll save you from these awful people i promise 😭
Aziraphale’s little smile when he says “smitten” to Crowley
i wonder if crowley was especially hurt because aziraphale seemed to be able to forgive gabriel who tried to kill him but can’t seem to forgive him being a demon.(still seeing all of this as a metaphor for internalized homophobia, like aziraphale knows he’s not the perfect angel he wants to be and he’s projecting his feelings about that onto crowley)
I can’t believe we got an actual ball. like pride and prejudice, bridgerton ball.
the beautiful score that started playing when aziraphale brought the chandelier down
i didn’t even realize that when they walked in the outfits changed. mrs sandwich made me realize(also i love her)
Nina being the only one to question the weird magical shit Aziraphale and Crowley do sends me so bad.
Season 2 took everything i liked about the first season (aziracrow, queer subtext, gay people, archangels, and beelzebub) and expanded on it
The adorable smile on Aziraphales face when he asked Crowley to dance 😭 he’s so pure(i should have known something was up, everything was going too well)
Crowley saying i won’t leave you on your own and Aziraphale saying i know 🤒
why isn’t aziraphale able to miracle nina and maggie??
crowley and mrs sandwich flirting. too cute
crowley saying he’s neither nice nor a lad.
crowleys little run in heaven when he’s following muriel
maggie giving the middle finger to the demons and laughing in their face when they tried to belittle her. queen
defensive aziraphale is so badass. just because he’s soft doesn’t mean he can’t stand up for himself or the people he loves
the random guitar solo in the final episode theme is so bizarre to me. why is it there?
ahh the raining hearts symbolizing crowleys vavoom plan!
crowley’s heavenly outfit not being white but “light grey”
the relief in aziraphale’s voice when crowley came back 😀
also him mumbling about the halo like he did with the sword 😭 but he sure loves to boast about the things he’s done right to crowley
aziraphale and crowley doing magic together has the power to set off alarm bells in heaven and they barely tried, they’re just in sync
saraqael was such a good addition to the cast.
crowley smiling at aziraphale going off on the angels and demons
“where beelzebub is, is my Heaven.” 🥹
the little knowing look after crowley mentions alpha centauri
the way they just interrupted michael’s speech by leaving 😭
i think that aziraphale was about to ask crowley to move in but that’s my opinion
the look the metatron gave crowley is so strange. i don’t like that
“JUST US. NOT YOU.”
“You’re not helping, angel.”
the softness in aziraphale’s voice when he talked about making crowley an angel again? how can you hate him! he thought he was doing the right thing!
also the miscommunication these two have is completely out of hand because crowley asked aziraphale if he said no and aziraphale hadn’t given an answer AT ALL to the metatron. the metatron told him to take his time. he went back to tell crowley the news first.
crowleys confession makes my stomach hurt. the way his voice broke when he said “we’ve spent our existence pretending that we aren’t.”. the way he had to force himself past his anxiety to tell aziraphale he wanted to spend eternity with him? fuck.
the way aziraphale tells crowley to come with him. like and through all of this they are losing each other, oh my god.
“i need you!” god aziraphale punch me in the face next time why don’t you?
i feel like in all this anger towards aziraphale a lot of people are ignoring that he put himself out there too. he was telling crowley he needed him just like crowley was
“no nightingales.” FUCK YOU GAIMAN
the way aziraphale touched his lips after. dear GOD. someone get michael sheen an emmy
seeing aziraphale struggle against his wanting to kiss crowley back and his fear and wanting him to come back to heaven further supports my internalized homophobia analogy
also even knowing the kiss was going to happen because of the spoiler it still didn’t quell my shock. nor did it ruin the scene, i think it actually surprised me more because it did not happen how i thought it would.
side note i saw some people saying they thought the kiss was going to be a cop out in some way. like a body swap or as a joke and i don’t really know why?
it just occurred to me that both aziraphale and crowley thought the other one was just doing that thing they do where they say they won’t help, or they’re on their own but they eventually come back not knowing that the other was completely set on these plans they had. this wasn’t like armageddon or saving gabriel.
the second coming…of jesus…
crowley cutting off “a nightingale sang in berkeley square”...i’m gonna jump
this being the ending for the next 3-4 years. oh.
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pirateprincessblog · 3 months
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2 batteries away
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𝐝𝐞𝐬𝐜𝐫.: if he can choose to spend time with someone else rather than you, daryl would do it. not because he hates you. he simply doesn't have any type of connection with you. and you are so young. but when rick demands that you join him on a scavenge hunt, he doesn't have much of a saying into it, and chooses to act unbothered. he also chooses to ignore the way you tease him the whole trip, your hips swaying just a bit more when walking than usual. 𝐩𝐚𝐢𝐫𝐢𝐧𝐠: daryl dixon x female reader 𝐬𝐞𝐭𝐭𝐢𝐧𝐠: alexandria, pre-negan 𝐰𝐨𝐫𝐝𝐜𝐨𝐮𝐧𝐭: 5k 𝐭𝐚𝐠𝐬: big age gap, reader is half daryl's age 𝐬𝐩𝐞𝐜𝐢𝐚𝐥 𝐭𝐚𝐠𝐬: voyeurism, masturbation, breath-play, subtle ddlg, toys, subtle dacryphilia
𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬: swearing 𝐧𝐨𝐭𝐞𝐬: i am on season ten of twd (my first time watching) and it feels like this man's clothes keep getting tighter and tighter each episode and i am so here for it. also the way his arms magically always glisten in the sun as he subtly flexes when the camera is on him? give me a break I BEG
Also I miss Rick very much 🥺
*
"i have a special request. if i'm allowed to do that." a playful voice calls behind you.
you turn around, squinting. the sun is high up in the sky, and right in your eyes. you make out carol's short hair, and nod at her as a sign to keep speaking.
"i'm gonna need something i can make cookies or cakes with. hazelnut, chocolate, almonds,... you know. cake stuff." the woman smiles.
"i'm going out for ibuprofen and possibly viagra, not chocolate."
"viagra? for who?"
you chuckle under the cap rosita has given you, and try to subtly glance over at the man loading the car with weapons. he grunts, glaring at you and instantly shutting down the bullying party you wanted to start.
"i don't need no damn viagra." he slams the trunk door shut, and walks past you, intentionally pushing his shoulder into yours.
you fall a step back, holding in a laugh. carol has her hands on her hips, but her laugh isn't hidden. she knows daryl can't say anything to her.
"oh, come on. i know that you like to stay quiet and mysterious, but a little joking in hard times never hurt anybody." the woman defends you, scrunching her eyebrows at daryl.
"it's hurting me." he yells from the car, slamming the door shut.
"how am i supposed to survive this trip with him, ricky?" you complain, shoulders hanging with rising irritation with the situation.
"you survived a walker flooded prison with nothing but an axe before you found us on the other side, and you're telling me you can't survive a grumpy old man for a few hours?"
"thing is, i killed walkers. i cannot kill him. boo-hoo, the precious tracker. i also, when i see a footprint on the floor facing a certain way, know that someone is headed there. wild, right?"
rick pats your head, messing up the cap in the process just to tease you.
"bring me some shirts on the way back, i'm getting sick of these flannels. and get yourself something nice."
one would think that he gave you his credit card to buy him those shirts at the nearby mall. telling you to get yourself something nice, that idiot. the less fun truth is that you are headed towards a landfill two hours away from alexandria, in hopes of finding anything. glenn and morgan haven't had any luck for a few days now, so rick decided to change the route and the team. daryl and you, apparently, make a great one. that pain in the ass of a man.
"i'm leavin'. you stay and talk 'bout me all you wan'. i'm the one actually doin' something for this place."
"stuck up much? see," you open the car door, sitting inside annoyed, "with the viagra, you'd be a much more pleasant person to be around."
"enough with the damn viagra. fuck's the matter with you?"
"god, just start driving and drop me off somewhere in the middle of the road and i'll find my own shit from a different place. rick doesn't need to know."
"no," he simply responds, not sparing you a glance.
rick waves at you with a smile on his face, knowing damn well what he did putting the two of you together for such a long quest. he's so going to hear from you tonight. if you make it out alive while trying to kill daryl.
"so, what are you hoping to find? booze, peanut butter, new clothes? i'm starting to think you stapled those clothes to your body."
he says nothing, eyes focused on the road. you sigh. maybe you're the problem. you're poking him too much, knowing he has zero patience and doesn't very much like your company. you decide to keep quiet for the rest of the drive, only occasionally glancing over at him out of boredom.
you can't lie, he is an attractive man. you don't know why you're mean to him. he is gorgeous to you, your taste in older rugged men not failing you. you're surprised rick isn't the one you fell for. but next to daryl, he looks too... neat. daryl is just perfect. most of the time his deep raspy voice has you subconsciously rubbing and squeezing your thighs, led by a tingling sensation in your lower stomach. his clothes have recently gotten very tight on him, the buttons of his black shirt threatening to pop and give you a view of your lifetime. he has been working out a lot, you've seen him. fuck, not only have you seen him, you also stayed there, secretly snapping pictures with your polaroid your father had left you before disaster struck. you only had a few films left, yet no self control. something about seeing daryl all sweaty as he did push ups, grunting and almost moaning, thinking that nobody can see him, did things to you.
"wha'?" he asks, sensing your intense gaze.
you turn your head away, flushed. "nothin'."
"mmh."
he keeps it short and stern, and if your panties weren't drenched as your brain replayed the memory of his glistening arm muscles, you'd probably make a sassy remark. he raises an eyebrow, probably also wondering why you aren't being mean for so long now.
"shoes." he says after some time.
"what?" you ask, absent-mindedly staring into the tall trees and the walkers hidden among them.
"i'm hoping to find some shoes. it's gettin' hard to walk in these. i also hope i find sum more arrows."
you nod, surprised that he has actually graced you with an answer. you thought he'd say something like cigarettes or alcohol. you hated people who smoke. but daryl is an exception. he looks damn hot doing it.
"you?" he asks.
"well, new underwear would be nice. i ripped all my good panties, and let me tell you, these thongs are not apocalypse friendly."
"shit, girl, oversharing much?"
"what, you disgusted by female underwear?" you poke back, playfully.
"not female underwear. your underwear."
you're offended. you squint at him, and have to fight the urge to smack the back of his head.
"for your information, you don't look or smell all flowery and fresh yourself. i could use your hair to grease up carol's tray for her cakes. and your fingernails? they have their own ecosystem at this point."
and back to the bickering it is. he grunts again, furrowing his eyebrows. he secretly glances at his fingernails. indeed, they had a layer of dirt under them, but daryl thinks that he has bigger issues than some dirt that will get washed off anyway.
"oh, i also wish to find-"
"yeah, lost interest." the man interrupts. "also, for future conversations, you do not mention your... thongs... to people that are ol' enough to be your father."
ew.
ew.
ew.
he did not.
"what, is that how you see me? you could be my father?"
how utterly disappointing. there you were, sitting next to him, imagining him going feral between your legs, all while he is viewing you as his child. there goes your masturbating material for tonight.
"well the age fits the description."
"fuck you. seriously." you sigh, turning your body towards the window so you can fully ignore him.
arriving at the gates, you immediately notice a few things that you will be taking home. how foolish of you to not take a truck instead of the crusty old car.
"watch it." just as he says it, an arrow passes by your head, followed with a loud thud.
you don't have to look back to know that a walker had managed to sneak behind you, while you were foolish enough to stay swooning over his arms glistening in the sun with sweat.
"damn it, girl, i don' know what it is with you, but you gotta snap outta it. i can't keep saving ya ass."
"yes, dad." you reply, annoyed.
"hey." he calls, hand reaching to cup your jaw and turn your head towards him. "shut it before i make ya."
if it weren't for the feeling of his rough hand on your face and his raspy voice sending you a warning turning you on, you would've slapped him and told him not to touch you. but oh, you were going crazy inside. you found a new way to push his buttons, and you're going to have so much fun with it.
you walk behind him into the landfill, the smell of junk pinching your nose. daryl is also bothered by it, seeing his scrunched expression as he scanned the first piles of garbage.
"there." he points his crossbow a certain way.
you follow the invisible line, your eyes landing on what seemed to be several taped boxes. they could have three things inside: food, weapons, or traps. weird how nobody has discovered this place yet. or maybe they have, and they took all valuables already.
daryl doesn't wait for you. he makes his way towards the boxes, keeping his crossbow ready if something goes wrong. you, on the other hand, have tucked your knife safely and are walking around like there isn't walkers scratching at the fence, waiting to sink their teeth into your skull.
"dammit."
you hear rattling. you turn around, only to find the man kicking the boxes angrily. the can he has just thrown on the floor rolls up to your feet, and you crouch down to examine it. it is food, but expired. eating it would be like playing russian roulette.
"i mean, we can still... ya'know, take it with us. what happens happens."
"dixon, if i'm gonna die, i'm gonna die from a bullet or a bite. not from a rotten macaroni."
he raises an eyebrow at you, amused with your laid back attitude. he doesn't give you much attention, just silently walks next to you while scanning his side of the landfill.
"ah, sweet!" you cheer, running towards a pile.
"wha'?"
you almost trip over the broken wooden chairs, trying to get to a certain little box in the pile.
"the hell are ya doin'? we're losin' time!"
your eyes instinctively roll at his voice. you know he has nothing smart to say. finally reaching the box, you jump back on the floor, eagerly opening it. seeing that the item still has the foil sealed on it, you victoriously raise it in the air, cheering.
"you have made it a goal for yourself to die today, didn't ya?"
"nah, not anymore. i found something that will keep me occupied and will fuel my will to live a little longer."
you continue your way forward, leaving daryl to stare at the box you have discarded, trying to figure out what it is. but he has decided he has no time for your immaturity. he needs to ask rick to not ever put him with you on a hunt again. he's lost a lot of time already, and hasn't found a single thing to bring back.
"clothes." you point, the pile of fabric sitting on top of a garbage hill.
"you gonna go get 'em?"
"why would i go? you go."
"you wanted your... thongs... so, you go get that."
you scoff, setting the newly acquired item on the ground and slowly climbing up the hill.
"what is this, anyway?" his curiosity wins.
you sit on top of the pile, examining the clothes and discarding the ones with holes in them.your eyes dart to the man below you, and you chuckle when you see him crouch and take the item in his hand.
"it's a wand."
"wand?"
"yes."
"for?" he keeps pressing, his eyes never leaving the pink gadget.
"masturbating."
thud.
you look down, mortified. he better not break it.
"careful with that, what's the matter with you?!"
"you're fuckin' crazy, girl."
you silently mock him, sticking your tongue out at him and repeating his words with exaggerated face expressions. he really gets on your nerves. you gather the clothes you have found into a bed sheet, tying it up and putting it over your shoulder, then pick up the gadget from the floor. it seems alive, it didn't break. you only hope it works. you're young, inexperienced, surrounded by people that are either too young or too old for you. though, the old part never was a problem for you, it was for them.
feeling bored, you decide to keep poking him. he is just so grumpy, and silent. and inviting to irritate.
"so, dixon, you've never heard about one of these?" you wave the gadget in front of his face.
he spares you a glare, and continues walking.
"come on, we're talking. nobody's around. tell me, since all of this started, how many times have you even approached a girl? do you even mastu-"
"'m not in the mood to be picked on right now."
"i'm not picking on you. i promise. just trying to converse."
"you want to be useful? hold this. it's in my way." he throws his vest at you, now only wearing a tight black t-shirt.
you scowl at him, shoving his vest into your backpack.
"you're so fun to be around. i get why rick put us together."
he grunts, leaving you behind. rolling your eyes, you go down a different path, hoping to find something useful to all of alexandria and not just you. turning a few lefts, you find yourself standing in front of a little shed like structure. you bang on the door with your foot, and when hearing no growls, you bravely enter. it is dusty and dark, with a singular armchair and a few cupboards.
you open each one of them, happily shoving all the food you managed to find into your backpack, opening a protein bar along the way and chewing on the oats and dried fruits. you missed having those with yogurt for breakfast.
not only will carol be happy with the amount of nuts and flour you have found, rick will be proud of you. you might even ask for a reward when he sees the amount of canned tuna and jam you have found. you forgot what pancakes taste like.
after clearing the room, you peek out the window. daryl is in the distance, going through piles and kicking stuff out of his way, as if playing. you've collected way more than him, and the sun is at it's highest point. the shaded room seems like a perfect place to take a nap, or just rest your feet and ears from him.
you plop on the armchair like a star washed up on the shore. it feels so lonely lately. rick has michonne, carl has enid, rosita has her boytoys, even gabriel might be having more fun than you. as wrong as it was, you stay up listening to the noises coming across the street. they're loud, there's no way you could ignore them even if you wanted to. even rick had to step in and ask them to be quieter. but what is a problem to someone else is a solution for you. is it wrong to touch yourself while listening to someone else fucking? yes. but is it the only way that works for you? also yes.
you eye up the toy that peeks from the backpack, then glance out the window. daryl is busy with his crossbow, having found something that he could use on it.
fuck it.
you unbuckle your pants, not bothering to take off the panties. your fingers are quick to pop the batteries that come with the package in the gadget, and when the lid clicks, you admire it for a second. there it is, in all its glory. waiting to be abused every day by you, until you find a replacement. hopefully a softer and live one.
taking off the thin protective foil from the head, you position yourself on the armchair. you glance at the window again, carefully monitoring daryl. now, if you thought that eavesdropping and touching yourself was bad, what was this? watching daryl's fingers work on his crossbow, arms glistening in the sun, all while the pink toy softly vibrates on your pulsating clit.
you sigh at the newfound pleasure, rubbing the toy up and down your slit, while your eyes stay focused on the man unaware of your situation. he probably even forgot about you. or is thankful that you have left him alone. even better for you. you get to be a pervert without him ever knowing.
you arch your back, throwing your head on the backrest as you focus on chasing the release. it's been awhile, it won't take you long. your eyes open again, just enough to see if the man is still in his spot. your fingers change the vibration strength on the gadget, and instantly, you gasp. it is so intense, and so much, but you don't want it to stop. this thing is your new best friend, you better get used to it.
something else peeks out of the backpack, the leather catching your attention and giving you an idea. like an animal in heat, you grab the vest, burying your nose into it and spreading your legs further. daryl's scent takes over your senses, making you lose control and become a moaning mess. you are getting wetter by the second, the toy now slipping up and down your slit with ease and giving you maximum pleasure.
"fuck- daryl-" you can't help but gasp, enveloped in his manly scent and fabric.
your hips hopelessly rub against the toy, chasing and chasing after something that isn't quite getting closer, even though it feels like it.
"the hell?"
your eyes widen at the interruption. you drop the vest in your lap, hiding the crime scene from him. the man stands at the door, expression unreadable. yours is one of horrified mixed with desire, the way he stares down at you angrily sending arrows to your core.
"daryl- i- did you, uh, find anything?" you try to play it off, foolishly.
"yeah. i found an animal in heat it seems. couldn't wait for alexandria to do that shit?"
"I-"
"is that my vest?"
he slams the door shut, leaving you two in darkness. you gulp, moving the gadget from your core and letting your panties fall back in place.
"i'm sorry, i'm sorry-" you stutter, failing to put a sentence together while he intensely glares at you.
"ya ain't sorry." he grunts. "ya know why i despise being around your ass? you're inappropriate."
"no, look," you try, but he points a finger at your face, making you close your mouth.
your eyes burn, tears announcing their arrival.
"it's not like that-"
"shut up, dammit! i'm talkin' now! do you have any idea in how many uncomfortable situations you've  put me? all those snarky dirty comments, all that flirting, now this? do you understand what that does to me?!"
he's yelling, frustrated and angry with you. but why are you getting wetter? why can't you think rationally? he is scolding you for being inappropriate, and you continue to be even more inappropriate by sexualising simple yelling. not your fault he looks damn hot while he does it, though.
"you're- you're half my age. i can't allow myself to play your games, no matter how tempting."
what?
"what will alexandria think? they already have no good opinion on me. engaging with someone half my age the way you want me to engage is- it is a horrible idea. i'll be out faster than i was in."
silence swallows the room. you still lay on the armchair, half naked with his vest covering you. he paces around the room, fingers running through his hair as he tries to gather his thoughts. you think whether it's time to finally say something, but you wait another moment. you need to gather your thoughts too.
tempting, he said. so he thought about it too. he saw past your jokes, and has been controlling himself so well. if only you knew what it would take to shatter that control, even for just a moment.
"since when do you care what other people think?" you start.
"since rick chose to trust me."
you hum, understanding.
"listen-"
"so you've been thinking about it." you're the one to interrupt now.
his head snaps up, looking at you with his eyebrow raised, as if asking you where you're going with that statement.
"there's nothing wrong with it. it's not like we're getting married or something."
"i'm older than you. way older than you."
"so?"
"i could be your father."
"if you say that word to me one more time i swear i will turn this landfill upside down to find another sex toy to shove up your asshole."
"why do you get so triggered by it?"
you roll your eyes, looking anywhere but at him. you press your thighs together, missing the warmth and buzzing from earlier. fun killer.
"because."
"why?"
"doesn't matter."
"tell me," he presses further.
you finally look at him, frustrated. "because i have fucking daddy issues and the thought of you being so much older than me turns me on. there."
you get up from the armchair, putting his vest on so that you can cover yourself. it almost reaches your knees, hiding your body from his gaze. he says nothing, and does nothing for a few moments. you have your back turned to him, hands resting on the counter of the half chipped kitchen cabinet. your head hangs low with embarrassment from the confession that just left your mouth.
tears stream down your cheeks, luckily hidden by your hair. but daryl doesn't miss the little sniff that comes your way. he sighs, then paces around the place a little more. when you don't hear him anymore, and finally face the fact that nothing will be the same with him anymore, you dare turn around. you almost gasp when you come face to face with him, his chest pressing against yours.
"wha- what are you-"
"shh..." he hushes you, eyes roaming your face.
you aren't sure what to do, or what he wants to do. if he tries to comfort you by giving you a hug, you will break down. and you will never face him again. you thought it was only sexual, but the way he looks at you and hushes you as you cry is awakening new emotions inside of you. ones that you will push down for now, because it is not the time.
"daryl, i'm sorry." you hiccup, genuinely feeling sorry for ruining whatever you had with him.
you feel his hands on the back of your thighs, and before you can react, he picks you up and places you on the counter. you instinctively spread your legs, letting him in closer.
"don't be. or else i might regret this."
you look at him doe eyed as he places his hand on your neck, gently holding you just beneath your jaw and softly pressing into the sides of it. he brings his head close to you, eyes half closed as he stares at your lips.
"daryl." you whisper, not sure of this anymore.
"just hush."
and with that, he presses his lips into yours, softly moving them with rhythm only known to the two of you. his other hand caresses your thigh, then creeps to your bottom and pulls you to the edge of the counter, enough to have your crotch press against his.
you can taste your tears while you kiss him, and he probably can too. he doesn't say anything, hell, you even feel him twitch between your legs. you grind on him, unable to control yourself. it is different than the wand. it's warm, and it responds back. it's better.
"hey," you call, slowly pulling away. "i don't want you to do this because you feel sorry for me or something like that. are you doing it because of that?"
"nah."
before you can continue bombarding him with questions and overthinking, he places his lips back on yours, this time a little rougher than before. you open your mouth, tongue eager to taste him properly. and fuck, he tastes good. you hated cigarettes and alcohol, but from his mouth, you adore it. you finally give in, arms wrapping around his neck and pulling him impossibly close. finally.
it doesn't take long for him to have you whining and grinding on him, wanting more than just kissing and thigh grabbing and occasional choking. you beg into his mouth, quietly at first, but with each kiss he gives you, you become louder and more demanding.
"touch me, please, please, please," you're desperate.
he smiles, for the first time in a while, and snakes his hands under your top. you hurriedly take off the vest and the top, to make it easier for him, but he pulls his vest back on your body. you are now wearing nothing but panties and the leather vest, making daryl incredibly impatient.
"ya just needed some attention, didn't ya?" he kisses your neck, his hand cupping your breast and thumb playing with the hard nub. "some sense fucked into ya to shut that mouth."
for someone that almost never talks, he is quite the talker now. and you can't complain, when his words have you clenching around nothing down there.
"needed someone older to take care of ya."
you moan at his words, spreading your legs further and raising your hips into his crotch. his hand reaches down to your panties, landing a light slap on your clothed clit as a warning. there's growling outside of the shed, but not enough to make you care. you'll get what you want, and no amount of walkers will stop you, even if it'll be your last.
daryl moves your panties aside, pulling away from you to see you. he hums, thumb coming to contact with your clit and circling it a few times. you shake under his touch, throwing your head back. it isn't something you haven't done before, but the touch is foreign, and different. his fingers are rough and big, an opposite of the soft flesh of your clit. he rubs your slit up and down, enough to smear your arousal so he can touch you better.
"fuck..." you trail, grabbing the edges of the counter and digging your nails into the hard surface.
"didn't find a boy your age to open you up?"
you shake your head. he hums again, fingers now circling your tight entrance.
"that's a shame, then. i'm gonna have to take my time with you."
"what? why?" you ask, disappointed.
"i'd split you in half, little one."
every word in that sentence sent arrows to your core. fuck, just how big is he?
"then, what are we doing?"
he turns around, leaving you yearning for his touch while he grabs your discarded toy from the armchair.
"you share toys?"
"sometimes."
"good."
he pulls himself out from his pants, and you are left with your jaw dropped. it fuels his confidence, the way you're staring at him as he rubs himself up and down. he isn't big. he's huge.
"daryl, how will that fit in me?" you ask, actually concerned.
"it'll take a little time. i'll train ya, and you'll take it like a good girl, the way i teach ya. but ya have to start listening to me and stop pissing me off."
nodding eagerly, you push your hips towards his hands, searching for his touch again.
he turns the gadget on, pressing it against your clit. you moan out loud, grinding on the buzzing toy and sliding with ease. you hear him grunt, and even a quiet moan. your eyes drop to the situation between your legs, and when you see him pressing his cock to the gadget, you swear you could squirt all over him. he rocks his hips with yours, pushing you up against the wall and grunting in your mouth, just like you moan into his. he doesn't break eye contact with you, instead getting off on it.
"i'm gonna cum, daryl." you whine, hands reaching into his hair to pull.
"give me a second."
you'd give him two if he wanted. you try your hardest to focus on not yet cumming, but the way he sweats and grunts for you doesn't make it easy.
"daryl-" you warn, moans becoming high pitched and inviting the walkers around the shed.
he sticks two fingers in your mouth, keeping you silent and helping himself get closer. you only needed to swirl your tongue around him a few time and take him all the way to his knuckles to have him moaning and cumming all over your stomach, rubbing the toy up and down in a sloppy pace.
you follow, pleasure washing over your body along with a thin layer of sweat, the sight of his seed on you making it more intense. you are dehydrated, hot and filthy. and you love it, because he is the same. you'd be like that every day, if it meant getting him the way you just had him.
"you didn't have to..." you say as he helps you dress up, wiping his seed from you with his bandana and discarding it.
"i wanted to. before, today, too."
"you sure?"
"yes."
you nod. he sees that you are not convinced, and he sighs. he pulls you in for a hug, resting his chin on the top of your head.
"i rarely regret my actions. trust me."
"yeah, well, i hope i'll get more of these actions you speak of."
he chuckles, planting a kiss on your forehead.
"you know, for someone who just came all over me, it's weird to see you so sentimental and comforting."
you don't even finish the sentence, he already playfully throws the bandana at you, rushing outside to hide his smile and to hide from your attempt at attacking.
"oh, you- you- you asshole!"
"right back at ya."
***
yippie! my first twd oneshot, idk how to feel about it lol. had this in the drafts for a while now. feel free to send feedback, doesn’t matter if it is good or bad 🩷
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pt XVI good omens season 2 (still not traumatic) episode 3 EDINBURGH
HELLO IT'S ME IT'S THE OFFICIAL GOOD OMENS MASCOT WHY DO I STILL KEEP INTRODUCING MYSELF IDK. If you don't know who I am, thank God and Satan for their mercy and flee. Also, the day after I post this, I'll be watching the last three episodes on livestream for the first time so. You know. I'm hyped on the energy of this being my last day not enveloped in tears. Take the summary:
Before the episode starts, someone asks why Crowley said in the last episode that Aziraphale couldn't fall because look at him, all angelic when Crowley looked the same as starmaker. I reply that "Crowley thinks he deserved it, he sees Azi as something beautiful and untouched while he probably sees himself as idk marked in some way so god kicked him down."
I am told that I am learning too fast to weaponise the narrative to induce angst. So then I say oh, I go too fast for you. Tears ensue.
The episode begins! Everyone shrieks about Edinburgh, David Tennant, how it is their favourite episode, and SCOTTISH CROWLEY.
We open with lesbians being gay, and then Muriel enters as Inspector Constable! They are very sweet and very determined to do their job right, and they are adopted by Crowley and Aziraphale just like Jim.
Crowley sits on Aziraphale's chair's arm. The maggots all swoon.
Fine, I also swooned.
Aziraphale gaslight-gatekeep-girlboss-mansplain-manipulate-manwhores his way into getting Crowley to give him the Bentley keys (BOUNDARIES. BOUNDARIES.).
WHAT PLENTY OF USE DO BOTH OF YOU GET OUT OF THE BOOKSHOP?
The really ineffable plan is whatever the fuck was happening in Aziraphale's brain when he somehow went from London to Edinburgh via Loch Ness (check the map) and then proceeded to disguise himself as a detective who pretends to be a journalist.
Crowley slays in sleeve garters and a cardigan keeping house in the bookshop meanwhile, does not sell books, instead cleans with Jimbriel and periodically yeets book stacks into corners when distracted.
Aziraphale reads his old diary entries about Crowley, a (6000+) 13 year old with a crush.
MINISODE MINISODE. They are in Edinburgh during the mid 1800s. Victorian outfits, check. Scottish Crowley, check. Capitalist Karen Aziraphale, che-wait what.
Huh. Well. There's a wee bit of body snatchin' going on, to sell to doctors for medical research because there aren't enough murderers, and to make enough money to survive.
Aziraphale channels his inner capitalist judgemental Karen and ruins that plan, come on Aziraphale you have religious trauma but you're better than this, and long story short, Wee Morag dies after Aziraphale realises his error, her friend Elspeth has to sell her corpse for pennies, and is about to commit suicide with laudanum. Azi, oh god. I'm glad you underwent character development at least.
NOW CROWLEY HERE SLAYS. I KNOW THIS IS AZIRAPHALE'S PERSPECTIVE AND IS BIASED. BUT WITH THIS POV, CROWLEY SLAYS.
He calmly educates Aziraphale about how his whole "the poor have more opportunities and you shouldn't give them money or they'll lose the virtue of poverty" is absolute bullshit, and he does this understanding Aziraphale's situation and not losing his temper.
The framing. The framing of the shot when they see Wee Morag and Elspeth sitting down on a step and explaining their situation. Aziraphale stands above, bustling with righteousness, and judges them. Crowley sits down. He sits down next to them, rather than taking the high ground. He meets them where they are and empathises. It is the fact that he is fallen and damned that makes him behave really divine and sorry I wrote a whole hymn on him have it I'll stop rambling just know I love him.
I think his amusement is a facade so hell won't think he's genuinely being good. I think he's morally grey and incredibly brave and kind.
When Elspeth is bouta kill herself with the laudanum, Crowley grabs it and drinks it himself, and grows tiny and then huge, absolutely high off his head. David Tennant takes the opportunity to travel Scotland from east to west in terms of accent variety.
He gives us the good message of NO DYIN'. NO MORE DYIN'. IT'S NOT ON. And then forces Aziraphale (who doesn't want to ruin her virtuous poverty) to give the girl all the guineas he has in his pocket, and tells her to go off and start a farm or something. BUT NOT JUST PRETENDY GOOD, BE PROPERLY GOOD.
He then gets pulled into hell. To be punished for this. Aziraphale is frightened and heartbroken for him, looking around desperately, and we find out that Crowley didn't meet him for a while after. And later he wanted holy water. To protect himself? He got punished by hell. For how long? The whole month in between the incident and the diary entry? There can't be anyone better at punishment and cruelty than hell.
Sorry I'm just screaming here.
Never mind fuck I started this summary really happy and bouncy and listening to a dance playlist. Dionysus by BTS and Italian pop is still playing and now I'm crying.
Is this the natural progression. Fuck I'm crying. Sorry guys something else happens with Aziraphale politely talking to a phone and Crowley smiling really beautifully while unsuccessfully trying to manipulate two lesbians into a relationship and something about a visit I don't care everyone's being morally dubious as usual and then lovely Scottish music outro I CAN'T FUCKING ELABORATE I'M SITTING HERE CRYING OVER CROWLEY.
right summary done, time to go sob, lmao i thought i wouldn't cry today over good omens HAHAHAHA still not traumatic eh HAHAHAHAHAHAHHAHAHAHAHAHAHA
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showtoonzfan · 8 months
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Now that the episode is out officially, here’s my rant review of Oops!
PROS:
- Fizz and Ozzie were adorable and I honestly love them. Despite the sex jokes, you can tell they love each other for who they are OUTSIDE of sex. While I did wish we would have seen more, (like how Ozzie took him in and fell in love) they’re still adorable to watch. They’re the better version of Stolitz, can the show be about them instead?
- Brandon’s voice acting holy shit, he really knows how to sound like he’s in tears or is broken. As much as I hate the character and feel no sympathy, he displayed genuine and broken emotion very well.
- Alex Brightman Alex Brightman
Okay that’s it. Moving on to the Cons. Bear with me, it’s a lot and I go back and forth a bit. 😭
CONS:
So for a quick short summary, this episode:
- Once again puts more focus on the filler plot rather than actually focusing on the relationships between the characters, so all we're left with is a 10 second clip of Fizz being burned while the rest of the episode is surrounded on sex jokes/petty bickering and Stolas and Ozzie sitting around.
- Completely erases what made Blitz and Fizz's dynamic interesting in the first place because it retcons it with a dumb miscommunication trope about how Fizz actually wanted to see Blitz and Blitz tried reaching out to him. Not only does this feel like a cheap attempt to make Blitz out to be sweet/sympathetic and NOT the one in the wrong so Fizz can suck up to him, but this also makes no sense within the narrative.
- Has Fizz forgive Blitz despite him being the last person anyone would think would forgive him. (So honestly ruins Fizz himself because it turned him into a soft boy who's forgiving compared to the asshole he was in Ozzie's) All because Viv would sell her whole soul before she even remotely considers painting characters like Blitz and Stolas out to be the one's in the wrong.
- Takes Stolas out of the hospital completely, erasing all the drama/tension Western Energy had and proves that that episode was utterly pointless.
- Turns Striker from an interesting complex villain to a Saturday morning cartoon goon.
- Proves to us that Crimson is just a flat tool and gives us more prove that the world building rules Viv set up in season 1 legit don't matter.
-Ruins Blitz/Barbie's feud now because now you're making Barbie look like the one in the wrong since the fire was an accident. God forbid a female characters emotions in this show are justified.
But if you want my more in depth rants, it’s under the cut! (There’s a lot so bear with me lol)
- As usual WAAY too many sex jokes and swearing. It gets annoying and repetitive at times and some of them distract from the main plot. There’s a long and I mean LONNG dragged out joke of Fizz talking about Ozzie’s dick, then later saying he’s hard when Striker has a gun to his head, as well as Blitz making a joke about him and Fizz making out once they hug. Again, Viv can’t be serious for 2 seconds without an unfunny shitty gag. I genuinely wonder if Hazbin is ganna be like this, where a character is in a life threatening situation or a deep dark serious scene happens only for the next scene to be sex related.
- This is one of those “shit happens because the plot demands it” and it shows. Crimson and Striker COINCIDENTLY meet up with each other, and Fizz and Blitz just so HAPPEN to be in the same exact area they are. Viv wonders why we call her shit a fanfic and this is what we mean, when she creates wild wacky plots and focuses more on THAT rather than the actual character writing. This entire episode hinges on a useless poorly last minute planned kidnapping plot that didn’t need to happen. Also way to once again make the characters idiots so the plot can happen, cause Fizz KNOWS Ozzie worries for him and that the Greed Ring is dangerous, yet purposefully puts the spotlight on him.
- Stolas did NOT need to be in this episode. The plot completely ignores the fact that he was in the hospital the last time we saw him, and he’s only here for Stolitz banter. You’d think that a character admitting they have feelings for someone would be a big deal but he just flat out says it and it’s so underwhelming and feels half assed with no weight to it. Fan comics have made more dedication to this than Viv has. We're supposed to believe him too despite the show failing to actually SHOW us this. Same for Blitz ranting about how “nice” Stolas has been to him, laughing at his jokes and liking his posts…hey Viv, can we actually SEE that on screen so it’s more believable? Or are you only determined to show them sexually flirting? 😑
- Once again Viv felt the need to shove a B plot into this episode and this one sucks because it’s just two characters sitting and doing fucking nothing. It felt like Viv had no idea what to do with Stolas and Ozzie, and I refuse to believe that Ozzie just sat there knowing Fizz was in danger. If anything he would have said “fuck the paperwork” and went to save Fizz himself. Way to show that gif of Ozzie getting mad as a sneak peak to get fans excited, only to see that Ozzie spends the rest of the episode sitting in a dark room LMAO what a let down.
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- Ozzie is weirdly chill and cool with Stolas and it’s something I don’t get. While he did say that Stolas had the real “spirit of Lust” in S1E7, it still gave you the impression that he was also more poking fun at Stolas rather than respecting him. The whole point of House of Asmodeous was that Ozzie outs him and publicly embarrassed him. Stolas literally was intimidated just by Asmodeous’s mere name, and hid his face around him. It seemed like Stolas certainly didn’t want someone like Ozzie to know about his private life especially since they’re both part of the Ars Goetia. Now here Ozzie is just cool with him and it feels like a missed opportunity for their dynamic.
- Stolas confessing his feelings about Blitz also makes…no sense narrative wise. I thought the whole point of The Circus and the ending to Western Energy was that he was realizing that Blitz didn’t like him that way and was finally waking up. I thought that’s why he was doing this whole crystal deal in the first place, so he can let Blitz go, yet the show keeps flip flopping and insisting that these two love each other and are good for each other. It’s really making you realize how this season and the previous stuff set up is becoming nonsense because the writers retcon EVERY damn episode. Also….why the hell is Stolas telling Ozzie his feelings for Blitz? Out of all people, why is it Ozzie, the person who outed Stolas and embarrassed him. Why is Stolas even respectful of Ozzie? He has no reason to, and he’s not under the impression that he’s dating Fizz either. I get that he needs the crystal but mentioning his love for Blitz makes no sense.
- Striker and Crimson teaming up to kidnap Blitz and Fizz was such an ass puller last minute decision. It feels overwhelming and underwhelming at the same time, more because it feels like Viv has no idea what to do with these two villain characters other than give them something evil to do to start the plot. Also…why…are they working together? It feels so random.
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- Striker’s character especially is all over the place. First he’s working for Stella, then he’s painted as the best assassin in hell, and now he’s…looking for more work I guess and working for Crimson? Why? Does this guy even have a motive anymore? It feels like his character is just dangling around until Viv wants to use him for another wattpad kidnap plot and it ESPECIALLY shows when Striker escapes for the THIRD fucking time. Can this character/storyline actually GO somewhere or are you just going to keep introducing him and have him run away. 🤦🏽‍♀️
— How did Crimson not know who Striker is despite him being labeled as “the most popular assassin in hell”, and how the hell does Crimson know Ozzie and know all the information about him being in a relationship with Fizz?? Oh right because we needed the plot to happen somehow. Still, even if Crimson did know that Ozzie was the "weakest" and loved Fizz, (which….what about Beezlebub?)) he still should have known he was playing with fire. I get that he's supposed to be evil and intimidating but how could he have predicted that Ozzie would actually stand down and fill out the paperwork? He could have immediately came there and killed Crimson for all he knew. It's just distracting how..not planned this shit was.
- Fuck this episode for calling Striker a supremacist. It makes no sense?? Viv is trying SO hard to villainize him despite him being the one in the right and it pisses me off. He has every right to be mad at the upper class, he’s part of the lower class that we’re said Hell takes advantage of, but god forbid we call out Rich and powerful Stolas because that would mean he’s a b-bad person and we can’t have that complex morality! This is so not a “eat the rich” story and it shows bc Vivzie is rich as hell. Striker as a character deserves so much better man. Congrats writers, you had an interesting character and motive set up for him, now he’s nothing but a silly goon that you might as well kill off already cause you clearly don’t care about him. Crimson meanwhile is just a piece of paper, a boring plot device I could give less of a shit about. I thought his motive was to go after Moxxie, now he’s just doing fuck whatever because this show desperately wants a bad guy for their filler fanfic plots.
- We get more world building issues, Ozzie and Fizz are so determined to hide their relationship for obvious reasons, but then at the end of the episode just say “fuck it, no one would dare tell anyway”. So now they’re being open about their relationship and lmao I told y’all the newspaper scene of Ozzie being called out for being a hypocrite wouldn’t go anywhere. Even if Ozzie did threaten his workers to not tell, they can’t be so sure that someone wouldn’t see or snitch, it’s kinda a retcon too cause they were pretty lovey dovey in Ozzie’s. Still, it makes the characters look dumb and it makes the rules Viv set up for Hell once again not mean anything.
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- We finally get to see Fizz’s backstory in action and it’s executed in the most underwhelming way possible. It’s literally a fucking 10 second clip of what went down, and rather than experiencing the event for ourselves, it’s in flashback mode but with Fizz’s voice talking over it. That’s it. I’ve seen fan comics/fanart that built this shit up better than Viv did, that actually took the slow time and dedication it needed, and here it feels like such an afterthought, like Viv could care less. Maybe if this actually was a character driven show like Viv claims, Stolas, Striker, and Crimson would be taken out of the picture and then that would leave us with PLENTY time to actually explore and develop Blitz/Fizz, bc most of this episode is just them pettily bickering and Stolas and Ozzie sitting around. But nah, we gatta have our fanfic kidnapping plot. Same goes for the reveal of Blitzo’s mom dying in the same fire. Glad to know that she got the same treatment Moxxie’s mom did, where we don’t even know her and yet we’re supposed to feel moved and care about her death. You nailed that one Viv. 👍
- I predicted that this episode would victimize Blitz and have the fire incident be an accident, (because Viv is a pussy writer and can’t make her characters actually do bad things like god forbid) but I never thought they’d actually have the balls to have Fizz forgive Blitz immediately in the same episode and pull the “actually turns out that horrible thing you did to me helped me in a way”- trope. Biggest flaw of the episode, fuck you Viv. I was actually going to applaud Blitz for taking accountability, but then the dialogue reminds you that an abuser wrote this, and he shifts his apology to “okay but I lost something too see so it’s not all about you” as if he’s fucking dismissing Fizz’s trauma and making it about himself. “I love flawed characters” my fucking ass. I would have smacked a bitch if I was Fizz because Blitzo loosing his mother in the fire too isn’t an excuse?? Fizz lost his fucking ARMS AND LEGS, and at the end of the day Blitzo STILL KNEW HE WAS HELPLESS IN THE FIRE BUT LEFT HIM BEHIND. He could have gotten help and came back, but didn’t. If this were a good show Fizz would have threw that apology back in Blitzo’s face and said “I don’t care if it was an accident or not, you still left me there and then proceeded to loathe me for years”. This is why Helluva will never be Bojack cause at least characters in that show who got treated horribly by him knew when to say “no, fuck you.”
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- The episode retcons again, this time they make it out to be that Blitz TRIED contacting Fizz the years they were apart but no one would let him see him. Then they say that Fizz actually WANTED to see Blitz but assumed he didn’t want to, so their entire feud was solely because of miscommunication?? Number one, show don’t fucking tell omg. And number two, that makes ZERO sense. Blitz talked badly about Fizz in Loo Loo Land, and when they finally reunited in Ozzie’s, it was clear they fucking loathed each other. You got the impression that Blitz was petty and jealous just because Fizz was more popular, and Fizz not only loathed him for the accident, but liked to rub in his face about how much of a big shot he was. They literally do that in this episode too, so the episode is literally contradicting itself. Blitz and Fizz had multiple chances to meet up with each other, you can’t just say “oh they couldn’t because no one would let them”- So which is it? Did they hate each other because of bad blood, petty drama, or that they thought the other didn’t want to see them? Pick ONE Viv and stick to it, but she never does. Their feud was interesting and now you ruined it just to have some sweet happy ending. “Adult mature show” my ass lol.
-Bottom line is Fizz shouldn’t have forgave Blitz so easily, or forgave him period. I find it funny how he says “it’s hard to just forgive you” and then he literally does lol. I feel so bad for Fizz fans, him and Blitz’s feud was honestly interesting, so to see all of this go down in a half-assed piss poor way as if this was Care Bears is….wow. The fan interpretations had more thought and care put into this storyline but what else is new lol.
- I’m really tired of these shitty annoying songs. If you’re going to get Broadway actors, please put effort into your songwriting and actually have them sing something good, not something that’s literally nonsense. This Fizz song sounds like it took less than a minute to write and Sam Haft was just thinking of anything he could think of at the top of his head. Also Why the fuck are Striker and Crimson just STANDING there while Fizz sings. They look like idiots, just SHOOT them omg. If this were a funny show, Fizz would have started his first note and Crimson just rolls his eyes and pulls his gun out.
- Fizz and Ozzie kill the lawyer but not…Crimson? Despite Fizz knowing what ring he’s in and even Ozzie knowing what he looks like? Same for Blitz, he doesn’t try to make sure Striker is dead. I get that the plot demands for these two to still be around, but there’s a way to keep them alive without making the main characters look like fucking idiots. Also Stolas just leaves without doing or contributing anything to the plot yay.
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- Fizz: “Let him have it, you could say he’s earned it”— Uhm….Nope. Blitz did NOT earn shit. He didn’t even earn Fizz’s forgiveness. Last time I checked, the moment Blitz cried and said it was an accident, Fizz forgave him, knowing he didn’t mean it. What effort did Blitz do to “earn” that as well as the crystal? Because he saved Fizz and didn’t leave him behind for the SECOND time near the end?? Cause if so than the bar is extremely low. That’s the bare minimum, just because Blitz cried and felt bad about it doesn’t mean he should be let off the hook Viv. I hate this so much, what a shitty conclusion, it feels forced just so Blitz can have the crystal and just so the writers can once again paint him as the one in the right. It’s almost insulting that they make it seem like Fizz was in the wrong for assuming Blitz starting the fire too, same for Barbie.
God what a shitty day it is to be a Fizz fan, I’m sorry. The episode did NOT do him justice. Fizzarolli deserved better than that half assed gaslighting apology for someone who lost their arms and legs man, and I’m tired of the show letting every character suck up to Blitz and Stolas for their horrible treatment just because they feel bad. Not only that but the episode (as most recent HB episodes) was a huge time waster. Everyone was really hoping for an in depth walkthrough of his character/backstory but again, when he’s not with Ozzie, the rest/most of his screen time is dedicated to him being helpless and pointlessly arguing with Blitz, plus a long dragged out nonsense song that didn’t need to happen. It felt like SO much time was wasted when we could have used the runtime we have to dive deeper and see more, like….again it would have been nice to see Fizz’s life AFTER the accident and how he became well known as well as how he fell in love with Ozzie, but his backstory is briefly scratched upon in a single scene and that’s it, all because Viv wanted this filler plot and wanted to dedicate more time to THAT rather than actual character expansion/development, something we could have got had you took out Stolas and Ozzie’s B plot and Striker and Crimson.
Viv is so on her way to murder/ruin every character that isn’t Blitz and Stolas and I won’t be here to watch further. I’ll check out the Mammon music video thing but that’s it man, this show is going off the rails, Adding Fizz to the character adoption list!
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noneorother · 7 months
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All the music you didn’t hear: The Good Omens soundtrack is lying to you. *Part 1*
The Bonkers Meta Series part 2: Electric Boogaloo.
I so rarely get a chance to misuse my experience in classical music, but here we are. When I realized on my most recent watch-through of the series that the David Arnold score was brilliant, but also really wonky in some parts and I couldn’t put my finger on why, @embracing-the-ineffable suggested I listen to the album soundtrack to compare.
And when I tell you what I found hidden in there, you’re going to need Eccles cakes...
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1) The Song is the Clue
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So right up top we have this banger. The 12th track on the album is the orchestral backdrop to the scene in the Job minisode where Aziraphale reveals Crowley’s crow/goats. The duration is 2:22 (the only track with multiples on the album), and if you look at the track by itself it doesn’t mean much. But the song just before it is actually from this fucking scene:
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You know, the one where there’s a song that’s a clue to a mystery. Except Clue is capitalised, and Aziraphale pronounces it. I’ve seen guesses that this is a reference to the movie Clue, but I would put a lot of money on the fact that we are supposed to read the title of the song currently playing at that moment in the show *as a Clue*, which is super convenient, because the word Clue is capitalized in the track listing. 
Seems like the overlords of Good Omens have a message for us : The song is the Clue. It’s what God wants. Cool cool cool. WHAT SONG?
2) Symmetry in all things 
Before I straight up tell you, we have to go back and look at season 1.
Now I’m far from the first to notice tons of parallels between the story, details and even lines in both seasons. It got me thinking that maybe there are some fun synch-up parallels between the two season’s soundtracks, seeing as they are both 6 episodes long. Here’s the end of S1 and then S2
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Oh that’s a bummer, I thought to myself. 
They don’t even add up to the same number, or playtime, and neither of them is exactly 60 tracks. But do you want to hear a secret? S2 is actually missing 3 tracks on the album. And because there are 2 discs in S2 (cute), the numbers of the tracks start over again from 1. Remember how much God likes sevens? Check out where all the weirdness is happening in disc 2 (I’ve added the missing track listings in red to add context):
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After checking each track with the show and listening side by side (for reasons that will become clear in another post) I can definitively say that there is something *very weird* going on at the end of episode 4. 
First is track 7, Zombie dressing room, which seems to actually reach over two distinct scenes of the photo evidence in the dressing room and then Shax in hell even though it only has one title.
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But *between* these two scenes we get an eerily silent wine date with Aziraphale & Crowley.
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There’s really no music or even sound here besides the dialogue and room tone (until after the cheers), and it seems like a very intentionally silent version of a ritz date from season 1.
My best guess is that we are supposed to divide that track into two tracks of 7, before and after the date to get a second track 7. Or maybe the silent one is missing music? The third track number 7 is the weirdest one. It’s this scene here, when Nina parks her bike, and Aziraphale parks the car at the end of S2E4.
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If you take a close listen to the music, it’s a jaunty little piece, with an oom-pah base in 3 ⁄ 4 time. The thing is, this music does not exist in any Good Omens album. Please feel free to correct me, but I’ve tried to find any part of any song that this could even be a reprise of, and I Shazammed it to be sure it wasn’t anything else. This song does not exist anywhere except in this scene. (It quickly morphs into a reprise of the original theme once Nina leaves Aziraphale). It’s an invisible song.
So we have 3 tracks at the end of S2E4: a long one, a silent one and an invisible one. Only one of which is numbered 7, but that all fit into that place in the track listing.
Which, when we add the two extras to the original total of fifty-nine we get... sixty-one! Hey wait a minute.
How are we going to get to 62?
3) The real missing track. 
So the real reason we had to go back to the S1 album was because it contains the missing track that God is talking about. Let’s compare the last tracks on each album.
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I’ve highlighted the mismatch between the in-show music and the album in S2, which means I had to add A Nightingale Sang in Berkeley Square back into the S2 album because guess what, it’s not in the S2 album. Even though it plays in the show. 
You want to know how not in the album it is? Amazon had to track it in the show as a season 1 song. They had to give Tori Amos credit for her song on Good Omens in the X-ray bonus features because that’s how not in the album this song is.
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So my fellow beings, if the song is the Clue, then It’s what God Wants.
And if God wants a happily ever after with Aziraphale and Crowley on their own side, then by Job, I think Neil is going to give it to her.
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And there's more where that came from! Part 2 coming shortly.
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fanatic-writers · 7 months
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Loki Drabble
A/n: Just a little thought I had while watching the new episode of Loki. Requests are open!
Word Count: 844
Pairing: Loki x TVA!Reader
Summary: The three times Loki sees you in the past and the one time he finally catches up to the present
Warnings: Unedited, Season 2 spoilers ish
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You were at your desk in the TVA when you heard the commotion of your coworkers gawking at someone in front of you. “Y/n,” a strange man gasped as his hands came to cup your cheeks “gods darling you have to help me.” Your brow furrowed in confusion as you moved out of the man’s grasp. “You have five seconds to explain why you’re grabbing my face and calling me darling before I prune you.” You huffed in response, hand already searching for your weapon. “Darling, it’s me. It’s Loki.” He raised his hands in surrender as you shoved your time stick in his face. “Loki!? You mean the variant I’m supposed to be hunting down Loki?” You raise a brow, charging up the weapon and preparing to use it. Loki looked hurt, defeated even, as he seemed to melt into despair “You-you don’t remember me?” He frowned “I remember it's my job to get you off the timeline so the world doesn’t end.” You spoke as you lunged towards him. Loki was quicker though, sprinting through the hallways as you called for backup. You turned around a corner after him and heard a sort of yelp before you watched him seemingly get ripped from the universe. “What the hell was that?” You frowned as you looked to the men around you who just shrugged in response.
He had been moving through the TVA for a while now, through time more than space it seemed. He felt his body being ripped apart and pulled back together, he kept his eyes closed for a moment before he registered a scream that sounded oh so familiar. “Y/n?” He started hands already up as he approached you apprehensively. He’d had his fair share of run-ins with the past yous now and he just wanted you to recognize him. Maybe this was the actual war that He Who Remained had promised him. A war inside himself every time he saw you and you didn’t recognize him one bit. Didn’t remember the fight you’d put up for Mobius to keep him around, didn’t remember the adventures you’d been on with him. “Please don’t hurt me.” You mumbled and it was then that Loki realized that this you was different from the others. You were younger, the emotions you usually kept steeled away were present on your face, the main one being fear. He took a cautious step toward you “I could never hurt you.” He mumbled, looking into your confused eyes. He opened his mouth to speak again but before he could he was being ripped away once more, his hand reaching out to you as if you could save him.
“Where the hell do you think you’ve been?” Your voice echoed down the hallway as you marched up to Loki, looking decidedly pissed. “Darling-“ He started but you stopped him before he could get to far. “I stuck my neck out for you and then you escape?” You huffed, arms crossed over your chest. “I should’ve just let Mobius kill you after your little movie but no, I felt bad, and this is what it gets me.” You paused for a moment in your rant “And stop calling me darling, it isn’t going to win you any brownie points.” It must’ve been his first day he realized a little too late as you began to slip cuffs over his wrists and drag him back to the room he was held in. “You’ve got the wrong guy.” He tried to explain but even he didn’t know if he would be able to talk his way out of this one. “Oh, so there’s some other you running around wearing the exact same clothes doing the exact same thing as you?” You raised a brow as you shoved him into the room. “Honestly, for the god of lies, I thought you’d be better at the whole talking your way out of things. I mean seriously ‘you’ve got the wrong guy,’ I’m not a child Loki.” You mocked his voice as best you could and he couldn’t help the small smirk that came to his lips, remembering the other times you’d done it in far less serious matters. “Stop looking at me like that.” “Like wha-“ “Loki?! LOKI! What the hell!?” You looked down at the cuffs that had fallen to the floor and sent a message to Mobius that Loki was still at large.
You were walking out of the war room the next time he spotted you “Y/n, I don’t have time to explain but you know me and I need your help.” “I know I know you?” You looked at him confused “I’m more concerned about the whole appearing in front of me as a stringy flesh monster.” Loki breathed a sigh of relief and wrapped his arms around you “I love you darling, please don’t forget me again.” He paused for a moment pulling away to look at you “Stringy flesh monster?” “I’d say that’s a good way of putting it.” Mobius piped up from behind you.
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meatballlady · 8 months
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It's time for the fandom to start Looking Where the Furniture Isn't
For a bit of background, one of my irl professional responsibilities is to identify and avoid making undue assumptions. There are a LOT of things that we humans assume. We assume that terminology means the same to other people as it does to us. We assume everyone has the same context of a situation we do. We assume that we aren't missing any information.
We operate on the information we have.
There was an ask before season 2 aired asking whether many of the plot points had been revealed by the clips (which almost all took place during the first half of the first episode). Neil's response was something like "oh you sweet summer children you know nothing yet." And boy was he right.
Neil Gaiman is a master of controlling assumptions. Just look at his Tumblr askbox replies.
Here's a few s2 examples of assumptions we all made (as I'm starting a rewatch):
Why did Crowley do the (very fun and distracting) apology dance? You might say it was because he walked out on Jim, but he never specified, did he? And Aziraphale was surprised that he proposed they would hide him "together"
How did Shax get a rumor about something going down in the Up (presumably) before Gabriel even went downstairs?
Did Jim need to bring Aziraphale something other than the box? He never actually specifies; Aziraphale just assumes it's the box.
Why did Aziraphale assume Maggie could feel [Michael, Uriel, Saraquael] arriving?
Why does Aziraphale say Heaven would notice even a small miracle? Crowley is seen doing a miracle before their large miracle (traffic light), and later Aziraphale makes the guy leave the table at the pub
To go deeper:
Are we assuming that characters are telling the truth? Example: "Miracles don't work like that," "[Extreme sanctions] was just something we said to frighten the cherubs" etc.
Are we assuming that nothing of note happened between apocalypse v1 and s2? (ex. the claims that Crowley didn't tell Aziraphale about the trial in heaven despite him referencing it in s2s1) What if we the audience are just jumping in near the end of this story?
Are these assumptions correct? Or are we just working with the information that we have?
Now that I'm looking for it, there's also SO many corrections of assumptions (usually for the sake of a joke, but still) (these are just the ones that happen while I type them out while watching e2):
"Can I be a blue one?" "You haven't annoyed me yet" "But can I be?"
"You recognized [Michael, Uriel, Saraquael] those people who were in the shop just now?" "Of course, they were in the shop, just now!"
"oh my god!" "blasphemy, angel, that's not like you", "no, oh, my god"
Many of the themes were about hiding things in plain sight: the kids (and kids), Jim, "aim for my mouth but shoot past my ear." Clue (1985) was heavily referenced in the lead-up. The whole point of that film was looking at what was going on elsewhere. Looking where the furniture isn't, you might say.
The more I watch s2, the less certain I am that any of it makes sense on its own.
I'm currently combing through it to see if there are any discrepancies with where people are (easiest example is when Crowley just disappears from the bookshop while they're reviewing the Job story). It'll be a lot of data and might not lead anywhere, but I'll definitely share once I finish looking into it.
I will also honestly admit that these things are all circumstantial, and I could be going insane. But they just keep cropping up all over the place. I've got a lot of time before S3 comes up and I intend to investigate the furniture. And try to not make assumptions.
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antiphilosophia · 9 months
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Crowley's pre-fall name is BARAQIEL (THEORY)
THIS POST MAY CONTAIN SPOILERS OR RATHER CLUES FOR GOOD OMENS SEASON 2 CONTENTS, PROCEED WITH CAUTION 🤍
Very well. Who doesn't love the Crowley is the Archangel Raphael theory (I am certainly of those people who do). During my first watch of Good Omens S2 I was even somehow almost confident that that was the case.
However, my second, more careful, viewing of this lovely (but equally heartbreaking) season made me change my mind, likely for good. In episode 4, Furfur's book "Demon's Guide To Angelic Beings Who Walk The Earth" shows us a name of a certain angel Baraqiel. (see photo below) Knowing Good Omens that can hardly be a coincidence.
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Unfortunately, the very text is quite unreadable. One thing, other than the name, which is pretty clear is the subheading "Angel of the Sky" and since the episode 1 lets us take a look at how Crowley did indeed take part in creation of what is to be seen in the night sky, one can hardly find that entirely non-fitting. One other sentence I was (at least I think) able to read is "Often draped in red."
(On a different note but certainly worth noticing are scribbles that generally just roast Crowley – his suspiciousness, hair and name (though I am not absolutely sure of the latter) "His hair is bad!" Wow, Furfur really does hate Crowley.)
Then there is something written above the name of Baraqiel, unfortunately in none of the picture frames does it get a bit readable. I wonder though, couldn't it be "former"? Since it comes precisely after mention of Crowley to whom should one report on Aziraphale.
Crowley is very powerful. Dominion
A word that is not exactly readable but can be deduced from its placement (it is situated just as Aziraphale's "Principality") is Baraqiel's rank – Dominion Angel. It should be noted here that I very much lack proper knowledge of either Jewish or Christian mythology and I would hate to provide any incorrect claims. I therefore think it is better for me not to overly state things, even more so since everyone can look into it on their own and figure out what that might mean for our beloved demon. What I will say, however, is that they are (as I understand it) very powerful and, placed within the 2nd triad in the angel hierarchy, ranked higher than the Archangels. This would go well along with the emphasis that was in my opinion laid on Crowley's powers quite a lot this season.
For example: "A miracle of enormous power happened last night. The kind of miracle only the mightiest of archangels could've performed," said Shax to Crowley, to which he replied: "How'd you know I didn't do it?" He didn't get an answer.
What I think (and I may be very wrong, obviously) is that a miracle of this vastness wouldn't have happened simply because of a regular angel and a regular demon did together half a miracle each. What is also worth noticing is that the tool with which Crowley created the Nebula is the same as the one he used to temporarily stop time at the end of season 1 right before Satan's arrival. So much to the size of his powers.
Baraqiel, lightning of God. Fallen angel
Finally, to Baraqiel himself. My lack of knowledge concerning this matter still stands and frankly I don't even know where to find valid information about angels and such on the internet. Baraqiel should, however, stand for "lightning of God" and is also regarded as the angel of lightning. In season 2 there are (as far as I remember) two occasions where Crowley is put in correlation with lightning. (1) His poor anger management issues in episode 1 and (2) his not at all better matchmaking in episode 3 ("I haven't done weather in ages"). Furthermore, Baraqiel is considered to be the one who taught astrology to people. Nevertheless, what points to Crowley and Baraqiel being one even more is that Baraqiel is indeed a fallen angel.
So... That is probably it. I usually tent to theorize about stuff in quiet, in fact, this is the first time I've used Tumblr for anything other than reading Neil Gaiman's posts. I didn't even think that I would actually post it but then I've searched on Twitter, TikTok and here on Tumblr if anyone else has already come up with this theory. The only post I could find (hopefully I haven't missed anything) was by @valaza_04 on Twitter (click here) where they refer to the same frame shot as I do here.
Now I know, we are still recovering from heartbreaking (but if you ask me, absolutely amazing) finale and the main thing currently on our minds is figuring out why would Aziraphale choose as he did and the many wonderful theories that come with it. However, considering the utterly virulent look that Metatron shot at Crowley before walking out of the bookshop with Aziraphale and also his "Well, [Crowley] always did want to go his own way. Always asking damn fool questions, too." makes me think that he absolutely does not care for Crowley and whichever angel he was before the Fall. And I reckon it won't remain unnoticed in season 3 and might even be really important (or that is just me wishing for more pre-fall Crowley scenes). Hence I decided that I will post this. And it doesn't matter if no one will see this in the end, it was quite fun to write. However, if there is someone who will read this all the way through, I hope they will accept my apology for the mistakes I have most possibly made (English is not my first language) and also for the ridiculous length this post has come to gather. It turns out, I am just as chatty of a writer as I am speaker.
Well maybe I will come around to write one more post about this theory, only with a proper research this time. Till then thank you and, please, support this season by streaming as much as you can so we can have season 3 of this masterpiece of a show. And be kind to those bringing it to us in your comments regarding the ending, even though it is very frustrating and heart-shattering, it is also maybe the best ending we could have hoped for with the prospects of season 3.
Thank you for letting me talk my heart out, Tumblr.
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millytherat · 3 months
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Reading through @badaziraphaletakes inspired me to make a post about reasons:
Why people tend to choose Crowley of Aziraphale, and, consequently, think Aziraphale is bad
This might be a long post, i'll cover some topics and i might get all over the place at some point! But please be patient! Can i get into it?
Inversion of values
When first watching Good Omens, you might expect a strong inversion of values, that Heaven is bad and Hell is good, angels are the oppresors and demons the victims
It is mostly religiously (religious trauma) motivated, aka "christianity is a fucking bullshit" motivated, to expect seeing the ones who calls themselfs good (Heaven, who we interpret as Christian religious figures) be actually bad (wich, in real life, they tend to be) and, the ones they cast out as evil and sinful (Hell, wich we interpret in this case as anyone the church calls sinful, like the queer comunity) to be good and innocent and just different, it makes us feel emphatic for them, even seeing that they are, indeed, bad
I believe some people just dont want to accept it, they want to believe the angels are inherently bad and the demons just questioned their bad ways
But they arent, if anything ALL angels and demons are naturally good and innocent, "oh but Gabriel!" He was naturally good, we saw it, the same with Michael and Uriel too, they're all just tainted by the strong grip Heaven demands for them to have; in episode 1 season 2, we see both Crowley (as starmaker) and Aziraphale being totally innocent and adorable, they're good by nature, no one in the story is actually evil
When this inversion of values we wish for isnt fulfilled, it might cause an annoyance, i know a lot of people who dont accept it, and just make it up because... well is expected!
Queerness
This was originally taken from a post of "Bad Aziraphale Takes"
Crowley is "more queer" than Aziraphale, at least thats how people see it as, in fics too, how many times Crowley gender is explored, with pronouns and labels and identities? While the more i saw for Aziraphale was a vulva or they/them pronouns, and never in a human au! Aziraphale is depicted and seem as a cisgender male
I have seem even people saying Aziraphale have internalized homophobia! I- how??
Found them! @theelastword made an ask on the "bad Aziraphale takes" blog that inspired this bit <3 thank you love
Need for a villain and favorites
As we saw, people that hate Aziraphale choose to see Heaven as evil, as the villain, and that is also followed by many people who dont hate Aziraphale! Well, might i say that... we dont have a real villain in Good Omens? The angels arent evil for wishing to follow what they believe to be God's plan, nor for deminishing humanity- but i'm getting ahead of myself here!
The need to see Heaven as inhetently bad, the big bad villain, makes people see Aziraphale, going back there "freely", hurting Crowley's feelings, saying Hell/demons are the bad guys (wich they ARE?? There is not an inversion of values!) As him being evil, as him going to the side of the villain instesd of choosing Crowley, going back to CROWLEY'S abusers, not his, not theirs, Crowley
I do believe humans have a natural need to have favorites, when you're a kid is always "wich caracther of this cartoon am i?" and later is always "wich do i relate to more? Wich do i like more?", and people choose Crowley for all those reasons above and probally some personal ones too
So! As a small conclusion:
People choose to prefer Crowley, they choose to see Crowley as better because he's a "good demon", he's the victim that fell from Heaven and hates Hell, he's the queer caracther, he's kind and genuine and helps Aziraphale and have a car he loves
Because of the idea that Aziraphale is: A) opposite to Crowley; B) an Angel! (The abusers! The bad guys! The evil!); C) a BAD angel for that matter, he's selfish and mundane and comes across as rude to Crowley (because he acts so fucking autistic too!); people tend to DISLIKE Aziraphale, small simple minded people, but people nonetheless
I know the whole post is a bit over the place, it might sound confusing here and there, but i really wanted to put all this together to try and understand why people hate Aziraphale
I though maybe this can give a small input on why people think like that, it sures helps me to understand how they think that and what they mean by their terrible takes! I guess is mostly them being naive
Oh! You know how in the 2000's the media was demonizing femininity by having blond, pink, feminine villains in their high school romances? How we, to this day, tend to see feminine girls as fake, vulgar, naive, etc? How most teen girls go through a "not like other girls phase" because of that?
Same principle! Is the same reason for why they see Heaven and Aziraphale as evil
I hope someone can appreciate this lil silly thoughs put together <3
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rhysdarbinizedarby · 5 months
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‘Our Flag Means Death’ Star Rhys Darby on Stede’s Transformations & Hopes for Season 3
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[Warning: The below contains MAJOR spoilers for Our Flag Means Death Season 2 Episode 8 “Mermen.”]
Our Flag Means Death saw Gentleman pirate Stede Bonnet (Rhys Darby) transform from a fish-out-of-water swashbuckler into the romantic hero he was always destined to be in the latest season of Max‘s original comedy.
After realizing the error of his ways at the end of Season 1, Stede sought redemption in the eyes of the infamous Blackbeard, a.k.a. Ed (Taika Waititi), after recognizing he was in love with the pirate. While the path wasn’t a direct one, they eventually found their way back to one another with the help of a fantastical mermaid sequence, some much-needed apologies, and ultimately a better string of communication.
Reflecting on his journey, star Rhys Darby is opening up about Stede’s various transformations in Season 2, including the excitement surrounding that mermaid tail, as well as about where he thinks the pirate lovebirds might end up next should the series return for Season 3.
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Congrats on Season 2! Now that we can finally talk about it, what has it been like getting to see fan reactions, especially during the SAG-AFTRA strike?
Rhys Darby: Yeah, it was like a pressure cooker that needed to burst, for us and for the fans. When it finally came out, the burst happened and there was so much love for us, [but we] couldn’t talk about it. We were still stuck in this bottle and the cork wouldn’t come off, and that was difficult, but it was really lovely to see all the love and the surprise from everyone. Obviously, as you know, the fan artwork, it’s what we would say in New Zealand is pretty full on. So yeah, it was super cool.
And not that anyone gives out numbers, but I think I heard on the ethos that people [are] watching it, and it’s rating really high and at a time when we need this kind of beautiful love fest of comedy with a whole bunch of silliness to take us away from the disasters that are happening in the world. It’s been lovely. I just wish it was longer. I know people watch and rewatch and they’re so fanatical, but it’s just a comedy show, so to have any effect means so much to us.
In Season 2, Stede’s gone through a few transformations, one of which is that he’s a real pirate now, at least comparatively to Season 1. What helped you get into that new version of him? Was it the writing, costumes, or a combination of the two?
Yeah, the costumes are the first thing that comes to mind because once he starts wearing different gear, he looks at himself and goes, “Oh my God, I’m a different man.” And he really is turning from a man who is wearing these beautiful gowns with high heels and things inappropriate for a pirate ship to becoming an Errol Flynn-type hero straight away. That’s what they wanted to do with the character. So he’s lost a lot of that beautiful pageantry and is becoming a more practical guy who has to survive. He returns to this nightmare of a world because he wants to fight for love, and for want of a better term, “man up,” whatever the modern-day version of that is, “person up?” To become the guy that he dreamt of being in the first season.
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He didn’t dream that he was going to fall in love with someone. He dreamt he was going to be this amazing pirate and that just was not going to happen. But then when he found this love, I think he went away from that [dream] going, “I don’t deserve this.” And then when he realized upon returning home that he does deserve it, he had to fight for it. And so the only way to fight for it was to drop the battle armor of the gowns and actually become the pirate he imagined being. So it was great to become that and to fight for that love and to thank god that [Blackbeard] didn’t die. He would’ve actually lost it, I think, because it would’ve been like, “Well, what am I fighting for now?”
I think it was just so fun to see that character change, but also within that change, see a bit of the old self come through, especially when he found that cursed red suit. And all of a sudden it was like, “Oh my God, the old me again, look how good I look!” So it was lovely that they had those elements… I was missing a little bit of the old Stede myself. So it was great to find that again. And then again near the end with the British invasion scenario where I got to do the big coat and everything, which of course looked awesome. You can see that moment where I put it on and did that slow turnaround. It was way more filmic shots of me wearing that kind of stuff. And I think that gave Stede's strength as well. So much of Stede's embodiment comes from the things he’s wearing.
Speaking of costumes, the big one of the season had to be Stede’s mermaid look. How did you wrap your head around getting ready for such a fantastical, and ultimately, beautiful scene?
That was the highlight of the whole season for me. As a kid, I used to swim around like a little merkid. I would put my legs together and I’d swim under the water. I’ve always been into mermaids and things because I’m into cryptozoology. So when I got to be a mermaid or a merman, I really took to it. It was pretty easy, to be honest with you. I didn’t have any training to swim like that. So the only training I did was some breath work beforehand to help me hold my breath longer. But that was kind of almost superfluous. Once I got that [tail] on, I just became a mermaid. It’s hard for me to describe how I suddenly become these things, but I think I just got under the water. I could swim really easily with it.
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And I had weights on. So one of the things was we had to make sure I was the right weight so that I wouldn’t just float. That thing was sort of buoyant. So once we sorted that out, I could actually swim really well, and then just sort of hover underneath the water for a long time while [Taika]’s looking at me, I’m looking at him. To see it on the day, on the screen when I knew they’d got [the shot], there were just so many cheers, and I think they even played the music to see how the scene would work out. It’s one of those life moments where you go, “Oh my God, I’m becoming a cryptid again. I’m never going to forget this.”
This season really does focus even more on Stede and Blackbeard’s romance. How did you and Taika prepare for that? Especially since Stede’s more transparent about his feelings this time around.
It was good, and it was time. And because I was the new strong Stede, it felt really natural for me. I think it just worked really well with the writing because of the aggression that I was going through. When I was fighting that really bad guy [Ned Low (Bronson Pinchot) and] threw a violin at him because he ruined Calypso’s birthday, that was a good moment because it is not just about Ed, it’s about the crew, Stede’s family, and they were going through this amazing moment there, and all of a sudden this guy turns up and next thing we’re getting tortured. And I’m like, “How dare you?”
I think that progression of strength helped [Stede] break into the moment of, “I’m just going to take my lover as well now, and do something with him.” He probably had no idea what he was doing because it’s Stede, but it worked out and it was the right time in the show. Taika and I are really good mates, so it’s really easy to do emotional scenes together. As soon as we put our gear on, we’re just looking at that character, and we admire each other.
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You and Taika have been known to improv on the show. Was there any improv moment from Season 2 you were particularly proud to see onscreen?
Yeah. Well, one, I noticed that some people are talking about that they thought was scripted, which wasn’t — most of the [scenes where] I’m with Taika are improvised in those emotional close moments — is on the deck of the boat where we’d do the thumb thing. That was all improvised on the day. So that was fun that we got that kind of stuff in. And there were some more little bits and pieces, but that’s one that comes to mind. That worked really well.
By the end of Season 2, Stede and Blackbeard have settled in to open their own inn. Do you think the peace and quiet will last in a possible third season, or will they get bored and want to rejoin the excitement?
Well, obviously as it stands now, it’s very lovely and it’s a nice positive ending, which is lovely for Season 2. But in reality, if you think about the characters, even in the fictional world, they’re both outlaws, they’re pirates, and the British back then… they never gave up. They did track down all the pirates and either hang them or get rid of them. There was only a couple that got away, and it certainly wasn’t those two. So I think what they’re thinking is, yes, this is bliss, but both those characters must be thinking, this is not going to last because you’ve got to sleep with one eye open.
Even though they’re in the middle of nowhere, they’re still in an area where everyone knows what they are, so they’re going to be tracked down. So I think if it was me, [they’d] end up back in action one way or another, especially if their inn is popular, which it probably would be. Word would get around. I mean, in those days, had you heard the Blackbeard and Stede had opened up an inn, [you’d have] to check that one out. It’ll be like Planet Hollywood.
There would be a wait-list, for sure.
Yeah, absolutely. Basically, they’re too famous now that Stede’s killed Ned and everything. He’s a famous pirate. So death is going to come to their door at some point. They’ll have to deal with it.
Do you think this version of Stede and Blackbeard’s story could avoid the fate of the real-life pirates?
Yeah, no, I think you’re dreaming if you think they’re going to live happily ever after.
Our Flag Means Death, Seasons 1-2, Streaming now, Max
Source: TV Insider
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celestialcrowley · 4 months
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My mom and I were finally able to watch the final episode of Good Omens season 2.
Before we dive in, my mom is very — how do I say this — anti on certain things. My friend said it perfectly. He said she gave him the homophobic put the fear of God type vibes when he first met her.
I don’t believe anything will ever fully change her opinions or views of us. I’ve not even referred to myself as aromantic / asexual in her presence, and I doubt I ever will. I simply tell her I’m done dating. It’s clearly not in my future, and, after trying it a couple of times, it just isn’t something I’m interested in.
I hope that one day she will open her eyes and realize that it’s all fine. Whatever we are. It’s okay.
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My mom enjoyed season one. When I asked her what she thought of Aziraphale and Crowley, here’s what she said. Not her exact words but close enough to what I can remember.
“Aziraphale seems like he’s afraid of getting into trouble with Heaven, but not enough to keep him from going against God’s orders.”
Just enough of a bastard to be worth knowing.
“Crowley isn’t as evil as he paints himself to be.”
Just a little bit a good person.
The only thing, as far as I’m aware, that didn’t quite sit right with my mom is that God is a She.
Wibbly wobbly timey wimey…
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I was terrified for her to watch the second season because of Maggie and Nina and That Big Damn Kiss. She’s told me some less than desirable things previously. Here are a handful of them.
“I won’t watch shows that have gay couples in them.”
“I will watch them, but I’ll just turn my head away when they kiss.”
About my friend who is a lesbian —
“Your friend just says that, but she doesn’t actually know what she is.”
Okay, mom. You go ahead and keep telling yourself that.
I am certain, despite my fear, that I wanted her to watch Good Omens so badly because I thought maybe it would be the golden ticket. It’s uniquely different.
We have been gifted with Anthony J’I’m Not Actually Either Crowley and Mister AZ Smitten I Believe Fell, The Almighty God She, Nina I’m Not Your Type and Maggie You Have No Idea.
I was expecting my mom to frown upon Maggie and Nina’s story in season two, but she didn’t. She actually didn’t even have anything negative to say.
Y’all should have seen me when That Big Damn Kiss was coming up. I was fidgeting probably as bad as Aziraphale was when he was gathering up the courage to ask Crowley to dance with him.
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I don’t think I’ve ever fidgeted that much in my life.
And then it happened.
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That Big Damn Kiss
And she watched all of it. She didn’t look away. She didn’t make a face. She didn’t say anything negative.
I don’t necessarily think her views have changed because she laughed at something my uncle told her about a former coworker of his. This coworker used to go by Craig, but he later came out as trans and asked to be called Cindy. My uncle said, “The best we can do is Crindy.”
Most of my family are homophobic, and I don’t care for it.
I don’t know if it’s the way Neil Gaiman has written Good Omens, but I was surprised that she watched the entire show, had nothing negative to say and even added that she needs to watch all of both seasons again to better understand it.
That’s something, I suppose.
Maybe she’s coming around.
Thank you, Neil Gaiman.
You truly are a legend. 💚
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