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abigailmoment · 4 months

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In The Absence Of Stars

Tags: Tragic Kindness, Post-Solitary Confinement, Disassociation, Vampire Spawn Culture, Terrible Hurt and Strange Comfort, Starvation, Healing from Trauma, Polyamory, Community Building, Eating Disorder, Codependency, Self-Harm Through Neglect, Prevented Suicide Attempt, Familiars As Service Animals, Learning, Getting Better, Hurt and Actual Comfort

Astarion's neck prickled and his hands tightened around his mug. He knew he had limited time. And he knew he was doing this wrong. He was at a table in the back corner, and that was wrong of him. He should be at the bar. He should be on display. That's how you drew people. Pretty didn't work if it was hidden in a corner.

Pretty didn't work if it was hidden under stone.

"Are you all right?"

Someone was close. Someone had gotten close, and Astarion hadn't even noticed. Something inside of him flinched, but the impulse didn't make it to his body. There was a strange delay between mind and movement.

When he did move it was to look up and try to make sense of the shape next to him. Tall. Green. Teeth.

"You're not all right," said the half-orc.

This was inspired by this story by @ineadhyn.

I made the Samaritan a half-orc because I needed someone who would be completely unafraid to walk someone else home at night in Baldur's Gate. By the end I realized that the kind but assertive voice I had for him was based quite a bit on Finch, who belongs to @everchased and who therefore should be credited for inspiration.

It obviously isn't actually him, because that would be unbearably hideous, and also he's in the future, smiting evildoers. Possibly this is some great grand-uncle.

Astarion couldn't talk properly.

He was out, but his voice was back in the crypt. Trapped under a slab. Dusty and broken.

He ordered a drink by pointing. He had coins in his pocket. He had found them months ago. There was loose change in tombs, if you looked hard enough. For long enough. Funerary rites. Coins for the dead. Meant for a different corpse. His now.

Five copper for a year of solitude. Not…not a very good price.

It was enough to buy a very cheap drink that he didn't want. A necessary prop, he remembered.

He remembered the rote things. The need to get a drink to justify existing in this space. He remembered where this space was. The taven's name had changed, he was fairly sure, but it was much the same. Dingy, but not filthy. Populated by few groups, mostly solitary drinkers. Poorly lit.

Even the dim lantern light made his eyes hurt. Everything seemed so bright.

The light was better than darkness, anything was better than darkness, but it had been so abrupt. Nothing and nothing and nothing and then an assault of light and hideous movement. Dragged out by Godey. Washed by Aurelia. He had mauled a rat to tatters and not had time to pick the skin out of his teeth before he had to leave. He had to find someone. As he always did. As if it hadn't happened. As if the last year hadn't happened.

He wanted to scream. He wanted to fold down on the floor and cry.

He took his drink and went to find a place to sit. He held it with both hands. His grip was about as reliable as his voice. He found a table. He held his drink as if it meant something to him. He sat still.

This was…this was bearable. This moment. Sitting here. Away enough from the lanterns that they didn't blind so much. There was movement and noise, which was good because if it got too quiet he might actually scream, but it wasn't all around him, like it had been on the street. It wasn't doing anything to him.

At the moment.

Astarion's neck prickled and his hands tightened around his mug.

He knew he had limited time. And he knew he was doing this wrong. He was at a table in the back corner, and that was wrong of him. He should be at the bar. He should be on display. That's how you drew people. Pretty didn't work if it was hidden in a corner.

Pretty didn't work if it was hidden under stone.

"Are you all right?"

When he did move it was to look up and try to make sense of the shape next to him. Tall. Green. Teeth.

"You're not all right," said the half-orc.

He leaned over and Astarion didn't know what to do. Scripts were jumbling together in his head. There were all sorts of things he was supposed to do when someone leaned into his space and he wasn't doing any of them. Just sitting there. Like a mouse. Or a statue.

"I think you've had a little too much…" the half-orc was saying, because he was leaning over to look at Astarion's drink. He stopped talking briefly when he saw it was untouched.

"…something," he still maintained, with a fair amount of confidence. "Are you here with anyone?"

Astarion shook his head. Always no to that.

The half-orc looked relieved that he'd actually responded, and eyed him critically for a moment. Then he sat down in a chair across from Astarion.

"Did you drink something?" he asked Astarion. "Or eat something?"

A rat. It had been a moment of abject ecstasy and nowhere near enough. But that's not what was meant. Astarion shook his head.

"Did something happen to you?" the half-orc asked.

Astarion didn't shake his head. He didn't nod. What was he supposed to say to that?

"There's a Fist officer on the street outside," the half-orc said. "Do you need me to…?"

"No."

Then Astarion coughed, because there was still dust in his throat.

"Okay. Okay." The half-orc was holding his hands up. "Not that. That's fine."

Astarion finished coughing. He took a drink of pointless liquid. His hands were shaking. He was so useless right now. If even this was too much, he had no idea how he was going to…

"Do you live nearby?" the half-orc asked him.

That ticked a familiar note in Astarion's brain. That was part of a script, but it wasn't part of this script. Whatever this was. Astarion just stared at him.

"Look. I'm going to get you home, all right?" the half-orc said.

Something inside of Astarion froze. It couldn't be this easy. It was never this easy.

He nodded.

And it was easy.

Astarion was helped to his feet. He was steered very gently around the tables, chairs and other solitary drinkers. The door was opened for him.

They walked through the dark streets. No one bothered them, because one of them was six feet tall and had tusks. Astarion didn't even have to talk. He just pointed down the streets where they needed to go.

The half-orc kept a hand on Astarion's arm. Not possessive. Astarion knew possessive. It was like he was concerned Astarion might fall over and wanted to be in a position to do something about that if it happened. And it had been a year. A year since any kind of touch like that. And it was light enough that it didn't overwhelm, and Astarion felt like his body was somehow devouring it through the point of contact on his arm. Like the rat. Abject ecstasy and nowhere near enough.

And Astarion kept pointing down streets leading them closer and closer to his home.

It felt like there was a mortar and pestle inside of his chest. And every step he took turned the pestle and ground away at something. Something slender and enduring. Something that he hadn't realized he still had, didn't remember the name of, and that he was slowly destroying by doing this. A feeling like watching the night sky and seeing stars winking out.

They stopped at the base of the main stairs, that led up to the familiar mahogany door of the least convoluted entrance.

"You gonna be okay from here?" the half-orc asked.

He sounded a little intimidated. Because Astarion had led him to a castle.

And there was a moment, when the dying, ground down thing inside of Astarion's chest fluttered. A keening desire to do something, anything, other than what he was currently doing. But it was an impulse that didn't translate into motion. A death rattle. Because he was fresh from a lesson about sentiment. And the night sky was black, like the inside of a tomb.

"Would you mind…" Astarion started quietly, and stuttered, but managed to thread the words together in the end: "I may have trouble with the stairs."

"Sure," the half-orc said, immediately.

And he helped Astarion up the stairs and into the Szarr Palace.

This was supposed to be a short story about the POV character.

It is now an ongoing series about the half-orc. There are going to be about twenty chapters. I have all of it outlined and much of it written.

Gods preserve me. The rest of it is on AO3. -

#Astarion #bg3 #fanfic #Tragic Kindness #Post-Solitary Confinement #Disassociation #Hurt No Comfort #At Least In The First Chapter #Hurt Eventual Comfort #I just need time to write it all

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sylvies-kablooie · 3 months

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i do unironically think the best artists of our generation are posting to get 20 notes and 3 reblogs btw. that fanfic with like 45 kudos is some of the best stuff ever written. those OCs you carry around have some of the richest backstories and worldbuilding someone has ever seen. please do not think that reaching only a few people when you post means your art isn't worth celebrating.

#i often wonder about how many things would be considered classic or high art had they only received the marketing #how many short films that were made for class could have been the most powerful thing you'd ever seen? if you'd seen them?#“you know the greatest films of all time were never made” etc etc #but like. these works of art ARE being made. it's just enjoyed by a smaller audience with equal impact though #i think about this one furry i used to follow on insta who had the coolest worldbuilding ever. it's been years.#thought prompted by that sketch of nimona from ten years ago that was just for a character design #posted to the creator's tumblr and now it's nominated for best animated feature film at the oscars #and by the genuine emotional reaction a fan comic made me feel. how much work had gone into it. how beautiful it was to me.#idk what to tag this but i hope whoever needs to hear it does #writing #writer #fandom #fandom culture #artist

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biggest-gaudiest-patronuses · 5 months

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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order #at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers #90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent #like his writing should have become obscure at the same level of his contemporaries #but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate #and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something #cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare #and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity #and variance in the way that we as individuals and members of different cultures/time periods experience any work of media #and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons #and explore the stories of marginalized/underappreciated creators #instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period #anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives #so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world #(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin #oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value #and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the #important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)

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ronanlynchbf · 8 months

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tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY

#i literally JUST finished hill house a few days ago and i already want to reread. Badly. it's sooo so so soo sooooooooo good <33333!!!!!#also completely enamored by shirley jackson's writing style i NEED to read everything she has written ever like right now..#opening lines of ALL TIME btw 👆❗❗❗#r.txt #the haunting of hill house #ALSO i've seen commentary videos on the tv show they made of hill house but from what i remember of it it's SO different from the book???#i think they were all siblings in the show which is??????? like why would you change that part?? i love sibling relationships as much as the #next guy but i feel like the fact that none of them knew each other was such an essential part of the story like why would u change it....#also eleanor was like. an entirely different character who was also already dead in the show i believe??? and dr. montague doesn't exist??#hill house could've been really good as a show idk why they changed it up like that...like was the original story not interesting enough for #you or something?? WHO decided to make that change i just wanna talk 🤨

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inkskinned · 7 months

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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

#writeblr #warm up #this is longer than i wanted i really considered removing that part about myself and what i went thru #but i think it really fucking bothers me that EVERY time i talk about being an artist #ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work #part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just #like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r #ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week #this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism #imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY #''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''

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stoopidstapler · 9 months

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SO IVE BEEN GOIN INSANE SINCE THIS TRAILER DROPPED. JUST. SIMON. SIMON. SIMON.

#simon petrikov #fionna and cake #adventure time #goin insane over him #thers no words to describe how im feelin #i wish i could draw somehtin better but i am goin INSANE #FINALLY. AFTER ALL THESE YEARS. we are being FED.#ALSO?? HOW THEY SHOWED HIM EXACTLY WHEN THE LYRICS GO ''WHATS WRONG WITH ME'. LIKE HELLO???????#ive seen so many good theories PLEASE GOD WRITE FICS I AM BEGGIN I LL DRAW U FANART BLS HEL P #IDK WOT IM GONNA DO FOR A WHOLE MONTH #SOMEONE KNOCK ME OUT TIL THE 31ST. HIBERNATE ME. HELP.#also i need to put it out there the first thing i thought when i saw this trailer was simon is tryina rewrite fionna and cake #which is why their world keeps changin so much? idk idk #ive seen so many different ideas and they are all so good please help #ALSO GOD. THIS MAN IS JUST GOIN THRU IT. AND ITS ONLY BEEN A QUICK TRAILER.#im sorry for so many tags idk where to put these help #maybe i should make an actual blog for like. whatever. n reblogs. help.

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mumblesplash · 4 months

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in honor of last season’s poem being called “”end poem”” (all quotes mandatory) this season i made one out of pieces of the actual end poem

#letting me just download the minecraft font? for free? a mistake #if you or a loved one have been suffering from RED TEXT you may be entitled to compensation #my art #god at this point i really do need a writing tag don’t i #<- will continue not addressing this #secret life #goodtimeswithscar #grian #secret life spoilers #sorry tumblr user livvi3love for not making one with all the deaths again #if you (or anyone) did want to illustrate this one as well you’re more than welcome to but i am not expecting anything #i can do an explainer thing again like i did last time but that is for tomorrow #right now i am just. very tired #but for now i will confirm yes the colors Matter #i literally made this on accident against my will #i was trying to DRAW

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confessedlyfannish · 23 days

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Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

#i feel like I'm going to reread this and want to add other stuff #but I also just want to post it and get it out there #fun fact i scribbled a bunch of lines down at 2am bc i didn't want to forget them #im bad at multiple drafts #my writing #dp x dc #dp x dc au #dp x dc prompt #dp x dc crossover #danny phantom #batman #i live to make everybody dramatic #but also i subscribe to a world where clockwork doesn't know how NOT to be dramatic #lol he's a ghost from all of time he doesn't know how to speak to humans and tailor it to the century let alone the decade #and his favorite little girl who calls him clocky loves how he speaks so #he doesn't need to change for nobody #nor feels inclined to #also I feel like as god he's way more inclined to threaten to get what he wants than like...be vulnerable #jazz: let's unpack that #clockwork: we never do #jazz: are you saying that because it's true or because that's what you want to be true?#clockwork: ...#also I cannot take credit for BITCH I MIGHTWING #wish i could #that is cash money right there #shoutout to 11thsense

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frownyalfred · 11 months

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I cannot emphasize this enough: sometimes the draft sucks because you keep looking at it. It doesn’t actually suck. You just need to post it and stop beating yourself up.

#fic #fanfic #fanfiction #writing #writing things #ao3 #archive of our own #I promise bestie #it’s the same energy as #‘do my friends all hate me or do I just need to go to sleep’#seriously all the cool moments and scenes you write will never be as cool to you since you’ve read them 109 times #but the readers will be seeing them for the first time!

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laundrybiscuits · 9 months

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(ETA: now edited and up on AO3)

Look. Eddie knows he can be a little uptight about these things, but. There are rules. If you become a vampire, you don’t need to go full gothic Count Von Dickhead or whatever, but you absolutely cannot just wander around in a puffy vest and light-wash jeans.

“Why not?” says Steve. He’s leaning back in an armchair, sipping on a bloodbag like it’s a goddamn juicebox. “What, are the vampire police going to arrest me?”

He pauses. “Wait. There aren’t vampire police, are there?”

“No,” says Eddie. “Probably not. I don’t know. But there are standards which you are refusing to uphold, Steven.”

“Thought you were all about hating conformity, Edward,” Steve says. He’s got an obnoxiously cocky little smirk, the smug undead fucker.

Eddie grimaces. “Don’t call me that, asswipe. Don’t you feel, like—the call of the night? The siren song of life coursing through fragile human veins? A hunger for destruction that those paltry plastic bags of blood can never truly slake?”

“The bloodbags aren’t so bad,” says Steve, around the straw. “Better than protein shakes.”

“I actually hate you,” Eddie tells him. “Vampirism is wasted on you.”

Steve noisily slurps the last of the blood out of the bottom of the bag. “Come on, you can’t really picture me in some Dracula getup, can you?”

The problem, of course, is that Eddie really, really can. When Robin had read him in on the whole situation, obviously he’d been horrified and concerned—but also, a whole wing of his brain had immediately been cordoned off to work overtime imagining Steve in elaborate Dark Prince regalia, maybe leaning elegantly out of a castle window on the moors, gazing into the foggy dusk. Velvet might’ve been involved.

“...guess not,” says Eddie. It doesn’t sound incredibly convincing to his own ears, but Steve just shrugs and gets up to throw the bloodbag away.

“There you go, man,” he says, clapping Eddie on the shoulder as he passes. “It’s the 80s. Vampires can be whatever we wanna be.”

———

It gets way too easy to forget about Steve’s condition, until Eddie ends up having to haul him out of a bar in Indy before they get banned for life.

“Simmer down, buddy,” Eddie says, pulling him into the shadow of the van. “Let’s get those fangs packed away before any of the nice villagers wander by with torches and pitchforks.”

“I’m good,” pants Steve. “It’s all good. Don’t worry about it. It’s fine.”

Eddie lifts an unimpressed eyebrow. “Sure, that’s why your eyes are glowing red and you’re, like, fully vamped out. Which, by the way, looks extremely dumb with the whole clean-cut vibe you decided to rock tonight.”

“Fuck you, I look great,” says Steve, pushing a hand through his hair. He’s not wrong, it’s just not relevant to how he also looks extremely dumb like this, wearing a pristine henley with fangs hanging out in the parking lot for anyone to see.

“So what the hell happened in there, man? I was finally starting to get somewhere with Todd, and…” Eddie trails off in dawning realization.

“Holy shit, am I—I’m like your territory, aren’t I? Your stupid vampire brain got all screwy and decided to loop me in with Robin and the kids as part of your freaky human coven.”

“Uh,” says Steve. He looks unhappy in a shifty kind of way. “Something like that, maybe.”

“Wait, so, are Nancy and Jonathan—are you okay with them because they’re both already in the vamp pack? Is Vickie gonna have to be inaugurated before she and Robin can bone down?” Eddie perks up. “Shit, is there a ceremony? We could totally do a ceremony.” He bets he can get the kids to liberate some velour curtains from the drama club. With a few candles, they could get some serious atmosphere going.

“No, shut up, nobody’s doing a damn ceremony,” Steve groans. “Vickie’s fine.”

“Okay,” says Eddie. “So…you gonna tell me what all that was about, then? Do I have to start running guys past you first so your vamp instincts don’t wig out? Or…hm, maybe Argyle’d be down to mess around sometime.”

Steve lets out an actual snarl with weird animal echoes, then claps a hand over his mouth.

“Sorry,” he says, muffled. The shadows around them seem darker somehow.

“So I’m just not allowed to get laid ever again,” says Eddie slowly. “For vampire reasons.”

“Do whatever you want, man.” Steve’s still got his hand pressed tight over his mouth.

“And it’s…just me?” Eddie peers at the tightness around Steve’s eyes; the way he’s scowling stubbornly at his feet. “Huh. Kind of…possessive, Harrington.”

“It’s—weird,” says Steve miserably, dropping his hand at last. “I know it’s fucking weird.”

“Maybe.” Eddie shrugs, biting down on the grin he can feel tugging at his mouth. “Lucky for you, I’m into that shit.”

“What?” Steve frowns. “You’re…”

“Always wanted a vampire boyfriend,” says Eddie. “Like, are you kidding? I would’ve sold my fucking soul at 15 for something like that.”

“I’m starting to feel a little objectified here,” says Steve, but he’s smiling, and he reaches out to snag Eddie’s belt loop and tug him stumbling closer. “Just in it for the fangs, huh?”

“Well, you’re kind of a shitty vampire, actually.” Eddie drapes his arms over Steve’s shoulders. “So I guess I must just be in it for you.”

Steve hesitates, searching Eddie’s face. Stray red lights are still sparking like embers in Steve’s irises. “Okay, but—you’re in it? Right?”

“Couldn’t get rid of me if you tried, Bunnicula. I’ll send the vampire police after you, just watch me,” says Eddie, and kisses him.

#steddie #vampire steve harrington #I don't know what happened; I just sat down and wrote this even though I have a million other things to do #I was briefly possessed by the spirit of 'what if steve harrington were the least genre-appropriate vampire of all time'#and also my perpetual need to write people with terrible communication skills #I may edit this a bit more when it's not 3am but ftr I am not planning on any continuations

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hana-no-seiiki · 4 months

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YAN! BOSS : I would kill for you.

OVERWORKED! READER: With all due respect, I just need a fucking break (or paid vacation).

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mobius-m-mobius · 6 months

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#just a wizard gentleman and his butler 🪄🎩

#mobius #loki #lokius #victor timely #loki spoilers #mcuedit #lokiedit #marveledit #owen wilson #tom hiddleston #wasn't gonna make this set until later in the week and we all know mobius is calling the shots BUT #even though it's not the same thing i can't get a slow burn valet au out of my mind and it's driving me insane please someone write this 😭#the way mobius is constantly supporting and hyping everything about loki they were taught to push aside... never getting over it...#and just because it needs to be said i've been crying over owen in that victorian fit for days now god is he beautiful 😭😭#loki s2 spoilers #marvel #owenwilsonedit #dianagifs #flashing cw

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demigods-posts · 8 months

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canonically, percy isn't aware of the crushes people have on him until it's too obvious to deny — like when annabeth kissed him, or when nico straight up told him. and since percy isn't aware of rachel's crush on him until the beginning of tlo, that means there was a point in time when rachel was actively trying to get with him and he had no idea. and it's not even his fault lol. he just only saw her as his good friend and just thought her advances were her being friendly. i just have to see this in action.

#percy jackon and the olympians #pjo #pjo text post #pjo headcanon #percy jackson #rachel elizabeth dare #just imagine rachel taking percy to an expensive event and holding his hand #and percy's all:#'oh my friend is probably anxious of big crowds. let me hold her hand because friends help each other in their time of need🥰'#or rachel taking any chance she gets to grab his bicep or touch his shoulder #and he's all:#'rachel is a very affectionate person. it's cool tho. so am i when i'm around people i care about. rachel is such a cool friend🥰'#i desperately need someone to write a fic or sum lol

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meirimerens · 2 months

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what if there was the hb pencil brush burakhovskiss on my screen

#burakhovsky #burakovsky #artemy burakh #daniil dankovsky #pathologic #pathologic 2 #still writing. so that's all you get;#and now i need you to close your eyes and pretend you didn't see it when it appears elsewhere in 2 weeks time.#is this sugg? i don't think it's sugg. it is strategically cropped. but not sugg in itself.#they're just bunking down for the night. mimimimi

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dreamofbecoming · 1 year

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listen i know we all love steve “completely ignorant of queer culture to the point that bisexuality is a surprise” harrington being roasted and educated in turns by robin and eddie, yadda yadda, good stuff. i read “they made a horror version of rocky?” in a fic recently and cackled. also a big fan of “he knew he was bi from the start and just never talked about it” as a trope, love it excellent well done

but what about steve who realizes after starcourt that the most important person in his life now has this thing that’s a major part of her life that he knows nothing about, and what if he fucks it up? what if he says something ignorant or rude by accident, and hurts her? what if he loses her because he didn’t know the right thing to say? what if he can’t keep her safe because he doesn’t know what to look out for? absolutely fucking not, this steve says

and listen she’d never say anything, because she can tell that he can tell how much she likes teasing him and teaching him things, so he plays dumb, and she thinks it’s very sweet. but she notices when the zines she keeps under her bed that she buys at that one secret bookshop in indy when she can sneak away on family trips start going missing, always one at a time, and replaced in a few days with another disappearing. and she finds the new ones he must have gone to buy the weekend she was at her aunt’s house hidden in the back of his closet when she goes to steal one of his sweaters. and she notices when he slips more of her queerer movie recommendations into his personal take home pile rather than the movie night stack when he thinks she’s not looking.

she doesn’t notice when he drives to indianapolis after she tries to explain to him why she can’t just ask out a cute girl, tries to impress on him the fear attached to every moment of attraction that he simply has never had to feel, but later she finds a crumpled receipt from a diner in one of his jacket pockets when she’s looking for his keys, and the address is across the street from the bar the gorgeous woman at the bookstore told her about, the one she memorized the address of but hasn’t worked up the guts to think about visiting, and she knows he must have gone looking for a place like that, must have been trying to understand, must have been scoping it out to make sure it was somewhere she could feel safe, after she told him she never had.

so when eddie nearly pops a blood vessel when they clock each other and she mentions that steve is the only person she’s ever come out to before, her hackles come up. because she gets it, she does, he’s only known king steve until recently, so it makes sense that he would be afraid, be concerned for her safety.

but steve is her person, and no one- no one- has ever made her feel as protected or as cared for as he does. no one has ever tried as hard to understand her, no one has ever put so much work into making her feel safe and seen and loved. and she thinks maybe even if no one else ever does, that’s ok. because she has steve, and more importantly steve has her, and that means no one gets to question his ally credentials in her presence without a dressing down to remember, no matter how well they mean or how recently they helped save the world.

(and maybe she’s not as surprised as she could be when he figures out bisexuality all on his own, because she’s been reading all the same pamphlets he has, after all. and she’s seen the way he looks at eddie, i mean come on. maybe no one else has noticed, but then, nobody knows steve harrington like she does.)

#stranger things #steve harrington #robin buckley #platonic stobin #steddie #(if you squint)#this got away from me #i just really love love giving steve a bit more credit yk?#like yes he’s very stupid and he has a history of being self absorbed #and we love that about him #he’s very flawed and that makes him interesting #but i really feel like one of his defining traits is his need to be useful to the people he loves #combine that with his abandonment issues and i really feel like he would be scared of fucking up and losing robin #and yeah he would play dumb like he does with dustin and d&d #but i don’t believe he knows nothing about d&d after all this time and i don’t believe he would let himself know nothing about queer culture #i’m just so so attached to the idea of steve who knows that teasing him for being dumb is his friends’ love language with him #so he pretends to be dumber than he is so they have chances to explain things to him #also stobin sharing clothes is so so so important to me just putting that out there #anyway i just think they’re neat #my writing

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