so howd you like it what are your thoughts
Anon, I hope you don't mind it but I'm going to use this ask as an excuse to do my Full On Rambling post about my honest thoughts. I'll try to keep is as coherent as possible, but I can't actually guarantee it :')
Also putting it under a cut because some of it is going to sound negative (as I said, I want to exorcise any critiques I have so I can go back to Vibing asap) and I know many people (undestandibly!!) won't want to read that, and I don't want to burst anyone's happy bubble :) . And also because of s3 spoilers. Bear in mind that it's not a rant post, I still had tons of fun with the season. But since I'm going to be talking about the things I enjoyed forevermore and gonna try to keep all my 'didn't really like this :/'s contained in this post, it may come out sounding like I enjoyed it less than I truly did. Here we go, get ready for some Thoughts
-> Content
Okay, listen. This season was fun. I had a nice time watching the newest shenanigans. New characters (with one notable exception) were a joy to watch (yes, even the thing. We're in a toxic situationship) and I was greatly amused by their adventures; most of them kept me on the edge of my seat.
(ok, here's where the negativity begins. Please don't take me for someone who wanted everything to be done for Their Specific Standards or who thinks they know more than the professional and extremely skilled team that was behind the series. I'm just throwing around thoughts about how I feel, but in the end, the only thing that matters is that Luke Pearson and the team got to tell the story they wanted to. If that was achieved, I'm happy regardless)
However, I couldn't help but think that some of it felt... like it was "thrown" at us, in a way? To be fair, I think most of the negative points I'll discuss in this post are a consequence of this season being 6 epsidoes short of what the writers originally planned because, as I've mentioned before, I do think the show's writing is great and that the team puts their heart and soul into making this the best cartoon possible. Anyway, what I mean is that at times I thought the episodes seemed so worried with delivering all the information they could that a lot was left behind and some stuff didn't really tie together with the rest.
For example; I still cannot understand why aunt Astrid and Anders had to be these big surprises that had never been mentioned before if Hilda, the character who we see this world through, already knew about them? Don't misunderstand me, I am well aware that these nitpicks of mine are subjective and only my personal opinions that may very well simply be a consequence of not understanding what the writers were trying to achieve. I just feel like Johanna's family and Hilda's father are topics that have been discussed so at lenght in the fandom, precisely because they'd been so carefully skirted around in the previous seasons, that the reveal that nothing really dramatic had happened (between Johanna/Astrid and Johanna/Anders, at least) feels anticlimatic to me. It just feels (again, to me, personal opinion) that if this was going to be the case all along they could have mentioned these characters before, and it would have made the narrative make a little more sense.
(This is especially true to me in Anders' case. Bc it felt to me like they had been trying to highlight how irrelevant Hilda's dad was to the story in the first seasons by not bringing him up at all, by not even pointing out his abscence. But I can't really see the point in that if you're gonna bring out the man either way)
Ironically, at the same time I felt like some of the arcs were a tad overachieving, especially the Johanna's parents one. I just felt like it was Too Much Too Quickly, which once again is likely because of the season having been shortened. I feel like if they really wanted to do that arc, and that way, it would have been helpful to cut some other storylines so they could begin fleshing out this one earlier. They way it was done I just personally (can you tell I'm terrified of being taken as a hater?) felt like there was no time at all to get either used to the idea of Johanna being half faerie nor to get attatched to her parents. Like. I know the episode was the season's emotional peak, but it just didn't hit me the way I know it should.
Not sure if this was a me problem, but I felt like the audience wasn't given enough time to process what had even happened when they got stuck in the fairie island, nor to even consider that they'd truly be stuck there forever, much less to fully process the sacrifice Johanna was making when she left it with Hilda. I didn't get to get attached to Johanna's parents or to the dynamic they have with their daughter. I didn't suffer the way I wanted to when I saw them having to part ways, because I couldn't become invested in their bond when I was still trying to wrap my head around what their backstory even was and pay attention to the action heavy scenes that were to come.
What I'm gonna say here is way meaner than the people behind the show's writing deserve and I know, I can absolutely tell it isn't the case because you can see some of the foreshadowing once you have the benefit of hindsight, but it felt to me like some of Johanna's backstory was written for shock value alone. Which, considering the previous components of the season that I have already mentioned felt underwhelming, was even more jarring.
Another thing is that I feel like a lot was sacrificed in order to do these overachieving arcs. This maaay just be the side character lover and change hater in me, but I do feel like in order to present to us all these new concepts that would be necessary for the backstory to make sense, we were deprived of some elements in Hilda The Series that are arguably what the show does best. It felt like they all but scratched all of their previous stories, characters and components to switch them up for new ones. Pikablob has said it better than me, tbh.
However. I do feel like saying that none of the fears I had for the season came true. No character feels ooc, no one was left with an incomplete arc, and though I can't see how Anders contributes to the story, if he had to be there I feel like the way that was it done was the right one.
-> Pacing
Frenetic. Run for the hills kind of thing sometimes. Which, once again, I can't bring myself to believe was the writers' fault, not when they had other 6 episodes planned that they didn't get to do. I absolutely understand that they had to condense everything they wanted to show us into half the runtime. But it did become an issue (to me) when instead of the trademark Hilda Idyllic Tranquility I usually feel while watching (even plot and action heavy content like TMK), I felt like I was watching a completely different cartoon. Carmen Sandiego, or something like that (please note that I do also love Carmen Sandiego). Many times it just felt like there was no breathing space, which isn't necessarily bad when done well, but I hadn't gone into the season prepared for that.
It wasn't a problem that was all around present, though. I do want to point out that imo "The Giant Slayer", "The Laughing Merman", "Strange Frequencies" and even "The Forgotten Lake" still felt like Hilda to me. Which is where I realize what the main issue I had with the season was. That a lot of it just felt like a different show.
-> ~ vibes ~
I am bringing back the disclaimer that if the team told the story they wanted to, then good for them, I'm pleased as can be. I do enjoy that the series played with some different concepts. The musicality and colours in The Laughing Merman, for example, were absolutely delightful to me. Seriously, I want an entire Hilda musical now.
But some things I just couldn't help but feel were so disconnected from the previous feel of the show that it felt to me like they didn't belong. You can sum the rest of this post up by saying that season 3 would have been one of my favourite ever cartoons if it had been its own thing. But it's not, so I can't help but compare it and try to understand how all of the installments work when together.
The faeries, for example. I was so excited when I saw the trailer and knew it was going to be one of the plots, because I thought it was going to be another adventure of the day type of thing that would span over three episodes max. And listen, I've talked about how much I love Celtic folklore, and maybe this is just my consistency loving brain being annoying, but it felt a bit... clashing? that this season was based on tales and creatures and treaditions that weren't the scandinavian ones that inspired the rest of the series. It just felt like a major shift in tone that I don't really understand (once again, me problem, may very well be a skill issue on my part & I'm not saying they shouldn't have ventured so far just bc I didn't quite vibe with it). It just feels a bit off to me, knowing that Johanna's backstory was likely planned from the start, that there wasn't any celtic lore at all in previous seasons to make this sudden detachment from nordic folklore feel less out of the blue.
You know that joke that Disney movies like Aladdin and Raya take concepts from different cultures and smash them together like they're not completely different? I felt to some extent (bc OF COURSE Hilda is much better researched and has a lot better quality than that /gen) like they did that this season. But with white people. Which, fair, I can appreciate the irony.
Back to the topic of bold storylines, I understand what the Hilda team did with all the Johanna backstory. I understand that it's something that everyone wanted to see soo bad and they wanted it to be great (and it was). The thing I got stuck on is just that it ended up changing the vibe of the show to me. Whereas previous seasons feel like "slice of life in a magical place", I felt like this time I was watching a magic centered fantasy. Especially when they got into trying to explain the origin of magic and everything. Which is ironic, because I enjoyed the concept a lot and will explore it in the future, but it still felt like something that I wouldn't have expected Hilda the Series to tackle. Like there was a giant shift from folkloric to fantastic that isn't bad, but it is different and I hadn't been prepared for that lol.
God, I feel like I just wrote all of that and just to be A Bitch. I just wanted to get these thoughts out but I don't expect you guys to agree or anything. I genuinely liked watching this season, and I will continue to reiterate this in the future. And even if it doesn't beat s1 or s2 in my heart, I'm still grateful we got a final season at all, and everyone who was involved in it deserves all the praise <3
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Hey- I sometimes see you on my dash and I see you express that patches are gonna make you have to change stuff about your fic. I don't know you and it's not my business, but I think it would be a shame if you did that. Stranger's opinion, but if you've been working on this before whatever hypothetical content was patched in, then it seems like your thing is like. Super canon valid because it's based in what was canon at the time a lot of the work was planned, right? Like, people write fic predicting the future of serial works all the time, and if Larian is going to fiddle like this, you deserve to give yourself the grace possessed by an ff.net writer going absolutely fucking ham predicting the end of Naruto. Cringe example but like. You know what I mean? Your thing is valid and fun and meaningful to you and even if it branches from canon in the future nothing ever can adhere perfectly anyway, that's just the nature of transformative works, that they transform. I mean this as super gently as possible, but I think you kinda got that BG3 fan thing where you're scared if Larian doesn't sign off on your fan work it's not valid and you have to trash it, and like. That's not a thought that's good for anyone. You deserve to treat yourself better than that. I know it's hard with niche works but you gotta murder the creator approval guy in your head with hammers and stuff. I will psychically murder that guy for you as best as I can too. Anyway wishing you the best and hope you can find a way to take the edge off the anxiety and stuff 💕💕💕
i super appreciate this!! but i don’t really need larian to sign off on my fan work (in fact i would hate my story becoming canon just as vehemently as i do this.), what i need is for my interpretation (key word here) to just. make sense within the lore/story/plot/canon presented, y’know? it has to plausible, believable. i don’t need larian’s or anyone’s stamp of approval (except my own of course) but i do want people to look at my work & be able to go ‘i see where your interpretation is coming from’ basically. which is obviously not possible if that ship were to become canon in some way. but again, i super appreciate the kind words anon, and those from everyone that are similar, but the kind of person i am cannot enjoy creating fanwork if it derives from canon that much. like enaza is genuinely my absolute limit—they were only created so i didn’t have to change zeke’s character to be more charismatic and all, their role in the grand scheme of things is still tiny but squashed into the plot in a way that every event in canon can still perfectly occur, and it still irks me a lot every day since i made them. even if it was at one point making sense and isn’t anymore, it’s the now that’s most important in the end. i’m sorry! that’s simply the kind of person i am.
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