the fnaf movie cast & crew on matthew lillard's performance:
OFFICIAL CHARACTER DESCRIPTION FOR STEVE RAGLAN:
A smug career counselor charged with helping Mike find a job, Steve Raglan has zero sympathy for the burdens of the unemployed. Played by horror legend Matthew Lillard, star of the original Scream, Steve seems to take a perverse pleasure in forcing a desperate person, like Mike, into a situation that’s less than ideal. It’s Steve who suggests the night guard job at Freddy’s to Mike, and who then bides his time, like a spider, until Mike reluctantly agrees to take it.
TAMMI & SCOTT IN ‘UNIVERSAL PICTURES PUBLICITY: FIVE NIGHTS AT FREDDY’S PRODUCTION INFORMATION APPROVED’:
“Matthew Lillard was terrific,” game creator and film producer Scott Cawthon says. “There was a long list of people we were looking at for this role. I was leaning toward Lillard early-on because I had great memories of seeing Scream in the theaters like twenty times with my roommates in college, but when a close friend of mine told me what a great guy he was in real life and how he took such good care of his fans at conventions, I knew he was the right person for the job. I told Matthew on the phone during our very first conversation that after the movie comes out, no one will even be able to imagine anyone else for the role, and I stand by that.”
Landing the actor was a coup, says director Emma Tammi. “Getting Matthew on board was just incredible,” Tammi says. “He brought so much zaniness and electricity into the mix, and he had such attention to what Five Nights fans would want to see.”
'MATTHEW LILLARD ON "HUMBLING AND EXCITING" FIVE NIGHTS AT FREDDY'S' SUCCESS AND CREATING AUTHENTIC EXPERIENCES FOR FANS' (in The Hollywood Reporter):
CULLINS: For people who are not familiar with the game, how would you describe your character?
LILLARD: I play a character that is living in plain sight in the world, and he is a horrible monster. Toward the end of the film, when my daughter can’t handle a situation, I have to step in and take over. I do not accomplish that goal and end up meeting my demise. It’s the first step in a journey that has this rich canon that spans multiple video games. I play a monster who, at the end of the day, gets his comeuppance and is thrown into this horror realm that he created.
The hard part about playing this part is the pressure I put on myself to honor the fans, to deliver a great performance in an iconic role. There are millions of kids worldwide, and people that started playing as kids and are now adults, that have an expectation that this film will deliver on a really great level. So, being this iconic bad guy, the amount of pressure I put on myself to not suck is pretty extraordinary. That’s the hardest part.
TAMMI IN 'FIVE NIGHTS AT FREDDY'S FILMMAKER EMMA TAMMI TALKS THE "LOOSE ENDS" TO TACKLE IN A SEQUEL' (for The Hollywood Reporter):
DAVIDS: Before and after the reveal, I did catch some Stu Macher/Scream vibes from Matthew. I recognized that familiar live wire that he plays so well. Did you encourage that? Or did he just know instinctively that this guy warranted a bit of the same crazed energy that Stu had?
TAMMI: Gosh, it feels like catching lightning in a bottle with Matthew because he just brings so much to the set and in the moment. And on that day in particular, we were just trying a bunch of different things for a bunch of different takes, and he was really coming alive in that [Yellow Rabbit] suit for the first time. Of course, we’d done some rehearsals with that suit, but it was a whole other deal once the camera was actually rolling in the properly lit pizzeria. So he was just going for it on every take and doing something different and really exploring in the moment. We just needed to make sure that we were there to capture it all. So, yes, there was definitely a back and forth between the two of us in terms of trying different things and really maximizing his menacing movement in that suit. But at the end of the day, he was just bringing all of his brilliance and improvisation to the table, and we were so lucky to be rolling on it.
LILLARD IN 'FNAF: FROM GAME TO BIG SCREEN' (DVD Bonus Content, via YouTube):
I've been really jonesing, like really coveting an opportunity to get a chance to get back into the horror genre. Getting a chance to work with Emma has been lovely. I literally, when I'm in that costume I'm blind, and so I rely on her like very few performances I've ever had in my life, to help me... sorta craft this character on the fly, physically in how we're telling the story and where we're at in the lore, and how that applies to-- y'know, all of the information that's out there and available, it all comes through her [Emma Tammi] and she fills us with what we need.
BONUS: the official guidelines for Raglan's facial hair, courtesy of Makeup Department Head Ashley Levy (via Instagram); "Also included: proof we take our facial hair design *very* seriously around here."
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I’m actually LOVING how Rick Riordan, and the other writers of the show, took his initial concept of a Percabeth rivalry fueled by that of their parents and kind of turned it on its head?
Now, instead of Annabeth being wary of Percy because he’s a son of Poseidon, he’s wary of her because she made a callous impression on him. They get off to a rocky start even before finding out who Percy’s father is, and when they finally do, Annabeth doesn’t care. Instead of them fighting because of who their parents are, they’re fighting over their own opposed worldviews.
Then, instead of them arguing over which of the gods is cooler and who was right in the story of Medusa, they realize that, just like Medusa, Annabeth is a victim of her mother and that, unlike Medusa, she is a far kinder and stronger person, unwilling to repeat the cycle of hurt. They realize that, like his father, Percy often acts without considering potential consequences and that, unlike his father, he is a far kinder and stronger person, willing to step up for someone he wronged and whom he cares about.
Instead of Percy and Annabeth’s rivalry being focused on that of their parents, it’s focused on who they are, themselves. But the path to friendship is still the same: a realization that they have each other’s backs, no matter what, because they’re not their parents after all.
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