how did you make those holy shit!!!
jfjskdk okay I'll take any excuse I get to talk abt this more
How I made my Cardassian prosthetics
Disclaimer: I'm no expert, it's my first time doing this!! All the resources I used can be found online. In fact, here's a playlist of all the youtube videos I followed, in case you don't want to read the whole post. You can pretty much make any facial prosthetics following these steps, not just Cardassian ones.
What you'll need:
Plaster bandages, plaster of Paris (a lot more than is pictured here), modeling clay, and liquid latex. You'll also need some things you probably already have around the house, like vaseline (or cooking oil), plastic wrap, wood glue, rubbing alcohol, q-tips, cotton balls, and setting powder (or baby powder).
Step 1: Face cast
The goal here is to make a plaster copy of your face that you can sculpt your prosthetics on, by covering your face with plaster bandages and then casting that in plaster of Paris. This is the video tutorial I followed for this step. There are many methods, and you'll find tutorials for all of them on youtube, but this is the easiest way if you're doing it by yourself, and it results in a perfectly useable face cast for our purposes. And, if you're cosplaying Garak like me, it's a great way to get into character by experiencing claustrophobia for the first time in your life!! (Jk it's not actually that bad. I lived.)
The video explains the process better than I could, but here's some tips I learned from doing it! Wear a shirt that you don't mind ruining. Go a bit closer to your eyes than I did here. When you're propping up your mask in a bowl, make sure you're not squishing any parts of it or tilting it! I ended up with a dent in the chin of my face cast because I accidentally dented the mask while I was casting it. And make sure you have enough plaster of Paris! I probably used 2-3 pounds for this part. Here's what I ended up with, before sanding or sealing it with wood glue:
Step 2: Sculpting
This is pretty self explanatory, but also probably the hardest part. Just use lots and lots of reference photos. I've got a pretty good stash for Garak, if anyone's interested hdjkfhk. I found that gifs made better references than still photos, since they give you a better sense of the 3D shape. You want to make sure you're using modeling clay that doesn't dry. You don't need any fancy sculpting tools! I used my trusty palette knife to get the small details, but you could probably accomplish the same thing with, like, a spoon and a toothpick. It depends on what kind of clay you're using, but you can dip your finger in a solvent to smooth out the surface of the clay and blend the edges into the face cast. I used rubbing alcohol, but I also heard people recommend acetone. Once you're happy with your sculpt, you can move onto the next step!
Step 3: Casting negatives
This step is technically optional. The video I followed also outlines an easier way that skips this step, by simply building your prosthetics directly on the sculpt. But casting negatives allows you to get a lot more fine detail, and a smoother finish on the final prosthetics, so that's what I chose to do. Basically, you pour plaster of Paris over your sculpt, and it hardens into a mold you can use to build your prosthetics on.
Again, the video explains it better, but some tips! If it's possible with your sculpt, do it in small pieces instead of the whole face at once. I did the chin, nose, and forehead separately. If you try to do the whole face, there's a greater chance of it getting stuck or breaking. Of course, if you were doing, say, Odo, then it might not be possible to do it in multiple pieces. Another thing to watch out for:
If your underlying face cast has any "undercuts," or places where it's, like, concave, then if plaster gets into those areas and hardens, your face cast and your negatives will lock together, and you won't be able to use either of them. For me I was worried about the sides of my nose and under my bottom lip. As long as those parts are filled in with clay, then you should be fine. It's okay if your clay sculpt has undercuts! You can see in the (shamelessly stolen) diagram that their sculpt has a lot of undercuts, but that's okay because the clay is soft and won't lock with the plaster, it'll just come off. The video I got the diagram from was also pretty helpful, even if it's meant for casting with different materials than I used. Here are the completed negatives:
Step 4: Making the prosthetics!
Now you have negatives! Your sculpt may or may not be intact, but if your negatives turned out okay then that's fine. This step is also covered in the video for step 3. Using a stippling sponge, foam brush, or q-tip, stipple thin layers of liquid latex onto your negatives. I found that a q-tip worked best, even if it took longer to cover larger areas. Make sure the edges are very thin, so you can blend them into your skin when you apply the prosthetics. Wait for a layer to dry before adding more latex on top of it, or you'll end up with fucked up results like I had:
(Left: first draft, where I didn't let it dry enough before layering more. Right: second draft. Much better!)
Build up bulky areas with pieces of cotton balls, then cover the cotton with a thin layer of latex. Emphasis on thin! It'll take forever to dry if you saturate your cotton with too much latex. This step mostly involves a LOT of waiting. When the latex is fully dry, brush everything with a liberal amount of setting powder or baby powder to prevent the latex from sticking to itself as you peel it out of the mold.
And now you have your prosthetics! You can tear away some of the excess latex at the edges to make it fit your face better. I ended up tearing away almost all of the edges around the eye ridges, so it would blend better and I wouldn't have to get adhesive so close to my eyes. Tear, don't cut! It'll result in a more natural edge that's easier to blend. This video shows how to apply prosthetics. Use whatever prosthetic adhesive you want! I used spirit gum because it's what I had on hand.
Now you can go forth and live out your lizard alien dreams!!
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Seen, Known, Loved (Changed)
Rated T, CNTW, 983w, Rex/Echo ft. Tech, post-66, soft, mutual pining, cyborg body dysphoria, kisses
Rex had recognized him by his brain.
Because clones were so visually similar, they learned to tell one another apart primarily by non-physical markers. Intonation, attitude, humor… strategic thought patterns, apparently.
To be known was to be loved, and Echo didn’t know if he could bear the buildup of years wherein absence had made the heart grow fonder. The change hurt, like every other modification to his flesh.
With the additional processors, he had too much capacity to think, these days. How had Rex recognized him when he could hardly recognize himself?
read on AO3 🔒 https://archiveofourown.org/works/47404771
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The aforementioned dead patient was something I had been wondering about for a while, the three kinds of death you run into at the hospital as a cardiac sonographer are -
They did not call to cancel the echo order, the nurse is not there to tell you not to go into the patient's room, and the patient is lying in their bed but they are actually just straight up dead and not hooked up to anything and it takes you a minute or two to go, "hold on a fucking second... this person is DEAD" and then you float around the entrance of the room until the nurse shows up to be like "don't go in there!! patient expired!!" and you get to be like "m-hm YEAH I KNOW. Cancel the order." And you are disgruntled at the team for a. wasting your time and b. interrupting the final sleep of some poor person where you were very nearly lightly disrespectful to a corpse (by trying to shake them gently awake and putting stickers on them, as you do to asleep patients)
They called you because there is literally a Code Blue crisis situation happening and there's twenty people in the room, possibly doing CPR or giving meds or giving blood, like a well-oiled machine where you are a massive interloper with your giant ass ultrasound machine being in the way and asking "when do you want pictures? what do you want to see?", and you either get to scan before, during, or after lifesaving procedures, and if you (not the patient, not the family, for this will be a tragedy) are very, very lucky you may get pictures after the patient's heart has stopped moving but before they call the end of the code (and declare the patient officially dead) which means you are there, in the room, not-so-gently (because those pictures are hard to get after CPR) smashing on someone's chest with a piece of plastic as they die and you get to see the heart stop and the blood clot up almost immediately, and it's funny to see something that moves so much not doing much of anything at all.
This patient is already considered braindead and literally being kept alive with machines and they need pictures for organ donation ASAP I hope you know how to burn a CD
And by wondering about I mean, wanted to experience, because I'm a morbid fucker who works in a hospital and wonders about death in a hospital and how it works and what it's like, because that's a crisis situation not many people get to experience in their lives and good news! These are all things I have actually experienced as a cardiac imaging tech in the hospital. Writing it down is funny because I did not expect the trajectory of my life to go in that direction even at all.
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