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#andy robinson
trektown · 3 months
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I’ve had this image in my camera roll forever
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one of my favorite things about star trek is how the two biggest garashir shippers are the guys who fucken played garashir
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astralbondpro · 5 months
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Star Trek: Deep Space Nine // S0605: Favor the Bold
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The Star Trek: DS9 Wrap Party, April 1999
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gplusbfics · 7 months
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A collection of Garak reaction memes. Be sassy and cutting!
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yardistard · 8 months
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Do you remember when Julian had a massive crush on Jadzia so he sent her his old diary in the hopes that she would read it and understand him better?
anyways, let me introduce you to A Stitch in Time, where Garak records his entire life history, laying bare all of his darkest secrets, and sends it to Julian in the hope that he may listen to it and understand him better
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tboyautism · 7 months
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can every one leave for a second i need ot be alone with siddig and andy for a second
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chaos-good-life · 1 year
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Because it needed to be done, didn’t it?
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topshelf2112-blog · 1 year
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rogueyami · 1 year
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Andy was so real for this
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trektown · 3 months
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Wish I knew the context for this image
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spocks-kaathyra · 8 months
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how did you make those holy shit!!!
jfjskdk okay I'll take any excuse I get to talk abt this more
How I made my Cardassian prosthetics
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Disclaimer: I'm no expert, it's my first time doing this!! All the resources I used can be found online. In fact, here's a playlist of all the youtube videos I followed, in case you don't want to read the whole post. You can pretty much make any facial prosthetics following these steps, not just Cardassian ones.
What you'll need:
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Plaster bandages, plaster of Paris (a lot more than is pictured here), modeling clay, and liquid latex. You'll also need some things you probably already have around the house, like vaseline (or cooking oil), plastic wrap, wood glue, rubbing alcohol, q-tips, cotton balls, and setting powder (or baby powder).
Step 1: Face cast
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The goal here is to make a plaster copy of your face that you can sculpt your prosthetics on, by covering your face with plaster bandages and then casting that in plaster of Paris. This is the video tutorial I followed for this step. There are many methods, and you'll find tutorials for all of them on youtube, but this is the easiest way if you're doing it by yourself, and it results in a perfectly useable face cast for our purposes. And, if you're cosplaying Garak like me, it's a great way to get into character by experiencing claustrophobia for the first time in your life!! (Jk it's not actually that bad. I lived.)
The video explains the process better than I could, but here's some tips I learned from doing it! Wear a shirt that you don't mind ruining. Go a bit closer to your eyes than I did here. When you're propping up your mask in a bowl, make sure you're not squishing any parts of it or tilting it! I ended up with a dent in the chin of my face cast because I accidentally dented the mask while I was casting it. And make sure you have enough plaster of Paris! I probably used 2-3 pounds for this part. Here's what I ended up with, before sanding or sealing it with wood glue:
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Step 2: Sculpting
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This is pretty self explanatory, but also probably the hardest part. Just use lots and lots of reference photos. I've got a pretty good stash for Garak, if anyone's interested hdjkfhk. I found that gifs made better references than still photos, since they give you a better sense of the 3D shape. You want to make sure you're using modeling clay that doesn't dry. You don't need any fancy sculpting tools! I used my trusty palette knife to get the small details, but you could probably accomplish the same thing with, like, a spoon and a toothpick. It depends on what kind of clay you're using, but you can dip your finger in a solvent to smooth out the surface of the clay and blend the edges into the face cast. I used rubbing alcohol, but I also heard people recommend acetone. Once you're happy with your sculpt, you can move onto the next step!
Step 3: Casting negatives
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This step is technically optional. The video I followed also outlines an easier way that skips this step, by simply building your prosthetics directly on the sculpt. But casting negatives allows you to get a lot more fine detail, and a smoother finish on the final prosthetics, so that's what I chose to do. Basically, you pour plaster of Paris over your sculpt, and it hardens into a mold you can use to build your prosthetics on.
Again, the video explains it better, but some tips! If it's possible with your sculpt, do it in small pieces instead of the whole face at once. I did the chin, nose, and forehead separately. If you try to do the whole face, there's a greater chance of it getting stuck or breaking. Of course, if you were doing, say, Odo, then it might not be possible to do it in multiple pieces. Another thing to watch out for:
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If your underlying face cast has any "undercuts," or places where it's, like, concave, then if plaster gets into those areas and hardens, your face cast and your negatives will lock together, and you won't be able to use either of them. For me I was worried about the sides of my nose and under my bottom lip. As long as those parts are filled in with clay, then you should be fine. It's okay if your clay sculpt has undercuts! You can see in the (shamelessly stolen) diagram that their sculpt has a lot of undercuts, but that's okay because the clay is soft and won't lock with the plaster, it'll just come off. The video I got the diagram from was also pretty helpful, even if it's meant for casting with different materials than I used. Here are the completed negatives:
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Step 4: Making the prosthetics!
Now you have negatives! Your sculpt may or may not be intact, but if your negatives turned out okay then that's fine. This step is also covered in the video for step 3. Using a stippling sponge, foam brush, or q-tip, stipple thin layers of liquid latex onto your negatives. I found that a q-tip worked best, even if it took longer to cover larger areas. Make sure the edges are very thin, so you can blend them into your skin when you apply the prosthetics. Wait for a layer to dry before adding more latex on top of it, or you'll end up with fucked up results like I had:
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(Left: first draft, where I didn't let it dry enough before layering more. Right: second draft. Much better!)
Build up bulky areas with pieces of cotton balls, then cover the cotton with a thin layer of latex. Emphasis on thin! It'll take forever to dry if you saturate your cotton with too much latex. This step mostly involves a LOT of waiting. When the latex is fully dry, brush everything with a liberal amount of setting powder or baby powder to prevent the latex from sticking to itself as you peel it out of the mold.
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And now you have your prosthetics! You can tear away some of the excess latex at the edges to make it fit your face better. I ended up tearing away almost all of the edges around the eye ridges, so it would blend better and I wouldn't have to get adhesive so close to my eyes. Tear, don't cut! It'll result in a more natural edge that's easier to blend. This video shows how to apply prosthetics. Use whatever prosthetic adhesive you want! I used spirit gum because it's what I had on hand.
Now you can go forth and live out your lizard alien dreams!!
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writergeekrhw · 3 months
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Did you guys make Garak claustrophobic because you knew how Andy Robinson felt about the makeup?
No. We did that all on our own. I learned (a bit too late for "Heart of Stone") that Nana has claustrophobia, but I didn't know Andy did until I read it online a few months ago.
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deepspacefeels · 10 months
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👀
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gplusbfics · 6 months
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Meme time!
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yardistard · 7 months
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garak’s a crazy bitch
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