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#But they aren't here yet
two-maroon-ghosts · 11 months
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Books I've read so far this month:
The Moon and More - Sarah Dessen (5 hours)
This Lullaby - Sarah Dessen (3 hours, 40 minutes)
Just Listen - Sarah Dessen (4 hours)
Spells for Lost Things - Jenna E. Welch (4 hours 40 minutes)
Saint Anything - Sarah Dessen (4 hours, 40 minutes)
Love and First Sight - Josh Sundquist (2 hours, 40 minutes)
Someone Like You - Sarah Dessen (2 hours, 40 minutes)
The Strange and Beautiful Sorrows of Ava Lavender - Leslye Walton (4 hours, 10 minutes)
If These Wings Could Fly - Kyrie McCauley (5 hours)
A Good Girl's Guide to Murder - Holly Jackson (4 hours, 40 minutes)
Cinder - Marissa Meyer (4 hours)
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lotus-pear · 8 months
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last words..
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paiirupie · 1 year
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💌 valentine confession.
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lostyesterday · 6 months
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Engineer categorization (sequel to my ensign chart). Shout out to Rutherford for being the only character on both charts.
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gallusgalluss · 1 year
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a pair birdragons encounter a sphinx
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victorie552 · 3 months
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Ok, so Noldolantë, "The Fall of the Noldor" is a lament composed by Maglor about what happened before, during and after First Kinslaying at Alqualondë. It's such a good song that it's played regularly in Aman and Valar listen to it often (I swear, I swear it was in the Silmarillion I just can't find it now).
It's also a more or less common fanon that Maglor continues writing Noldolante through the whole First Age. Makes sense - it's about fall of the Noldor, and Noldor did a lot of falling back then.
Headcannon time: So my first thought was that Noldolante must a long, long, long epic of a song. So it probably has many parts, right? Iliad has 24 books/parts, somehow I think Noldolante would be at least just as long, and there are longer epics. And again, just like Iliad, unless you're a scholar, in the daily life you don't really listen to/read the whole thing, just reread and repeat the most dramatic fragments. What I'm trying to impress upon you all is that the story would have different segments, or chapters, if you will.
And if Maglor continues to write the story during the FA, there would absolutely be a moment in the lament where the OG Noldolante becomes Noldolante 2, and even Noldolante 3. There may be the same musical motif or something, I decided that Maglor IS that good of a bard to keep it all consistent enough so you know it's all the same story, but the style changes a lot - it's been 400 years in the making, let The Music Elf have fun!
So, Point 1: Many, Many Parts, basically Maglor's FA WIP
My second thought was that, while Feanor invented his alphabet, elves learned their history mostly through oral tradition aka songs and spoken stories. Noldolante is definitely a historical record, where a historical event was archived for future generations.
(It was a also a way to deal with grief, guilt and blame Maglor and all Noldor have faced regarding First Kinslaying - free therapy! But that's not what this post is about)
Archived.
My 2.5 thought was that Noldolante isn't just recallings of how pretty and horrified the beach looked during the murdering or how mad and sorrowful the sea was at everyone during the voyage or even how awesome and charismatic Feanor looked during his speeches that every single Noldo was ready to fight Morgoth barehanded in his name - no, this is a record of who killed who, who got killed by whom, and how.
Noldor and Teleri knew each other (were friends, even!) before the First Kinslaying, so I'm confident that after a lot of interviews, detective work, and cross-referencing, Maglor could and would create a very good... name list. Practically every Noldo and Teler present during First Kinslaying would get a stanza in a song, more if he killed someone, most if he killed many people. Killers and killed would show up twice, first in a fragment listing the killers and their victims, then in a part listing the victims and their murderers. Basically it's the same thing twice, but from different POVs. With when, where and how included.
(It was seen to be in bad taste to compare kills during Maglor's Regency, when most of his interview-part work happened. People did it anyway. There were a Saddest Kill, Funniest Kill, and Weirdest Kill discusions. There was a Tier List. These were weird times to be a Feanorian Noldo.)
(It WAS in Bad Taste, but at least people talked about it. I cannot stress enough how much free therapy this lament provided)
(Little did they know, when Teleri started getting reembodied in Aman, they had very similar discussions, but more in a "I can't believe he killed me like THAT" way. Long, long, long after the First Age. Noldolante is a gift that keeps giving)
So, Maglor had all the historical grith and no common shame to create a "We Killed All These People And We Feel Bad About It" banger of a song, and every Noldo had a very personal reason to at least remember the fragments they are in. It's a hit on a scale never seen before.
(I'm not sure how to tackle the issue of Nolofinweans and Arafinweans learning about Noldolante after crossing the Ice. But there were discussions. There was anger, there was "????", there was controversy. Basically, the song got bigger and bigger rep no matter what your opinion on it was. By the time of Mereth Aderthad it was an important cultural and political piece and at least Fingon's forces were included in the main song. It had parodies.)
Point 2: Archive Function/Kill count storage. Cultural phenomen, every Noldo included
This is where my personal nonsense begins: Main Noldolante was done, there was nothing more to say about First Kinslaying, all killings and deaths were well documented.
But the Siege started. And the Noldor kept dying.
It was less dramatic than it sounded - between the big battles the siege was maintained, but orc raids also happened and sometimes one to few Noldor died in skirmishes. The legal procedure was to document the death of a fellow elf and send a word to king Fingolfin. The cultural procedure, technically started by Feranorians but adapted by many more, was to send the name, common characteristics and cause of death to Maglor's Gap. After few months, King Fingolfin would send reinforcements, short condolences and financial compensation if they had family. After few months, family of an elf would also receive a personal lament for them and a place for them in a Noldolante.
Yes, every lament Maglor created in that time was technically part of the Noldolante. Noldolante 1.5, if you will. Laments make in that time were very customized, and simpler than Noldolante Main, but were still considered a part of the same song. Of course, nobody was expected to know and remember laments for every single Noldo, younger Noldor born in Beleriand could even only know fragments about their family members. Only Maglor would ever know Noldolante in full, but it was understood that everyone had their place in The Song.
The results of Great Battles were harder to document, but Maglor did that. Of course, Dagor Bragollach was hard on him personally, but he worked his way through.
(High King Fingon forbade creating laments for his father. There were no songs for Fingolfin. Apart from in Noldolante, of course. Of course. Maglor did not share the lament with anyone, but he sat long hours and many nights with a blank paper before him, looking at the candle flame and thinking of the past and the future. The song unsung, but there)
Nirnaeth was... Maglor was never more hated and more approached at the same time than then. Still, Noldolante grew and grew, as if people knew the end was near.
It was Second Kinslaying that destroyed the myth of Maglor's song. Feanorians didn't know the Sindar they killed, but surely, they couldn't just left their names unmentioned like they did with orcs? So, Noldor talked, but the battle happened in caves - it wasn't uncommon to find dead bodies in empty rooms, with no witnesses to what happened. Surviving Sindar didn't want to share any names, even when Maglor strong-armed some into talking with him, and good for them. Maglor made a big lament anyway. Maglor, wild, with no shame and dead brothers, with legacy crumbling around him. Noldolante, with holes.
After Third Kinslaying, Noldor didn't want to talk. Lament for Sirion didn't have any names. Clearly, songs weren't a way to go anymore, it was always about live witnesses. And so Maglor raised the twins.
Lament for Maedhros was sung repeatedly. There was no one to hear it.
Point 3: Only Maglor knows Noldolante in full. But that doesn't matter, because everyone knows the important part: the Noldolante is finished. The Star of Hope rises in the West and the story goes on. The Fall has ended.
#silm#silmarillion#noldolante#maglor#yet another post that went in different direction than I planned#started with meta went into headcannon and ended with fanfic angst#I wanted to end it with crack!!!#I mean. I mean#it all makes kind of some sense if we're talking about elves here#but guys Noldor had Men and Dwarves as allies#Maglor would want them in his Historical Record song#I think with Dwarves they would mainly refuse when he asked them if they wanted a part in Noldolante#so maybe he would only get some allies and personal friends of Maedhros in#but Men#guys Men. they would agree and they would make lists and it would become Clown City so fast#but Sons of Feanor aren't known for their ability of knowing when to quit#so Maglor has a Noldolante 3.0 Standard Version with 254 Parts that has Elves and an Occasional Dwarf Only#and Special Version Noldolante Deluxe Extra Edition with 547398134 Parts that includes Men#everyone is included you don't have to die in battle#all common causes of death have a dedicated jingle to them#to the point you know a man's cause of death after 3 notes#these parts of Noldolante well the music bit actually survived into the Fourth Age#the words are gone but the music is played at funerals in some places#The Noldolante Main survived only in parodies though#actually Finished Noldolante is a very good thing huh#as in no more Fall of The Noldor#they can finally catch some break#I believe that during Maglor's Regency Era all Noldor did was Processing. and breeding horses.#Noldolante? more like Maglor Finally Discovers Shame: A Story#I think some personal revelations on legacy and connections between children and life's works would be made
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butcharium · 11 months
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I think it is important to remember that a butch actually can be happy, grounded, confident, and comfortable in her own skin
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podcastenthusiast · 1 year
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AU where the Dragonborn sends Khash to school and almost every day a different person picks her up.
At first it's not too weird. Like when an Argonian shows up and Khash immediately runs to her "Uncle Xelzaz" Khash's teacher just thinks it's nice, given she's adopted, that she has adults in her life who are like her.
Then there's her "Uncle Lucien" who gets distracted reading a history textbook. He points out multiple inaccuracies but is polite enough about it.
And it only gets weirder. There's a woman with a robot spider. A handsome man who looks very uncomfortable but lights up as soon as he sees Khash. A friendly blue khajiit. An Altmer who cracks ten jokes in the five minutes it takes to collect Khash. Another Altmer whom the teacher is pretty damn sure is that runsway Aldmeri prince.
At one point in class they do one of those activities where the kids draw a picture of their family. Khash considers for a moment and then asks for extra paper.
The figures in her drawing are mostly familiar to the teacher. Except for one or two. An Orc has never picked Khash up from school before, for instance.
But it's clear this kid is really, very loved.
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chaosxcrushed · 18 days
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There's a certain CCCC summary video that we really, really like. We think it is a great video for people if they want to grasp the story more clearly, if they're confused, or if they're listening to the album for the first time.
That video being Chonny Jash and the Weight of the Mind on Youtube by W3tBl@nk3t. We think they cover it really well.
However, I'm sharing this for a different reason; they say few certain things that really struck with us until now, that I'd like to share with the fandom. Sometimes, we see people really just.. Miss the point of CCCC entirely, and I'd like to shine a light on what was said here. If you'd like to hear this for yourself on video, the timestamp is 35:57-36:45.
“..I bet we all could relate to that, they are the prime example of the side of you that suffers and the side of you that hates yourself for suffering:
The side of you that just wants to slow down and feel everything even to the unhealthy extent of not being able to do anything else(1), but also the side of you that so desperately wants you to get over it(2).
Sure, laying in bed all day every day to rot isn't healthy, but neither is boiling things down and invalidating your own emotions. Both are paths to inevitable disaster, and that's what Chonny is doing here. Keep in mind that the idea behind this album is being whole, and that means neither of these sides are entirely in the right or the wrong; this album is about inner compromise and acceptance(3).”
1.) The side of you that suffers; Heart. He is representative of Whole's emotions, he holds them. Your emotions can go haywire, especially when one's mentally ill and has no way of their feelings being validated. An emotional person like Heart suffers under the weight of crushing, devastating feelings. He wants to feel things out, have time to just process everything, even if it takes them days or weeks to get over it. It's not healthy, but feeling is what he does, and he wants to help because he knows he has importance. Solely focusing on just your emotions isn't the best thing to do, however.
2.) The side of you that so desperately wants you to get over it; Mind. Many people have been there, have wanted themselves to stop wallowing in their own emotions and just do something else, even to the point where you think feeling things out is unnecessary. This is also unhealthy, but not intentionally. Like Heart, Mind just wants to help, everything he does is in best interest. This is what he thinks will get them to move on the quickest; to leave behind emotions and focus on anything BUT that. Also not the best thing to do.
3.) This album is about inner compromise and acceptance; About being whole. Neither of Heart and Mind are right nor wrong. They have their own ways of doing things, of what they think will help their whole self out the most, but both are unhealthy despite the good intentions. They fight over who's wrong or right, when they shouldn't even be doing so in the first place. It's your thoughts against your emotions, basically; your feelings contradict your thoughts, and it leads to an inner war of sorts. This won't make things better, which is why you can't have Mind over Heart or vice versa; you'll need both of them. In the album, they are only able to be whole when they get along. They harmonize, they 'combine', they see eye to eye with each other and work together instead of fighting over and over. Inner compromise is achieved with this, and acceptance can lead them away from any disaster that there's to come.
What we're trying to say is that mental health is a large thing tackled within CCCC, and yet we see a lot of people who overlook it; thus, end up missing the point of the whole album. We see a lot of people believe Mind's perspective a little too much and treat Heart quite harshly, or the other way where people demonize Mind and say that Heart is perfect, when it's not really that in the slightest.
This is not a hate post towards people's interpretations of CCCC or how they view characters, I'm just saying that people can tend to overlook what's in the very narrative, and we see a concerning amount of people do such.
Anyways. Stream CCCC and put your Hearts and Minds in the get along shirt. Have a nice day.
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screwpinecaprice · 1 year
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Black and white theme wedding!
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rolybug · 9 months
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idk they are turning into an oc... i like drawing it
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ride-a-dromedary · 7 months
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Again I know it's supposed to be a haha reference to the turns into a bear when he's too aroused thing, but in again refusing to brush just over the surface of this character: "I must be careful or I'll lose run of myself again. An Archdruid should show *some* restraint." comes across to me as more melancholy than perhaps intended when a. You take it into consideration that several lines imply that Halsin has issues with self control and self servitude, and presenting an "acceptable" version of himself as an outwards facing authority figure, to the point where he brushes over his own feelings, or pushes things that he wants down in the effort to reflect better what others want from him.
And b. Remember that Halsin was essentially just an apprentice when he was forcibly situationally promoted to Archdruid - he wasn't taught *how* to be an Archdruid or trained for it, or mentored; he was thrust into it because they didn't have any other choice. But they needed someone, so he stepped up. Halsin has spent the last century studying and learning things on the fly or through trial and error, and in a position of leadership like that, he is aware that every failure to uphold that mask *counts* and others *are* very much affected. How many times has he muttered that same mantra? Or heard it thrown around? An Archdruid not having control over their own magic is a big deal. Even when he is no longer Archdruid, he still grumbles it to himself. He's been at it over a century and he *still* doesn't feel like he's gotten it right. Even when he is in a place of progression, of trying to gain hold of himself again, those wisps of failure and self doubt still creep into everything. And that's sad to me.
#BG3 Musing#Halsin Posting#haha funny line in response to saucy line that man is about to go feral ooh se- HEY TRAUMA#it's like a med student being promoted to the head of emergency#or an admin assistant suddenly being put in a ceo role#like i know it's a meme scene!! but halsin sounds *humilated* when he accidentally wildshapes during his romance scene#he sounds flustered and embarrassed and is so quickly launching off excuses with a tone that indicates *he thinks it's over*#like he fucked up he fucked this up just when he was *starting* to come into himself again and it never stops#i keep thinking of that one lyric from big thief 'i can't find surrender/and i can't keep control'#and again i'm reading too deep into it but halsin's struggle with failure really is embedded here you just have to...like listen to him#Even when he *says* that there's little point in denying oneself#he does it literally all the time - he did it for a *century*#and i'm not saying he doesn't have fun or not enjoy things but he cuts himself off so early at the root#or buries himself so thoroughly in a self indulgence until it wrecks him and neither of these things are healthy#note that he says as long as others aren't affected - he doesn't say as long as i'm not affecting *myself*#anyway i'm unwell#maybe i was never meant to be archdruid - you weren't! you were meant to protect nature's spirit and roam with the wilds#and yet he still did the best he could and people *admire* him and followed him but he may never come to see it that way#you ruined a perfectly good wood elf - look it's got trauma and anxiety (and larian turned him into a meme and i won't forgive them)
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quirkle2 · 3 months
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zombie apocalypse (no powers) au where mob is turned but ritsu isn't ready to give up on him, so he simply takes him with him to find a cure. there's a Lot here to summarize, but my favorite part of this au is how ritsu slowly but surely starts to resent most humans and suddenly he's the lunatic kid who's on the zombie side of the war. more info in the tags where i don't shut up ever
#qkdraws#id in alt#mob psycho 100#mob psycho#mp100#ritsu kageyama#mp100 ritsu#shigeo kageyama#mp100 mob#tw guns#zombie au#blood#zombies aren't the typical eat-brains creatures here they're ? just sick humans rly#diseased with smth that pauses most brain activity and turns u slightly more animalistic#they're still considered dangerous‚ mostly bc their bites can still spread the infection and they're very strong#important to note that zombies don't rly? go after humans specifically in this. they eat whatever they can get their hands on#if it happens to be human meat then most of the zombies don't even notice#but zombies in this au are‚ when u break it down‚ people with an illness. and yet they r slaughtered constantly#even when they're not actively going after humans. they're just killed bc people r scared#of the ''zombie'' image in media. this horrifying mindless beast that wants nothing but blood#people shoot without thinking. without even considering the fact that these are people too‚ just ill ones#without even entertaining the idea that most zombies still have parts of their personalities intact. They Are Still In There Somewhere#which is what ritsu realizes. mob is still in there somewhere. he sees it in the way he acts#even if his brother can no longer hold a conversation he is still here. he still acts like mob‚ in these little moments of clarity#and then ritsu starts seeing this everywhere. he realizes that zombies r still people‚ just hurt ones. ones that most ppl have been killing#ritsu does not shoot zombies. he saves his bullets for people who cause more problems than they solve#and usually‚ that is the settlements that kill zombies left n right for simply existing#mob doesn't attack ritsu in this ever btw. reason being is that mob is still mob and he recognizes ritsu's face#zombies don't typically attack familiar faces. some of them r able to discern faces‚ others have lost that ability#oh yeah and ritsu slowly loses his mind in this au. he's like.not normal by the end. yay <3
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yazzydream · 8 months
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Satoru Gojo, Chapter 233
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buglaur · 9 months
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i'm making a character page
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xmcu-fietro · 2 years
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saw a youtube comment talking about how Peter’s powers are more than mere superspeed---how he can essentially manipulate gravity and inertia and that’s why when he throws people out of the mansion they don’t die, and why he can listen to music super fast. Everything within his bubble operates under his power’s rules, basically, and that’s also why he can make it so that he can stand still (not running) while everyone else moves in slow motion. And then someone responded by saying that that would make a ton of sense because of who his father is since gravity manipulation is a lot closer to electromagnetic field manipulation than superspeed is, and I’d never thought of it that way but MY HEART
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