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#And the fact that I was about to make a post about the concept of shipping Daryl with all this characters when I got this
catboybiologist · 9 hours
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Tangent on the optimism post I made earlier about societal doomerism.
Most of the waste in the Pacific Garbage Patch is industrial fishing and factory waste.
Industry, overseas shipping, unsustainable agriculture, and energy production, that could all easily be replaced by sustainable alternatives, all dramatically overshadow anything you produce with your personal "carbon footprint", which I'm sure you all know is a BS concept.
Nations and political forces that you have no voice in control your healthcare, or maybe whether your identity is legal.
War rages overseas. Or maybe over your own head. It's heartbreaking and terrifying and the progress we've made to stop it seems tiny in comparison.
All of this is true.
But have you ever done a creek cleanup, and seen that specific creek slowly come back to life?
Have you ever organized one tiny event for your local queer community?
Have you ever voted in a local election and seen one local regulation help establish queer safe havens, or medical aide, or help the homeless?
Have you seen an institution that you're part of quietly stop supporting one of these systems because of actions you played some tiny part in?
Because I have. All of that, and more. Tiny scraps of things getting better on a local scale. They do work.
Will they save the world? No.
Will they make things a bit brighter for the people around you? Yes.
And is it unfair that the world continues to get worse overall anyways? Yes. But there are tiny things you can make better bit by bit.
I'm not absolving capitalism or corporations or governments of blame here. In fact, like my last post, I'm enraged by them even more from this mentality. Because when you have something on a local scale that you can improve, and find joy in, and bring that joy to other people, then you have something that fires you up to fight against the larger systems that threaten it.
Never forget who the real enemies are. Never allow them to guilt you or make things "your fault" for existing. But you also can't let it destroy the ways you can improve your community. Giving up is what they want you to do.
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sgiandubh · 13 hours
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Good morning to you...as always, this person is very indignant and enraged.
https://www.tumblr.com/maximumwobblerbanditdonut/748583730081333248/the-unexpected-guests?source=share
Dear (returning) Mythomaniac Anon,
Sorry for the delay and see below why. Well, then: how was that, at their end of the rope, across the street?
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I know, I am quoting BIF (that petty, nasty, condescending woman), their Main Intellectual Luminary (LOL for years), but see how easy it is to boomerang anything?
And I will even suit myself and quote her some more, lookie here:
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I am not even sorry. Karma is a bitch, like that and it seems to have backfired badly on BIF's comadre, 'Max'. You see, I can immediately tell when people who have NO idea about what LAW really is, start talking about it. They will always be oh so damn literal and oh so damn mechanical in their 'reasonings'. I mean, if law were to be read as is, why would we even bother going to law school, right? Why not have AI sort it out, literally and mechanically, too (and boy does 'Max' sound like an android when she starts droning her maximum wobbling bullshit)? You see, in law, it's never enough to copy/paste something, because this is about people, money and interests, being those individual or collective. Timelines are important (and indispensable in any legal approach), but never enough: what makes the difference is always the particular context and the interpretation of facts - that is, by the way, called jurisprudence, when it becomes a legally binding precedent (not our modest case, here), in common law system countries (the UK, the US) or a complementary source of law, like in Roman/Civil law systems, such as the French and Romanian ones, which I know best. There is a technical distinction between those two concepts (legally binding precedent and complementary source of law) and I once passed a whole year written exam in Public French Law with honors, picking this exact topic, but I won't bother you with it, Anon. In a nutshell, tread carefully when you open that droning mouth and leave no stone unturned, if possible. Otherwise, you'd make a fool out of yourself, with bullshit like this:
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There is no Midhope Distillery Company Ltd, you fool. There once was the Midhope Castle Distillery Ltd, as I have abundantly shown in not one, but two posts. It did not 'change its name' in 2023, it was dissolved by voluntary write-off (third time might be a charm, across the street, maybe the coin would drop?). And one more time, for you Mordor people in the back: there is no way to know who the shareholders of a given company are, based on the Company House records, nor the amount of their participation. This is confidential information, as shown also in the Planning Proposal - once more, I repost the screenshot:
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' The Business Plan, submitted (...) under Private and Confidential cover, provides background information on the applicant'. Including, but not limited to, the existing investors/shareholders - it is essential to show the local authorities your business project is not a whim or a dream.
She also writes confidently stuff like:
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That is simply not true. As I have also shown in my last post, Outlander is explicitly mentioned in both the first and the revised Planning Proposals, as a strong argument for the entire business project. It may serve to remember that one of the elements justifying it was to provide the 20k seasonal visitors of the Midhope Castle Grounds an opportunity to access the (vastly) improved interior of the castle, along with a whisky related experience/discovery activity, accommodation and high-end dining opportunity. Again, I repost the screenshot, because those people are mendacious by nature and it is perhaps the only way to show them some facts (not useless factoids):
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That being said, we can speculate and deduct a simple correlation between a company actively looking for investors to support their now vastly revised, ten-year project and an actor-cum-entrepreneur who might be interested/already involved in that project. Unless he'd make a formal announcement himself, at some point in time, there is no way to confirm. 'Max' should perhaps learn to water down her confident tone, sometimes, especially when it is obvious she did not look at the documents herself, used only Google in the arrogant and foolish hope 'those tinhat shippers are stupid' and has 0 (zero) legal expertise.
This whole thing might be pending approval, but let's not forget the first Planning Statement was approved back in 2020 (which is a good starting point), that they have secured a business partnership with the owner of the land, Lord Hope (the 4th Marquess of Linlithgow) and that as far as I could read during those past two days, all the reports seem ok, at least up until this point in time. I see no reason why they wouldn't meet and talk about it: on which planet is that such a big deal and on which planet could that be construed as 'conflict of interest' (another one of 'Max's' arguments), given the organic link between OL and Midhope, since 2013?
I also have made a hasty mistake, in my previous post, when dealing with Ken Robertson's participation to the project. He continued to be involved, as my penned timeline shows, in both Hopetoun Estate Distillery Ltd and Hopetoun Estate Whiskies Ltd, as a Director, continuously from May 2017 until their dissolution, in December 2022. Again, it's all on the timeline - see what I just did, here? LOL for a century and a half.
And for Marple's 'Sorry' clip, I have the perfect reply. Especially the chorus, of course - ignore the rest, it's about some Seventies playboy, quite an Alternate Universe from hers:
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I will stop now, Anon. With the MPC Gala just round the corner, all the eyes will be on that one. This drama will probably draw to a fizzled denouement, as they always do, in this fandom. But I will follow that business project and report from time to time. I bet the farm we'll have news, rather sooner than later.
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utilitycaster · 6 hours
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not a Candela post but I was actually thinking about The Lathe of Heaven by Ursula K Le Guin w/r/t Liliana. Spoilers for a 50+ year old book, but it centers around a man who unwillingly has the power to alter reality to match his dreams and who retains the memory of the world before he changed it. He is required to see a psychiatrist due to his drug abuse, since that suppresses the ability, and the psychiatrist believes him - but uses him to try to fix the various ills of the world. This becomes a monkey's paw-like exploration of various dystopias - to solve overpopulation (really popular theme in the early 70s) his dreams create a world where most people died of a plague; racism is eliminated by the concept of race being eliminated thus eliminating a number of people and a good deal of art and history; world peace is achieved via an alien invasion that unites the people of the world against an external threat rather than each other (a la Watchmen). The man (Orr) who has the dreams becomes more and more insistent that this is wrong, but the psychiatrist does not listen, and things spiral out from there.
I really do think Liliana believes she is doing the right thing, but the fact is, waving away people's legitimate question of "what will happen if you get rid of the gods" - particularly since pretty much everyone not directly within the Ruby Vanguard, including one of the major representatives of planar stability from the natural side (Keyleth) and her wizard counterpart (Ryn) and like, every other wizard who isn't directly under Ludinus's sphere of influence is like "I think that ends in disaster" - is such a massive red flag. Treating geopolitical problems as neatly fixable by One Change that definitely won't make everything worse (source: trust me) is, even in fantasy, a fantasy.
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shayyprasad · 1 day
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cool | peter parker
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a/n: this concept was so sweet to me, and i had to write something for it. okay, so yeah, this is technically irondad + spiderson... but i wanted to add to it.
repost because this fic flopped with, like, 10 notes. if you look at the og, it says 700ish because of the prev notes of what i reblogged. interact with this fic, it's what keeps me going!
summary: you find that a brown haired boy is always at the restraunt you work at, covered with cuts and bruises. you're curious, so what do you do?
warnings: cursing, minor angst (not really tho, mostly fluff)
pairing: fem!reader x post-nwh!peter parker
word count: 1.5k+ words
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you're working late, you don't normally. it doesn't hurt though, having a side hustle outside of college. with shit parents, community college is really all you have as an option, so extra money is welcomed.
it's 20 minutes until closing time, and you're the only one left. you've read enough articles and watched enough true crime to be at least a little paranoid. not expecting anyone else, you spray a table, wiping it down with a rag. might as well get started with cleaning, right?
so when you hear the familiar chime of the door, you've got the right to be suprised. looking up, you're greeted by the sight of a boy. he's got soft brown curls, and (you find, once you meet his gaze) matching dark, hazel eyes.
you wave at him and move behind the register. he looks harmless, but don't most men that have bad intentions? not that you think he's going to do anything.
you're just a woman. it's the way of life, this thought spiral.
"hi, what can i get you?" when he's closer, you can see the cut he's got on his cheek. it's dried blood, but still enough to make your eyebrows shoot up. in fact, he's got a bruise too.
under his left eye, and by the yellow-green, you can tell it's fresh. it's not your business to ask, well, it is... but you're only asking about his order. he runs a hand through his hair, obviously trying to tame it.
there's a leaf at the top, tangled in there. you want to take it out.
he sniffs, eying the menu. you've never seen him here before, and you've been working here for a while. now that you're looking at him, his eye looks swollen - like someone socked him. "a- a cheese-"
you're not sure where the sudden courage comes from, but you cut him off; "do you want an ice pack? or, uh, maybe frozen peas?"
he looks startled for a second, as if he were just now knocked out og this long train of thought. he pauses to touch his eye, "um," you can tell he doesn't want to trouble you, but you're intrigued now.
"seriously, it's no problem." (on the account you have frozen peas, then it would be no problem. if you didn't... a pack of cold, raw meat-?)
"sure, yeah."
"cool. er- stay right there." you go to the freezer room, rummaging around for frozen peas. it takes you a minute, and you're afraid there are none for a moment, but there are. triumphantly, you bring them back out.
he's standing in the same place, although you're not sure why he would've left. "peas!" you sing-song. handing them to him, you smile.
he throws one back, though it's forced and kind of hollow. you're afraid you've made him uncomfortable, or that you're too much. are you too much?
he squints at your nametag, "thanks, uh, gertrude?"
you're confused for a second, "oh, she's dead."
"i- sorry?" he tilts his head, now he's confused too.
"no, i mean, this isn't my nametag. it's old. like, super old. manager's dead wife. this place is too cheap to get new ones, so we, like, basically catfish people."
he nods, "okay. what's is it then?"
"huh?"
"your name."
you mentally smack your forehead, of course that's what he was asking. "y/n."
"cool. i'm peter. peter parker."
"nice to meet you peter peter parker," it's your attempt at a joke, paired with a lopsided grin. it makes peter smile though, so you consider it a win.
peter presses the pack to his eye, a wince turning into a sigh. oddly enough, it sounds sexual to you, and your face is heating up. what's wrong with you? seriously?
"okay, well, um, i assume you still wanna order something?"
"yeah. maybe just a cheeseburger and fries?"
"you got it," it's closing time, but you don't mind. peter is cute, and he seems nice as well. you're more than happy to stay around longer. "on the house," you say when he tries to offer you money, "seems like you had a rough night."
"no, i-"
"no sweat, parker."
you ring up his order, get it ready, and by the time you're done, he's settled at a table. "here you go. enjoy!"
you go back to sweeping, but you want to talk to him more. "you live around here? i haven't seen you here before."
"uh... not exactly. i don't come here often. i, um," he presses his lips together, "had a friend that brought me here. once or twice."
you frown, "oh, i'm sorry."
"what?" peter looks up from his meal.
"i just- well, you used past tense so i assumed you don't... aren't in touch anymore?" maybe small talk was a bad idea.
"oh. yeah. i guess. he's not really... around. he passed a little while back."
it's like your heart physically aches. "that's sad to hear."
"yeah. 's okay though, getting by fine. or- or better."
"mhm. it gets better. lost my sister a few a years back."
"really? i'm sorry." they're empty words, you've probably heard them a lot, he knows that. you know he knows that.
"thanks."
"yeah," it's quiet for a little while longer.
"so, uh," he pauses, taking a sip of his water, "are you still in school?"
"college," you pause, slightly embarrassed, "community, i mean."
"oh. cool. i'm at midtown. it's not, like, super fancy or whatever..."
you cut him off, shrugging, "better than community. and isn't it like so stupid, how they basically tell you that college is a must, and then have you pay all this money? 'oh, you need it for a good future!'" you mock, "aw, really? then make it free!"
you freeze, realizing you've gone on a tangent. "sorry," you say, flushing.
"no, it's okay," he laughs. "it's cool you're... passionate."
"thanks," you put the broom away. "um, i have to go take out the trash. would you mind... not stealing anything?"
"i'll try," he jokes.
"cool. i believe in your ability of self-restraint."
"cool," he says, matching your tone.
"cool."
"cool."
"okay, that got weird after the, like, second time," you make a face.
"no, yeah, i agree."
"cool," you say, staring at each other in dead silence, before bursting into laughter. you hold up the trashbag, "yeah, so, one sec."
you push open the back door, tossing the bag in the dumpster.
he's so nice, you think. look at you, falling for a basically stranger. you walk back in, closing the door behind you. you notice he's done, so you throw out his things, cleaning down the table.
"hey, uh, when do you close?" peter asks.
you check the clock, "mm... 15 minutes ago."
"holy shit, really?"
"yeah. it's cool though. i was closing anyway, and the company didn't hurt. also... it looked like you needed this."
he looks down at his shoes, smiling, "yeah, no, i did. thanks. and sorry."
"like i said, it's cool."
"cool," you stop, "are you in a cult?" you blurt.
"um, sorry?"
"sorry, like, i just, you look... beat up. and i was wondering if you were in a gang... or something." you squint at the dried blood on his knuckles.
"uh... i am not."
"then how'd you get those?"
he looks conflicted, and you've probably crossed a line. "oh my god, i'm so sorry. obviously, it's not my business. i was just... curious."
you wipe down your last table, cursing yourself internally.
"no, it's cool. i'm..."
"seriously, it's not my business. don't tell me, actually. plausible deniability," you joke.
he says something, and it's so quiet, you don't hear it. "what?" you ask.
"i'm spider-man!"
"uh. what?"
"you don't know spider-man?"
"no, of course i know spider-man!"
"well, yeah. that's me. suprise." he says, doing a small show of jazz-hands.
"there's legit no way. i know i catfished you earlier, but that was on accident!"
he tilts his head, as if he's weighing his options. in reponse, you narrow your eyes at him, trying to figure out if it's one big joke. after that, it's so quick, you barely notice. something hits your hip, not harshly, and then you're spinning towards peter.
"holy-!" you look down at your side, trying to figure out what it is. you're tucked into peter, and you realize it's... a web. "no. way."
"yes way."
"why'd you tell me? now i can't plausibly deny anything! also, isn't this supposed to be a secret? isn't that the point of the mask? how do you know i won't sell you out?"
"that was a lot."
"i know. but it was very valid."
"i don't know. i just wanted to. you're nice and sweet and pretty-"
"oh, so pretty privilege?"
"no! no, of course not!"
"well, um," you wrap your arms around his neck, "thank you for trusting me. i won't tell anyone."
"cool."
"cool."
his hands are on your hips, and he's leaning in, but you pull away, smirking.
"no kissing until the second date, i'm afraid."
"we're going on dates?"
"if you don't want me to broadcast to the world, yes."
"well, i would've asked to take you anyways."
you smile at him, enjoying the moment.
"wait, are those cameras?" there's absolute panic in his voice, and you giggle.
"those are fake. it's cardboard to scare people off."
"oh. cool."
"cool."
you end up kissing him anyways.
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@whatsupstark@ell0ra-br3kk3r@idli-dosa@susvale@kdbsr-h@littlemsbumblebee @sflame15-blog @twinsunkithies @chocolateshepherddreamclod @one-piece-frvr7
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youryurigoddess · 1 day
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Maggie’s pendants and good omens
Yes, you’ve read it right. This post is going to deal with some literal good omens, not just title drop! But first things first, let’s take a closer look at the topic of this analysis.
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A toucan
The top necklace is a lovely design involving a crowned toucan — believed to be a messenger of gods able to travel between the spiritual and the physical world, often associated with rain and rainbow (a Christian symbol of divine love, grace, and mercy, a reminder of the covenant between God and humanity to spare the latter from future trials like the Flood) — encircled by a gold band (a symbol of infinity, eternal love and promise) spun by a small butterfly (a symbol of transformation, hope, and rebirth). All three symbols combined seem to deliver a divine message of hope for rebirth, possibly resurrection, and the eternal life. Very fitting in the context of the Second Coming.
The fact that toucans were revered by the native South Americans as rainbringers strengthens the symbolic meaning of another type of bird we can spot on Maggie’s clothes in the very first episode, as her character introduction — a swallow. Swallows flying low are also believed to be harbingers of rain and bad weather. If you see one close to Earth or a building, it means that there’s a storm — or a certain biblical tempest — on the horizon.
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In Ancient Greece and Rome swallows were representing Aphrodite, goddess of love. In Christianity they were considered to be of God and symbolized hope, awakening, and revival of life as messengers of spring and protectors from winter colds. Also helped Jesus on the Cross — according to a Christian legend, a group of swallows was supposed to take out the thorns from the Crown of Thorns and alleviate His Passion on the Cross. Humans banding together in the name of good have been a big theme in the series ever since The Them made an appearance, and from what we already know about the unpublished Good Omens sequel, we can assume that Jesus is going to take the spotlight in the upcoming season.
Maggie definitely attracts sudden inexplicable weather changes, like a thunderstorm with weirdly localized lightning strikes or a sudden downpour. And we’re still waiting for some vavooming (and the following happy ending) to happen in S3.
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A heart with an eye
Now, the more nuanced clue hidden in the bottom necklace. I know that some of us were trying to tackle the concept of Maggie’s eye in a heart pendant suggesting her Masonic connotations, but this symbol (or the Eye of Providence in general) isn’t strictly Masonic, it isn’t even limited only to Judeo-Christian art. And while it is used a lot in Christian iconography, we should focus on a very specific example of it already referenced in the show.
Buckle up, we’re making a parachute dive into S1.
It seems like our old friend, Agnes Nutter, still has our backs.
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Prophecy 4020:
Let the wheel of fate turne, let harts enjoin, there are othere fyres than mine; when the whirl wynd whirls, reach oute one to another.
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If you look closely at the bottom right corner of this frame, you will see that as an illustration for the above prophecy the production team chose a 1611 engraving titled The Minde should have a fixed Eye On Objects, that are plac’d on High first found in Gabriel Rollenhagen’s Nucleus emblematum selectissimorum.
In 1635 it was published in A Collection of Emblemes, Ancient and Moderne Quickened With Metrical Illustrations, both Morall and Divine, Etc by George Wither with the accompanying hymn:
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A Heart, which bore the figure of an Eye
Wide open to the Sunne; by some, was us'd,
When in an Emblem, they would signifie
A Minde, which on Celestiall Matters mus'd:
Implying, by the same, that there is nought
Which in this lower Orbe, our Eyes can see,
So fit an Object for a manly thought,
As those things, which in Heav'n above us be.
God, gave Mankinde (above all other Creatures)
A lovely Forme, and upward-looking Eye,
(Among the rest of his peculiar Features)
That he might lift his Countenance on high:
And (having view'd the Beauty, which appeares
Within the outward Sights circumference)
That he might elevate above the Sphæres,
The piercing Eye, of his Intelligence.
Then, higher, and still higher strive to raise
His Contemplations Eyes, till they ascend
To gaine a glimpse of those eternall Rayes,
To which all undepraved Spirits tend.
For, 'tis the proper nature of the Minde
(Till fleshly Thoughts corrupt it) to despise
Those Lusts whereto the Body stands inclin'd;
And labour alwayes, upward to arise.
Some, therefore, thought those Goblins which appeare
To haunt old Graves and Tombes, are Soules of such,
Who to these loathsome places doomed were,
Because, they doted on the Flesh too much.
But, sure we are, well-minded Men shall goe
To live above, when others bide below.
And hey, guess what 4020, i.e., the number of the prophecy, symbolizes in Strong’s Concordance? Periergazomai, a Greek word meaning “to waste one's labor about something” — to meddle, going beyond proper boundaries (where a person doesn't belong); to fixate on what others are doing, instead of doing what the person himself is supposed to do.
It appears only once in the Bible:
2 Thessalonians 3:11: We hear that some among you are idle and disruptive. They are not busy; they are busybodies. Such people we command and urge in the Lord Jesus Christ to settle down and earn the food they eat. And as for you, brothers and sisters, never tire of doing what is good.
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To make things slightly more interesting, in the Hebrew version of Strong’s Concordance 4020 has another meaning — migbaloth, meaning “twisted things, i.e. cords”. Which doesn’t make much sense until we read the actual passage:
Exodus 28:24 and two chains of pure gold, twisted like cords; and you shall attach the corded chains to the settings.
And compare it to the most recent post on the topic published directly by Word of God:
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What if all these clues didn’t apply to Maggie and Nina, but Aziraphale and Crowley instead? What if Maggie served as a messenger — consciously or not — just like the toucan, delivering the prophecy to those who need it most?
“When the tempest comes and darkness and great storms, and the dead will leave their graves and walk the Earth once more and there will be great lamentations for the end is near, don’t lose hope, hold hands and look up.”
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Basically what Aziraphale and Crowley already did when they performed the 25 Lazarii miracle, only with no interference from Gabriel this time around.
And, if both Strong’s Concordance and Maggie’s personal addition to her second pendant are to be believed, with a wedding band somehow involved in the process.
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goodluckclove · 2 days
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An Open Letter to a Professional Author
I came across a writer here who I imagine will probably never see this, but their presence was enough to make me pretty mad for two days now. I've decided to pen a little statement to this Long-Term, Professional, Full-Time, Published Author who makes a habit out of being deeply unpleasant in a way that apparently has only attracted an audience of other deeply unpleasant people.
People here seem to like it when I get mad. So, uh, enjoy?
Dear Professional Author,
I came across a post of yours on some feed here the other day and enjoyed your commentary. It was one of those writing memes that sort of called attention to actually writing as opposed to just thinking about your project - the kind that people usually respond to with some sort of joke expressing their repulsion at the concept.
You responded with distaste and I generally agreed. The tone was a little aggressive for me, but that kind of humor also leaves me generally confused. I personally ended up concluding that the self-deprecating humor was a coping mechanism for a larger issue that keeps these people from writing - intimidation, lack of confidence, physical or mental pain, things like that. You seemed to think it was a matter of will, which I found to be an approach that at the very least was well-intentioned.
Turns out it wasn't.
First off, I should say that this isn't about your political beliefs. Your political beliefs that are really more like general human beliefs. I don't want to get into that. Instead, I just want to talk about your writing. You are a full-time, published author, as you say in nearly post where you talk about writing. A major point of pride to you seems to be the fact that you are traditionally published. Any other method doesn't seem to be as legitimate to you. That's interesting to me.
You also don't seem to have much of an audience outside of people who mainly come to agree with your politics. I didn't really see a single positive interaction between you and another writer on here for as much as I was willing to scroll through your blog. That's also interesting to me.
I didn't spent too much time on your blog once I realized that you were definitely not the kind of person I would ever want any interaction with. What I did want to do is use your presence indirectly to prove a point that I've been wanting to get into for some time now.
To put it simply, I'll say this: a career in professional writing is not actually as cool or important as you might think it is.
Now I'll be direct and say that I've never been traditionally published for anything longer than a short story or long-term, unpaid column. You don't give any details on any of your writing, as far as I've seen (Once again - interesting!), so there's a chance you've made more in contracts and royalties than I have. But I'm a working writer. I've had a career in ghostwriting and technical writing. I've written and produced plays that have been featured in festivals in multiple states. I'm not speaking from a place of no experience, is what I mean to say.
What I also mean to say is that - while I view writing in many ways as a spiritual and healing act that I couldn't live without - it's also a job. It's not always exciting, and even when it is exciting it's only exciting to me. I consider the best date night to be when my wife works on video game development while I write my draft. I leave the house on a regular basis, but it's mainly to go to different places to write.
In short - I love to write, but I don't think it makes me cool. Or interesting. Or valuable. Or intelligent. Or just generally fun to be around and talk to. These are things I strive to cultivate in other aspects of the way I live and grow as a human being on this planet.
Being a Professional Author in one particular genre doesn't give you authority over the craft as a whole. You can't just throw yourself into conversations and start with I'm a published writer and assume that means you have the final say on any discussion. Believe it or not, in many cases it does not matter.
Lots of people are published traditionally, and it does prove some level of validity in their line of work. But there are a huge variety of people in the world of trad pub. There are people who write books in genres that don't apply to writers here. There are people who write books that aren't very good. There are even people who write trad pub books that are very good, but their careers are sullied by the fact that the authors themselves are not good people.
Being a successful writer does not mean you're a good person. Being a writer at all does not mean you are a good person. I believe in Death of the Author to an extent, but when that author insists on making a presence on a public website and doling out advice and opinions to other writers the lines start to blur considerably.
Writing is a job. You work it over a period of time and learn skills and strategies that work for you. The same applies to virtually every other job, including ones that society views as less romantic as something in the arts. Can you imagine me breaking into your home while you're making lunch and telling you how to arrange your cheese slices based on what I know as a full-time, professional sandwich artist at Subway? You might be interested based on leaning something you didn't know about a place you might've eaten at before. But that does not entitle me to your respect on its own.
I am not entitled to your respect based on how well I learned how to make a sandwich based on my hypothetical career at Subway. Just as I don't deserve it solely because I know two card tricks, can get out a variety of stains, read most of the works of the major beatniks, can make a really good carbonara, or any other specific about my life that ultimately does not play a huge part in who I am as a person.
When I am on my death bed, I hope to god the core of my character was not the fact that I typed stories from my brain until I got carpal tunnel. If my obituary begins and ends at "writer", no matter how positive the qualifier is before that, it will be the greatest failure of my life.
Because I am a writer. But that does not matter. It does not matter if you're a writer. It can be fun and enjoyable if you are, even better if you make a living at it, but it doesn't mean you'll be happy. It doesn't mean people will like you or perceive you to be the leader and teacher you might think you are. It certainly doesn't give you a free pass to throw cruelty at strangers for truly no real reason.
Professional Author, you had a chance to raise up the next generation of an industry I assume you must value. You're choosing not to, and that's fine. You don't have the obligation to. You do have the choice to not get involved and pretend to give advice that ranges from vague to untrue. You seem to be taking that responsibility very seriously.
It's like some twist on crab mentality, where instead of dragging crabs trying to escape the bucket you're swiping at anyone who tries to crawl in with you. Then, as they struggle, you're looking down at them and making comments on how easy it is to get in the bucket, if you only just do it and maybe read some books.
To all of us, I say this: question authority, even in the arts. Especially in the arts. Nobody knows as much as they say. That includes me, but I do know this - any branch of publishing feels really good. It's scary but it's fun. If you're traditional published or indie published or self published, it says nothing about how good your book is or how good you are as a writer or how valuable you are as a human being.
Don't be this lonely bucket crab. They seem mean and I'm tired of talking about them.
Best Regards,
Clove
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lycanr0t · 15 hours
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if you'd like to share your thoughts on gay trans man marcille i'd love to read them and/or see your art of him! (no pressure of course!)
oh man will I share my thoughts dfjkh I was maybe going to eventually make a post to ramble about it but this gives me the perfect excuse to now :J
This ranting WILL have spoilers for anime only fans/ppl who haven't finished the manga!
Marcille is interesting to read as a gay trans man though. Because how I see it, during the events of the manga he would not know he's trans! Or at most, he would maybe have some Gender Feelings but he wouldn't really understand it yet.
To me, Marcille is the type who would at first do everything in his power to deny it/convince himself he isn't trans. I think he would have a fair bit of internalized transphobia just as a result of his fairly rigid way of going about things. He has specific standards for himself especially but also for others.
This is where my gay trans man headcanon for Falin comes in lol.
Not for romance reasons specifically, but because I think the way Marcille treats Falin when looked at through the lens of Marcille being a trans egg is especially interesting.
For my Falin headcanon, I see Falin as a gay trans man as well, but I think that he wouldn't be out to Marcille until after the events of the manga. This is very integral to how I view Marcille's gender discovery happening.
I think that during the time they're in school together, Marcille would have feelings for Falin that are confusing. In Marcille's mind they're both girls, so he must just be a girl into girls, right? Meanwhile Falin performs girl wrong and this challenges Marcille's worldview. Marcille cares for Falin, and this manifests as Marcille trying to 'help' Falin perform girl better. Basically, Marcille doubling down on his currently held beliefs of what gender is and how it functions instead of considering that it may not be that simple, and he and/or Falin may not be a girl. Falin I think would not bring up being trans for a few reasons but primarily that boy is just not big on conflict with people especially those he cares for.
But anyways. A perfect example of Marcille forcing his idea of correct gender performance being in a daydream hour page where Falin is drawn with short hair, and Marcille is visibly pretty upset by it. (I don't have the translated image but here it is)
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I know that it seems like a small thing that doesn't hold much weight, and it's not technically canon but trans mens hair is often something that people feel that they need to control. A girl cutting her hair short is seen as this horrible, unacceptable thing. Now again, obviously Falin doesn't canonically cut his hair short, but the fact that Marcille would be upset and specifically wants it long again informs us about his view of these things. I think that hair being useful for magic would end up being a justification for both being upset by the concept of Falin with short hair, and a justification to himself on why he is not allowed to experiment with shorter hair. It's more practical for his line of work/study, so it's a perfect excuse to just never think about if he TRULY loves it long or if he is just doubling down on performing what's expected of him.
Marcille is a KING of appearing way more uptight than he is. He's very by the books, very strict seeming about doing magic right, but he also specifically primarily has interest in the most taboo magic. He's the loudest about complaining about eating monsters, but he's also the first one to outright say that if they have to eat demihumans then so be it. Marcille is full of contradicting feelings and actions and I think he's prone to trying to fit into what people expect but his heart isn't fully in it so he still ends up doing the unexpected as well.
Even after the manga, Marcille has lost his desire to take care of his hair but he honestly doesn't seem... that upset by it? He is upset, sure, but for something that appeared to be a pretty big thing for him he accepts it shockingly smoothly. Almost as if perhaps, it's a relief to have an excuse to try something different. To try shorter hair maybe? Because now he has an excuse other than doing gender 'wrong'. It would feel safer to explore.
Aand I have a TON of other thoughts but this is getting pretty long and I'm losing track of my thoughts SO I'm going to drop a small list of some other random half formed thoughts I think about in relation to Marcille being a gay trans man
marcille being half elf half tallman and the parallel between that and being trans and how when you're trans you're alienated and isolated. in society's eyes youre not fully a man, not fully a woman, you're both and neither and othered in a complicated way
everyone assuming marcilles wish is to become 'full elf' also is interesting to compare to the experience of people viewing being trans as 'wishing you were X gender' in a very binary way
marcille asking if his dad is pregnant in a flashback just feels like something a trans egg kid would say
marcilles overall attachment to his father tbh.
marcille being super into romance novels and specifically his succubus presenting as a pretty boy from his novels. Obviously this can be read romantic or whatever but I know personally a lot of characters I was obsessed with as a child that I thought was romantic attraction turned out to be a combination of attraction and wanting their gender expression. I think it's interesting to read into marcille's interest in romance novels as him finding a 'safe' way to explore his attraction to men and desire to be a man without actually acknowledging that directly. (a lot of irl gay trans men do similar before they realize theyre gay trans men!)
Aaand that's my thoughts for now lmao. Here's some pen doodles I did while figuring out how I wanted to draw post-canon marcille :> Still working on figuring him out but I like how these look! I like the idea of him having some facial hair (not very long as elves seem to not be able to grow much body hair) and probably cutting his hair so it's more shoulder length and a bit easier to manage!
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fiepige · 8 months
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My concept for Venom!Hobie
Okay here goes
DISCLAIMER: I CANNOT DRAW
I've made another post where I mentioned it as well but I'll reiterate it here:
I don't think Hobie would ever canonically accept a symbiote due to his history with them and how they're used in his universe.
Now with that out of the way let's speculate!
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This is my concept sketch for Venom!Hobie
Before I go into details about the design and the possible way he would work in universe:
I wanna give the world's BIGGEST shoutout to @levionok for being the coolest person ever and actually make some AMAZING drawings of Venom!Hobie:
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(Like how cool is this!?!?!!! I love these so much!! aaaaahhhhhhhhh<3 <3<3)
Okay so, first I wanna talk about his design and then I wanna speculate about the most "realistic" ways I think Venom!Hobie could come into existence/what his personality would be like.
Design:
I wanted the symbiote to exaggerate some of Hobie's physical features so I kinda went with the idea of Venom!Hobie being even lankier and spikier than regular Hobie/Spider-Punk (since the symbiotes seem to take more after the actual suit when it comes to their design I based most of their looks around how Hobie looks as Spider-Punk)
Since Hobie is already tall I of course imagine Venom!Hobie as being even taller/lankier.
Though due to his longer limbs he has a bigger tendency to walk crouched down on all fours (sixs technically?) as beautifully illustrated by @levionok above. (and less beautifully illustrated by me in the top right corner of my drawing lol)
Since Hobie also incorporates spikes into his looks I did the same for Venom!Hobie and added even more! He now has more rows of "mohawk" spikes, his choker spikes become longer and the same goes for the spikes from his jacket + he gets extra spikes along his back. He also gets spikes along his wrists! - He's a spikey boy!
Also all the spikes are made from symbiote "teeth" and could in theory be moved around on his body if he wanted to (though they mostly stay in place).
The "running mascara"-look (Idk what to call it lol) also carries over from Spider-Punk's mask and is once again even more pronounced in Venom!Hobie.
Now one of the more noticeable traits are the arms! I haven't figured every detail out yet, but so far the idea is that his arms split into two at the elbows but he's able to "fuse" them back into one arm if he wishes to (which he rarely does).
Also to get the idea across that it's his arm being split up I tried to add some symbiote goop between the two parts of the arms!
I kinda like the idea of him being able to change his "design" (changing his spikes and arms as he pleases) so to say, kinda referencing to him not believing in consistency and how he changes "filters" in his animation style! Though I picture him as looking like in the concept drawings above most of the time.
I'm also kinda toying with the idea of giving him barbed wire like webbing since I remember reading somewhere that Hobie apparently has used barbed wire instead of webs in the comics from time to time.
But I also headcanon Venom!Hobie as being more animalistic and more likely to just use brute force instead of webs.
He is fast when he's down on all fours (again sixs? idk lol)
Of course he also gets most of the classic Venom abilities and weaknesses (I haven't read the comics so I'm going off memory of the Venom movie which I've seen once like 5 years ago so please bear with me ^^')
The most noticable weakness being sound! I'll take a closer look at how this affects Hobie when I get to his personality/origin.
Okay that's all about his design for now, I might come back and add more stuff later if I come up with anything as this is still a new concept I'm workshopping (and inputs are greatly appreciated!)
Now we're moving on to his personality/origin as I feel like these two are very intertwined. Cause I feel like the way Venom!Hobie originates will affect his personality too! Let me explain:
So far I've come up with two possible ideas/reasons for Hobie to even bond with a symbiote in the first place and depending on which version you choose I feel like it would end up having different effects on his personality/how he handles the situation:
Scenario 1:
The symbiote is passed onto Hobie without him knowing!
Possibly from an encounter with the cops where a symbiote manages to latch onto Hobie as he kills its former host.
(Or maybe a villain manages to plant one on him somehow).
This would lead to a slow gradual "fusion" between Hobie and the symbiote as it would be very aware that Hobie is NOT exactly a fan of it and would do whatever he could to get rid of it/kill it if he found out about it.
If I recall correctly Eddie also wasn't aware of his symbiote in the beginning and only found out about it when it decided to make itself known. -(referencing the movie)
So I'd imagine a similar scenario here but instead of making itself known, the symbiote hides its presence from Hobie as much as possible while making small gradual changes to Hobie to prepare for an eventual fusion/take over.
Like slowly Hobie starts getting migraines whenever he plays his guitar or listens to loud music so he does so less and less without being even consciously aware of it.
At some point he even stops bringing his guitar with him on missions since he never uses it anyways and hey why did he even bring it in the first place? - I like to think that the symbiote is somewhat able to manipulate Hobie's thoughts over time to make him more susceptible to it.
Going to concerts also becomes a no no.
Hobie also changes his diet; the thought of going to the community garden just not appealing to him as much anymore for some reason. So he visits it less frequently until he also just completely stops going (affecting both his diet and his social life- the symbiote would want Hobie to be as isolated as possible to make him easier to manipulate).
Hobie doesn't realise it at first but he starts craving meat more and more and as time passes he also prepares his meals less and less until he basically eats meat raw. (I'm once again thinking about the movie and that lobster scene, though his symbiote would have to be a lot more sublte for him to not notice what's going on).
At this point Hobie would have to be almost completely isolated and under the influence of the symbiote for so long that it would finally feel "safe" making itself known, preying on his hunger (having been homeless Hobie has known hunger before but I imagine that the hunger that comes with a symbiote is its own unique thing and that it's rather extreme) and his declining mental health.
While a part of him would still very much hate it, Hobie would begrudgingly accept the symbiote and chaos would ensue.
And then of course the Spider-Gang would try and stop/save him cause they know that Hobie would never want this. Wether they're gonna be successful or not is up to interpretation.
Now personality vise I imagine this version of Venom!Hobie is gonna be mostly taken over by the symbiote and thus being more feral and animalistic. It most likely wouldn't talk a lot and mostly be focused on feeding (and like in the movie, its favourite food is gonna be humans. Hobie would try to make sure they only target cops but sometimes the hunger would win over reason).
I know this is pretty dark but I really can't imagine a positive scenario where Hobie would willingly accept a symbiote so this is my first "solution". (Though I also feel like his friends would intervene before he reached this point but still, I kinda like the idea of the slow corruption and the person not realising it until it's too late)
You still with me? Good, cause it's time for:
Scenario 2:
I'd wish that this one would be more positive but I guess that sadly isn't the case
In this scenario Hobie would have reached his breaking point.
He would have been through an experience so traumatic that he feels like a symbiote is his ONLY option.
(If I recall correctly he's reffered to himself as a "suicide machine" in the comics and this would really come into play here).
He'd become way more reckless and not really caring what happens to him in battle. He views this as his last resort.
Like maybe there's a new kind of symbiote that isn't weak to sound or fire and Hobie has no other way to defeat them than to get one himself.
The only positive is that Hobie would be more mentally in control as he's fully aware of the symbiote and how it can influence his mind.
He'd still have cravings for raw meat but he wouldn't have been as mentally unstable and only target cops/other symbiotes becomming kind of a double cannibal.
Once again his friends would try to stop him and he'd definitely be more resonable in this scenario than in the first one.
But he'd still push them away both to protect them and out of shame over his situation.
This time more of Hobie's personality would shine through but it still wouldn't be a very positive version of Hobie as I imagine any scenario with him having a symbiote would really have a negative impact on his mental health.
But still there's room for a happy ending if the Spider-Gang manage to get to him in time!
So yeah, both of these scenarios are kind of a bummer for Hobie (to put it mildly lol) but I honestly can't imagine a positive situation where Hobie would willingly accept a symbiote! (I'm more than happy to hear any takes you guys might have that prove me wrong though!)
Okay, I think that's everything for now!
I'd love to hear your thoughts and opinions of Venom!Hobie!
Also let me know if there's anything you want me to elaborate on! Or of you just wanna talk Hobie or Venom!Hobie in general <3
If you made it this far you are honestly a champ and deserve all the gold stars in the world. As I sadly can't give you that have a GIF of Hobie smiling to cheer you up!
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Also I wanna give another huge shout out to @levionok! Both for the amazing drawings of Venom!Hobie and for giving me the courage and motivation to share my concept of him! <3<3<3
also have another Venom!Hobie cause I can't get over how cool she made them look! If you haven't already you should really check out their tumblr! They have made some AWESOME ATSV art there!!!
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settingorange · 1 year
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"I will cast abominable filth at you, make you vile, and make you a spectacle." Nahum 3:6
If We Were Villains - M.L. Rio / Twenty-four months - Everymanhybrid / Paparazzi performed at the 2009 VMAs - Lady Gaga / Class Trial 6 - Danganronpa V3 / Ricky "Jupe" Park - Nope (2022) / christmas. - Everymanhybrid / The Wicker King - K. Ancrum
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fellhellion · 11 months
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My spiderverse post for the day but I don’t see the point - in fact I think it’s counterintuitive to what the story is driving at - in twisting ourselves in knots arguing whether Miles is a definitive spiderman of his universe because he actually hits the canon checkboxes like his uncle dying etc and his universe hasn’t collapsed like. That’s still a validation operating by the parameters Miguel outlined, when the entire point is that those factors are meaningless to the identity of “spiderman” in isolation. What makes their hero mantle one of worth is the choice to always try save the little people, even when they don’t succeed, and becoming fixated on the loss and it’s supposed inevitability has put them all in a place of stagnation.
Even if Miles hadn’t had a single person die in his journey thus far he’d still be a worthy spiderman. <- a point literally crystallised in Pavitr.
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uncanny-tranny · 6 months
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On the "darker" side of being comforted by one's immortality (not in the physical, but metaphorical), I've always been comforted by bone needles.
The idea that even after death, you've still been remembered by how you are used. No, bone needles probably weren't used with human bones, but it's a reminder that you aren't just going to... disappear. I'm comforted in the knowledge that I don't end in a "me" but in a "we," in nature. Everything about me is reused material so much more ancient than I am, and knowing that, I feel so much closer to the world.
#positivity#death positive#death tw#i know i mentioned the last part in a different post but i will never ever forget that nor will i talk about it only once#and the fact that we've found fifty THOUSAND year-old bone needles comforts me too#if you want immortality then there - that's your immortality staring you in the face!#we like to concieve of immortality as something you hold direct witness to but that's only a fantasy...#...in reality you will be immortalized - or likely will be - but it's in such a way you won't be able to witness it firsthand#i have always grappled with the knowledge i could be remembered and recognized and noticed in ANY way#i don't want that and knowing that i am simply borrowing what makes me 'me' does comfort me#it takes the burden off of being Me if that makes sense#this isn't about self-hatred but a burning desire to perfect the craft of being an actual person#i was so absorbed in being Me that i forget that i am part of this universe#human-centeredness will convince you that humans are almost... separate from the universe...#...that humans are unique from the concept of Nature and the World...#...blame it on capitalism or blame it on hubris or blame it on lack of insight... but when you discover how directly connected...#...to the universe you are i think you can learn to sit and appreciate... all of it#from the beetle crawling over your shoe to the wasp gazing into your car mirror... you'll appreciate it#i wonder if anybody else Gets what i'm ranting about here. i always feel weird talking about the things that bring me comfort
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good-beanswrites · 5 months
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🎬: About Es being a past prisoner and the secret 11th prisoner in your AU. But advance apologies if I'm overstepping into your AU!
I had this idea from a story that pretty much did the same thing. Going off there are novels/manga on Milgram and there being another Es and their own prisoners running another Milgram (but differently) I imagine this Milgram projects has been going on for a while, and our Es was from a previous project who might have gotten the worst verdict (or the most spared out of everyone), and was given this final task as a warden for the next group of prisoners. This is why they so readily agreed and had their memories wiped for this Milgram project instead of being weary on a shady project on judging an almost crime, they've already been through this.
(BTW is it bad and worrying for one of our ten fav prisoners to be the next Es if this is legit...)
Anyway, that's why Es is in Milgram in your AU, I guess? And the lore drop that Kotoko picks up on them being the 11th prisoner, I can imagine her also talking to Kazui since he's a policeman to see if she could cross out any theories on who Es is (Did they look familiar. Possible missing child. Any cases to do with an almost crime by a child other than the 10 of them here). Kazui knows Kotoko wants to investigate, but reminds her that, like in their prison while the trial is on, the facilities they're in have high security too. They do have the freedom to move about, but still limited.
If they're trying to investigate Es, maybe Fuuta, Kotoko and Mikoto can try to do the hacking on the comp Mikoto's allowed to use to Photoshop some shots for the MVs and photos (Fuuta and Kotoko seem to be able to search up info they need I think...). Yuno, Mahiru and Muu can work on charming the staff to see if they can spill more deets on Milgram. Not sure how much the group can gather, but oh boy fun times in Milgram can turn into another sort of stress in this AU...
No worries!! Like I said before, this whole au has been a fun collaborative project, so there's no overstepping :) I am sorry I won't be writing a lot on the ending until we get more info, but that's just the perfectionist in me who doesn't want to be proven wrong 😅 Still, I love tossing around and digging into ending scenarios, I really love this!
Because that would make a lot of sense why they're so willing to subject themself to the whole experiment! They remember how tough their experience was, and are confident they can care for the new set of prisoners while doing their job. I'm imagining they get the opportunity to return as guard, and get to have a nice talk with their own guard first. Once they fully understand what it's like, they're know they can handle it and sign up. It adds a bit of drama, too, since they must have been really young committing their crime in order to complete a years-long experiment prior to this one. They would have been like 10? Oof. (Now I wanna see their three trial songs 👀)
And like you said, that also brings up the question of the new warden. Though I think it's based on verdict results, I can just picture Jackalope keeping an eye on everyone during filming. He studyies their interactions and personalities, keeping his own set of notes on who would make a good successor. (I'm not going to go through every character but there are pros to any choice, it's very fun picturing them all taking the job.) Haha, on the other hand, maybe the reason Kotoko keeps bringing up her role as Es' partner/bringer of justice is because she did discover the truth. She drops as many hints as possible so she can be chosen next 😅
Ooh, I love her working with Kazui on an investigation! The fact that eh may know details on recent crimes (and almost-crimes) is super fun to work with. He's the last person who's going to spill a secret, so the group could go several trials without realizing Kazui had actually heard all about their situation this whole time.
(Getting sidetrack for a sec, I'm suddenly realizing that he and Kotoko may have heard things about the crimes in canon, too. They're a bit unclear about how much time passed between the murders and arriving to Milgram, so maybe he heard some things. I don't know how well-connected Tokyo police departments are, but Yuno, Fuuta, Muu, and Shidou are all nearby. There's definitely a chance he caught word of the vigilante nearby, and she heard about the odd policeman's suicide. Both of them could have heard about the tragic housefire, the disgraced doctor, or horrible schoolgirl murder nearby.)
Anyway, I like that idea of Kazui wracking his brain for any similar cases. Though, if he had, Milgram may have had the foresight to wipe parts of his memory, too. Maybe he does end up using his call to reach out to Hinako and have her look into it from the outside. Sadly, Kotoko seems the type to sacrifice her personal call to reach out to a connection who can help as well. I'll have to think about how closely Jackalope monitors those calls, hm.
I'm going crazy over prisoner investigation team !! Kotoko and Fuuta had the online knowledge to find some good info, and Mikoto and Kazui seem like they'd have a huge network of people they can ask for info and favors from. Haha, I'm torn whether Mahiru would have flirting down to a science or if she'd refuse to do it since it wasn't real love 😂 Still, she's very good at reading people and could definitely help the others charm and bribe their way into some restricted areas. Amane and Haruka can also charm with their innocence/cuteness (though I'm not sure Amane would). Shidou seems very organized, he'd have a plan and backup plan and backup-backup plan ready, no matter what happens. I think it's even funnier, then if Milgram had run several experiments prior. Jackalope would think this was just another runthrough, and for the first time the ten subjects decided to organize together and Cause Problems.
I think there's a beautiful irony in a story featuring ten prisoners planning a jailbreak to save the prison guard...
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kishimotomasashi · 2 years
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“Civilization is coming. And it means to exterminate us.”
Naruto Shippuden (2007) // Black Sails (2014)
#naruto#naruto shippuden#mygif#edit#send post#edit: I was gonna post this one last but like I remembered Hashirama's birthday and so I will be posting that gifset on his birthday#Obviously one or two words were changed here to make it fit#shout-out tumblr user sasukelandia for making the post that gave me this idea in the first place#I was gonna remove the ''god-fearing tax-paying'' part but like. it's integral to the quote.#I generally don't want to change up the quotes TOO much I have like. a weird thing against it. a weird personal thing.#so assume ''god'' here is the concept of the village itself and ''tax-paying'' is being a ninja lol#You could imagine that it's Nagato saying this but tbh when I was making this I was going for a general vibe#many rogue ninja could not make it into this gifset and I apologize to them#Btw y'all ever think about how cold it is for the Akatsuki to wear headbands with their old village symbol crossed out#Other rogue nin either don't wear the headband anymore or simply keep it without changing it much#Whoever had the crossing out the headband as a uniform to send a message idea was a genius. I am going to pretend that Konan was the one who#came up with it. I also think she came up with the robes as well.#There are some good things in Naruto.#Hidden villages rogue ninja dehumanization is insane the fact that leaving your village is a death sentence..........#They had a bounty on 12 year old baby-faced Sasuke's head for leaving to a place in which he was almost certain to be killed...........#fucking hell. anyways.#sincerely hope this colouring is better than for the Hashirama one lmao#6th gif gave me so much grief with the file size#Those tsukuyomi filler episodes with cop Sasuke were AWFUL but at least they gave me a good visual for the 3rd gif so.#everything has its uses!#naruto // black sails#queuekage
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sableeira · 1 year
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confession time: soukoku give me the worst case of secondhand embarrassment ever. they are so cringe. you can’t take them anywhere.
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sprucewoodmpreg · 6 months
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secret life has been super fun so far and i'm really enjoying it!! but i have to admit the gimmick makes it feel less and less like a part of the life series as time goes on. not in a bad way or anything, but priorities have shifted from Mostly Normal Minecraft but with the looming threat of death -> each episode is heavily based around tasks; the entire gimmick revolves around artificially influencing what players will do each episode. it's still fun!! but the focus seems to have drifted from the original concept by quite a lot lol
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laesas · 1 year
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did you ever make a post about pete not liking tankhun ? i know you mentioned it a few times in your tags but i don't remember seeing a post. (i share your opin ions.)
I definitely toyed with the idea of meta or a gifset but I didn't ever make a full post! I love unrequited love and I ESPECIALLY love the extremely rare platonic version which Tankhun and Pete absolutely nail in my opinion!
There are loads of moments where Pete's smile drops around Tankhun very quickly, or he insults Tankhun behind his back. Instead of laughing things off like Arm and Pol, he almost has a wincing fear-response to Tankhun, which we don't really see at all from the other bodyguards.
I think that Tankhun likes to think of himself as being close friends with his bodyguards, and he does genuinely show a lot of open affection for Pete and eventually concern for his safety. But I think ultimately for Pete, Tankhun is just a part of Pete's job, and over time resentment has built up until he thinks of Tankhun as one of the *worst* parts of it. I definitely don't think he resents Tankhun enough to hurt or endanger him, but that's about as far as it goes, there's certainly very little love there.
Something about that dynamic is just particularly brilliant, especially when combined with Pete's eventual defection from Tankhun's side to Vegas'. He chooses a man who has beaten and tortured him over a man who showers him in affection and throws parties on his return.
I utterly adore Tankhun but I think as a character that's grown up in a gilded cage, he doesn't really understand that what Pete needs is a sense of his own autonomy rather than being dragged to "fun" "lets cheer up Pete" parties that Tankhun has demanded on his behalf. At least with Vegas he *chose* to go back, he handed Vegas the ropes, let him lock him back up again. Even before he develops feelings for Vegas, Pete has clearly felt like a subhuman pet for Tankhun and the main family for a long, long time and I think ironically Vegas acknowledging Pete's humanity is the tipping point for him.
I think even without their nascent romantic love as a factor, Pete would always choose Vegas. Because despite the threat of suffering, he offers a sense of freedom that Tankhun's gilded cage does not. It all makes for an incredibly interesting betrayal, and makes Pete choosing Vegas over Tankhun all the more pointed. By choosing to be Vegas' pet, he chooses to be human.
#I have had this gifset concept rattling round my brain since before I even learned to make gifs#if I didn't have so many complicated feelings about Pete after the whole Build situation I'd make it in a heartbeat tbh#my worry is that it would either be taken as a ''hating on Pete'' set and I'd get mad shit for it in my inbox#(despite it being one of my fave facets of his character)#or it would be interpreted as a ''Build's acting appreciation!'' post which tbf it kinda would be.#theres no getting away from the fact that he shaped Pete into a very interesting and nuanced character#but you wouldn't catch me dead making a ''Captain Jack Sparrow appreciation'' set even if I loved POTC as much as KPTS yknow?#like theres only so much distance I can split the character from the actor. which sucks bc Pete as a character was one of my favourites#idk. probably not the ideal answer lol#my first instict was to just make the set since it was all planned out from like december#but since January my love for Pete as a character has mostly been in a little box on a high shelf that I do not ever touch. which is sad#but it is what it is ig#anyway lol 👀#tankhun theerapanyakul#pete kp#tankhun kp#kp meta#ask#anon#watch me deliberately not putting that shit in the pete tag out of fear#anyway back on the high shelf you go little pete feelings. lets go back to simply not acknowledging u once more lol 🥲✨#goddamn I deliberately hadnt thought about him in months but now I kinda miss Pete... :( I love this ask though thank u for sending it! 🦔✨#damn rereading this its like girl. do you have an unrequited love for commas?? fucking use them?? :) anywaY#kpts
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