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#A marvelous bit of history
bloggingboutburgers · 6 months
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Hey wait just a goshdarn minute... THIS BLOG ISNT ABOUT BURGERS ITS ABOUT ASEXUALITY (me too)
We are charging you with 92 counts of fraud
...In my defense it used to be about burgers, Bob's Burgers specifically
But then uh, something
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wolfsbanesparks · 2 months
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If Fawcett has all these heroes, how big is Fawcett?
Hi anon! This is a great question for people who may not know.
When I talk about Fawcett heroes, I'm talking about heroes created by/featured in Fawcett comics, not necessarily those that protected Fawcett City. Back in the day, Fawcett comics was independent and while many of their characters lived in the same general world, it was completely separate from the DC universe. So characters like the Marvels, Bulletman, Ibis the Invincible, etc. were the ones protecting the entire world, not just Fawcett City. Many of their adventures take place across the globe (particularly overseas because it was WWII and everyone was fighting Nazis).
Technically Fawcett City didn't even exist when these heroes were introduced. I think even Captain Marvel was set in a city meant to be New York City or a fictional stand in for it. It was eventually called Fawcett City as a callback to the original publishers (this was in the 80s I think?).
Since Captain Marvel was acquired by DC, most Fawcett heroes haven't been brought back in any meaningful way, so they functionally don't exist in the current DC version of Fawcett City.
Which is all a roundabout way of saying it depends!
Originally Fawcett City was probably NYC-esque in size, though not all of the Fawcett heroes would actually operate out of it. For a while after DC took over, Fawcett was probably a mid sized city (smaller than say Metropolis, but probably on par with Central City) located somewhere in the midwest. In current continuity it is technically a suburb of Philadelphia, so not that big at all.
I know it's pretty complicated but I hope this helps!
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marvels-meme · 9 months
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"Captain Marvel wasn't a woman until 2019!"
Monica Rambeau became Captain Marvel in 1982
Phyla-Vell became Captain Marvel in 2004
Carol Danvers became Captain Marvel in 2012
Carol Danvers was supposed to make her film debut as Captain Marvel in 2015
If you think the above quote is true... ur just dumb sorry lmao
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its-wabby-stuff · 6 months
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The Day the Resistance Fell
1300 hours. Resistance meetings. Led by Master Leonardo. Greeted by little engagement. Everyone left is just tired.
1428 hours. The meetings ended early. People returned to their free time. A couple returned to embracing each other, soaking in whatever moments they may have left together. Miwa beat her family in poker, likely for the 50th time, one member of their party missing. She’d lost family too. Commander O’Neil was talking to Big Mama and Sensei, who must’ve noticed Casey Jr’s stares as he excused himself and walked over to the kid.
“Case.”
“Sensei.”
“What’chu working on?”
“I’m just- looking through old files.”
“Is that right?” He took a seat next to him, pulling his real arm over Casey’s shoulder, and sinking comfortably into the wall. “You find out all of Donnie’s secrets yet?” He looked over with a smirk.
“Not all of them. There’s a lot on this thing.”
“Keep digging, and let me know if you find anything really good.”
“There's been a lot on here from before I was born.”
“Oh yeah, those were wild days. Never had a moment like this back then. We were always on the run from something- I don’t think I slept much those first years.” He spoke as he pulled his mask over his eyes and let out a big yawn, bringing his full weight down atop Casey.
“Hey, no sleeping on the job,” Casey jabbed him in the side.
“Gah.” He pulled away and lifted up his mask to see a big smirk on Casey’s face. “You’re asking for it little man.”
Casey tried to make a break for it but was pulled back into a bear hug to receive a noogie to the head.
“If you’re bringing it, I’m gonna give it right back, old man,” and Casey pulled Sensei’s mask right around his head.
“Oh this old trick?” Leo laughed. Casey tried wriggling out of his grasp. “Ohohoho, you’re not getting away that easily.”
“How about a new trick then?” Casey smiled, tapping a button on Leo’s arm that forced him to release the kid.
“No fair, that’s cheating!” Leo shouted as Casey crawled away.
“I thought it was ���using my surroundings.’”
Leo raised his finger to retaliate, but came up with nothing. “Don’t think one arm left means I can’t beat you,” and Leo picked himself off the floor and charged for Casey again. Casey ran off laughing, looking back as Leo chased him. “Oh- Casey!”
He ran straight into an adult, and back toward Leo, who managed to catch him before he hit the floor. “You gotta watch where you're going, Case. You shouldn’t look back while you’re running.”
Casey rubbed his nose.
“Master Leonardo!” It was the angry guy. He was breathing heavily and looked terrified. “Krang! Spotted just west of here.”
“How many?”
“20 maybe 30, and they’re heading this way.”
“Sound the alarm, I want this place to be locked down!” Leo ordered the space, causing people to jump into action. “Let’s gear up an-“
A loud crash caused rubble to fall from the ceiling, and the metal walls to creak. Sensei pulled Casey close and steadied them both. Then the red lights began to blare, but no sound was heard.
“What the hell was that?” Leo looked over to the man who had brought the news. “I thought you said they were heading this way, not right on top of us!” Another thunk and people began to duck for cover. “How’d they get here so fast?”
Casey left Leo’s side to grab the things he had abandoned against the wall for the sake of fun. His mask and his hockey stick. When he turned around, Sensei had left the room. Casey started toward the door.
There was another crash, and more debris began to fall. Casey was stopped by two hands on his shoulder, pulling him back and turning him around.
“Casey, are you okay?”
“I’m fine Commander O’Neil. Where’d Sensei go?”
“He followed the scout to the observation deck.”
“I’m gonna go after him!”
He turned away, but April’s hold held firm, “Wait, Casey. I need you to come with me!”
April was sure to keep Casey close to her as they ran through the base. Others bolted past them in full gear, guns blazing, assortments of different weapons ready, and making their way out into the fight. Him and the Commander only headed deeper into the base.
“Where are we going, Commander?”
“Somewhere you’ll be safe.”
“Me?” Casey stopped, “But I can help!”
“I’m sorry, Casey! Leo doesn’t want you near this fight!”
“But-“
“We’ve got to keep moving!” She pulled him along.
“Commander- I can do more! Sensei-“
“Leo needs you to stay safe.” April turned him around, “But that doesn’t mean we can’t do our own thing to help. You got anything in those files with access codes to Donnie’s Helicarrier program?”
Casey gave April a smirk.
“Then let’s kick some Krang ass.” She pounded her fist into her hand.
———————————————————
Just a snippet of something I’m working on.
Miwa, if you don’t know, belongs to @somerandomdudelmao s Apocalyptic Series. This is heavily inspired by that, but when is it not?
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mobius-m-mobius · 2 years
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Is that funny? The idea that your little club decides the fate of trillions of people across all of existence at the behest of three space lizards, yes, it’s funny. It’s absurd.
Loki S01E01 – Glorious Purpose
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age-of-moonknight · 2 years
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History of the Vestments (Part II)
Long post incoming! :D Here are the rest of my random thoughts on 616!Moon Knight's costumes up through modern comics. As I was going through the material for this post, it normatively felt like there were a lot more artists drawing Moon Knight around the same period of time but with slightly different styles, so unfortunately this definitely isn't an exhaustive collection; it kind of ended up being a little less ontological and a bit more of a tour of some of my favorite points along the timeline (RIP my academic credibility).
1. The Skinny Peaked Hood Era
Although it was probably more indicative of artist David Finch's style than perhaps how Moon Knight's hood was actually supposed to be perceived, I do find it interesting that the markedly longer and thinner peak in the hood distinctive of Mr. Finch's work started to bleed into other artists' interpretation of Moon Knight around this time.
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Moon Knight (Vol. 5/2006), #5
For example, there is this comic with art by Arthur Adams and Walden Wong.
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Hulk (vol. 2/2008), #8
Another interesting characteristic that was especially emphasized during this period was the cloak's volume, which was expanded to create such wonderfully dramatic panels as this one by artist Jefte Palo:
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Moon Knight (vol. 5/2006), #29
Other artists around this same time period, such as Mark Texeira and Javier Saltares respectively, chose to emphasize other elements, instead adding more prominent crescent details on the bracers, boots, and belt. (This definitely confirmed for me that the correct answer to the question "how many crescents are on Moon Knight's suit at any given time?" is "yes")
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Moon Knight (vol. 5/2006), #17
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Moon Knight (vol. 5/2006), #24
2. Armored, High-Tech Jake Lockley
With a new series and artist, Vengeance of the Moon Knight and Jerome Opeña respectively, the Moon Knight suit once again got a new look, featuring a new crescent logo design on the chest plate and what looks to be, in my opinion, more "futuristic" armor. The designs of the spaulders, bracers, and boots have been altered to include more elongated crescents and the armor overall appears to be more extensive and intensive to put on (necessitating the very post-Iron Man (2008) suiting up scene hahaha). Furthermore, there's also the addition of the firearm holsters, which is a marked development from the Moon Knight of the 1980's who largely tried to avoid firearms.
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Cover for Vengeance of the Moon Knight (Vol. 1/2009), #1
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Vengeance of the Moon Knight (Vol. 1/2009), #7
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Vengeance of the Moon Knight (Vol. 1/2009), #4
One other interesting detail that I noticed becoming more prevalent around this time is the inclusion of more noticeable seams, especially along the sides of the mask (which frankly reminds me of Fantomex hahaha), as seen in this panel with art by Juan Jose Ryp.
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Vengeance of the Moon Knight (Vol. 1/2009), #9.
But to be honest, this period was a bit of a free-for-all when it came to design, with some people like artist Bong Dazo really focusing on the details....
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Shadowland: Moon Knight (Vol. 1/2010), #2
....others like Mike Deodato Jr. and Will Conrad going with a more "classic" look...
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Secret Avengers (Vol. 1/2010), #10
...and others still sort of splitting the difference, as seen with Graham Nolan’s work...
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 Captain America: Hail Hydra (Vol. 1/2011), #5
3. Meleev’s Take
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Moon Knight (Vol. 6/2011), #8
Maleev’s work on volume 6 leaned more towards the “understated” end of the spectrum, with no decoration on the bracers and boots and a belt that frankly reminds me of the sort of the thing Spider-Man would keep under his suit to carry his web cartridges (and of course, there’s all the other costume weapons/accessories that came with this volume hahaha).
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Moon Knight (Vol. 6/2011), #9
4. Precursor to Mr. Knight????
Now this was an interesting (re)discovery: apparently in Secret Avengers #19 (a personal favorite issue of mine) with art by Michael Lark, Moon Knight's undercover stint as a civilian ends with him wearing a combo that is very similar to what Mr. Knight would wear in his debut in an issue published three years later. Just a fun little bit of trivia.
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Secret Avengers (Vol. 1/2010), #19.
5. Ladies and Gentlemen, THE Mr. Knight
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Moon Knight (Vol. 7/2014), #1
Perhaps one of THE most iconic looks for Moon Knight, Declan Shalvey’s Mr. Knight was described as a respectable public persona who could interact with official authorities, unlike the vigilante Moon Knight, and with such a smart looking three-piece suit, he definitely looks the part. In this particular panel, I especially like the crescent details on the buttons and cuffs.
5. That One Black Suit
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Moon Knight (Vol. 7/2014), #2
I uuuuuh actually already wrote a whole post breaking this suit down, so you can find that here, if you like hahaha
6. Ghost Ripper Armor
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Moon Knight (Vol. 7/2014), #3
If Mr. Knight is for respectable, above-board business and the Moon Knight armor is for beating up crooks in alley ways, this here armor is for the more mystical elements Moon Knight might need to deal with. While most prominently featured in Shalvey’s work and throughout volume 7, it has popped up in two issues of Moon Knight: Black, White & Blood, first in a story drawn by Akande Adedotun and then in a story with art by Leonardo Romero.
7. Lockley????
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Moon Knight (Vol. 7/2014), #8
This one isn’t revolutionary so much as it just haunts me personally. This appearance by an alter only referred to as “Lockley” (Jake Lockley??? although some argue that this may be another alter???) is only found in this issue with art by Greg Smallwood. It features the volume 7 black suit sans the cowl and with the addition of a white mask and honestly, the whole lack of information surrounding this incident just insures that at least I will forever lie awake thinking about it hahaha
8. Bemis Era
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Cover for Moon Knight (Vol. 8/2016), #189
The initial artist for the Bemis run, Jacen Burrows, continued the trend of keeping the Moon Knight suit fairly simple in design and monochromatic in color. Some elements I do appreciate, however, are the subtle change in shape of the bracers while the straps across the inner arm still mimic the banding of earlier designs. Furthermore, I just find the use of white lenses surrounded by black, as opposed to the typical glowing blue or slightly less common red, to be an interestingly distinctive artist’s choice.
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Moon Knight (Vol. 8/2016), #197
9. MacKay Era
Simply put, I owe artist Alessandro Cappuccio and colorist Rachelle Rosenberg my soul. On my last post about Moon Knight’s suits, there’s a comment about how the body of Marc’s suit was originally supposed to be black while the white was only intended to act as highlights. The classic all-white suit wasn’t adopted until around the West Coast Avengers era due to changes in printing and some readers coming to the conclusion that the suit was white (sort of a Spider-Man 2099 situation where his suit is described in the text as being predominantly black despite looking blue). Mr. Cappuccio seems to be harkening back to that effect and I personally find it very exciting. Depending upon the lighting in a panel, the suit in volume 9 can look almost like the one introduced in volume 7 or it could look almost entirely black…
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Moon Knight (Vol. 9/2021), #1
…OR it could look as pure white as people have thought it has been for decades hahaha
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Moon Knight (Vol. 9/2021), #8
Add on to that the faint glow effect that’s present even with Mr. Knight's suit and you get a truly otherworldly look perfect for a guy who’s been brought back from the dead a couple times by an Egyptian deity and who will not hesitate to punch a ghost or kill a faery. Or live in a haunted house for that matter.
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Moon Knight (Vol. 9/2021), #1
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Moon Knight (Vol. 9/2021), #7
Look at this walking glowstick
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msclaritea · 7 months
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MOVIE BOB HAS A REVIEW OF THE MARVELS!
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theodore-sallis · 1 year
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“Terror Stalks the Everglades!” Astonishing Tales (Vol. 1/1970), #12.
Writers: Roy Thomas and Len Wein; Pencilers: John Buscema, Neal Adams, and John Romita; Inker: Dan Adkins; Letterers: Jon Costa and Sam Rosen
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daydreamerdrew · 2 years
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The Incredible Hulk (1968) #187
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deadsetobsessions · 5 months
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Hera stood, waiting for her turn at last. The Queen of the Greek Pantheon traced the lines of neon green, its light reflecting against her true form in a soothing way. She’s no stranger to patience, to waiting. But there were little of those that had the gall to make her wait, and even smaller of that number that she would tolerate such behavior. Regardless, this was the one being she could not afford to offend and so, she waits. Her many forms, her divine self, perceived the room and compared it to her own halls of residence.
Olympus was much more intricate, carved of noble marble and inlaid with countless of priceless metals and gems and divinity. Twelve seats of power atop an engineering wonder, halls adorned with the brightest of the original flames, an hearth that was roaring at Hesta’s skillful hands.
In comparison, this throne room had been changed much since she was last here. Gone were the spikes of terror and screams of the damned. Now… it looked like the most bare throne room she’d ever bore witness to.
And yet, as she waited for the Boy King, Hera could feel the subtle thrum of impossible power. The new king did not flare his will and might like the previous tyrant, and for that, Hera approved. She has had quite enough of living with and under tyrants who cared only for themselves… and their bed achievements whilst failing spectacularly in their marital roles. Zeus was not a good life partner and Hera regretted ever saying yes to him many times in her immortal life. And yet… she loved him still.
The doors opened, and a small figure floated in, flanked by the previous King’s Knight. Perhaps that is what makes this Boy King so dangerous, Hera thought as she dipped into a bow, because he can turn the loyalest to his side.
“Your Majesty,” she greeted, in ghost speak.
“Heya, Hera!” The Boy King greeted her back, before waving the Knight away. Hera marveled, a bit, at the sheer confidence he had to dismiss his knight in her presence. Even the last king kept the knights around to ensure his power was always in display, always unchallengeable. The Boy King could destroy her with a snap of a finger and he knows it. He knows that she knows it.
“What did you need?” The Boy King asked, grin still on place as he floated to her instead of seating himself on his throne. Hera masked the bit of confusion she felt in pursuit of her goal.
“I have come here to ask of you a favor,” she began. “I am aware that… you are fond of this, the earth in which I reside in?”
Hera carefully picked her word. Everybody knows that the new King Phantom had laid claim to not only the Infinite Realms as is normal of his station, but an entire Earth as his haunt. He had the power to do so, she could finally see, now that she was standing before him. It would not do for Hera to get her strings cut because she claimed what is his.
“Sure. Why?” The Boy King tilted his head, narrowing that predator green upon her true form.
“Do you know of the Justice League, my lord?”
“Phantom’s fine,” he waved a hand. “And yeah, sure do! Why?”
Hera tilted her many forms in acknowledgement of the command. She bowed.
“My daughter, of a sort, is Diana Prince. Wonder Woman. She is… in grave danger. We can not exert our influence over a land that does not have our history. I can not interfere and aid her.”
“Oh, you want me to help her?” His tone was exasperated, and Hera spoke even more carefully in fear of offending him.
“Yes, if it pleases you. And it would be most gracious of you should Your Majesty have time to watch over her. I fear the danger will not leave her so quickly.”
There was a brief period of silence before King Phantom sighed. “And if it does not please me to do so?”
Hera looked up and locked gazes with evaluating green. “Then I am afraid I will be breaking a fair bit of cosmic law, King Phantom.”
He laughed. “Okay, yeah, I’ll check up on Wonder Woman.”
Hera blinked her many eyes, peacock feathers spreading in shock at how easily he allowed her favors. She did not even have to beg.
King Phantom turned to leave before pausing. “Hera, if you need help, just ask. Preferably without beating around the bushes next time. Also, Pandora misses you. You might want to hang around for tea later.”
Hera regarded him with the might of her divinity, which was but hardly a spec of his own kindness. The last one had not had her respect. Fear, yes. But never respect But this one…
“Yes, my King.”
“It’s just Phantom.” He shot back as he left, the Knight returning to his side once more.
Hera transformed into a more mortal form. She had not seen Pandora in a long time, the young woman had made quite an impression on her. Perhaps her old friend could be convinced in helping her punch Zeus and ruin her beloved husband’s day. Hera hummed, the green that used to flicker acidly against her divine form now only soothed. A reflection of its owner.
King Phantom is worthy of her regard.
——
Holy shit, a goddess asked him to check on the Justice League! She was super weird about it and talked in a really old way of speaking, but Danny hadn’t had anything to do for the past few days while entering the zone for his annual check up.
Danny waved away Fright Knight and dived into the portal that would take him directly to the Justice League and Diana!
He floated down from the portal, blinking at group of disheveled and injured superheroes surrounded by a group of demons. Belial?
“King Phantom.” Belial rumbled. Danny waved, not noticing the standstill his presence forced.
“Shite.” The British man cursed, drawing on his magic once more.
“King Phantom?” Diana Prince, Wonder Woman, said quizzically.
“Who?” Batman, Batman! That’s actually Batman, rumbled.
“High King of the Infinite Realms. We’re buggered if he decides to help Belial.”
“Wait, like the god of gods, that King Phantom?” Captain Marvel asked. Ancients, why are all of them electrical based? Danny hates electricity.
Danny floated closer to them, grinning in a friendly way before frowning as they tensed up.
“King Phantom. May I ask why you have graced us with your presence, my King?”
“Hey, Wonder Woman! Your mom asked me to babysit you!” He grinned, sharp and mischievous.
“What…?” The Flash asked, zipping to their side. “Her mom? Queen Hippolyta?”
“No, Hera,” Danny said, and watched Wonder Woman straighten at his words.
“The Goddess Hera.”
“Yep!” Danny rocked back on his suddenly formed legs instead of the whisp of a tail he usually kept in the Zone. He was also still floating. Danny sent a wave of ice and froze the rest of the demons in one fell swoop.
“The rest of you can take care of clean up, yes? Diana has to get some snacks, dinner, and then go to bed.” He pushed gently at Diana’s shoulders, nudging her towards the plane. She went willingly, respectful but amused.
——
Bruce, intellectually knowing that’s a king but only seeing a superhero teenager: *fills out mental adoption paperwork*
——
Hera, a goddess, terrified of misspeaking and dying as a result: he’s so strong even though he’s young omg powerful and could end my immortal existence
Danny, an unserious king: golly gee why is she speaking like a Shakespeare novel
——
Hera, thinking Danny’s gonna be dignified: pls watch over my daughter
Danny, who has a clone he sees as a daughter and therefore has no issues babysitting a grown woman: lol snacks, dinner, bedtime
Diana:… usually I’m on the other spectrum of this but it’s from a higher up so… okay?
——
Danny, terrifying gods and ancients: they’re my friends! The power of friendship!
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chaoticallyfluffy · 23 days
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I’ve been forced into reading Danny phantom fanfics because I’m desperate for Billy Batson content and for some reason half the stuff on ao3 is crossover stuff so I guess I like Danny phantom now?? Kind of?? I haven’t watched it and I don’t plan on it but I really like the idea of it.
Anywho,
Billy has maintained a very delicate balance of half truths and lies of ommision over the years to protect his identity as a literal child. He uses facts he learned from his patrons and his interest and knowledge in history, specifically Ancient Greece, to convince people he’s ancient.
Then one day this ghost guy joins the league claiming to be incredibly old as well except he just goes around straight up lying about stuff, saying whatever the hell he feels like about the past if it’s convenient to him or just funny. Most of it contradicts with the story Billy has been delicately weaving over the years and he’s kind of panicking.
One day he confronts the ghost guy and is like “I know your not actually ancient but I’m not a snitch, how old are you?”
And Danny kind of feels bad about pretending to be ancient in front of someone who has literally been around since at least Ancient Greece and confesses that he’s 14. Captain Marvel stares at him for a few minutes before breaking out in a big grin and transforming into a 12 year old Billy. They instantly become inseparable.
You’d think that Billy would ask Danny to stop lying all the time because it’s gonna get them caught, but no, he thinks it’s hilarious. Now whenever Danny says something absurd or directly contradictory of the actual history that Billy told them, they’re just like “oh yeah both of those happened at the same time but all the scribes were at the same spot so no one wrote about the other one and it was lost to time” or “there was a time loop for a good few years back in good old Greece so a lot of weird things happened that just didn’t stick.” Or “that did happen but only ghosts could perceive it.” Or sometimes, if they absolutely cannot get away with any other explanation, “dang must have dreamt it!”
The league is hopelessly confused and 90% sure they’re being messed with but they have no proof and if they look at the history at least MOST of the stuff they say is true so there’s really no reason to doubt it when Danny claims he once fist fought the god of time while the entirety of Rome cheered for him and placed bets, especially when Billy nods sagely and says he remembers having to clean up the space time continuum after the fight and that he lost the modern equivalent of ten bucks in the bet (he still doesn’t lie, just doesn’t disagree with the blatant dishonesty. He honestly did have to clean up the space time continuum multiple times after Danny messes with time a bit too much thanks to Clockwork + shenanigans. They make bets all the time too lol)
I think the contrast between ‘never lies’ and ‘lies all the time for funsies’ with the same motivation of ‘do the funniest thing possible at all times’ can be extremely entertaining and interesting.
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fuckyeaharchaeology · 2 years
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The reconstructed face of the “Cheddar Man” (c. 7,000 BCE) compared to his living descendant, Adrian Targett    
The Cheddar Man is a Mesolithic skeleton that was recovered from England’s Cheddar Gorge in 1903. At around 9,000 years old, the Cheddar Man is the oldest complete skeleton ever discovered in the UK, and has long been hailed as the “first Briton.” DNA analysis on the Cheddar Man from 2018 indicated that he was lactose intolerant, had light-colored eyes, dark brown or black hair, and had a dark to black skin tone. Although the discovery of the Cheddar Man’s dark skin tone was surprising for both scientists and the public alike, it corresponds with recent research suggesting that genes linked to lighter skin only began to spread into Europe about 8,500 years ago - approximately 32,000 years later than what was previously believed.  
In addition to the development on his skin tone, the Cheddar Man surprised scientists in 1997 when DNA analysis revealed that he had a living descendant - a retired history teacher named Adrian Targett. Targett and the Cheddar Man share the same mtDNA, which is inherited through the mother. In other words, they share a common maternal ancestor. What is even more remarkable is that Targett lives in Cheddar, only a half mile away from where his 9,000-year-old ancestor was discovered.
Targett was not invited to the initial reveal of his ancestor’s new facial reconstruction, but he has since seen it and has commented on the family resemblance. “I do feel a bit more multicultural now,” he once joked in an interview “And I can definitely see that there is a family resemblance. That nose is similar to mine. And we have both got those blue eyes.”
The development of the Cheddar Man’s skin tone has generated resistance, especially among far-right and white supremacist circles. Targett, however, is unbothered by it, stating that it is “marvelous what scientists can reconstruct once they sequence the DNA.” When asked if he thought whether the findings affected the way people think about race, Targett responded: “Yes, I do think it’s significant. Not many people in Cheddar mind it. But the lesson is that we’re all immigrants, whether you’ve been in a place for 10 minutes or 9,000 years. We’ve all come from somewhere.”
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the-cat-and-the-birdie · 11 months
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Hobie Brown, Emotional Preparation, and the Art of Great Dialogue
Nearly all of Hobie's dialogue is written with his goal - protecting and preparing Miles for Miguel's abuse - in mind, even if it may not be obvious at first watch.
Here's an unhinged breakdown where I over-analyze literally every one of Hobie’s lines and explain how every sentence was written to contribute directly to Miles’ radicalization.
Hollywood. Pay your writers. (:
___________________________________________________
Hobie has around 10 minutes screentime total, but for the sake of introductions and this analysis, let's start at the end of the battle, and the beginning of the quantum hole.
Starting with his first line in the scene:
"I don't follow orders. Neither does he."
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All morals considered, Hobie doesn't seem like the type to speak for someone who can speak for themselves - he's a punk after all. But here, he speaks for Miles. This line serves to tell Miles 'I don't respect them, why should you?', but funnily enough, it can also be a point to Jess, as if to say 'Miles isn't interested.' - even if he is.
"Bit much, innit?"
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While, Hobie and Mile's next interaction is their exchange in the elevator, the scene leads to Mile's introduction to the Society. Miles gawks at the lobby, obviously impressed. Gwen affirms this awe, telling him 'this is just the lobby.' However, Hobie feels the need to chime in. His next dialogue 'Bit much, innit?' is a subtle nudge to Miles that the society is not a place to be in awe off. It's a spectacle, one that's a bit overdone. Knowing Miles now sees Hobie as cool, Hobie makes it known - he sees the Society as uncool.
"Gwendy, How much have you told him? About his place in all this? Maybe not enough."
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'So what happened about that small elite strike-team?' - 'Most of these are part time.' This is by far one of Hobie's more interesting lines, and I wrote about it here. But in short, this is Hobie's soft but direct confrontation of Gwen. After Gwen lies to Miles in front of him, Hobie immediately asks how much Gwen has revealed to him. And when she tries to play it off, he openly says 'Maybe that's not enough.' He's not angry with Gwen, but he is disappointed, which in turn motivates him to have his discussion with Miles.
"Super humane, and not creepy."
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One of my favorites, because it's hard to catch and to the point. After talking about Hobie and Gwen's mission history, they're taken to Margo and the control room. As Miles marvels at Margo and the Go-Home-Machine, and Gwen says she voted against it. However, Hobie says blatantly: 'Holy shit, Miles isn't this inhumane and weird???', validating that the Society is willing to do inhumane, hurtful stuff to those it deems 'misplaced'.
Next comes Hobie's confrontation with Miles.
Because Hobie knows this is his last movements with Miles before he meets Miguel, and this is where if final push of emotional support kicks in, before he goes quiet in front of Miguel.
And because this conversation is so well layered, I think it's best to go line by line. ______________________________
H: "Bet this doesn't even do anything." M: "Maybe it did before you ripped it out of a wall!"
Hobie has now confirmed that he'll be making an exit soon. And he begins his finally sweep of parts he needs for his watch, stocking up his pockets. He's not stealing to steal. He knows he's leaving and this is his last chance to get what he needs before he's out the door.
"Propaganda, bro! It's to distract you from the truth!"
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HOLY SHIT I missed this one. Notice how in this shot, Gwen is not visible at all. Hobie notices they're out of hershot of her for the first time. And his first line is - 'Propaganda.' Their watches can take them anywhere. When Gwen needed to, she was taken to exactly where she needed in Mumbattan. But when they're heading towards HQ, Jessica makes them walk through the lobby. They could have been sent directly to Miguel's station, but instead she makes them do the whole tour, which serves as a flex of muscle. In order, Miles was shown the massive number of members in the Society, then their prisoners, then the go-home-machine. Only THEN can they see Miguel. All of which was intent to intimidate Miles on purpose. Hobie tells him directly: 'Everything you just saw was propaganda.'
M: And what's that?
"I ain't got a Scooby Doo, mate. Cause that's what they want."
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One of the most iconic and notable of his quotes. Cockney aside, this line ties back in with his discussion with Gwen just a couple minutes before. They've done their tour and walk. Both Jess and Gwen have been given a chance to prime or explain to Miles anything, and both have chosen not to. So Hobie simply tells him, 'They want you in the dark. And they're sending you into a fight.'
The next line is:
H: Why do you want to be part of this lot? M: To get a watch. H: Make your own watch.
Miles sucks his teeth at Hobie.
Because of this - Hobie begins to change methods. Which I cannot stress is incredibly perceptive of him.
Miles is exasperated with him. So instead of dissuasion and making the society out to be uncool, he tries to turn Miles' attention towards his family.
"Bet you got a nice setup, huh? Nice parents?"
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This line is a very well done one, with two things of notice. First, I find it interesting that the screenplay phrases this line as a question, not a sentence. Hobie is asking. He's taking a shot in the dark here. And this is backed up by his delivery; Hobie hesitates while saying this. The only line in which he does so. He may not know about Miles' mom and dad, because Gwen hadn't met them when she met Hobie. But still, Hobie asks, hoping the reminder of Miles' parents will dissuade him from continuing.
M: They're fine. H: [After this line, Hobie turns black and white momentarily. Potentially a nod to the fact that this conversation is the only 'black and white' one Miles has had so far.] M: But we got into a fight. They just want what's best for me, so...
[Hobie frowns. The scene and dialogue REALLY starts to pick-up from here.]
"That's a bloody shame. Because you're not ready for everyone else."
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As the scene progresses Hobie goes from behind Miles, to beside him like an ally. Then, when Gwen finally comes back into frame, Hobie crosses in front of him. When Miles mentions his parents wanting what's best for him, Hobie warns that everyone else does not want what's best for him. At the same time, visually Gwen has her back to Miles, and Hobie puts himself between Miles and Gwen, trying to block his path. The scene is set up to show that in Hobie's eyes, Gwen is turning her back on Miles. She does not have his best interest in mind. Hobie is telling Miles 'They're using propaganda on you, they're keeping you in the dark, and they do not have your best interest at mind. You're not ready for this." And he physically tries to block Miles from continuing, one last time.
Miles goes through Hobie, and now within earshot of Gwen again, this is Hobie's final chance and push to get as much information into Miles as he can - without freaking Miles out. Above all else, he needs Miles to be prepared, confident, and willing to fight back.
His voice becomes more serious, and he starts speaking more straight-forward and a lot less cryptically.
"Listen to me, bruv. The whole point of being Spider-man is your independence. Being your own boss, you don't need all this!"
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I think Hobie saying this reveals a lot about his character, especially understanding the context where he's from. While many Spider-men would agree that being Spider-man is about responsibility and power - to Hobie, it is about independence, and freedom. Hobie is a freedom fighter, and one of the only Spider-men besides Noir that knows how to fight systemic threats as well as physical ones. To him, being Spiderman is about being able to free yourself and others. It's about independence and freedom, and he's trying to nail that in Miles' head one last time.
M: Then why are you here?
"Looking out for my drummer, is all."
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As the scene is coming to a close, the writers chose this time to reveal some of Hobie's motivations, starting with the independence comment, and now this. Despite knowing about Gwen's deception towards Miles, he is still looking out for her - and Miles. This is the writers' and Hobie's last push to solidify himself as an ally to Miles and the viewer.
M: I want to be in a band. I want to see my friends, and I need a watch to do that. G: Guys, come on.
"Alright, Squashed. Just don't enlist until you know about who you're fighting."
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I genuinely had to sit and ask myself why the writers would choose to leave Hobie's collective effort - a LOT of effort - with this line. And honestly, I think it's a perfect segway. Hobie chooses his words very clearly; He doesn't say 'what', he says 'who'. The next scene leads into Miguel's intro, and up until this point, Miles doesn't know who he is. He only knows about the Society, but never who is at the top. We know about Miguel, but all Miles knows is his name. That's why Hobie says 'who you're fighting'. Because the Society isn't really a Society, and this isn't really between Miles and the Society at all. It's a dictatorship - and the person he's enlisting to fight is Miguel. The perfect introduction and warning to the person he's about to meet. He's telling Miles, 'Don't rush into it. Wait until you meet Miguel first'. And when Miles does meet Miguel, he finally sees that this isn't the place he thought it was, just like Hobie said. ALSO EVEN MORE INTERESTINGLY - THIS is one of the lines that is changed between the two versions of spiderverse (there are two theatrical versions on release.) In the alternative he says 'Don't enlist unless you know what war you're fighting.' And I think that the fact the writers chose to publish two different versions of this line goes to show how powerful they knew this line would be in Miles' characterization. There is so much Hobie has left to say to him, but only one line - and so we get two versions. How fun!
With the scene now over, we see a change in Hobie's demeanor, and I love the writers' choice to have the shot linger on Hobie.
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We see him give Miles a look that isn't exactly full of confidence, but from this point forward, Hobie chooses to hang back, no longer having any motivation to instigate. He knows his work here is done, and now all he can really do is wait for Miguel to reveal his true colors, and hope that he got through enough to Miles that he will react, and fight back.
And closing out the scene - I noticed that when Peter B. arrives Hobie pointedly says
"Oh boy, Humbling Reality Spider-man has arrived."
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All I'll say about this is Hobie has to be Jamaican cause that was so mfing rude shgjfkghjgjkdfjk
Hobie has about three lines between this point and then end of his screentime - Two of which were his lines to Mayday, and his comment during the canon events.
But there is one shot of him before it all happens. And after this shot the movie begins staging Hobie in specific a very different way than anyone else.
The moment begins with Miles' line 'My Dad is about to be captain.'
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The camera pans to each character. Gwen, Peter, and Jess all avert their eyes. Miguel looks at Miles. And Hobie is the only one who looks at all of them. Instead of looking down, he looks to the others, in anticipation of whats going to happen. It's also important to note that this was probably news to Hobie. He probably didn't know Miles' dad was a cop - or at the very least going to be captain. So the understanding of just how much trouble Miles is in kinda multiplies in this moment.
Then, this happens
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From this point forward, every time Hobie is portrayed, he is shown as separate from the other characters, always being divided from the group - with Miles as the divider. Even as the camera moves, Hobie visually remains - quite literally - as the only person in Miles' corner. And as the scene goes on, he moves farther and farther into that corner.
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Until finally the scene comes to a climax, and Hobie gets two shots to himself - delivering his final lines.
"Here we go." - "Hobie, You're not helping." - "Good."
GUYS IM GONNA CRY OKAY IM GONNA CRY
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This is Hobie seeing his work pay off. This is him knowing that he got through to Miles and that it was worth it. He's proud of him.
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Hobie knew what he came to do, and he used literally every line he said to Miles to the FULLEST extent. He doesn't give a fuck if he's not helping the Society. He's helping Miles. And now he knows his work is done.
Being a punk is not about being a hero, it's about empowering those who feel powerless. HE UNDERSTOOD THE MOTHERFUCKING ASSIGNMENT.
IN SHORT - HOLLYWOOD PAY YOUR FUCKING WRITERS I SWEAR TO GOD.
if you read this far let me know :) thanks bye
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“In the Midst of Wolves, Part 1,” Scarlet Spider (Vol. 2/2012), #13.
Writer: Christopher Yost; Penciler: Khoi Pham; Inkers: Tom Palmer and Terry Pallot; Colorists: Fabio D’Auria, Andres Mossa, and Antonia Fabela
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arijackz · 26 days
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PICK A CARD: Your FS' Secret Kinks
❦ “She lowered her lashes until they almost cuddled her cheeks and slowly raised them again, like a theatre curtain. I was to get to know that trick. That was supposed to make me roll over on my back with all four paws in the air." - Raymon Chandler, The Big Sleep
Disclaimer: This is a general reading, take what resonates. This is a gender-neutral reading, change any pronouns to apply to you.
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p1 → p2 ↙︎ p3 → p4
✦ Pile One ✦
Poor lil pooh pooh. This person struggles to “fill their cups up” so they get off on denying themselves pleasure. They secretly like the feeling of hitting whatever rock bottom looks like to them. Honestly, they want to be saved. They are wallowing at the bottom of a well, waiting for their savior to swoop in and throw them a rope. 
In a more literal sense, they want a person to be their reason to live. Their reason to feel daylight on their skin again. Everyone and everything around them is unsatisfying and “fake”. They want something real to coax them out of their hell and entice them with all the thrilling things life has to offer. 
However, they also like this dark and brooding side of themselves. They have a bit of a corruption kink.
They fantasize about a virginal angel coming down to save them, but they end up convincing the angel to sink down to their level. 
They like exciting, spontaneous people who are willing to jump up and run out the door to do something fun at any moment, but think innocent fun. Like going to the movies to theater hop, and getting away without paying. Or, running around the Target parking lot in shopping carts and trying not to bang into cars. Maybe even steal a few street signs. 
Innocent childhood fun that you’d see in early 90s movies. But add a sadistic twist to it that only they are aware of. 
You would be the innocent virgin (doesn’t have to be true, it's their fantasy) who is unknowingly leading this beast (also not true, they are just extremely self-deprecating) to your pretty little happy places which they plan to desecrate.
They want to fuck you in your family home and make a mess of your childhood bed, making you scream so loud that you’re family starts to look at you differently. They want to take you to your favorite movie spots where you usually chill and hangout with your friends and turn it into a place where all you can think about is them covering your mouth in the back of the theater while you’re squirming in their lap, trying to escape out of their grip as they edge you to the new Marvel release. 
They have a kink for turning all of your innocent, fun moments into their very own filthy fantasies.
Ps. Fisting came out of the blue so lube up!
Come To Me, My Senseless Angel
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✦ Pile Two ✦
I don’t believe this is a future spouse, to be honest. This might be a situationship you need to move past. They seem emotionally immature, or at least this is a side of them that exclusively comes out when they’re aroused. 
They can be quite abrasive and feel like they are constantly under attack so they’re incredibly defensive. They have a history of lashing out at their loved ones when they feel overwhelmed and get so blinded by their emotions that they disregard their affection for their partners and say really unforgettable, harmful words which permanently alters the connection for the worse. 
They carry guilt from these actions and are in a constant state of regret. In this state, their sense of pleasure is a little twisted. They get turned on by causing a genuine issue in the relationship. They like the idea of pushing you to your limit where you’re this 🤏  close to your breaking point and at your absolute lowest. It’s when you reach your rock bottom and realize the need to move away from this person and you scream out, “I DESERVE BETTER THAN THIS.”
They like to grovel. You know that cycle where somebody fucks up and then they’re in the dog house buying flowers and being extra fluffy just to get in the victim’s good graces so they can do the same thing over again. So far, pile one and two’s respective partners like to feel like shit. They secretly like the moment where they completely fuck up a relationship and have to beg on their hands and knees to get their person back orrrrrr they get off on emotionally tearing someone down to the point where they get on their knees to bed for this person’s attention. 
Either way, there's a lot of fucked psychological issues underneath this fantasy that I’m not unpacking here because it differs from person to person. 
In its best light, this person glorifies struggle love. At its worst, this person is purposefully emotionally abusive with the intent to tear their partner down for their own sexual gratification. 
They’re conscious enough to know their actions are toxic but don’t have the emotional maturity to work past their actions. They’re at the phase where they’re just aware and are like “I know I’m shitty but that’s just who I am. If they stick with me and the sex is good, it’s meant to be.”
I’m honestly getting twitter relationship hypotheticals with this one. Iykyk.
They’re also an edgelord. Less in an internet cockroach way and more in a witty- can be funny if done well- way, but they get pleasure from shocking people nonetheless. This energy can be directed toward you to piss you off and annoy you with the intent of getting in your pants later. 
I’ve been guided to switch the conversation briefly: If this resonates and is someone you are dealing with. It is time to move on. This person gets gratification from hurting you and will not get past that high of tearing down a relationship and then having a messy recovery. They have their own issues to work through and cannot see how they are hurting you. There is no future with this person, they came into your life to teach you a lesson about your self-value. That cycle has run its course and it's time to move on.  
To be honest, I’m not a fan of this person and don’t even want to list the explicit kinks that came out but I will just in case this message is for you but you’re not sure.
Random messages: Hot tub/pool sex, hair pulling, break down crying, interracial, milk, broken condom, “i fucking hate you”, “whore”, mirror, drunk sex, complaining, smack a bitch, twitter
P.S. You’re too sexy for the bullshit! There is bigger and greater out there, you just need to believe that for yourself!
This person will not get a mood board out of me.
✦ Pile Three ✦
Okay, so this person has some deep religious guilt. This is a male presenting person. I am being clear with their sex because it plays a role in this reading. They have some majorly repressed feminine energy. They may even be attracted to the same sex. 
This is a fs reading, so they are likely bi, pansexual, or trans. Either way, their family is close-minded and is not supportive of them. They were forced to leave home so they could finally live their truth. They have lived their entire life fitting somebody else’s narrative. They were the hypermasculine bro type to “cover up” their femininity. 
So, they have a kink for hyperfeminity. It’s almost to the point where they obsess over the caricature of girlhood. I see lots of pink, high heels, full-glam, all-day mall shopping, pinup curls, flashy jewelry, sleepovers, day spas, that scene in Scott Pilgrim where that girl is like “SHE’S PROBABLY LIKE 25!”, and everything else that gets associated with “girlhood” nowadays. 
They fantasize about you in your receptive energy, being waited on and cared for hand and foot. They like to observe the way you move. Everything about you and your feminine aura is incredibly alluring to them. The way with each breath your breasts fall, the way your hips swat with each step, the cute way you match your accessories with your outfits. They notice everything about you. 
You know those paintings of wealthy women lying on their sides and being fed grapes? That. They’re not in the serving role, they're the painter. Their kink is capturing you in those everyday moments where the world seems to be waiting on you like you’re the collective’s queen.
They see femininity in a higher light than the general population. They see women as automatically deserving of this type of care, they also want this care. 
They have a secret hard-on for pregnant women and women with swollen breasts. They have a lactation kink. They fantasize about cumming in you over and over again. They see you as a Goddess, so they want to see you masturbate at church on an altar, like you're waiting to be worshipped. 
A lot of their fantasies, they’re not even included in. It’s just you looking God-like and being worshipped by the world around you. This person may hate when you wear clothes. They act like the fabric is committing a sin by covering your body. They just want to capture your essence. Like an admirer and a student.
P.S. Dick game goes CRAZY. They watch a lot of women-focused porn to study what gets a woman off. Like Maddie in Euphoria, here is there to study.
Pretty In Pink
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✦ Pile Four ✦
WE GOT A PLEASURE DOM IN THE BUILDING Y’ALL STAY CALM. As my mama would say, they love your dirty drawls!
You could do no wrong in this person’s eyes. They’re the golden retriever type. Head empty, leading with heart and IN LOVE>>>>>
You are the pot of gold and the end of the rainbow they’re chasing. They appreciate a good fling but they’ve never felt this before. The emotions you stir in them are unprecedented, this is puppy, sandbox love that most people lose touch with after life jades them.
This is raw love at its most unprocessed. I taste honey. 
They have a kink for the power you have over them. It’s like you have a carrot on a stick and they’re the pig being led to a love den they can’t escape. And they’ll happily be the squealing pig in every lifetime they get with you. This is a soul yearning. 
You will know this person because they will proactively pursue you and they will have no doubts in their mind about it. They are really attracted to your physical form, your curves. Even if you’re on the slimmer side, they like your structure and the dips in your spine. They’ll stare at you when you’re talking and zone out, thinking about how attractive they find you. 
They’re not used to having to try to get someone to sleep with them. They have to put effort towards you and they like that. This person is downright thirsty and craves intimacy with you.
Their fantasies aren’t even dirty, they’re passionate. They want to put you in a mating press, with your knees pressed all the way up beside your ears. They want to penetrate (could be with a toy) deeply and touch that gooey part of you that makes you see stars. 
They want to see an imprint of them in your lower belly. Any position where you’re in their arms is a go for them because they like having you. They want every moment to be just you and them away from the world. So very sweet and intimate. They also love marking you, expect lots of hickeys.
Ignore them from time to time too (healthily, these conditions should be discussed beforehand)! They see you as the ultimate prize, so if you delay their satisfaction, they’ll feel like they’re chasing again, which gets them off. They like to feel like they’re convincing you to sleep with them. You both are consenting, but they like the idea of you having better things to do and they’re trying to convince you to stay and party with them. 
They are very action-oriented and love movement. Anything that involves an adventure together, they are down for. 
PS. Surprise them with a bubble bath together, they’ll love that. And tease them while pulling their hair a bit!
Ode To My Darling Sun
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spacedace · 1 year
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Something I've seen in fics a few times but not for comedic effect is the idea that Constantine selling his soul so many times makes him look/feel Wrong to ghosts.
Like I love various Danny ghost shenanigans giving Constantine a heart attack in stories but just imagine that Constantine is like deeply, deeply unsettling for Ghosts & Liminals to be around.
To the point of whenever he and Danny meet for the first time at the Watchtower after Danny's joined the League, Constantine just walks in and upon turning to look at who just walked in Danny just shrieks like a small child and throws a chair at him out of reflex, diving behind Captain Marvel to use him as a magical human meat shield while screeching "WHAT THE FUCK IS THAT???! WHAT THE FUCK IS THAT?!" At the top of his lungs and doesn't stop until Batman makes Constantine leave.
Even after Zantanna explains Constantine's whole deal and Danny explains to the Justice League how totally fucked up that looks/feels like to him ("Dude, Ghosts are their core, for us you see that before you see the shape of whoever you're talking to. Like, imagine someone walks up to you with a face that looks like it's made out of a shattered plate and the pieces are bleeding"
Or like, imagine instead it's a thing were Jason and Jazz are dating and Jazz, Danny & Elle are invited over for a nice meet the family brunch - "Brunch is fun and casual!" Dick insisted, "Way less intimidating than if we had them over for dinner!") and Constantine pops in to talk to Bruce about a case.
And the second he walks into the room all three just shriek like they're from an episode of Scooby Doo.
Elle takes one look at Constantine and just nopes out of there so hard she doesn't even gk intangible as she throws herself out the window and starts flying for the hills. Danny screeches like a cat whose tail has been stepped on and jumps onto the ceiling and scrambles away. Jazz screams like a house wife from an old Looney Tunes cartoon and starts climbing Jason like a tree - which is a bit of a problem since she's half a foot taller than Jay and throwing his center of balance off a bit and now half of the plates are smashed on the floor.
Jason doesn't even notice though because he also is losing his shit over what the fuck that thing is and unlike Elle is far more interested in Fight rather than Flight and pulls out a gun - "Why'd you bring a gun to brunch?! Guns aren't fun or casual!" - and just starts unloading on Constantine (who is very lucky Jason has switched to non lethal rounds and that he's quick enough with his spells to largely keep most of the rubber bullets from hitting him) also while screaming at the top of his lungs.
And well, turns out Jason's new girlfriend is the older sister of that ghost hero the League's been looking to recruit and Bruce is gonna take advantage of that - Phantom has been hard to pin down, which is fair, bad history with government agencies trying to kill him and all - to talk to him about a place with JL, though first he's going to have to get him down from the ceiling and that'd be a lot easier if Constantine would just leave already, they are supposed to be having a family brunch this is his one day off!
(Elle screams her all the way to Metropolis and doesn't stop until she nearly knocks Superman out of the sky. He isn’t really sure what's going on, but he does manage to calm her down and takes her to go get some ice cream. When he pitches joining JL she tells him that she thinks he's kinda lame but that Superboy is cool so she's down. It's...honestly kinda devastating but Clark manages to get through it.
A note gets made when the two ghost heroes officially join the League that partnerships with Constantine should be kept at an absolute minimum.)
And lol yeah, just, Constantine being utterly terrifying to Danny and the Pham
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