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ahaura · 6 months

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i saw someone point out the frequency with which liberals back social justice movements... how, for instance, when ferguson happened under obama it was not popular and there were many, many liberals who found the blm movement, in a sense, "in violation of [liberal] sensibilities" (when liberalism as a rule does not challenge the status quo, only maintains it and sees any call for revolution or real change as disruptive or 'bad for optics' and therefore not acceptable) but then when trump became president and he opposed blm a lot more liberals decided that the blm movement had merit because they viewed it from a team-sports perspective rather than a worldview based on morals and an understanding of the systems in place in the U.S. - that it was more comfortable for them to operate from a "trump bad" basis rather than "the american justice system and the police are inherently white supremacist, which are inherently, automatically, and always violent"

+ that, if trump was president while israel is carrying out its genocide, liberals would have NO problem denouncing israel and demanding for a ceasefire because they're comfortable operating from the 2-party system basis, NOT from a framework based on material conditions or factors or any acknowledgement or analysis of imperialism, colonialism, or capitalism. but because biden is a democrat, and democrats are supposed to be "the decent party" "the lesser evil" "more respectable" when, in functionality - in real practice, they don't want to disrupt the status quo. (internally, maintaining systems of white supremacy and capitalism; externally, furthering U.S. imperialism by maintaining hegemony and continuing the practice of exploitation and extraction of labor+capital+resources from the global south)

which is why we're here, a month into a genocide, and liberals are so cowardly and gutless that, in the face of our democrat president allowing and funding the genocide of palestinians in order for the U.S. to maintain its military base in the middle east, liberals IMMEDIATELY jump to "well, you HAVE to vote for him still, because trump will be worse!" and go "well im powerless there's nothing i can do", immediately folding like a wet paper bag in the face of the american empire rearing its ugly head in the most blatant, naked way in years, instead of thinking "this is unacceptable, i should pressure my elected officials and do everything i can - be it combating propaganda, contacting my congresspeople or senators, protesting, or engaging in direct action - to ensure this stops as quickly as possible".

there are liberals STILL IN MY NOTIFICATIONS who go "well you'll be electing a fascist if you vote for trump" not realizing that YOU CAN'T SIMPLY VOTE FASCISM AWAY. (which is not to say you should vote for republicans; that's not what i'm saying. none of us have said it.) we're pretty much already there. it's 2003 all over again, with the patriot act and all. the american war machine is pumping out racist, orientalist, pro-colonial, pro-genocide propaganda on behalf of the ethno-state america and its allies have backed since the so-called state's inception. people are being doxxed, fired, harassed, and attacked for visibly supporting palestine/opposing israel. islamophobic hate crimes are on the rise; a 6 year old boy was murdered not one month ago, an arab doctor in texas was stabbed to death. antisemitism is on the rise as well, thanks to the conflation of antisemitism with anti-zionism (which nazis have and will attempt to co-op in order to 'justify' + then act on their antisemitism, racism, and genocidal worldviews). our government is silencing people, brutalizing protestors, and arming and funding an ethno-state committing genocide - everything that would have been called fascist if it was under trump. but because it's a *democrat* liberals place "vote blue no matter who" and "optics" over the extremely basic moral stance that "genocide is wrong and people have the right to self-determination, autonomy, and life". arabs and muslims are already so dehumanized in the west that liberals (whether they consider themselves liberals or not) consider it an inconvenience to talk about the ongoing genocide that is happening with the blessing of OUR government. in this they expose their selfishness, the shallowness of their morals, their chauvinism, and their racism/orientalism/islamophobia/et cetera.

for example, if you see israeli troops waving a gay pride flag and the israeli state touting its support of gay people while said iof soldiers are murdering men, women, and children en masse every single day and you somehow????? think that because gay people are the ones doing the killing or a state claims to support gay people is doing the killing is ok then 1) you have fallen for pinkwashing propaganda and 2) that you find the murder of palestinians, or any people, permissible by a colonial force that uses causes liberals may genuinely care about in order to disguise, whitewash, or "lessen" the severity of the injustices it does unto usually black and brown people outside of the U.S., then you are just as bloodthirsty and depraved as anyone you would personally assign those descriptors of.

once again, it goes back to resorting to a team-sport understanding of the world rather than approaching it from a material one.

#uspol #another mini-essay directed specifically at usamerican liberals.#pre-emptively blaming left-wing people or arabs or muslims for the inevitable loss of joe biden #instead of the fact that biden IS SUPPORTING GENOCIDE and also has been. generally a failure within the US as well.#like bitch look around you! look at the state things are in! AND A DEMOCRAT IS PRESIDENT!!!#📁.zip

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mostlysignssomeportents · 3 months

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The majority of censorship is self-censorship

I'm on tour with my new novel The Bezzle! Catch me TONIGHT in SAN DIEGO (Feb 22, Mysterious Galaxy). After that, it's LA (Saturday night, with Adam Conover), Seattle (Monday, with Neal Stephenson), then Portland, Phoenix and more!

I know a lot of polymaths, but Ada Palmer takes the cake: brilliant science fiction writer, brilliant historian, brilliant librettist, brilliant singer, and then some:

https://pluralistic.net/2022/02/10/monopoly-begets-monopoly/#terra-ignota

Palmer is a friend and a colleague. In 2018, she, Adrian Johns and I collaborated on "Censorship, Information Control, & Information Revolutions from Printing Press to Internet," a series of grad seminars at the U Chicago History department (where Ada is a tenured prof, specializing in the Inquisition and Renaissance forbidden knowledge):

https://ifk.uchicago.edu/research/faculty-fellow-projects/censorship-information-control-information-revolutions-from-printing-press/

The project had its origins in a party game that Ada and I used to play at SF conventions: Ada would describe a way that the Inquisitions' censors attacked the printing press, and I'd find an extremely parallel maneuver from governments, the entertainment industry or other entities from the much more recent history of internet censorship battles.

With the seminars, we took it to the next level. Each 3h long session featured a roster of speakers from many disciplines, explaining everything from how encryption works to how white nationalists who were radicalized in Vietnam formed an armored-car robbery gang to finance modems and Apple ][+s to link up neo-Nazis across the USA.

We borrowed the structure of these sessions from science fiction conventions, home to a very specific kind of panel that doesn't always work, but when it does, it's fantastic. It was a natural choice: after all, Ada and I know each other through science fiction.

Even if you're not an sf person, you've probably heard of the Hugo Awards, the most prestigious awards in the field, voted on each year by attendees of the annual World Science Fiction Convention (Worldcon). And even if you're not an sf fan, you might have heard about a scandal involving the Hugo Awards, which were held last year in China, a first:

https://www.nbcnews.com/news/world/science-fiction-authors-excluded-hugo-awards-china-rcna139134

A little background: each year's Worldcon is run by a committee of volunteers. These volunteers put together bids to host the Worldcon, and canvass Worldcon attendees to vote in favor of their bid. For many years, a group of Chinese fans attempted to field a successful bid to host a Worldcon, and, eventually, they won.

At the time, there were many concerns: about traveling to a country with a poor human rights record and a reputation for censorship, and about the logistics of customary Worldcon attendees getting visas. During this debate, many international fans pointed to the poor human rights record in the USA (which has hosted the vast majority of Worldcons since their inception), and the absolute ghastly rigmarole the US government subjects many foreign visitors to when they seek visas to come to the US for conventions.

Whatever side of this debate you came down on, it couldn't be denied that the Chinese Worldcon rang a lot of alarm-bells. Communications were spotty, and then the con was unceremoniously rescheduled for months after the original scheduled date, without any good explanation. Rumors swirled of Chinese petty officials muscling their way into the con's administration.

But the real alarm bells started clanging after the Hugo Award ceremony. Normally, after the Hugos are given out, attendees are given paper handouts tallying the nominations and votes, and those numbers are also simultaneously published online. Technically, the Hugo committee has a grace period of some weeks before this data must be published, but at every Worldcon I've attended over the past 30+ years, I left the Hugos with a data-sheet in my hand.

Then, in early December, at the very last moment, the Hugo committee released its data – and all hell broke loose. Numerous, acclaimed works had been unilaterally "disqualified" from the ballot. Many of these were written by writers from the Chinese diaspora, but some works – like an episode of Neil Gaiman's Sandman – were seemingly unconnected to any national considerations.

Readers and writers erupted in outrage, demanding to know what had happened. The Hugo administrators – Americans and Canadians who'd volunteered in those roles for many years and were widely viewed as being members in good standing of the community – were either silent or responded with rude and insulting remarks. One thing they didn't do was explain themselves.

The absence of facts left a void that rumors and speculation rushed in to fill. Stories of Chinese official censorship swirled online, and along with them, a kind of I-told-you-so: China should never have been home to a Worldcon, the country's authoritarian national politics are fundamentally incompatible with a literary festival.

As the outrage mounted and the scandal breached from the confines of science fiction fans and writers to the wider world, more details kept emerging. A damning set of internal leaks revealed that it was those long-serving American and Canadian volunteers who decided to censor the ballot. They did so out of a vague sense that the Chinese state would visit some unspecified sanction on the con if politically unpalatable works appeared on the Hugo ballot. Incredibly, they even compiled clumsy dossiers on nominees, disqualifying one nominee out of a mistaken belief that he had once visited Tibet (it was actually Nepal).

There's no evidence that the Chinese state asked these people to do this. Likewise, it wasn't pressure from the Chinese state that caused them to throw out hundreds of ballots cast by Chinese fans, whom they believed were voting for a "slate" of works (it's not clear if this is the case, but slate voting is permitted under Hugo rules).

All this has raised many questions about the future of the Hugo Awards, and the status of the awards that were given in China. There's widespread concern that Chinese fans involved with the con may face state retaliation due to the negative press that these shenanigans stirred up.

But there's also a lot of questions about censorship, and the nature of both state and private censorship, and the relationship between the two. These are questions that Ada is extremely well-poised to answer; indeed, they're the subject of her book-in-progress, entitled Why We Censor: from the Inquisition to the Internet.

In a magisterial essay for Reactor, Palmer stakes out her central thesis: "The majority of censorship is self-censorship, but the majority of self-censorship is intentionally cultivated by an outside power":

https://reactormag.com/tools-for-thinking-about-censorship/

States – even very powerful states – that wish to censor lack the resources to accomplish totalizing censorship of the sort depicted in Nineteen Eighty-Four. They can't go from house to house, searching every nook and cranny for copies of forbidden literature. The only way to kill an idea is to stop people from expressing it in the first place. Convincing people to censor themselves is, "dollar for dollar and man-hour for man-hour, much cheaper and more impactful than anything else a censorious regime can do."

Ada invokes examples modern and ancient, including from her own area of specialty, the Inquisition and its treatment of Gailileo. The Inquistions didn't set out to silence Galileo. If that had been its objective, it could have just assassinated him. This was cheap, easy and reliable! Instead, the Inquisition persecuted Galileo, in a very high-profile manner, making him and his ideas far more famous.

But this isn't some early example of Inquisitorial Streisand Effect. The point of persecuting Galileo was to convince Descartes to self-censor, which he did. He took his manuscript back from the publisher and cut the sections the Inquisition was likely to find offensive. It wasn't just Descartes: "thousands of other major thinkers of the time wrote differently, spoke differently, chose different projects, and passed different ideas on to the next century because they self-censored after the Galileo trial."

This is direct self-censorship, where people are frightened into silencing themselves. But there's another form of censorship, which Ada calls "middlemen censorship." That's when someone other than the government censors a work because they fear what the government would do if they didn't. Think of Scholastic's cowardly decision to pull inclusive, LGBTQ books out of its book fair selections even though no one had ordered them to do so:

https://www.nytimes.com/2023/05/06/books/scholastic-book-racism-maggie-tokuda-hall.html

This is a form of censorship outsourcing, and it "multiplies the manpower of a censorship system by the number of individuals within its power." The censoring body doesn't need to hire people to search everyone's houses for offensive books – it can frighten editors, publishers, distributors, booksellers and librarians into suppressing the books in the first place.

This outsourcing blurs the line between state and private surveillance. Think about comics. After a series of high-profile Congressional hearings about the supposed danger of comics to impressionable young minds, the comics industry undertook a regime of self-censorship, through which the private Comics Code Authority would vet comings for "dangerous" content before allowing its seal of approval to appear on the comics' covers. Distributors and retailers refused to carry books without a CCA stamp, so publishers refused to publish books unless they could get a CCA stamp.

The CCA was unaccountable, capricious – and racist. By the 60s and 70s, it became clear that comic about Black characters were subjected to much tighter scrutiny than comics featuring white heroes. The CCA would reject "a drop of sweat on the forehead of a Black astronaut as 'too graphic' since it 'could be mistaken for blood.'" Every comic that got sent back by the CCA meant long, brutal reworkings by writers and illustrators to get them past the censors.

The US government never censored heroes like Black Panther, but the chain of events that created the CCA "middleman censors" made sure that Black Panther appeared in far fewer comics starring Marvel's most prominent Black character. An analysis of censorship that tries to draw a line between private and public censorship would say that the government played no role in Black Panther's banishment to obscurity – but without Congressional action, Black Panther would never have faced censorship.

This is why attempts to cleanly divide public and private censorship always break down. Many people will tell you that when Twitter or Facebook blocks content they disagree with, that's not censorship, since censorship is government action, and these are private actors. What they mean is that Twitter and Facebook censorship doesn't violate the First Amendment, but it's perfectly possible to infringe on free speech without violating the US Constitution. What's more, if the government fails to prevent monopolization of our speech forums – like social media – and also declines to offer its own public speech forums that are bound to respect the First Amendment, we can end up with government choices that produce an environment in which some ideas are suppressed wherever they might find an audience – all without violating the Constitution:

https://locusmag.com/2020/01/cory-doctorow-inaction-is-a-form-of-action/

The great censorious regimes of the past – the USSR, the Inquisition – left behind vast troves of bureaucratic records, and these records are full of complaints about the censors' lack of resources. They didn't have the manpower, the office space, the money or the power to erase the ideas they were ordered to suppress. As Ada notes, "In the period that Spain’s Inquisition was wildly out of Rome’s control, the Roman Inquisition even printed manuals to guide its Inquisitors on how to bluff their way through pretending they were on top of what Spain was doing!"

Censors have always done – and still do – their work not by wielding power, but by projecting it. Even the most powerful state actors are not powerful enough to truly censor, in the sense of confiscating every work expressing an idea and punishing everyone who creates such a work. Instead, when they rely on self-censorship, both by individuals and by intermediaries. When censors act to block one work and not another, or when they punish one transgressor while another is free to speak, it's tempting to think that they are following some arcane ruleset that defines when enforcement is strict and when it's weak. But the truth is, they censor erratically because they are too weak to censor comprehensively.

Spectacular acts of censorship and punishment are a performance, "to change the way people act and think." Censors "seek out actions that can cause the maximum number of people to notice and feel their presence, with a minimum of expense and manpower."

The censor can only succeed by convincing us to do their work for them. That's why drawing a line between state censorship and private censorship is such a misleading exercise. Censorship is, and always has been, a public-private partnership.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/02/22/self-censorship/#hugos

#pluralistic #ada palmer #worldcon #hugos #china #science fiction #fanac #publishing #censorship #systems of information control during information revolutions #scholarship

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glassrowboat · 1 month

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Daydream in a Nightmare

Authors note: I read a soulmate au where with dream sharing. Everytime you fall asleep you and your SM would meet in a world that would reflect your consciousness and who you were. So down below are the boys and what I think the places their dreams would depict.

Mondstadt

Diluc: The cathedral. His mom, back when she was alive, used to play during service and afterwards Diluc ran over greeting her with the biggest smile, asking her to play him one more song. She never failed to. Maybe that's why there's always a gentle melody playing whenever you see him as he rests his fingers over the same white tiles, simply trying to remember how to play.

Kaeya: The Dawn Winery. Or at least parts of it. Behind closed doors there's the scent of grass, of dirt, and the faintest smell of ash. He says it's simply the vineyard that in the real world would be right outside, but he knows well as he pulls your hand from the doorknob that it's ruins of a fallen nation haunting him right on the other side.

Albedo: Glass walls. A maze of mirrors and reflections. If you ever have stopped to bother to count between Albedo’s musings as he shares with you the secrets of the world, you'd notice that for some reason he always has more reflections in the walls around you than of your own figure. Like there's more of him than there is of you.

Venti: Old Mondstadt. Back before the revolution, back when there were people in the streets wishing their God weren't so unjust, but in his dreams that wall of spiraling wind is never there. A warped perception of a life he wished to have lived as he sits in your lap not as Venti the bard, but a wind sprite trying to bury into your clothes for warmth. Just don't call him pipsqueek or he'll try and bite your fingers. Playfully. You think.

Liyue

Zhongli: A place that no longer exists, one torn away by this world during the archon war. It's unlike him not to comment on a place, a trinket, an item, as you pick something up and fiddle with it, but this place he never goes into full detail on. However, he will tell you all about the artisanship of the table you two are sharing tea over.

Baizhu: His home back in Chenyu Vale, back before the illness hit his village, back before his parents passed away. Just a modest home that shows signs of being truly well lived in and loved. Mindlessly while you two talk he'll be cleaning the place, just the way he always does at the pharmacy. Though it does help give him something to fill the silence. It turns out he's a lot more used to Changsheng chiming in with comments than he thought. He just hopes you two get along when the time to meet in person finally comes about.

Ga ming: A festival. There's water kicking up at everyone's feet, up to everyones ankles as people with their face covered in all manner of masks walk you both by. Ga ming would pull you along from booth to booth, trying his best to win prizes despite the fact you both know they'll be gone by the time you wake.

Xiao: A Chinese pavilion in the sky. You walk among the clouds as you follow the path of the street, looking over the accents that seem somehow both rich in color and dull, muddied all at the same time. Something you've noticed from his dreams compared to yours, his always have a lingering black fog creeping in at the corner of your eyes. It makes you feel like someone else is in this world with you, like there's eyes waiting to do more than just watch.

Inazuma

Kazooha: A meadow. The wind passes you both by, stirring up pages of books you two sit reading in silence. You can't help but wonder if these are all books he's read before, especially the ones that wax poetry or something else. His thoughts, perhaps? Maybe Kazuha's very own writings? But that matters little as his head is resting on your shoulder as you try to catch words between the fluttering sheets of paper.

Itto: A kabuki play. It always ends up in you two hiding away in the back room where the performers would get ready before getting back out on stage for the next act. You would see the brightest of colors, richest of fabrics, and practiced movements so fine tuned that you can't understand why Itto is so focused on taking the makeup on the vanity in the back simply so he can paint your face with red marks just like his. To each their own you suppose, and who are you to complain when it means drawing hearts on his arm when Itto isn't paying attention?

Gorou: A tea house. It's a small place, simple, but certainly not lacking charm as Gorou pours you a cup. At first the fact you could actually taste the rich herbs on your tongue in this dreamscape threw you off, but now it's just another part of this odd reality. But saying that, the first time you spat out the drink he offered as soon as the bitter taste hit you. Apparently he never expected you to not already be used to green tea. The poor fella was apologizing for the rest of the night, ears laid flat on his head and tail tucked between his legs. It's okay though, you made it even by trying to give him dog treats. It was you having to beg for forgiveness then.

Thoma: It was different this time. No glowing blue flowers and a forest that you two would stroll through mindlessly while chatting for hours. No, this time Thoma was sitting on a wooden platform below a giant stone statue. Intriguing, yes, but mattered little compared to the rope burns around his wrist. He tried to tell you not to worry about it. That it was an accident. But that mattered little as your lips pressed to the red, irritated skin and he gave you a strained smile. You knew better than to ask about it more from there.

Ayato: It's ever changing. It's like he is constantly thinking of something whenever He falls asleep and it reflects in his dreams. Once it was a Japanese styled room the next it was some room in Fontaine's architecture. But it's always a bedroom. A place of relaxation as Ayato buries his head in your lap like it was a pillow. He'll whine about being overworked until you're tempted to pull on his hair just to make the man shut up for once, but last time you did that it led to the bed being used for a lot more than just rest. For now just pat his head and let him vent, the man needs it.

Sumeru

Kaveh: A sketch brought to life from his mothers blueprints. One he saw his mother sketching back when Kaveh was a boy and she would let him sit on her lap, let him comment on the drawings. She would always find some way to incorporate his addictions into the sketch. Nowadays he knows the building that was actually constructed in the end to be simpler, duller than the one his mother wanted, but in his dreams with you it stands tall and proud.

Al Haitham: An attic. It's dusty and it clearly had a hole in the roof that was covered over by some wooden planks and nails. A patch work job that needs to be fixed but if you ever take the time to bother with it while Al Haitham sits in an old rocking chair covered by a quilt reading the night away it will only be there the next dream cycle. It pisses you off. He pisses you off. All nonchalance and an apathetic look even as you plop yourself in his lap and take that book away. And what pisses you off even more? How he dares to call you needy as he holds you close. It's best to ignore the fact he started reading over your shoulder.

Tighnari: Pardis Dhyai. He'll sit on the walkway watching you kick the water of the ponds around, paying no mind to when you splash at him. Not anymore at least. He's learned quickly if he makes a snarky comment you'll give one back and it'll go on and on until somehow it ends in him getting dragged into the pond with you. Both dripping algae filled water as he wondered what gods made this numbskull his mate.

Cyno: Lambad's Tavern. Everytime he would come back from treks in the desert he would go there, get a drink, and play a round of cards with whoever was willing. It was a pattern. Work, work, rest, and more work. But now he didn't have to constantly be on work mode as he sat with you in the old booth shuffling cards as he tried to explain to you how TCG works. So far everytime you lose you've thrown those elemental dice and him, and with a smile he lets them hit him in the head despite being fully able to dodge them. His soulmate is such a sore loser.

Wanderer: Shakkei Pavilion. He hates it. Hates that this is the place his unconscious has chosen to sink onto so stubbornly. His wooden fingers would slide over the paintings depicting Scaramouche’s past that has now been severed from him in everyone's eyes but Nahida and the Traveler. If you knew, would you still hold his hand? Would you still trace the details of his joints and comment that you find his pretty face such a stark contrast to his sharp words? He's afraid to find out, the idea that you might be his fourth betrayal always lingering in the back of his mind.

Fontaine

Neuvillette: Under the water where the currents would carry stray bits of seaweed and fish swimming past. The first time you shared a dream with him here he had to calm you down as instinctively you held your breath, taking your hands in his and assuring you if he can talk like this, you can suck in air just as well. It took some time getting used to, but now he watches as you grab starfish off the ocean floor and bring them over to him like a prize to be presented. This is what humans must be like Neuvillette tells himself as you braid them into his hair.

Worcestershire sauce: A home. A nice one at that. Big, had decent furnishings, pictures of kids hung up on the wall. If you listened closely enough you could even hear children playing outside from the cracked open windows that showed the brightest sky outside. Wriothesly would walk behind you as you would watch the grass blowing in the wind, not saying a word as he rested his chin on top of your head. He never thought he'd be back here again. The very place made him feel sick to his stomach, but with you? It was bearable. Even as you tried to grab his handcuffs from him.

Snezhnaya

Childe: His childhood home. Back before the renovations he bought for the place with his money as a harbinger, back before the redecorating of rooms to fit more children, and back to what the house was like when he was just a boy yet to fall into the abyss. Back when everything was simpler. He would pick up toys that have gone missing, never to be seen again and stare in wonder how it all is exactly how he remembers it. It makes it so much easier to be Ajax with you, rather than Tartaglia.

Dottore: The hospital he was working in when trying to help Eleazar patients. For the life of him does he hate it, being back in the desert always having to tip his shoes out of sand that never seems to fully clear off. It doesn't help you try and pour sand down his shirt, but in a way he supposes it's better you two stay out here under that blistering sun than you going inside to be met with the smell of death. No, you don't need to know about that side of him just yet.

Pantalone: His office. It always makes it hard to tell at first if he's awake, not when the same scene greets him either way. You always joke about him being married to his work and you're the mistress in this relationship. At this point he counts on the comment as soon as his eyes flutter open and he's greeted with the sight of you sitting on the desk he's been using as a pillow. Still, he can never help the genuine smile at seeing you once again.

Captain: A flower field. The snowdrops peek out from under the fluffy blanket of white powder, crunching under every step he takes. Even in his dreams the cold of Snezhnaya is ever present, ever biting. It only makes sense you are shivering behind him even as he lets you steal his cloak that is more of a blanket on you than anything. This field, he knows it well, knows that what waters these flowers is more blood than anything else, but that matters little as he wraps his arms around you. Maybe he can find a way to dream you a proper jacket.

Pierro: A grand hall. It reminds you of the way ballrooms are described in romance stories as the couple depicted would dance the night away. Columns so high you have to tilt your head back just to see where they meet the ceiling covered in paintings you've never seen before. That is until Pierro steps into your view. He always offered his hand to you before you could ask, and as your fingers interlocked he would tell you about them. Always ready to answer your questions. It meant someone was curious about a part of his long lost nation. So, of course, he was always happy to share.

Scaramouche: A never ending fire. It's a small shack, engulfed by flames that never seem to dwindle or burn out the wood it feeds on. Like this place was stuck in time in his mind. He doesn't talk to you, not any more than a sharp shut up. The only time that glare he showed you disappeared is when you pulled your hand back from the curious fire with a hiss, not expecting it to actually hurt in this fake reality. For a moment you could have sworn he took a step towards you, but he never came any closer than that as he hissed at you to be careful. Dumb mortals should at least know not to burn themselves.

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probablyasocialecologist · 10 months

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An innovation that propelled Britain to become the world’s leading iron exporter during the Industrial Revolution was appropriated from an 18th-century Jamaican foundry, historical records suggest. The Cort process, which allowed wrought iron to be mass-produced from scrap iron for the first time, has long been attributed to the British financier turned ironmaster Henry Cort. It helped launch Britain as an economic superpower and transformed the face of the country with “iron palaces”, including Crystal Palace, Kew Gardens’ Temperate House and the arches at St Pancras train station. Now, an analysis of correspondence, shipping records and contemporary newspaper reports reveals the innovation was first developed by 76 black Jamaican metallurgists at an ironworks near Morant Bay, Jamaica. Many of these metalworkers were enslaved people trafficked from west and central Africa, which had thriving iron-working industries at the time. Dr Jenny Bulstrode, a lecturer in history of science and technology at University College London (UCL) and author of the paper, said: “This innovation kicks off Britain as a major iron producer and … was one of the most important innovations in the making of the modern world.” The technique was patented by Cort in the 1780s and he is widely credited as the inventor, with the Times lauding him as “father of the iron trade” after his death. The latest research presents a different narrative, suggesting Cort shipped his machinery – and the fully fledged innovation – to Portsmouth from a Jamaican foundry that was forcibly shut down.

[...]

The paper, published in the journal History and Technology, traces how Cort learned of the Jamaican ironworks from a visiting cousin, a West Indies ship’s master who regularly transported “prizes” – vessels, cargo and equipment seized through military action – from Jamaica to England. Just months later, the British government placed Jamaica under military law and ordered the ironworks to be destroyed, claiming it could be used by rebels to convert scrap metal into weapons to overthrow colonial rule. “The story here is Britain closing down, through military force, competition,” said Bulstrode. The machinery was acquired by Cort and shipped to Portsmouth, where he patented the innovation. Five years later, Cort was discovered to have embezzled vast sums from navy wages and the patents were confiscated and made public, allowing widespread adoption in British ironworks. Bulstrode hopes to challenge existing narratives of innovation. “If you ask people about the model of an innovator, they think of Elon Musk or some old white guy in a lab coat,” she said. “They don’t think of black people, enslaved, in Jamaica in the 18th century.”

#industrial revolution #colonialism #british empire #Jamaica #Cort process

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severusskywalker · 9 months

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I’m looking for some more podcasts to listen to.

I’ve recalling liked The Magnus Archives, Welcome to Night Vale, Malevolent, Wolf 359, and a couple others, and I’m looking for more. I like ones with overarching plots, if that makes sense? Any recommendations? Thanks!

Edit: A few more I have enjoyed/finished (including from the list below, as I listen to them!)

Archive 81

Auricle

The Deep Vault

The Scarab Archives

Vigil

The Technomacy Project

What Will Be Here

Re: Dracula

Stellar Firma

Out of Place

I Am In Eskew

Ars Paradoxica

The Antique Shop

And now the ever increasing recommendations, so they are all in one place… please feel free to keep recommending ones too, I love growing recs lists! (Now alphabetized!)

Aftershocks

Alice isn’t Dead

A Voice From Darkness

Camp Here and There

Captain Skyjacks

Case 66

Critical Role

Cryptids

Dames & Dragons/LegendLark

Darkest Night

Death by Dying

Derelict

Desert Skies

Desperado!

Deviser

Dimension 20

Don’t Mind Cruxmont

Dungeons & Daddies

Either

Ethics Town

Find Us Alive

From Caulk and Candles

Ghost Wax

Girl in Space

Greater Boston-the vignettes

Hello from the Hallowoods

Interstitial AP

Just Roll With It

Kakos Industries

Keep it Steady

Last Call at the Bluebell Cafe

Life With Althaar

Limetown

Mabel

Midnight Burger

Midst

Mirrors

Mission to Zyxx

Mockery Manor

Monstrous Agonies

Murray Mysteries

Neighborly

Newts!

Not Quite Dead

Old Gods of Appalachia

Oz 9

Paralyzed

Potterless

Red Valley

Revolution

Riley Hopkins and their Amazing Friends

Rusty Quill Gaming

Sayer

Second Star to the Left

Somewhere, Ohio

Spines

Spirit Box Radio

Spirits Podcast

Steal the Stars

S-town

Strange Case of Starship Iris

The Adventure Zone

The Amelia Project

The Black Tapes

The Bright Sessions

The Cellar Letters

The Deca Tapes

The Invictus Stream

The Left Right Game

The Liberty Podcast

The Milkman of St Gaff’s

The Mistholme Museum of Mystery, Morbidity, and Mortality

The Newest Olympian

The Night Post

The Pasitheaa Powder

The Penumbra Podcast

The Sheridan Tapes

The Silt Verses

The SPC Foundation Database

The Storage Papers

The White Vault

Time:Bomb

Unwell Podcast

Vast Horizon

We’re Alive

Within the Wires

Woe.begone

Wooden Overcoats

#the magnus archives #welcome to night vale #wtnv #malevolent #wolf 359 #podcasts #podcast #podcast recommendations #podcast recs

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astrolovecosmos · 4 months

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The Planets & Random or Obscure Associations

~Sun~

Creativity, vitality, head of state, the father, games, yellow and orange clothing, articles of value, jewelry, gold, brass, power, diamonds, citrine, topaz, jasper, amber, rhodochrosite, mistletoe, almonds, citrus, succulents, sunflowers, fevers, heart, back, spine, grapes, walnuts, rice, chamomile, frankincense, juniper, saffron, marigold, rosemary, rue, palaces, towers, luxury.

~Moon~

Eternal, cycles, silver, aluminum, pearls, moonstone, opal, selenite, chest, glands, lymphatic system, nervous system, emotions, mother, ancestors, nurture, rebirth, tides, baths, ocean, brew, boat, sap, willow trees, succulents, pale color plants, white flowers, cucumber, cabbage, lettuce, melons, shellfish, pumpkins, lakes, fountains, ports, fishponds, pools, springs, sewers, dairies, toys, reflection, blankets, objects of comfort.

~Mercury~

Communication, journal, pen/pencil, any writing tools, wings, phosphorous, mercury, agate, tiger's eye, brain, nervous system, eyes, respiration, thyroid, speech, hearing, intellect, vehicles, money, bills, paper, books, pictures, parties or social gatherings, scientific instruments, butterflies, messages, mail, hazel, mulberry, myrtle, seeds, aniseed, dill, fennel, lavender, liquorice, marjoram, parsley, valerian, hazelnuts, beans, mushrooms, pomegranates, carrots, celery, libraries, schools, markets, fairs, public spaces, tennis or badminton court, studies, banks, bowling greens, offices, blue, white, or light colored flowers.

~Venus~

Love, relating, lust, high-quality fabrics, copper, bronze, sodium, malachite, tourmaline, emerald, rose quartz, kunzite, sapphire, pastels, throat, kidneys, lumber region, art, music, aesthetics, social life, fashion, jewelry, wine, pleasure, alder tree, fruit trees, paint, ash tree, birch, pomegranates, early flowering, daisy, mint, marshmallow, meadowsweet, mugwort, plantain, tansy, roses, thyme, vervain, yarrow, potatoes, strawberries, wheat, sugar, nectarines, ballrooms, bedrooms, dining room, gardens, fountains, wardrobes, theaters, looking and feeling good.

~Mars~

Lust, conquest, desire, flaming sword, red things, fights, iron, brass, bloodstone, carnelian, cinnabar, pyrite, magnetite, ruby, garnet, hematite, muscles, reproductive organs, blood, kidneys, immunity, heat, action, arms, pepper, sharp instruments, cutlery, attacks, scissors, weapons, physical intimacy, bites, stings, scalds, burns, accidents, hawthorn, pine, thorns, cactus, aloes, anemone, arnica, belladonna, garlic, ginger, hops, mustard seed, nettles, wormwood, chives, onions, leeks, radish, rhubarb, tobacco, labs, furnaces, distilleries, bakehouses, ovens, smiths, butchers, fields, anger, passion, self-focus.

~Jupiter~

Expansion, optimism, religion, religious sites, tin, seduction, turquoise, chrysocolla, topaz, citrine, jasper, liver, pancreas, pituitary gland, sciatic nerve, excess, abundance, prophecy, philosophy, knowledge, universities, foreign travel, luggage, honey, oil, silk, fruit, distinct clothing, merchandise, horses, domestic birds, gambling, indulgence, entertainment, oak, dandelion, sage, endive, chervil, asparagus, figs, churches, temples, palaces, altars, courts, mansions, woods, orchards, winery, cornucopia, connecting with the soul.

~Saturn~

Limits, boundaries, father time, lord of death, shadows, lead, iron, steel, calcium, asbestos, sulphur, diamond, onyx, calcite, skeleton, spleen, skin, teeth, nails, joints, structure, crystallization, old age, blockage, anything dark, wool, heavy materials, agriculture, wheelbarrows, spades, farm houses and buildings, cold, laws, aspen, blackthorn, buckthorn, cypress, elm, toxic plants, hemlock, henbane, belladonna, hellebore, barley, beetroot, safflower, parsnips, spinach, deserts, woods, valleys, caves, church yards, ruins, coalpits, sinks, wells, mud, institutions.

~Uranus~

Eccentrics, mavericks, invention, genius, revolution, change, trends, disruptive science or tech, uranium, magnesium, lapis lazuli, sapphire, aquamarine, azurite, chalcedony, electricity, neon lights, plaid, nervous and circulatory system, pineal gland, chaos, violence, upheaval, astrology, steam engines, coal, machinery, coins, baths, fishponds, dangerous places, computers, magnets, quantum physics, research, welfare, humanity, hypnotherapy, railways, banks, gas, psychiatric hospitals, offices, hospitals, dispensaries, fortified places, chemicals, mingled/mingling, spirit and matter.

~Neptune~

Illusions, veils, diffuse, deception, water, oceans, mysticism, enlightenment, artistic pursuit and understanding, zinc, potassium, amethyst, fluorite, jade, sugilite, coral, aquamarine, pineal gland, lymphatic and nervous system, spine, mental processes, addiction, psychoses, disease, photography, music, substances, gas, religion, poetry, mimicry, chameleon, anesthetic, telepathy, empathy, dancing, psychic gifts, places near water, hospitals, places of healing, jeweler, painters, brewers, musicians, visionary.

~Pluto~

Power, influence, darkness, new life, what's hidden underneath, seeds, volcanoes, deep earth or ocean, bury, explosions, eruptions, abduction, plutonium, smoky quartz, obsidian, jet, pearl, deep reds, reproductive organs, the unconscious, nuclear, transformation, death, birth, rebirth, underworld, riches, earthquakes, big business, murder, detection, detective, invisibility, sneak, enforced change, hidden places, underground, drains, sewers, radioactive places, the occult, black magic, sacrifice, renew.

#zodiac #astrology #planets #sun #moon #mars #venus #mercury #jupiter #saturn #uranus #neptune #pluto

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earlofbats · 4 months

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Airships over Revachol watch as thousands of pearl white scraps of paper take flight. Each slip sings the birdsong of revolution. In his dreams Harry is haunted by a young woman but as begins to delve into the circumstances of her death, he is removed from the case. Now as he continues the investigation on his own, he finds himself torn between his allegiance to the RCM, his partnership with Jean, his friendships in the communist underbelly and his relationship with Kim.

Art once again by the amazing and wonderful Mera-Kiin. This fic can be read as a standalone but is a sequel to No Wedding Bells Ring In Revachol and is the second part to the Magpieverse (a Kim pov prequel is currently in the works)

#disco elysium #harry du bois #kim kitsuragi #harrier du bois #kimharry #harrykim #fic #jean vicquemare #echo maker #steban the student communist #Magpieverse

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lilacxoz · 5 months

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Princess - Gojo Satoru X Reader

F!reader

Warnings!: non protected sex, choking, darcryphilia, love bombing, Princess X Royal Guard trope.

I am not responsible for people under 18 who read this. minors or ageless bloggers please dni!

“Please Prue, I cannot stomach anything for the work I must complete before sunrise,” you bit your bottom lip, looking over the written up budget for the kingdoms church. You hadn’t realized just how rich they’d become from your fathers rein. You weren’t much of a religious folk, so you were afraid to cut their income by half.

“Your highness, you are not to eat then I must call your personal guard, for he will make you,” he warned, knowing what kind of bond you and your guard had. He’d been your guard for ten years now, since your sixteenth birthday. He was a foolish boy who wasn’t good at his job in leaving your alone and protecting you from afar. But you’d grown a connection to him, sharing secrets and thoughts in your tower many times. You’d shared things that not even your reflection had heard.

“Call Satoru if you dare, I shall simply give him the same response as you,” you told her, offering a fake smile. Your maid, Prue, was a nice women yet you couldn’t appreciate her kindness due to the stress. She sighed, placing the tray on your desk before leaving your chambers.

As You embraced the silence, your wooden walls homing the orange flicker of your candles. Your desk was covered in papers and folders, painted by the light and some even your tears. You were almost done though, almost free to sink deep into your mattress and let the night whisper a story.

After around three revolutions of the clocks long hand, you heard soft footsteps grow closer outside the door. Your ears perked up, recognizing who held such confidence strides. The wood creaked outside your door as he unlocked the wooden door. He stepped inside, not earning a glance from you. He clicked his tongue through a grin, unstrapping his sword from his waist.

“Princess,” he called to you, setting his sword against your desk as he pulled over a stool next to you. You glanced over at him, being met with his beautiful eyes of the sea. That’s what drew you to keeping him as your guard, his eyes reminded you of salty air and the sound of waves crashing against large rock formations.

“Princess,” he called to you again, this time a little more demanding, “tell me why you choose to be defiant.” You didn’t spare a glance this time, focused on writing down a couple numbers down on the budget for the local taverns. You chose to be a little generous since you yourself liked to relax in one of the local taverns at night before curfew.

You were pulled by Satoru’s soft hand holding your chin between his fingers, making you look up at him. He always had a way of making you flutter like the butterflies you loved to watch with him in the spring. He knew the kind of effect he had on you, and you knew he knew as well. It was almost unspoken, woven between the threads of the stares you share that your relationship had grown far from princess and guard. It was just a matter of time before someone drew further over the line.

“You must eat the soup Chef Dee has prepared for you. It would be a waste and an insult to his craft if you were to leave his food untouched.” He handed you the bowl of soup in a cherry oak bowl. “Eat.”

You stared from him to the bowl, grabbing the silver spoon off the tray and and complying with his request. Prue was right, you cannot defy him. He was persuasive with his words and actions, it was addictive to see just how far you could push him.

“Thank you Princess. After you eat, please slip into your night gown before you grown marks from your corset,” he asked if you, poking your side. You wore your day dress: a soft pink ankle dress with a white lace corset that wasn’t as harsh as your evening dress. It was comfortable, made of silk with lace trim and an off-the-shoulder touch. Your hair was let down, your mothers hair pins holding back your face framing pieces to help you see the papers better. You could admit, it was a little embarrassing for him to see you this way. But then again, he’d seen you down to your undergarments so you had nothing to worry when it came to presentation.

“Why you care so much about my health is up for debate in my head, it cannot just be because of your guardian duties or the fact we are close,” you pointed out. He shined you he boyish smile, his white hair covering some of his eyes. He was truly an amazement at how gorgeous yet masculine Satoru was. His sharp jaw and plush lips were enough to leave a girl melted at the knees. He was every girls fantasy, yet every man’s threat. Satoru was the chief of royal guards, quickly moving up the ranks from when he was placed as your personal guard. He had better opportunities presented to him to change roles, yet he stuck with you. Now he was chief, yet always made time to be with you most of the day.

“Can a guard not care for his princess without reason? The way you doubt me hurts, princess,” he faked pain in his chest, earning a few giggles from you. You laugh was contagious yet a beautiful hymn to him.

His face suddenly dropped, as if lost in his own mind. You nudged him with your foot on his ankle, asking him why he was distancing himself. “My Princess,” he looked down at you with something strange, “shall your coronation come by spring, I cannot promise I will stay your guard. I-“

You watched him break, his jaw hard as he stared at you distantly. You knew the rules, you knew you had to switch to your fathers guard due to tradition. But you hated tradition, it was all a bunch of horse play. You placed your hand on his knee, the other following as you set your bowl of soup down. The candlelight danced across his face, making him appear even more beautiful than before.

“Shall the day come Satoru, I will fight my ancestors and the kingdoms expectations of queen if it is what I must do to keep you. You aren’t leaving my side, I will stand between the lines of the people and royalty just to be with you,” your breath was gone, telling a breathless, “for I love you.”

His hands slid to your shoulders, his eyes clearing of his brain clouds. He knew what he wanted now, and he didn’t care if it was forbidden. He didn’t care if he had to bite the apple as Eve did, as long as he had you by his side.

His lips drew closer, your breaths mixing together in a concoction that left your knees weak. You took the apple, connecting your lips to his. He tasted of the forbidden apple, whimpering out from the sweet taste. You hadn’t realized how much you needed him until his hands trailed down to your waist. You took the initiative, crawling into his lap and letting him lead the kiss.

He was your Romeo, your Shakespeare tragedy that led you astray. You didn’t care of the consequences that would fall over you both for doing this, you were going to be queen and you’d fight for him. He knew that, falling down the same path as you. He’d quit his title as a royal guard just to hold you to sleep every night. Just to taste your lips, just to touch you…just to feel you. He was lovesick, and so where you.

He pulled away from the kiss, watching you breath heavily. He slid his finger tips against your cheek, watching the redness form from your embarrassment and lust. “I cannot kiss you any further when you deserve a bed,” Satoru whispered, leaving the only sound to occupy the room being your breaths and the wind blowing against the windows.

You smirked down at him, combing your fingers thorough his soft snowy hair. It was late winter, his hair reflecting the thick snow coating the once green ground. “As your Queen,” you stated in an authoritative tone, “I command you show me what you think about doing to me on this desk.”

Your body was on fire, his lips all over your neck as you sat on your desk, legs cradling his torso. You could feel him through his trousers, wanting so bad to remove the articles of clothing that were blocking your connection. You needed him so bad, so bad it physically hurt. The fire between your legs grew stronger than the candle flame, and he could feel it.

He reached a hand down between your legs, slipping it down into your undergarments. He could feel how wet you were from a simple touch, only fueling his body more. His hips were magnetic to yours, so much so that he couldn’t control himself from grinding up against the hand he was slowly slipping inside you. His other hand was wrapped around your neck, your eyes rolling back through each small squeeze of his fingertips. You had to be quiet, for anyone could walk up your tower and ask for your assistance. But in some strange way, that made you just a little less quiet. It was almost thrilling, heightening your endless pleasure.

“Tell me Princess, does it feel good to be in such a vulnerable state at the hands of your royal guard?” He asked in a sinister manner, eliciting a small whimper and a nod. He smirked at the response, looking down at you. “Tell me how good.”

He curled his fingers, making your body jerk forward as your eyes squeezed shut. You’d had many late night with guys from the tavern looking for something quick and fulfilling. Even princes had come and made you feel like you were floating. But nobody compared to the way he knew how to play you perfectly, like a bard with his lyre. It was mesmerizing, freeing. Your body melting deep into the earth and coming out in heaven.

You whispered his name in a chant, like the nuns at the cathedral. You were close to that heaven, sinking deeper and deeper until you were finally at the gates. Your body exploded in pleasure, eyes tearing up as Satoru watched you unravel in his hand. Your high lasted longer than any other you’d experienced, opening your watery eyes to be met with his flushed face and a smirk. He was full of lust, and you wanted him to feel what you felt.

You helped him get you out of your undergarments, as well as freeing him of his work belt and unbuttoning his work pants. He cock was large and thick, oozing with precum. You both watched eachothers movemnts, looking for any discomfort; but there was none to be found. You both wanted this, needed this. You both spent long nights, from sunset to sunrise, dreaming and pretending this moment right now was real. Now it was, and you weren’t wasting any time in indulging in it.

You let out a gasp as he slid himself inside you, the skirt of your dress bunched at your hips. The desk below you moaned from the weight of his small thrust, but you both couldn’t fathom anything around you. All you both could focus on was your connection. “Satoru…” you whispered, his hands planted down on the desk by your hips. You wrapped your arms around his neck, crashing your lips to his in a kiss of need. He complied, slowly rocking his hips against yours. You could feel him, all of him, and it was nothing compared to anything you’ve ever experienced before.

His thrusts grew a bit faster as his lips devoured yours, as if a kiss of death. Your body had succumbed to his, moving your body to try and keep up with his thrusts. The desk below was creaking with each fast movement, loud enough for anyone in the stairway to hear. But you didn’t care anymore, especially with the loud moan of his name you let slip. He loved the noice, pulling away from your lips to only attack your neck with bites that caused more.

You moaned, but you were missing something. He pulled away, watching you grab on of his hands and slip his thumb over a specific part of your body. He felt the bundle of nerves, watching you face contort into one of pure blissful pleasure. He loved the reaction, rubbing the small nub faster and pressing down on it. His thrusts grew faster, feeling you tighten around him. He felt it, that feeling of heaven. He ran to it with his pace, your head bobbling with each thrust. You let go of his neck, laying down over the papers as you let him take control.

You were just as close to your orgasm as he was, crying out his name as tears fell down the side of your face. His head leaned back as he gave a few more brutal thrusts before letting himself go inside you. You came just as he did, your bodies connected along with your souls. This was more than just sex, and that was now known between the two of you. This was a soul connection, one that ran deeper than anything you’ve ever felt with anyone.

“I love you, princess,” he whispered, wrapping his arms around your waist and burying his head in your neck. He wanted another round, and you were ready to comply to his unspoken request.

#jjk x you #gojo satoru smut #gojo saturo #gojo smut #gojo x reader #gojo x y/n #gojo x you #gojou satoru x reader #jjk gojo #jjk smut

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justaboutsnapped · 1 year

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Begging you guys to look at what's happening in China

If you have a minute to spare, please consider reading and sharing this post.

[image ID: various photos about the #A4 revolution that is happening in China.

1st photo: a piece of white A4 paper with the following text on it: "Protests have been breaking out in many cities and university campuses across China thsi weekend in response to the highrise fire tragedy in Urumqi. Protesters called for end of zero-Covid policy and even an end to the Xi Jinping regime. The sheer number of particiipating cities and universities in this wave of protest have not been seen since 1989, after the June 4th Tiananmen Square Massacre where protesting students and citizens were murdered by the Chinese army. Freedom of expression and protest are luxuries in China. Even holding a piece of white paper in public can get you into trouble with the police. We call on Chinese nationals from every corner of the world to join in the #A4revolution and simply post a picture of an A4 blank paper on social media to speak the unspeakable and support the brave fellow Chinese citizens who are taking it to the streets in China." In the bottom right hand corner are the hashtags #白纸革命 and #A4 revolution.

2nd photo: protesters holding up pieces of white, blank A4 paper. The third photo is has protesters holding up paper on the left side, and a row of police standing guard right across from them. The fourth photo is of a piece of blank A4 paper

3rd photo: protesters holding up paper on the left side, and a row of police standing guard right across from them.

4th photo: a blank, white piece of A4 paper

end ID.]

I don't wanna guilt trip people and say things like "if you don't reblog this you don't care". but not a lot of people in the world know about what is happening in China right now so I'd really appreciate it if you'd share it with your family, friends, and peers.

The images above are reposted from the instagram account @citizensdailycn. If you speak Chinese and are not up to date regarding the situation please check them out at https://www.instagram.com/citizensdailycn/. They are also on twitter under the same username: https://twitter.com/CitizensDailyCN. If you speak English, you can check out their English counterpart, @whatsup_beijing: https://www.instagram.com/whatsup_beijing. Actual footage of the protests can be found on the Instagram account @northern_square: https://www.instagram.com/northern_square. If you want to distribute posters, here are some designs protestors have made: https://www.dropbox.com/sh/vgjmsp8dgjnav93/AAD04p5ljQZ1hi9YSz4TAfmHa/%E6%9C%89hashtag%E6%B5%B7%E6%8A%A5?dl=0&subfolder_nav_tracking=1, https://www.dropbox.com/sh/vgjmsp8dgjnav93/AACsR7d5ICrG7hlYPErJSIuEa/%E6%97%A0hashtag%E6%B5%B7%E6%8A%A5?dl=0&subfolder_nav_tracking=1, https://drive.google.com/drive/folders/1ql2CyIZfWy36nFRn0ahu83oCxh5zRXAj

This is the first time I've posted anything like this, and it is 2:49 AM in the morning so my post might not be perfect. If anyone has any resources or additions please feel free to add them in the reblogs! Also if you think the image IDs need improvement, or that I need more trigger/content warning tags please let me know by sending an ask or a message. Thank you.

#china #politics #protests #current events #human rights #covid 19 #tw politics #tw police #important #long post

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3rdeyeblaque · 8 months

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On September 10th we venerate Elevated Ancestor, Voodoo Queen of Louisiana, & Saint, Marie Catherine Laveau on her 222nd birthday 🎉

[for our Hoodoos of the Vodou Pantheon]

Marie Catherine Laveau was a dedicated Hoodoo, healer, herbalist, & midwife who, "traveled the streets [of New Orleans] like she owned them", as the most infamous Voodoo Queen of New Orleans.

Marie C. Laveau I was born a "Free Mulatto" in today's French Quarter in what was then, New France); to a mother & grandmother who were both born into slavery & later freed via freedom papers. It is believed that she grew up in the St. Ann Street cottage of her maternal grandmother.

She married Jacques Santiago-Paris, a "Quadroon" "Free Man of Color", who fled as a refugee from Saint-Domingue, Haiti from the Haitian Revolution in the former French colony . After his passing, she became known as "The Widow Paris". She then worked as a hairdresser catering to White families & later entered a domestic partnership with a French nobleman his death. She excelled at obtaining inside information on her wealthy patrons by instilling fear in their servants whom she either paid or cured of mysterious ailments. Although she never abandoned her Catholic roots, she became increasingly interested in her mother’s African traditional beliefs. The Widow Paris learned her craft from a ‘Voodoo doctor’ known variously as Doctor John or John Bayou.

Marie C. Laveau I is said to have intiated into Voodoo career sometime in the 1820s. She's believed to be descended from a long line of Voodoo Priestesses, all bearing her same name. She was also a lifelong devout Catholic. It didn’t take long before Marie C. Laveau I dominated New Orleans Voodoo culture & society before claiming title of Queen. She was the 3rd Voodoo Queen of NOLA - after Queen Sanité Dédé & Queen Marie Salopé. During her decades tenure, she was the premier beacon of hope and service to customers seeking private consultations - to aid in matters such as family disputes, health, finances, etc, created/sold gris gris, perforemed exorcisms. While her daughter Marie II was known for her more theatrical displays of public events, Marie C. Laveau I was less flamboyant in her persona. She conducted her work in 3 primary locations throughout the city: her home on St. Ann Street, Congo Square, & at Lake Pontchartrain. Despite one account of a challenge to her authority in 1850, Marie C. Laveau I maintained her leadership & influence.

The Queen died peacefully in her sleep in her ole cottage home on St. Ann Street. Her funeral was conducted according to the rite of the Catholic Church & in the absence of any Voodoo rites. To her Voodoo followers, she's venerated as a Folk Saint. In² addition to her Priesthood in Voodoo and title of Queen, she is also remembered for her community activism; visiting prisoners, providing lessons to women of the community, & doing ritual work for those in need.

She is generally believed to have been buried in plot 347, the Glapion family crypt in Saint Louis Cemetery No. 1, New Orleans. As of March 1st, 2015, there is no longer public access to St. Louis Cemetery No. 1. Entry with a tour guide is required due to continued vandalism & tomb raiding.

We pour libations & give her💐 today as we celebrate her for her love for & service to the people, through poverty, misfortune, bondage, & beyond.

Offering suggestions: flowers + libations at her grave, catholic hymns, holy water, gold rings/bracelets, money

‼️Note: offering suggestions are just that & strictly for veneration purposes only. Never attempt to conjure up any spirit or entity without proper divination/Mediumship counsel.‼️

#hoodoo #hoodoos #atr #atrs #the hoodoo calendar #conjure #rootwork #rootworkers #ancestor veneration #Marie c Laveau #Voodoo #Voodoo Queens #new orleans #new orleans Voodoo #Vodou Pantheon #Haitian Voodou

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muzaktomyears · 2 months

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When we met the Beatles they were undressed and dripping with sweat

That day the Beatles were playing, all kitted out in black ties, white shirts and black trousers. It was so hot and crowded in the Cavern that, as usual, sweat was dripping off the ceiling, but we didn’t mind. The Beatles’ rhythm and harmonies were so tight and focused that we couldn’t stop dancing. They played covers of Barrett Strong originals, like Some Other Guy and Money. They did a raucous version of Twist and Shout, and wild rock’n’roll songs like Chuck Berry’s Roll over Beethoven and Little Richard’s saucy Long Tall Sally. More than ever, we wanted to be up on stage like them, playing our guitars and making the crowd rock.

After the set Wooler [Bob Wooler, the Cavern’s compere and DJ] said, “Come on, I’ll take you to meet the lads.” It was so exciting. He grabbed us and we threaded through the audience backstage where George Harrison was standing in the corridor talking to a very good-looking blonde girl. He was wearing a fantastic black leather coat, and later walked out of the Cavern with her, already like a rock star.

In the dressing room John Lennon and Paul McCartney were in their undies, getting changed. They were drying themselves with towels because they had just come off stage and were dripping with sweat. They were very handsome. Apart from our brothers, we’d never seen men in underpants before, so us four teenage girls just stood there staring at them. They were very down to earth, and Paul was particularly kind.

“Hiya girls, y’all right?” he said, while John sat there looking at us in a way that was direct and penetrating.

Bob Wooler told them, “This is the Liverbirds, they’re gonna be the first all-girl group.”

“What a great idea,” said Paul, but Lennon was sarcastic. “Girls don’t play guitars,” he said.

After we left the dressing room we huffed, “The cheek of it! We’re going to prove him wrong.” Years later we found out more about Lennon, that although he often made sardonic comments he was also sensitive and intelligent, an artist who regretted his disdainful treatment of women in his early career. “We can’t have a revolution that doesn’t involve and liberate women. It’s so subtle the way you’re taught male superiority,” he said in 1971, in an interview with Tariq Ali and Robin Blackburn for the underground paper Red Mole. It’s clear his feelings about women evolved, but we also wonder if what he said that day in the Cavern dressing room was meant to test us, provoke us into making a success of the band. If so, it certainly worked.

from The Liverbirds: Our Life in Britain’s First Female Rock’n’roll Band by Mary McGlory and Sylvia Saunders (source)

#thanks for that image! :)#the beatles #the liverbirds #paul mccartney #john lennon #(this took place in '63 so i'm not sure why the article has a '62 image but oh well i like it so i kept it)

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