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#where he is actually trying to be a good person and is constantly being punished by others perception of him
i-sveikata · 6 months
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okay so just finished reading dark heir and let me tell you THEORY TIME:
-okay so my guess is that anharion was actually being magically controlled by the sun king when the lady betrayed sarcean thats why he walked away like it was nothing
-sarcean managed to free him from it and thats why he was able to switch sides in the battle/ follow the desire he feels for sarcean and go against those in the sun kings court and the 'light'
-despite popular belief the collar doesnt actually control him, thats why james didnt feel any compulsion when it was put on again. it was devised by sarcean to ensure anharion has control of his own mind forever and nobody else can ever compel him if he gets magically drained (whilst also being a show of ownership because hes a possessive bastard)
-i also think that how james/anharion was acting once the collar was on wasnt even about being forced to do what will says. it could honestly just be that he understands him so well that he knows the exact right things to say to reassure him? and will was just too afraid at seeing the collar on his throat to look beyond it and consider the possibility of james/anharion actually not being under his control. which could explain that weird moment where he realised james/anharion was mirroring sarceans desires and not actually his own. like those last few moments to me seem like james/anharion trying to talk to sarcean- not will.
-because like maybe they were just genuinely lovers in the past?? Esp if the collar doesnt work how everyone assumes that it does.
-but all the rumours etc surrounding anharion and sarcean and anharions sudden switching of sides could only have been understood as by force because ppl always viewed sarcean and his magic as different and evil?? and anharion being so pure and of 'light' that they could only see it as being corrupted by sarcean and anharion not following him willingly
idk i just feel like theres so much of the story that we havent heard from either anharion or sarcean themselves and these books are about how bad perceptions of people can lead them to ruin and fuel a story rather than the reality of their actions. so anyway im so down for the next book in the hopes that we can learn more about their history!!
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tragedybunny · 8 months
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Sated - Astarion x F!Reader
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Astarion has gone too long without blood and you're determined to make sure he's fed.
Astarion tries, but not everyday is a good day, and some days he’s still snappish and lashes out. The rest of your group has learned not to take it personally, in fact now that Karlach can touch people, she’s developed a nice trick of just suddenly hugging him when he’s a pain. Usually either indignant silence or grumbling compliance follows. “Behave yourself Fangs, or I’ll do it again,” the Tiefling grins at him during whatever fussing he spouts after. He’s grown fond of her, you can tell, even if he can’t yet. In a way he’s fond of them all, but Karlach’s open, kind nature has given them a bit of a sibling-like bond. Watching them interact always brings a smile to you, he needs more of that in his life, people who care for him genuinely. 
Today was not the best, but you shrug it off as concern overrides all else. He’s a little paler than usual and a little slower. There wasn't much out there among the shadow curse for him to feed off. Before you never had to question how much blood he needed to survive or where it would come from. But as you leave the formerly cursed land behind, you can tell he’s struggling. And yet, he hasn’t asked you about it. The one he’s supposed to trust more than anyone else. You’ve fed him plenty of times before, you would think he’d have come to you by now. Mentally, you scold yourself as you feel creeping insecurity. There has to be a reason for it, and now isn’t the time for selfish suspicion. 
That night, as everyone settles themselves around a fire, contemplating what the road to Baldur's Gate holds, you find him seated at the edge of the flickering light, as far away as he can get without being in the shadows. Could he be worried he might find himself tempted if he’s too close to everyone? This can’t continue, you tell yourself, not only for the sake of his suffering, but you can’t be sure he wouldn’t be tempted either. 
Grabbing a blanket from your shared tent, you take a seat beside him, wrapping it around both of you. “You feeling alright Starry Sky?” Gently, you wrap an arm around him, and feel the icy chill of his skin beneath his shirt. Not that his skin is ever all that warm, but this another level. 
“Just tired,” he smiles weakly at you. 
“And freezing,” your other hand reaches up to stroke his cheek lightly. 
Eyes closed, he leans into your touch. “You know, I don’t even really feel it. I’m not sure if I need to be warm at all.” 
“Hmm, even if you can’t feel it, you know why you’re freezing.” Leaning over you whisper to him, some things aren’t meant to include the others. “You’re hungry.”
“Perhaps a little, but I’m fine. I don't need you to start fussing over me constantly. There's an owlbear cub if you feel overtly maternal." The sharp words don't change the dark circles under his eyes, or how gaunt his cheeks look. 
"You're ridiculously obstinate, you know that right," a gentle kiss on his temple follows your words, so he knows you're not actually being cross with him. You’ve come to realize he can’t stand it when he thinks you’re mad at him. In the past, anger meant reprisal, punishment, and in the context of the two of you, punishment could only mean withdrawing your affection. At least that’s where his thoughts lead.  
"It is one of my better qualities," he leans over, head resting against your chest. 
Shifting, you position yourself so he's seated between your legs, easier to let him rest his weight on you. "I don't know why you don't just ask me. My blood not good enough for your refined palate anymore?" Laughing, you try to mask the actual hurt that's creeping in. The truth is letting him feed from you has always felt like an important part of your relationship, the time when you’re closest to him.
It's been a long journey and a few of your group are already wandering to bed, although you think you hear Shadowheart muttering about saving it for the tent, whatever she said, Gale laughs it off. “Not at all,” he’s uncharacteristically serious, “I just…” he sighs, for once at a loss for words, “it seemed like a lot to ask from you, after everything else.” 
“Everything else?” Lips leave light kisses on the top of his head as you brush your fingers through his hair.
“You know, lying to you, manipulating you, wanting you to still love me after all that. If I asked to feed from you, it would seem like I was trying to use you again.” Catching one of your hands, he kisses it and doesn’t let go. 
For a moment you don’t know how to respond, you’re still not entirely used to seeing the softer, sincere side of him. “I see why you would think that, but I don’t want you to suffer. Let me take care of you, any way I can. That’s what I’m here for. Well, that and teaching you to be less of a stubborn arse it would seem.” 
“Stop, you’re being entirely too sweet to me. It’s going to ruin my reputation around camp.” You let him have his moment of deflection and wait until he makes a frustrated noise. “But I can’t say I don’t want to.” 
“Take what you need love,” you reach up to undo your collar and pull the blanket more securely around the two of you for privacy. A part of you considers moving to the tent, but you’re worried he’d use the opportunity to try to put it off more.
With a soft sigh, his lips press to your neck in a delicate kiss, teeth piercing your skin moments later. Pain and ecstasy course through you as you hold back a sigh. The two of you become one in that instant, bound through blood to the singular beating heart you now share, intimacy unparalleled. While he drinks, you fight to stay lucid enough to whisper to him of love and comfort, reassuring him that needing this from you is no sin. You feel your own warmth traveling into his skin, and you watch it take on a blush of life. 
Before your world turns hazy, he pulls away, licking you clean, and returning his head to your chest, content to be held tightly. "I didn't take too much, did I?"
"No, you were perfectly careful dearest." The words bring a small smile to his lips, praise so new an experience for him, he hardly knows how to handle it. But you know he craves it, especially from you, and it makes you want to lavish it on him. 
The others have vanished, a small part of you worries they noticed and were uncomfortable, but you hope they would understand as your friends. You two should join them soon, Baldur's Gate awaits, with a journey there still ahead. “Come on, let’s get you to bed.” 
“A few more minutes love,” somehow he manages to snuggle tighter against you, “I did miss this.”
“Me too, don’t wait so long next time. I’m always here for you.” 
“There you go, being too nice to me again, silly girl.” Sitting up a bit he kisses you, fiercely, lips crashing together bruisingly, hands reaching to tangle in your hair, like a first and a last kiss all bound up in one and it leaves you gasping when he’s done. It’s as though he’s trying to express everything he feels in that one kiss. “I might get used to it if you’re not careful.” 
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hanggarae · 4 months
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GROWL - ARE YOU ATTRACTED TO ME TOO ?
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↺ content your ceo has made a point of making your life a living hell and you aren’t sure how long you can keep up with it, part 2 of my ‘promotion’ series, ceo!jeonghan, f!office worker!reader, jeonghan’s such an asshole in this part even worse than in part one, jeonghan is so dumb and clueless, bffs bss, this is honestly hardly a tear jerker so idk if it’s technically angst but ig ?? idk 😞
↺ a/n : 3.5k words, npr, another enemies to lovers jeonghan, loosely based off of lyrics from growl by exo but also lowk not ?? im trying to finish this series as quick as i can bc i know that when i start studying ill go back to the irregular posting schedule and this will never see the light outside my drafts (like the chan thoughts part which i had ready for months but never got around to posting)
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‘He’d get bored of trying to get a rise out of you in a month or less so all you had to do was put up with him until then’
Life was a bitch, a petty bitch- and so was Jeonghan.
It’d been four months since you became his assistant, or as you like to call it: four months of hell. He didn’t go easy on you one bit and constantly belittled you.
Ever since you left that night without him knowing he made it his personal goal to continue punishing you for it by constantly gave you tasks were no less than humiliating. You underestimated just how petty a grown man could be. Despite him clearly finding this job boring, he stayed due to the laugh he got out of making you suffer. What’s worse is you couldn’t deny the fact that he was too pretty for his own good.
“Here is your schedule for the day, sir” you forced a smile on your face, handing your boss his coffee brewed exactly how he enjoys it (you learnt that the hard way when Jeonghan once took the cup out of your hands and poured it all over your desk and paperwork, ridiculing you for ‘not being useful enough to even make a decent coffee’).
Jeonghan simply stared at you, bringing the cup to his lips and taking an obnoxiously loud sip. “Reschedule the meeting with Hong, I don’t want to have it today” he mumbled, bored of the day already.
You tried your best to compose yourself and not throw that coffee in his face while you scream about how he’s an incompetent brat that needs to actually get some work done. But you couldn’t do that so you settled with the satisfaction of imagining the scene in your head.
“Unfortunately sir, that isn’t possible. You’ve already rescheduled three times, and Joshua’s been-”
Jeonghan seemed to perk up at that, “oh the meetings with Shua? Why didn’t you say that silly? you can bring him in right now”
“I’ve told you it’s with him four times but alright-”
“No back talk or I’ll demote you to coffee maker”
You bit back the words on the tip of your tongue and instead started to walk over to the reception where Joshua was waiting.
You remember Joshua. He was still Jeonghan’s friend even back in high school, although he never picked on you like Jeonghan did. From what you remember, Joshua wasn’t really interested in proving himself when it came to academics.
“Mr Yoon will see you now” you told him politely, holding the door open for him to follow you.
“About time” he laughed with no real offence, “he really took his time, huh?”
You simply returned his laugh and agreed with him wordlessly, leading him to Jeonghan’s office. The man in question gave his longtime friend a loud greeting.
“Shua I had no idea the meeting was with you” the long haired man scoffed, “my assistant over here told me it was with your uncle”
“If that’s what you thought I don’t blame you for postponing it as much as you did” Joshua laughed easily, dispersing your anger toward your boss.
The two continued to talk for another hour or so while you drowned out the noise and focused on the task Jeonghan had given you. Times like these really tempted you to quit because what sort of maniac gives you one day to finish organising a dinner with some business partners.
When Joshua was ready to leave you followed him out and waved him goodbye before mentally preparing yourself for your boss giving you his very much unwanted undivided attention.
“y/n, you don’t have anything planned for next week do you?” your boss stated more than asked while looking through his own planner. “Any personal plans outside of work?”
His attitude irked you so much.
“Well I have a dinner with my friends for-”
“Cancel it.” Jeonghan stated plainly.
You blinked a few times, laughing awkwardly. There’s no way he was being serious right?
“I’m sorry sir?”
“You heard me. Cancel it” he approached you even closer. “And pack your bags, we’re going on a business trip tomorrow night”
Your mouth opened, anger painting your features but Jeonghan left before you could argue.
This wasn’t fair. Next week was your birthday, your friends insisted on planning a dinner for you and you were honestly really looking forward to it. Knowing Jeonghan though that didn’t mean anything to him, he’d probably laugh at you for even thinking that gave you an excuse.
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Luckily, you might still make it in time for your birthday dinner. Jeonghan explained the details of the trip to you and your plane was on Thursday night, meaning you’d get back on Friday at around 6am. The dinner was planned for Friday night so if you could power through the jet lag and sleep deprivation you’d enjoy that dinner with your friends.
If you were being honest you weren’t entirely sure what you were doing on this trip. Other than ordering his room service there really wasn’t any use in your being there. Eventually you came to the conclusion that Jeonghan dragged you along in favour of just making you suffer.
For some odd reason though, Jeonghan liked to drag you along to whatever parties and dinner his aristocratic friend group enjoyed throwing.
And although it was a pretty sight, you could only really just feel out of place being there.
Like tonight, the venue was absolutely gorgeous but you didn’t belong here. Not with people that had six digits in their savings from the moments they learnt to talk.
To your surprise however, Jeonghan was uncharacteristically tame. After the way he’s treated you the last few months it was safe to assume that he would go out of his way to embarrass you any chance he got at these dinners but he was surprisingly helping you adjust well.
Tonight was your last night in Paris and the two of you were attending a dinner hosted by his associate. Wonwoo was nice, he was down to earth despite probably having more money than everyone in your branch combined.
What wasn’t nice was the way Jeonghan was stalling getting out of here. Did he want you guys to miss the plane?
“We need to head to the airport now if we’re planning on catching that plane?” You urged, trying to reason with your boss while everyone around you was distracted.
“Wouldn’t that be rude of us?” Jeonghan scoffed before smirking, “did nobody ever teach you any manners, y/n?”
No matter how much you urged Jeonghan, he wouldn’t budge. You thought it was pretty much useless at this point, debating on whether or not you should text your friends to reschedule the dinner or just let them enjoy it without you.
As you watched the flight updates on your phone and saw the signal that your flight had already left, you felt tears well up in your eyes. You were so tired of this. How many tears were you going to lose on this? On him? He didn’t even matter to you.
And you weren’t sure why you mattered to him. Just because he’s too petty to forget about something that happened in high school?
The entire drive back to the hotel, you kept refreshing the tab to see if there were any other flights but it was no use. The only ones available would make you arrive too late for the dinner so there was no way you were making it on time.
It seemed silly, being this upset about a dinner. But you hadn’t gotten the chance to properly celebrate your birthday, or anything really, in years and it felt nice for your friends to plan an entire night just dedicated to you. And you probably felt worse about all of their efforts going to waste.
When you made it back to the hotel you didn’t say a word to Jeonghan. You didn’t curse at him, you didn’t scream at him, you didn’t defend yourself from his comments.
You just.. headed back to your room and texted your friends that you were sorry.
You stayed in your room for another twenty minutes, thinking about what Jeonghan’s motive was. There was no way you could continue working with him.
A notification on your phone drew your attention. An email from some cosmetics brand wishing you a happy birthday and giving you a coupon code to celebrate.
It was only then that you realised it was now just a few minutes after midnight meaning it was officially your birthday.
Even though you should be happy, only more tears fell.
You don’t know how long you just sat on the bed, wallowing in your own self pity before somebody knocked at the door.
You quickly dried your tears before pulling it open, gasping at the sight in front of it.
Jeonghan stood there, a huge smile on his face, holding a cake that read ‘Happy birthday’ in green frosting. You hated green.
“Happy birthday y/n” he greeted loudly. There was something so sick and twisted about this. Maybe even sadistic.
Before you knew it you were tearing up again. Was this some sort of sick joke? He ruins the only plans you’ve had, the only time you’ve asked something of him these past months as his assistant, the only time you asked him to cut you some slack and he’s.. standing there smiling with a cake that has frosting of a color you hate.
“Sir, when we get back tomorrow- or whenever we do, you need to find a new assistant because I can no longer do this” you told him plainly, too tired of the way he’s treated you.
You ignored the way his face fell and eyes widened, “If I can’t return to my old position then I’d like to be transferred to a different branch. And if that’s also not possible then I resign from the company”
You didn’t wait for his answer, you didn’t wait for him to laugh and call you pathetic for quitting halfway through, you just closed the door and went to bed.
Jeonghan didn’t fly on the same flight as you, probably staying in Paris for an extra few days but you honestly weren’t sure. And you honestly didn’t care.
Despite saying you’d try staying at the company, you realised you wouldn’t be able to without feeling uncomfortable. And Jeonghan was in a position where he could still make your life hell so you simply resigned altogether.
You were a valued employee and were smart in keeping connections with big companies you’ve worked with on projects in the past, and even the few you met in your week in Paris. So you really weren’t worried about finding a new job, maybe it’d even be better than your last one.
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It’d been three months since you quit working at the Yoon company and although it was nothing special at your new job it beat having an asshole boss setting you up for failure everyday.
It’d honestly be a lie to say you haven’t thought about Jeonghan since quitting. Partially because you now worked under Choi Seungcheol, who you learnt was one of Jeonghan’s best friends. Meaning you’d sometimes run into him but you never spared him a second glance.
Ever since you got the new job you decided to do some things that you’ve been meaning to but never got around to- one of them being to get a new apartment.
You’ve been living in your current one since just after you graduated college and you could definitely afford to now upgrade it. The place you’ve been looking at was in a far better neighbourhood and building.
You decided to pull the trigger on it sooner rather than later, knowing that the longer you put it off the more likely you were to just discard the idea in the end.
You hated making second trips to carry luggage, so you decided to carry all of your moving boxes in one go, despite the fact that all of them piled in your arms blocked practically your entire line of vision.
Just as you were getting off the elevator you heard the person getting on chuckle lightly at the sight in front of them.
“You need any help with that?” The voice sounded oddly familiar you thought as he started to grab most of the boxes from your arms before you could protest.
Oh is he serious?
You looked unimpressed at the man in front of you, “Give me my boxes back.”
“What-” he hadn’t noticed you until you said that. Glaring at him, clearly unhappy with seeing him again.
Jeonghan simply scoffed, not giving you the boxes back and only asking you what number he needed to take them to.
“You can take them back to my arms” you bickered despite leading him to your apartment anyway.
“Don’t think Cheol’s gonna like how you can’t type for two weeks because you broke your arms while moving” he argued back, doing a double take when he saw the number outside of your door. Giggling when he realised.
Before you could ask him what was going on he giggled, “And, it wouldn’t make me a very good neighbour, would it?”
He smiled before using his own keys to open the door of the apartment right across from yours. This cannot be real.
“You live here?” You whined, not caring if it made you look childish in front of him anymore.
“Mhm” he hummed coming back to you to help you get all the boxes inside, “Let me know if you need help with anything else, neighbour”
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“So he lives literally down the hall?” Soonyoung asked you, taken aback. “Small world”
“I’m still convinced he had something to do with it” you grasped your soda can tighter, the metal denting under the pressure.
“You think he’ll be there right now?” Seokmin asked, taking another handful of popcorn.
“Why? Do you want him to give us some michelin star food or something?” Seungkwan asked, continuing to look through the selection of movies for you guys to watch.
“If he does don’t eat it! He probably poisoned it or something” you muttered bitterly.
It was just your luck for the person you despised most to just happen to now live three steps away from you.
It’d only been a week since you moved here but you’d already ran into him five times. Five times too many in your opinion. You were ready to complain about him all over again until the doorbell rang.
“What do you want?” You said crossing your arms over your chest.
“Well it seemed like such a fun party over here. How could I miss out, am I right?” You realised really was the most arrogant man you’ve ever met when he invited himself in and made himself comfortable on your couch. “What’re we watching?”
You also realised your friends were not loyal. Despite cursing him out with you for the last few months they were too quick to become friends with him- even if it was because of the alcohol you really did not care.
It was approaching 3am and you couldn’t sleep, the guys all getting too drunk and crashing on your couch in the other room.
After tossing and turning a few more times you crawled out of your bed and into the building’s hallway, careful to tread lightly to not wake anyone up even Jeonghan.
Ever since your landlord gave you the keys to your apartment and access to the building’s rooftop you think you’ve been here everyday since.
The cool breeze always hit you just perfectly, momentarily letting you forget about everything in the world.
It really wasn’t fair. How Jeonghan treated you. You laugh to yourself when you realise you hold the same thoughts as your high school self, upset that her crush all of a sudden started to insult her for being top of the class.
You’d like to say that you don’t care about what Jeonghan thinks about you, but you know you’d be lying to yourself. That inner teenager of yours that still wants Jeonghan to like her back.
You don’t think you like Jeonghan anymore- but you also don’t think you hate him. And when you realise you don’t hate him after the way he’s treated you, you think you must like him at least a little to forget about that.
“Stop biting your nails” a voice from beside you says.
You don’t recognise it at first and instantly lunge at whatever it is, thinking it was a crazed psycho killer or something.
“Okay I get I wasn’t a saint to you but you didn’t have to hit me in the face y/n what the fuck?” The man groaned.
“Well maybe you should stop sneaking up on me Yoon” you forced out despite feeling a little guilty.
“Well I wouldn’t have to sneak up on you if you acted like a normal person and didn’t leave your apartment at 3am!” He scoffed, flicking your forehead with his finger lightly.
You glared at him before turning back to look at the view over the city.
“We’re not friends, I’d appreciate if you stopped acting like we were”
“We’re not friends? And here I was buying us matching cups” fake pouted, the same way he would when you worked for him and complained about the workload.
The more you remembered how it was like having Yoon Jeonghan as your boss the less you wanted to even be near him.
“You’re not funny, Yoon” you mumbled. Not like he cared.
“You’re not my employee anymore, y/n. I don’t care if you call me by my name now” Jeonghan looked at you.
You think you got even angrier when you looked back at him. Pretty privilege was real and Yoon Jeonghan probably benefited from it the most. Even at 3am and drinking for hours he’s still beautiful enough for you to forget how awful of a person he is.
“Even so, I’m nobody compared to you and I’m nobody to you,” you laughed bitterly, “So I’d prefer to not call you by your first name. Just like you requested”
“You really hold a grudge, don't you?”
“Fuck you Jeonghan” you looked at him baffled, “I hold a grudge? You tormented me for months because of some stupid thing that happened in high school that wasn’t even my fault”
“And even now you’re-” you sputtered, “you’re still trying to blame me. I didn’t do anything to you Jeonghan! You’re the asshole that did everything to me!”
You expected Jeonghan to get mad at your rant and say something back, instead he just stared at, ghost of a smile on his lips and some unreadable glint in his eyes. “You said my name”
You rolled your eyes, scoffing. He really could not take anything serious. “What is wrong with you?”
“I’ve been asking myself that too” he got closer to you, “you know ever since you left I’ve strangely been really sad in the office. Moping around looking for something- or someone”
“After a while I realised that was you. I missed you, y/n. And then I realised I like-”
“This has to be the worst confession I have ever heard of, Jeonghan” you looked at him surprised at how he could even begin to think this was what a good confession sounded like. “If anything this just makes me think you’re a sadist who enjoys making the girl they like cry everyday in the office bathrooms”
“Cut me some slack, I only worked this out two weeks ago” Jeonghan whined, and you really had to question if he genuinely believed this would get you to forget the way he acted. “I’ve seen the damn Notebook, we’re supposed to start kissing in the rain now”
“After the hell you put me through Jeonghan, I deserve a lot more than whatever you just threw together” you said before starting to walk away.
“Wait!” Jeonghan quickly grabbed ahold of your wrist before you could leave. “What do I have to do to get you to.. you know, look I’m not good at this!”
“Well for starters I think you should look up the definition of what liking someone is and how people usually act when they do like someone. When you work out how to love them right then let me know”
“Wait but before I start to show you that I can be a good person and an even better boyfriend, can you at least let me know it’s not completely useless. Like you’re not just going to reject me in the end to get back at me” Jeonghan looked at you desperately.
“I’ll see you around” you said before leaving, retreating to your apartment for the night. But Jeonghan could see the ghost of a smile on your lips.
Jeonghan was an idiot, he thought to himself, but he had a chance. He had to work this out somehow- and quick. You were a pretty girl, probably the prettiest girl Jeonghan had ever seen, you definitely had other guys interested and if he wasn’t quick he’d end up losing you to them.
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vickyvicarious · 8 months
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Good observation that Dracula's great grimness at informing Jonathan that they must part soon changing to his usual smoothness when Jonathan refuses to return to his room as dictated. Or gives Dracula the pleasure to go "before we part and before you become one of us let's play one more time, lets see you walk back into my arms from danger once more, for good this time". Maybe he even expected this small rebellion from Jonathan, knowing him. Especially after he dared scale his walls. It's more satisfying to "earn" Jonathan's submission. An unbreakable will bending to his is sweeter.
I think Dracula absolutely loves Jonathan's stubbornness... but only with the caveat that he is in control of the situation and can prey upon it. This response is extremely belated, but I kind of like answering it now because I think Dracula's treatment of Renfield so far, as opposed to Jonathan, is so revealing. He's ignoring Renfield completely. He has no interest in him at all. Because Renfield wants to be with Dracula. And Dracula doesn't care to spend his time with people who want to be around him; he's only interested in forcing his company upon those who don't want it. It's a huge part of the fun for him.
If someone like... Seward, for example, had been sent to Castle Dracula, he wouldn't have lasted anywhere near as long. Because I think he would be too enticed/interested in the vampires, and thus he'd bore Dracula a lot faster by being too willing or even eager to play along. Then again, someone who refused to play along at all would get boring very quickly too - if they don't submit and play his game he'll force them into submission with violence and that'll be the end of it. Jonathan managed to thread the needle perfectly with playing along on the surface while still constantly trying to resist behind the scenes. It was interesting and fun, a challenge that never made Dracula feel truly threatened. (Of course, he didn't realize the full extent of Jonathan's resistance/that he did have cause to be threatened...)
And he loved it! He was having so much fun! He got to genuinely enjoy Jonathan's company, but also enjoy how little Jonathan enjoyed his company and how he couldn't do anything about that. He got to keep pushing and pushing and pushing him and watch Jonathan almost break again and again but still just keep bending. To tempt him into disobeying and then punish him for it. To force him to rely on Dracula himself for protection and thus stick even closer the more endangered he gets. He gets to work for it, while at the same time never actually facing real risk other than losing his new toy (and Jonathan always settled down in the end, always let the game continue). ...And then he had to call it quits, because he had a schedule to keep. Yeah, I think he was genuinely kind of upset about that. And so when he got the idea for the wolves, he cheered way up again.
Because Dracula was able to offer Jonathan exactly what he claimed he wanted, but in such a way that they both knew he would never accept it. Instead, he forced Jonathan into a situation where he was forced to "choose" Dracula instead, one last time and more definitively than ever before. It was the perfect way to end their time together. Well, except one final victory - 'rewarding' Jonathan's choice by honoring it with one last night together, with delaying no longer and finally drinking from him.
Contrast all of that to Dracula's complete disinterest in Renfield, despite his avowed goal of conquering England and spreading vampirism here. You'd think a servant who willingly came to him would be helpful for that. But no, because Renfield came to him truly willingly, wanted to enter freely and of his own accord.
Dracula likes the kind of person who enters freely and of their own accord... because they're alone in the wilderness with wolves at their back. He likes those who stay because doing otherwise would be their certain death. He likes those who don't want this (who struggle and struggle, who have an unbreakable will) and yet are forced by him into accepting anyway.
An unbreakable will who bends at his command - that's how Dracula saw Jonathan, and he loved him for it. Right up until the point he decided he was finished, and acted to break him once and for all anyway.
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6esiree · 17 days
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Hazbin Hotel x GN! Reader Who Makes a Group Chat
Summary: The title is pretty self-explanatory, but basically the reader, who is Gen Z, makes a group chat for everybody in the hotel. I used that episode where they’re doing trust exercises (but I changed it to bonding to be more fitting). I also accidentally made it a little bit of Husk x Reader…but I guess it’s mostly implied?
Warnings: Uhh, swearing.
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Bonding—one of the most difficult obstacles Charlie had yet to overcome. While she got along with everybody just fine, trusting them from the moment they set foot in the Hazbin Hotel, nobody else could seem to do the same, especially as their personalities constantly clashed with each other.
When it came to you, well, you were actually a pleasant person to be around with. If anybody had anything bad to say about you, it would probably be the way you acted, which was rather…different than what they were accustomed to. I mean, you were one of the newest and youngest residents in the hotel, having just died a few months ago at the whopping age of 21. Could they really blame you?
Exhibit A:
“Gay son or thot daughter?” You asked Husk after finishing your second cocktail, innocently swinging your legs back and forth as you anticipated his response.
“Alright, I think you’ve had enough, dollface,” Husk said, withdrawing the paw that held the cocktail he had just whipped up for you, leaving you pouting.
Exhibit B:
“Iron deficiency gang stand up,” You said as you quickly got up from the couch, your knees instantly buckling underneath you. “Oh SHIT!”
“Fucking hell!” Angel Dust screeched, catching you before your face could meet the ground.
Exhibit C:
“Sometimes I fill the room with negative energy because I don’t want to be there,” You said as you stood next to Alastor, trying to get along with the smiling man.
“Alright, I’m off to Cannibal Town! I believe Rosie needed something,” Alastor quickly announced before walking out.
Yeah, you were definitely something else, but that’s exactly why Charlie liked you. Even though she and the rest struggled to understand your humor or some of the things you said in general, it was nice to have you around.
So, when it came to overcoming the lack of bonding among the Hazbin Hotel’s residents, the Princess of Hell turned to you, especially after Angel Dust decided to bring all of you to try out bondage…of all the fucking things.
“Hey, Y/N—Oh, oh my goodness,” Charlie winced as a sinner approached her, trying to entice her by dangling some fuzzy handcuffs in front of her face. “No thank you! Sorry. Anyway, uh, I was wondering if you had any ideas to bring everyone together? Something less…like this?”
You stood in front of Husk, who had sought refuge behind you after Niffty appeared next to him with a whip in her hand, excited to punish some “bad boys.” Not like you could do much to conceal him, especially considering that you were about Vaggie’s height, but the little demon did avoid you after you took pity on a roach and threw it out the hotel, sparing it from her wrath.
“Really? Oh, shit! Okay, um, let me think for a moment,” You said, happy that she had asked you to suggest something, “Errr, you know what always helped me get closer to people? A group chat. I know it sounds kind of stupid, but like, I think it would be a nice way for us to slowly get to know each other!”
“Oh, yes! Okay, sure, we can try that out!” Charlie gasped, clasping her hands together, but then she frowned, “Wait, what about Alastor? He won’t be able to participate since he doesn’t use a phone.”
“Doesn’t seem like a problem to me,” Husk spoke up, obviously content with the idea of the Radio Demon being absent from one thing in his life.
“I mean, he’s not even here right now,” You shrugged, agreeing with Husk, who shot you a thankful smile, “I’m pretty sure he’d say no anyway.”
Charlie sighed, but you were right. Alastor avoided technology like the plague, especially Voxtech. He wouldn’t be able to join a group chat even if he had a flip phone—which he definitely didn’t.
“I guess you have a point,” Charlie said, already starting towards the exit of this place, “Alright, let’s get out of here. Come on!”
“Booooo! You guys are boring,” Angel Dust said, dragging Niffty with him, who was the only one sad about leaving. “Except for Niffty, of course. She gets it.”
Back at the hotel, all of you sat in the parlor, exchanging phone numbers with each other. Creating a group chat was supposed to be a simple task, but for some damn reason, y’all were struggling. Sir Pentious forgot his phone number, so you had to help him out with that, and Niffty kept getting side-tracked every time a roach appeared before she could take out her phone.
Everyone else did just fine, thankfully, Husk even handing you his phone to avoid the hassle—which was on light mode (gross). Anyway, big mistake on his part because you decided to take 0.5 photos of yourself when he wasn’t looking, setting one as his lock screen. You tried not to laugh as you handed the cat-demon his phone back, leaving it unlocked so he wouldn’t notice right away.
“Okay, soooo, there! Done,” You said, successfully adding everybody to a group chat on SMS.
“Who said hello? I cannot tell,” Sir Pentious asked as soon as you sent a message.
“Damnit, Pentious. Hand me your phone again,” You said, getting up and taking a seat next to the serpent so you could show him how to name each of his contacts.
“Look, if you tap here then go to info, you’ll be able to name your contacts,” You demonstrated, Pentious staring at you blankly, “But I guess I’ll do it myself, just to be quicker.”
After that, everything was good. The only one who doubted a group chat would work was Vaggie, but as the days passed by, she realized it was much easier to communicate that way. Charlie was having a blast, reacting to every message that was sent with a heart, Pentious used emojis like the precious little man he was, Angel usually sent links from Sinstagram and Envee that he found funny, Husk responded sometimes, but with the most dry texts known to mankind, and Niffty, well, she forgot there was a group chat. Whenever she was reminded of its existence, however, she just sent pictures of the bugs she killed. You always reacted with a sad face.
“Can you stop saying “Congratulations” and “Happy Birthday”,” Vaggie announced as she descended the stairs alongside Charlie, looking at you specifically.
“Why are you glaring at me? I’m not the one spamming it!” You said, turning around to see Angel snickering on the couch, confetti and balloons popping up every time any one of you opened the group chat.
“Yeah, but you taught him how to do it!” Vaggie grumbled.
“Come on, Vaggie, it’s not their fault,” Charlie said, looking at you apologetically before disappearing to the kitchen to get breakfast.
“See? Charlie said I’m not at fault,” You said, but she didn’t back down.
“Uh-huh.”
“For real, though, I didn’t think he’d abuse it. Would you have, Husk?” You turned to the cat-demon in hopes that he would defend you too.
“I ain’t helping you until you show me how to change my lock screen,” Husk grunted, his phone lighting up every time Angel sent a new message, the 0.5 photo of your face popping up.
“Okay, then! That’s fine,” You shrugged, Husk rolling his eyes in response. “I can take care of myself.”
“If you really wanted to change it, you would have searched it up,” Angel said from the parlor, setting down his phone much to Vaggie’s delight. “Just admit you like looking at their face, kitty.”
Husk growled, the bottle of cheap booze in his hand slightly cracking in his grip. Vaggie couldn’t be bothered to intervene, disappearing to the kitchen as well.
“Call me kitty one more time and I’ll jam this bottle down your throat,” Husk threatened, but Angel only laughed in response.
“Sure, whatever,” Angel said, shooting you two a wink as he got up from the couch and stretched, looking down at his phone as it vibrated, “I’d argue with ya more on that, but Val’s calling. Maybe we can continue this conversation after work.”
“Hey! Well, apparently you like looking at me too, because your lock screen has been my face all along,” You said with a mischievous smile.
“Yeah, I would have noticed—” Angel said as he looked down at his phone, turning it off and on, “Wait, what the fuck? How—WHEN DID YOU DO THIS?”
“I have my ways,” You shrugged, Husk chuckling as Angel stormed out of the hotel mumbling in disbelief, fixing to change his lock screen.
There was a moment of silence shared between the two of you when the front doors of the Hazbin Hotel closed behind the spider, the only sound bouncing off the walls being the clanging of plates and utensils in the kitchen. You had already eaten earlier, so you stayed at the bar, enjoying the cat-demon’s presence.
“You’re something else, y’know,” Husk suddenly said, looking at you as he languidly sipped at his drink.
“I know,” You laughed, reaching for his phone, “Here, let me change your lock screen for you.”
A paw landed on your hand, catching you off guard. You looked up at Husk, wondering why he had stopped you.
“If I wanted to change it, I would have,” Husk said, his claws lightly dragging along your skin as he withdrew his phone from your grasp. “I ain’t stupid.”
Oh, man. Your face was suddenly hot.
“I, uh, I didn’t think—” You started, Husk quirking a brow at you. “You know what? Shut up!”
“You alright, dollface?” Husk asked.
His tail swished back and forth behind him, causing small drafts of wind to caress your ankles. Husk was obviously amused by how easily he had flustered you—the slick fuck. No longer wanting to satisfy him, you decided to be your usual self.
“Yes, I’m alright! But are you?” You shot back, Husk blinking in confusion.
“Why wouldn’t I be?”
“Clearly you’re not because your phone is on light mode,” You continued, “That’s absolutely disgusting.”
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mageknight14 · 7 months
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I think an interesting thing about both TWEWY games after replaying them is that, when you look back at them, Neku isn’t really punished for his flaws in comparison to Rindo and when he does suffer, it’s mainly through external factors that’s tied to his development as a person. On paper, it's pretty clear that Rindo is punished more heavily for his flaws (or at least more severely near the climax): his bouts of insecurity and fear of accountability made him the perfect candidate to be Kubo's puppet, and as such, he relies heavily on the Replay to the point where he basically assists in creating an all-powerful noise that is beyond their ability to erase, all but guaranteeing Shibuya's doom sans Haz's interference. Neku’s flaw of being tactiturn isn't something constantly producing conflict for him throughout the game; he overcomes a significant portion of his flaw by week 1; and the rest of the punishment he receives mostly comes from the reapers being unfair dicks to him. Neku does struggle emotionally during week 2 and 3, but it has less to do with his flaws and more to do with him having legitimate reason to doubt whether or not he can trust Joshua and Hanekoma. Throughout the game, his doubts are articulated very well through narrative action, but these doubts aren't a result of his own isolation and delusions, you know?
The closest it gets to that point is where Neku heavily blames himself for not trusting Joshua more when he chooses to "sacrifice" himself for Neku’s sake, but that whole instance actually makes Neku more retroactively justified when he finds out the truth about Joshua’s true nature. Not to mention Joshua was giving him plenty of reasons NOT to trust him so mistrust wasn't really a product of Neku's loner demeanor; Joshua was legitimately gaslighting him throughout the entire second week.
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But I actually don’t think that’s a flaw within the narrative. Quite the opposite, in fact. The thing to keep in mind about Neku was that he was essentially having his character arc in both directions. He was both having to learn to be a better person and directly confront his propensity to shut people out and refuse to rely on external help, while also trying to piece together who he even was before the Reaper's Game. He’s not given enough of a foundation to lay out who he was and what his deal is to the same degree as Rindo because for both Neku and the player, things start in medias res. He literally has no idea about who he even is as a person besides his name at that point of the story.
I don’t think Neku’s flaws not really affecting him is a problem with the narrative itself considering how people do call him out on his behavior and he does change immensely throughout the game. One could argue Neku becomes nicer a little too quickly given his few days with Shiki, or that in week 2 onwards, his distrusting personality isn't as prevalent; but on the other hand, Neku's growth from week 1 is challenged and put to good narrative use, because now he has to be willing to exercise patience and understanding with other people, especially since he has something worth fighting for that isn't just himself. W2 with Joshua is meant to teach Neku that not everyone is going to be sweet like Shiki, but regardless, you should at least make an attempt to understand such people, even if you end up never really liking them. Expand your world to include people, even if they think or act differently from you. By W3, Neku is now put in a position where he has to learn that caring about people isn't just about being nice to them or trying to understand them; it's also about being dependable enough to support others in need, which he develops into with his time with Beat. From that sense, OG TWEWY doesn't present Neku's flaws as a constant force he has to battle throughout the game, but flips this concept on its head and instead presents his arc as having to learn how to practice being an empathetic human being; something he shut himself from trying to do after the trauma of his best friend’s death.
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Neku doesn’t really hate people like he claims that he does at the beginning. He actually loves people. And he fucking hates that because it just leads to him getting emotionally hurt. He doesn't want to get hurt more than he already has and that’s the reason he pushes people away because he's scared he'll end up caring about them and getting hurt again and it’s why he’s heartbroken after Rhyme’s erasure and when he finds out the truth about Joshua.
I think that's really interesting in itself. By the rules that the Reaper's Game is supposed to usually operate by, Neku won with flying colours in week one, but because of circumstances being what they were, Kitaniji had to cheat and keep players from getting their resurrection wish. So Shiki is whisked into reaper-jail as a new entry fee, and Neku is forced into yet another game, even though he should have qualified for another chance at life as he was. The development of his character from amnesiac misanthrope into someone who actually trusts another person is so stark that it feels like you're playing as a completely different guy... but then week 2 rolls around and Neku's partnered with Joshua, who very intentionally pushes his buttons ceaselessly and tests him further.
Rindo on the other hand, has his flaw presented as a constant force throughout the narrative, and presents his growth through it more organically. Everytime he does Replay, he’s essentially forced to take charge of his life and grows more confident and assured in his capabilities as a leader while also becoming more and more heavily reliant on his time-travel abilities to carry him throughout the journey, acting as a double-edged sword in that sense.
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He also begins to grow out of his paranoia in regards to other people, having a habit of riding others' coattails and seeing them for their performance value first, personality second (Minamimoto, Beat, Neku when he was seeking him), especially if it's something he's heard about them (Neku the 'Legendary Player', Nagi having a 'bunch of pins') AKA, again, others' opinions.
He slowly gets better with his willingness to take accountability for his choices, but even in the final week, you still see that while he's made strides, he hasn't quite nailed the confidence just yet, and he even still relapses from time-to-time. Some people seem to look at this as a flaw of the game but I actually quite like this and I think it makes Rindo an interesting contrast to Neku as a protag.
His arc shows that you even if you are changing, change isn't like a switch; you don't just all of a sudden stop making mistakes tied to your flaw and it shows when he starts to delegate towards Beat and Neku’s judgement when they come by to start taking a load off of his back. He basically falls into a cycle of:
>improves
>falls into old habits
>improves
>does bullshit again
>improves
Until it culminates into Neku officially joining the team and unofficially taking Rindo’s role as the leader, telling him not to time-travel since it might cause more Dissonance only for Rindo to actually break this cycle and go against what Neku says in order to not fall for Susukichi’s trap.
It’s why his convo with Haz and his final choice is so impactful for his growth; with no outside influences, he has to make one of the hardest decisions of his life and he works his ass off towards making the second chance he got count.
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Rindo isn’t the easiest protag to like as a person even in spite of how seemingly more well-adjusted he looks to be compared to Neku. He constantly fucks up, acts really passive-aggressive when confronted on his flaws, and said flaws don’t immediately jump out like Neku’s did. The last part might seem confusing but people tend to attach themselves more to a character when they let you know what they’re about upfront, which is what Neku did quite bluntly at the beginning of the game ("all the world needs is me.") And if you’re not reading into Rindo’s actions and his head, a lot of his characterization can fly over your own head.
It even plays into the themes of both games. Even when Neku got screwed over by the machinations of the game, he was at least able to make some semblance of a difference throughout each week such as taking down the respective Game Master. But with Rindo and the gang, almost every victory they earn gets taken away from them due to another factor out of their control.
"Oh, you took down Susukichi? Too bad, Shiba says fuck you, start the Game over. Oh, and Sho is gone too."
"You took down Motoi? Congrats but he was actually a victim of the same system that you’re all a part of and is basically a desperate man on the brink of despair, which Rindo is forced to acknowledge, especially after Motoi himself passes away the next day."
"Speaking of the next day, you’re starting to form a counterattack and actually fight back against the system but oops, Shiba is here yet again to say, fuck you, do it again. Oh, and Susukichi was just playing pretend the entire time."
Not even taking down Shiba himself is enough to give them a reprieve because Kubo shows up to immediately undercut that sense of relief by revealing himself as the true villain and having Rindo’s very own powers kill his friends. Ain’t that a bitch?
But I think that in itself makes Rindo an interesting protag, at least to me. He’s the epitome of an NPC who got stuck with the protag role that he wants absolutely nothing to do with in spite of the world itself telling him to get his shit together. Hanekoma even initially writes off him at first due to only having average Imagination. But, after everything he’s been through and his character development, he’s finally able to find his own footing in the world and stand tall as the leader of the Wicked Twisters, ultimately saving both his friends and the city.
The main point I’m getting at here is how both games play with each protag’s arc in a way that neatly contrast one another and show off their respective writing styles quite well. TWEWY as a duology is fascinating to dig through and I really appreciate how multi-layered the games are.
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takeme-totheworld · 4 months
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Aziraphale and Forgiveness, Pt. 3: You Think Too Much
This series is now complete! Here's where you can find the other parts.
Part 1 here. Part 2 here. Part 4 here.
I have been so gratified by the response to these so far! Thank you so much to everyone who has been reading and commenting and reblogging, I'm really happy that my thoughts about this are speaking to people.
Same disclaimers from before apply: this is all based on parallels to my personal experience with religion, my biblical and theological takes (when I have them) are probably sloppy, and I haven't read the GO book so this is all based solely on the show.
Aziraphale shows a level of emotional distress about Heaven's bullshit that we don't really see from the other angels. I wouldn't be surprised if some of this is because he is one of the main POV characters, and we eventually discover that he's not the only angel grappling with this stuff. But I do think he's fairly atypical. He's a demonstration of something often observed by people who leave super dogmatic religions: A system designed to keep people ignorant is extra hard on the ones who think too much.
It's a big part of what makes Aziraphale a misfit in Heaven. The archangels regularly respond to his ideas and concerns with annoyance, dismissiveness, and patronizing non-answers. When they come to Earth to confront him in season one, Uriel flat-out tells him, "You think too much." They are constantly communicating that they don't like this about him.
This aspect of Aziraphale isn't just because he's spent so much time on Earth, or with Crowley. It's clearly innate. We see it before the fall, when he tried to warn Crowley about asking questions. A different angel might have shrugged the whole conversation off and flown away, or unthinkingly blabbed about it to the wrong person later, or even deliberately snitched. But Aziraphale was already thinking independently enough of what he'd been taught to conclude (1) that this could get Crowley in trouble, and (2) that he didn't want that to happen because it wouldn't be deserved.
We also see it when he gives the sword away. Would it have occurred to most other angels to worry about Adam and Eve's survival? As they’ve been depicted so far, it seems like most of the angels—if they thought about it at all—would think, "That's not my business. It's up to God's whether they live or die." Not because they're necessarily all callous jerks, but because that's how they've been trained to (not) think about things. But Aziraphale thinks too much. That's always been who he is, he can't help it.
So what happens to a person who can't help thinking too much, who is caught up in a system that punishes that tendency? Often, you get someone who twists themself into mental and emotional knots to try to make sense of what they're experiencing.
Here’s are some things Aziraphale knows, or at least thinks he knows, in no particular order:
God created everything, is in charge of everything, and knows everything.
Aziraphale is an angel, and he works for Heaven, and Heaven’s sole purpose is to carry out God’s will.
God is good and Heaven are the good guys, so in addition to carrying out God's will his purpose is to be a force for good.
Sometimes angels who go against God’s will are kicked out and declared enemies. No one to whom this has happened to has ever come back. On the other hand, sometimes angels who go against God’s will get to go on being angels.
Sometimes humans behave wickedly and God harms or kills them as punishment. Other times, humans behave wickedly and God doesn’t do anything.
Sometimes humans behave righteously and God harms or kills them anyway (or lets Satan do it). This is apparently a test, but not all righteous people get tested like this.
Sometimes humans are sent to hell to be punished forever after their deaths. Sometimes they aren’t. This has something to do with how wicked they were during their lives, but Aziraphale isn't actually clear on how it works (see the Edinburgh minisode).
And while Good Omens hasn't delved deeply into this topic (yet), we know that both Jesus and the Second Coming are canonically real in this universe, which means the whole “Jesus died so that God could forgive people’s sins” thing is as well.* So, a few thousand years into Aziraphale's time living on Earth, God's son became a human, lived a life among humans, and then died, all for the express purpose of doing some kind of ineffable forgiveness miracle that would save more of the humans from Hell.
* I have no definite proof of this, Neil might decide to go totally off-script with the theology, but that wouldn't be in line with what he's done so far. This show has an established MO of examining existing religious stories and doctrines in order to deconstruct them. So, knowing season three is going to be about the Second Coming, I would honestly be very surprised if we didn't get some Gaiman and Pratchett style deconstruction of the crucifixion and all the forgiveness of sins stuff.
It's a complete mindfuck. He's serving a totally capricious system in which punishment vs. forgiveness is what everything hinges on, but only God knows how they are being applied, whether there's any rhyme or reason to it at all. The other angels seem content not to think about it, but Aziraphale is not most angels.
He's supposed to be protecting and guiding humanity, securing souls for Heaven, but he doesn't know exactly how the souls are judged. His best friend is a demon who is serving an eternal punishment for—something (asking questions? rebelling?)—and he has no idea if he will ever be pardoned, if such a thing even could happen or what it would take. He's committed numerous transgressions himself without ever falling, but that doesn't mean the next one won't be the thing that finally gets him cast out.
There are surely a lot of ways one could react to a situation like this. But for someone who is deeply inside the system and committed to it and whose overactive mind is working extremely hard to square all the confusion and fear of his situation with the idea that he's working for The Good Guys?
I think Aziraphale has come to live in constant fear of being Unforgiven, of one day transgressing so horribly that there's no possibility of redemption. And I think he is constantly projecting that fear onto everyone around him. It's why he lies his ass off to Heaven to cover his mistakes and broken rules. It's why he openly wishes, on multiple occasions, for Crowley to be granted forgiveness from God even though Crowley himself is visibly antagonistic to the idea. And it's why he feels compelled to forgive others even when it hurts to do so. (Like when he's just had a horrible fight with his best friend/the love of his life and he's overwrought and angry and not actually feeling forgiving at all, for example. Or when his memory-wiped ex-boss who once tried to have him executed suddenly shows up on his doorstop needing help.) Because forgiveness is such a powerful force in his world that withholding it feels like an unspeakably cruel thing to do, and he's supposed to be one of the good guys.
Once again I have written so many more words than I intended to, but I'm finally coming up on the end of this series! Part four will be the last part of this, where I look at specific instances of Aziraphale and forgiveness in more detail.
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generalluxun · 6 months
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Hey. Asking about how Chloe was abused. My knowldge of abuse is fairly limited to general pop knowledge so I'm curious as to what abuse was done to her.
Okay caveats first:
I am not a medical professional, I am simply someone with a vested interest in the topic who has done more research than the average person.
There are many definitions of abuse. Legal definitions are rarely useful, as they are limited to concrete, provable, gross violations. Just as you can inflict a lot of pain on someone without leaving the marks to prove assault, you can do a lot of damage to a child without it being legally 'provable'. Medical definitions are much more helpful for discussions.
Lastly some level of extrapolation is required as it is a show. We take what we are shown. For example:We actually only have Felix's word that he was ever abused, and his first character traits sre being deceitful and manipulative. We still take his word though, because it's a show. (And also we should give weight to victim accounts!)
So both parents are guilty in different ways. We will start with Audrey, the simpler one. There's clear verbal and emotional abuse demonstrated on screen. Mis-naming your child is a form of abuse:please ask the trans community about the impact of deadnaming even in full grown adults.
Beyond that she is constantly dismissive and belittling of her child- to the exclusion of all else. Style Queen/Queen Wasp is rife with examples. There is also the clear behavior shift in Chloé. The wheeling, approval seeking, hunched posture expecting rejection. This is a *pattern* not a one off. Audrey may live in NY, but no fashion movil would be away from Paris for 13yrs straight. We are simply seeing the most recent interaction. This culminates im a child having to ask 'Why don't you love me mother?' and the response is telling
Audrey barely chokes out the strange word when trying to contradict the question. It takes Marinette literally making them both mad at her to get a bare minimum of interaction on Audrey's part. It doesn't last though. Audrey falls back into her negation behaviors and is now present to inflict them more regularly on Chloé, while also being a constant target for/model of behavior for Chloé. (Seriously it was such a misstep to write Marinette reuniting a victim with an abuser) We know the show itself considers Audrey'ss care as a bad thing because the original script had André divorcing her and takin Zoé because Zoé 'doesn't deserve you' so Chloé being in an abusive parenting situation in Representation is supposed to be 'punishment'(ewww)
André is not off the hook either. People look at him 'spoiling' her and leave it at that. Well, 'spoiling' can in fact be abusive too. Let's look at what we see:
André has been her primary caregiver for 14 years now, so he has had the most responsibility in molding what we see for good or bad(mostly bad). She does learn from him too. Darkblade she proudly announces she learned everything about winning elections from watching her father. He's also excessively arrogant (I'm the symbol of Paris!) and quite willing to abuse his power for his own ends(having Roger round up protestors etc) which explains where Chloé learned where power is to be abused.
André is also extremely neglectful as a parent, extreeeeemely. Let's hit a bunch of points in the order they come to me.
Chloé lives *alone* in a hotel suite. There's no shared space, no family area. It's not even really her room. It's commercial, sterile. Where sre her hobbies? Posters? Even her *colors*? She is so used to being ignored at home that the girl who is loud as heck everywhere else doesn't make a single mark on her living space.
A hotel employee seems to think he needs to step in to raise Chloé. Let that sink in. An employee can see how bad it is and tried to make some kind of change, (he's working against a lifetime of ingrained behavior and is not very good at it himself). He doesn't even think to you know... Get Andre in to do this.
André was unaware or didn't care his daughter hasn't done schoolwork since Sabrina *learned to write*(5/6 yrs old) that is a shocking level of disinterest in your child. 6yr olds aren't criminal masterminds.
Andre supplants actual attention and affection with *stuff* he gives material possessions in *place* of parenting. This is somewhat similar to spoiling but not the same. André's method denies the child something vital. You see- things aren't a substitute for affection/attention, developmentally. And so while they may delight they never satisfy the need. They never validate the emotional attachment. So after the shine wears off, the hole is still there. So, like someone with an addiction, the child needs more, and more, and more. Since the needs are never met, it is never enough. And this is what the child views as *normal* this is simply *how it is*. They rarely know they are being given inadequate care because it's just life to them. Seeing something different in a one off doesn't make a dent vs a whole life.
This sort of thing makes a potent cocktail when mixed with the abandonment issues from her mother too. See- if her mother left, and daddy doesn't pay attention, anyone can leave. This leads to a cycle of pushing/demanding/hurting. The child expects to be left and let down, so they both try to reassure themselves it won't happen, and *make* it happen on their own terms (because they believe deep down it will) so more outrageous demands, because when those demands are met, it shows that you are still 'loved' and when they are not met, then there you go, you are not loved and they will leave you. It's a self-destructive spiral.
You see it play out with her interactions with her classmates and Sabrina specifically. How does she express affection? Gifts. What does she do? Push. Push and push and find the breaking point because if she can make Sabrina actually leave then it shows that she herself is worthless and her mother was right to leave her and her father is right to ignore her. Pretty messed up right? Yeah. Child abuse does horrible things to kids.
We're not done with André yet. Some people might say 'he expresses love for Chloé!' and to that I say- performatively.
André likes the idea of being a father. It's what respectable people do. It looks good on camera. It's someone to love him unconditionally. It's an ally against his wife.(broken home dynamics are horrible too) André just doesn't like having to parent for more than a snapshot.
We can see his interactions with Zoé highlight this too. He's delighted she's here!(a potential person on his side vs his wife and daughter) what's his first parenting advice? 'lock your dreams away and get on with life' A+ André.
What's he do in Queen Banana? He uses his power to let Chloé manipulate the movie *kicking Zoé out of it* This is the guy who is supposed to be supporting her? He only draws the line when it comes to sending Zoé away... Why? He doesn't want to lose an 'ally'. It's power dynamics. Not parenting. Where was he when Zoé was stuck in boarding school? He was going to keep Zoé in the divorce so clearly Mr Lee isn't in the picture, Audrey probably forgot Zoé existed, why didn't André bring Zoé to France and let the sisters grow up together? Oh, right, that might be work.
André likes Zoé because she comes pre-raised(boarding school was probably better than either parent) he doesn't have to put in work and he gets a free good kid to make him look like a father. She's his 'do over' as he throws the one he raised in the trash.
André shows his true colors when he's lamenting to Gabe about his corruption and abuse and blames ot on his 'heartless daughter' you know... The child he raised. The grown man is actually shoving his own corruption and misdeeds onto his child. You really don't need much more than that.
So, via neglect, verbal abuse, and emotional abuse the Bourgeois parents raised an incredibly messed up child. Chloé is not a 'good victim' like Adrien, she doesn't sulk quietly under abuse. She lashes out. She is hurt and angry and she passes the pain on. This is why they call it the cycle of abuse.
The end of Revolution illustrates this perfectly. Audrey throws verbal abuse at her on the plane. Angry that Chloé embarrassed her(not that she did wrong, Audrey loved the power grab) and calls her a loser by implication. You *see* it hit, the physical cringe. Then Chloé immedietely goes to try and pass on the pain. She is hurt and making someone else hurt is the only way to lessen it. She calls Marinette. Marinette breaks the cycle though, and good for her. But the show seems to have forgotten there's still one hurt child in this scene, and it doesn't seem to care.
I'm going to stop here for now. I probably left a bunch out, but I do have other things I need to do. Feel free to ask more questions. Thanks for taking the time to seek answers.
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kyouka-supremacy · 2 months
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Who in sskk would you say has the higher IQ?
IQ as in, conventionally smart? Then definitely Atsushi does. I'm sorry. I've said it many times before, but I don't think Akutagawa is a particularly perceptive person. Or witty. Or intelligent in general. It's due to external factors, he never got the chance to have anything that could resemble a proper education; but it's also a matter of his nature, he's just so impulsive, and narrow-minded, and stubborn, he really has the thickest skull ever. But seriously, especially in a world full of geniuses, Akutagawa simply doesn't shine for sharpness of mind, and is way too impulsive and instincts-driven to be a person that relies on reflection or rationality. Everything that Akutagawa does is the epitome of irrational, it's one of the greatest appeals of the character.
Atsushi is smart,,,, I've talked about this also, and I think it's less sustained by canon than for Akutagawa, but I like to think he's a very observant and perceptive person whose intelligence doesn't show because he's constantly surrounded by geniuses, but still he is smart. When it comes to observations skills, I find it easy for him to have them due to his childhood of ill-treatment and abuse: as a defense mechanism, he learnt to be especially observative of people's behaviour in order to tell what sets people off and be able to prevent any escalation, I think that's a widely shared abuse survivor experience. Something among these lines is shown in chapter 51:
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I also think Atsushi is a very fast learner. He's observant, and that results in him constantly absorbing other people's knowledge. He's often asking for explanations for Dazai and Ranpo's reasonings, and although I know more often than not it solves an expositive role in the storytelling picture, there's still the fact that it makes Atsushi a person who's constantly trying to understand the reality surrounding him. Atsushi is also shown to be very cool-minded and calculating in fight: from him sliding under Akutagawa and attacking him from behind successfully eluding having to face him front-off in chapter 4, to him retracting his tiger limbs to escape Rashomon's bonds in chapter 12, to the strategy he elaborated with Tanizaki (and his ability to catch up on that) to defeat Lucy in chapter 16, to his attempt to outsmart Fitzgerald in chapter 34 (that, although failed, was still driven by rational thinking nonetheless), and the list could go on. The way in fight Atsushi is shown to ponder over and implement the advices people like Dazai or Mori offered him further makes me believe he's really good at absorbing information. And Atsushi is probably book smart, too! He's compelled by reading to the point he would even risk the orphanage director's punishment just to sneak into the library and read (not explicitly supported by canon, but I can take a guess). According to the second guidebook, he spends his leisure time borrowing books from the library and studying. Overall, he really seems to be rational in all the places Akutagawa is on the contrary driven by impulses¹.
It's like… A physics law when it comes to sskk, that Akutagawa will have the most despicable trait while Atsushi has the trait that is conventionally considered the best; or at least that's as far as my characterization of them goes. Atsushi is beautiful, Akutagawa is ugly². Atsushi is polite, Akutagawa is rude. Atsushi is pure, Akutagawa is stained. Atsushi is smart, Akutagawa isn't. Atsushi is lovable, Akutagawa is destined to cause repulsion in everyone he meets³. In the end, none of this matters: they're no different where it counts, that is, Atsushi isn't any more morally just than Akutagawa is. Atsushi in not any more good than Akutagawa is (I actually suspect the contrary is true). But as far as appearances go, it's still important to portray them as opposites, because Akutagawa being unlovable and Atsushi receiving all the love Akutagawa didn't get for being his contrary - even though deep down they're the same - is almost everything their relationship is about. It's also a big part of why they act like they do towards each other: it's source of Akutagawa's bottomless envy for Atsushi; it's source of how devoted and loyal he will grow to be for him - reaching the point of giving his life for him -, because he can't see Atsushi as anything but perfection. It's source of confidence and of that certain justified hatred towards Akutagawa Atsushi feels because to his eyes Akutagawa is about the worst person to have ever walked on earth. It's source to their wish to annihilate the other as the opposite they can't exist at the same time of. It's the reason Akutagawa had to die, because he's not the good one. Overall it's also expression of Akutagawa's thematic struggle to be good and unavoidable failure at that because of the constraints of a narrative that never wanted him to be good.
But I also think they can make it work. More precisely, I think sskk can make it work when both of them can overcome and defeat the narrative dichotomy they found themselves stuck into: by recognizing that deep common ground of “we're the same” and that where it matters, in morals, neither of them is better or worse than the other. The Beast universe exemplifies that for us readers, but they don't know Beast, so they'll have to realize it by their own. About that, I think Akutagawa already caught on, because he was faster to call out the hypocrisy of Atsushi's good guy façade, and from that it's a short distance to realizing that, as much as he hates to admit it, at his core Atsushi is not that different from himself. It's taking a little more for Atsushi to realize, because it's harder to get down from that higher moral pedestal he believes himself to be on, but with his whole reevaluating Akutagawa after he stopped killing and sacrificed himself for him (and then saved him again. And then showed him how formidable of a team they are when they find a common ground.), I think he's getting there.
Tl;dr: Atsushi is smart and Akutagawa is stupid and yes it fits their personalities, but way more importantly it's consistent with the themes they carry that translate in what their relationship is like.
¹ For further reading on how Atsushi can be witty, please refer to @/gloomierdays's tags on this post. ² For further reading on how Atsushi and Akutagawa's looks can be used to reflect their characters themes, please refer to this post. ³ For further reading on how Akutagawa being not smart (as far as conventional definitions of smart go) ties to his character themes, please refer to this post.
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ashintheairlikesnow · 8 months
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🧑‍⚕️ for Chris! Cookie treat:
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CW: BBU, sickfic, ableism from Luke Petrus, general Luke Petrus warning, minor whump (OC is 17), brief implied noncon references
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"What the heck did you do now, Petrus?" The doctor - barely out of med school, still young and learning the twists and turns of the Facility's labyrinth of hallways - sighs. He's been here barely a year, and already learned that Luke Petrus has a reputation for quick turnarounds because he runs his trainees into the ground. Metaphorically speaking.
His trainees aren't generally allowed to actually run much of anywhere at all. Or get out of bed.
Petrus rolls his eyes, crossing his arms. "Nothing. He was being a little shit this morning, breaking all his rules. I checked and his forehead was hot, so I brought him in here."
"Well... at least you didn't OD him again."
"That was one time, and he should have been fine, it's not my fault his body metabolizes the drugs wrong-"
"Maybe don't use our freaking supplies without speaking to a doctor first to make sure next time?" Dr. Ross glances into the exam through through the window cut into the door.
The trainee lays on his back on the exam table, staring listlessly up towards the flickering florescent lights overhead. His hands are moving, constantly crushing the crinkling paper beneath him or touching himself at the throat, the collarbone, the stomach. He's humming, audible through the door. A toneless, tuneless ah ah ah ah through barely open lips.
"Okay, well. I'll take a look. Any specific complaints other than the fever?"
"Clammy as fuck, coughing, sneezing... all that shit. Complained about his food, earlier, and I know he knows better than that." Petrus narrows his eyes, and Dr. Ross tries not to feel a shiver down his own spine. "He better be burning hot enough to hallucinate or he is going to fucking regret talking shit to me about the food."
Dr. Ross pauses. "The food is pretty legendarily... um, crap, though," He points out. The look Petrus gives him is so derisive he can all but feel it eat into him like acid. "I'll take a look. Probably he'll need an overnight in the clinic."
"I only have a few weeks left to finish him up. So you get him able to take training tomorrow night, got it?"
"I can't promise-"
"This one is going to a personal friend of Karen Renford's," Petrus says in a low voice. "A personal. friend. Got it?"
Dr. Ross swallows, trying not to look unnerved. "Got it."
"Good. Message me once he's good to go back, I'm going to head home for a few hours. If he's faking this..."
"Handler Petrus. How exactly would he fake a fever?" Dr. Ross looks into the exam room again. The trainee is still humming, watching his own fingers as he moves them between himself and the light. His skin is pale, a little grayish. His freckles stand out like paint splatters all over his body.
"Wouldn't put it past him. Trainees figure out all kinds of shit. Get him better and get him to stop doing that... Shit with his hands, making those noises. Punish him if he keeps it up, it's part of his training plan."
"Hm," Dr. Ross says, noncommittal. "I'll send his test results over in a bit. Enjoy your time at home."
He steps inside just to end the conversation, walking idly over to a countertop, where he opens a cupboard above and pulls out a small canister of lollipops. "Hello, 223499."
The boy's voice cuts off like a radio. After a pause, he starts mumbling, too low for Dr. Ross to hear.
"... right. Well. Your handler says you're feeling under the weather. Mind if I take a look?"
The trainee turns his head then. He looks somewhere off to one side of the doctor, blinking a little dazedly. "... take a look?"
His voice is slow, sluggish, but each word is so carefully placed.
"Yes."
The trainee looks away again. Dr. Ross sighs and goes with it, checking his temperature. 101.7, not great, not the worst fever. Hopefully this won't be another flu like the last one. Pneumonia nearly killed three trainees that time. He checked ears, eyes - pupils reactive, ears clear - and then touched at the lymph nodes beneath his jaw. A little swollen.
"Okay. Next up, we need to take a quick look down your throat."
Another slow blink. The trainee seemed to suddenly tense up. "You... want my throat?"
"Uh, well-" Dr. Ross turns away to pick up a tongue depressor and the swab for the test. "Yes, we need to test you."
The paper on the exam table crinkles again. The boy hums, almost wistfully, and then goes silent.
When he turns around, Dr. Ross discovers the boy on his knees in a seamless Position Two, mouth wide open.
His green eyes are empty, somewhere far away.
Dr. Ross's face burns at the sight. His stomach turns sharply, and he has to clear his throat to try and cover the way bile rises. "Uh, n-no thank you-... I just need... you need to be tested for strep throat, Trainee, not that kind of-... back up on the table, please-"
The boy looks confused, in a faded sort of way, but follows orders. He manages to clamber back up, sitting this time, listing a little to one side, then the other. But he opens his mouth again, and Dr. Ross hurries through the test as fast as he can, trying not to think about how most people gag during the strep test, but the Romantics never do.
"Good, made it. Perfect. Now, does your throat hurt a lot today?"
"Yes, sir." The boy's voice is a little raspy, now that he's talking. "A... lot. Earlier, i... cried when my... handler-"
"Don't need to hear the end of that sentence!" Dr. Ross forces false charm and ease into his voice, plucking one of the lollipops at random from the jar. "Here, let me give you this. It tastes a little weird, but it'll numb your throat and keep you from coughing." He unwraps it and holds it out. The trainee blinks at him. He blinks back.
Then he realizes. "... oh. Do you have to be... do I have to..." He leans forward. The trainee opens his mouth obediently for Dr. Ross to place the lollipop inside. Only then does his mouth close.
"'ank 'oo, ir," The trainee says around a mouthful of fake sweetener and the numbing agent already going to work. His eyes are so sweet and so vivid, and he half-smiles around the treat.
"You're welcome, 223499. I'm going to go and do your strep test. I'll be back. You just relax, okay? You can sleep in a clinic bed and get a good night's sleep."
The boy's eyebrows furrow. "Is... is it night?"
"Oh right. We're not supposed to let you know, are we? Well... I don't think it can hurt... yeah, I'm on nights right now, 11 to 9. It's about one in the morning."
"Oh." The trainee lays slowly back down, on his side, closing his eyes as he works at the sucker. "... what, what does night... look, um, look like?"
Dr. Ross swallows.
He's a fucking coward, but he doesn't answer. He just leaves, and he doesn't let himself stop and look back.
He doesn't let himself think about a boy who can't remember the sky.
God, he only has a few weeks left on this residency and he just isn't sure he can make it.
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icyrambles · 16 days
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i typically have two forms of analysis when i talk about certain characters. i call them meta analysis and canon analysis.
meta analysis is when i take into account author, fan, and personal interpretation and intention when writing a character. this can be things like biases on the author's part (intentional or not), fandom headcanons and general opinions that are widespread, and finally my own personal opinions and beliefs on the character or media
canon analysis is when i ignore everything above. it's when i take things that are said exclusively through the text and conveyed to me as a reader. these are analysis formed exclusively (or at least as much as i try) through what is told to me via the text
like take pharma as an example. i personally hate how his character is treated both in canon and in fandom. within canon he's reduced to the crazy doctor who harvested his patients organs and in fandom i've noticed he either gets babied to all hell (typically by shifting the blame of his actions onto tarn) or just demonising him. i dislike this from all angles because pharma for me is a multifaceted character who, while causing a lot of harm, was forced into a situation where he really did not have a choice if he wanted to keep his staff and himself alive.
like yeah, i think pharma should punished in some way for the deaths he caused, but i also think that he should be viewed through the lens of someone who was essentially being blackmailed into killing his patients less himself and his staff (one of whom was a defected decepticon) be serious harmed or just outright killed. and that these actions caused massive damage to his mental wellbeing which caused him to spiral into madness.
or like take ratchet. he's got this thing in fandom where he'll throw wrenches at people and he's a fucking rebel who hates the government. but he doesn't do either of those things ever, in any of the continuities i've read/watched. like he's not even remotely violent unless he's actively being threatened? and even then he's more liable to go for verbal assaults rather than physical ones. where are you people getting these interpretations from?
he's a snarky ass who enjoys arguing with people sure, but ratchet would not fucking destroy the government. he fucking threatens to dismantle megatron on several occasions throughout the comics. there was a tweet from alex milne a while back that basically called ratchet an abusive partner and like, listen, fandom interpretations are always going to be a little off, but i'm sorry mr. milne, but ratchet is not an abuser in any sense of the word. there is nowhere, and i mean nowhere in the comics that proves that he would do that.
idw starscream is also a character who i have complex feelings about when i try to write about him.
because on the one hand i despise the way that idw starscream is treated by the fanbase. he's not a good person, that is the whole point of him. he's a terrible person, who has done terrible things, and i think he should be treated as just as bad as megatron. and i think the fandom constantly babying him because of what megatron did to him is stupid.
he's a genuinely cunning, manipulative, and overall shitty asshole who is more than willing to doublecross and backstab to get what he wants.
but he's also a victim. megatron's treatment of him throughout the war is inexcusable. under no circumstances do i think that starscream deserved to be kept around as a punching bag to keep the other decepticons in line and i also am of the belief that megatron should've gotten more flack for what he did to starscream.
like pharma, starscream is a character who has a lot of different layers. he fucks up and relapses into more toxic behaviour because it's quite literally the only thing he can rely on. he's expected by the people around him to be a backstabber and a liar, so why on earth would he act any differently?
it's not until bumblebee appears that he actually starts to change. and i think it's very important when discussing bee and starscream's relationship that people remember that starscream does not think of bumblebee as a ghost. he views bee as a literal manifestation of his guilt and consciousness. he did genuinely seem to view bumblebee as a good leader and a good person before his death in dark cybertron, so when bee shows up as a ghost and starts encouraging starscream to do better for his people and his planet, starscream listens because he did trust bee.
the point of starscream's character, is that people can only change if they truly want to. bumblebee wants starscream to change for the better but starscream only starts to change when he actually believes he can. and even then he often relapses into more negative behaviours because he's not perfect. the fact that he does this honestly makes him even more believable to me.
if you were treated as nothing more than a liar, coward, and manipulative asshole for 4 million years you'd probably fuck up on the road to recovery too.
it's why megatron's redemption at least works for me within a canon lens. he only starts to change his behaviour when he actually begins to understand that his actions and ideology were wrong. that's why it works. the lost light as a ship is about new beginnings and fresh starts for everyone, so having megatron, literally the most hated guy every join the crew works to further that theme of rebirth.
out of canon analysis though, starscream and megatron in my opinion were done very poorly in terms of writing. they were very clearly meant to be cartoonishly evil characters with no redeemable qualities during phase 1 of the comics. so when phases 2 + 3 roll around and try to develop these characters as more than just evil assholes, it falls flat because you have to sweep all of the terrible shit they've done under the rug.
and it doesn't work well from a narrative perspective to have murder mcgee megatron and his former second in command be the leaders of not only the planet they fucking destroyed and the ship that legally doesn't belong to them. and this is coming from someone who loves idw's portrayals of megatron and starscream. i think they're some of the best versions out there beyond maybe the originals.
i also think that fandom falls into a weird zone when it comes to these characters. i call it fandom flanderization; where fandom will take a certain character trait (like starscream being a liar) and conflate that trait to be their whole character. like is starscream a liar? yeah he absolutely is. but he's also a genuinely caring individual when he actually trusts someone.
it's a shame because i think that idw, despite having relatively weak writing in terms of overall storytelling, actually has some really interesting interpretations of the characters.
[ if you liked my work, please feel free to give it a reblog and leave your thoughts in the tags, reblog box itself, or replies. i adore seeing what other people have to say about my thoughts ]
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sarasade · 10 months
Text
Part of me almost hopes that Viren's story arc will end in a disproportionately cruel way, you know.
I'm just so tired of seeing a character doing one good thing before they die or trying to change before they die and instead of the audience taking that as purposeful ambiguity the discussion will center around if the character was "Redeemed".
But imagine if he was punished so harshly that even the Viren haters would feel bad for him. Now that would be interesting! I've seen some dark speculation around season 5 so I'm looking forward to seeing how the show will contextualise his arc.
I don't understand why "Redemption" is such a popular talking point when centering villains (ok I actually do. I'm looking at you, Zuko).
"Sin and Atonement" and "Redemption" are deeply Christian themes. I don't think those should be a universal frame of reference to all stories.
Yes, yes, this is more of a fandom problem, not a show problem. But if people want to see a bad character harshly punished for their crimes maybe they should get that for once. I don't really mind because I think Viren, while unlikeable, is a sympathetic character already. Of course I feel for a character even if they are "irredeemable". That's what stories are for.
I don't mean it's a completely useless way to look at art but it's just- I don't know- I'm bored? Especially YouTube commentators talk about redemption constantly instead of engaging with the themes that actually are there.
Sometimes villains can't even really make up for everything they have done, just like some people in real life. Viren has committed so many crimes- like how do you even fix that? However it'd still be interesting if he tried to change. That's what I'm here for. Like Viren and Claudia are not just an antagonistic counterforce to our heros but they have a lot of going on as unique characters.
Viren has his saviour complex and values domination over cooperation. Claudia is interesting because she's both the victim and the perpetrator. It's interesting how self-sufficient she is while being deeply emotionally codependent on Viren. She has a ton of agency as a physically (magically?) strong person but not a ton of agency as an independent, emotionally strong individual. Viren and Claudia love each other but it's isolating kind of love where they don't really have anyone else but each other (Terry is really trying to get in there. Like sorry Terry you don't know how fucked up these two are lmao).
No wonder it was so easy to Aaravos take Viren's place as an authority figure in Claudia's life after Viren died. Or at least that's what I took away from Lost Child short and TDP season 4 in general.
I still think about the first information we got outside Viren and Claudia's POV about Aaravos's mirror: Runaan's warning about "A Fate Worse Than Death".
This framing device sounds really important. I've been wondering how it'll play out eventually. Is it something about Viren losing his old life he worked so hard to build, or will he lose Claudia in some metaphorical or literal way? Is it something even more personal?
Personally, I'd love to see Viren live and change as a person. There are plenty of high-fantasy male characters like him who go through that kind of transformation: Guts from Berserk, Geralt of Rivia, Jaime from GoT, Ged the Wizard... You know, characters who realise that the things they value are unsustainable or even harmful to themselves and to people around them and even to the world as a whole. Or they realise that superficial things like status and power are unfulfilling and only serve status quo. There are some parallels to toxic masculinity/ hegemonic masculinity, too.
However, I think it'd be interesting if Viren's story will be a deeply tragic one. Anyway I'm here for this.
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sxcret-garden · 9 months
Text
Oneus with a dominant s/o [M]
ღ Oneus all members x gn!reader ღ genre: reaction, smut ღ warnings: mention of punishment in some parts
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Seoho:
the type of person to immediately take on the submissive role if he’s with someone dominant
he appreciates someone who can take the lead during sex
actually likes the way you make him leave his comfort zone by pushing all the right buttons
his little whines…
will melt if you worship his body and praise him and tell him how much you love him while you fuck him slow
loses his mind from you edging him but still tries to be a good boy for you and be patient
will be embarrassed at first, so he’ll be blushing and begging you to give him more at the same time
such a good sub to have your way with
so long as he trusts you, he would give you full control over the situation anytime
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Leedo:
it will surely hurt his pride a bit when he realizes how strong your dominant side is lol
feels like he’s supposed to be the one to take the lead here, and it takes him by surprise every single time you beat him to it
eventually he’ll get used to your dynamic, and will even come to enjoy it
not the kind of guy who will whine or beg for you
he will sulk and take it personally if you try any kind of punishment
it’s more like he will let you take the lead and do whatever he can to please you
even then, if it’s something you’re open to he very much can and will show you his dominant side and make you submit instead
however, his most important objective is to ensure your pleasure, so there aren’t a lot of things he wouldn’t be willing to try if it’s something you ask of him
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Keonhee:
a switch, but very comfortable with submitting
very vocal so expect lots of whining and moaning
it’s very easy to make him beg for you
he’ll be good for you and obey you one day, and then be an absolute brat the other - it really depends on his mood
teases you for the sole purpose of having you show him who’s in charge
lowkey loves it when you punish him (moderately) but loves it even more when you praise him and tell him what a good boy he is
in the end he’d do anything to please you, even though he likes testing your limits
there are days when he wants to take the lead instead to make you feel good and to take care of you
but he will easily give in and revert back to submitting to you if you’re not in the mood for that
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Hwanwoong:
this guy is constantly going to try to overpower you
but that doesn’t mean he doesn’t like you being a dom
quite the opposite actually - he likes turning everything into a little game over who’s more dominant
will definitely give in from time to time and submit to you
even then he’ll be so good and so devilish at the same time that he’ll have you wrapped around his finger easily
not really a brat but not quite behaved either - he’s very good at balancing out the amount of power each of you has
however his favourite days are the ones where you let him take the lead
he’ll take such good care of you while also teasing you about how he made you submit to him despite you being dominant usually
will get really eager if that makes you try to turn the situation around on him
expect lots of pinning each other against walls or the bed and unexpected kisses to drive each other crazy
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Xion:
he’ll be whatever you need him to be, so if you want him to submit to you, he will
however, he’s a brat and won’t go easy on you
will tease you until you shut him up and pretend to want to overpower you just to get you to do everything you can in order to take the power back
finds it insanely hot when you push him down on the bed or shove him against a wall and punish him a little
if you tell him he’s misbehaving, he’ll just take that as a challenge to misbehave some more
however, no matter how bratty he is, he always knows his limits and would never overstep any boundaries
once he’s satisfied with riling you up, he will be so good for you and grant your every wish
wants to have fun with you, but he’s also very soft for you, so in the end what’s the most important to him is that you enjoy yourself and you’re both comfortable at all times
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mephestopheles · 3 months
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Dear gods I love this season of d20. Junior year is just *chef's kiss* fantastic and full of so much anxiety. I keep thinking about Kristen and Cassandra and their relationship. Kristen from the first episode, or maybe the second after she met Helio has spent a lot of time with doubt as her constant companion. She didn't know if she was meant to be Helio's chosen, or that he was worthy of having a chosen. Her doubt led her to studying more, and opening up to philosophy and different points of view.
Creating Yes! was an attempt to find or create her own surety. How can she doubt a god that is just "yes!". But she still doubted, she still questioned everything.
This got long, the rest is under a cut!
And that makes sense, everything her family, her church told her was a lie. It was a perversion of truth to fit their ideals of who is Correct and therefore Good and Deserving, and those who are Wrong, and therefore Bad. And if the "bad kids" actually go out of their way to help people and don't judge anyone for their beliefs or punish others for their failings, then why are they considered "bad".
Of course finding a goddess of twilight and mystery and doubt, makes so much sense for Kristen. With the tools she learned from her friends, those "bad kids" to reach out and not judge, she saved Cassandra.
However, she hasn't saved herself. She's still lost in her own doubt. Tracker has left, amicably or not, that has hurt Kristen, and she's not innocent either. Kristen had a part to play in that relationship splitting, but she's definitely crumbling at this point.
What drew Kristen to Cassandra was her doubt, was her questioning. Her fear and her loss of all those connections that grounded her at the beginning of freshman year. And while Cassandra is correct, Kristen is not alone even in the dark, that Cassandra is there with her, holding her hand (which is such a good line, Brennan omg!) Kristen is having trouble believing in anything.
She believes in Cassandra. Full stop.
Kristen doesn't believe in herself. And she doesn't know why Cassandra believes in her.
It's that ADHD thing, where you feel like you're constantly fucking up in everyway and it's just a matter of time before you fuck up that this person is going to see how much you actually suck as a person. No matter how much you want to stop fucking up, subconsciously speed running it at least accomplishes two things. One) self sabotage gives you an outcome you already know the steps for and the sense of control (false or not) is at least enough to make it feel like a safer choice. Two) it's going to suck when the person you're trying to impress/has control over your grades/ is somehow in a position of authority that believes in you, finds out you are messy, and a failure, and are useless, but at least if they find out fast, you don't have to keep some ruse up.
Kristen isn't conscious of this decision making. Take it from someone who's done it enough to realise that this is what is happening in the background. It sucks so much, and when you don't know you have ADHD it's worse, because all of those are now personal failings.
So of course Kristen has no idea how to relate to Cassandra as anyone other than "the next person I'm going to fail". And she has no idea how to proselytize for any god outside of Helio, and that kind will not work to bring followers to Cassandra. Moreover, Kristen's entire relationship with Cassandra is based on doubt. So while Kalina is correct that promoting the powers found in twilight and mystery, that's not what Kristen sees.
She's still very much a prophet of Helio in Cassandra's robes. She's still using the same kind of spells, and she's so caught up with "how do you show others that doubt is a good thing" that she doesn't see the other options.
And unfortunately that means she's failing, and she feels it. And that doubles her terror. And that's not even including the whole "you're dangerously close to being expelled." Like this would be the instance to literally beseech your god and admit your fear and doubt and Cassandra would understand and would probably be empowered by that connection. It would have the reverse effect with Cassandra than other gods, she gains from doubt and mystery, and Kristen sharing her fears and not knowing how to share Cassandra could be such a good thing for both of them.
But Kristen was raised in an environment where doubt was punished. That was unfortunately reaffirmed by walking away from Yes! because in her mind her doubt of Yes! and that deity's death is her fault because she doubted.
But doubt isn't the reason Yes! died. Yes! died because it was the manifestation of belief in a liminal space by a questioning teen, and should not have had the ability to substantiate something, and wouldn't have been able to outside of the very specific circumstances of a Beardsley nat 20, and the power funnel of a self resurrection. Kristen didn't believe in Yes! Never did. She created it and in that instance stopped believing in it. Yes! Had a slow death of "this is not what I wanted but I don't know how to say that".
I don't know how this is going to turn out for either Kristen or Cassandra, and I'm hoping that there's going to be a reckoning for them, and maybe an understanding between them. Like both are so traumatized. Cassandra is traumatized for losing so many followers to Galicaea and other deities.
So of course she's going to be that much more fixated on getting more followers and making sure that Kristen hadn't left for her girlfriend's goddess. (Ex or otherwise).
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30fishmen · 9 months
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Unknown / Nth analysis
My post got some notes so now you must all read my Hozier lecture. You have no choice.
SOME DISCLAIMERS: I am currently in the process of reading Dante’s The Inferno so most of the information about it is pulled from the internet/prior knowledge that might be completely wrong. Feel free to correct me/add to the post with more information that I left out because I am sure I will leave out something. Also, most of this is my own personal feelings on the matter, art is subjective!! And if you disagree, I would love to hear it, discussion is what makes art and music and fandom fun. With that, onto the lecture.
BACKGROUND: As Hozier himself says in this interview, the song is about Treachery, the ninth circle of hell as Dante describes it in his Inferno. It depicts feelings of betrayal, loneliness, and longing as told from the perspective of God freshly betrayed by the one he most trusted, Lucifer. This is where most of the imagery in the song comes from. (I think that is super cool). I’m also gonna talk about my own interpretation of the song from when I first listened to it, since even without the background knowledge it’s such a powerful song. For convenience, the person singing the song is gonna be called “the speaker” and the person they’re singing to is gonna be called “the betrayer.”
You know the distance never made a difference to me – right off the bat Hozier is crushing our souls. This first line establishes so much love and longing its almost painful- feelings that have persevered despite past obstacles and will continue to persevere for the foreseeable future. The speaker has been separated from the betrayer before (past tense MADE implies this is not a new struggle to them), and the betrayer knows that.
I swam a lake of fire, I’d have walked across the floor of any sea – again, the speaker is proving their devotion by professing the things they have done, and what they are willing to do in the future (I SWAM a lake of fire, I’D HAVE WALKED across the floor of any sea; past tense to future). What I realized after Hozier talked about the inspiration for the song is: this line is referencing how Lucifer got into hell. The “lake of fire” refers to the punishment/imprisonment he received for his betrayal and what he has already endured by being separated from God, the literal and metaphorical hell that he had to go through in order to be in the position he is in. The “floor of any sea” refers to the frozen ocean he is trapped in, the one he is constantly trying to escape. God created this prison, and yet he would have been willing to traverse it.
Ignore the vastness between all that can be seen/and all that we believe/so I thought you were like an angel to me – This line is talking about the reality of the situation versus the image the speaker has in their mind of the betrayer. If they ignore what is actually happening (all that can be seen), they can still remember the betrayer as an angel (all that we believe). Incorporating the divine a little bit, this line could also be talking about the distance between heaven, the mortal realm/earth, and hell.
Funny how true colors shine in darkness and in secrecy – Pretty straightforward as far as the verses in this song go; a slightly ironic tone that acknowledges a betrayer’s tendency to never fully reveal themselves until it’s too late.
If there were scarlet flags, they washed out in the mind of me – Though again ironic and slightly self-deprecating, the message is heart-wrenchingly simple. The speaker loved the betrayer so much they couldn’t see the warning signs of their deceit/ chose to ignore it in favor of looking at all of their goodness. This line begins a phenomenon that I like to call “the Humanization of God.” God is supposed to be all knowing/all-powerful/whatever else you attribute him with. Yet he didn’t see the warning signs of betrayal from his closest friend, something painfully human.
Where a blinding light shone on you every night/and either side of my sleep/where you were held frozen like an angel to me – The “blinding light” this is referring to could mean three things (or all of those things at the same time): 1)it represents a pedestal/spotlight that the betrayer was put upon by the speaker, which is why red flags were so easily ignored. The speaker looked up to the betrayer so much they couldn’t fathom them possibly being anything other than perfect. OR 2) In the third installment of the Divine Comedy, Dante is enveloped by a “blinding light” that raises him up to heaven and allows him to see God. Therefore, the blinding light could reference the divinity Lucifer held before his betrayal, something that God thought would mean he was stuck as (FROZEN, even) an angel, and therefore unable to betray him. OR 3) this verse is talking about Lucifer after he’s already been trapped in hell, with the “blinding light” being the surface he’s trying to escape to. This interpretation would be especially sad because of the line “you were held frozen like an angel to me”, implying that even after his betrayal, God still sees Lucifer as an angel, not as a sinner or a demon. Even without the biblical context, the speaker still holds good memories of the betrayer after all is said and done, choosing to remember them as an “angel” rather than reflect on their horrible acts.
CHORUS TIME- there’s a quote that I always think about when I listen to this chorus: “To be loved but not known is comforting but superficial. To be known and not loved is our greatest fear. But to be fully known and truly loved is, well, a lot like being loved by God.”
 It ain’t the being alone/It ain’t the empty home baby/You know I’m good on my own -  the speaker has very clearly been alone before, which is sad because it implies that the betrayer is the one who alleviated this loneliness, providing company where there previously was none. Now that they’re gone, they’re back to being alone. Also the implication that the speaker confided in the betrayer about this past loneliness (YOU know I’m good on my own) makes their abandonment so much more heartbreaking.
Sha-la-la, baby, you know, it’s more the being unknown – Something new to the speaker, though, is the feeling of being unknown. God has always been placed on a pedestal, with no one to keep him company except his angels. Lucifer was the first angel, known as the angel of Light, and was someone God trusted and confided in. God thought he knew Lucifer, just as Lucifer knew him, and now with his closest friend gone, he must return to that lonely position of power, unknown to any other angel or worshipper as anyone other than God- distant, all powerful, unapproachable God. And maybe this betrayal is what forced God up into heaven in the first place, doomed to never again be known as he was by Lucifer. In a way, that’s almost exactly like the punishment he’s given to his betrayer.
So much of the living, love, is the being unknown – This line reads surprisingly hopeful to me. It’s an acknowledgement of the situation, sort of saying “oh well, that’s life” to the most famous betrayal of all time. The most important part about this line is the tone; there’s no bitterness, no resentment of the circumstances or the people that have led them to this situation.
You called me angel for the first time, my heart leapt from me – This line is talking about the first time the betrayer and the speaker met, and how that interaction affected the speaker. It also speaks to how much one person can be changed by another’s affection. As soon as the speaker was called angel, their heart was no longer their own, trusted entirely to the betrayer to use as they will. It also seems the decision was at least a little bit unwilling on the speaker’s part (the phrase “leapt FROM ME” implies unwillingness; the speaker didn’t GIVE their heart away, it jumped from their grasp). Point is, the speaker was definitely in denial about how close they were to the betrayer. Another instance of humanizing God in the context of the story, for though he is often depicted as loving, you never really think of him as having a heart to be broken or to be given away to his most trusted.
You smile now, I can see its pieces still stuck in your teeth – the imagery in this line is insane; the speaker’s heart was literally chewed up and spit out by the betrayer by their act. The fact that literal scraps are seen in a SMILE shows the betrayer still deceiving, trying to placate/make friends with the speaker even as their heart is in literal pieces because of their mouth. This is also another reference to the Inferno- Lucifer is described as a three-headed demon, with each of his mouths chewing on the bible’s/history’s greatest betrayers: Brutus, Longinus, and Judas. Brutus and Longinus are being punished for their role in Julius Caesar’s assassination by being stuck feet-first in Lucifer’s mouth. Judas receives the worst punishment of the three; his head is being chewed on while his back gets scraped up by Lucifer’s claws.
And what’s left of it, I listen to it tick/every tedious beat/going unknown as any angel to me – This. Line. Oh my god. Even in the teeth of their betrayer, torn to shreds, the speaker’s heart is still beating and alive, just as their love for the betrayer is. And after thinking it over (“listening to their heart”), they realize that maybe they don’t know their own heart as well as they thought. Because what heart would love a betrayer? (A HUMAN ONE, PROBABLY. HUMANIZATION OF GOD.) Also, the use of angel, not as a term of endearment as it was previously, but in reference to a group (unknown as ANY angel, rather than MY angel or THE angel) indicates both God’s realization that he didn’t know Lucifer as well as he thought and a resolution to never trust or hold another angel as close ever again.
AND NOW FOR MY FAVORITE PART!!!!!!!! BY FAR THE BEST PART OF THE WHOLE SONG IN MY OPINION. Setting aside the lyrics and the meaning of the song, just the pure power of Hozier’s voice in this section gets me every time. So much of a change from the easygoing guitar that’s made up the rest of the song- there’s like a heavenly chorus behind him, he’s singing at the top of his lungs louder and higher than any other part, it’s just so…. I don’t even know how to explain it. It’s so good.
Do you know I could break beneath the weight?/Of the goodness, love, I still carry for you – Personally, I think the “goodness” that is being described here is the speaker’s hope that the betrayer is still a good person, deep down inside. It’s a hope that is futile and slowly “breaking” the speaker, because the deed has already been done, yet the speaker still carries it. In addition to that, I like to think that the responsibility of heaven was shared between God and Lucifer before his betrayal, and now without him, God is forced to carry the weight and pressure of being the divine creator of the universe all alone.
That I’d walk so far just to take/The injury of finally knowing you – Referencing the line earlier in song (I’d have walked across the floor of any sea) and again stressing the lengths the speaker is willing to go for the betrayer. The best part about this line is, again, the acknowledgement of pain by the speaker. They specifically say “the INJURY of finally knowing you”, meaning that fully, truly knowing the betrayer as they want to would cause lasting harm. Also, the realization that, as things currently stand, the speaker DOESN’T know the betrayer (hence the use of the word finally, implying future), and to know them completely would mean to know the reasons WHY they betrayed the speaker, which would certainly cause “injury.” Yet the speaker DOESN’T CARE. They don’t CARE how hurt they are by the betrayer, how much it WILL HURT in the future, they just want to be with them and if that isn’t the saddest thing-
The closing chorus is mostly the same as it was before (it ain’t the being alone/it ain’t the empty home baby/you know I’m good on my own/sha-la-la, baby, you know, it’s more the being unknown) except for the final line.
And there are some people, love, who are better unknown – my initial reaction to this line was that it sounded surprisingly hopeful considering the rest of the song, much like the line in the first appearance of the chorus. I took it to mean that the speaker accepted the fact that the betrayer was bad for them, and maybe it’s better off that they don’t know them. But looking back at all the analysis about how far the speaker would go, all the injury they are willing to put themselves through, that just doesn’t make much sense (Plus the fact that the speaker still says “love”). No, that wouldn’t be the Hozier way. Instead, I think this line is the speaker blaming themselves. Saying that THEY are the ones who are better unknown, because they’ve tried the whole love and trust thing and look how that turned out. Consider the character of the speaker that’s been built throughout the entire song: someone who gone through hell and is still willing to go farther for someone who clearly won’t do the same, someone who ignored red flags in favor of focusing on the good, someone who trusted their heart to a person who chewed it up without a second thought. This is definitely a person to take betrayal personally, to turn on and blame themselves rather than get angry at the betrayer, the actual person at fault. The rest of the chorus and previous analysis supports this too (speaker is ok with being alone/on their own, but they are NOT ok with being unknown. So, to inflict that on themselves is a fitting punishment). Also, the speaker being the self-blaming person they are, this line could be read as sort of an apology; if they hadn’t let themselves be known, let themselves open up to the betrayer, maybe neither of them would be hurting this much in the first place. It might’ve been better if the speaker had STAYED unknown and alone as they were before knowing the betrayer.
This whole analysis is a cumulation of all the thoughts that have been fermenting in my brain for the past month, so if it’s a bit nonsensical I do apologize. Also, huge shoutout to my friend for listening to my insane ramblings and also helping me edit this, she doesn’t have a tumblr but I appreciate her immensely.
That’s all I got for now, if this gets some traction maybe I’ll post my thoughts about some other Hozier songs (because holy shit are his songs amazing). If you got this far down thank you so much for reading! It feels really good to put all the words down and actually organize them, and knowing that there are people who actually want to read it is so cool.
people who asked to be tagged: @freddykicksasses @allegedlyunmagical @iwillgotoheavenforyou
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starguardianniom · 6 months
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Shadybug and Chloé
So I read that many people were peeved that Chloé Bourgeois got namedropped when Shadybug was ranting to Ladyfly about how she didn't have a good life and only knew pain and suffering at the ends of Chloé and well, I feel like it kinds of fit though?
Hear me out first before branding your pitchforks please.
In Shadybug and Claw Noir's world, Betterfly says that any forms of mutual aid is a CRIME.
So let's just say that probably shades some lights on why Shadybug is so angry and bitter and jealous of Ladybug, she has no one to turn to but her partner who tries to backstab her constantly and wouldn't mind killing her off without a second thought if she pushed her luck too much.
If helping someone else is a crime in their world, it would probably explain why Shadybug has no friends, the girl squad trying to comfort her back in Derision the year before and Socqueline standing up for her would probably get them in serious trouble and it wouldn't be with just Chloé, but probably the teachers and other students witnessing them help Emonette in any way.
No idea what would be the punishment, but most likely something they don't dare to try to chance it.
So they are not close to Emonette and don't befriend her, so she is really alone to face her bully.
Who is probably worse than the actual Chloé if there is really no one stopping her from making Emonette feeling even worse.
The Supreme being the main villain and not Gabriel changed some stuff in their world, and it starts with different laws and views on some things, and one of them is helping others in any way is seen as criminal.
Apparently being decent in that universe makes you a pariah or something like that.
That might also explains why Shadybug says she doesn't have a nice mom, her mom probably doesn't dare to do anything against her bullying, or even if she is maybe concerned about it, can't help her because again it's a crime to help others in that universe apparently.
Not that even if she did try, Chloé is most likely still the daughter of the mayor in that universe too and can get away with it while probably having Emonette and Sabine being punished for any perceived slight against her, weither she is in the right or wrong. We saw several examples in the show of her doing just that, and some where before and after she became Queen Bee so.
And let's not forget that Emonette doesn't have Alya either, so she probably went through what Marinette went through 4 seasons with Chloé on a different scale, given there are no heroes but Betterfly to defend them and inspire them, and since helping others is not acceptable, Chloé has no one to look up to and idolize and wanting to be better, this universe seems to encourage people to be worse instead of better and anyone thinking the opposite becomes a criminal.
Again, their universe is quite different from the one the show takes place in and maybe it would help to remember that.
Sure it sucks for all of Chloé's fans to have her name dragged in the mud again it seems, but it's a different Chloé from quite a nasty piece of work of a universe as far as I can tell, so to me it checks out.
Because at the beginning before Marinette heard about Adrien and he becoming Ladybug to save Paris her biggest concern was Chloé Bourgeois.
She had known Chloé for years and was her favorite target, and given she was a normal teenager back then, her bully being her biggest source of angst, given how nasty Chloé is and with her father's name backing her up, seems to have it big on her plate.
Because the only person who ever gave Marinette a hard time was Chloé, never the others students, until that one time in Derision with Kim but well we're not gonna dwell on that anymore.
So it makes sense Emonette's biggest concern who made her life horrible was also Chloé Bourgeois until she got her miraculous from the Supreme, if no one else was willing to being marked a criminal for daring to help her via actual laws.
Because if people forgot about it the Supreme had no problem using two 14 years old teenagers to become his enforcers while also hiding the fact that using their powers for evil would destroy them, and those kids were fucking working for him willingly, so imagine how other 14 years old kids (mainly the class) would fare if they dared breaking the law for Emonette by helping her in any way?
Not much better it seems, given the Supreme was willing to let 2 teens die slowly despite their loyalty to him it means most likely being a kid isn't an excuse to break the law.
Gabriel said people lived in fear of the Supreme, I got a pretty good idea of why when thinking about it all.
I'm legit scared of Emonette's universe not gonna lie.
Helping people being a crime there, think about it for a second.
Chloé would have no reason to change for the better unless she would want to have problems with the actual ruler of the world.
Sounds far fetched but then again the Supreme was also able to prevent people from making a wish with Gimmi, aka the actual top god so yeah, it sucks but it's how it is in that universe.
BUT. BUT.
Doesn't mean that Emonette can't make Chloé change to become a better person in the future, but we probably won't see that happening if we ever see her again, or if we do it will probably just be mentionned quickly, or they will have bigger concerns to deal with.
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