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#when it was published
daenerysoftarth · 8 months
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I’m ngl the lack of Tyrion content on this webbed site bums me out sometimes. He’s not a good person, but does he have to be in order to be interested in him and to acknowledge that he’s one of the best and most complex characters ever written???
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charlietheepicwriter7 · 7 months
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“Psst! Old Geezer!”
“The fuck did you just call me–!” Dick Grayson was a lot of things–cop, detective, vigilante, handsome beyond mortal comprehension–but he wasn’t old! Twenty-three was not old! When he got his hands on that brat– “Oh, it’s you. You need to knock it off, kid.”
The kid in question had become something of a legend to the Central Bloodhaven Police Department. Detective O’Mallery had dubbed the kid “Stalky,” but Dick thought Lurky was a more accurate name; the kid lurked outside murder scenes, often showing up before the press… and sometimes, before the cops. Lurky was a short kid, easily half Dick’s height, and pale. He practically glowed, lighting up the alley Dick was guarding. He wore a black overcoat that swamped his tiny body, with the sleeves and hem cut to fit the child’s frame and a stiff gothic collar that reached his ears. Lurky’s black hair and blue eyes uncomfortably reminded Dick of—
“Nah, i don’t think i will,” the kid dismissed, shoving his hands in his pockets. “‘Sides, you can’t do anything to stop me.”
“I can arrest you,” Dick said, completely serious. “You’re interfering with a crime scene, again. I’d be well within my rights to do so.” The kid looked unimpressed. 
“Okay, boomer.”
Dick resisted the urge to murder a child. Barely. 
“Besides,” Lurky continued, “I just wanted to do my civic duty and inform you of the bloody knife three alleys over. Pretty sure it could help solve the crime scene there.” He gestured towards the apartment building behind Dick. “Andrew Grant-Williams, age 36, apartment 214. Right?”
“How the hell did you know that?”
“What, that thing with the knife? I looked for it, obviously.”
“No, about the suspect!” Dick glared at Lurky. “There’s no way you could have pinpointed who in the apartment died; did you steal a police radio!?” If he did, then Dick would actually have to arrest the kid. 
“No, I didn’t steal a police radio. Yet.” Dick tried really hard to ignore that last part. He’d done far worse things as Robin, after all. “His wife told me.”
Andrew Grant’s wife, Patrisa, died four years ago in a mugging gone wrong. Before Dick could question Lurky further, Dick blinked and Lurky vanished just like Batman. 
Even worse? Dick bothered checking the dumpster three alleys over and found, underneath a bag of kitchen scraps, a hunting knife, still bloody. 
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daphnalia · 2 days
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and they were galpals
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grison-in-space · 6 months
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Listening to Artificial Condition again, it strikes me how much Murderbot uses empathy reflexively as a survival skill. Look at this bit.
Upon meeting it, ART allows it on board and then announces that it knows that Murderbot is rogue. Then ART threatens to destroy it if it hacks ART's own systems. Murderbot is immediately terrified and shuts down all inputs, gives serious thought to spending the entire three month journey unconscious, and then considers the potential avenues of damage from ART's drones. ART, not realizing why Murderbot had suddenly gone silent, tells it to quit sulking, which understandably pisses off the still-terrified Murderbot. It dumps a bunch of memories of coercive treatment into ART's feed, and ART goes silent.
Then this happens:
Then it said, I’m sorry I frightened you. Okay, well. If you think I trusted that apology, you don’t know Murderbot. Most likely it was playing a game with me. I said, “I don’t want anything from you. I just want to ride to your next destination.” I’d explained that earlier, before it opened the hatch for me, but it was worth repeating. I felt it withdraw back behind its wall. I waited, and let my circulatory system purge the fear-generated chemicals. More time crawled by, and I started to get bored. Sitting here like this was too much like waiting in a cubicle after I’d been activated, waiting for the new clients to take delivery, for the next boring contract. If it was going to destroy me, at least I could get some media in before that happened. I started the new show again, but I was still too upset to enjoy it, so I stopped it and started rewatching an old episode of Rise and Fall of Sanctuary Moon. After three episodes, I was calmer and reluctantly beginning to see the transport’s perspective. A SecUnit could cause it a lot of internal damage if it wasn’t careful, and rogue SecUnits were not exactly known for lying low and avoiding trouble. I hadn’t hurt the last transport I had taken a ride on, but it didn’t know that. I didn’t understand why it had let me aboard, if it really didn’t want to hurt me. I wouldn’t have trusted me, if I was a transport. Maybe it was like me, and it had taken an opportunity because it was there, not because it knew what it wanted.
The thing about Murderbot's survival is that it clearly involves quite a bit of negotiating with other constructs and bots. That's how it talks its way onto cargo hauler bots in the first place. It uses empathy--envisioning the emotional and cognitive context of the individuals it encounters--to work out what different kinds of people want, so that it can offer them fair trades. It also uses empathy to consider what humans might be looking for, so it can practice blending in and hide.
Murderbot would never have survived so long if it wasn't capable of assessing the individual desires of the people--human, bot, and construct--around it. It thinks about ART's probable fears and motivations so that it can consider whether ART is inherently an ongoing threat or a potential ally.
When your survival depends on evading detection, you get really good at assessing perceptual biases so that you can shape yourself to fit into them. People talk about murderbot being radically empathetic as a choice it makes, or as a feature of its personality that makes it a good person. But I think murderbot would be the the first person to tell you that this empathy is part of its threat assessment suite, a skill that was developed out of necessity in order to allow you to survive.
It is also a trait that makes murderbot a good person, of course: it chooses very carefully to try to survive by doing as little harm as possible and by offering things, like media, that buy it access to things it needs. But it started as a survival skill. It's part of hypervigilance.
I think one of the strengths of this series is that so many of the things we love about SecUnit are traits developed for survival in an inherently threatening world. The shape of its mind and heart have been changed by the trauma of its origin--but they don't make murderbot less good for being altered, even if that skill was developed in a traumatic context.
I like that.
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starplanes · 2 months
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A (5 star) review of Bury Your Gays, by @drchucktingle!
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I read this book in one sitting. I did not plan to read this book in one sitting, but I could not put it down, accepting that my lunch break was now an extended reading break. Bury Your Gays was just that good.
It starts simple. Screenwriter Misha has been told by his exec that the season finale of his show must out, then kill the two leads. He needs to bury his gays because the board has determined it's where the money is. Misha says no. Then starts getting stalked by his (definitely fictional, right?) characters from other shows. Either Misha developed some incredible supernatural powers in that meeting, or something more sinister is at work…
Bury Your Gays illustrates why queer people should be allowed to tell the stories they want to tell, instead of being made to use queerbating, tragic tropes, or fake relentless optimism in the name of corporate Pride. It's a story about the queer struggle to find oneself in a world that makes it so, so hard. There's a lot of love for the queer community poured into this book, and oh does it shines. I especially adored the ace rep - and the concept of ace rep as a plot point. I shall not explain further. However, I am more scared than ever of the corporatization of Pride.
Bury Your Gays also criticizes capitalism's monetization of tragedy and exploitation of workers. It explores what happens when ethics are ignored in the name of an ever-growing profit margin, to the point where the bottom line becomes a near-sentient thing. It leans into the horrors of AI and data-mining by combining the two and going all the way with it. Chuck Tingle has acknowledged all my fears of black box algorithms and also made them ten times worse. Truly a feat! I will be sleeping with my router off!
It's a masterpiece of horror, both visceral and psychological. Since the main character is a horror writer, the story is very genre aware. There's a lot of fun to be had in the tale of "writer being followed by the monsters he wrote," and certainly no small amount of terror. It gets gory here and there, with plenty of suspense in between. Hints are laid out for the reader, enough where I was occasionally able to predict what was coming just a page or two before it landed. My jaw dropped multiple times! The writing is descriptive enough to pull you right in (and gross you out!), and it's paced near-perfectly. There's all these little moments sprinkled in that elevate the whole story, from fun references of other work to subtle clues you'll only catch on a reread.
This book will be living in my head rent-free from now on. It's about so many things and yet has interwoven them all perfectly. Fans of classic horror movies will love this story. Those of us fed up with AI generated trash will love it. Anyone who joined a WGA picket line will love it. Asexuals fed up with lack of representation will love it. People who watched multiple seasons of Supernatural will love it. Is that you? Go pick up Bury Your Gays. Be scared, be sad, be angry. But also validated, loved, and joyful.
TLDR: Read this book when it comes out on July 9!
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starlightseraph · 2 months
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“a non-traditional romantic story”
“a great sort of weird romantic love”
“the show’s central core relationship”
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asthevermincrawls · 2 months
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tlatollotl · 23 days
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If you don't see me in the lab at Los Guachimontones the next few days it is because I am going to New Orleans to present a paper at the annual Society for American Archaeology conference. But instead of presenting a paper on West Mexico, my paper is on archaeology and video game preservation. Specifically, how archaeology can help save historic video games from being lost forever. I'll be back on Friday!
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emilyjunk · 2 months
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Mean Girls 2024 + Reductress Headlines
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why-lamp · 9 months
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i'm finally getting around to reading Killing Time by Della Van Hise.
you know, the Star Trek book that was so gay that it was recalled and reprinted with over 50 changes.
I got my hands on a first edition copy from Thriftbooks and decided to use a sticky tab every time something "spirk" happened
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I'm only halfway through.
update its very fucking gay
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mysterycitrus · 2 months
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the endemic interpretation of tim drake being a coffee addicted, sleep deprived, isolated guy who’s trapped in a perpetual victim complex but is also the smartest person ever when for thirty years he was a narcoleptic skater with a mile long linkedin page is fascinating. reread batman prodigal and like…. o yeah this is a fun little dude with a terminal foot in mouth disease. the most little brother ever. i miss him.
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woosh-floosh · 1 year
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(read left to right) I had to make a comic version of this moment form the fanbook because it's such a funny image
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Fantranslation is by @wireddd1 on twitter!
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spicyvampire · 11 months
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KP APPRECIATION : Week 10 – weapon(s)
Kinn’s Gun
+ Bonus : Porsche’s gun
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betterthanbatman1 · 3 months
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What if I’m crying in the club what then?
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aroaceleovaldez · 2 months
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yknow what actually the fandom does not talk nearly enough about how Percy is technically canonically black. in Demigods & Magicians he says Sadie Kane is exactly how he imagines Annabeth and his future kids to be like, both personality-wise and in terms of physical appearance. Sadie Kane is biracial, which very overtly implies Percy is black. Demigods & Magicians is not ghostwritten so it's not even like this is a different author continuity thing. This is just a fact about Percy that he just indirectly drops and nobody ever talks about it.
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kunikidas-lost-glasses · 10 months
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Okay but Gojo raised two children at 17/18 alone with like zero experience on how to be a good parent while he was training to become the strongest and shortly after loosing his best friend who had also been the one he had been in love with in one of the most horrendous and cruel ways possible all while keeping up an incredibly cheerful and carefree personality.
You can't tell me that this man wasn't emotionally, mentally and probably also physically exhausted during that time.
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