Tumgik
asthevermincrawls · 41 seconds
Text
Tumblr media
39 notes · View notes
asthevermincrawls · 17 minutes
Text
Tumblr media
2K notes · View notes
asthevermincrawls · 26 minutes
Text
How can a person make up for seven decades of misrepresentation and willful distortion in the time allotted to a sound bite? How can you explain that the Israeli occupation doesn’t have to resort to explosions—or even bullets and machine-guns—to kill? That occupation and apartheid structure and saturate the everyday life of every Palestinian? That the results are literally murderous even when no shots are fired? Cancer patients in Gaza are cut off from life-saving treatments. Babies whose mothers are denied passage by Israeli troops are born in the mud by the side of the road at Israeli military checkpoints. Between 2000 and 2004, at the peak of the Israeli roadblock-and-checkpoint regime in the West Bank (which has been reimposed with a vengeance), sixty-one Palestinian women gave birth this way; thirty-six of those babies died as a result.That never constituted news in the Western world. Those weren’t losses to be mourned. They were, at most, statistics. What we are not allowed to say, as Palestinians speaking to the Western media, is that all life is equally valuable. That no event takes place in a vacuum. That history didn’t start on October 7, 2023, and if you place what’s happening in the wider historical context of colonialism and anticolonial resistance, what’s most remarkable is that anyone in 2023 should be still surprised that conditions of absolute violence, domination, suffocation, and control produce appalling violence in turn. During the Haitian revolution in the early 19th century, former slaves massacred white settler men, women, and children. During Nat Turner’s revolt in 1831, insurgent slaves massacred white men, women, and children. During the Indian uprising of 1857, Indian rebels massacred English men, women, and children. During the Mau Mau uprising of the 1950s, Kenyan rebels massacred settler men, women, and children. At Oran in 1962, Algerian revolutionaries massacred French men, women, and children. Why should anyone expect Palestinians—or anyone else—to be different? To point these things out is not to justify them; it is to understand them. Every single one of these massacres was the result of decades or centuries of colonial violence and oppression, a structure of violence Frantz Fanon explained decades ago in The Wretched of the Earth. What we are not allowed to say, in other words, is that if you want the violence to stop, you must stop the conditions that produced it. You must stop the hideous system of racial segregation, dispossession, occupation, and apartheid that has disfigured and tormented Palestine since 1948, consequent upon the violent project to transform a land that has always been home to many cultures, faiths, and languages into a state with a monolithic identity that requires the marginalization or outright removal of anyone who doesn’t fit. And that while what’s happening in Gaza today is a consequence of decades of settler-colonial violence and must be placed in the broader history of that violence to be understood, it has taken us to places to which the entire history of colonialism has never taken us before.
1K notes · View notes
asthevermincrawls · 31 minutes
Text
Tumblr media
#xx
271 notes · View notes
asthevermincrawls · 37 minutes
Text
Tumblr media
Canton, Ohio
built in 1895
#xx
31 notes · View notes
asthevermincrawls · 12 hours
Text
Tumblr media
Ferdynand Ruszczyc - Biały mazur (1905)
144 notes · View notes
asthevermincrawls · 13 hours
Text
Tumblr media
7K notes · View notes
asthevermincrawls · 13 hours
Photo
Tumblr media
#xx
721 notes · View notes
asthevermincrawls · 14 hours
Photo
Tumblr media
96 notes · View notes
asthevermincrawls · 14 hours
Text
Tumblr media
JEAN PAUL GAULTIER F/W 2003 COUTURE
637 notes · View notes
asthevermincrawls · 15 hours
Photo
Tumblr media
#xx
4K notes · View notes
asthevermincrawls · 15 hours
Text
Tumblr media
Josep M. Fontanet aka Josep Maria Fontanet aka Josep Maria Fontanet Sureda (Spanish, b. 1955, Barcelona, Spain) - Llum Sobirana from series Electric Light, 2014, Paintings: Oil on Burlap Canvas primed with Gesso
96 notes · View notes
asthevermincrawls · 15 hours
Text
Tumblr media
#xx
1K notes · View notes
asthevermincrawls · 15 hours
Text
Tumblr media
302 notes · View notes
asthevermincrawls · 15 hours
Text
Tumblr media
614 notes · View notes
asthevermincrawls · 17 hours
Text
Tumblr media
#xx
103 notes · View notes
asthevermincrawls · 17 hours
Photo
Tumblr media Tumblr media
#xx
1K notes · View notes