Escaped Convict!Eddie Munson x Innocent!Reader
Summary: a peaceful morning of reading and coffee is interrupted when you stumble upon convicted murderer and prison escapee Eddie Munson, and your kindness towards him does not go unrewarded.
Warnings: smut (18+ only, minors DNI!), unprotected p in v (wrap it up), oral (f! receiving), fingering, corruption kink, 'sir' kink, spitting, biting, mention of blood, mention of assault/murder
WC: 2.6k
A/N: in this fic, "innocent" refers to some sexual inexperience. Eddie and Reader are both in their mid-20s and neither are portrayed as childlike.
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At first, you don’t think anything of the slight rustling noise coming from the trees. It’s been a windy morning, the leaves swaying in the breeze since you’d first sat down at your favorite picnic bench, book in one hand and travel mug full of coffee in the other.
Now, you’re several chapters in, coffee long gone, the air warming as the sun reaches its peak in the sky. It’s almost time for you to head back home and get some lunch, and you begrudgingly tuck a bookmark into your tattered copy of To Kill a Mockingbird.
You hear the noise again; this time, it’s not accompanied with a gust of wind, and it draws your attention to an overgrown shrub in the near distance. Curiosity gets the best of you as you peer over it, but nothing could have prepared you for what you find.
One hand shoots out from behind the bush, yanking your wrist and pulling you down. Your jean-clad knees scrape against the cold ground, grass stains seeping into the fabric. A terrified squeal remains trapped in your throat, but you’ve gone completely silent in horror. Before you can process what’s happening, you feel a palm against your mouth.
“Don’t move,” a voice growls, low and slow against the shell of your ear. You keep your eyes staring straight ahead, unwilling to make contact with your captor. “You work with the cops? Hmm?” When you shake your head, his grip loosens slightly. Maybe it’s also because he can feel you trembling within his grasp, not even contemplating fighting back. “If I let you go, you promise you won’t tell a soul?”
You nod against his hand, taking a gasping breath when he hesitantly breaks contact, still unsure about trusting you. You try to scramble to your feet, but your body betrays you; every bone is gelatinous. Falling back with a pathetic whine, the adrenaline fades and the emotions it had been staving off comes flooding in. Tears fall from your eyes, hot as they slide down your cheeks in heaving sobs. The man swears under his breath, evidently distressed that you’ll give away his hiding spot with your crying.
“‘M sorry, ‘m sorry,” you apologize weakly, wiping at your face haphazardly and trying once again to stand. You’re successful this time, but before you can run away, you get a glimpse of him.
He’s absolutely filthy; a mixture of blood and dirt covers his hands and bare feet. A formerly starch-white undershirt is caked in the same grime, bright orange jumpsuit tied around his waist. His hair is matted in several places, though you can see a semblance of curls amongst the knots. And the expression on his face is not one of anger or violence, but of fear. The same fear that wraps around you like a boa constrictor, squeezing and choking until there’s nothing left to feel.
It’s his eyes, the deep brown windows to his soul, that give away his identity. And though his current get-up is a stark contrast from the ill-fitted suit he’d worn to his televised court appearances, you know who he is.
Eddie Munson: murderer, prisoner, and now, escapee.
Your own eyes widen, and you take a staggering step back. You’d seen on the news that he’d broken out of Indiana State prison three days ago, but you’d never imagined that you would be the one to find him.
“What the fuck are you waiting for?” he snarls, snapping you from your stupor. “Just go!” He scoffs disbelievingly, not understanding why you haven’t taken off bolting back through the forest.
To be honest, you’re also unsure why you remain in place. You’d followed Eddie’s case since the moment it had first broken: a man leaving a bar in the strange hours that are past the night but not quite morning, plans of trekking home derailed by the sound of a woman’s frantic scream. Without thinking, Eddie ran towards it, fingers digging into a man’s throat to pull him off of her. He could have stopped there, the jury argued; he should have stopped there, but he didn’t. His fist connected with the offender’s cheek, delivering one punch after the other until his own fists were battered and bloodied.
Eddie might have been hailed a hero if the perpetrator hadn’t been Jason Carver: All-American basketball player, a senator’s son, and most importantly, a man whose family had access to the best lawyers money could buy. The court overlooked Eddie’s act of courage in favor of the murder he’d committed and sentenced him to twenty years behind bars.
Was he innocent? Technically, no. But he also wasn’t the cold-blooded killer the media portrayed him to be.
You extend your hand, wincing at the way it shakes in front of you. “Let me help you, Eddie.” He flinches at his name, pulling back from you. “I…I can hide you, if you want.”
“Wh…what?” There’s no way he heard you correctly. You, the young woman in the soft sweater and frightened but kind eyes, just willingly offered to harbor a fugitive? “I’m not gonna hurt you,” he says gently, pinning his hopes on you recognizing his authenticity, “you don’t have to do anything for me.”
“I know.” You keep your hand out, biting your lower lip with so much force that you could draw blood. “I want to.”
With a plethora of reservations, he accepts your proposal as you discreetly lead him to your car. You naively expect him to sit next to you, but he opts to lay down in the backseat where nosy drivers are less likely to spot him. He pulls his knees to his chest, hugging them tight to shrink himself even further.
“If we get caught,” he whispers as you turn the key in the ignition, “tell them I made you do this, okay? Promise me.”
“Y-Yes. I promise.”
At your apartment, you point Eddie in the direction of the shower while you start on lunch. There isn’t much to choose from, but you crack open a can of Campbell’s tomato soup and make three grilled cheese sandwiches: two for him, one for you. You pour the soup into two bowls just as you hear the water turn off.
“Um, Sweetheart?” The nickname sets off a flurry of butterflies in your abdomen. “Do you have anything for me to wear?” He steps out of the bathroom, just a towel slung low on his waist. Droplets fall from his hair down his chest, blurring the lines of his tattoos. A dusting of brown hair trails from his navel and disappears below the towel. “I could put my own stuff back on, I guess, if you don’t.”
You will yourself to look away from the living, breathing artwork standing before you. “Y-Yeah, give me a sec.” Your arm grazes his torso as you walk past him towards your room, goosebumps appearing on your skin, and not just from the cooling water. Digging through your drawers, you manage to find a pair of sweatpants and an old t-shirt that your ex-boyfriend had left behind, never bothering to return to collect it. “Here,” you say; he doesn’t question why you have men’s clothes at the ready, just takes them gratefully and pads back into the bathroom to change.
You’re left breathless again when he walks out again, fully clothed. His biceps strain against the cotton material, filling it out better than your ex ever could. And his lack of underwear is evident, the outline just visible through his sweats.
He’s gorgeous.
Eddie devours the food like it’s a delicacy, rather than canned soup and some Kraft slices on Wonder Bread. Perhaps, after years in prison and an undisclosed amount of days on the run, it is. He brushes the crumbs from his hands into his empty bowl and leans back with a small stretch. “Thank you,” he mumbles with a small smile, leaning over to take your own used utensils. “I’ll wash these. ‘S the least I can do.”
You nod, not wanting to protest and risk making him feel like he’s a burden. “How long can you stay?” you ask softly, nervously picking at your fingernails. “I mean, you’re welcome to stay as long as you need, but I know you probably shouldn’t stick around in one place for long…” You feel silly saying it, like you have any idea of what the protocol is for running away from prison.
“Not long,” Eddie admits, wiping the sponge over a spoon before rinsing it and placing it in the dishrack. “Probably should head back out as soon as it gets dark again. But, really, I can’t thank you enough. The warm shower, the food, the clean clothes…just wish I could repay you somehow.”
You don’t miss the way his eyes flick across your body, soaking in the sight of you. The ache between your legs pulses now, desperate for him to fill the space. You’ve only ever slept with people you’ve been in relationships with; certainly never with escaped convicts who you’d found hiding in the woods.
“What…what did you have in mind?” Your voice is small, barely above a whisper as you stand up and walk towards him.
“Don’t…don’t do this,” he hisses, raking his fingers through his hair. “Please. It’s been fuckin’ forever, I can’t…” He bites the inside of his cheek and shakes his head. “I haven’t touched someone like I want to touch you in so fucking long, sweet girl.”
“You want to touch me?” You’re shocked at his candor, the way he readily confesses his needs. “W-Where?”
Eddie exhales, gliding his forefinger down your cheek. “Everywhere. I can’t get enough of you. Pretty little bookworm just begging to be corrupted, yeah?”
“Mhm,” you squeak, letting your palm fall to his bicep.
“Need to hear you say it,” Eddie urges, for your sake and his. His breath tickles below your ear. “Say it for me, sweet girl.”
“Corrupt me, Eddie.”
His hands are on you in an instant, pinning you against the countertop. Your lips find each other with the force of magnets, a clashing of teeth and tongues more fervent than you’ve ever experienced. He hoists you on top of it, tugging on your jeans and panties until they’re on the ground.
“‘M gonna taste you. See if you’re as sweet as you look,” he murmurs, crouching so he’s got a perfect view of your glistening folds. Broad arms wrap around your thighs to pull you close and he dives in, nose nudging your clit as his tongue broaches your hole. Your toes instinctively curl, back arching as he feeds off of your pleasure and gradually quickens his pace. One thick finger slides inside you, making you moan. “Goddamn, even your sounds are sweet.” He continues licking and sucking, adding another finger as you get wetter. “‘M sorry, I wanna keep eating you out, but I gotta…” His lips latch onto one nipple, giving it the tiniest bite that draws a whimper from you.
You’re surprised to find that you’re enjoying the pinch of pain, lacing your fingers through his curls and holding his face to your chest. You allow your senses to be overwhelmed, drowning them in the sensation of his mouth on your upper body and his fingers within you.
You rock yourself into him, desperately chasing the release that he’s inching you towards. It allows him even deeper, impossibly so, and you tighten around him.
Eddie lets go of your breast, focusing all of his attention on your pussy. His fingers plunge in and out as he looks deep into your eyes, not daring to break any contact. “Thassit, sweet girl,” he says in a cross between a hiss and a coo, “come f’me.”
And you do, relinquishing whatever semblance of control you’d tried to hold on to. You soak his fingers with a cry of his name. There’s no mistaking the proud grin that sweeps over his face, knowing that he was the one bringing you this pleasure. “You’re ready for my cock now, aren’t you?” He laughs when you nod, helping you off of the countertop. He tugs his pants down, exposing his hard length. He’s big, already leaking pre-cum, and you’re salivating at the anticipation of him stretching you delectably. “Bend over for me, honey. You’re gonna take it from behind today.”
“Yes, sir.” You turn around, bracing your forearms on the Formica while he delivers a harsh slap to your ass.
“Fuck, say that again.”
“Yes, sir. Whatever you want, sir.”
He groans, throwing his head back as he runs his tip along your folds. “Such a good girl, knowing her place. Gonna take whatever I give you, s’fucking good for me.” He pushes inside you, little by little until he bottoms out. “So warm, so wet, holy shit.” Calloused palms grip your hips as he thrusts into you. “Take it, sweet girl. Mmm, jus’ like that.” Each snap of his hips is punctuated with a wanton groan. “I’ve barely fucked you and you’re already cock drunk. No one ever fucked you this good, huh?”
“N-No, never. Only you, Eddie.”
You feel your chin being pulled so your head faces sideways, his thumb ghosting over your kiss-swollen lips. “Open wide, pretty little thing.” You do as he orders, his saliva coating your tongue as he spits into your mouth. “Mine,” he declares possessively, eyes widening as you swallow what he’s given you without even being asked.
He pushes down on your back, your breasts pressed against the counter while he thrusts faster and faster, no longer concerned about holding back. “‘M gonna come on your ass.” He squeezes there, turning himself on further just having your supple skin in his grasp.
And because you know how wild it drives him, you consent with a, “yes, sir.”
Eddie pulls out just in time, his hot spend spilling out of him and onto your flesh. You wish you could see the way he’s adorned you, but you’ll have to settle for the feeling of him dripping down your curves. He stands behind you, panting heavily, holding his softening cock in one hand.
“God fuckin’ damn, sweet girl,” he mutters, reaching over you to grab a paper towel. It’s scratchy as he cleans you up, then takes another and wipes the residual cum from his tip. “You really are perfect.”
You face him and gingerly kiss his lips, probably too intimate for the utter filth you’d just engaged in. Still, he returns it, hands roaming your body with intent but no real destination.
“Mind if we get some rest?” he asks, poorly stifling a yawn. “You, uh, kinda wore me out just now.”
You lead him to your bedroom, both of you climbing under the covers wordlessly, heads barely hitting the pillow before you’re each sound asleep.
When you wake up hours later, you’re alone in the dark. At first, you wonder if it’s all been a dream, but when you click on your bedside lamp, there’s a handwritten note hastily scrawled on some scrap paper:
My sweet girl,
I had to go and didn’t want to wake you. I knew that if I did, you’d convince me to stay longer, and I can’t put you in any more danger than I already have.
I hope that fate will allow us to meet again, maybe if I’m ever truly a free man. ’ll be thinking of you until then.
Yours,
Eddie
P.S. burn this note and flush the ashes after reading
You do as he asked, heart sinking as the flames swallow his words. Maybe he’s written the same ones to dozens of different lovers, or maybe you’re the only recipient. It doesn’t matter anymore. All that fills your memory is the way he felt inside you earlier today.
You will it to live there forever.
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Book Recommendations 📚📒
Business and Leadership:
"Good to Great" by Jim Collins
"The Lean Startup" by Eric Ries
"Zero to One" by Peter Thiel
"Leaders Eat Last" by Simon Sinek
"Outliers: The Story of Success" by Malcolm Gladwell
Success and Personal Development:
"The 7 Habits of Highly Effective People" by Stephen R. Covey
"Mindset: The New Psychology of Success" by Carol S. Dweck
"Atomic Habits" by James Clear
"Grit: The Power of Passion and Perseverance" by Angela Duckworth
"The Power of Habit" by Charles Duhigg
Mental Health and Well-being:
"The Power of Now" by Eckhart Tolle
"Feeling Good: The New Mood Therapy" by David D. Burns
"The Gifts of Imperfection" by Brené Brown
"The Anxiety and Phobia Workbook" by Edmund J. Bourne
"The Dialectical Behavior Therapy Skills Workbook" by Matthew McKay, Jeffrey C. Wood, and Jeffrey Brantley
Goal Setting and Achievement:
"Goals!: How to Get Everything You Want—Faster Than You Ever Thought Possible" by Brian Tracy
"The 12 Week Year" by Brian P. Moran and Michael Lennington
"Drive: The Surprising Truth About What Motivates Us" by Daniel H. Pink
"The One Thing" by Gary Keller and Jay Papasan
"Smarter Faster Better" by Charles Duhigg
Relationships and Communication:
"How to Win Friends and Influence People" by Dale Carnegie
"The 5 Love Languages" by Gary Chapman
"Crucial Conversations: Tools for Talking When Stakes Are High" by Al Switzler, Joseph Grenny, and Ron McMillan
"Nonviolent Communication: A Language of Life" by Marshall B. Rosenberg
"Men Are from Mars, Women Are from Venus" by John Gray
Self-Help and Personal Growth:
"The Subtle Art of Not Giving a F*ck" by Mark Manson
"Daring Greatly" by Brené Brown
"Awaken the Giant Within" by Tony Robbins
"The Miracle Morning" by Hal Elrod
"You Are a Badass" by Jen Sincero
Science and Popular Science:
"Sapiens: A Brief History of Humankind" by Yuval Noah Harari
"The Immortal Life of Henrietta Lacks" by Rebecca Skloot
"Cosmos" by Carl Sagan
"A Short History of Nearly Everything" by Bill Bryson
"The Selfish Gene" by Richard Dawkins
Health and Nutrition:
"The China Study" by T. Colin Campbell and Thomas M. Campbell II
"In Defense of Food" by Michael Pollan
"Why We Sleep" by Matthew Walker
"Born to Run" by Christopher McDougall
"The Omnivore's Dilemma" by Michael Pollan
Fiction and Literature:
"To Kill a Mockingbird" by Harper Lee
"1984" by George Orwell
"The Great Gatsby" by F. Scott Fitzgerald
"The Catcher in the Rye" by J.D. Salinger
"Pride and Prejudice" by Jane Austen
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ᨳ hypocrite
synopsis - y/n's brother is a star soccer player — which is why she refuses to date athletes. (like she dates anyone). But when she's put in charge of the sports section in the school newspaper, she coincidentally makes the star player fall for her.
genre - soccerplayer!hoon × nerdy/writer!reader. FLUFF what is angst? we don't know her. hoon's a rich boy, yn has a famous big bro 🙄 cliché nerd catches athletes eye whatever, whatever
warnings - kiss kiss (duh) lmk if I missed any o(^o^)o
word count - 434
A/N - this story is a lot of my imagination, but after some digging I think @/eeunoia has jungwon fic (Attention Please! Mini series) similar in the sense that both female leads write about the sports team. So before people say I'm not crediting them or stealing their work here I am saying that both our stories have this one thing in common. (Also also, they're a very amazing writer and their stories are adorable and heart fluttering)
PART 2 here !
The library was your favorite place in the entire city.
Something about the smell of books and coffee that ligures through the book shelves is both comforting and slightly concerning. The library has seen better days but a fair amount of students still come in everyday to study. Sometimes — if you're lucky — people come in for dates, you love people watching, but watching two young people fall in love is S tier. Romance is your favorite genre; books, movies, anything that makes you red in the face and butterflies appear in your stomach.
Even after many failed relationships back in middle school, (don't ask, it was mainly teenage boys filled with uncontrolled hormones) you haven't given dating a second chance. Romance and love was like biting into a creme filled donut—or even better, homemade soup on a cold winter day—it wasn't what your brother said romance is at all.
He's the best brother you could ever ask for, yet his dating life is one of pure nightmares. It seems like everyday Dispatch has a new article about him. He's never brought a girl home, which means he's never been with a girl for longer than one night.
Since his love life consists of picking up a girl and dropping them the next day, you've always told yourself: you will never date an athlete. Yes, in fear they'll use you, but also because you're scared they'd only like you if they find out about your brother.
Whilst in your internal monologue, you didn't notice someone walking up to you.
“Um, excuse me? Do you work here?” you turned and were met with someone's chest. Damn. You looked up and saw the eyes of the one and only star player of the soccer (football) team.
“Oh! Yes, I work here. Can I help you with anything?” Sunghoon found your appearance cute. Not like the ‘I'd date you’ cute but maybe like a newborn puppy type. You wore a baggy beige crew neck and a pair of acid wash jeans, with your hair down and straightened. “I need this book called ‘To Kill a Mockingbird’, do you guys have it here?” After a second of silence, you nodded and led him to the mature reading section of the library.
“Thanks for the help…” you think he's asking for your name. “Y/n, Go Y/n” you giggle like a middle schooler and hate youself for it after. “I'll see you around Go Y/n.” He puts the book in his bag and stops before turning back towards you.
“I'm supposed to check this out, aren't I?”
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4 Alternatives to Popular Writing Advice
Some writing advice get passed off as something every writer has to do. The truth is, these tips might not work for everybody! NaNo participant Nicole Wilbur offers some alternatives to popular writing advice that may be a better fit for your writing needs.
While there are no definitive writing “rules”, there’s certainly writing advice so common it feels like it’s become canon. Most popular writing advice is generally good – but what if it doesn’t light up your brain? What if a particular tip doesn’t resonate with you?
If this popular advice isn’t working - try these alternatives!
Common advice: Make your character want something.
Alternative: Ask what your character is most afraid of.
Your character usually wants something – the MC’s goal driving the story is a common plot, after all. That something needs to be concrete, meaning the audience will know definitively when they’ve achieved their goal.
(Is “found independence” concrete? No. Signed the lease on their first apartment? Yes.)
But if you aren’t sure yet, or what they want doesn’t feel motivating enough to support your inciting incident, start with a different question: what is your character afraid of?
Katniss wants to survive, with her family, yes. But she’s terrified of helplessly watching them die.
Common advice: Identify your story’s theme and stick it on a post- it above your computer.
Alternative: Use the character’s arc to create a main idea statement, and craft several related questions your story explores.
English class really made ‘theme’ feel heavy-handed. In my grade nine English class, we listed the themes of To Kill a Mockingbird as: coming of age, racism, justice, and good vs. evil.
While these are the topics explored in the book, I’ve never found this advice helpful in writing. Instead, I like to use the controlling idea concept (as in Robert McKee’s Story) and exploratory questions (as in John Truby’s Anatomy of Genres).
A controlling idea is a statement about what the author views as the “proper” way to live, and it’s often cause-and-effect. The exploratory question is – well, a question you want to explore.
In It’s a Wonderful Life, the controlling idea is something to the effect of “Life is meaningful because of our relationships” or “our lives feel meaningful when we value our family and community over money.” The question: How can a single person influence the future of an entire community?
Common advice: List out your character’s traits, perhaps with a character profile.
Alternative: Focus on 2-3 broad brushstrokes that define the character.
When I first started writing, I would list out everything I wanted my character to be: smart, daring, sneaky, kind, greedy, etc. I created a long list of traits. Then I started writing the book. When I went back to look at the traits, I realized the character wasn’t really exhibiting any of these.
Instead of a long list of traits to describe your character, try identifying three. Think of these like three brush strokes on a page, giving the scaffolding of your character. Ideally, the combination of traits should be unexpected: maybe the character is rule-following, people-pleasing, and ambitious. Maybe the character is brash, strategic, and dutiful.
Then – and this is the fun part – consider how the traits come into conflict, and what their limits are. What happens when our ambitious rule-follower must break the law to get what she wants? Sure, a character might be kind, but what will make her bite someone’s head off?
Common advice: Create a killer plot twist.
Alternative: Create an information plot.
Readers love an unexpected plot twist: whether a main character is killed or an ally turns out to be the bad guy, they’re thrilling. But plotting towards one singular twist can be difficult.
Instead of using the term plot twist, I like thinking in terms of Brandon Sanderson’s “information” plot archetype.
An information plot is basically a question the reader is actively trying to work out. It could be like Sarah Dessen's Just Listen where we wonder "what happened between Annabel and her ex-best friend?", "why is Annabel's sister acting strangely?" and "who is Owen, really?" Those all have to do with backstory, but information plots can be about pretty much any hidden information. Another popular question is "who is the bad guy?" - or in other words, "who is after the characters?" The Charlie's Angel franchise, for example, tends to keep viewers guessing at who the true antagonist is until the last few scenes.
Nicole Wilbur is an aspiring YA author, writing sapphic action-adventure stories that cure wanderlust. As a digital nomad, she has no house and no car, but has racked up a ridiculous number of frequent flier miles. She chronicles her writing and travelling journey on her YouTube channel and Chasing Chapters substack.
Photo by George Milton
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