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#we need more representation of aros loving the fact that they’re aro
charlieswebb · 25 days
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the greeks believed that our souls were split in half so we have to find our missing pieces. but i feel full. my soul is complete. aromanticism allows the soul to stay together
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asexualconfessions · 6 days
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Aroace here. I think ppl get too pressed over things that don’t matter. Like I think the community should be talking about the discrimination we face in life and in the queer community but people start screaming about fictional characters.
At the minute it’s a huge thing with Alastor from HH. I’m aroace. I multiship alastor with at least 5 different characters. I don’t need anyone to get offended for me when people write him as allo or even somewhere on the aro spectrum where he can occasionally feel romantic love. Same with ace. I don’t mind reading or writing or seeing or drawing art with alastor being NSFW. Because he’s a CARTOON. I think people need to get over themselves and the shipping culture of fandoms because it doesn’t change the fact the canon character is a representation of aroace people. No matter if the fandom ship him it won’t change the fact the character is aroace . We have more important community issues and when ppl get upset about this I assume they’re just chronically online.
🟣
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solreefs · 2 years
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The Beauty of Unlabeled Things: Your Local Nonbinary Aro-Spec’s Take on Aziraphale and Crowley
or alternatively, Oh My Fucking God Stop With the Good Omens Queerbaiting Discourse Already
*disclaimer: shipping these two is not inherently aphobic or transphobic. that being said, if you romantically ship them purely because you think of them as not queer enough in canon, or don’t consider nb or aspec people queer, with all due disrespect, fuck you.*
Let’s start with the obvious: Good Omens is a comedy about an angel and a demon trying to stop the apocalypse, not a romance novel. It has never been sold or summarized as a romance novel. You were never promised a romantic relationship. Remember that.
Crowley and Aziraphale are presented to us as, quote, “men, or at least men-shaped creatures, of the world”. The implication being, they’re supernatural divine beings, so while they might like to look like men, but do they really have time for our human concepts of gender? Probably not. They have bigger things to worry about anyway. So right off the bat, we’re told we can’t put human labels on these two, because they’re not human. It just doesn’t work. It’s like trying to classify humans as dog breeds. Yes, you can match up some traits, but fundamentally, such labels are incorrect, and always will be.
And that ambiguity carries over to their relationship with each other. The best part of their relationship is that it has no definitive labels other than “an Arrangement”. They care for each other, and see no need to define what they have beyond that. Why do they need to explain it to other people? Isn’t the fact that this relationship works for them the most important part? They don’t need to care what other people think. And therein lies the beauty of this relationship, and in a way, of this book as a whole.
Good Omens was not written to be the beloved cultural phenomenon it has become. If you read the forward of the book, it was just a fun summer project. As such, it wasn’t written with other people’s opinions in mind. It is a weird, funny, and at times strangely thought-provoking book that simply does what it does, without much care for explaining itself any more than is necessary to tell a good story. Things don’t always need labels, or lengthy explanations, or to fit into neat little socially acceptable boxes of conventionality, and Good Omens is a book that celebrates that.
How quickly so many people forget the inherent queerness of unlabeled relationships, people and beings of ambiguous genders, and love that doesn’t quite fit into a neat, acceptable, nicely defined category. When you say “is Good Omens gay?”, what it sounds like to me is “this is a romance between two cisgender men, right?” It sounds like nonbinary and aromantic erasure. It sounds like ignoring the beauty of queer as an ambiguous, unifying label of all that falls outside the heterosexual, heteromantic, cisgender norm of today’s society. Quite fucking frankly, it sounds like entitlement and ignorance.
Unlabeled queer people are queer. Aro people are queer. Nonbinary people are queer. Not every queer relationship has to be romantic in nature. There are other kinds of queer representation besides kissing and romance that are just as important. Good Omens was not sold as a gay romance novel, stop treating it like one. And as a nonbinary aro-spec person, I am so tired of the way the internet treats people like me in fiction.
I also want to close with this Twitter thread, which encapsulates my thoughts on the ship itself quite nicely:
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[ID: A Twitter thread that reads as follows:
Beans Turnip (@Hatpire): So, @neilhimself, they’re gay, right? :D
Neil Gaiman (@neilhimself): They’re an angel and a demon, not male humans.
🖤Rhiannon🖤 (@GoodnightSkye): Okay, but they love each other, right? :D
Neil Gaiman (@neilhimself): Absolutely.
End ID]
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sarah-dipitous · 8 months
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Hellsite Nostalgia Tour 2023 Day 240
His Last Vow
“His Last Vow”
Plot Description: Sherlock goes up against Charles Augustus Magnussen, media tycoon and a notorious blackmailer
I had to check…at the time this aired, I definitely knew Magnussen was played by Hannibal’s brother. The Mikkelsen brothers have a very wonderfully offputting effect on any scene they’re in
Yikes yikes yikes. Sure *I* know this guy is bad, but the way this committee is asking him questions just feels xenophobic
I hate the twist at the end that this is Magnussen’s mind palace and none of what we’re seeing is real…so the only way to get rid of his files on everyone is to shoot him in the head
This man is such a downgrade from Moriarty. Yes, I'm biased, but I'm also right
Wait, there was another person in that room and he just...LET MAGNUSSEN LICK THAT LADY'S FACE?
I do remember how the "WELL I'M NOT NOW" gif was all over this site for a long time after this episode aired. It's probably the highl--I was going to say it's the highlight of the episode but I forgot this one, I BELIEVE, has Mycroft being forced into Christmas celebrations, so...that's...that's better
Man, they really jumped to all sorts of conclusions all while Sherlock was saying that he was in the drug den for a case. Not even a clean urine test saved him from Molly slapping him and everyone berating him. wtf
This is possibly the one time where I'm like "Mmmmm, Mycroft, noooo" You're SIDING WITH MAGNUSSEN?! Look, I KNOW he's got all sorts of info on all sorts of people, but that does not make him an asset to you, bud
John's total confusion about Janine's presence in 221b is very chef's kiss. He's also so fucking annoyed by it.
I'm sorry. But the (lack of) build up for Magnussen's big bad status for this season makes everything Sherlock is saying about him just fall completely flat. I truly don't blame John for remaining more distracted by Janine and Sherlock dating
Remember how everyone wanted Janine to secretly be Moriarty's sister? (That does make season 4 just a little bit funny...) They saw a dark haired Irish actress and went "She MUST be related to Moriarty"
He really needs to stop pulling all these gross power moves. Moriarty would never.
God, I forgot that Janine was Magnussen's assistant.
Dude. I think this is the moment that I actually hate using Sherlock as ace and/or aro coded representation (and if we're being for real the autistic coding of the character, too). He just proposed to Janine in order to get into Magnussen's office and called her love for him that allowed him to do that "human error." Not being experiencing those types of attraction does not make someone inherently cruel like that
They get wayyyyyyyyy too...I don't even know what to call it. I don't want to call it artistic because that's so broad. But from the moment Mary shoots Sherlock, the way this part is being filmed is such a departure from the "modern twist on the Sherlock Holmes stories" that we get in the first two seasons and even, to a lesser extent, the first two episodes of this season. They're, for some reason, being akin to an action movie.
There's so much time wasted on Sherlock being shot and nearly dying.
EUGH!! NO. Not the subconscious mention of the secret sister that comes in next season
The fact that he enters the very dingy room in his mind that contains a straightjacket-ed and chained up Moriarty while yelling "control!" repeatedly is...it's something. And really?? Moriarty never felt pain?? Were you not on that rooftop with him when he pontificated about how lonesome he was in his life? How boring everyone he's ever met was? Yes, he had his machinations, but that only gets you so far.
Not to bring my "everything is about the Todorokis and especially Touya" into Sherlock, too. But this depiction of Moriarty in Sherlock's mind is so reminiscent of all the times post Dabi's Dance that someone in that family thinks about him and what he's doing at that moment. It's so much more unhinged than anything he's actually doing. And yes, Moriarty had his outbursts, but he wasn't like this all the time
But truly. They could have been friends. They could have been such good and cool FRIENDS. And Sherlock fucked that up by pretending to be in love with her, stringing her along, just to get to Magnussen.
The way John asks who Sherlock would be protecting by not revealing the name of the person who shot him AND AT THE SAME TIME, HE'S SITTING DOWN INTO HIS CHAIR THAT HAS VERY RECENTLY RETURNED TO 221B. It's a good moment
Maybe I'm delusional, but I believe there could have been a way to make this story line good, the Mary is an assassin/spy/whatever and it needs to be kept from John. Her confrontation with Sherlock in the fake building is good, but the immediate revelation that John was there the whole time sucks. There could have been so much more intrigue, if only things were stretched out more over the season instead of cramming it all into this one.
I love Mycroft's petulance
It is kind of funny how John is often perceived as the normal one, but he's surrounded himself by all this. Sherlock's not wrong when he says John's addicted to danger
The gut-wrenching "you are a client now. this is where you sit and talk, and this is where we sit and listen and decide if we want you or not" from John to Mary. I'm not saying she doesn't deserve it for lying to him from the moment they met, but GOD. DAMN.
"Your loss would break my heart" caused more of a reaction in Sherlock than "There ain't no me if there ain't no you" did in Sam. But that might be because the Winchesters talk and lie about how they feel about each other far more often than the Holmes boys ever would.
I forgot he drugs everyone at Christmas as part of a deal with Magnussen...wtf. Sherlock, I know you're not ACTUALLY going to turn over Mycroft's laptop (which he for some reason brought to Christmas dinner) to Magnussen moments after that heart to heart with him
The fact that neither Sherlock but especially John hasn't shot him yet.
WHAT DO YOU MEAN YOU DON'T HAVE TO PROVE IT YOU JUST HAVE TO PRINT IT? Aren't Britain's libel and slander laws like...famously bonkers? Like, just incredibly intense? What a crazy thing to have this guy living and working in England who owns multiple newspapers say
We get a couple glimpses in this episode of Sherlock as a kid......not as effective as when we see the Winchesters as kids
Mmmmmm, Sherlock shooting Magnussen is why he's gotta go on that mission Mycroft mentioned earlier that would likely kill him in six months' time
This is truly when Sherlock should have ended. True, it would be sad to have John and Sherlock split up at the end of the series, but nothing that comes after this is good. Also, we could have ended on the threat of Moriarty coming back. I DO remember how the "did you miss me?" image flooded this site
I wish Moriarty had actually come back and not get ruined by the series finale. Then I could have the "if i had a nickel for every time I loved a character who announced they were back from the dead by taking over every screen in the country their story takes place in, I'd have two nickels, which isn't a lot but it's weird that it happened twice" meme. But noooooooooooo, Moftiss didn't want me to have anything nice.
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soulless-bex · 9 months
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Hello! This may seem very out of the blue, but I was looking up posts about aroace rep in media and saw one that you had written so wanted to ask your opinion on something if you don't mind! (There's no pressure to answer this by any means.)
I'm in the very early days of planning a thriller/detective kind of graphic novel and I've got two main characters who are fleshing out at the moment. One of whom is an aroace guy! I'm yet to decide whether I want there to be any direct address to his identity but I do know that I want it to be evident from the start, and I'm gonna have him wear an aroace flag badge because he's very comfortable and proud of it. As for his character, he's quite grumpy and sarcastic and enjoys telling people where they can stick it. (There's more to him, don't worry, but that's an overview.)
The other character I have is his best friend. More characters are going to be introduced pretty early on and will become just as central but these are the two we begin with. The rest of the crew will have various romances mixed in here and there, including one with aroace guy's best friend.
Now here comes the bombshell. I'm planning on killing aroace guy. IS THIS A BAD DESCISION? IS IT TOO MEAN TO KILL HIM OFF? The thing is, I know somebody needs to die and from the start I've known it would work well with his character for him to die after some time in an escape with the rest of the group. But I'm worried that it's a cruel blow to the aspec community to give them a canonically aroace character only for him to die. I don't want to push the idea that aro and/or ace characters can't have happy endings because they won't necessarily have a Somebody to end up with. However, I do want to explore the intense grief that the rest of the characters experience because of this person's death, especially his best friend. I think it could be important to show the amount of love in and around his life despite him being aroace. He won't just be forgotten about - in fact I intend for his death to heavily contribute to his best friend's character arc after it happens and he'll be directly referenced a lot afterwards.
Still, I'm concerned if this is still a bad choice, and one that people might be upset about if they read it. Am I pulling a Netflix writer move by doing this? You know like when they always kill off the lesbians? If you have any opinions on this it would be amazing if you could let me know from an aroace person's point of view! Tysm x
honestly, as long as it is important to the plot and the continuation of the story then it should be fine. i dont have your draft or anything so i don’t know what you’re planning on doing for sure, but as long as it doesn’t read as you getting rid of the character/killing the character for fun then you should go with it
some people might have a different opinion, but i firmly believe that if the only representation a minority gets ends up being the good guy that lives happily ever after, then it defeats the whole purpose. those characters, even if they’re apart of a minority group, are still, most of the time anyway, human. they will make mistakes, they will be mean, they will walk down a dark path, and yeah, they will die
i think it only really becomes problematic if the characters that represent said minority are continuously killed for seemingly no reason. to add representation only to say your stories are diverse and then kill them off is when it becomes an issue
but if, as you said, it makes sense for that character to die and then helps further the character development of other characters, then you shouldn’t let their identity stop you from writing what you want
and honestly, i’d rather have dead representation than no representation at all
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Aro Volturi N.S.F.W Alphabet
CANON DIVERGENT.
Info on Reader: Reader is an Elemental Gift user like Benjamin
CW/TW: a SLIGHT MENTION of assault but NO DETAIL AT ALL (as a SA survivor I do not use this lightly but I do like representation and not having the survivor be that cliche broken doll we end abusers here thank you)
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How you two met:
You…..oh you. You’re standing with the Cullens wondering how the FUCK you got here.
Why am I here? What’s with this tiny little kid who can touch me and tell me things. Awe but she’s cute.
You’re just a bored Vampire who knows Carlisle and is Esme’s BFF.
You’re a nomad, and a badass one, see your gift is the Elements like Benjamin, it’s why Amun has his eye on you and is freaked out.
You and Benji are buddies now. Benjamin specializes in Earth and Water. You specialize in Fire and Air.
So now, here you are watching a bunch of cloaked baddies stomping towards you. But Carlisle and you have spoken frequently, the Volturi aren’t bad.
However, they are cautious.
And caution bred by fear is something you know to be wary of.
So you keep yourself a bit behind Carly. Waiting and watching.
The leader— that must be Aro you think, flings his hood back and suddenly you feel your entire chest clench up and a yank within yourself towards him. “Oh what the fuck.” You growl. Glancing UP at the Old Gods you couldn’t help but snap at them “ARE YOU ALL KIDDING ME RIGHT NOW?! HIM?!”
The platinum haired man barked angrily, “who dares?!”
Aro is too busy glancing at his brother Marcus who’s smiling. He nods at Aro and huffs a bit of a sigh.
The raven haired man turns ever so slowly, casting his red gaze over the crowd and it falls to Carlisle. “Carly.”
“Aro?”
“Who is that behind you.” Aro can feel his chest hurt like a chain is being pulled.
Carlisle looks confused and glances behind him where you are shaking your head face palming—looking embarrassed.
Edward and Bella are utterly confused, before Edward listens to Aro’s and your thoughts and gets a look of disgust, “REALLY.” He barks.
You feel the rage of a thousand suns consume you. “I CAN’T PICK IT YA KNOW AND HEY WHADDAYA MEAN REALLY —ASSHOLE DON’T TALK ABOUT MY MATE LIKE THAT!”
The entire field is utterly still as you’re heaving, standing on your tip toes in front of the bronze haired vampire pointing at Edwards cringing face, “but it’s—“ he starts, you let out a growl and sparks fly off you.
Edward shuts up.
“I will light your ass on fire.” You whisper hiss.
The Volturi are just tilting their heads like WTF.
Marcus is trying not to laugh, Caius has just become stunned glancing between his brother and the woman across the battlefield.
Aro is getting GIDDY.
“And who is the girl.” He asks.
You turn, your hips swinging with attitude and your arms crossing as you scoff. “Psh, get a load of this Mother fucker,” you whisper to yourself glaring across the expanse of space. “HEY. I have a name.”
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His First Impression:
Of course my mate swears like a sailor.
Is Aro’s first thought.
His next thought is that you’re awful adorable. Awe so lithe and cute and— Much too … hm, much too adorable to be mine I would think how In the —a violent wind kicks up and flames burst out from your body enveloping your form as you take a few steps forward.
Ah there it is.
“You wanna ask me my name— darling.” You smile wide at him.
“Of course,” his purr is laced with annoyance, but he’s far too intrigued. “Who might you be?”
“I’m y/n. No last name, my parents were assholes.” You shrug. “So, we doing this trial or we figuring the whole—“ you wave your hand between the gaping maw of land between you two, “bond thing.”
Aro pauses, a twitch on his lips, “after the proceedings cara mia.”
“Ooo… love me a man that speaks Italian—” You smirk, raising a brow and cock your head to the side.
Aro makes a stifled choked off growl as his eyes go black— thank God he lost the ability to blush as arousal slammed into him like a freight train.
You’re obviously annoyed, and have as Caius mutters ‘more balls than a Christmas tree’ and you are ready for this trial to be over.
Frankly so is Aro he wants to drag you back to Volterra and bring you to heel.
Not that he thinks that’s going to happen.
But he loves playing with fire. And you’re full of it.
He watches you glance at the Cullens and the half-breed. “Alright Nessie come on let’s show him what you can do kiddo.” You scoop the girl up and you and the Cullens walk over with Jake behind you.
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When does he know of his feelings?
When within reaching distance you set Renessme down and pat her head, “okay tiny Loch Ness, say hello.”
Bella is panicking, but she trusts you it seems, she better, you have no qualms frying— sans mate— every vampire here. They do their little song and dance. Aro tries to talk about the danger and you feel your temper boil over.
“Darling.” You croon taking a step forward with a sharp but soft smile.
You remind him of a lioness, purring softly but ready to tear into him with one movement.
He raises a brow; you are in 6 inch heels putting you nose to nose with him. “Yes carissima?” He breathes deep and nearly groans out loud, you smell so good, like spring and a heady feminine scent like perfume edged in lilacs and lavender.
“Could you pretty pretty pretty please just keep an eye on little Nessie— I hate to tell you but she’s quite important to me and I can assure you she fits in with humans better than the Cullens do.”
“And if I don’t.”
You let flames dance in your gaze. “I’ll roast everyone here except your brothers and their mates and make you start the fuck over without me.”
Aro’s done.
Cupid has struck him in his dead heart.
He’s never been more terrified or aroused or enraged at once at your dulcet threat purred from such sweet lips.
He wants to grip you by your hair to him, pick you up and haul you to somewhere private and teach you a lesson.
He wants to fight you. And it’s quite clear you’re ready to rumble, though he’s not sure you’d let him win. Or that it wouldn’t end up tangling in a bed somewhere on fire. That’s fine too.
A manic grin spreads across his face, eyes going pitch black as he snatches you up by the waist and hauls you closer loving the startled look in your eyes settling into something dark and wanting. “And if I agree?”
The brothers roll their eyes.
Go figure you’d be as bat shit as he is.
“I’ll leave with you right now.” You give him THAT look matching his almost mad grin.
A low purr echos from him making Bella clap her hands over Nessie’s ears. “Una ragazza così meravigliosa, credo che mi piaccia come funziona la tua mente.” Such a wonderful girl, I think I like how your mind works.
But your plans to drag your mate off end as Alice shows up with her witness right when he’s about to whisk you off for some obvious adult time.
Both of you sigh put out and exasperated.
Yes you just about ended an entire potential threat with batting pretty eyes and coaxing the leader of the Volturi into some fun.
But now that’s ruined because of the psychic. Alice is looking rather embarrassed as the proceedings go. Given that she probably saw how everything was about to go down.
Aro can sense you’re as annoyed as he is, that and you’re not leaving his side. And you don’t mind touching him but you’re not because oh yeah he needs to focus. But oh he can see your hand twitching towards his own.
He can easily turn his gift off and so he does and grips your hand, quickly jerking you to his side.
Electricity lights along your skin at the contact and both of you jolt a moment and glance sideways looking amused.
This was going to be fun.
——
——
How’d you end up with the Volturi?
Alice and her witnesses ease their concerns about Nessie. Aro placates the Volturi as you linger back behind him a bit. Everyone just poof! Vanishes.
“So ah, can we get my stuff first before you whisk me off around the world?” You ask sweetly.
Aro’s a bit startled, “you wish to leave already?”
You realize he would be willing to stay for a bit and let you acclimate.
“Nah where you go I fucking go, come on baby. Let’s get the fuck outta dodge.” You give him a teasing shove as you walk by making Carlisle’s coven silently shake in mirth at his surprised expression.
Carlisle murmurs, “Good luck Aro.”
“Fuck off Carly.” The King growls back before following you.
That’s all they wrote.
You were in. And you made yourself at home quite easily.
Jane and Alec adore you— you saw them and just SQUEEd. “OMG they’re so DEADLY but so CUTE!”
Jane wasn’t quite sure what to do with you picking her UP and hugging her nuzzling your nose to her cheek, “she’s just a tiny tot of doom I adore it! We’re going to burn the SHIT outta people.”
Alec just sat starry eyed as you ruffled his hair, “I know boys don’t like being picked up.”
Jane had become a koala on you. And you didn’t mind.
Well. You’re Mama now. Aro couldn’t be more pleased as you continue to help develop their skills trying things outside of the box.
See, that’s also a sort of talent you have— you can help people learn how to use their gifts because of how you think. Not a gift per say, but certainly useful.
Jane it turns out can utilize the fire element.
Alec can utilize air.
With you knowing both you’re easily able to teach Alec how to hone his targets and even allow his gift to POP UP near someone rather than from his hands.
Jane is capable of setting shit on fire now.
Aro isn’t sure if he’s proud or worried.
Bit of both. But you are STERN with their use of powers. And when Jane set Felix’s foot on fire she was forced to shine everyone’s shoes in the Volturi in the afternoon and write 200,000 times at HUMAN PACE. “We do not light family on fire.”
She never did it again.
The inner coven loves you. Caius and you are besties Marcus is like a big brother always doting on you. Athenadora and Sulpricia are of course still together as companions, and don’t worry about his ex wife— they were on the rocks she’s ecstatic someone else can keep him in line.
The coven instantly takes to you, in fact you’re now basically Mother to everyone. Scolding, teaching, comforting, you do it all. But you’re also a leader and a ruthless one at that.
A perfect fit Aro thinks.
——
——
How’d he deal with his emotions?
You are driving Aro FUCKING CRAZY.
Literally mad.
You know how to push his buttons and you are not one to do as told. So for him, he who has anyone bending to his will to see you just cock a brow at him and laugh “awe.”
He wants to choke you half to death.
You are a Queen. He tells himself. It’s to be expected that you’d challenge him.
Sulpricia finds it HILARIOUS and you two are besties. Fuck that’s all he needs. She is ever so encouraging of your independence.
He often finds himself in Sulpricia’s study pacing rampantly, “what am I going to do with her?”
“You know you like it.” Sully says lounging back on her couch. “If you didn’t you wouldn’t be so utterly ass over tea kettle.”
Aro is not good with his emotions when it comes to jealousy. And he is JEALOUS.
You’re perfect to him, utterly beautiful, you are the sun and he Icarus stupidly flying as high as he can towards you in hopes to reach the light.
You’re also inclined to let him touch you whenever you want to express things without using words— and you’ve learned to let him speak to you telepathically as well.
So often you just sit with your pinkies touching on a couch and have back and forth silently except for the occasional twitch on your lips at a humorous comment.
You’ve managed to make him huff a laugh occasionally.
But he is utterly posessive. He does not like it when men stare too long, admiring is one thing, but nothing escapes Aro.
So when a lower guard had been in trouble for an infraction and when you had disciplined him the utter disrespect for a concubine replacement was across Aro’s mind and…welll—
Guard died.
You had just looked startled and gave a ‘oh well’ kinda shrug before touching ARo’s hand. Feel better baby?
Yes you called him baby in private, so modern, and he would NEVER admit he loved it. Baby, darling, love, honey, the list went on and each one twisted his insides into ribbons of absolute adoration.
You had actually taken to the bond so well Marcus had informed him that it was practically cemented.
His only hang up was himself.
——
——
Who does he ask for help?
Didyme is no longer there— his dear sister, a deep sorrow as he was accidentally responsible for her death.
Marcus however is always there to be the voice of reason, and he sits Aro down and listens to his brother spill his guts. Aro is terrified, he is well aware he is THE monster that makes OTHER monsters keep in line.
But for you to look at him like that? He could never bear it. His heart would break.
Marcus sighs, “Aro come here.” He drags his brother to the training grounds.
Where Aro get’s to see his mate literally tear apart the entire guard with blades…. Did his eyes deceive him— were those made from vampire ash and fangs?!
You pause your onslaught, “oh hi darling!” You prance over and smile, “like them? My witch-smith friend made them for me! Fucking bastards kept coming for me after awhile and ya know I just hate the idea of wasting shit.”
Marcus glanced at Aro and gave him a I told you so.
“Everything okay?” You ask looking concerned. You are dragging him along as he partially willingly let’s you take him to his sister’s gardens. “What’s wrong?”
And so, he exhales and does the one thing he’s never done with his gift.
He touches your hand and shows you his own thoughts.
He expects your recoil. Expects you to shun him. Expects your hatred and braces himself for it.
You gasp and when he’s about to drag his hand away and you grip him tighter. “No don’t…let me…” and so you watch— thousands of years of memories over the course of a week or two. Asking silent questions as the images play, getting silent answers in return.
And so, in return, you show him your human life— a life that had been riddled with abusers, torment and lack of love, the iron in your spine that had solidified your creation when you had dragged yourself from an open alley way at dawn into the sewer system after being left to die being drained by a nomad after a brutal assault. You shared with him that it had taken a lot for you to even move after what had happened.
Esme had found you.
And so your friends made sure you were okay even if you didn’t follow their diet.
You both spend time going over your pasts, Aro gently asking questions and you doing the same to answer as best you could.
It was why Rosalie and you got along so well, there were some experiences one could only understand by going through it. And you both had learned how to cope with the trauma you had.
Aro is patient, both of you taking time to feel through each others wounds, taking time to rework into each others personal space.
Marcus is stunned to tell Aro that the bond is nigh unbreakable after this exchange.
The Kings magically -coughs- big brother Marcus loses his shit finding out and Caius leads the search party with Demetri— cough cough— find the nomad and he’s now in a box limb free 15 feet below the dungeon with a tube connecting him to the surface, his tongue removed and he only gets blood once a year. *Jane lit them on fire multiple times to practice her accuracy and aim*
You find out of course, and smile through the dry sobs as all three embrace you like a big protective group hug. For the first time in a very long time, it’s safe.
Truly safe.
——
——
What happens when he tells you?
Aro is a man of few words, and honestly not much is needed between you two with the ability to go back and forth with his gift.
So in the middle of a walk in Didyme’s gardens he merely grabs your hand gently and kisses the top of your fingers.
And you’re flooded with his emotions.
The warmth and tenderness and absolute adoration is almost enough to restart your dead heart as venom pools in your eyes. “Aro…”
He loves you, loves you more than his own life, would give anything for you to make you smile.
This isn’t the love that is complacent, to just sit idle and rust away, he wants to chase you for eternity, whatever it takes to keep you at his side.
And you flood him right back— lowering the barriers you had and after a moment he merely leans down and presses his forehead to your own, giving the two of you time to just bask in the warmth of affection that’s swirling back and forth akin to the waves of the tide under the moon and sun at twilight.
——
——
First Kiss?
The leaders of Volterra were in the throne room, the Queens having their own thrones behind their husbands but visible carved in different woods to represent their personalities with different intricate features much like the brother’s thrones holding different crowning points but all the same color.
Your own is the same color as Aro’s throne, but mingled with mahogany accents. Ruby red stones slotted at the top with a crescent moon and sun carving emboldened with gold spiked halo.
Caius' mate's throne is a pale color, affixed with branches and beautiful earth like tones, complimenting her grounded nature.
Marcus’ Witch Mate is merely embellished in a ash throne, deep red almost black gems and the symbol for the overall witch and vampire alliance above her throne.
With all three positions of Queen in Volterra taken up by a true mate, it is the most stable the Volturi have been in several millennia.
But that day in particular was rough, there were a few traitors that had been brought forward— and one of them had managed to get loose from Felix as Aro had been gaining information lunging for the King’s throat.
You moved so fast no one even saw you as you streaked forward like a ghost and lobbed the vampire’s head off holding a blade made of vampire teeth expertly with an animalistic snarl.
You had positioned yourself in front of Aro, crouched, blade poised and your eyes wide and wild, teeth flashing with a dangerous snarl.
Marcus’ witch had already shielded Aro but paused when she saw how enraged you were. Athena and Sulpricia had faltered, Caius looked utterly proud.
You spun round, dropping your blade— knowing Felix and the others had everything in hand as Aro had reached for you, the two of you locked in an embrace, his hands holding your face still as your own hands grasped his wrists. Foreheads pressed together—
The coven was used to this, a private conversation but you could feel the utter terror that had gone through him when he saw you out of the corner of his eye. If anything had happened to you—he was almost angry at you.
But he could easily sense the rage that had consumed you at the thought of someone hurting him. Despite knowing the guard and Jane would Never allow it, your instincts had taken over.
No one would ever take from you again.
And you had been frightened.
Behind that rage when he got past it was utter fear that he’d be gone and you’d be all alone again all the tender memories would be the last you’d have of him as you gave a dry sob before the venom dropped from your eyes— a true show of vampiric emotion that was a rarity.
“Carissima, no. I’ll not leave you that easily.” He murmured and not giving a flying fuck about anyone in the room kissed you full on the mouth gathering you up in a tight embrace.
“I’m sorry,” you whispered half broken against his mouth. “I’m sorry-“
“I know I know, shhh cara mia shhh,” gathering you up he merely flitted out of the room leaving the others to deal with the issue.
Tons of snuggles. He had bundled you up to him in his private rooms and merely kept your hands together enjoying the shared emotions knowing the other was close and safe.
Aro knew exactly how to calm you, he merely showed you all his favorite memories, of the coven, of his travels, the antics his brother’s got up to. He replayed the moment he first saw you.
That always made you laugh of course she swears like a sailor.
——
——
First Time?
It’s in an elevator.
Okay so here’s the thing. The Volturi have these massive events, and your official coronation happens at one of these.
Aro is so proud.
And so fucking jealous as you are danced across the floor with other vampires— who are oh so respectful and as they should be as Aro watches from the upper floor like an angel of death.
You look stunning, your smile lighting up the entire ballroom, friends from near and far are there— even then Cullens— God bless Carly he even had animal blood brought for him.
You’re dancing around with Nessie laughing and watching the girl child giggle like a fiend before handing her off to the Shifter Aro hated the smell but it was what it was.
Over the course of the evening he was getting awful tired of sharing you. And as the evening wound down to an end you both were just going to take the elevator back up to the private rooms as the Ballroom was on the top floor of Volterra.
The energy crackled in the small space and you both glanced at one another. It was like a short fuse had been lit on a stick of dynamite.
We’re so not doing this in an elevator are we?
You didn’t realize you had said it out loud even as you both gravitated towards one another and his hands tangled into your hair sending gold pins flying to the ground as his mouth found yours and you let out a deep moan as his tongue swiped your lips before you happily opened them.
“We’re going to be patient. Cara mia. ” He said sternly more to himself than you— then groaned when your teeth tugged gently on his bottom lip knowing it drove him crazy. “Sarai la mia morte. Sulla mia tomba scriveranno 'ha giocato con il fuoco ed è perito felicemente’” his voice became heated as his hands moved over your form, “non mi importa più, vieni da me mia fiamma, brucia con me.” You will be my death. On my grave they will write 'he played with fire and perished happily'. I don't care anymore, come to me my flame, burn with me.
His hands were gripping your backside and hauling you up, pressing himself firmly between your thighs before grinding against you. But when his teeth scraped your neck your brain shorted out—
“Oh for gods sake Aro just fuck me already—” your hands were scrabbling at his waist coat and shirt pleased how easily the buttons pinged off the walls of the elevator.
Your mate let out a pleased noise, one that was utterly inhuman when your hands tangled into his raven locks and knocked the golden V pin to the floor allowing the ocean and pomegranate scent of his to curtain you from the world as he bent his head down and kissed you as if it were the last thing he would get to do just then. Right before he smacked his hand against the emergency stop button jolting the ride to the private floor still.
If you thought his kisses were something to be swooning over— because he always knew what you needed.
Well his gift extends to much and he is in tune with it.
Your mind is his favorite place to be, and he brutally uses what he knows to his advantage as his fingers skim up your legs flinging your skirt over your thighs to teasingly grind himself against you till you’re almost clawing at him half feral.
“My pretty little mate—“ he croons at you, “you looked so beautiful cara mia,” kissing down your throat before biting marks into your flesh licking them before continuing on as his teeth jerk the fabric of your bodice and sleeves off not even bothering with his hands. “E tu sei tutto mio, cazzo.” And you’re all fucking mine.
You were busy molding your hands against his form, loving how it was just ratcheting up his half mad with desire motions, twitchy, greedy, desperate to touch, “What was it you joked about that one time?” He was referring to a memory with your best friends over drinks.
You gulped and shivered a bit. “I believe I said sometimes a girl just wants to ahem— get slammed to a wall and fucked stupid?”
He smirked as his hands tore fabric off you letting his fingers to glide along your skin, allowing your own to do the same and showing you know exactly what he liked through the bond of touch.
If you’d been human the air would have left your lungs as he pressed his body tight to your own, pinning you in place letting you feel what you did to him, the hard length of his cock pressed into your belly. “What do you say we take care of that, hm?”
You’re speaking in tongues before he even takes you fully, and roughly, there’s no slow tender love making and frankly you’re just glad for it.
His wild smile sliding into a predatory proud smirk when you’re just a mess; whining at him, begging, pleading, twitching against him and oh you’re just so pretty when at his mercy.
He literally has the tongue of the devil.
“Did I finally break you little one?” He croons despite his rough movements sending you into another shockwave of bliss as your nails make claw marks in the wall.
Fuck he had— you’ll do anything if he’ll just continue.
Your submission is like a drug, he’s mad on it, hands digging against you, making small fissures of cracks along your hips that make you groan gleeful as you push closer for more of his touches.
“That’s right bambi, give me everything.”
That’s all you hear before he’s fucking you into the wall of the elevator, sinking his teeth into your shoulder and neck just to relish in the pain and pleasure filled noises that escape from you as you beg for more, more, just please give more it’s all you want.
“My good bambi.” He growls as he begins it all over again, rumbling in your ear as your try to escape the onslaught of sensations— but happy you can’t as his grip has you immovable. “You’re not escaping me just yet.”
You’re both a mess, not that either of you care. Adjusting yourselves as best you can—
You’re lucky his private rooms are close and he simply carries you and flits you both into his rooms; you both end up continuing what was started.
——
——
A = Aftercare (what they’re like after sex)
He is a touch telepath, he knows exactly what you need.
But he also surprises you with what you didn’t even know you needed.
Snuggles, so many snuggles— Aro is not a tactile person— but with you?
Forget it.
He’s practically melting into your form and trying to fuse himself to you.
Massages, nuzzling your hair, biting.
Lots of biting— but not hard bites, love bites. Pressing his teeth to your skin to leave little imprints that he just can’t get over. You always poke fun at him for it.
Plus let’s face it.
Bite = Love.
He and Caius are on one mind with that.
He also took a note from Marcus and you both enjoy the heat of the baths together after a particularly long rough romp.
Which turns into a bath romp.
Because ahem *REASONS*
“I’m King I don’t need a reason to have you— now come here.” He’ll huff imperiously when you giggle at him as he drags you close into his embrace kissing you.
Okay he lies.
You looked too pretty in the bath.
Aro can’t help himself. That’s the reason.
——
——
B = Body part (their favorite body part of theirs and also their partner’s)
He is SHOOK when you tell him your favorite thing about him is his hands. You never feel misunderstood.
Even in the rare fights you simply huff and reach out to him, wiggling your fingers with a pleading glance; or if he won’t take your hand you’ll walk over sit in his lap and headbutt your forehead to his like an angry cat.
But usually Aro will take your hand and you both have a deep understanding of where you’re both coming from.
After a few moments it’s settled.
You kiss his hands, he knows you love how he plays you like a finely tuned instrument when alone.
Love when he delves his fingers into your hair and cradles you close even if you’re in the throne room— he’s the fucking king he can do what he likes damn it.
But Aro is startled by this— everyone hates touching him even though he can control his gift, they seem to think that— aside from his brothers and sister in laws— that he just loves to dive into people’s minds for funsies.
No it’s awful. Plain awful. He can barely stand his own mind why would he want to traverse someone else’s?
But that brings us to what he likes about you— he LOVES your head space. When he’s stressed it’s his favorite place to be because you have a vivid imagination, as a writer as well you show him stories you’ve thought of and worlds you’ve created with vivid detail. He finds it quite amusing to use watch your thoughts too on a daily, you like it simply because he’s close.
But aside from that it’s you.
Just You.
Just ALL of you.
He can’t pick don’t make the man pick, he would just keep you near him for eternity which you seem to have no issues with.
———
———
C = Cum (anything to do with cum, basically…I am a disgusting person…)
He is quite a posessive person.
Two Words:
Breeding Kink
You’re his and his alone, so the idea of ah— claiming you that way just sends him off into the ether.
The fact that you both have a breeding kink and literally can’t have kids is a GREAT thing because you’ve literally sat there a absolute mess after round five and thought out loud as he tenderly cleans you up, “shit thank god we can’t reproduce because I am 100% sure that’d have knocked my ass up—” which has had him shaking in mirth having to pause to control himself after a few moments.
Beg him for it.
Make that whining needy noise in the back of your throat at him for him to finally give you what you need.
He’ll just lose it, pin you by the throat and well— you’ve broken a few beds this way.
He has no shame.
Just glances at the bed, hits speed dial to the furniture store and orders a new one.
His only other favorite thing with C as he soon found out from O (you’ll see) was he adores when you swallow down everything he gives you. That’s got him rumbling in Italian about what a good girl you are and how much you please him.
———
———
D = Dirty secret (pretty self explanatory, a dirty secret of theirs)
He’s a MASSIVE Pleasure Dom. And when I say Dom.
HE GOT DOM ENERGY.
With very mild Sadistic tendencies. (Thanks a lot Caius ya pervy fucker)
However he is also a very sincere soft streak when you’re a very good pet.
He picked up pet play from his sadistic brother hearing him call his amore Bunny. One day down the rabbit hole that is Google and he was hooked.
But he calls you Bambi. It’s an Italian term for baby-girl.
It also works because you become like a damn deer in the headlights when he pulls the Dominant voice on you.
It thrums with a low purr and has the capability to just make your brain go wait what?
HE’S A FUCKING SWITCH.
You had been pissed as shit at him. “I don’t know whether I want to strangle you or fuck you to death!” You paused because you had literally throat pinned him to the wall, the stone crumbling beneath him, feeling the muscles of his neck working as he swallowed nervously.
You were about to let go but saw his eyes had gone totally black and expectant and startled but excited.
He was just as fucking confused as you both calculated in a matter of seconds what had happened.
You were first to catch on. “Oh?….OH...….oooooohhhhhhh ….. you….you son of a….” You sputtered as he got a sly grin, “you can’t just look at me like— you are so ill behaved!!”
He wasn’t far behind and raised a black brow at you looking mischievous, “…..and what are you going to do about it mia regina?”
Next thing he knew he was face planted on his office floor with your boot pressed on his cheek making him groan low. “Gonna make you regret mouthing off to me is what I’m going to do my Aro.”
Edge him. Don’t let him touch you all day till he begs. He loves when you exert your authority especially on him? Oh forget it.
Queen Slay.
Literally you are his Queen and you are the only one who get’s to fucking tell him what to do.
And you ruthlessly do so when he’s in the mood. All you hear is “mia regina?” He’ll croon at you, as your hand comes up and drags him to you by his tie.
“would you like to be of service to me Aro?”
Magic words. He’s done, let him have you and he will literally just focus on your pleasure.
Worship Kink.
You had dropped to your knees at his desk and laid your head in his lap and he almost lost his god damn mind. You purred at him, “il mio maestro”.
Aro .exe has stopped fucking working.
———
———
E = Experience (how experienced are they? do they know what they’re doing?)
Thanks to the tactile telepathy as well as the fact that he and his brothers have slept their way through history, Aro is a very mixed lover.
When I say greedy as a lover, he wants your pleasure for himself. And will literally drive you to it till you’re sobbing for mercy.
He has none.
But he does take pity on you when he knows you’re truly at your limit with touch.
You weren’t inexperienced but his own experience blew yours out of the damn water. Can literally have you on the edge in mere minuets. And is SMUG about it.
Fucking smug bastard just watching you with that smirk on his face and a ‘well?’ Kinda expression.
You have to beg if you want it.
You have to plead, you have to let him hear you or he’ll just keep going and I quote ‘hmmm I can’t hear you cara mia, you’re being so quiet you know that makes me want to fuck you harder, come now, let me hear you— don’t make me have to drag it from you baby girl. You know I love to hear your sweet sounds.”
Could probably kill you if you weren’t already dead with what he can do with his hands.
His tongue is even better.
When asked which you preferred you had just panted desperately after a hard orgasm, “any. All. Both. God just…holy fuck.”
He cracked up over that. “My poor baby I broke her.”
————
————
F = Favorite position (this goes without saying)
Loves having you in his lap.
Prefers to see your face and eyes, seems to need it.
But occasionally he just loves gripping your neck from behind and feeling you gasp against his grip as he slams into you roughly.
Adores anything that has you clinging onto him for dear life.
Likes being in a position to mark you. Favorite thing ever.
You had once tested his patience (willfully hoping for this outcome) a bit too much and he had pinned you completely immobile to the desk of his office and fucked you within an inch of your immortal life gagging you with his black tie.
“you just have to test me don’t you mia regina?” He had growled in your ear leaning over you, his hand crunching the ornate wood to splinters as you keened and whined for him to keep going. “Such a ill behaved thing you are, should just keep you here like this for when I please hm?”
He was not joking, you were kept there quite happily under his desk sitting at his feet your head on his lap waiting and absolutely willing.
He could feel your hands grip his thighs, “quit that I know what you’re trying to do and it’s not going to work—“ his voice teetered off in a guttural growl as he looked down.
You were biting his shirt looking up at him already nudging yourself between his thighs your teeth digging into his trouser zipper and tugging down.
his hands were gripping your hair jerking you up to kiss him deep, a growl against your lips, “Fucking damn it— come here.”
When you can get him to swear which is rare— yeah…
He didn’t exactly sound angry.
But he sure fucked you like he was though.
“This is what you were after hm? You brat!” A harsh laugh as he pinned you down a bit harder, “fine then I should ensure you’re good….and….sated…shouldn’t I bambi?”
———
———
G = Goofy (are they more serious in the moment? are they humorous? etc.)
Very sincere.
Teasing but only in a very sexual way.
Borders on humiliation but he respects you too much.
Very serious though when he focuses on you.
He’s focusing on all the sensations you’re sending him, letting you know what he’s feeling as well which just sets you into the damn ether.
———
———
H = Hair (how well groomed are they? does the carpet match the drapes? etc.)
It’s ARO.
The man is vain.
The man is neat.
Clean and pristine.
He’d give a regal huff of annoyance, “I am not a heathen darling.”
———
———
I = Intimacy (how are they during the moment? the romantic aspect)
Ohhh you wouldn’t know it but he’s such a god damn romantic.
He is. And he MAKES time for you. The schedules are changed so you have time together more often— something that was never done before.
Operas, romantic walks out in Volterra at night.
Sightseeing.
Your favorite was your trip to Germany in the winter with a big cozy cottage and a big fire and lots of bedding to ahem— destroy.
Aro has penguin brain.
He brings you small gifts that made him think of you— you have a bracelet that has special charms he had custom made for you, a lochness monster for when you met, a castle obviously for Volterra, a doe, different tiny items that speckled through your life, each one means something— you hardly ever take it off.
You have a collection of very sparkly stones in many jars that he found on his missions.
They are actually gemstones— insert eye roll— they set off pretty prisms through your shared rooms.
“Aren’t you going to make jewelry of them?” Aro asks.
“No darling they are perfect just as they are.” You smile.
Aro actually has the literal voice of a damn angel.
He sings to you in Italian, soft dulcet sweet tones and dances you around your rooms teasing you relentlessly.
Aro writes beautiful poetry. He will at least write one every few months when inspiration comes to him.
You have your own private box at the opera house. As well as being allowed to fund artists across the world, you’ve found incredible talent on broadway and other venues.
Flowers. Aro ensures care for a private greenhouse for you on the roof, each flower has a meaning, and they all bloom year round given the proper temperatures on the greenhouse. “Why would I send you flowers when they die so easily.” He asks kissing your cheek as you smile over the new blooms. “This is everlasting, much more fitting.” He muses.
All his poetry is in a beautiful book Caius got you for your birthday.
———
———
J = Jack off (masturbation headcanon)
Why would he do that when he has you?
He is a patient man.
He can wait.
And he has pristine control over himself.
He is too old for pre-pubescent raging hormone crap.
But he will legit melt for you if you do it for him. Prefers it slow, enjoying your touch and loves to watch as you take instruction.
You’re such a good girl for him.
————
———
K = Kink (one or more of their kinks)
Aro is a kinky bastard.
MASSIVE Pleasure Dom.
Worship Kink.
Edging.
Controlling Orgasms *you don’t get to come till he gives permission*
Collaring *your Volturi necklace is LITERALLY on a collar*
Overstimulation. *his gift allows him to know when you’re pushed to hard and when you can take a bit more. When you’re craving that over stimulus, he’ll give it happily. Knowing he can turn you into a babbling speaking in tongues, drooling, eyes rolling back mess just— just— GAH.*
Breeding Kink *Aro has a true breeding kink, ask him to fill you up beg him for it and he’s going to lose his mind.*
Gagging. *he loves to gag you, but also loves being choked by you or you grabbing onto his tie.
Wax Play *you’re a fire elemental user, bringing candles into play is just oh it’s nice. * Prefers to have it done TO him. Your air element gift also allows you to cool the wax quickly and give new sensations.
————
———
L = Location (favorite places to do the do)
Aro is private, he prefers somewhere comfortable to take his sweet time with you.
Rooms Private, hotel, somewhere he can just lavish you and enjoy everything you can give him.
He’d rather take the time to find a nice comfy setting.
But every blue moon— he’ll just look at you in that specific dress molding to your thighs.
He will drag you into an alley way and just rail the shit out of you keeping you quiet with a firm grip over your mouth as he hisses the dirtiest things in your ear.
You two once had a quick rendezvous in a changing room at a theatre. -shrug- it was empty oh well.
———
———
M = Motivation (what turns them on, gets them going)
“Master?” You bat your eyes at him
His nostrils flare as he breathes in and just knows exactly what you want and you smell so fucking good.
The tone you use.
He knows. You want him. That’s it.
Unless it’s a trial— and DO NOT DO THIS BEFORE TRIAL.
And if you happen to when he takes your hand send him your fantasies after seeing him standing there all regal and watching his mouth form syllables so well and how much better it’ll be with his mouth— ahem— busy somewhere else.
He will be so mad at you.
He’s glaring at you behind a mask of calm and you can feel the fucking tremor in his limbs.
You just bat your eyes innocently at him and smile.
His face: you’re in SO MUCH trouble.
Brat energy??? During Trial?!??! Now is that the time to give brat energy!!???
Oh. Oh. oh you are so in trouble. When he gets done with ripping some poor idiots head off— okay not really they broke the rules— stalks over to you; grabs you by your oh so pretty collar, “come with me bambi.”
And just pulls you along to your rooms with you giggling the whole way and practically prancing behind him like a— well like a doe prancing into a lions den.
He’s tossed you over his shoulder once and just flitted out of the rooms into your private chambers, hurling you onto the bed before ripping into your clothing. “You best be ready for your punishment.”
“Oooohhhhhh absolutly master.”
“that’s my girl.”
The coven just rolls their eyes. Aro is less manic with you there and you surprisingly bring ease to the coven— so ya know what if that’s what does it whatever.
————
————
N = No (something they wouldn’t do, turn offs)
Humiliation. No.
Impact play is one thing, but to intentionally hurt you no.
If he does impact play one hand is always touching you to ensure you’re okay.
————
———
O = Oral (preference in giving or receiving, skill, etc.)
Giving? The man has a wicked tongue.
His oral game is LEGIT.
Will have you in a puddle of twitching ecstasy in mere moments of teasing because he knows where to touch and that’s not just his tongue but his hands.
Will kiss you all over before even getting to the ahem— final destination.
You’re either ready to combust or ready to strangle him when he finally just begins to devour you.
Eats pussy like a man starved but has all the time to enjoy.
Smug as Fuck.
Expect him to just watch you as you’re coming back down from the absolute height he threw you up to and glaring down at his smug grin as he waits before beginning all over again.
Will go all night if you’ve been ill behaved.
Your record is 20 before you BEGGED for a break.
He finally took pity and gave you a warm bubble bath and snuggles and praises.
It wasn’t that he didn’t like receiving, however it was more just a “hm, that’s nice—“
But with you.
Especially when you had decided to walk into his office, lay your head in his lap as you had sat yourself under his desk so he could work while he played with your hair (you have a comfy cushion there who was he to argue if that was the best way to be close and he could get work done??!!)
But his work was abruptly halted when you had nuzzled his cock through his trousers dragging your mouth wide as he became painfully hard in record time.
“what is it you think you’re doing bambi?” He purred looking oh so curious.
“Nothing.” You muffled around him as your teeth found his zipper and trouser buttons with a rather feral sound.
Upon finding out you had no gag reflex and having your nose buried in his pelvis as you moaned around him he was done for and he didn’t even care.
Work was forgotten.
Loves when you pleasure him, but of course has to be in control for the most part.
Buries his hands into your hair and loves throat fucking you, praising you the entire time. “What a good thing you don’t need to breathe dolcezza.”
You had hummed around him ecstatically.
The reward for this is always drool worthy.
Play with yourself as you do and let him see you do so keeping your clothing out of the way and you’ll have him break finally, that cool haughty composure cracking as his gaze goes just utterly uncontrollably wild, his hips moving a bit harder.
————
———
P = Pace (are they fast and rough? slow and sensual? etc.)
You both fuck rough.
But you both also love the slow and sensual moments too.
Especially if you have the time to just drown in one another.
It just depends on the situation.
Rough And Fast:
Slow and Sensual is how it usually starts off, he’s so attentive, so soft and cherishes you, that is till you growl at him for more and he has of course no other option but to give you what he wants.
You’re his queen after all what kind of mate would he be if he didn’t give in?
But has today been exceedingly trying for either of you?
Or is your mate quite amped up from a particularly rough trial?
You’ve been pestering him haven’t you? Hmmm.. yeah buckle up.
You’re in trouble and therefore need to relearn where your place is— it’s in your bed, beneath him losing your mind out of pleasure.
And he is all too happy to provide that lesson if you seem to forget.
You try to forget often. You damn brat.
Slow and Sensual
However sometimes he just wants to be gentle. And frankly so do you, you want to just bask in the bond you have and slowly explore all over again despite knowing you have memorized one another to heart by now.
Doesn’t matter, you still find things that surprise you, things that make you smile.
Places that when touched cause a jolt— well that’s new.
“I could spend my entire life mapping out your body carissima.”
“that’s an awful long time in bed.”
Aro would just smirk kissing down your sternum, “oh what a pity— I suppose my brothers shall have to cover for me hm?” Bite marks being pressed into your flesh, “I plan on leaving so many of these that I forget where they are so I can find them later.”
“Such an evil overlord.” But you’re giddy, he’s going to make your entire world tilt again with those slow careful hands of his and you’re going to enjoy every second of it.
———
———
Q = Quickie (their opinions on quickies, how often, etc.)
You’d be surprised that such a patient man could be so damn impatient for you.
He’s not as impatient as Caius but not AS patient as Marcus.
So it’s a toss up when he’s twitchy during trials and catches a glimpse of you floating down the hallway in all your grandure and he mentally tosses a coin.
Nope he can’t take it that flash of leg just set him off.
“Excuse me I do belive I remembered something that needs my attention.”
The others just inwardly roll their eyes.
Next thing you know you’re gagged by his tie in his office pinned over the desk with his teeth buried in your neck and frankly you expected this you wore that damn skirt with the slit in it to tease him.
Seeing this just makes him let out a feral noise and a laugh at the end, “oh you planned that hm?” He nibbles the outer shell of your ear, “missed me did you?”
You can only nod as he continues, eyes rolling back as he knows exactly what you’re needing and it’s certainly not gentle right now.
“I have exactly fifteen minutes before my brothers come looking for me— think you can be a good girl and make me come?”
You smirk against the gag in your mouth before purring at him; and it’s off to the races.
He’s in trouble quite often for this— but who’s to argue with him.
He’s king he can do what he wants…. At times….
Okay most of the time.
Plus he’s always in a MUCH better mood.
I wonder Why.
————
———
R = Risk (are they game to experiment? do they take risks? etc.)
While Aro does love to experiment your safety is his utmost importance.
But he’s a curious bastard and you are right behind him on that scale so sometimes your games become a bit risky.
Never life threatening but oh boy do you two get a grin and just glance at one another, “you know we haven’t done that yet.”
“No…. No we haven’t….”
And that’s how it usually starts.
The worst thing you two can realize is you both utter “I don’t know”.
Well now you have to know if either of you are able to ahem— arrive— under rather dire circumstances such as utilizing your gift (don’t worry your gift doesn’t hurt him he knows how to use fire too surprise surprise.).
You almost had a heart attack though and nearly killed him after.
He just cackled that manic laugh that had you joining in after hitting him several times.
———
———
S = Stamina (how many rounds can they go for? how long do they last?)
Need I say more than one word?
Vampire.
Aro takes his time most occasions, his slow, slow sweet time.
Now— you’d THINK that the rougher encounters would last a shorter period.
You’re wrong.
So wrong.
He lives for it you’re going to be so happy you’re a vampire and can’t really get sore except for when you both leave cracking handprints on one another.
————
———
T = Toys (do they own toys? do they use them? on a partner or themselves?)
Sensory.
Crops, leather gloves, feathers, ben wa balls are huge and he likes that they are silent but give you that teasing sensation. Wax candle play is huge for both of you and you enjoy long luxurious heated baths and sauna sessions with one another.
Ooooo he loves it.
Leather gloves area huge thing for him but not for what you’d think— he likes to challenge himself.
Sure he can know what you’re feeling but he wants to be in tune with your physical responses as well and so occasionally he dons them just to test his knowledge.
Damn smug overlord is just as good and you hate it and now he’s smirking at you while popping his jaw with his hand on his elbow waiting for you to come back into your body.
“Shut up.” You rasp as your head spins.
“I didn’t say anything.” His raven hair slides across his face as he grins wider.
“Your SMUGNESS IS LOUD ARO.”
“Me?! Smug! Why I never…” -cue the dark chuckle before he starts it up all over again, “maybe once more to ensure you remember it’s not just the gifts edge hm?”
“Ohhhh I’m going to die.” But you reach for him biting his leather clad hands.
“No you won’t.” He hums happily, “I won’t let you. You’re not allowed to leave me bambi.”
————
————
U = Unfair (how much they like to tease)
HE IS SO DAMN UNFAIR.
But so are you.
He’s not as bad as Caius but he is close, and he only does it with LOOKS.
His eyes are utterly expressive, as is that mouth of his, so when he glances at you in just the right way you can feel it drop down in your gut and sizzle.
And he does it during trial. Oh but when you do it you’re in trouble. Psh.
He’ll tease you and brush your hand as he walks by just to know that you’re basically twitching from frustration at the end of the day and about to boil over as he leans down and licks your neck. “Bambi, awe, was I too mean to you? Hmm I should make it up to you shouldn’t I?”
He always makes it up to you.
The man has the best ways to use his mouth aside from running the coven and giving orders.
————
———
V = Volume (how loud they are, what sounds they make, etc.)
Aro was quite clear studies, and private rooms were to be soundproofed.
He’s loud, swearing (which he normally does not do), praising mess of a man, it’s needed.
And you love it.
You can practically feel the vibration in his chest when he purrs at you, less growling, he’s not as violent unless you get him too worked up.
No no no, he loves making you melt, and knows exactly what to croon at you to make your mind go blank.
———
———
W = Wild card (a random headcanon for the character)
He’s more posessive than Marcus. And that bleeds into a protective nature.
A bit controlling, but he knows very well he can’t do that to you as he had to Sulprica. BUT it doesn’t stop him from trying as gods forbid anything happen to you.
Less Jealous than Caius.
But his ah— mood swings can cause for quite an interesting feat.
Since Marcus and Caius were always the brunt of the bashing and warfare, and he the brains behind the operation, many seem to think he has no bite marks on his body due to not being in the fray.
No.
The problem is Aro becomes too violent. Especially because of his talent when touching his victims it tends to become a frenzy. Once he had decimated an entire coven single handedly because the rage they had was swamping him.
His brothers had to pin him down and try to relay calm emotions— his sister Didyme thankfully had been the one to bring him back.
You yourself are now that calm place.
At one point, a guard had been careless enough to have thought about you in ah— that way— Aro was aware you were quite beautiful, your personality no nonsense and many of the guard and lower guard considered you a maternal figure almost otherwise a very good friend.
But this guard.
Ohhh he coveted. What was not his.
But what was worse, was that on the way to the throne room he had spoken to you rather crassly, you merely ignored him; he wasn’t even worth your time. But he had glanced you over as if you were a rather tasty morsel, the imaginings of you spread out beneath him had Aro’s hands cracking his wrists.
You saw the change slightly as you were behind him. His spine went poker straight. “You dare.” It was worse, the guard had actually tried to think of how to lure you away to him— you were a queen so surely infidelity was expected—
The rumble in his chest was a whole new sound you’d never even heard.
Both Marcus and Caius were sitting straight up and narrowing their gaze at Aro before Marcus flitted over and guided you to Aro’s throne placing you on it and standing protectively in front of you.
“Marcus?” you peered behind the eldest king and he hushed you gently.
The guard was torn apart in mere seconds.
It was utterly ruthless and with no mercy.
“People tend to forget Aro is only about a thousand years younger than I.” Marcus muttered.
You blinked. Aro was at least five thousand meaning that Marcus was Six, Caius being the youngest at three.
Aro speared the entire guard with a terrifyingly cold glare before flitting over to you, gripping your head back by your hair and sinking his teeth into your shoulder and neck with a low growl.
The sentiment was well understood as the entire guard backed the fuck away from the dais— he closed the wound before his head shot up and he snarled at the coven tucking you into his embrace your face buried into his robes. “She is mine.” It was a quiet, soft voice that spoke.
“Aro.” you muffled tugging his sleeve and looking up at him.
He showed you “what he had seen and tilted his head. Would you mind cara?”
You lit the bastard on fire with a scowl aimed at the body winding your arms about Aro’s waist and nuzzling into his solid form.
A soft kiss in your hair, his body relaxing. “That’s my bambi.”
———
———
X = X-ray (let’s see what’s going on under those clothes)
Aro although he is lithe and tall….he’s not exactly easy to handle.
9” decent width, knows how to use it.
Be forewarned, he knows what he’s doing.
Tactile Telepathy, good luck remember to keep your head on straight.
————
———
Y = Yearning (how high is their sex drive?)
It’s less of a wistful like of yearning.
And more a burning bonfire of desire always in the wing of his mind ready to take over the forefront.
One glance at you and he wants you— granted he thinks it might cool down over the centuries but when you look at him like that and bite your lip and grin.
Nah.
Nope. This isn’t going away. Not at all.
He of course has excellent control so he is able to push other desires to the back of his mind, but once finished you are certainly at the front of the line.
Super high.
You both are insane.
You can be sitting reading and next moment with one small brush you’re gone from the library and you’ve tackled him through the doors of your rooms and pinned him to the floor.
Insatiable.
Good luck!
————
———
Z = Zzz (how quickly they fall asleep afterwards)
Aro LOVES resting with you.
He likes to just lay with his hands on your body and watching your thoughts, you’re his favorite mind to go through and he just adores it.
You both can spend hours like this if you were allowed—
He likes when you drag your fingers through his hair.
Makes him melt.
Kiss across his eyes and kiss his hands as he brushes your mouth with his fingers trying to learn you all over again.
“I don’t think I’ll ever get enough.” He murmurs to you lazily. He has you nestled in his arms your head tucked under his jaw.
“That’s fucking fine by me.” You giggle.
He rolls his eyes and huffs a soft laugh kissing the top of your head. “Of course she swears like a sailor…”
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i-did · 3 years
Note
Do you know when the racism and ableism accusations against Nora started? Because back when I was active in 2016/2017 and don't think they were a thing, or were very low-key. Was it something she said or are people just basing it off the things she wrote in the books?
From what I remember, the first time I heard the blanket statement of “Nora is racist/fetishizes gay men” blanket statement was early fall 2019 (which is so ironic for the fandom to say on so many levels lmao). There wasn’t a catalyst or anything, just she went offline 2016 and no new content was coming out and the aftg fandom is such an echo chamber that… an accidental smear campaign happened.
 Before then, I would see occasional “Nora used ableist slur” which… is funny (not that ableism isn’t serious) to me people care more about that than Seth saying the f-slur. IMO this is because with Seth, it clearly shows the character thinking it and not the author who is writing about what will be an end game mlm relationship. 
But anyways! Long story short, it's the fact that she’s an ace/aro woman who wrote a mlm book, and based off of the events in canon. There is no “Nora called me/someone else a slur” it’s “Nora wrote a book where slur(s) are used” and “the Moriyama’s are Japanese.”
Below I put my own opinion on these claims and go into more detail:
CW for discussions of: racism, ableism, mlm fetishization
Fetishization: (and mentions of sexism at the end)
To one question in the EC about her inspo for aftg she jokingly responded how she wanted to write about gay athletes. On other parts of your blog you could see she was a hockey fan and an overall sports fan (anime or otherwise) but I've seen this statement taken out of context and framed as “she's one of those BOYXBOY” shippers. Considering how… well-developed both Andrew and Neil’s relationship is, and it takes them until like the 3rd book and there is a whole complex ass plot going on around, you can see how that's just. Not really true. And considering the fandom is like… 85% women (queer women but still women) and I've gotten into a discussion with someone who is a woman and called Nora a fetishizer and was ignoring my opinions as a mlm, and I really just wanted to say “well what does that make you?” it's a very ironic high horse. She didn’t write 3 all 3 books to put Neil in lingerie pwp or crop-top fem-fatal fashion show, fandom did. 
Also, I talked to an ace/aro friend about this, and she talked to me about how AFTG spoke to her very much so as an ace/aro story. Neil is demisexual, Nora didn’t know of the word at the time of reading it, but she did get an anon asking if Neil was demi after, and she said “had to look it up, and yep, but he doesn't really think about it” (paraphrased). Obviously it would have been cool if andreil were canonly written as wlw by Nora instead, (which would have increased the amount of wlw rep and demi rep) but tbh I don’t think tumblr would have cared about it nearly as much and everyone would just call Neil a cold bitch–like people do with Nora’s other published book with a main character who's a woman. Plus they're her OC’s, not mine. 
The fact is that 50% of all LGBT+ rep in literature is mlm, mostly white mlm, and not written by mlm. I’m not going to hold her to a higher standard than everyone else, she already broke a shit ton of barriers in topics she discusses that otherwise get ignored. I’m grateful to these books for existing even if it's a mlm story written by a woman. I still will prioritize reading mlm written by mlm–and vice versa with wlw– in the way I prioritize reading stories about POC written by POC. But credit where credit is due, this is a very good story, and a very good demi story. 
Ableism:
To me, AFTG is a story about ableism and how we perceive some trauma survivors more worthy than others. Neil and the foxes using ableist language shows how people actually talk. Neil thinks shitty things about Andrew, like the others do too, and thinks he's “psycho”. The story ultimately deconstructs this idea and these perceptions of people. Wymack, someone who says the r-slur (which is still not known by the general population as a slur even in 2021 much less the early 2000s when the book was beginning to be written and what the timeline is based off of) is a character who understands Andrew better than most of the others do, and gives him the most sympathy and understanding despite using words like the m-slur and r-slur. Using these words isn't good, but it is how people talk, and this character talks. Wymack is a playful “name caller” especially when he’s mad, the foxes think Andrew is “crazy” and incapable of humanity and love because of it. They call his meds “antipsychotics” as an assumption and insult in a derogatory way, when really antipsychotics are a very helpful drug for some people who need them. Even Neil thinks these things about Andrew until he learns to care about him. All the foxes are hypocritical to am extent, as people in real life tend to be. Nora herself doesn’t use these or tweet them or something, her characters do to show aspects of their personality and opinions and how they change over time.
Racism:
As for the racism, I've seen people talk about how racial minorities being antagonists is inherently bad, which I think lacks nuance but overall isn't a harmful statement or belief. However, Nora herself said she wrote in the yakuza instead of another gang or mob because she was inspired for AFTG by sports anime, (which often queer-bait for a variety of reasons). I haven’t seen a textual analysis acknowledging the racist undertones surrounding the Moriyama’s as the few characters of color who are also major antagonists, but instead just “Nora is racist”. Wymack having shitty flame tribal tattoo’s is just… a huge 90’s thing and a part of his character design. Her having a character with bad taste in tattoo trends doesn’t mean she's racist. There is the whole how Nicky is handled thing, but that's a whole thing on it’s own. The fandom… really will write Nicky being all “ai ai muy spicy, jaja imma hit on my white–not annoying like me–boyfriend in Spanish. With my booty hole out and open for him ofc.” and as a Mexican mlm I’m like … damn alright. 
I think there is merit to the fact that she writes white as the default* and unless otherwise stated a POC a character was written with the intent to be white is another valid criticism, as well as the fact that the cast is largely white, but everything Nora is accused of I've seen the fandom do worse. That goes to the debate of, is actively writing stereotypes for POC more harmful than no representation at all? And personally I prefer the lack of established race line that lets me ignore Nora’s canon intent of characters to be white and come up with my own HC’s over the fandoms depictions of “zen monk Renee with dark past” “black best friend Matt who got over drugs but is a puppy dog” “ex stripper black Dan who dates Matt” vague tokenism. I HC many of the upperclassmen as POC and do my best to actively give thought behind it and have their own arcs that also avoids the fandom colorism spectrum of “darkest characters we HC go to the back and fandom favorites are in the front and are the lightest.” 
*I however won't criticize her harsher or more than… everyone else who still largely does this in fanfiction regarding AFTG as well as literature in general. This isn't a Nora thing, it's a societal thing, and considering the books came out in like 2014 I'm not gonna hold her to a higher standard than the rest of the world. She's just someone who wrote her personal OC’s and self-published expecting no following. I don’t know her race and I’m not gonna hold her to a higher standard than everyone else just because. 
The criticisms I've seen have always been… ironic IMO, and clearly I have a lot of thoughts on it. I think most people say those things about Nora because they heard them, and it's the woke thing to say and do and don’t critically analyze their actions or anything, but just accept them. 
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touchstarvedsam · 3 years
Note
Sam and Dean are the definition of queerplatonic relationship
YES
Just to drag the point home: A queerplatonic relationship is a type of relationship that isn't sexual or romantic, but signifies a more intense level of commitment, companionship, and/or love than a platonic friendship.
Sam and Dean are exactly that. Their relationship is beyond a normal sibling relationship. They love each other more than anything in the entire world but they’re not in love with each other. But despite not being in love, there is also no one else for them. It’s always been about each other. They have always chosen each other over everyone and everything.
Dean left Lisa, Sam left Amelia, Dean killed one of his closest friends to save Sam despite Benny risking his life to help Dean through purgatory. Dean didn’t care that closing the gates of hell meant no more demons if it meant losing Sam. Dean gave in and chose not to lock himself away in the Ma’lak box because Sam asked him not to. Dean was crushed when Sam even suggested that Dean would trade Sam to get his hands on Chuck.
Sam gave up on wanting the apple pie life years prior because all he wanted was to be with his brother. He no longer wanted “normal” or “safe” he just wanted his brother. He didn’t actively pursue Eileen because he knew she wasn’t for him. Dean was the one pushing them together because he thought the apple pie life was what Sam still wanted, and although it would hurt like hell so late in the game, Dean would have let Sam go if he chose her. But Sam didn’t. Sam’s happiness has always been riding shotgun next to Dean.
I’ve been headcanoning for years that Dean is aromantic and Sam is on the asexual spectrum. Sam feels demisexual to me; it just feels right. But Dean is aro, there is no doubt about that, not anymore, not after fifteen seasons of him choosing his baby brother over everyone else, friend, mother, etc.
The term queerplatonic relationship was coined by asexuals and aromantics (so Sam and Dean) and Supernatural gave us the most aro/ace ending they could have ever given us. Supernatural as a whole is queerplatonic, so that’s the representation right there. My dumbass is aro/ace and I feel perfectly represented with Supernatural, honestly. I’m also bisexual and wasn’t looking for any kind of representation in that sense in the show because I know that’s not what the show is about. It was never about that. The show is and always was about Sam and Dean and their psychotic, irrational, erotic codependence on each other. Real fans got that. It was never about sex; we never wanted them to have sex. We wanted platonic, we got platonic, and those of us that are real fans understood and loved the show for what it was.
It’s just so refreshing to watch something that doesn’t center on romance or sexual relationships. Supernatural was gritty and dark and sometimes bad but the show has so much meaning. It gives so much to those of us that have no desire to be in a relationship.
There’s too much media focusing on romantic relationships and I just want so badly to see more platonic relationships. That’s what Supernatural has given me and I am so grateful for it. Sam and Dean’s relationship wasn’t perfect -- in fact it was fucked up and twisted -- but it’s what has kept the vast majority of fans tuning in every week, for every new season. Every relationship in Supernatural ended up being platonic and that is what is so beautiful to me. True fans didn’t want or need romance, we just needed the brothers and their queerplatonic relationship with each other.
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u said u write aus where (you acknowledge) alix isn't aro and you /know/ she's canonically aro. like sure it's an au but it's still erasing her identity u know that right? u're just changing it 4 the sake of shipping, 4 "self indulgence"?? it's really fucking disrespectful and this is coming from someone who's aro fyi.
Sorry for the late response! Was in school and I need to figure out how to word this answer Any-so I’m sorry that I come across that way. I personally believed it was and I didn’t want to hurt anyone like that, especially people who are aro.
I personally think shipping is just for fun and shouldn’t be all that serious unless it’s rlly fucked up shit like AdultxChild ships which shouldn’t be shipped- I believed it was also important that acknowledging what is and isn’t canon is important too.
Alix, according the Thomas, is canonically aromantic. I understand how much this means to people and I love the fact people can find representation in her and as someone who currently is defining as Demiromantic (I’m still figuring myself out)- however the point of that post was to criticize Thomas and his way he treats representation and the fandom- not the fact Alix is aro.
We’re never gonna see Alix proudly say she belongs to the lgbtq+ community nor will we hear Julerose proclaim they’re girlfriends, we will only get subtext and Thomas’s normally hypocritical word which seems to be searching for brownie points. That’s what upset me.
I’m never gonna watch Canon and go “Wow Alix and (character) should totally kiss next season” no, cause she’s aromantic. I didn’t intend to erase her identity like that in my works and I apologize if I did. I more so was just aiming to tell nice stories with character dynamics I thought were interesting to delve into.
If I came across that way, again, I apologize, and you don’t have to forgive me just know that was the opposite of what I wanted to do and I genuinely do hope for more aro representation in not just Alix in miraculous but in other media, I just wanted to talk about Thomas’s issues and how- the way he treats his fandom just really bites.
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elyvorg · 3 years
Text
So… I was talking about aspec V3 headcanons? Well then, let me lay down the facts.
Maki Harukawa is on the aromantic spectrum. Yes, even though she explicitly develops a crush on Kaito, and no, I’m not trying to dispute that part.
This is basically canon. Let me tell you why.
Maki is aro
For this, we need to consider the conversation Maki has with Shuichi in the first training session in chapter 4, while Kaito has temporarily disappeared to the bathroom. On one level, this conversation exists to be the only actual meaningful indication* that Maki has romantic feelings for Kaito until she goes and confesses them. Someone like Maki wouldn’t care about asking Shuichi if he “liked” Kaede (in that annoying loaded meaning of the word “like” that specifically refers to romantic attraction) unless she was trying to come to terms with the idea that she also “likes” someone else in the same way, and the only plausible candidate for that is Kaito.
But even more striking about this conversation, far more so than the general implication that Maki would only bother asking this if she happened to be crushing on a certain spiky-haired space dork, is the way Maki approaches and thinks about this whole topic in general. Take a look:
Maki:  “Well… I assumed you didn’t, because that would be weird. […] Liking someone you just met… especially in a situation like this…”
Shuichi:  “… Then tell me… under what circumstances is liking someone *not* weird?”
Maki:  “…Huh? I… don’t know. I don’t… really understand what that is.”
I, as an aromantic person myself, fully agree with Maki that it just seems weird to start romantically liking someone you’ve only just met, especially in a life-or-death situation where surely there’s way more important things to be focusing on. But apparently, most people do not find this thought weird at all – love at first sight is supposedly a real thing that can happen, and something something dangerous situations can bring out more hormones and passion???? sounds fake but okay – and so opinions like mine and Maki’s here are very much outliers.
And not only that, not only does the thought of crushing on near-strangers bewilder Maki to the point of disbelief, but she also can’t even come up with an answer to when crushing on someone would ever not be strange and bizarre. Like the whole concept is just alien to her. She can barely even wrap her head around how “liking” someone in that way even works. The very reason she’s even asking Shuichi about this is because she doesn’t understand why she’s feeling this way about Kaito.
This is how an aromantic person would view this kind of thing. It doesn’t sound even slightly like something an alloromantic person would say in this situation. That’s not up for interpretation – that’s just the truth about these views that Maki is expressing. Again: I’m aromantic. I would know.
Even from a character who then does turn out to nonetheless have a crush on someone, these statements are pretty much as canonically confirmed arospec as you can get short of them straight up using the word "aromantic" or a variant.** And, well, obviously Maki isn't about to go calling herself that. From the way she’s questioning this, she clearly doesn’t realise that her perspective is the outlier, so she’s probably never even heard of the term. Besides, she most definitely has way bigger hurdles to be getting over first in terms of her self-acceptance before she's ever going to particularly care about figuring out labels for her orientation of all things.
Aros with trauma are still aros
Now, granted, I severely doubt that Maki being arospec is what the writers intended to convey. Haha, deliberate aro representation in mainstream Japanese media, especially something more complex than vanilla aro, that's a funny joke. What the writers probably meant by writing this conversation I just discussed is to suggest that Maki is viewing things this way a result of her trauma.
But hey, guess what? Even if it is because of her trauma - and I'm not denying that it probably is - that doesn't make Maki any less aro. Some people are arospec because of trauma, and that's equally as valid a reason to be arospec as without. Maybe Maki would have grown up alloromantic if she hadn't been scouted as an assassin, but that's irrelevant, because that's not the Maki who exists now.
In writing this conversation, the writers were presumably attempting to communicate that Maki is so messed up by having been manipulated and abused and moulded into a soulless killing machine that she can no longer comprehend the idea of how or why anybody (especially not herself) would fall in love with someone when they'd only just met, or even really in any circumstances at all. …And in doing that, the writers unintentionally wrote a character who, as a result of her trauma, is aro(-spec). This is an objective fact about the canon story that does not change just because the writers probably weren’t aware enough about aromanticism to actually realise this.
Aros who feel romantic attraction are still aros
So, of course, Maki does in fact come to romantically love Kaito despite this. That fact becomes very important to her, and me lengthily explaining here that she’s actually arospec is not remotely trying to diminish that. But it’s also very important to me that people realise that Maki’s romantic love for Kaito comes from an aromantic perspective. She eventually chooses to embrace those feelings not remotely because it just feels to her like the natural way things should go, but despite every single conscious part of her insisting that this is weird and illogical and doesn’t make any goddamn sense to even be happening at all. She is not going to suddenly fall into all the boring romantic cliches and stereotypical alloromantic approaches to love just because she does in fact happen to be experiencing romantic attraction. There’s nothing alloromantic about Maki’s crush on Kaito.***
As for the specific flavour of arospec that allowed Maki to fall in love with Kaito anyway? This part is somewhat more up for interpretation because there’s no real explicit indication of this in particular, but I personally like to go with the idea that Maki is demiromantic. It feels appropriate for Maki’s character and trauma to imagine that she can only begin to potentially feel romantic things towards a person when she has an emotional connection with them – when she trusts them and knows that they trust her. It doesn’t necessarily have to take very long – she’d only been friends with Kaito for a handful of days before that telling conversation with Shuichi – and she may not even have to have consciously admitted to herself that she trusts them, but she needs to have that bond. She’s normally so guarded and has such strong automatic barriers up during her interpersonal interactions that seeing most people in a romantic light literally isn’t even an option in her brain.
Maki’s confession of her feelings for Kaito does read as rather strongly demiromantic, I think. She makes a point that this is about who Kaito is and what he’s done for her, before even getting to the part where she admits to having fallen for him. And she says she “fell for” him, not that she was always in love with him or anything to that effect. This happened somewhere along the way during their friendship, because of their friendship, and because of Kaito being his incredible trusting supportive self towards her when she needed it most.
Maki Harukawa is demiromantic, and she’s wonderful.
  ---
[some grumpy Amatonormativity and Aro Erasure 101 footnotes, can you tell I am bitter about this kind of thing]
(* When I say “actual meaningful indication” of romantic feelings, I mean something that isn't just the narrative infuriatingly pointing at things that are actually perfectly platonic in nature and going “ooh look how romantic~!”. Newsflash: worrying about somebody and wanting to rescue them when they're sick and injured and have been kidnapped by someone you think is an evil sadistic mastermind is not somehow proof of romantic feelings. That is a thing that friends do. And on the same note, teaching somebody how to build a crossbow is not some kind of deep metaphor for romance; it is literally just a lesson in how to build a goddamn crossbow. Maki would have done both of these things in exactly the same way if her crush on Kaito didn’t exist.)
(** It's exactly like how characters can be considered canonically confirmed same-gender-attracted when all they've done is show attraction to the same gender****, without them actually needing to explicitly refer to themselves with the word “gay”, or “lesbian”, or “bi” or whatever else. Anyone who tried to insist that was necessary in order for it to “count” would instantly be written off as homophobic. So if that’s the case, then a character explicitly saying something such as “I don’t understand what it means to like someone that way” equally constitutes them being confirmed aro, and trying to argue that it doesn’t “count” without outright hearing the word itself is, guess what…?)
(*** This also inherently means that there’s nothing straight about Maki’s crush on Kaito either, since societally-expected “straight” attraction is allo as well as hetero. I gather that some people in this fandom like to devalue and erase Maki’s crush (and potentially also Maki herself) because they feel that it’s an Obligatory Forced Straight Romance and don’t like that, or something along those lines. Well, good news! It’s literally not that, actually, because Maki isn’t straight.)
(**** …This only applies so long as it actually is very clearly romantic or sexual attraction and not just people deciding platonic affection is totally romantic thanks to the disease that is amatonormativity. Because, you know. That happens. Literally all the time. (Even from V3’s narrative itself; see footnote 1.))
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ceoofanticatradora · 3 years
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We need more anti C//A who are Adora stans (like you seem to be) so that people can understand that C///A is bad for Adora. Heck C//A is bad for Catra too, but the shippers don't seem to realize it. If Catra had been able to let Adora go maybe she could have healed instead of her festering and the abuse may have ended instead of escalated.
Hello Dear, welcome on my Blog and a big thank you for your message! Firstly I wanna apologize that this response is reaching you more than three full days, almost four later. Just real life getting into the way of my online presence (at least I got my A-Levels admission!) but I assure you that replying to you was on my To Do List the entire time. And while I could've typed something quick, I thought you deserved a full length response just as much as the person before you received. That goes for anyone really to ask/write me anything in the future.
Adora is a character that has flaws, her own interests, things she struggles with/is insecure about etc. but she also still works on being better (up to Season 5). This makes her relatable, fleshed out and overall three dimensional. Overall for me that makes Adora very likeable. Which is funny because when I first watched the show I thought of her as too goofy and felt like she as a character was overall just flat. Her character design did not speak to me either, the ponytail with the weird hair poof and these pointy shoulders of her jacket just really were not my taste. Isn't it amazing how perceptions can change?
As you can guess from that description I did not always stan Adora and she's probably still not my favorite character but over the almost two years I've been in this fandom I've grown rather fond of her. Other important characters to me are Kyle (a very relatable comfort character of mine, he learned to stand up for himself and others and I support that, f*ck Season 5 for barely acknowledging his existence), Lonnie (apart from treating Kyle badly (which I really do NOT support or excuse) I really love her, man, some women just do me like that, I mean she really stood up to Catra like that), Entrapta (I'm autistic too! It's great to have some representation, seeing the ableism/treatment she experiences in the show is not so much though), Seahawk (I don't even know why, I have some issues with his behavior towards Mermista at times but overall I love this dork), Scorpia (she reminds me of myself so much and I really wanna give her hugs, I'm so glad she chose to no longer let Catra treat her like that even though I will be forever salty she just immediately forgave her), Peekablue (I can explain this even less than Seahawk, especially since it was not even really him in the end but his existence somehow helped me cope with Season 5, without him I probably would've left this fandom ... and also my favorite color is blue) and Double Trouble (now there's enough people already critcizing how they're not exactly great Non-binary representation but this dramatic lizard will forever be in my heart, that reality check they gave Catra, basically slapping her in the face with facts was satisfying as h*ck, also I like lizards overall).
Now there's plenty of characters I like, dislike (or even hate) or am simply indifferent about but after all this is not a tier list but me talking about Adora, Catra and Catradora. Adora started off as this girl that was so sure what she was doing is right but once she was taught differently she was willing to leave everything she knew (except Catra, because she valued her despite everything) behind. And not only that, she broke out of the abuse cycle that Catra tried so hard to keep upright. And that is exactly what makes Adora such a good role model. She teaches children (or people) that:
Your past doesn't define what/who you are or what/who you can become
-> Adora used to be a Horde soldier and did not know where she came from, but nonetheless she found herself a family and became a hero that saved thousands of people
You can always change your mind and start a new life if you feel disappointed in what you are doing/who you are as a person
-> Basically the exact same point, Adora started a new life as she saw what the Horde really was and changed her mind about who to fight for
You deserve love too, be it platonic or romantic (or se*ual???) (If you're aro and/or ace just ignore the part that does not work for you)
-> While Adora for various reasons thought her only use was to please others and meet their needs and expectations (mostly due to Shadow Weaver and Catra) she learned to accept that she too deserves love and validation (if the love aspect would not have been focused on it being romantic love so she could smooch Catra in the finale this would've been a billion times better because she got love from her friends that showed her her real value)
You can walk away from something/someone, that does not make you egoistic/selfish
-> Adora walked away from the Horde, after Catra stubbornly refused to come with her despite many offers (basically Catra broke the promise, not Adora) from her too and that did not make her a "traitor" or "selfish", h*ck, Adora in the end did this for a bigger purpose too, even if part of it was her not wanting to live with such wrong morals
Your opinions, feelings etc. about a person/something can change and that is perfectly fine and valid, being able to change is part of what makes someone human
-> Adora's views on many things changed throughout the show: The Horde and the Rebellion, the First Ones, Catra, being She-Ra, herself, her priorities and so on ... she actually makes use of her brain, which is why Catra saying "Don't you ge it?" or calling her an idiot and dumb never sat right with me, she's a realistic character for shifting with her thoughts, feelings etc. and sometimes just does not fully think things through
You don't have to let other people treat you like sh*t (just because they have some issues they never worked through does not give them any right to let it out on you)
-> This point is obviously centered mostly around Catra and her abusing Adora almost every chance she gets, which is why Adora standing up for herself and not letting Catra blame her for her own decisions and mistakes is so important, "You made your choice, now live with it" is one of the most powerful lines throughout all the five Seasons
Now I'm sure there is still more to Adora's character than what I just listed and unfortunately almost all the points basically got pushed aside, well, Adora as a character got pushed aside in Season 5. All her growth, the things that made me love her, see her as great role model for so many people robbed of their value for the sake of making everything revolve around Catra. That brings me to her and how you are absolutely right that Catradora is harmful to both characters. Of course Adora is affected most by it in the end but Catra too is obviously suffering under the fandoms obsession and just the overall idea of them being romantically involved.
Just like with Adora the stans make almost everything about Catra over her relationship with Adora. She too can barely exist outside of it and if she wasn't the fan favorite she'd most likely would too be mostly in Fanarts that include Adora and not just her (if you google "Catra Fanart" most content is still Catra and Catra only but here and there Catradora still peaks through). But for whatever reason the fandom still views her more as her own person as the other ones? Catrouble and Scorptra Shippers might actually still get less hate than Glimmadora Shippers (I'm not denying they don't get any, they most certaintly do) which is just plain hypocricy and favorism. Kinda like the: A woman needs to be loyal to her husband and her husband only but if the husband wants to be active with other women that is perfectly fine because "that is just how men are" or how i like to call it ... sexism. Now in this case they are both women so it's not sexism but yo do get my point.
But much more importantly, Catra has an unhealthy obsession with Adora. Signs of that are for example:
Constantly talking about Adora, even when said person is not around (to Shadow Weaver, Scorpia etc.)
Obsessing over having control over Adora like in that one Episode "Are you kidding? I finally got control over Adora, I'm not giving that up!"
Building her entire character and her actions around Adora "We need to take Adora down", "Adora left me", "I'd rather see the whole world end than see you win!", also shown in Season 5 where she states she does save Glimmer only for Adora and not for Glimmer or to do the right thing
Getting aggressive or very emotional over Adora like clawing the wall, having nightmares etc. (destructive behavior towards herself and others)
Having no or barely any characteristics outside of her relationship with Adora like, we don't know her interests or likes and dislikes outside of being evil, obsessed with Adora, being abused by Shadow Weaver ...
Trying to force Adora to meet her needs and expectations regardless of Adora's owns
Sacrificing her oppurtunity to be happy in the Crimson Waste for the sake of her Adora obsession and being better than her at all costs
So yes, you were very right with saying that not putting Catra in a relationship with Adora would've benefited both characters. Catra could've learned to exist on her own, develop interests and a life outside of Adora. Learn to accept herself and eventually come to terms with her childhood abuse. She could've been free and not "the abusive cat girl that ended up with the person she unhealthily obsessed over to the point of no return" she kinda is now. Even if we ignore the whole "dating your long term abuser" part from Adora's side and "being rewarded" for horrible behavior, Catra alone is not giving a good example to people watching. As much as I dislike Catra, disdain her even, an ending where she is dependent on Adora, unable to stand on her own two legs after she led armies in war is not what I would wish for her, even with a decent redemption arc (that she did not get).
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luidilovins · 4 years
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Im not reblogging "asexual/aromantic/nonbinary people exist" posts anymore. I fucking refuse.
For anything other than introducing the concept to someone who's not privvy to LGBTQ+ identities, it's a subversive statement to continue arguing that these people indeed exist and are indeed not cishet because that would imply that there's an opposing argument that you're willing to discuss.
I'm not arguing whether or not I exist anymore I'm not giving anyone the satisfaction because its a non-debatable fact. I'm not walking in circles on the topic anymore just to waste my breath on devils advocates and exclusionist.
I see it constantly on my feed of all these different ways ace or aro or nb people exist. You wanna talk erasure? Fine. You wanna talk about hyperspecific oppression that's not common knowledge? Fine. You wanna talk about marginalized groups being swept under the rug or need more representation and attention? Fine. You want to make a positivity post. Fine. You wanna post about new statistics and factoids. Fine.
But I'm not sitting on Square 1 about whether or not we're even real or if we belong in the LGBTQ+ community and neither should you. For the love of god just stop.
I'm not doing that dance anymore.
It's as big a waste of time about arguing what the color of the sky is and it's not advocating jack shit when it comes to people knowing what ace/aro/nonbinary people are and deciding that they're not LGBTQ+ enough to be recongnized or aknowledged.
And if you clown on this I swear to god i will ignore your comment and let it collect dust. This is non-negotiable.
If this applies to other identities then feel free yall.
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aro-fae · 3 years
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Aro-Coded Villains
Part 1: Introduction
Amatonormativity is ingrained in our society, and, by extension, in our fictional works. The idea of someone unable to fall in love is strange to most people, and so, it is incredibly uncommon to find aromantic/arospec characters in media. However, if we analyze more carefully books, TV shows and movies, we will be able to find some characters who are implied not to love romantically, or sometimes not even at all. Great, one may think, free representation. But is it really positive representation? Sadly, most times it isn't. They're usually characters who are unlikable, unpopular or evil. Villains. This is due to a very simple, amatonormative reason: love, especially romantic love, is considered to humanize people, makes it easier to forgive their mistakes, and is a path to redemption. To the eyes of most people, a villain who loves is a villain who isn't completely lost. So, if you want to emphasize the fact that your villain is a very bad and unredeemable person indeed, make them loveless, or at least romance-less. This trope is more commonly used in pieces of media with a black and white morality, books and movies that want their good guys to be almost perfect and the bad guys to absolutely suck: such as children's movies (the classic Disney villain), and fantasy and Sci-Fi genres. Of course, this idea is wrong and harmful. The ability to love and morality have nothing to do the one with the other. Everyone with a free will can make the choice to be a decent person, and love does not provide protection from evil (Tr*mp does love his children, after all). Love may even make a person do horrible things in its name. Personally, I think this notion that love=good has Christian roots. As you may know, God is considered by Christians to be the absolute Good. God is Good. And, as stated in 1 John 4, God is Love. The association is right there. If God is good is because he is love. And while I’m not the one to question it, I think it’s safe to say that it doesn't mean that people who love are necessarily good, or viceversa. But in a society built on Christian values, it’s hard to eliminate this from people’s minds. What's important here is that this harmful idea is deeply ingrained on media our children consume, and it needs to be acknowledged. In order to end amatonormativity, we need to get rid of these ideas and make sure that our kids do not grow up internalizing arophobic tropes. In the following posts, I will explain some examples of aro-coded villains and why they are harmful. Stay in tune :)
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graces-of-luck · 3 years
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What is my aro latinidad (Carnival of Aros, March 2021)
I’m hosting Carnival of Aros this month (call for submissions can be found here) with the theme of intersectionality and inclusivity, and I figured I’d write a bit about my thoughts and experiences related to this. 
There is no denying that the aromantic community is marginalized. We are small, often not acknowledged or recognized, pushed aside…This feeling is something I recognize as an experience of another aspect of my identity. A lot of people experience this multiple marginalization. Our different identities intersect and mingle and can sometimes create complicated, messy, entangled stories of ourselves. To compartmentalize these is to deny ourselves the expression of our whole selves. This is why I find intersectionality so important. 
It makes sense that the aromantic community focuses on aromanticism. But we cannot deny that there can be many different ways to experience aromanticism. We engage in community and activism for several reasons: finding connection, having a place to be ourselves, increasing visibility, creating resources, and so forth. But I think an important reason for activism is to liberate ourselves. But we cannot liberate ourselves if we don’t include those who are marginalized for other reasons. It’s all of us or none of us. We may one day be able to “expand” the system to include us aromantics, but if we neglect those of us who are marginalized in other ways, it will be a false and tenuous freedom. It will become “alright, you’re allowed to be aromantic and we accept you, but only within this boundary.” This is the problem that I see with mainstream LGBTQ+ respectability politics. We complain about how “love is love” leaves us out… but we may be doing the same to our fellow aros if we don’t take diversity and intersectionality into account in our own community.
As I learn more about myself, the more realize how many times over I am a minority. But I will focus on one aspect of myself that I think receives little attention in the aromantic community. I am Latine. Specifically, I am a Latine immigrant, which influences how I experience my latinidad (and whether I am allowed to experience and express it).
Latine culture can have a rather strict view on marriage and children (especially in more conservative/religious populations). Getting married and having children is just something you do. It’s a duty. Depending on how strict it is, romance and attraction can be considered secondary (although I do see that changing). In a way, there is no romantic (or sexual) orientation because it doesn’t matter. Gay? Lesbian? Bi? Pan? Aro? Doesn’t matter, you still get married to someone of the “opposite” sex and have children. You might be queer, but it’s not something you do or act on. When I was a minor, dating was strictly prohibited in my household. The parents of my Latine peers were also often rather strict about dating, especially with girls. After I became an adult, my parents started pressuring me into dating but with the express purpose of getting married, not necessarily for “finding the love of my life” or for the purpose of romance. Saying things like “I’m not interested in dating or in romantic relationships” were often met with looks of “alright, and…?” Saying “I don’t want to get married and have kids” is what caught their attention.
I grew up with my parents telling me that family is the most important thing because you can’t rely on friends. “When you get older, your husband is going to be the only person you trust, and you can’t ever let friends interfere in that.” Now, an important detail. We are religious cult survivors. So it’s difficult for me to disentangle how much of this is due to distrust from trauma and being programmed (cults often program you to be insular and cut others out) and how much of it is due to amatonormativity and the cultural view on marriage. We are also immigrants, and marriage is often seen as a necessary (financial) safety net, so that could be a factor there too.
With all this, I find it difficult to come out to my family, not only because of potential backlash, but because… how do I even explain to them what a romantic orientation is? They’re aware that there are gay people, for instance, but to them that’s not an orientation. They would have to understand that 1) it is possible to be something other than straight, 2) it’s not a “lifestyle choice”, and 3) not being straight is not a consequence of trauma or abuse or mental illness. So I find often that coming out guidelines don’t really work for me because of this. Coming out as aromantic is already difficult because explaining aromanticism can be an ordeal in and of itself. In my case, I would have to start from the very beginning. Not to mention that the process and expectations of coming out are in some ways dominated by Whiteness.
One thing that was complicated in my aromantic journey is the differences in intimacy in Latine culture and in American culture, where I primarily grew up. For example, physical intimacy and affection are much more common and prevalent amongst family members and friends in Latine culture. In America, this is often reserved for romantic relationships. I am a physically affectionate person. Living in the US, you can guess the issues this brought. There has been growing acceptance of physical affection in friendship in American society, but it is frustrating to see how physical affection and other forms of intimacy are often considered romantic. This occurs even in the aromantic community sometimes, although much less so and I would say there is much more understanding that various forms of intimacy can occur in friendship. But it is sometimes odd for me when something I’d consider typical intimacy in friendship, such as physical intimacy, gets potentially labeled as sensual attraction. It would be great to see discussions on intimacy and relationships across cultures.
Also, as is in many areas, Latines and Hispanics tend to be left out or thrown in later as an afterthought. There is increasing recognition for the need of diversity in terms of racial and ethnic groups. Latines don’t always fit in neatly with PoC, so I wonder, where do I fit in? That same question arises when I see “aros of color” or “aro poc”… I’m a mix of things, but I am whitepassing (and therefore have White privilege). Let’s not forget the colonial and anti-Indigenous prejudices that have completely divorced me of my Indigenous heritage (greatly self-inflicted in my family). So I’m unsure if I can claim the aro of color label. But I also don’t completely fit into the typical White mold of the US or Western Europe, which are often considered the symbols of Whiteness. Nonetheless, because of living in the US and now Western Europe, their ideas of intimacy, relationships, and romance have been inflicted upon me as well. There is this feeling that aromantic community is largely White (at least the part of it that has garnered most attention), so the development of my aromantic identity has been shaped by this Whiteness. And it’s been a process for me to discover what a Latine version of my aromanticism would be. I don’t know yet what that is, to be honest. Latine culture can be diverse, and my version of latinidad is also complicated by the fact that I am a lifelong immigrant. Too American for Latin America, too Latine for America (funnily enough, my Latine identity is basically non-existent in Europe, I’m often just seen as American). Still, I would like to see more stories from Latine aros. I want to hear about what aromanticism means to Latines and how other Latines navigate coming out in their families. It seems that maybe there aren’t many Latine aros out there, but having more representation, while just a first step, would be so meaningful.
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army-of-mai-lovers · 3 years
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Idk why but I’ve always seen Toph as as ace (even though she had a few moments crushing on a few characters) so it just feels a bit odd to me when I see people ship her with other characters. She’s the type of person that doesn’t want/need a romantic partner to fulfill a major goal in life (imo). What are your thoughts?
Totally valid anon! I personally just see her as aro mostly (sometimes I hc her as an aro lesbian, aroace, or a demiro lesbian, kinda depends on what mood I’m in), but I’m really not tied to any specific hc, nor am I going to criticize anybody else for their hcs of Toph (or any other character we can all have different readings of the show). I’m more pissed off when people criticize other people for hcing Toph as a lesbian? Like I’ve heard people say it’s “stereotypical” to hc a gnc female character as a lesbian but like. the reason that a lot of lesbians like to hc Toph as a lesbian is because gnc lesbians are a huge, underrepresented part of our community. we see ourselves or members of our community in her.
and that doesn’t mean you or anyone else has to hc her as a lesbian! I don’t always hc her as a lesbian! Have the hcs you want to have, by all means. My bigger qualm is that I feel like people are *so* resistant specifically to lesbian hcs of female characters. And they’ll say it’s because “they had a crush on a guy canonically!” but these are the same people who can’t see Zuko or Mako or Wu as anything but gay even though all three of these characters have histories of dating women or actively pursuing women in canon. I’m not mad about the hcs themselves, hc whatever you want, but it’s frustrating to me that so much grace is afforded to people who hc male characters as gay, and yet that same grace is so rarely extended to people who hc female characters as lesbians. so you can understand the concept of a man muddling through an m/f relationship bc he doesn’t realize he’s gay yet but you can’t do that for a woman? what? and like, we know comphet is a huge part of the lesbian experience, and yet for some reason lesbian hcs are so taboo and it drives me nuts. 
And I do really want to clarify that if you read any or all of the female characters of atla/lok as bi/pan/ace that’s completely valid (and in fact if you try to hc Korra or Asami as lesbians that is bi erasure you’re fucking biphobic get the fuck off my blog) and there are numerous female characters that I hc as bi/pan/ace myself (or whose canon bisexual depictions I absolutely adore, *cough* Korra and Asami *cough*) I also get that in general we’re all so starved for representation that we are fighting for crumbs. I can see how bi women might feel alienated by hcs that paint female characters’ relationships with men or crushes on male characters as comphet, or how aro/ace people might feel alienated by lesbian interpretations of characters like Toph who as you said don’t seem like people who want/need romantic relationships in their lives. My personal philosophy as far as lgbt+ hcs go is to live and let live. Like, they’re headcanons, you see the characters and you draw your own conclusions, and my conclusions aren’t necessarily going to be your conclusions (for example, if you couldn’t tell by me ranting about it constantly, I see Zuko as bi, I’m always going to write Zuko as bi, I’m extremely aware that I am in the minority as far as fanon goes, and that’s completely fine. You have your hcs, I have mine). 
Where I have an issue is when people try to say that for whatever reason you shouldn’t hc x, y, or z character whichever way, either because it’s “stereotypical” (this is what I’ve seen said re: hcing Toph and Azula as lesbians) or because there’s no canon basis for whatever hc you have (tbh, I have seen this wrt to basically every single atla/lok lgbt hc. it’s exhausting.) Idk, this isn’t necessarily worded the best and I’m sorry for that, and I want to reiterate here that your lgbt+ hcs are valid. all of them. please do not stop hcing a character a certain way on my account. however, I would also love for my fellow lesbian fans to be able to hc characters as lesbians in peace. 
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haich-slash-cee · 3 years
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I luv emotional comfort in books
and IDK if y’all are aware but romance books are prime for this. So, my prose reading includes: Speculative fiction, #ownvoices type books that are middle grade YA ish, and also random romance novels that are inclusive. I’m going to go over why these books are great.
Speculative fiction (ie scifi, fantasy, horror): I just like these. These are my jam. I have a whole tag of mild horror for this blog, and most of the books I talk about on this blog are spec fiction.
Middle grade books: they have happy endings, they are short, they are easy to read, they are often diverse. V good.
YA books, New Adult books: also written in an easy-to-read style. Also, MG and YA books and I think New Adult tend to be more on top of inclusive representation. Or maybe that’s what I hear about and read more of.
FYI, things get potentially more angsty in these older reader books. Sometimes I’m up for that drama-filled YA book about a trans demi-boy artschool teenager in NYC, or I want to read about the teen mom who wants to be come a chef and she gets everything she wants and it’s great and I cried. Or, sometimes I just wanna curl up with a warm and lowkey MG book about a young Syrian refugee who wants to audition for a school play. (All these books have happy endings fyi)
(Also, I know I’m about to extoll the virtues of romance books.... but if, in fact, you prefer your books to be low/null on romance and stuff: first, there is a growing # of aro ace protagonist or oriented books, whooo! Also, often MG and some YA New Adult books fall into that category of “Characters are concerned about things besides a crush or love interest”.) 
Romance books: I don’t actively go looking for them, but occasionally an #ownvoices type romance book will show up in my radar and I’ll read it.
Having just actively pointed out that I appreciate ace aro ish books.... why romance books?
First, Romance book are legally required to have a happy and optimistic ending. That might not be the exact phrasing, but basically: you can’t call it a romance book if it’s not “happy ever after” or “happy for now”. So if you pickup a book with minority characters and it’s labeled “romance”? The minority characters are guaranteed to be cherished and loved and have a happy ending. Minority characters will be told “you’re amazing, you are loved, I am so happy when I am with you”. Which is revolutionary in its own way.
Also, when there’s so many books with themes of “Bury Your Gays”, “The PoC will Die for the White People”, “This Author Wants to you Connect With this Minority By Making Them Die Because That’s The only Way to Make a Minority Character Relatable?”, “Women Being Happy Is Too Weird Apparently?”, “This Gender Minority Needs to Suffer For Reasons and this Book is Written By an Outsider FYI and the Representation is Suspicious”, “While racism and pain is a part of PoC and minority day to day life that is not realized by majority groups, and minorities should speak up when they want to because they are often discouraged from speaking due to white fragility and systemic stuff -- I have questions when I see writers from a majority group writing about Minority Suffering, especially when imposed as Minorities Suffer And This Can’t Be Changed Narrative, because that is a very convenient narrative for an oppressive system, as it enforces that Things are Unchangeable and Oppressors don’t have to do the work to change a system that benefits them, and this narrative needs to be challenged", “Minority Characters Suffers, Suffers, Suffers.... Look, I need a break from reality, I just can’t read this right now”, and finally, “Did you know that ‘diverse’ books are popular, but it’s still white people making money from writing issues of PoC, while BIPOC authors are still only like 7% of the market and BIPOC writers are very aware of this gatekeeping happening in publishing?”.... Happy minority characters and also actively reading and supporting minority-author’d books is a thing to be discussed. (Link, link, link and link to publishing industry reports on the 2nd point.)
Also, romance books are generally character driven, and character driven stuff is my jam.
H/C: There’s like, sooo much emotional comfort in romance books, y’all. People are showered with love. People are vulnerable and comforted and happy. Listen, I just read “Wrapped Up in You” by Talia Hibbert and it was basically was two solid hours of this. Literally. And a few cats show up. Also, the writer put a note in the front of the book about some possible triggers in the story, assured that she handled these as lovingly as she could, and that this books was meant to be a Christmas comfort read. (It was.) I really like when published books put info like this in the front.
...Occasionally there is straight up physical h/c or whump or at least sick fic scenarios in romance? Like, I expect piles of fluff and emotional comfort from romance. It’s almost a legal requirement. I’m here for these saccharine piles for fluff. Anyway, there’s more physical h/c than I expected.
So I was reading “Let’s Talk About Love” by Claire Kann (which has a young Black woman who is Ace and falling in love in the most adorable way, fyi... so we have ace rep in romance books too!) Anyway, y’all, there was a whole section which was basically a sickfic for one character with cooing and nursing and worrying by another character. It went on for a while. Personally, I thought the illness sounded pretty dang serious here and I think these people should have just gone to the doctor or a hospital, maybe, instead of days and days of home nursing and convenient character backstory exploration through looking at photo albums. But this is fiction. (Also they are young adults and are struggling for money and maybe they’re afraid of healthcare costs, idk. It takes place in the US.)
Actually, while I have admittedly not read too many romances, I feel like half of the books I have read include a “uh oh the protagonist/love interest just got the flu, the other character has to take care of them” scene.
Also, once I was reading a romance story and someone just... fell off a cliff? And cue subsequent expressions of feelings from other character and spending time together etc. IDK why I’m laughing, it was just funny that I had a vague idea of what romance books were, then I read this book and thought, “People are just straight-up falling off cliffs and limping around and later they can’t move from a bed and someone fusses over them, wow, there is just straight up h/c in these published romance books for ladies and no one talks about it, huh”
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