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#u make me weak
vestboyfriends · 2 years
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gaten saying dustin wouldn't pick between eddie and steve bc they both mean so much to him in different ways while also saying he doesn't understand the need to separate them since steve and eddie get along well and he thought that eddie and dustin would convince steve to join in a DnD campaign with them since it would be "his dream" while also saying that dustin likes that eddie is unashamedly himself and he thinks that steve likes it too and i. i need a moment
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ryllen · 5 months
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maybe i do want us to kiss a little more
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hajihiko · 1 year
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Covering bases✅
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thegoodthebadandtheart · 11 months
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the rest don't matter
a.k.a. an overly earnest entry for spncarfuckersweek
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fisheito · 23 days
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collab #2 with @xenole i was given a chibi yakumo and i.. i...... turned it into thiS
#I AM SO SORRY I DREW YAKUMO AGAIN ADFSJEIADKS LOOK OK so xenole gives me the tiny crying yakumo.#says DO WHATEVER YOU WANT and THUS i get to thinking#my immediate thought was#i'm going to make oli breast boobily while comforting him#bc i was determined to draw xenole's fave this time. i swore it to myself. i WILL stop being so self indulgent#but the chibi on chibi comforting scene didn't sit right with me. it was too straightforward. not something i would draw normally#it was hhhh as u say.... not on brand.? it did not inspire me. idea benched....#so days pass and i'm still pondering ideas on what to do to the sad spaghetti.#configurations of clan members danced in my head. some defending yaku. some comforting. some bullying#the ideas usually involved at least oli or kuya bc once again. xenole bias#then while i'm in the shower i got frustrated with my lack of ideas and thought#i'll jujst eat.him. just. chew on him. i'm tired of him#AND THE IMAGE OF KUYA EATING YAKUMO FOR BREAKFAST POPPED INTO MY MIND#originally it was going to be kuya eating yakuflakes and oli giving him serious side eye but then the brain went#WHAT IF IT'S YAKUMO WATCHING KUYA EAT YAKUMO. THAT IS FUNNY. IT MUMST HAPPEEN#BUT I REFUSED at first. i was angry at myself. this is not a competition to see how you can STILL sHOVE YAKUMO into a drawing.#plus the composition would shrink xenole's chibi down! i would take over so much space by comparison! THE DISRESPECT! TO THE COLLAB PROCESS#but once i get fixated on smth...well. i ended up doing the idea and just praying xenole wouldnt eviscerate me for it#i'm sorry my liege. my grip on the reins was weak. the goofy clown horses went stampeding#so idk now it's the two of em having a peaceful breakfast in kuya's cabin but only kuya is at peace and yakumo's this close to a breakdown#i feel like there should be something in the space between them. a speech bubble or something . something mean is being said#kuya#yakumo#yakuya
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rithmeres · 25 days
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'before you embark on a journey of revenge, dig two graves' what a stupid quote. im killing way more than two people idiot
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ruegarding · 1 month
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Hey, quick question if you don't mind me asking but what are your thoughts on Drew Tanaka as a character and how she was portrayed in HOO?
canon drew...well. i rbed this post that says "drew was not written as a character but rather a human obstacle who needed to be feminine so the ‘not like other girls’ could defeat her," and i think that summarizes it perfectly. she exists exclusively to make piper look good, which is a real shame bc drew could've been interesting. as-is, drew is not only uninteresting, piper is also uninteresting by extension. it'd be like if nancy was one of percy's greatest obstacles in tlt.
more under the cut bc i'm incapable of keeping things short.
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here, in her introduction, not only is drew, a feminine girl, vain, she's also weak and unintimidating, a triple whammy right away! she has no reason to be antagonistic towards piper here, they literally just got to camp. piper's crime right now is *checks notes* not looking cute and existing next to a "good-looking guy." oh, yeah, btw drew likes jason for being hot and powerful.
this triple whammy isn't even restricted to drew, it's the entire aphrodite cabin. they all giggle when drew flirts w jason and when piper is uncomfortable being "gorgeous" and are too scared and weak to stand up to drew. the two exceptions are a guy who got in trouble for saying piper "might not be so bad" and a girl who's afraid of ugly shoes. what an uninteresting take.
anyway, moments like this
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are everywhere. now, let's remember for a moment that the aphrodite cabin (including drew!) fought in a war where they were outnumbered and won. but yeah, their biggest strength is their ability to "make an orange t-shirt glamorous" bc piper is the only one out of them who can *checks notes* uhhh run? charmspeak on a quest? carry a knife? she doesn't even know how to fight in tlh! she wasn't at camp for more than two days, she never had any fighting experience! the fact that she's being called tougher than ppl who fought in a war makes me grit my teeth. and thalia was there when it happened!
and it doesn't even makes sense bc we see aphrodite like this is ttc
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and she says this in tlh
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(also sidenote: why is aphrodite's claiming so egregious and uncomfortable then? it's like rick has a moment of clarity and realizes he's being stupid and then immediately fucks it up again.)
this is interesting! and some of these kids (including drew!) would have met this aphrodite during the solstices. so portraying drew and the aphrodite cabin as a bunch of shallow kids obsessed w makeup that need to be saved by piper "not like other girls" mclean is so contrived. and constantly bringing up how piper's so much better than those shallow and weak aphrodite kids makes piper's entire character grating. rick brings up aneaus repeatedly throughout tlh, a son of venus/aphrodite that founded rome. why are we acting like aphrodite children are weak and stupid when we could be exploring literally anything else? like, you know, how they're traumatized?
and the thing is, he brings up silena! and it's done terribly. piper, who never knew silena and never will, lecturing drew, someone who knew silena and was betrayed by her, has always pissed me off. piper relating to silena bc she feels like she's in the same position? good, that's fine, i have no problem w this. but acting like she knew silena to ppl who actually did and then preaching abt what silena believed should've gotten her smacked (rick didn't even addressed the actual important part, which is how the other campers feel abt silena or how they feel abt surviving a war).
then when piper challenges drew, again, drew fought in a war while piper hasn't trained for a single day, why are we acting like piper could beat drew in a fight? piper can't even use charmspeak bc drew's resistant to it! that's the one advantage piper has! writing it like this comes off like piper is only strong as long as everyone else is weak. she's not rising to a challenge, her competitor is just so pathetic that she can overpower them. she didn't earn her strength. that's not good character development! so we're throwing two entire character arcs away for this!
what really gets me abt all of this is that piper didn't need to be a counselor. piper needed a place to belong. making drew nothing more than a stepping-stone was completely unnecessary, and making the aphrodite cabin weak and vain was redundant bc we already had an example w silena (and again, all the kids that fought in a war). as it is in canon, drew's character is a great example of some of rick's biggest writing flaws.
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p4nishers · 9 months
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let me just say this: if crowley EVER makes an actual move on aziraphale and aziraphale gives even a HINT of reciprocation it's over for him in SECONDS bc u know aziraphale half asses nothing so it'll be like crowley tries to brush their fingers together and aziraphale fully beams at him and interlocks their fingers in seconds. crowley stares speechlessly at their hands for 5 minutes, looks up at aziraphale and faints. crowley gets aziraphale flowers and aziraphale puts them in the very center of his shop where everyone can see and keeps them alive for months. crowley fights a giggle every time he sees them. crowley offers his jacket on a cold night and aziraphale wears the jacket everywhere for weeks and gushes about it to everyone he meets. crowley chokes on his breath every meeting aziraphale is in it without fail. crowley slyly asks aziraphale on an actual romantic date and aziraphale SLAMS down their wedding invitations infort him of like "im so glad u asked, dear, i've been waiting for this" then launches into a rant about flower arrangements and table cloth colors and crowley is left blinking at him and trying not to explode. poor snake.
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red-moon-at-night · 11 months
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An Analysis of Haruka’s MVs: Distance and Disability
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Hello! I’ve recently fallen down the rabbit hole that is Milgram and I have been itching to make some completely normal and sane analysis posts. My silly alternate title for this was gonna be “Things About Haruka’s MVs That Just Make Sense: A Hyperfixation-fuelled Analysis”, because honestly my autistic brain has been having a field day over here.
I am in awe with just about every single music video in this project; the animation is incredible and each one packs so much carefully laid out information. But I have been rotating Haruka’s in my head constantly since I first watched them, and I have a lot of Thoughts. Not about whether he’s guilty or innocent/forgiven or unforgiven. Not about whether or not I can justify his murders. Just some straight up imagery and symbolism analysis, through the lens of disability.
Haruka’s disability has not been specified, but I am confident we can at least say he is neurodivergent. I feel like the cultural differences in names for several things e.g. ‘learning disability’ vs ‘learning difficulty’ will just invite unnecessary drama, and is a little pedantic. What does matter here is that Haruka's experience as a disabled person is heavily intertwined within his story and his motives. 
So, without further ado... let’s get into this!
Trigger warnings/TW: I will be discussing ableism, eugenics and harm towards disabled people. Everything else will be related to the music videos ‘Weakness’ and ‘All Knowing and All Agony’, so any triggering content within them may also be mentioned. Read at your own discretion and stay safe!
Disability: some brief (important) historical context
It is only within the last few decades that those who are disabled have been ‘seen’ for the first time. A modern society is (ideally) expected to be built to include and accommodate for disability, and to acknowledge disabled people’s existence. But for many countries (even the ones making steps outlined above) this is still not the case. For a very, very long time, globally, that has not been the case.
For most disabled people, society makes it very clear that they are a burden to it and are better off not existing. 
I’m going to make this section as succinct as possible because...it’s heavy stuff. But it’s important, and I want you all to get the gist of what I’m saying. The weight of it.
Let’s highlight a piece of history regarding IQ and eugenics, surrounding the publication and subsequent worldwide reception of ‘The Kallikak Family: A Study in the Heredity of Feeble-mindedness’ by Henry Herbert Goddard in 1913:
“In 1927, it was used as evidence in the case of Buck v. Bell, which culminated in a Supreme Court ruling that the involuntary sterilization of ‘mentally defective’ persons was not unconstitutional in the United States. By 1938, thirty-three US states had passed laws allowing for the forced sterilization of women with learning disabilities and twenty-nine had made sterilization  compulsory for people who were thought to have genetic conditions. Many European countries followed suit: Denmark in 1929, then Norway in 1934, and after that Sweden, Finland, Estonia, Iceland, Czechoslovakia, Yugoslavia, Latvia, Hungary and Turkey.”
— Limburg, J. (2021) Letters To My Weird Sisters: On Autism and Feminism, p. 126
This history of a ‘sterilization law’ includes Japan, who between 1948 and 1996 enacted the Eugenics Protection Law which “authorised the sterilization of people with intellectual disabilities, mental illnesses or hereditary disorders.” According to the government, about 25,000 were sterilized.
SO. It’s important to bring this up. To establish how much disabled people are not wanted, just from their governments. Let alone society. To this day, disabled people are hidden away from the public by families that are ashamed of their existence.
Japanese culture values collectivism, and maintaining the harmony of a group...to the extent of excluding those that don’t fit into the mould. That are different.
The question is: where do they go? The ones that are publicly rejected?
Haruka and The Curious Case of Distant Waters
Okay that’s enough of the heavy real-world stuff! Time to delve into some...*checks notes*...heavy fictional stuff. Fun!
Haruka’s MVs prominently display themes of distance and separation through the motif of water, specifically being submerged underwater. 
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The name Haruka reinforces this concept as the specific kanji used (遥) translates to ‘distant’, ‘remote’ or ‘far away’. As there are many, many kanji choices for the name (including but not limited to: ocean/sea, eternity/permeance, clear/distinct/obvious, and spring/growth/cherry blossom) it feels like a particularly cruel and intentional choice to go with that one.
Through the exploration of this motif, we can see the extent in which Otherness/the state of being ‘Other’ drives Haruka to great lengths to close the distance and escape it.
What I noticed throughout both MVs (particularly AK&AA but note the beginning scene of Weakness), is that whenever Haruka looks at himself in a reflective surface (e.g. the vanity mirror, the fish tank), water either begins to rise and overwhelms him, or is already there and he appears submerged:
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I think this is the “All-Knowing” part of AK&AA. He knows he’s different, and he knows there’s a huge ocean between him and his peers, his family, everyone. A disconnect when trying to listen and understand, but also when trying to be understood by others and listened to himself.
You know when you submerge your head in water, and your hearing gets all muffled and incomprehensible? And have you ever tried speaking underwater? You can’t, because if you open your mouth you’ll drown. It’ll just come out as bubbles rising to the surface.
I also think the bubbles symbolise rising tension, between what he wants and what he currently has. Bubbles are everywhere in these MVs, even in places where they shouldn’t logically be? Such as this scene, following the line “don’t wipe me out, don’t wipe me out”:
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Immediately pans up to Haruka gasping for breath, droplets of water rising from...somewhere. For about a split second, and they’re gone. 
This boy is really going through it. I’m getting an ‘emerging from the ocean before I drown’ vibe from this one folks. When the line that follows this scene is “I can’t stop, I can’t stop”, what I’m REALLY hearing is “I can’t stop (killing) or I’ll drown”. This is his lifeboat, pulling him out from the depths of being neglected and hidden away, into the spotlight.
Some interesting images from Weakness in relation to that (of spotlights):
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Anyways, onto the next point:
Blue to Orange: Water to...Nectar?
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So, the orange liquid. It’s clearly representing blood, but I don’t think this is just a “danganronpa pink blood” situation of censoring/getting this video onto youtube without restrictions.
I think it’s most likely honey, specifically nectar.
The etymology of the word nectar shows its compounds translate to “death” and “overcoming”. Nectar is also called the drink of the gods, so it would make sense for it to be a ‘death-defeating’, immortalizing liquid.
For Haruka’s victims to contain nectar is very interesting. It reinforces that necessity to kill, to take the life of another, to sustain himself. To overcome the ‘living death’ he is experiencing by being hidden away from society. 
This is his means of escape from drowning.
However, as we all know, things don’t turn out great for him. By the end of AK&AA Haruka is rejected once again by his mother, after which the door is shut (the light with it is gone too) and we’re met with this imagery:
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The nectar floods the room, engulfing him much like the water from earlier. 
There are many things we could take from this. One being that the nectar-gathering/killing-spree has clouded his vision; it’s so sweet, so sickly sweet and he’s addicted to the taste of attention, even if it’s very bad attention. 
Who else has honey imagery in their MV again?
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Oh, right. 
Anyway, the nectar/honey situation could also be representing submerging into an even further level of distance. All that murder is gonna push people away, despite his motive being to close the gap between him and normal people. The 'ocean’ has lost clarity and become a maddening, delusional substance. After all, there is a type of honey literally called ‘mad honey’ known for its medicinal and hallucinogenic properties.
That’s enough about honey, though. Let’s move onto less unfortunate... oh, sorry, what was that? *checks notes*...Ah, yes. I meant to say, let’s move onto even more unfortunate symbolism:
The Necklace
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So, this necklace. Haruka steals it from his mother’s belongings, and is his only material, physical connection to her. It is taken on the declaration of “making (her) love me again” and getting her attention once more, now he is no longer a child but a teenager closer to adulthood (at least, that’s what I consider the ‘shirt with a vest sweater and tie’ to represent. child him = the blue polo, teenager him = this one, adult him = an amalgamation of his teenager clothes).
I wasn’t sure if this was an opal or pearl/mother of pearl, but I’m leaning towards opal from the other depiction of it in Weakness:
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Opals are fun because they can symbolise both good luck and bad luck, usually to do with whether it’s your birthstone. There’s something to be said of Haruka’s belief in his ‘misfortune’ and the superstition surrounding these gemstones.
But they are even more interesting for the powers they supposedly have; in medieval times the opal was considered the ‘patron of thieves’ for their ability to grant the wearer invisibility.
There is a deliciously sad irony to Haruka’s theft with that titbit of information.
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Now, if this isn’t an opal, and it’s a pearl/mother of pearl there’s still some fun interpretation to be had! A little less sad, even. Pearls invoke strong imagery of the sea, of purity, and of a connection to the maternal. If this is the last thing he has relating to his mother, I can see this necklace representing a lifeline when he’s deep in the ocean. A reminder of why he’s doing all of this killing, and who it’s for.
His mother’s attention (or the idea of having a mother at all, any mother) is his driving force in life.
Speaking of that...
So We Really Need To Talk About That Fish Tank: AKA, Why Haruka’s Mom Wins ‘The Worst Parent of The Year’ Award
This fucking fish tank.
Okay, I’m gonna start by saying: I don’t think this is reading too far into things. When it takes an animation team months, sometimes years to create a 3-5 minute music video, and one as detailed as this...you don’t just wing it. There are storyboards, there are key frames and there are choices made down to the smallest of details.
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From the sheer volume of animal/insect/fish décor that resides in the Sakurai household, you bet I’m gonna pay attention to what type of fish are in that fish tank.
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For one thing, they live in saltwater. This is a marine tank, aka the harder choice of aquarium to have. I mean, way, WAY harder. For the experienced only.
These fish right here? One is a clownfish, and the other is a yellow boxfish.
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Boxfish are a nightmare to keep alive. This article goes into more detail than I will, but all you need to know is: if there was ever a fish out of all the fish you could possibly want in your tank, this is the one to avoid like the plague.
They release deadly toxins when stressed, as a survival instinct. Boom. All your fish are dead. They need to eat a shit ton of food, but are notoriously clumsy swimmers and slow eaters. Boom. Starving, stressed out boxfish. Boxfish either dies from starvation or dies from stress and toxins.
For Haruka’s mom to have not just one of these fuckers, but a tank consisting ONLY OF MULTIPLE BOXFISH AND CLOWNFISH...
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This is a high-maintenance tank. And it shows how much time and effort, how much care she puts into the things she loves.
How neglectful she is as a parent of a disabled child in contrast.
There’s something about the last scene between Haruka and his mother that reinforces this for me:
Haruka’s relationship with animals and himself: AKA, “why don’t I just become the damn fish tank?”
Let me backpedal a little bit. This subheading will make sense in a minute.
So, like I said earlier we have a lot of décor in this house relating to insects and fish. We also have a lot of pets. Both living and dead, taxidermized creatures in one household, proudly on display.
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I think this may have created some confusion for Haruka regarding the value of animals being alive or dead, as in his perspective his mother values both equally. The fish in a tank may be full of alive creatures, but they’re still on display as if it’s artwork. Isn’t breaking the glass of a framed picture of a fish equal to breaking the glass of a tank with a ‘picture of living fish’?
(This isn’t to say Haruka is clueless to the impact of his actions, nor to justify any harm to animals. I just find the train of thought to be intriguing.)
So when considering these ‘objects’ are proud trophies of his work:
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This is a carefully arranged display, which by the way, doesn’t contain a single fish. In fact the only piece of that moment visible here is the...large piece of driftwood? Okay. Keep that in mind.
We proceed into Haruka’s mother opening the door and seeing her son, for the first time in any of the MVs. Note the way they composed this shot:
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I’m obsessed with this scene. The blue eye framing Haruka, with a literal fishbowl effect on him...
He is the goddamn fish in the aquarium now. His mother’s full attention is on him and him alone, with only the dead animals, the books, the lamp and the driftwood as window dressing to this wonderful display.
Doesn’t it just scream “Look at me! Look at what I did, mom!” to you?
That blue spotlight is on him once more. He is not just drifting deeper into an endless ocean, but contained in a vessel to be stared at.
One Last Observation
I didn’t know where to fit this in but I think the end feels appropriate.
His clothing here:
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Is a frankenstein-esque mash up of clothes from his younger years. He wears this throughout AK&AA, and as I mentioned before it signifies him as an adult. However, I should clarify what I mean here as Haruka says “he thinks he’s 17″ and “doesn’t care about his age”. So... not an adult, but on the cusp of adulthood.
But I think he actually does care about his age, and quite a lot too.
This outfit feels symbolic of refusing to let go of the past, and of himself as a child. He’s literally grown out of his clothing, but he still clings onto it. He’s attached to the past because it not only contains his happiest moments, but the change from being loved to becoming neglected.
As a disabled person, you’re often treated with a lot more forgiveness when you’re younger. That is to say, some people don’t realise that children with disabilities grow up into adults with disabilities. There is a point where even support from medical and social services drops off like a cliff edge once you turn 18.
The ill-fitting clothing in this context becomes more than a reflection on Haruka’s feelings, and extends to reflecting society’s feelings on disabled adults ‘refusing to grow up’.
I don’t blame Haruka for holding onto his childhood like this. He’ll be even less publicly visible and seen once he is no longer a pitiful child, but a ‘weird’ adult in ill-fitting, children’s clothes.
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sunnibits · 1 year
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god. something about samfro is so…
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justaz · 2 months
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listen. my guilty pleasure is those merthur fics where merlin is handed over to foreign lords and they get violent and then arthur finds out and goes apeshit. love it. so fun. but what i think is so funny is that like,,, merlin would punch back. maybe not realistically, maybe he’d restrain himself, but spiritually merlin is throwing hands. i just think its funny bc in like all the fics ive read merlin is the personification of 🥺 over it
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ryllen · 1 year
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i want Elliott to hook him up to some nice fit long coat suit 
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inkskinned · 2 years
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you didn't say sorry, not really. you said sorry only when i pushed about it, you said it like an afterthought, like - oh fine, if this is what you want. the apology was already tearing itself apart in the air. you said sorry, but you caused this. you said sorry you feel that way, i guess. you said: what else do you want me to say? you've already made up your mind to be angry about this.
you've moved on since then. i hope you found a therapist. i am stuck with all of the hurt you caused but - you've been working on yourself, on your multiple projects, on that beautiful life you live. happy - you look happier, lighter, free of all of it. you take artsy videos of yourself dancing; caption it - a friend recently abandoned me.
nobody else knows how hard you pushed. nobody else knows what you did. i am sure you tell everyone a version of the truth that makes out the best of you; turns me into a cold unfeeling bitch who just "doesn't understand" you. i am sure you leave out all the ways i gave you myself, over and over, for years. how many times before this you hurt me, crossed my boundaries, laid me bare - what you say to them about when i finally drew the line is - she is just being unfair.
sometimes i feel insane about it. i have to text my best friend, make sure that what-i-think-happened actually-happened. to double-check that i wasn't being a bad person. maybe i'm misremembering it. she often has to guide me back to the same two facts: beyond what any one person could reasonably expect, i gave you everything, and you still wanted more of it.
it makes me angry, when it doesn't make me sick. i force myself to journal about it. how fucked up it makes me, knowing your narrative will be the one that sticks - knowing you are out there, right now, making sure everyone listens. telling them how you are being targeted. how you, hurting me on purpose, making me feel small, ignoring my needs - how that was really my fault, in the end.
yesterday you made a post on instagram talking about how you used to feel guilty about something that had gone wrong in a relationship, but that you've freed yourself from those toxic idealisms. you said: i am not giving her the power to make me feel bad about my mistakes. i am just a human person - it's up to her if she wants to be the bigger person and actually forgive.
and i just sat there and thought: you haven't even actually apologized for it.
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puppyeared · 1 month
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Atla live action 😐
#thats my honest reaction 😐#to be fair ive only seen 20 minutes of the s1 finale bc my parents are watching it but. mmmmm kinda mid#like. the casting is definitely an improvement since the last time they tried a live action but it feels like the writing falls flat#or maybe im being harsh bc ive only heard negative criticism on it beforehand. but fr anytime u bring up the original its already#good and not just because its the original. so much fucking detail went into it to the point of someone noticing azula wielding mai's knive#to how well thought out irohs character is used as a way of uniting the cast especially as zukos foil#i heard that sokkas sexism was toned down and i have to agree that feels like a cheap move. like i get WHY they think it would be better#but its not about how that reflects on real world its about how it affects the story. sokka starts out as a misogynistic asshole because#it makes it that much more impactful when he changes. toning that down makes it flatter and makes his character development weak#and someone pointed out they didnt even make him wear the kyoshi warrior uniform and i know it feels like such a small detail but#come on man. they did that in the original because not only does it help him really walk in their shoes - wearing 'feminine' clothing and#makeup and having suki explain its significance but it also ties in with the shows theme of harmony and intersectionality#i was also disappointed when they had the fire sages explain how the water tribe draws power from the moon because in the original it was#IROH who explained it to aang and everyone else BECAUSE we as the audience is under the impression hes with the 'bad guys'#and it builds up to how he learned from the other nations which reconciles his past as a war general and his character overall#AND its an excellent starting point for the cast and audience to understand how the nations arent as closed off as you would think#plus you would think its only fire nation doing propaganda but they expanded on that with earth kingdom censorship and it WORKS#a lot of things in the live action also feel arbitrary like. they gave momo a near death experience for 5 minutes for no reason#im firmly on the stance of bringing back filler moments instead of putting major events right after each other so that u give your#audience a sense of time passing and to really absorb the story. but i think thats more like shock value than filler and yeah its a small#thing to gripe about but those things build up and its really annoying. the thing abt avatar filler moments is that however small#its at least meaningful. hell even the beach episode emphasizes how isolated zuko and his friends are as child soldiers#i also swore to never watch the first live action since it was that bad but i really liked the stylized tattoos they used for aang#anyway. those arejust my thoughts. im not gonna watch the rest because im a ride or die for the original aftr growing up and#rewatching it at least 20 times as a kid. but theres definitely room for improvement and i wish ppl wouldnt take it as 'better' just cuz#netflix is adapting it. i wouldve killed for them to just reanimate the entire avatar series and touch NOTHING ELSE no redub#no changes to the story. just reanimate the thing and leave the rest alone and youd make easy money just the same#ALSO its very jarring not hearing jack desena and dante basco voicing sokka and zuko cause their voices were the most recognizable to me#i get that its because its live action but im allowed to feel a little sad abt that. and uncle irohs accent was really soothing#yapping
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luvbug724 · 24 days
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obsessed w jeanee Actually. she drove hours in the middle of the night for him. she organised a heist for him. she blackmails a university for him. she was willing to break into the nest w brute force for him. she was willing to rob a hardware store to do it. she seriously contemplates climbing over barbed wire fences to get to him. she handles diversions and distractions with grace for him. she has the invasive curiosity to want to know all abt his little knick knacks. she resorts to violence when someone tries to stop her from getting to him. she prays for him. she talks to him softly when the only feeling in the room is rage. she pushes his hair out of his face. she checks his pulse obsessively. YEAH………… are we all seeing this rn
its so wonderful to me too because like this is RENEE. renee, who is a bad person trying very hard to be good. there was a post going around maybe a month ago how empathy for everyone circles back around into empathy for no one i can't remember any of the specifics but it rlly did something for how i see renee because shes a protector. its defensive. its safe. she knows the limits, she knows the point of no return because shes been to rock bottom and clawed her way up but she's willing to do whatever she needs to to get jean out of the nest.
there is a big difference between cradling allison when andrew hurts her vs actively threatening eau, going on the offense to make sure jean leaves safe with her. there's something insane to me abt how a few months of texting and calling jean could push her to that point, the point where she needed to be talked down off the ledge before the plan was more natalie than renee because this was something she absolutely could not fuck up. she knew that her efforts would be worthless if she didn't create a plan that couldn't backfire, because the punishment for jean trying to leave and failing (and i'm sure that message to renee would be used against him) or leaving and coming back would be 1000x worse than whatever they could do to him from a distance.
and then when she has him in his arms and she knows he's going to be safe, he'll be okay as long as she can get him to abby, she can let herself be kind again.
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oldschool-analog · 3 months
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THIS SHIT IS MY ROMAN EMPIRE
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“Jared and I weren’t the soldiering types, but in a way, we’d been to battle together, and there was no one else besides the two of us who knew the true depths of what we had done.”
“Either way, the takeaway for me was the same: miracle of all miracles, Jared Kleinman had a heart.”
WHAT??? HUH????? VAL EMMICH??? HE WROTE THIS AND THEY *LET* HIM?????? I HAVE MAJOR BEEF WITH THE NOVEL BUT THIS IS THE BEST THING TO COME OUT OF IT
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