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#those-who-know-darkness
puppetmaster13u · 6 months
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Prompt 79
  When Pariah was awoken from his slumber, he wasn’t exactly expecting it. One was never expecting to awaken when they were supposed to be sealed for eternity after all. He also wasn’t expecting for the reason the sarcophagus was even opened to be a pair of literal infants. A pair of very sick infants.
  One was a newborn ancient for Realms’ sake! Two years dead, if that, and the other- Where was their guardian?! Who had let an obsession get that bad?! How long had he been sealed away that no one had caught an obsession turning toxic and harmful towards a ghostling?! 
  Why was he even sealed inside this area of the zone?! Why had his Keep been moved in the center of one of the zones where ghostlings formed?! He’d never harm a ghostling, but if he’d been any madder (And he knows he had lost it near the end there, that he’d gone too far as he cracked under the weight of the Realms, he’d had an eternity to realize) it would have been a catastrophe! 
  Who has been in charge, the observants!? … What the fuck, that was supposed to be rhetorical! No! They’re good for paperwork but they seem to have failed even at that and- what do you mean they’ve sealed Clockwork away?! 
  The already traumatized Time Primordial who was in this type of area specifically to care for ghostlings, and was now being prevented?! How long has this been going on- No! He’s fixing his realms-damned kingdom before he even thinks about conquering other ones, because who the fuck let it get this bad!
   Pspsps, here little sick ghostlings, he’s trying very hard not to hurt you but you are very tiny and he has been locked away for a long time so please stop squirming…
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katabay · 3 months
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original thief series basso & garrett :)
ngl, it's about quality over quantity for me. an npc can have a total of three minutes of screen time, but if they have a cool name, they can live rent free in my head and I'll spend several hours trying to decipher drawable features from a blurry screenshot of pixels
there is a vague hint of a story here, and that's because every time I try to play thi4f, I get incredibly frustrated with how Not Fun the game play is. like, is the story good? well. but it has a PLAGUE. that should've given it instant 'I'll replay this once a year' status in my heart, but the game play sucks so bad that I've never finished it. I can't believe Not Fun gameplay beat out my obsession with narrative plagues.
anyway, the idea is basically if the original era had a game with a plague centric narrative and some other stuff I liked out of thi4f thrown into a narrative blender, with a heavy dash of horror thrown in because some parts of the thief games were scarier to me than entire dedicated horror genre games.
⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app
#if i had a laptop and the skillset i would attempt a story mod because the thief modders who create whole mission stories#are GENIUS and also somewhat terrifying. love them! xoxox#anyway im actually kind of obsessed with parts of thi4f but its also like. not at that sweet spot of almost good enough to be fun#to talk about. which. for the record. has not stopped me from talking about it at length to people#the city itself actually fucking fascinates me. its almost alive and im SO mad that not a single part of that game is actually terrifying#it should be gnarlier and instead it feels a bit like it doesn't quite want to be trapped in the story it has to tell?#but between the level that has the bodies on the meathooks#and the scene with the bodies hanging from the rafters or whatever that was and garrett living in a clock tower#because the game is very much ALMOST about changing times and authoritarian violence and capitalism#(like. by virtue of how the story sort of spins out i think it misses it's mark on a lot of stuff here#in the sense that i dont feel like it actually wants to tell that story. it wants to. go in a different direction. or at least walk on top#of those themes instead of through it)#ANYWAY between all of those things. it does kind of live in my head rent free. they did create a compelling setting#SHAME THEY DIDNT WANT TO ACTUALLY EAT ANY OF IT#unrelated but i would've given thi4f a 10/10 if they kept garrett's fucking nail polish from the concept art. cowards. unforgivable#thief the dark project#i still have no idea how to tag the game series as a whole RIP#sorry for the dedicated dark project fans. if you know what the general series tag is. please let me know#garrett thief#basso thief
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rebellum · 9 months
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The whole transandrophobia discussion thing is weird bc it feels like it's a bunch of poc and jewish trans people being like "here are my experiences of how specifically being MASCULINE had affected me, and the discrimination and violence I experienced based on that. And here is how that relates to me being a racial/ethnic minority"
And then a few loud white trans people going "ohhh you wanna be oppressed so bad you *slur*. This is why there aren't any poc in your movement it's because REAL poc understand intersectionality"
#hot take white culturally christian or athiest leftests do not properly interpret white jewish ppl#like as a poc i and other poc understand that white jewish ppl often get racial privilege#but a) not always b) they experience oppression based off of their ethnicity#idk from my perspective it seems like white goyim either see jewish ppl as 'the disgusting exotic enemy' or 'basically WASPS but they#wanna feel special'#with no nuance. no recognition#look maybe this next part is bc i didnt grow up with jewish ppl and therefore didnt know until I was 18/19 that jewish ppl can count as#white. but like. idk how to say this. i dont wanna speak over white jewish ppl. but like.#jewish ppl that have obvious jewish features (whether Ashkenazi facial features OR they dont have those but wear eg kippahs)#arent like. white. idk pls correct me if this is antisemitic or incorrect or something.#but like. light skinned =/= white obviously.#i just struggle to see how my bestfriend with her lovely dark eyes and curls and nice nose counts as 'white' when ppl call her the k slur#across the street. ykwim?#like white doesnt mean light skinned. it means 'part of the in-group of white ppl'#like my ex who is white and jewish? yeah hes white. if he didnt wear his necklace then goyim wouldnt know. you know#like obvs he still experiences ethnic oppression but he doesnt experience racial oppression#but other ppl with more prominent eg ashkenazi (im singling them out bc most jewish ppl here are ash.) like i dont GET how they have racial#privilege.
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demigod-of-the-agni · 3 months
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Former SOLDIER, actually
The Cloud Strife version of this drawing I did like. a day ago?
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inoreuct · 3 months
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been thinking about asura zoro lately.
possibly a prince sanji au where sora’s kicked her shitstain of an ex-husband out of the kingdom and his siblings are going through behavioural therapy,,,
at any rate, sanji’s wandering across the grounds one afternoon and he sees someone sitting beneath his favourite apple tree in the middle of the field. he thinks it’s yonji at first, but no— the hair’s too short and the wrong shade of green. less neon than his brother’s electric lime and more like… moss.
the man has one leg propped up with his arm resting on his knee, an apple clutched loosely in his hand. he turns as the grass rustles with sanji’s steps and sanji notes the vertical scar over his left eye that cuts through his brow and down his cheek. “you’re in my spot.”
“hm,” the man says, completely unbothered. he lifts the apple to take a bite and his open robe shifts with the wind, the hilts of the three swords tucked into his sash knocking gently against each other.
sanji narrows his eyes. “move.”
a slow, lazy grin. “no.”
“you—!” the prince is just about ready to boot this guy in the ass. “you do realise who i am, don’t you?”
“no,” the man repeats, shrugging a shoulder and peering down at his apple before taking another bite.
that gives sanji pause. everybody knows who he is. it’s inescapable— queen sora’s kindest son, with the golden hair and a heart to match. ocean eyes and the hands of a chef and legs steadier than any sailor’s. he has a duty to fulfil and an image to uphold, and it’s—
well. it’s just that sometimes, he thinks that he wasn’t made for this life at all— that he was meant to be out there, on the ocean, skipping over the waves with the wind in his hair and the sun on his brow, feeling the grit of sand between his teeth. he has satisfied himself with the comforts of royal life, with the orchards and the kitchens, but something pulls at him still. it tugs his heart towards the coast and whispers for him to shed the courtly graces he wears as tangibly as the cloak over his shoulders.
sanji is quiet as he reaches up, swallowing over the soft click of the clasp before red velvet falls into his hand. he drops it to the grass and lets it pool, puts one palm on the ground before settling against worn, rough bark and letting the pattern press into the skin of his spine.
“it’s peaceful here.” the man’s voice is low, slipping beneath the soft sigh of wind. “quiet.”
“it hadn’t always been,” sanji says, before he can stop himself. he has no reason to be doing this— to be saying anything at all, much less sitting down. he should be yelling for the guards and then taking this guy out himself. he’s a stranger who’d somehow made it onto royal grounds, through the extensive defences they had; one with three swords and scars, sanji reminds himself as he eyes the gnarly line of pearly tissue running diagonally down the man’s chest. he’s, by all definitions, a threat.
and yet, sanji hasn’t felt anything at all. no hostility, no fear— just… stillness, if he had to put a word to it. a sort of calm.
“the king… he was cruel,” he continues softly. “he treated my siblings and i like lab rats to be used. my mother was nothing more than a pretty thing to fill a space beside him. this palace, this kingdom used to be filled with war and pain and noise.” sanji chances a glance up to find the man already looking at him, and he quickly looks away. “sometimes, he’d come back from war stinking of blood and death. even worse was when he’d bring my siblings with him. he forced them to fight, see— didn’t even give them a choice, because of his experiments.”
the words are bitter as he spits them out, and sanji feels his hair bunch when he tilts his head back against the tree and blows out a breath. “i was always the failure.” the grass is damp with dew as he rubs a few blades between his fingers. “the weak one. the useless one. and i was the one who dragged him outside the city gates and told him that if i ever saw him again i’d take his head.”
he’s no longer as angry about it, he thinks. sanji has spent enough of his life being angry. the thought just carries a muted tone now, satisfied and a little victorious but also resigned— sometimes he looks at fathers in the squares and the markets, carrying their children on their shoulders and indulging them in the smallest of things, overpriced candy and tag on the dusty cobblestones, and his eyes burn. he should have had that. he never did, and he never will.
sanji lets his eyebrows flash up, swallowing against the tightness in his chest. “i don’t know why i’m telling you all this, anyway,” he says with a light, forced laugh. “i don’t even know who the hell you are.”
“nobody important,” the man hums. “not yet. but one day i’ll be the greatest swordsman in the world.”
the prince believes it. he feels something now, at least— a presence of sorts, like pressure from all sides, present but not pushing. just there. “i think… i want to get out of here.”
again, he doesn’t know why he says it. he has the urge to slap a hand over his mouth as soon as he does, in fact. because everything’s fine now, everything’s finally going well; judge is gone, his siblings are safe, his mother is safe, and he should be happy. he is happy. he gets to cook all he wants and he’s—
he’s not. he’s not happy. he wants to go, wants to— to grab a boat and disappear, sail to the edge of the horizon and then beyond. it aches in his chest like someone’s squeezing his heart, fingertips digging into tough muscle, and he rubs the heel of his hand through the fine weave of his shirt.
the man bites into his apple again, and the crisp crunch cuts through the still air. sanji lets his eyes slip shut.
“where do you want to go?” the man asks.
sanji laughs, a soundless exhale. “the all blue. it’s an ocean with every kind of fish you could imagine and then some. i want to open a restaurant. a place of my own where nobody will ever go hungry.”
a pause, and then the man turns to look at him. “do you know why i’m here?”
“no.” sanji cracks an eye open, sighing impatiently. “why?”
“the change. all this place has known for years was turmoil and war and chaos. and then suddenly… it all went silent.” he eyes sanji unreadably. “somebody took notice.”
somebody, huh? if sanji’s dealing with a religious nutcase, he might just burst into laughter. or knock this guy out. maybe both. “you believe in god, then?”
“no,” the man says flatly. “and even if one did exist, they didn’t help you then. they won’t help you now.”
the blonds’s eyes narrow as he sits up straight and slowly raises an eyebrow. “if that’s supposed to be a threat, mosshead, i’m not scared of you.”
“mosshead?!” the other splutters, the first sign of real human emotion sanji’s seen on him, and sanji laughs.
“it fits!”
“it’s—”
“blasphemous? disrespectful?” sanji teases, somehow more at ease than he’s felt in ages. he doesn’t know who this man is, and who he is doesn’t matter— he’s free to run his mouth, and he damn well will.
“you should be scared of me, you know,” the man says, voice gritty, and sanji smirks.
“why so?”
and— oh.
that presence from before increases exponentially, until he feels sweat bead beneath his collar. dirt gathers beneath his fingernails as he scrabbles backwards, instinctive, throat bobbing as he counts three, four, six arms, and three heads, and three grey eyes glinting like watered steel. wind whips through the clearing, shaking the branches of the tree— sanji reminds himself to close his mouth as he sits beneath the rustling, as black tendrils of shadow snake through the air, swelling around the man’s silhouette, silky and molten. it’s not just that overwhelming, omnipresent aura; he’s got to be two heads taller than a normal man at least.
sanji’s breath is stuck in his throat. and then he looks down; that half-eaten apple is still there, shiny and red. the man’s swords — nine of them, now — clatter gently by his hips, and his earrings jingle with something that almost sounds like gentle laughter, and his hair is still impossibly green.
“…is this supposed to be intimidating?” he offers, climbing to his feet with a bored cock of his hip. “i mean, it’s impressive and all, mossy, don’t get me wrong, but—”
the man’s form snaps back to normal in an instant, leaving him with an almost comical look of disbelief on his face. “you’re fuckin’ crazy.”
“i’m traumatised,” sanji corrects, cackling. “after my bastard of a sperm donor, i doubt i could be scared of much else. besides, you haven’t done anything but talk to me. that’s a lot more kindness than most people can say they’ve shown.”
he watches the emotions flash across the man’s face like a play-by-play until his strong features finally settle on something not dissimilar to determination. “we’re going.”
“huh?” the sudden subject change throws him. “where?”
“the all blue,” is the impatient answer as the stranger crosses his arms. “didn’t you say you wanted to go?”
“yes, but—” sanji makes a series of exasperated noises as he tries to find his words. “i can’t just— go! i have responsibilities, i need to—”
“you need to be free,” the man grunts, and sanji stops short. “can’t keep a bird caged and expect it to be happy.”
the prince bites his lip, heart pounding. this is crazy. this is insane, it’s how kidnappings happen, he shouldn’t even he considering this. “…if, even if we were to go— how would we get there? how would we even find it?”
“we’ll figure it out?” the man pins him with a look that says duh, like it’s no big deal. “i know a witch who’s a navigator, she owes me a favour. and a guy who works in a shipyard. it’ll work.” he looks like he’s about to start tapping his foot, but then his expression softens. “one day,” he says, eyes skating across sanji’s face. “we go for one day, sunrise to sundown, and if you don’t like it i’ll bring you right back.”
sanji’s chest aches. his breath trembles against his teeth. “why?”
his stranger swallows, gaze tilting down as his fingers drift to the hilt of the white sword by his side, like it’s a comfort. “you aren’t scared of me.” his eye is a flash of silver as he looks up again, bottled starlight and iron. “maybe that’s more kindness than i’m usually shown, too.”
maybe sanji’s losing his mind. maybe he’d lost it a long time ago. because he finds himself nodding slowly and breathing, “okay.”
a sharp, sure nod. “we leave tomorrow. settle your affairs and meet me down by the beach at dawn.”
“alright.”
sanji watches the man turn and amble away, in no apparent, rush, before a thought strikes him. “wait!”
green hair shifts in the sunlight as he twists back around, one scarred palm by his ear. “hah?”
“what’s your name?” sanji yells across the clearing, and the smile that’s sent his way is blinding.
“meet me and i’ll tell you, curls!” the man yells back, and then he’s gone. just— disappears, like he’d been a figment of imagination.
an apple core tips against sanji’s ankle, pale and clean.
(sora takes one look at his face when he asks and lets him go.
“you’d always been restless,” she tells him gently, as she helps him pack his things into a burlap satchel and sets his spice tins carefully into their case. she says he’d been loud even as a baby, wailing right out of the womb with eyes the blue of cornflowers and summer skies and the water, riotous and gentle and vast like his heart.
she sends him off with a kiss to his forehead, hands cupping his face as she smiles against his skin, and this time sanji welcomes the burn in his eyes.
he finds zoro by the beach like something out of a fairytale, skin bronzed in the light of a new day, glowing with the orange dancing off the waves. he has a boat waiting, barely big enough for two, wrist draped over his sword hilts as he yawns and scratches at his head, and sanji grins so hard his face hurts.
his palms on the lip of sealed wood have his heart pounding hard enough to feel it against his ribs, his shoes sinking into the sand as they push the dinghy out to sea and jump on, and he shoves his hand in the water just because he can.
“zoro,” the man says abruptly, two extra shadows framing him in the sunrise like a mirage, and sanji’s lips curl up at the edge. “that’s my name.”
“okay, mossy,” he sing-songs, and bites down a laughing scream when zoro rocks the boat so hard he nearly falls out.
he does tell zoro his name, when he decides that he’ll stay. they’re still on their little boat; it’s sunset now, and the green-haired man is taking up all the space in his other form, stretched out with his hands folded behind his head. “i’m sanji, by the way,” he offers, offhand, and watches zoro crack an eye open to grunt in acknowledgment.
he pretends not to see the soft smile that the other man flips over to hide. zoro hardly ends up using it anyway, the brute.
sanji really doesn’t mind.)
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nerendus · 4 months
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The 5 genders.....
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sysig · 5 months
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Puts the “plates” in “Fellplates” (Patreon)
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fairydrowning · 1 year
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People who have art knowledge amazes me alot. Like yess, tell me about the history of sculpture and why painting is so therapeutic and why did van gogh paint starry night.
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feniksido · 7 months
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A bunch of sketches of my durge and his best friends being annoyed by him
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poorly-drawn-mdzs · 1 year
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Whooooo could have predicted this?
[First] Prev <–-> Next
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badolmen · 2 years
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Saw a post making fun of Asexuals in the year of our Good Vibes 2022 so a reminder:
The A stands for the Asexual community and spectrum (it also represents the Aromantic and Agender communities but I’m Asexual so I’ll be talking about that specifically in this post)
Celibacy is a choice to abstain from sex. Asexuality is a sexuality defined by a lack of sexual attraction to anyone, not by the choice to abstain from sex.
Every asexual person has different feelings on sex (an activity, not an attraction) - some are sex repulsed, some are sex neutral, and some are sex favorable. A physically pleasurable experience is not equal to an attraction to parties involved.
The Asexual community has been around since the dawn of the Queer liberation movement, and Asexual individuals have always existed.
Aphobia is real and has done tangible harm to Asexual people. Listen to and learn from their experiences.
If you make fun of Asexuals and their community jokes (dragons/cakes/cards) you are Aphobic. If you’re Asexual and you make fun of these aspects of your own community or consider them ‘cringe’ you have internalized Aphobia.
Sometimes teenagers and young people will identify as Asexual and change their label later in life. This does not mean that all young people who identify as Asexual will change their minds, nor does it mean that all people who identify as Asexual are young.
Seriously what do you people have against the dragons and cake jokes those are classic and hilarious please deconstruct why you have so much rage for harmless jokes that’s not a healthy response to silliness.
Anyways reblog this post if you’re Asexual, support Asexuals, or really want a dragon.
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raayllum · 3 days
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I love you 6x05 and 6x06 I love you so much (meta here)
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couldneverhurtusnow · 3 months
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[chemistry] it's not a word that actors [use]. but you must endeavor a little bit to try and fall in love, in whatever that capacity is. and andrew is a very easy person to fall in love with. he's kind, generous, talented. we shot the film at the perfect junction in our friendship where there was a lot we didn't know about each other, but there was mutual admiration and respect. and a similar sense of humor. (...) yeah, it felt fizzy when we were acting. especially with that first scene at the door -- it's so well-written. you feel like you're dancing through the scene, you can go in loads of different ways, and if i went one way, andrew would go another. if that's what chemistry is, i was aware it was happening.
-- paul on chemistry and whether ‘they (andrew & paul) knew instantly that their onscreen relationship was working’ in all of us strangers, screendaily.com (1/31/24)
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idkaguyorsomething · 4 months
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The Problem of Susan Fic Recs
For many reasons, The Last Battle is probably the most contentious addition to the Narnia canon. The standout, though, has to be the infamous Problem of Susan, wherein the Pevensie children are all killed in a train crash and brought to Narnia 2 Electric Boogaloo aka heaven, then declare that Susan is no longer a friend of Narnia because of her interest in “lipsticks and nylons”. Hardly any time is spent on this, but the implications have been the ground for a lot of argument and discussion. What exactly would happen to Susan, and should it have happened? Over the years, dozens of fic writers have thrown their hats in the ring and weighed in on the subject, making the Problem of Susan almost a prism for the fandom: everyone shines through it a bit differently, resulting in a wide spectrum. Here’s some of the highlights under the cut.
http://shedletsky.com/blog/the-god-who-loves-you
Starting with the fic that coined the term, written by Neil Gaiman himself, this fic is a reflection and deconstruction of the idea that Susan would be able to find Narnia again by delving into the trauma that the experience of losing all her family at once as well as the social injustices that a young woman of her time would’ve faced, something that the narrative of The Last Battle never really addresses. It took off for a reason, as it presents a lot of good food for thought, but it’s also got some pretty weird shit that can feel like it’s conflating adulthood with edginess. Well worth a read for all the points it raises, but if you’re fond of canon you probably won’t like the way it takes a hammer to it.
Now this one is exactly what you’d want to read if you wanted some feel-good time. This story is probably the closest to how C S Lewis would’ve written Susan’s return to Narnia, detailing her rediscovering all the things she put away as well as what led up to her rejecting Narnia in the first place. It falls more to the end of being almost uncritical of canon, with the focus on Susan basically having the same sort of religious rediscovery that C S Lewis himself had in his life. Because of how she was treated in canon, that can be pretty frustrating, but the ending feels nothing short of joyous.
Swinging back to the other end of the spectrum, this fic is very critical of the idea of The Last Battle being a pretty happy ending for everyone, unambiguously stating that life is always worth living for all the Pevensie kids. It explores what their lives could’ve been like if they didn’t die, being a rebuttal of C S Lewis’ themes rather than a continuation of them while feeling equally as happy as the fic directly above.
And this story feels like a midway point between the above two. It dives really deep into the emotional damage that Susan would’ve suffered before and after the train crash in some absolutely gorgeous prose, showing both her and Aslan with great sympathy while maintaining that what happened to her is not a punishment in any way. Bittersweet and very, very good.
Heading back towards the more critical end of the spectrum, this fic presents a Susan who is not interested in finding Narnia again, only her family. She is very much a character straight out of an ancient myth rather than a teen trying to make sense of a senseless situation here, filled with determination as much as desperation. It’s probably the closest fic on here to having something close to a plot as well as a character study, with the exception of The Queen’s Return and one other:
Being a crossover with what’s pretty much the antithesis of the Chronicles of Narnia, His Dark Materials, it’s probably easy for you to guess which side of the spectrum this story falls on. It’s more of a HDM story than a Narnia one, but the two worlds blend together surprisingly well, and it gives us a rare look into a Susan who’s lived decades of her life when the story picks up. She’s pretty much the Professor and it is fascinating, as is everything left to interpretation by this gem of a fic that is ambiguous yet deeply satisfying.
¡And here’s Susan as a Doctor Who companion! This isn’t directly a Narnia story so much as it is one about two people much older than they look mourning the loss of their worlds, with a Susan who is a queen wise beyond her years. Reading it is like taking an ice shower. It doesn’t hold back on the grief, and as a result it manages to feel honest as it reaches a warm ending.
http://archiveofourown.org/works/24311
Despite also being a crossover, this is in some ways the opposite of touch the sky with two arms. Susan is more of an everyday young woman than a queen, and [SLIGHT SPOILERS] Narnia itself does feature directly. But y’know, that’s part of what makes fandom so interesting. Not everyone is going to have the same take on everything, and the ending of this leans more happy than melancholy.
¿A shipping fic that’s also a crossover with Peter Pan that features neither Neverland or Narnia? Yes, this one probably has the least to do with Narnia or Aslan, but it tells a very compelling story about living life and growing up, something that isn’t perfect but can be good if you find someone you want to spend your life with. Susan Pevensie and Wendy Darling are a really good couple, pinky promise.
Technically more a series of ensemble oneshots, but Susan features very prominently in a lot of them, and they will make you feel every feeling that everything else on this list might’ve given you. Satisfaction, devastation, simple joy, just go give it a shot.
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luckthebard · 1 year
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Imogen, to me, has the same thing going on that makes Jean Grey such a difficult character to get right (and tbh, to engage with). A lot of people who have written Jean Grey over the years don’t get her or how to do stories with her, in my opinion. But a character like that can be fascinating, if approached with honestly based not in metaphor but in the universe in which she exists.
Because yeah, it sucks to be her but you’re not doing the character honestly or interestingly if you’re not also grappling with the fact that she is scary, and dangerous, and it’s reasonable to be frightened of her or worried for your autonomy around her. And on top of that, she's dealing with her own curiosity about her powers, and occasional hubris. And while this curiosity and sometimes recklessness is understandable and incredibly interesting to watch and engage with (from my perspective it's what makes me enjoy characters like this, because it is such a compelling flaw), these are also not neutral actions without consequences even as they are also understandable and even in some sense relatable.
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cosmicgesture · 1 year
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DP x DC Idea
ok hear me out- Ghost King Jason Todd. Bear with me a tick.
At the end of the first millennium of his rule, Pariah Dark was required and compelled by Zone Law to name an heir should he retire or shatter. (Not that anyone expected him to do either.) Still, it was a law of the zone itself, and it needled at his core worse than the Observants and their constant prattling.\
So, eventually, he grew annoyed enough by it that he declared his heir to be a liminal being. If that wasn’t controversial enough, he picked a random name that had yet to popularize in the mortal world, specified that the death was a violent one, and the death date? The death date was just numbers he happened to glance at in the moment, with the year set thousands of years away from the time the heir was named.
Pariah Dark figured, what are the chances someone with this name, of liminal nature, will die on this random date? Well, he knew of Clockwork (maybe knew him well, even), and knew there was always some slim chance. Still, he figured he could simply find his presumed heir and destroy him before he could try to claim the throne.
He didn’t expect to be locked up in the Sarcophagus of Forever Sleep.
When he’s freed during Reign Storm and notices the date, it’s one of his priorities to send a lookout for the random kid who would happen to be his heir. Danny and co. lock him up before he receives any information, and that ends up being kind of that.
There’s discussion in the Zone after that, about a potential ruler. Some think right-by-conquest applies, but others argue the technicalities of the matter - Danny did not act alone, did not beat Pariah Dark without help. Thus, it doesn’t count as Conquest (though it does put him in the high recommendations for the next king’s knight). There begins the questioning then: did Pariah Dark ever declare an heir? Few were left who remembered such a thing, but it was confirmed that he had indeed, though the information about said heir was scant and somewhat inconsistent. One story said the heir’s name was Jackson, and that he died tragically; another called him Jensen and claimed he still lived. So the search began, with inconsistent clues. Any place in the mortal realm with enough ectoplasm to sustain a ghost was a potential hiding place for the heir. They started in Amity Park and spread to other towns and cities. Some ghosts sought out newly dead that had died the day Pariah was locked back up again.
But who’d’ve thought to connect that the same day the sarcophagus locked again, a boy named Jason Todd rose from his grave?
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