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#this specific thing though does make a lot of sense for both of the characters. so i can work with it
capaldiera · 8 months
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fun thing about james and madeleine is they are both dont like emotional vulnerability so they'll have emotional conversations where neither of them emote like at all. must really take the pressure off the actors. also this isnt so much a fun thing as just a thing
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hellenhighwater · 3 months
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Mildly weird question for story research purposes: when your cats ride on your shoulder, what does it feel like for you?
Context: My main character has a cat who likes to ride around on her shoulder, and since it's a thing that happens frequently, I'm trying to make sure I write about it well. And, unfortunately, I do not have a cat to even attempt to test it with, so I'm going to the one person I KNOW has experience with this situation.
Specific things that would be helpful to know:
Do you have to be careful not to upset their balance, or can you more or less walk normally once they're up there?
How are they keeping themselves up there? Are there claws involved? Or just good balance?
Where's most of their weight? I looked back at some pictures/vids, and it looks like they typically ride with their front paws on the shoulder and their back paws somewhere a bit below and beside your neck, but I could be wrong.
How long can they stay on your shoulder before one of you has to take a break? Is the weight of the cat tiring, or is it pretty easy to deal with?
Anything else I should be aware of regarding shoulder cats?
Thank you SO MUCH for your help!
Oh, I can definitely answer that! One: It's waaay easier to shoulder a small cat than a big one.
For the most part, they kind of drape themselves over the shoulder; this is specifically what I've trained them to do. Cats will also "shoulder" by draping across both shoulders/back of neck, but this forces your head forward to allow room for them, and it's not comfy. Hence the trained posture. (Malice, in the early days:)
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I taught Mal to jump up when I bent forward for her, and circle to face front while I stood up. She can actually do that pretty quickly. Their weight is pretty evenly distributed across the top of the shoulder and down on the pectoral, not really on the back at all. Mal sometimes hooks her back claws into my shirt near the shoulderblade, which is more about balance than weight support. Nim, who was significantly smaller, actually kept her back feet tucked up so that her feet were on the top of my shoulder. This is a significantly more ready posture than Mal's--she would have to readjust for a better foothold to jump down; Nim could leap directly off at a moment's notice. Overall, Nim had far superior shouldering skills to Mal. Malice rides like the meatball she is; I'm hoping she'll learn with age. Here's some pictures of Nim:
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To give them a stable position, I do keep my back straight and shoulders back; if I have to pick something up, I will crouch down instead of bending over. If I have to bend forwards, I will put my palm up flat so that they can stand with their front paws on it and keep their body on my shoulder. Generally, I can move, walk, and even work normally. I've cooked, painted, done chores, even run. Both hands are free to use, though generally you can't lift the arm the cat is on above a T position. They don't need to use their claws for balance unless I am doing something really active. I do shoulder almost exclusively on my left shoulder, so that my dominant hand is more free.
The weight is not significant--Nim was only about 8 lbs, Mal is about 11, and because there's no grip to maintain them and they're naturally situated on the shoulder, it's easy to carry them for a long time. I used to walk miles with Nim on my shoulder. It's actually more the heat--cats run hot, and it's a lot of fur on your neck and shoulder if it's warm out. Great in the winter, though!
Notable things you might not realize--their head is in front of yours, so you can still see ear positions, what they're looking at, etc. Nim's night vision/hearing/sense of smell was better than mine, so I could tell if we were sneaking on wildlife based on her reactions and responses to things. You can also feel them tense or adjust posture before they jump or try to get down, and you can feel their tail moving. You can also feel if they're growling or purring, even if you can't hear it. If you're used to paying attention to those cues, you'll notice them while just carrying the cat normally too--Nobody could sneak up behind me if I was carrying Nim facing over my shoulder to the back.
They can jump from shoulder height but it's a hard landing. Usually if I want them down, I just kneel with a knee up, or lift a leg flat while standing so they can jump to the top of my leg and then to the ground.
If I was in a fictional setting and traveling with them long term, I would be investing in a really weird piece of leather armor, that goes to the edge of the neck/crest of shoulder, and down past the bottom of the shoulderblade, with little easy-to-grip leather loops or chainmail on the back of the shoulder.
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otaku553 · 2 months
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Straw hat women redesigns :) I was trying to doodle some of the crew and came to the realization that I just Could Not with Nami so I wanted to play around with it a little bit
Some more design notes below:
Nami’s design actually went a lot smoother for me than Robin’s! I think canon post timeskip Nami is a very low bar. While you can argue that to some extent Nami being vain and seductive is part of her character, I do feel that there are many more integral parts of her character that can be highlighted in her design, namely map making and her combat. Though not one of the stronger straw hats, Nami does seem to be well practiced with her staff outside of its use for weather manipulation, and I think her being a physical combatant, even slightly, can be better reflected with more loose clothing for better mobility.
For her mapmaking, I wanted her to have constant easy access to her tools and to information about the locale, so around her waist she has one large pouch at the back for books and scrolls and maps in progress and one small pouch to the side for writing utensils and measurement tools. As backup she also has 2 pens in her bun, which also act as pins for keeping her hair up if she ever needs to move a lot.
I’m not sure how clearly it shows up in the notes, but Nami’s shoe soles are also made from whatever artificial cloud material makes up the weather island she stayed on during the timeskip, so that it both pads her steps to make them soundless and bounces for better mobility. The shoes are naturally shaped like heels but without the actual heel, since she tends to move around on tiptoes anyways- a nod to her epithet as cat burglar and her past as a thief.
I made her shoulders a bit broader because I think they probably get a lot of exercise with her staff, and changed out the bikini top for a more supportive chest wrap, with a loose tank over it for breathability. The compression socks and sleeve are more stylistic than anything, since I like layers, but they might come in handy for her if she spends extended amounts of time sitting down making maps for the crew.
Robin’s was a bit more difficult for me to figure out, and I might go back and revisit it at some point. For Nami, it was a bit easier to imagine what would pair well with her combat methods and her needs as a mapmaker, but with Robin, she’s an academic who fights almost completely hands off, without a specific weapon to her name. Because her strength lies mostly in her devil fruit, she has a bit more room for style over functionality, but I also still wanted her to have something that made sense with what she was. I don’t really think I succeeded in that regard, but it’s also hard to convey what she does visually— she’s more of like a professor than a field archaeologist I think.
I really really enjoy her cowboy hat but I didn’t think it would match with the rest of the outfit so I switched it out for a wider brimmed hat and kept the orange sunglasses on it, as a nod to the revolutionaries with the combination of headwear and eyewear. She deserves a trench coat. I don’t make the rules. And the rest of the fit mostly came down to things I think I would enjoy wearing, haha
The trench coat is partially a nod to the scholars of ohara, who seem to wear white coats like lab coats in some screenshots of robin’s backstory. I think also the reading glasses help to make her seem a bit more academic, but aren’t prominent enough to leave a strong impression. All in all I do wish robin’s design had more functionality in it but I also think that robin is a character who probably enjoys dressing up nicely like this, especially in the comfort and stability of the straw hats.
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saintsenara · 7 months
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Thoughts on Ron and Hermione as a ship?
thank you very much for the ask, @thesilverstarling!
i’ll state my position straight away: book ron and hermione are the best of the canon couples.
they will have a long and extremely happy marriage made rich by great and stalwart love, lust, fun, and faithfulness, rather than held together by duty and couples’ therapy like so many readers and authors (including jkr, who seems to have decided to spend the years since the conclusion of the series failing to understand anything about her own characters) tend to think.
i will state another position straight away: lest i seem like i’m just a fan with blinkers on, i think this even though hermione is, by far, my least favourite member of the trio. if she were real i would detest her, and i dislike how she is treated by the narrative as always justified in her negative characteristics. i like fanon hermione - perfect and preternaturally good - even less.
as a result, i think that it’s ridiculous that jkr has said that she thought ron needed to ‘become worthy’ of hermione. they belong together as equals - which is what they’re set up in the narrative as being from the off - and i hate seeing that undermined.
because ronald weasley? he’s an icon. and he doesn’t get anywhere near the respect he deserves in fandom.
there are multiple reasons for this - ron’s narrative purpose is to be the everyman sidekick, and so he is able to be less special than harry or hermione (the helper-figure); the amount of aristocracy wank in this fandom means that the weasleys’ ordinariness is less appealing to writers than making harry have twenty different lordships and call himself hadrian; the narrative interrogates ron’s flaws - especially his capacity for jealousy - much more intensively than it interrogates either hermione’s (cruel, inflexible, meddling) or harry’s (reckless, self-absorbed, judgemental) - but one i feel is particularly significant is that ron is such a british character that many of his traits are not understood as intended by non-british readers.
in particular - as is outlined in this excellent meta by @whinlatter - ron’s sense of humour isn’t indicative of immaturity or a lack of seriousness, but is, in fact, evidence that he’s the most emotionally aware of the trio.
ron is shown throughout the series to understand how both harry and hermione need to have their emotions approached - and i think there is no piece of writing which says this better than crocodile heart by @floreatcastellumposts:
That was what she liked most about Ron, she thought vaguely. He was very good at being suitably outraged on your behalf. For Harry, for her, for Neville. That sort of thing mattered, when you were hurt or embarrassed or wronged in some way. You needed to have someone else on your side, to be as emotional as you felt, maybe even more so, so that you might feel a bit more normal. It was very decent of him, and she was not sure he realised he did it.
ron’s inherent emotional awareness is an enormous source of comfort to other people. he does the work which isn’t flashy or special - he makes tea and tells jokes and is just there - but which is needed in healthy human relationships far more frequently than a willingness to fight to the death for the other person.
[as an aside, this normality - even though i think it is assumed rather than justified by the text - is also what ginny provides for harry. if you believe that hinny are a good couple but romione aren’t… i can’t help you.]
but let’s look at some specific reasons why ron and hermione belong together:
their communication styles mesh perfectly. ron is the only person hermione knows who feeds her love of being challenged and debated, and who is able to engage in this way of communicating without becoming irate when she refuses to back down. ron is good at picking his battles, but he’s also good at recognising that hermione’s tendency to argue isn’t intended to be confrontational a lot of the time - it’s just the way she works through feelings and problems. he’s far more easy-going about her tendency to nag, interrupt, try to provoke arguments, or speak condescendingly than he’s given credit for - and hermione evidently respects this, since when he does tell her not to push a situation (above all, when she’s trying to needle harry into talking about sirius), she listens to him.
that ron and hermione’s tendency to bicker is taken by fans to be a bad thing is because it’s something harry - from whose perspective the narrative is written - doesn’t understand. harry is extremely conflict-avoidant - he tends to take being pushed on views and opinions he has to be insulting; and he has a tendency to assume that he is right which is just as profound as hermione’s. he and ginny communicate not by debating, but by ginny having no time for his rigidity and refusing to indulge it - but ron and hermione bickering about everything is not a negative thing within their specific emotional dynamic.
[as another aside, this glaring chasm in communication styles is why harry and hermione would be a disaster as a couple.]
they each provide validation the other needs. it’s clear - reading between the lines - that hermione is a tremendously lonely person. the friendlessness of her initial few weeks at hogwarts seems to be a continuation of her experience as a child, and - outside of ron and harry - that friendlessness endures through her schooldays. i’m always struck, for example, by the fact that, when she falls out with ron in prisoner of azkaban, she has no-one else to spend time with, and that this is only avoided in half-blood prince because harry decides not to freeze her out. i don’t think her friendship with ginny is anywhere near as close as fanon seems to imply (ginny has no interest in being nagged either), nor do i think that she’s anywhere near as close to neville (not least because she is so condescending to him) as she’s often written to be.
and this loneliness seems to stretch beyond hogwarts. the absence of hermione’s parents’ from the narrative is - in a doylist sense - clearly just a device to maximise time with the trio all together, but the watsonian reading is that she doesn’t have a particularly good relationship with them. hermione’s obviously upper-middle-class background - the name! the skiing! the holidays in the south of france! - can be presumed, i think, to come with a series of expectations from her parents which she feels constantly that she’s not entirely meeting, particularly expectations attached to academic success.
[for example, the grangers - were she a muggle child - would undoubtedly have ambitions for her to attend an elite university and then go into a prestigious career. tertiary education of the type that they’re familiar with doesn’t seem to exist in the wizarding world - most careers seem to be taught by apprenticeship - and this, alongside all the other divides between the magical and muggle worlds which contribute to the distance between them, would be one very obvious area in which she felt the need to prove herself to them.]
ron, too, has quite a difficult relationship with his position in the family - voldemort’s locket is not wrong to point out that he seems to receive considerably less of his mother’s emotional attention than ginny or the rest of his brothers - and he too is constrained by expectations which he doesn’t know how to explain he has no interest in - above all, molly’s desire for her sons to achieve top grades and go into the ministry.
he also suffers while at hogwarts from being ‘harry potter’s best friend’, something which harry never appreciates. but hermione does. she recognises ron’s jealousy and never allows harry to minimise it (and she and ron are very much aligned on having no respect for harry’s saviour and martyr complexes). she appreciates ron’s strengths - above all his kindness and his sense of humour - and makes him feel as though he’s achieved things with them. and ron does the same for her; he is hugely observant when it comes to her, and he challenges and defends her.
the two of them clearly spend a lot of time together one-on-one while harry’s involved in his various shenanigans (including outside of school - hermione has often arrived at the burrow days or even weeks before harry, and they seem to write to each other frequently when apart). they do this within a relationship which is fundamentally equal. one issue with hinny is that, post-war, harry is going to have to get used to seeing ginny as a peer, rather than as someone he has to protect. but ron and hermione never have that issue - equality is baked into their relationship from the off.
because, to be quite frank, fandom overstates the role that jealousy plays in their relationship. it’s true that ron certainly doesn’t acquit himself brilliantly when it comes to hermione’s relationship with viktor krum (it’s because he’s bi and doesn’t know it yet), and a tendency to externalise his insecurity into trying to make others also feel insecure is one of his primary negative traits (hermione does this too, via her patented lofty voice when she’s trying to condescend to people). but this is often taken as the initial red flag for how the relationship would crash and burn, and ron’s toxic jealousy is often used in fan-fiction as the trigger for emotional and physical violence towards hermione which, frequently, seems to drive her into the arms of either draco malfoy or severus snape… who are, of course, the first people we think of when we hear the words ‘not prone to jealousy’...
but i think it’s important to point out several things in defence of ron’s jealousy over krum. firstly, hermione evidently regards his jealousy as ridiculous - she’s upset by it, yes, but her upset must be understood as being caused by the fact that she wanted him to ask her out. she doesn’t think he’s being possessive, she thinks he’s being stupid. secondly, hermione is equally as jealous over ron’s crush on fleur delacour and relationship with lavender brown. she behaves just as cruelly when it comes to lavender as ron does when it comes to krum - and the narrative only treats her actions as more sympathetic or justified both because harry dislikes lavender too, and because, by that point in the series, jkr has dispensed with any inclination to ever criticise her.
but, outside of this teenage pettiness, ron is never jealous of hermione over things which matter. he is never jealous of her intelligence or competence or ambition or success (indeed, he defends her constantly from attacks designed to undermine her in these areas). for someone who struggles with being overshadowed by harry, he is never upset at being overshadowed by her. he is clearly going to be happy to support her in any of the career ambitions she can be written as having post-war.
and, on this point, i think it’s worth interrogating why so many readers still seem to feel uncomfortable with the idea of ron and hermione having a dynamic where she is the more ‘powerful’ one. [it’s always a bit trite to say ‘but what if the genders were reversed?’, but actually that’s not irrelevant here]. if hermione ends up taking the ministry by storm and ron becomes a stay-at-home father or has a job which is just to pay the bills, what, precisely, is wrong with that? why, precisely, should hermione regard ron making that choice for himself as a negative thing? hermione so often seems to leave ron in fan-fiction because of a lack of ambition - something which seems to be particularly common in dramione - but, in canon, she is shown to not particularly care if ron and harry do the bare minimum when it comes to studying etc. she nags them to do their work so they don’t get in trouble. she doesn’t nag them to do it to the same standard that she would.
and, actually, i think that ron being less ambitious than hermione is something which is key to how well they work. because ron provides not only emotional support, but emotional clarity.
hermione is shown throughout canon to - just as harry does - have a tendency to become obsessive to the detriment of her own health. she is also often - as harry is - emotionally or intellectually inflexible, and finds it hard to move on when what she feels or believes is proven to be wrong. both she and harry are micro-thinkers, who lean towards knee-jerk assumptions and stubborn convictions (and, indeed, hermione has a remarkably hagrid-ish tendency towards blind loyalty).
ron is none of these things. ron is a big-picture thinker (it’s why he’s so good at chess). he’s a pragmatist. he’s the least righteous of the three. he understands that faith and loyalty are choices, and that sometimes these choices will lead to outcomes which are bad or hard. he is the one of the three most willing to own up to having made mistakes. he is the one least likely to act on gut instinct (and, therefore, the hardest to fool - i think it’s worth emphasising that he clocks that tom riddle is tricking harry immediately, the only one of the trio to do so). he understands that things are a marathon, not a sprint. he is the least obsessive.
and these traits contribute to aspects of his character which are underappreciated. ron worries about hermione making herself ill during exams, or when she is using the time-turner, and makes an effort to get her to set healthy boundaries and redirect her anxiety. ron stands on a broken leg in front of sirius or goes into the forest to fight aragog not out of righteousness, but out of choice. ron takes over the burden of preparing buckbeak’s defence when it is clear that hermione is approaching burnout. ron is completely right that harry hasn’t done any long-term planning for the horcrux hunt, and his anger does force harry to tighten up after he leaves the trio. ron has a clear head in the middle of battle. ron makes harry and hermione laugh. ron is unafraid of human emotion. ron arrests harry’s tendency to brood over the little things by looking at the bigger picture. ron will always come back.
ron is bringing his politician wife regular cups of tea and making sure she doesn’t work all night. he is helping his lawyer wife to feel less upset over losing one case by reminding her that she’s won ten others. he is noticing stress creeping in and whirling her off for a dirty weekend, or even just a takeaway on the sofa. he is teaching his daughter to be proud of her ambition and his son to treat women as equals and both of his children that all you can do when you fuck up is apologise and try to do better. he is making hermione smile on the worst days of her life. he is helping her strategise her long-term goals when she gets stuck on the short-term ones. he is telling her straight when she needs to get it together. he is seeing a misogynistic head of department call hermione a ‘silly little girl’ and choosing to tell him exactly what he thinks of that.
ron is the ultimate wife guy. hermione is a very, very lucky lady.
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fllnordr · 5 months
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So… I have a lot to say about this post I saw on my feed today. I took screenshots and blocked out the username for the sake of the OP. I didn’t want this to be a callout post for one specific user, and do not wish them any hate or harm. I DO have a whole heap to say about this and the treatment Charles gets from the rdr fandom as a whole, not only the OP in the screenshot.
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I have a lot of problems with this post, and I have been wanting to talk about this issue and pattern I’ve noticed in the rdr community. Again, I do not mean to send any hate in OP’s direction or suggest that OP is racist in any sense. With that being said…
It’s an inherently racial stereotype to assume that Charles, a black and native man, is illiterate with such a lack of evidence or real reasoning behind it. He was isolated for most of his life after the age of thirteen, and he’s been with a gang for only six months. He is very private, and he is shy. He doesn’t talk much at all, much less about reading. I have never seen this sort of assumption made about any other character, claiming they’re illiterate, because they’re never seen reading at camp.
This is the most ridiculous take I have ever seen. Charles is the one who buried Arthur with his own two hands and created his gravestone. He was the only person who knew where Arthur was buried, hence being the sole creator of Arthur’s final resting place. Charles’ handwriting is the one we see on the gravestone. Charles is the one who wrote the inscription on the cross. He is not illiterate.
I think a problem I have with a lot of Charles fans is that they see him as a blank slate. They see Charles, a physically attractive man, who is quiet and take him for that alone. He is often seen as a blank canvas to project their own ideas onto and sort of mold to their own use and convince. And often times, whether knowingly or not, Charles is consistently watered down to racial stereotypes. Race is obviously a part of who he is, and it affects a lot of his actions, as it does with everyone, but that is not all who he is.
Charles is clinging to the fringes of what little of his culture that he does have. His mother was taken from him as a boy, and he holds onto what little he does have and that absence of his mother, and both of his cultures (because people also tend to ignore the fact that he is also black) is a huge part of who he is. But a lot of folks would rather see his shyness as blankness. He is not levelheaded, but he is moral. He is not always morally correct though. It’s frustrating to constantly see who he is being ignored for the sake of the false persona that’s been created for him.
I think a lot of folks need to listen to the one dialogue of Charles opening up at the campfire. Yes it is a relatable speech for a lot of reasons, but it is also about his race, how he experiences the world, and how he feels as though he has no place because of the loss of his mother, the lack of knowing who he is, his culture, and a whole host of other things. He is one of the best written characters in the game, and to brush that aside to make him into this ‘softhearted super caring ideal s/o’ is so frustrating. This is the same man who was ready to kill Uncle if the need arose. He is moral, but they are morals of his own, and he is not always correct. He is also flawed, just like everyone else. He is not a saint. He is a flawed and conflicted man.
To disregard Charles for who he is, is such a great disservice to the character and to all the work put into him, his story, and other people who have and continue to share the same experiences as he does.
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cupcakesmoothie · 1 year
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I did all three backstories for Touchstarved (I have 12 hours on this thing and it's only the demo)
Kuras and Vere don't seem to have red options, but Vere does have a secret ending and Kuras... I don't know, holds you for a bit longer?
For Mhin, it really is just picking The Alchemist backstory. You can call them short or whatever and you'll still get it.
For Leander, you have to take the flowers and keep touching him. It's okay if you hold back the first time even.
For Ais, you gotta tell him fuck you and pet the soulless, and after that red option pretty much all yours.
Differences I found between the three backstories:
It is pretty much like how they tell you, Oracle gets premonitions, Hound has experience with people and survival, and Alchemist has knowledge about magic and science, so there's different things you find out with each one.
The Alchemist:
I may be a little bit biased, but think The Alchemist is the most informative (It's also the first one I picked). There's the expected info of noticing that Vere's collar is enchanted, or knowing about how strong Leander really is when it comes to magic, but it's got the added bonus of MC's mentor having been in the Senobium in the past.
Compared to the others, The Alchemist is more familiar with Senobium, albeit through word of mouth. It's interesting how many times the MC says something similar to "I didn't know the Senobium did that." It calls into question whether MC's teacher was lying, or more interestingly (and what I think might be the case), the Senobium has changed a lot recently. It's talked about, even without the Alchemist backstory, that the Senobium used to be somewhere you could go to for help, but now most of the characters you meet do not like the Senobium, so what changed?
The Hound:
The Hound (the least popular option, apparently) was pretty fun. The Hound notices more about Ais, specifically that he's very suited to be a leader, and that the number of scars he has (one) seems suspicious for his temperament (or "how seasoned he acts", as the MC puts it).
One thing that I found very fun was doing Mhin's route as the Hound. They're somewhat able to keep up! They can (or tried to) recognize tells, and noted that Mhin was one of the few people who was able to sneak up on them. They also weren't sure how Vere managed to get their key. They were also prepared to steal to survive.
The Oracle:
While The Hound notices physical things, the Oracle notices... how do you say, otherworldly things. The Seaspring seems to be hiding a lot (of course it is), but the MC notices a heartbeat. A presence. They feel something from Ais. The name Ocudeus means something, they can feel it. They feel like they can see Ais' tattoo move.
Also, the MC feels something from Mhin and Kuras (in his clinic at least), which is interesting!
If I had to decide which love interest was better with which backstory...
Vere: The fact that the Alchemist thought that they could tell what enchantments were on his collar if only they could touch it feels promising! And both their connections (though I mean connection in the loosest term for MC here) to the Senobium makes it feel like you might very well find something.
The Hound might be one of the few who can actually survive this guy if I'm gonna be honest. (I mean you can still get killed by him but. You know.)
Ais: The Oracle's sixth sense makes going to the Seaspring a lot more interesting compared to the others, and the way they can feel something from Ais is very cool.
The Hound can tell his character better than the others, and I wonder how that will come into play later on.
Kuras: The Alchemist knows their way around spell-crafting and alchemy (When I picked this I wondered if they would be able to help Kuras around the clinic, which doesn't happen, but hey it might).
The Oracle seems to also feel something from him.
Mhin: First things first, their red option literally requires you to have the Alchemist backstory. Mhin's precision is noticed by the other MCs sure, but not to that detail.
Watching the Hound observe where they could be was so fun to watch. It feels like this MC will be able to keep up.
The Oracle feels something from Mhin, something inhuman.
Leander: The Alchemist was able to tell that the flash of magic was a barrier spell, and that most magic (or at least the ones they're familiar with) uses an incantation or spell circle. His didn't.
But either way, there will be things to find no matter the backstory you choose, and all of the character's stories are intertwined, so don't let this dissuade you from a specific backstory! There will always be things to find, you just need to look.
Extra: I found it pretty cool how each MC has a different way of knowing what a Groupmind is. Story-wise this makes sense of course, but each of their reactions to it are slightly different, from I heard this from rumours of people in cults (Hound), to I used to be told I could put people in a groupmind (Oracle), to legends suggest it was possible with a strong enough catalyst but it's never been done before (Alchemist).
Also, it's interesting to know what they each think of surroundings (specifically the Amaryllis district). They all have different opinions from I used to be told bizarre things about this place and now I kinda get it (Alchemist), to it's not that different from the place I grew up in (Hound), to it's VERY different from where I grew up in (Oracle).
And if I'm not mistaken, the reason Vere gives for your desperation is different for all of them!
You can find gameplay from me on my Youtube channel, or watch me getting all the red options and secret ending here:
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I didn't read it out loud cause my mic sorta sucks and sometimes it peaks and gets a bit shrill. Also you see how my mouse moves sometimes? It means I'm screaming. I don't think I'd have been able to keep calm enough for this. Also my reading kinda sucks anyway hope you like it lol
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yukidragon · 5 months
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Sunny Day Jack - Drunk Headcanons
First ramble of the new year. Whoo! I was considering what would be fitting, then I wound up thinking about all the drinking that happens at New Years’ parties and figured, why not go with some drunken headcanons?
Content warning: this post contains talk of drinking, negative experiences with drinking, being drunk, and maybe some smut as well.
Talking about drunk headcanons also gives me the excuse to break out the drunk Jack art drawn by the ever awesome Sauce, since it’s very relevant. Credit as always goes to them for their amazing work and for being cool with me using their art in my rambles about the awesome characters they’ve created.
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Isn’t Jack such a cute drunk? Funny how he’s only drunk when MC is though… possibly. After all, pictures like these don’t technically count as canon unless they’re in the game or on one of the official Sunny Day Jack pages, which you can find conveniently listed here.
Speaking of, why not consider supporting the SnaccPop Studios Patreon? If you sign up, you’ll get to see all sorts of exclusive pieces of art and sneak peeks at the lore, as well as amazing audio dramas. It’s well worth joining, in my humble opinion. Just remember to please not share anything privately posted on the patreon. Reposting paid content only hurts the team.
Anyway, back to the topic of drunk Jack, and specifically the teaser art by Sauce that may or may not be canon still.
I’ve talked about this picture before, particularly what it suggests for Jack’s powers, how it probably means he can be influenced by MC’s hormones, and how much he might be affected by MC’s state of being and vice-versa. To summarize, I believe that Jack and MC can sense how the other is feeling, both physically and emotionally, but it’s not quite as strong as the other is experiencing it, and it can be blocked out or minimized. I’ve alluded to it in Sunshine in Hell, as well as some of my short stories, especially the one where Alice is in a lot of pain.
So, as this picture suggests, if MC gets drunk, Jack does too. It makes me wonder though if he broke character and drank alcohol, he could be the one to get both of them drunk instead? The possibilities of these implications, canon to the game or not, are quite intriguing.
Of course, we can’t talk about drunk headcanons without considering what kind of drunk Jack and the rest of the crew might be. As they say, drunk words are sober thoughts, and alcohol does lower inhibitions…
Naturally, it’s kind of dangerous for a yandere character to be drunk. Self-control would be lessened, if not thrown out the window entirely if he’s totally hammered. I think Jack would be a clingy sort of drunk, hanging off his sunshine, shamelessly needing their warmth and reassurance that they love him and need him just as badly. He’s also a possessive and protective drunk, not wanting anyone else near MC. He’d probably insist on carrying them around everywhere even while he’s stumbling, though it’d take one near fall for him to decide that sitting with them in his lap is the better option. He needs to keep them safe, keep them close.
If you think Jack can be clingy normally, he is like glue when drunk, or at least I think so. Even if he was dutifully staying home like MC wanted them, once the drinks hit him through their connection, he’s got to be with them, no matter where they are. Suddenly there’s a clown in the club or party checking to see if they’re okay and wanting to take them home, hanging off them like a big warm blanket while trying to convince them to go and keep them safe from anyone that might take advantage of them.
Once agreeing to leave, Jack would probably forget about any implications or issues that might arise from carrying MC in a crowd of people. Hopefully no one is sober enough to film anything that might complicate things when he’s whisking MC away off into the night. He’s certainly not in any state to really consider consequences.
Well, maybe if they’re lucky any such videos would be assumed to be hoaxes. There’s certainly no shortage of fake “ghost” videos online. Maybe Shaun could use it to promote an upcoming movie…
Of course, if the relationship between MC and Jack is rocky, his desperation is cranked up while drunk. He needs them so, so badly.
Worse, if MC is getting physical with someone else, showing them love instead of him… Jack might not be able to hold back his yandere impulses to make sure that no one steals his sunshine away. He’d certainly have a lot of work to do once sober to convince his sunshine that he was just protecting them from being taken advantage of while drunk, especially if things escalated to outright violence. The level of intoxication, and the intensity of the moment would likely decide how far things might spiral.
Of course, you know me and how much of a sucker I am for my OTP being happy, so let’s swing back around to the fluffier extreme. If MC and Jack are in a relationship, that’s when Jack is drunkenly telling them how much he loves them, and that they should just go home together. There’s not even a token resistance to hold back his true feelings for them. He’s already got them whisked up in his arms, kissing and murmuring sweet words of love. MC is going to have a pretty hard time talking Jack into letting them stay, especially when they’d be more drunk than he is.
Naturally, the type of drunk MC becomes would affect things. Since there are way too many variables there, let’s use that as a segue to how my MC Alice is like when drunk. She’s not the biggest fan of alcohol, disliking beer, and only drinking sweet flavored mixed drinks socially before the breakup with Ian. Even then, it was rare that she got drunk at all.
After the breakup, the idea of drinking scares Alice, especially to the point of being drunk. She almost died after all. As such, the only way she’s getting sloshed in the present day is if she’s unaware that what she’s consuming has alcohol in it until it’s too late.
It’s kind of a shame, as Alice is a giggly, affectionate drunk. She stops caring about people around them and just wants to cling to her partner, giggling between kisses, occasionally gnawing on them or licking them playfully and saying silly things. Ian got quite embarrassed by how overly affectionate she was the few times she got tipsy when they were out with friends, though he certainly enjoyed the attention.
Needless to say, when Alice got drunk after finding out Ian cheated, she was anything but giggly or affectionate. Though the less said about that the better for now. Let’s keep this to fun headcanons, shall we?
Alice is also affectionate to her friends when drunk, telling them that she loves them, giving big hugs and saying what she loves about them. It was very hard on Shaun’s heart the one time he was around when Alice was drunk. She glomped onto him and told him she loved him soooooooooooo much while giggling happily~!
Of course, it was cut into by Ian crying because he was also drunk and thus more sensitive to things, so Alice went over to reassure him that she loved him mostest of all. It was a hard night for Shaun to be the sober driver.
Jack would sadly not get to experience this side of Alice. At least, not under normal circumstances. Knowing she doesn’t drink and isn’t comfortable even drinking a little bit, the moment he felt her get drunk, his protective instincts would kick into overdrive. What if someone spiked her drink? What if they had awful intentions? Even if he found out it was an innocent mistake, probably even a mixup, he would still be very concerned about her.
Well… until Alice latches onto Jack, squeezing him tight in a big hug as she tells him that she loves him. Oh how his heart would feel ready to burst, especially if they’re not together yet at the time. He longed to hear those words from her for so long… it’s just a shame that she’s saying them while drunk. Still, you better believe that his tipsy butt is going to tell her he loves her too. That would send Alice into a fit of happy giggles as she snuggles into his chest, since, let’s face it, her guilty impulses are on full display and his chest has always felt so nice and soft to cuddle.
Jack would be struggling to hold himself back and retain some sense of sobriety, to not ruin things, but it’s so hard when Alice is being so affectionate with him. Yet, he worries that her love for him isn’t the same as the love he feels for her. This is especially true if she was hugging and loving on other friends when he showed up.
Of course, even while drunk, Alice wouldn’t be open to physical contact with just anybody, only those she trusts. Being touched by someone she doesn’t know/trust would result in her fleeing to her nearest trusted friend/loved one to hide behind them, maybe even insisting they protect herrrr, and telling the person who tried to touch her to go away! Shoo! Shoo!
Naturally, if Alice was drunk while she and Jack were a couple, it would be a very strange sight for anyone else there to see her cuddling up to thin air, kissing, licking, gnawing, etc. It’d be even more outrageous to see her scooped up into the air! Hopefully Shaun isn’t there to see it and have his heart broken further. Though if he was around while Alice was drunk, and he was still sober, he would be getting her to drink water and getting her out of there since he knows she doesn’t want to drink alcohol anymore. So he’d be stepping in to help her out until Jack swooped in to steal Alice away from him… again.
Speaking of Shaun, he strikes me as a giggly drunk as well. Though he turns it more into a performance. He’s talking about stories he knows to anyone who will listen. Or anyone who is not listening, since he’d be drunk off his butt. I’m talking grand gestures, booming voice, passion thrown into it as he cries over touching moments in a movie he saw, or what he was directing. Oh, his actors killed it in the beach scene! He’ll tell you all about it, then get interrupted by a different thought halfway through the story, probably something he thinks will be a good idea for another film that he has to scribble onto a napkin. Of course, it becomes a weird scrawl that’s barely legible and makes no sense, but it was certainly exciting to him in the moment!
Of course, Shaun enjoys a good buzz. It makes him want to purr, so it’s a good tell for when he’s getting tipsy. He’s very responsible when he’s the designated sober person, but when he’s ready to cut loose, he’s a tomcat ready to play!
While Shaun is a more bubbly and fun drunk, I think that Ian is the opposite. When he has a nice buzz, he feels pretty good, but when it goes too far and he starts getting drunk… that’s when everything goes downhill. This cropped picture drawn by Sauce makes me think that when Ian gets drunk, that’s when his guilt and self-loathing hits him hard.
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Poor guy needs therapy. Also, if you want to see the full picture, which is very NSFW, check it out over on Sauce’s twitter. While you’re there, send them some love for all their amazing art and characters!
I think Ian needs constant reassurance while drunk, especially from his partner. He clings to MC and feels lonely even if they’re a foot away from him. He cries at the drop of a hat, even for silly things like how tragic that is that snakes don’t have legs. Why don't they have legs? It's unfair! He’s going to be needing help not to get dehydrated from all the crying and the alcohol, and his hangover the next day is a bitch.
Needless to say, when Ian and Alice were drunk together, it was a very mushy scene. Ian would be down on himself, then Alice would smoosh his cheeks and tell him to listen to her because he is a prince. Prince Charming! No one else is better. That’d get the waterworks going, and he’d cling to her, crying. She would then start kissing his tears away.
I figure this too also happened when Shaun was around because I’m very mean with the guy and his unrequited crush. Sorry, Shaun, but it’s just too much fun teasing you, haha. Don’t worry though, he’s going to find his own happy ending in Sunshine in Hell with a partner or two who love him more than anything else in the world. Eventually.
On that note, let’s move on to the final love interest, Nick. Nick strikes me as someone who is very smooth when tipsy, but an absolute mess when sloshed. The filter is gone. He’s got opinions, and by God is he going to give them, even if they don’t really make sense. He especially has strong opinions about bad BDSM. That popular book series they made a movie about called, what was it again, 500 shades of fucked up or something? That is not BDSM. That’s abuse pretending to be BDSM. Do you have any idea what that mess has done to the BDSM community and how many people have done stupid things because of it? And don’t get him started on what an awful idea it is to tie someone up with rope from a hardware store of all places!
I see Nick as the type to start recording himself once his inhibitions are dropped. The people need to know! His thoughts have to get out there! His followers need to know the truth! This is why he makes sure that he has to put in several passwords before he can actually upload anything. He learned his lesson that he can’t trust drunk Nick with his socials the hard way. The fans are still making memes and using clips out of context from that embarrassing old video. At least he bounced back from it by joking about it even if inside he’s still dying of mortification.
Speaking of a drunk with complaints, I had the image of Barry really unloading all his grievances when he’s drunk. Fortunately, he knows better than to get sloshed with any of his employees, but if he did, they’d have a hard time escaping from him insisting that he knows what’s wrong with the service industry and customers and how the hell did his latest marketing gimmick fail?! Can’t they see how cute the new mascot is? He paid way too much to the graphic designer! Do you know what artists charge nowadays? It’s highway robbery!
Since we’re going into employees of Yogurtopia, why don’t I touch real quick on the other people on staff who I expanded upon a little in my earliest headcanon posts? Things have changed since then of course, such as the boss having an actual name now. Needless to say, I’m not going with what I came up with for that post, but let’s do a little rapid fire mode with the rest of the employees I want to use for Sunshine in Hell.
Carol is a flirty drunk, which is a big problem if she’s actually in a committed relationship at the time and the person she’s flirting with isn’t her partner. Though I’m sure she’d give her partner permission ahead of time to have sloppy drunken makeouts and sex with her.
Liz isn’t really a drinker so much as a stoner. Though if drunk they would be doodling on napkins and finding the ceiling tiles fascinating.
Susan is underage and isn’t much for breaking the rules, so it’ll be a few years yet before she’d have to worry about how she’d be as a drunk.
I know I haven’t touched on these characters a lot, but I figured why not expand on them when I can, even in small ways. If nothing else, it should make it easier for me to come up with more ideas of what parts they could play in the bigger picture of Sunshine in Hell.
Speaking of my OCs, why don’t I touch on the rest of the King family while I’m at it?
Mama Lycoris enjoys herself a nice glass of wine with good company, most notably her husband, whose name is still undecided. (I’ve narrowed it down to Eden, Seb, Luan, Yuri, or Heliotrope. Picking character names is hard sometimes.) It’s rare for her to get drunk, but when she does, she seeks out her husband, even if she just lost track of him for being out of sight. She’s the type to do the meme where she’s crying while texting them that she misses them while he was just in the bathroom. Once she finds them, she’s crawling in his lap telling them how much she loves him~
Papa King usually is the sober one at a party, embarrassed by his wife loving on them when she’s tipsy. Sometimes Lycoris pretends to be tipsy just to get him flustered. They do occasionally have a glass for a special occasion, like toasting at his anniversary or a special holiday. When drunk, they’re a sleepy sort of drunk, pretty out of it and just off in his own little happy world. They haven’t yet been drunk before though, or even gotten tipsy, as he drinks very responsibly.
Barbie isn’t one for drinking, even socially. Though that’s probably not surprising considering she’s not a very social person. If she did get drunk though, she’d be a mean drunk, eyeballing anyone who looks at her funny and ready to jump into any excuse to fight. It’s probably a good thing she doesn’t drink!
Though, I suppose if Barbie was drunk around Bo, she’ll probably let her dom side out more, ordering him around and getting a bit rough with him. Good thing Bo is a big strong alpha and can’t get drunk due to being an AI, so he’ll be able to take care of his puppy even when she’s gone a bit feral due to alcohol.
Coraline also doesn’t drink, but that’s because she can’t due to medical reasons. It interferes with her prescription medications, so it’s probably best if she sticks with non-alcoholic beverages. If she did get drunk, however, she would probably be similar to her father, being off in her own little world, looking at things as if they were fascinating. She would probably be very keenly interested in holding Elias’ head and examining his neck stump up close, which I’m sure her poor groom wouldn’t quite be comfortable with. He would have to make sure to redirect her focus elsewhere until she sobered up.
Of course, I can’t just end things there. I haven’t gushed nearly enough about Jack and Alice having some drunk shenanigans in a more specific sort of scenario. It might turn into some writing, or it might not, but it’s my post, and I can ramble on longer about my OTP if I want to.
As I said earlier, Jack would be very concerned upon noticing that he’s starting to get tipsy. At first he would probably be confused as to how lightheaded he is, until he realizes that it’s because of his sunshine’s influence. The immediate order of business after that is to find Alice and check to see if she’s okay. With lower inhibitions, it would be hard for him not to worry that someone spiked her drink or something.
While someone spiking Alice’s drink would make for some interesting drama, and a target for Jack to go yandere on for taking advantage of his sunshine… I think I’ll stick with something more innocent for this post and say that there was a mixup with her drink or Alice was unaware something someone brought at the party’s potluck had a high alcohol content until it was too late.
Though if y’all want me to chase that darker and more dramatic plot bunny of Alice getting her drink spiked by some unscrupulous character, and Jack has to save her, do let me know~ ;3
Back to the lighter scenario. While it is intriguing to imagine how torn Jack would be if Alice is loving on him while they’re not together, and she means tells him she loves him in a clearly platonic way, which wrenches his heart… At the moment, I’m more drawn to how much of a cock block it’d be for him if Alice was getting frisky with her affection and turning Jack on, forcing him to hold back his urges and stay responsible even though what he wants to do is take her and fill her with his love until her legs are too wobbly to allow her to stand anymore. He might be tipsy too, but she’s outright drunk, and he’s not going to take advantage of his sunshine in an inebriated state!
Of course, Jack’s first order of business is to get Alice home. It doesn’t matter if they’re in the middle of a party full of people, he’s carrying his sunshine home. Alice doesn’t protest being scooped up by her boyfriend, just giggling in delight before peppering his cheek and neck with kisses now that she’s in range. She also makes sure to tell Jack how she just loves him so, so, so, so, soooooo much~!
Jack does try to be discreet in getting Alice away from the party. He might be pretty tipsy, and his steps a little unsteady, but he needs to protect his sunshine. He needs to take care of her, be responsible. It’s what he’s there for after all.
It’s just a little hard for Jack to focus on walking straight when Alice keeps nipping at his skin. Her giggling tickles his ear too, and it’s hard for him not to melt when she tells him she loves him and that he tastes so sweet.
Having a hardon would also make it difficult for Jack to focus on walking straight. Poor guy. Alice doesn’t think about what she’s doing as she keeps kissing, licking, and nibbling on him, her hands wandering and squeezing his chest despite him trying to gently redirect her attention. He needs her to stop, since he can’t focus, but at the same time he really wants her to continue.
The first order of business once they get back home is to make sure Alice sobers up with some water and food. By the time they’re home, Jack feels like he’s going to go crazy. Like her drunkenness affected him, his horniness affects her, and those playful affections become more lusty as her inhibitions are lowered and the idea of teasing Jack and making him feel good becomes more and more appealing. Eventually it gets to the point that she’s being much more blatant in her teasing, such as tracing his nipples through his shirt with her fingers. Maybe even copping a feel lower down when they’re at the apartment and teasing him about the bulge in his pants.
Needless to say, Jack would be having a very hard time holding himself back. It’d almost be a relief when Alice abruptly nods off due to the alcohol. Of course, he’d have to give himself some real relief, imagining what it would’ve been like if she had sobered up so they could continue. All the while, he’s also swearing to himself that in the morning - provided Alice wasn’t in pain from a hangover - he was going to pay her back for all the love and affection she showed him tonight in spades.
The next morning, Alice is indeed hungover, though not quite as bad as she would’ve been if Jack didn’t have her eat and drink something last night. Of course, Jack is kind and cheerful, endlessly gentle and supportive of her, giving her some painkillers and making her a nice, mild breakfast. She remembers what she did last night and is too embarrassed to talk about it, just thanking Jack for helping her get home.
Though past the embarrassment, fear would slowly build as Alice woke up more and it sunk in how easy it was for her to accidentally get drunk at the party. It was so easy for her to lose control… for something to happen… Jack picks up on her worries right away and reassures her that he’ll always be there to take care of her and keep her safe. He’ll always protect her and make sure nothing bad happens to her. He made sure she got home safely last night, after all.
Jack won’t ever let Alice suffer through anything as awful as the night Ian broke her heart ever again.
Some reassurance and cuddles goes a long way, and Alice is able to let go of her fear and embarrassment to just appreciate how much Jack cares for her and takes care of her, even when the unexpected happens. She melts into his soft and reassuring kisses that soon turn hot and steamy. Suddenly the breakfast dishes are off the table, and she’s the one getting eaten by her very pent up boyfriend.
You better believe that Jack planned to feed Alice then do the deed with her as soon as possible. The moment she shows that she’s receptive to his affection, he starts enacting all the naughty fantasies that he had while giving himself relief the night before, making sure that Alice is the one being driven crazy this time. He won’t rest until she’s begging for him to make love to her. Repeatedly.
Needless to say, if Alice has work that day, she’s missing it. Jack would’ve turned her phone off after sending a text that she’s sick, just in case. There’s no way Jack is letting Barry cockblock him again. Not after he spent a night getting blueballed by a too sexy sunshine that was too drunk to make love to.
Fortunately, in the light of day and fully sober enough to consent, Jack gets to enjoy every inch of Alice, as well as a nice memory of just how fun and affectionate she gets when her inhibitions are lowered. He also has a goal to strive for, to encourage his sunshine to feel freer with him like that when they’re both fully sober so that they can enjoy every second of their lovemaking.
Well, I think that’s a good place to wrap up these drunken headcanons for now. I hope you enjoyed the silliness. It seemed like a good way to start off the year, and it certainly would be a fun start of the new year for these two!
@channydraws @earthgirlaesthetic @sai-of-the-7-stars @cheriihoney @illary-kore @okamiliqueur
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spookberry · 2 months
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Shadow High series 3 my new beloved
I didnt even like most of em until i saw them in person, but the knowledge that they'll probably never be in the show has my brain in a "well its free realestate" kinda mood
Random list of information cuz ive been plotting out friend dynamics and background lore
-i like to pretend Rainbow High/Shadow High are actually Rainbow University/Shadow University cuz im in art college Right Now and i think it makes more sense with the whole dorm room situation. And also major makes more sense than focus IMO
-I changed Pinkie's major from film to just undeclared. I think she eventually does land on Film. She just has a lot of interests! Her dream has always been to one day direct films, and I think she comes to love them even more while developing ideas her with the group as she winds up in a Director/Producer position for most of them. BUT also every time she takes a class in a different program she cant help but fall in love with that way of making art too. So she has a hard time picking for a while and changed her major a couple times before landing on Film.
-Pinkie and Berrie bond a lot over a shared interest in vocal synths (tho Berrie knows more about them than her).
-The two made Pinkie's vtuber model together!
-the fandom wiki says PJ is from germany?? Idk how canon that is tbh but ive decided to embrace it i guess
-Rooney's canon name is Scarlet Rose, but i thought it was kinda lame especially when Rosie Redwood is also in this line sooo I renamed her! Stuck to the color name puns tho. Mar Rooney. Maroon. Haha
-Speaking on her though i love that shes from texas and likes writing scifi mystery type stuff and that being said i just Know deep in my bones that she was a Voltron Legendary Defender fan and Keith was/is 100% her favorite. She has a continued fondness for mothman specifically cuz of this.
-PJ and Rooney actually talk about fandom and shows/movies ALL the time. They dont have a ton of overlapping interests, but where they do? The two literally never shut up.
-Rosie is such a random character, like outside of her design she feels very poorly considered. So I scrapped the cosmetology thing and made her an illustrator instead! I think it works better with her love of making art in nature. I can see her being really into illustrated guide books. I think shes a bit snooty when it comes to art too. It takes being friends with other artists to become more open minded.
-I like the idea that Rosie is mainly friends with Rooney and Berrie ontop of that. The three of them often tag team storylines and how theyd interpret them into different mediums. Rosie will draw up a bunch of concept stuff while Rooney writes up a pitch bible and Berrie will start making shit move and throwing in her own ideas on camera angles and character designs.
-as an animation major Berrie was required to take a sound design class early on, which is where she met Oliver! Hes very laid back, and likes to go with the flow, but functions a little like the "mom" of the group. Often reminding the girls to take breaks, drink water, stop looking at their screens lest they get eye strain etc. He's multi-talented tbh but Music is his one true passion and he likes how the girls are always giving him collaboration opportunities.
-Oliver and Rosie like to talk sports a lot, both having played a bunch when they were younger and throughout high school.
-Lavender Lynn is Oliver's number one "person who needs constant reminders to settle down" she is in a constant buzz of trying to get the best shots and is utterly obsessed with the process of artistic documentation. Everything must be documented.
-the whole school loves her for this actually, she has a whole side gig where other students hire her to help photograph their projects. She saves everything she earns from this for her future dream plans to visit paris. She has it set really, many of the artists who she helps photograph now will remain steadfast clients of hers forever onward.
-PJ and Lynn actually took a print media class together at one point. Which didnt at the time spark an everlasting friendship. But it did give PJ an easier in to ask for Lynn's help documenting a project the group was working on. One of Lynn's first times photographing them work happened to fall on a day where Rosie had planned to trick everyone into going on a nature walk sans devices... Lynn wound up really appreciating this outing and decided to continue hanging around the group even after that project had ended.
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tabibitto · 2 years
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Genshin Character Headcannons | How They Cuddle
m.list
Characters: Xiao, Zhongli, Kaeya, Diluc
CW: Sfw, Fluff, comfy comfort :)
AN: My pillow was quite warm and soft after being in the dryer, snuggling into it for multiple minutes was what got me to come up with this idea kekekeke-
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Xiao:
Cuddling Xiao will take multiple weeks if not months after being around him for him to be comfortable to ask you one day to do it
Poor boy is too scared he would harm you with his karmic debt, or what if he falls asleep, has a nightmare and ends up hurting you
It took a lot of convincing that you would be okay for him to give you a hesitant but sincere nod
The first few times he would wait for you to get into bed first, watching carefully as you turned your back to him and began to crawl with obvious excitement on the bed, curling into a ball on your back, in a half sideways position before patting the space behind you
You paused before asking him, “Big spoon or little spoon?”
Xiao would freeze mid-step to the bed and turn his head like a puppy, confused as to what you meant?
You hid your smile at his actions and explained in a gentle tone, “Do you want to cuddle me or shall I hold you instead?”
His eyes widened and he let out a small gasp before clearing his throat
“U-Uhm…I-I…”
He gulped
“W-What would you like to do?”
Xiao, wasn’t gonna lie. Both sounded amazing. Though he feared if he picked, you would be upset with what he chose
So the first time, he said he would hold you, and allowed you to manhandle him however you saw fit
He took note of how you curled up against him, sighing in bliss at the warmth and comfort you felt in a specific position, how you gently moved his hands where you wanted them
And just as gently held his waist
If you are taller then him, then he would most likely place the side of his face on your chest, facing you. if you have boobs then Xiao would wiggle his face higher, closer to your collarbone in order to both not turn red or make you uncomfortable
If you are shorter then him, he settled for tucking your head under his chin, once again facing you. he felt he could protect you this way, shield you from the cruelties of this world if all he had to do was shift his body over yours
In a way it is comforting for your smaller body to be in a tiny and comfy ball around his, fret not, if you are taller then him he feels all the same
He would just hold his arms tighter around your bigger frame, fearing if he didn’t someone would steal you away
Overtime he became more comfortable touching you so intimately, and would take the initiative to hold you whenever he wanted to, though always asking for permission
Xiao likes to cuddle you in the normal spooning position, except he wants you face him
His legs tangled comfortably with yours
Holding you close to his chest as he gently pulls off his embroidered gloves to reveal his slim and elegant hands
Slightly rough but still comfortable and littered with scars
He uses his fingers to gently slip under your shirt and draw imaginary designs on your skin, or perhaps rub your back or side tummy in comfort
Xiao would do this to pass the time, since he doesn’t normally sleep, and if he does it takes a long time for his senses to relax and understand there is no danger to be weary of
Besides, you seem to enjoy his touchiness so win-win
If you seek him out for comfort after a long day, or because you feel upset, he is instantly laying on the bed, pulling you to him
Believe it or not cuddling has healed his inner child, and very traumatized self after years of abuse
So if he can use such a lovely thing to help you too he will do so without question
What do you need sweething? Whatever it is he will give
Kisses? All over your pretty skin. Praises? Might be a little harder but he will give it his all to reassure you
Under his watch, a sad Y/N is unacceptable and shall immediately be comforted no matter what
With him, you will always be safe. Even if it is from the lingering thoughts of someone’s negativity, and even your own
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Zhongli:
Zhongli was in the middle of drinking his tea when you brought this up and turned his head towards you sharply upon hearing this request
His brows would raise in curiosity and amusement before letting out a soft chuckle
“Of course my dear..though I fear it has been many years since I have last…embraced. Though please do not mistake it for discomfort.”
He wanted to ensure you would be as comfortable as possible the first time, like Xiao, he also lets you maneuver him as you like
Taking note of how and where you place him for next time
Don’t worry, it is impossible for Zhongli to forget any detail, even the reddening of your cheeks as he shifts closer.
He usually prefers to have his front pressed against your back, he works your hair, if it is long in a way that is comfortable for you and unbothersome to him if you are around his height or miraculously taller
If you are shorter this is no issue, he snuggles his nose into your hair all the same
Sometimes, if you cuddle after your return from work, he used his hand to massage your back and shoulders, even rub your hips if he must
If you are really sore or in pain, he will flip himself on top of you and give you one of the best massages you have ever recieved.
Seriously, what doesn’t he know how to do
If You are in need of comfort that day, he nuzzles his warm lips against your ear and gently kisses the rim before whispering, in his deep and calm voice gentle reassurances and praises, rubbing your tummy, thighs or breasts if you are okay with it
Fear not though, it is for comfort, he doesn’t mean anything else by it, if you ask for it he will do
If you have insomnia, worry not. Zhongli has the most comforting and calm voice you can find
He will gladly tell you a story, or perhaps hum gently to you
No matter how long it is you nap while holding him, it will be the most comfortable sleep you have ever recieved
As for the Geo Archon, let’s say your other side of the bed will not be empty for a millennia to come
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Kaeya:
It was neither you nor him who asked for cuddles, nor was it planned
He had come over one day to spend some time with you, wet your whistles and chat
He noticed you getting cozy on the couch and chugged down his wine before casually making his way over
Kaeya would kick off his shoes, his coat and anything uncomfortable for cuddles before crawling in behind you
“Kaeya what are you-”
“Shhh, go on. Continue what you were saying~”
He would hover over you momentarily , slipping an arm under the small of your back before flipping you two over so he was laying on the couch with your body on top of his, your size mattered not to him
Though if you were shorter, he would tease you every now and then about how tiny your frame is in his bigger one
Simply giving you a toothy grin when you punch his arm playfully
He usually cuddles you this way, an arm around your waist, with one hand casually behind his head as he gazes down at you
If you want kisses Kaeya will demand you come and steal them from him, adoring as you come up with small timidness to peck his lips before he uses the hand behind his head to keep you there
If in one of these occasions you do not bother to ask and just press your lips against his with full confidence, Kaeya will chuckle to mask his flusteredness
“Someone is feeling awfully bold today I take it?”
If you need him to cuddle you for the purpose of comfort from your emotions, the smug and teasing act drops, and he cradles you on top of him like a baby
He will only switch it up and have you face him sideways if he feels you require a feeling of tender safety and comfort
Kaeya gently caresses your sides and gives your head a massage with his fingers before using one to come back around and shush you
He pulls away the finger to gently kiss your lips
On comfort needing days he is slow, gentle and passionate with his kisses, they are usually longer, almost like making out without the sexual neediness of it as he uses his hands to touch you wherever you want, knowing your senses are more sensitive at this time
He takes advantage of this to make you feel as cared for and loved as possible
Cuddling you has made the lonliness in his heart go away, and overtime he even cuts down on the drinking a little
When his kisses are not for comfort but merely just to kiss you, they are deep, secure but soft, a direct and strong, unwavering statement that he is yours and you are his
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Diluc:
Diluc is also similar to Xiao in where it takes him a little bit to get comfortable to do such intimate things
Though rest assured, once you start, he will never not cuddle you when he gets the chance
Holding you close reminds him of the times his father snuggled him to sleep, when he wandered into Crepus’s room after a nightmare, holding a pillow as he asked to sleepover
Receiving a chuckle from the older Ragnvindr before crawling in for cuddles
So every now and then, he will like to be the little spoon; weather his head is on your chest, his body half on yours half on the bed, or in a spooning position
It is both comforting and nostalgic, the memories bring no pain
Only pure comfort and love
If it is a day when you need his warm arms to hold you, protect you from the bothersome emotions that have troubled you today
Diluc is quick to leave his desk and shed his coat, already undressing down to his undershirt and trousers for you
He pulls you close, facing you as he presses the side of your face against his chest, letting you nuzzle into it as much as you want
You two are sort of to the side though not fully, just enough to where the free use of both arms is still available
Diluc usually has his hair tied up in a messy bun since it is thick and he does not want it to bother you if it is you behind him tonight
His kisses are gentle, quick and multiple strings of repeated pecks, though long enough to show you he loves you
On days where he feels more romantic, they will be long, slow and deep
His tongue gently brushing your bottom lip every now and then, hands holding your hips or butt comfortably, it always ends with a few playful pecks
Diluc is truly a blessing from Celestia to have on cloudy, rainy or cold days. His warmth never fails to send you to a comfortable slumber
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luna-writes-stuff · 2 years
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A super quick five-minute guide to writing a Stranger Things fic with no experience of DnD:
Edited for some clarity since people asked for it. See reblogs for more time-accurate DnD, and more specific rules!
Alternatively; If you never played or barely know DnD, but wish to write about it nonetheless, here are some quick FYI’s
These points are made based on things I have read on this site and other platforms. In no way is this a personal attack if you recognise your own writing! I have seen many posts where people complain about the inaccuracy of DnD represented in fics, but none offer any ideas, so that’s why I wrote this. Hope this helps!
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1. DND IS NOT A TWO PLAYER GAME
You need one Dungeon master, and at least three players to create a good campaign. I’d say a normal party consists out of five players (DM not included), but it can quite easily be bigger.
(There are starter campaigns with one DM and one player, but for a good game, you’d need a bigger party. Introductions to DnD are way more fun with a good group)
2. DND IS NOT A QUICK GAME
There is no such thing as playing a quick round of DnD. Even starter campaigns can be hours long. A short/mini campaign is usually around 4, if not more, hours.
3. THERE ARE MORE DICES THAN JUST THE D20
Though the D20 is the dice you will use more often, there are other ones as well; the D4, D6, D8, D10, and - occasionally - the D100
4. THERE ISN’T ONE DND BOOK
DnD might appear as a fun role playing game, but there is a lot of effort that goes into it. With that counting the books. Players usually only need the Player’s Handbook, which contains information about how to play and how to make a character. Vice versa does the DM have a Dungeon Master’s guide, which introduces them to the game and how to direct it. Aside from that, there are a lot of other books containing different worlds, campaigns, creatures, characters, monsters etc. etc.
5. YOU CANNOT MAKE YOUR OWN DND HANDBOOK
Bouncing back on point 4, as there are many books, there are also many pages. A book isn’t easily studied, and is usually only used as a reference, and not something you have to know by heart. It is incredibly difficult to memorise every little detail of only one book. Aside from that, there are many many rules and restrictions bound to certain worlds and characters, so creating your own book, 9 out of 10 times would not make sense. It doesn’t make it impossible, but it is highly unlikely. Also, the DM will often times pitch in on which races and classes to use for certain campaigns, so creating your own species often won’t get you very far.
6. NOT ALL DND CAMPAIGNS HAVE A MAP AND MINIATURES
In season 4, we see Eddie’s campaign, with it a map and miniatures of creatures (under which Vecna), but this doesn’t occur as often as you think. Starter campaigns or other well known campaigns do contain maps, and miniatures of both the characters and creatures, but this is only because most of those campaigns don’t actually allow you to make your own character. A campaign self-written, or a campaign taken from a book about a certain world often times do not have anything, save from some drawings of your surroundings. There will be a lot of times you’ll have to imagine your character standing in a certain spot.
7. WRITING A CAMPAIGN IS DIFFICULT AND ISN’T WRITTEN IN A DAY
Extending some information; writing campaigns are a pain in the ass. As a first time DM, you will not write your own campaign. Unless you are really committed and already have some experience as a player…. If you have played often, writing a campaign is possible, but it takes weeks, if not months. A lot of info and rules and restrictions and creatures etc. etc. are involved in the process. Besides that, you’ll have to help your players out with their characters to fit to your world, while not revealing too much. You cannot write a campaign in a night.
8. CREATING A CHARACTER TAKES A LONG TIME
Like writing a campaign, a character also takes time. If you are really dedicated, you might have one in an hour, but if you want to properly study every race, class and background, you’ll be stuck in the books for a while. And that’s not even with counting characteristics, alliances, backstory, mannerisms, bonds, relations…. And then you’ll have to actually get in character. It takes time.
(As said, some people can create characters quickly, but this is with experience. More often than not, if you want to write a good character, you’ll be busy for quite a while)
9. EVERYTHING RELIES ON THE DUNGEON MASTER
As a player, you can’t change the story. You can’t make things up. Everything, and I mean everything, goes by the Dungeon Master first. You can’t propose things, you can’t ignore things. Dungeon Masters spent a lot of time working on campaigns, even the ones that have already been written. They know what happens, they decide. There is no second voice.
(Yes, players are able to interact with the story. It wouldn’t be DnD if you couldn’t, but the DM knows what happens, and the players - or the characters - do not. You could ignore creatures or buildings. Smart? Meh.)
Hope this helped! If not, feel free to ask or leave a suggestion!
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chiara-hotel · 2 months
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𝒟𝒶𝓉𝒾𝓃𝑔 𝒯𝒽𝑒𝓂
Characters: Jonou & Tecchou
Spoilers: Hunting Dogs Appearances
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- Ever had a golden retriever as a pet?
- Tecchou is very similar to one
- He follows you all over whenever hes not on a mission
- Quiet, occasionally says “I love you” at the most random moment
- Cuddles quite a lot whenever hes with you
- Loves sleeping while cuddling, specifically him holding your waist and keeping you close
- Often times he goes on important missions and leaves for a long time so he gives you one of his capes, sweaters, anything to make you remember him (and yes, he takes something from you)
- But occasionally Fukuchi will just let you go with him, especially if its a foreign country
- In his (Fukuchi’s) eyes it seems less suspicious ion Tecchous part
- Not too much though because Tecchou tries to keep you out of his missions
- If need be, he’ll gladly risk himself to protect you though
- Your regular dates include Movies, Arcades and Workouts
- If you don’t like working out then you help him workout (ex, sitting on top of him while he does pushups or lying underneath him while doing pushups so he can kiss you every time)
- If he ever gets tired in that last example, then he can just lie ontop of you and hug you
- He loves hugs, but won’t initiate them often, usually he hugs you from behind though
- Not a huge fan of PDA but okay with small things like a small kiss, hand holding or a quick hug
- You’ve met all of his friends in the Hunting Dogs, you know Jonou the most though since he goes on missions with him often
- Jouno mainly tells you to “put some sense into Tecchou”
- Fukuchi also doesn’t care if your with Tecchou as long as it doesn’t affect his performance as a Hunting Dog
- Tachihara you saw once then dipped to the mafia
- Of course you get invited whenever they go on trips or such because your Tecchou’s partner
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- On the surface it seems like me might not do a lot for you but he cares for you very much
- One of his favourite things is saying “I love you” and listening to your heartbeat rise before you say I love you back
- Or when he holds you close to him, and he hears your heart
- He can’t exactly see but he’ll always know what your thinking
- Touch is an important element to him, so cuddling often happens, even when around close friends he often has an arm around your shoulder
- In public not often though because if someone were watching he wouldn’t want to reveal his main weakness now would he??
- Although it does happen occasionally
- His favourite type of dates include cafe dates, picnic dates & movie dates
- You occasionally join him at the gym aswell (mostly to motivate him, unless you also enjoy working out)
- He sometimes tries to do pushups with you on him or even try to lift you up & down as an exercise
- Fukuchi also allows you to go on missions with Jouno when it’ll be a while
- Jouno can keep you out of harms way & its nice vacation for you both
- You’ve met Tecchou a few times and are friends
- Don’t get too close to Tecchou though because Jouno will get Jealous and take you away
- Jouno doesn’t get jealous often either, if someone hits on you in public or buys you a drink he has full confidence that you will turn them down
- He loves to watch you crush their hearts too
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venvellan · 10 months
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da2's arishok is a good villain. if you have a fundamental understanding of the qun and listen to his thought process, the things he does makes sense. he uses the qun to justify slaughtering kirkwall's people, which is utterly inexcusable and what makes him a villain, but his character is complex enough to make dealing with him that much more thought provoking. he sends agents to kill petrice because she was killing his people, he doesn't give up the elves because they committed their lives to the qun, no matter how recently they converted, and he refuses to leave without the tome (and isabela) because his idea of justice hasn't been done. his logic makes sense, generally, though it is wrong on more than one occasion. he isn't moral, but he is methodical.
i feel this way about solas, too. i like da2's arishok for the same reasons that initially draw people to solas, i think. when we meet them, i find them interesting and educational to talk to, someone worthy of respect, and someone very honorable in their own way. similarly, many of my issues with solas compare with flaws in the qun/the arishok.
solas asserts that all of his beliefs are correct, and we're never allowed to challenge him on any of it. if he has high enough approval, he'll approach you to go, "yknow, i thought you were all [insert prejudice or stereotype] but YOU showed me that some of you guys are actually okay," which is NOT what it looks like for someone's beliefs to be challenged.
brief aside, i want to be fair in that we don't get this opportunity with many of the companions, and it's not even an inquisition specific issue. the dialogue format is agree, joke, be mean, and it's flawed, but it works in the majority of interactions. we don't really get to engage in nuanced discussions with characters, but there are positives and negatives to the system overall. it is possible to challenge and shape a character within this dialogue system (i.e., garrus vakarian) but in dragon age that really only comes in the form of harden/unharden. it was a little more doable with origins' system, but it really hasn't been a huge part of any dragon age game. most characters' beliefs remain largely unchanged by you regardless of how you play.
solas also possesses a strong sense of duty and purpose, though what duty he has, what his true goals are, he keeps hidden as long as he can. the most damning comparison though, to me, is how willing he is to destroy the world and bring back "his people," while the qunari fight to conquer the world and homogenize society into "their people."
in any case, with both him and the arishok, you can see the wheels turning in their heads. you can see why they do what they do, even if it's wholly immoral. it makes their threat a lot more personal, a lot scarier, psychologically, that a "normal" person, who doesn't want to cause suffering, can hold such specific beliefs and such strong conviction that knowing that they'll hurt people doesn't give them any pause. the root of their motivation is understandable. solas wants to right his wrongs, at his core. the arishok implicitly believes that the qun is safer, better for its people than life outside the qun. we can see that they're taking it too far, but they don't care. it makes them good villains.
"i am not corypheus, i take no joy in this." sure, which is a very similar sentiment, emotionally, to the qunari sense of duty. you can say you don't enjoy it all you want, you're still committing genocide. you can hate the qunari all you want, but you fight with their ferocity, their unshakeable faith in their own cause. their need to "do what's right," no matter who's caught in the wake.
i understand why people like solas, i go back and forth on it myself, but i don't think he's all that different from the arishok in method and motivation. they're each thrust into a world so different from what they believe is "right" that they demand it change around them. if we had to kill the old arishok, then if solas refuses to give up, he will have to die. he doesn't get to do genocide just because he's romanceable. he's a good character, he's a good villain, but he's not a good guy, and unless he stops before he does any real harm (which he will not do), he should share the arishok's fate.
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aeithalian · 1 year
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Rick. Buddy. Amigo. Explain something to me. Real quick, I promise.
[The Trials of Apollo: The Tower of Nero, Chapter 4]
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Good genetic package, Rick/Apollo? Are you sure about that?
Listen.
Estelle's physical description *clap* makes *clap* no *clap* sense. Why on earth does one of the only fully human characters in this series have to have unique and weird physical traits? Also, it makes no sense in the larger scope of Rick's writing style to have chosen this unless he had some sort of larger intention behind it. Not to mention the theories by fans haven't really done much to fully flesh out any perceivable reason as to why this might be:
Poseidon blessed Sally when she was pregnant - By far, this is the most believable to me, but it's still eh, because this feels very weird and I don't get the vibes from Poseidon that he would have done so to the extent that it shows up in Estelle's physical traits. Also if that were true, it doesn't make sense for Rick to just fully drop it in the story without the intention to flesh it out further, because to my knowledge he doesn't have plans for another novel that takes place after ToA.
Paul isn't Estelle's father - Firstly, this is out of character for Sally, and this doesn't fully justify why Estelle has Percy's eyes. PLUS, salt-and-pepper hair still wouldn't be natural for a newborn
Paul is Poseidon in disguise - This explains her traits the best, but Paul's character is so much more satisfying if this isn't true. It's also total bullshit.
Enter me. I have a theory. Yay. But first, we must discuss.
Firstly, I want to talk about her eyes. Going back to the theories, and based on my fair amount of knowledge of genetics (clarification: I write this as I procrastinate studying for my final genetics exam), the eyes are mostly interesting because Apollo specifies that they are immediately similar Percy's. The thing about eye genetics, though, is that they are what we consider to be 'complex traits', meaning that they are influenced by the interactions of multiple genes from both parents. What I mean to point out here is that Sally could definitely have the genes to produce two children with 'sea-green' eyes, considering her canonical eye color is blue. We don't know what Paul's eye color is, which makes my job a whole lot easier because I can assume that it doesn't directly contradict the possibility that Sally just has really strong eye genes (?). ALSO, who's to say that Poseidon didn't just change his eye color to match Percy's when he was born? Ah, yes, the perks of having a shapeshifting dad who seemingly loves you and your eye color a lot (but is still absentee, WHOOPS).
But what I actually found the most interesting about Estelle was her hair color. More specifically, the fact that Apollo says he's never seen an infant with that color hair. And we know Apollo is somewhat of an unreliable narrator (although this rarely affects his descriptions of people other than himself, and has also mostly evolved into a more honest narration since the end of book 3), but I believe we're supposed to trust this dude who just so happens to have been alive for over four millennia. Based on Apollo's previous descriptions of his own powers (see his conversations with Percy in TTC, when he pulls a Mufasa and basically admits to seeing everything the light touches), we know that Apollo knows and has seen a lot of stuff. So, how is this the first time he's seemingly witnessed this type of hair mutation?
I did some research, as one does. To me, it seems as if Estelle has what's called Griscelli syndrome, which is a type of rare autosomal genetic mutation that typically results in phenotypic hypopigmentation of the skin and hair. (It can also result in neurological disorders and immunodeficiency, based on the type, but I digress.) It's also pretty rare, considering both parents have to be carriers, and even then the child still has a one in four chance of being affected. Current statistics from the NIH say that Griscelli syndrome currently presents in less than 1000 Americans, and is rapidly fatal in 1-4 years without aggressive treatment.
That sad note aside, it's weird to me that the way Rick wrote Estelle's physical description makes it seem as if Apollo had never seen anything similar. I feel like a god of both medicine and knowledge would probably be a bit more up to speed with rare genetic disorders, especially because he's so old. The only explanations are that Apollo, in his mortal state, can't make a diagnosis, OR what he's seeing isn't actually something he can diagnose.
FURTHERMORE, from the same chapter, Apollo says something that muddies the waters even further:
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It doesn't make sense that Apollo thinks that Zeus would take such an interest in Estelle. Her nature alone doesn't make me think that the king of the gods would take a sudden interest in a literal newborn, regardless of how much Apollo loves her (and honestly, I don't blame him).
What I think? Rick pulled the strings just tight enough that he has a very interesting plot point to go off of if he ever decides to pick up the pen again and write a new book.
What I think? Estelle doesn't have Griscelli syndrome, she is in much more danger than anyone realizes, and Apollo's subconscious put this together from the second he saw her.
Actually, let's rewind. I'm in the process of writing a fic (stay tuned!) and I had a random thought: do the Greeks have an apocalypse story? You know, like Ragnarök in the Norse mythos, and the Revelation stories in the Bible.
The answer? They don't. I guess that's what you get when the Greco-Roman gods are fully immortal and literally can't be killed.
That didn't stop the rabbit hole, though, and what I found was actually very interesting and I couldn't believe what I was reading.
I give you: Hesiod. More specifically, his poem Works and Days. More more specifically, his 'ages of man'. More more more specifically, the iron age.
For context, Hesiod was an ancient Greek poet who lived in the 8th century BC, and was walking right along with Homer in terms of fame at the time. The poem Works and Days is actually more of a really long Facebook post where he complains about anything and everything, especially in his section on the ages of man.
In summary, Hesiod wrote about what he perceived to be the five stages of human life since the creation of mankind by Zeus' hand:
gold: perfect in every way, pious, and blessed by the gods
silver: real bitches, the ugly middle child, so Zeus killed them
bronze: were so violent they wiped each other out
heroic: golden child, contained the heroes of the Greek mythos
iron: middle-aged men still living in their mom's basement
Hesiod wrote his poem during what he perceived to be the Iron age (it's really just him complaining about being born in the wrong generation), but he ends up listing a lot of qualities: 'everyone works too hard, the gods hate us, nobody respects family values anymore', blah blah blah.
I know what you're thinking: Tia, what does this have to do with an apocalypse?
Well, dear reader, bear with me. You see, every time Zeus didn't like an age of mankind, or it became too violent, or it generally wasn't pious enough, Zeus wouldn't hesitate to destroy that race and start over. Basically, an apocalypse.
So, you may ask a new question: what is the criteria for Zeus to destroy the Iron age? And, assuming that this is the age we're currently in, what would it take for Zeus to destroy everything our beloved Riordanverse characters know and love?
My friend, that is where Estelle comes in. Yes, a baby.
Take this excerpt regarding the Iron age:
"And Zeus will destroy this race of mortal men also when they come to have grey hair on the temples at their birth."
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I think you see where I'm going with this.
My theory? Estelle, in her unique position as a bridge between not just the mortals and the demigods (eg. her relationship with Percy), but also the mortals and the gods (eg. her great impression on Apollo), is a living, breathing prophecy. A prophecy that the end is nigh for this current age of mankind.
Furthermore, I also think that Apollo made this connection, somewhere in the back of his mind, the very second he realized that her hair was entirely unique. According to Hesiod (who Apollo also mentions later in the book, so we know he knows who Hesiod is), the day that babies are born with gray hair (or, salt-and-pepper for the sake of the theory) is the second Zeus basically get the go-ahead to commit genocide.
This also brilliantly explains why Apollo suddenly, and seemingly without reason, makes to keep Estelle's existence a secret from Zeus, because he knows that it might be the easiest way to get everyone he knows and loves killed by his own father for "the greater good" as I'm sure Zeus will put it. Plus, in his mortal state, Rick didn't have to explain why Apollo did what he did, since Apollo's been having memory issues since the beginning of the series: why would he remember one line from a poem written almost three thousand years ago?
Frankly, Zeus doesn't care about mortals: the only reason he really cares about anyone is if they have enough power to threaten his own, or if they have some sort of power he can benefit from. This, certainly, falls under the category of the latter. Wouldn't you want a chance to remake humanity into the perfect image that it used to be? You would, if you hadn't gone through a five book long grow-a-conscience speedrun like our lovely Apollo over here.
Fortunately for Rick, this is such an outrageous theory that if it never comes to fruition, I won't be surprised. If he ever writes something similar, though, know I called it first.
EDIT: here's the fic i mentioned i was (am) writing
EDIT: a masterlist of my other metas
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emblazons · 4 months
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so I swore I was not going to start speculating off of set images, but given the one's we've gotten of Dustin so far, I cannot help myself (plus it's fun). Still: none of the theories I've seen so far make as much sense to me as this being tied to Dustin's trauma and him having a Vecna Vision/Flashback, which becomes clearer the more you put the details revealed in the images into the context we've been given by S4 + The Duffers.
First, the images I'm referencing (TW: IMAGE SPOILERS):
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Separately, these things (the basketball players, Dustin's hellfire fit being the same at both the grave and school + him wearing Eddie's rings + Mike's hair & attire) all feel a bit disparate...until you remember the things both Dustin is trying to cope with (Eddie's death + feeling like an outsider) and the Duffers have said re: Eddie and his effect on the characters (listen if you can, its only 3 min). Why?
Well, because we know for a fact that 1) Dustin and Mike were the ones who felt most aligned with Eddie given their being bullied—
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—even though we spent all of S4 building the bond between Dustin and Eddie in particular, because Mike was in California with Will.
Similarly (and while I know it's not primary canon), we get this context from Lucas in Lucas on the Line, which corroborates Dustin's comment about Lucas "making all his sports friends" and feeling deeply betrayed by that fact—
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—and even stuff about Mike's appearance "not changing" (pre-hellfire, in the moments he's still in S3/regressive conformist territory +not embracing himself)....something that Eddie talks about in S4 when he comments on the look Mike had when he met him.
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(I've also already commented on that Mike's shirt looks a lot like the one El wears post Rink-O-Mania in S4—which plays a lot into the idea of Mike giving El a shirt that represents conformity to him (just like her being his girlfriend does, given he cannot be himself in front of her at all in S4).
Combining all of these things though—Dustin being the only one who is in the Hellfire shirt (while all the other extras look a very "S1 good suburban kid" I/ first day of school), Mike showing up (also looking like his 'conformist' self in contrast), Basketball players being on the scene (the people Dustin felt stole Lucas from him)...combined with him in the same outfit at the grave of the person he felt defended him from those losses and challenges in high school?
It's giving Dustin's grief / worst thoughts thrown back at him 100%.
Given that Eddie, who he lost in an extremely traumatic fashion is the one who said forced conformity (which Mike is showing up dressed as alongside Lucas's basketball friends) killed the kids—
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—and now they are facing off with Vecna (and Henry by extension, whose says shit like THIS) on top of asking people to "join him" in his displeasure with the world when he 'takes their souls?'
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On top of the fact that we KNOW for a fact there is time fuckery coming for us...and it's likely enough that it's 'now 'canonically 1986 (or near it), which is reminiscent of this moment (likely remembered and traumatizing for Dustin specifically)?
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Yeah. Flashback / lead up into Vecna torture is exactly what it gives to me—the things causing the event / the moments that lead into the torture. Especially knowing the scenes shot first (aka now) are generally more SFX complex because they take the most time.
bonus: @magentamee also brought up some great points on this theory here!
bonus bonus: I wrote something on Dustin and standing apart from relationship conformity as early as S3 here and wrote up the relationship he has with nonconformity today, which I think plays into his feelings of alienation / what Vecna might pull him apart from his friends by showing him.
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takeme-totheworld · 5 months
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Aziraphale and Forgiveness, Pt 1: Not Just A Word
This series is now complete! Here's where you can find the other parts.
Part 2 here. Part 3 here. Part 4 here.
There are a lot of aspects to Aziraphale’s character that, when I first watched the show, I vibed with immediately without really thinking too hard about why. He just made deep emotional sense to me as a character. It wasn’t until I waded into the fandom that I realized how much metaphorical ink was being spilled over the question “Why does Aziraphale do the things he does?”
I would always think, “Well, that’s obvious, isn’t it?” but then find that I didn’t really have the words to explain why I thought it was obvious. It was just this ongoing feeling of “Well sure, that’s exactly the kind of thing I did/would have done as a born-and-raised evangelical teenager.” But then I would try to articulate the actual reasons younger-me would have had for doing the thing (and by extension, what I assumed Aziraphale’s reasons were) and immediately fumble because I hadn’t thought it through that far.
One of these elements of his character is his whole deal about forgiveness. Why is he always telling Crowley he forgives him or wishing for God to forgive him? Why is forgiveness one of his favorite things? Why is this such a prominent theme with his character?
(Me: Well, that’s obvious, isn’t it? Everyone else: What do you mean? Me: …uhhh well I definitely mean something, but yes, good question!)
So here’s my attempt at actually using my words to explain why I find this aspect of his character extremely relatable and realistic from an ex-religious-fundie perspective. And it's going to be in multiple parts because I have way too much to say.
The main point I want to make in this first part is that Aziraphale, like Crowley, has a ton of emotional baggage around the subject of forgiveness.
I see a lot of people ask things like "Why isn't Aziraphale more sensitive to the fact that forgiveness is an emotional hot button for Crowley, who fell?" And that's a fair question! But it's very clear to me whenever I watch the show that forgiveness is also an emotional hot button for Aziraphale, or else he wouldn't keep bringing it up. As with many of the things both characters have issues around, though, with Aziraphale it's less straightforward and less on the surface because of the amount of denial and rationalization his character runs on.
I think it's important to start here, because I firmly believe that when he expresses forgiveness:
He's not saying it glibly or meaninglessly.
He's not saying it because he's an angel and it's part of the brand/that's what angels are "supposed" to say.
He's not saying it because he's feeling smug and self-satisfied*.
He's not saying it because he's trying to put himself above the person he's forgiving.
He's saying it because forgiveness means something important to him, something very emotionally loaded and complicated.
*For the record, Aziraphale is 100% a smug, self-satisfied, holier-than-thou bastard sometimes. Exhibit A:
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Seriously. Look at how pleased with himself he is while he gives Crowley that little speech about evil containing the seeds of its own destruction. This is Aziraphale being a smug bastard. (I say that with affection. It's one of my favorite Aziraphale moments. But he's totally talking shit here.)
But compare that to these:
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Look at his face. He is not feeling pleased with himself (or anything) in these moments. I'm too low-tech to mess with video clips but it's the same with his tone of voice, which ranges from somber to devastated depending on the specific scene. Aziraphale brings up forgiveness when he's experiencing significant emotional distress.
This is already super long so I'm going to end this part here and start digging into what I think his specific damage is about forgiveness in the next post. But I wanted to start here because I've seen the take "Aziraphale is being a superior holier-than-thou prick when he forgives Crowley" several times.
(ETA: I’ve also seen the more positive take, “Aziraphale is just saying I love you the way an angel would,” and I also disagree with this because I don’t think it’s anywhere near that simple. But I digress.)
On the “superior holier-than-thou prick” interpretation: (1) Michael Sheen's acting choices in these scenes don't bear that out at all, and (2) as someone who was raised in a very toxic religious community from which I inherited a lot of Extremely Complicated Feelings about forgiveness that I'm still grappling with...I immediately saw a kindred spirit in Aziraphale in these moments.
Is it an ill-advised thing to say to Crowley of all people, especially that last time? Obviously. But is he being purposely cutting with his words when he says it? I think not.
Stay tuned for Part 2! I plan to write the next part about divine punishment and mercy in Good Omens, how powerless all the angels and demons in this world really are, and the beliefs Aziraphale has developed (especially about forgiveness) to cope with it all.
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anghraine · 6 months
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I think I've talked about it before, but there's a pretty beloved book!Darcy line that's ... maybe not objectively misread, but often read in a very different way than I interpret it:
"But your family owe me nothing. Much as I respect them, I believe I thought only of you."
I've seen this interpreted as a romantic concession that Darcy's love for Elizabeth and concern for her were his true motives for intervening with Lydia. Less often, I've also seen it read much more uncharitably as an indictment of his principles—he only cares about this whole thing at all because Elizabeth does and he cares about her, so it's ultimately selfish.
And those readings (which are ultimately related) do make a certain amount of sense if you analyze the quote by itself. He outright says he was only thinking of Elizabeth! Yes, this is in specific reference to her family, but still, he's pretty clear that his true motive was Elizabeth's peace of mind.
In this case, his claim to the Gardiners that he was principally motivated by his sense of guilt over Wickham would simply be a lie—perhaps a benevolent one to protect Elizabeth from feeling pressured, perhaps a necessary one in the circumstances, but still not an actual motive and not truly an aspect of his character.
Interestingly, though, when Elizabeth receives Mrs Gardiner's account of the Lydia affair in her letter, she does not doubt that Darcy was telling the truth about his motives, even if his feelings for her also affected him:
he had liberality, and he had the means of exercising it; and though she would not place herself as his principal inducement, she could perhaps believe, that remaining partiality for her might assist his endeavours in a cause where her peace of mind must be materially concerned.
Elizabeth is in a lot of turmoil and uncertainty at the time, so it does make sense that she might not fully realize, or dare assume, that she really was his primary motivation—even if it means that she's largely wrong about him all over again.
...except, a mere two sentences before Darcy says "I thought only of you," he says something else that's often excluded from the romantic (or anti-Darcy) use of the original quote.
"That the wish of giving happiness to you might add force to the other inducements which led me on, I shall not attempt to deny."
So in this very passage, he says that he had other motives than Elizabeth's happiness, but that the possibility of making her happy strengthened his other motives. That is quite similar to what Elizabeth concluded when she read Mrs Gardiner's letter (even the phrasing is similar). She did underestimate the strength of Darcy's feelings during that whole phase of the story, yes—he certainly feels more than "remaining partiality." But she's not getting him fundamentally wrong at this point.
I think that, like Elizabeth, Darcy did feel guilty about Wickham (both of them disproportionately to their actual culpability, IMO). I think that this really was a driving motive for his intervention with Lydia—first in trying to get Lydia to leave Wickham, and secondly in arranging the marriage. Of course, his feelings for Elizabeth would strengthen that drive, and did! But I don't think he was mostly lying to the Gardiners or that Elizabeth's analysis of his actions and character were all that wrong this time.
IMO, when he says he was only thinking of Elizabeth, he's speaking specifically in the context of her attempt to voice the gratitude that her family (allegedly) would feel if they knew the truth of what he had done. He respects them as human beings at this point, but he wasn't acting for the sake of the Bennets as a group and doesn't feel like they really owe him anything. The only person he was particularly motivated by was Elizabeth. He also doesn't want her to feel like she owes him something, but if she's going to thank him personally, it should be for herself alone; anything else is kind of wrong and fake.
In that sense, he was only thinking about her—that is, as opposed to thinking about other people. But given his longer speech, in which he explicitly says he had other motives, Elizabeth's happiness being the only person's he was really preoccupied with doesn't prevent him from having more complicated, abstract, layered motives overall. It can be romantic without necessarily being simple.
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