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fanby-fckry · 22 days

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You know what, I’m just gonna say it. I think that Alastor being aroace is part of the reason he’s so shippable to me.

Before you come at me, check the flag in my pfp; I’m aroace-spec.

Maybe it’s me projecting, maybe it’s because I love exploring relationships through an aroace lens, but goddamn. I ship him more than any other character and every time I do, his aroaceness is a major component in the ship.

Examples below the cut because it’s gonna get long:

📻🍎 || RadioApple:

There are so many versions of this dynamic and I am here for all of them.

We have the pre-canon kinky QPR that I show in UH3. I could talk about that all day, but to summarize:

Aroace x genuinely respectful allo is a dynamic that heals my soul.

Lucifer is less tied down by human constructs like amatonormativity, having never been human himself.

The Devil values consent.

Kinky cannibalism, kinky cannibalism, kinky cannibalism, kinky ca- *I am removed from the stage with a comically large hook*

Then we have the Evil and fucked up QPR dynamic:

And of course, trying to get along for Charlie’s sake and eventually bonding over their shared love of dad jokes and musical theatre, both being violinists (yup, Alastor plays violin too, check the wiki) with niche hobbies/interests (ducks, furby organ) and accidentally winding up in a loving, healthy QPR.

📻🕸️ || RadioDust:

There’s something about an aroace and a sex worker who very rarely falls in love.

Angel would know that Alastor isn’t with him for sex, would know that he values Angel beyond his body.

With greyro Alastor, Angel and Alastor would both be inexperienced with romance, but in wildly different ways. Angel has never had a healthy romantic relationship and therefor tries not to fall in love. Greyro Alastor has probably experienced romantic attraction like less than three times in his 100+ years of existence.

And if Alastor never gains romantic attraction for Angel, that’s a whole other level to the dynamic.

It’s got some great angst potential with Angel wondering if he’s not good enough to love romantically or Alastor feeling guilty or confused as to Why It Hasn’t Happened Yet when he cares for Angel so deeply, and eventually it gets resolved with the two of them accepting that their attractions don’t have to match up for them to love/appreciate/care for each other and they smash the amatonormative relationship hierarchy as queer platonic partners.

Or, Angel’s just totally cool with it from the start because he’s spent decades in the kink scene and has potentially been exposed to more relationship anarchy than Alastor.

Kink and queerness have a great deal of historical and cultural overlap, and that includes aroace queerness. Because Angel’s had way more canon exposure to both, it’s possible he knows more about Alastor’s orientation than Alastor does, and I love the idea of Angel introducing him to terms or just being super chill about not labeling things.

📻♥️ || RadioHusk:

Drawing like 90% from pilot dynamic and headcanon on this. They’re just two old men. They get drunk and cuddle. Alastor is one of the few people who knows Husk can purr and takes advantage of this fact. Alastor considers Husk a friend in a fucked up, possessive way. Husk considers Alastor a pain in the ass, but does care about him on some level.

It’s Fucked Up and Evil QPR: Remix Edition.

And the versions where the author puts them through fanfic couple’s therapy and actually gets them into a healthy point in their relationship? One where Alastor no longer owns Husk’s Soul? *chef’s kiss*

📻🌹 || RadioRose:

For me, personally, this is an exclusively nonsexual, non-romantic ship. They’re besties; they’re QPPs. They’re married for the tax benefits and so that they cannot be forced to testify against each other in court.

Rosie knew Alastor was aroace before he did and rather than sit down and explain it to him, she decided to make ace puns.

📻💋 || RadioSiren: [edit, context here] RadioFemme

Ok, so this is entirely based on non-canon-compliant Lilith. Or, I guess, non-series-compliant Lilith. More of the old WOG stuff from the pilot era, with a healthy dose of headcanon for flavor.

I love the idea of Lilith and Lucifer having an open marriage; I love the UH3 style polycule dynamic.

Lilith being the original seductress and Alastor being aesthetically but not sexually or romantically attracted to her is very near and dear to my heart.

I’m an aroace with a voice kink who is aesthetically attracted to Lilith and I think Alastor is an aroace with a voice kink who would be aesthetically attracted to Lilith, ok?

📻📺 || RadioStatic:

I’m gonna be real with you, 90% of my interest in RadioStatic is in the one-sided version where Vox is a pathetic little incel simp and Alastor is either oblivious, mildly annoyed, or finds the whole thing hilarious.

Whenever there’s any reciprocation on Alastor’s part, I always imagine it being in a very aroace, very Alastor-esque way. He needs to be get something out of it completely unrelated to sex/romance. And he needs to be manipulative and sadistic in the process.

Whether that something is kink-related, a business transaction, or simply the quality entertainment provided by Vox being a cringefail TV-headed little bitch, I love to see it.

#hazbin hotel #alastor #radioapple #radiodust #radiohusk #radiorose #radiofemme #radiostatic #onewaybroadcast #fanby’s fuckery #osha violation #suggestive

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artbyblastweave · 8 months

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I've never made any connections between Worm and the Captain America mythos before. Spill some ink?

Okay, so from a purely aesthetic perspective, the gimme is Miss Militia. She's the most obvious "Captain Patriotic" in the roster, she has the power of GUN, she's the only one who actively buys into the mythology of America specifically. She's a Kurdish woman occupying an aesthetic niche generally held by a rugged squinty white guy. She's an output of the melting pot narrative. She's sort of a rendering of what a grounded superhero who somehow became very aesthetically into America might look like. Not in the craven marketing-driven way of Homelander or Comedian, not in the jingoistic maniac way of USAgent or Peacemaker. She buys it in the broadly left-liberal (USamerican connotation of that term) safe, friendly, reclamative way. Why, what a great rehabilitation of the archetype!

She's also deeply, deeply afraid of rocking the boat. She's got a deepseated childhood trauma related to the bad things that happen when she puts herself in a leadership role. She goes along to get along. When she's proactive, it's usually to point a gun at Tattletale to stop her from upsetting the status quo. She sits through a lot of situations where Steve Rogers, as commonly modeled, would probably plant himself like a tree by the river of truth and go, "Hey, this is fucked up." She more or less capitulates to Undersider domination of the city, in a way that predisposes us to think of her as a voice of reason after all these total nuts that Skitter's been up against- but would Taylor "to relinquish control is a form of ego death" Hebert really be willing to leave someone in charge of the local Protectorate branch who she thought couldn't be corralled? She looks like a beacon, but doesn't- indeed, probably can't- ever truly behave like one. I mean, you can debate the on-the-spot morality of any given one of her judgement calls, that's actually one of the less exhausting Worm Morality Debates to have- but in aggregate, a person in American flag garb who actually meaningfully criticizes the paramilitary organization they're part of is not gonna survive long in that role!

So again, she's the gimme from an aesthetic standpoint. But what I don't really see a lot of discussion of is how Cauldron plays into the riff.

Captain America is institutional, but in a comically morally uncomplicated way. The serum was originally mana from heaven, granted to a living saint, conveniently divorced from any nitty-gritty sausage-making process and even-more conveniently divorced from the horrible consequences of giving the, uh, the U.S government a replicable super soldier process. And in fairness to Captain America, this is 100 percent something the overall mythos eventually patched to my satisfaction; the sausage-making process eventually revealed as prototypical government fuckery driven by human experimentation on black servicemen, the overall Marvel Setting littered with failed attempts by the U.S. Government to recreate that golden goose so they can have their fun new jackboots. (In Ultimate Marvel, this is how almost all contemporary superhumans were created, and this is a state of affairs with a body count in the millions or billions.)

Cauldron draws you in with the same noble rhetoric about greater goods, the same one-off proprietary irreplicable formula- but you don't get the luxury afterwards of representing nothing but the dream. You aren't partnering up with a plucky crank scientist with a heart of gold. You're selling your soul to an organization with an agenda. The narrative makes no bones about the fact that everything you do is fundamentally tainted by the fact you opted into an end product created through torture, kidnapping and human experimentation. You don't get to pull a Kamen Rider by going rogue or opting out or making good use of the fruit of the poisoned tree; you are owned, and everything you do has this Damocles sword hanging over your head- when are the people who bankrolled this going to come to collect?

So that's the question of "who would willingly dress like that" covered, and the question of who creates a serum like that. What about the question of who takes a serum like that? I'd argue that Eidolon is the examination of that. Pre-Cauldron David reads to me like pre-serum Steve Rogers viewed through a significantly bleaker lens. They're both sickly kids desperate to serve, rocketed to the pinnacle of human capability by an experimental procedure. But for Steve Rogers, the crisis was that he had a specific vision of the world and was frustrated by his inability to carry it out. Before the serum he picked fights over what was right and wrong and got his ass handed to him; afterwards he picked those same fights and just started winning instead. The serum neatly solved a problem he had, and to the extent that his mindset is influenced by his pre-serum experiences, it's generally constructive; a desire to protect the weak, help the helpless, an appreciation for people who stand up for what's right even when they're clearly gonna get pancaked for their trouble. So ultimately there's no dark side, downside, or underlying neurosis ascribed to his initial impulse to take that serum.

But with David, it's not a tragic case of the spirit being willing but the flesh being weak. He isn't a preternaturally-noble soul, out to represent the best elements of the American ideal- he kind of represents the inverse, a guy who's been failed at every level while utterly convinced that he's the problem. He's actively suicidal because he's a wheelchair-bound epileptic in an economically-depressed socially-backwards rural town in the 1980s, and he's spent his 18 years of life internalizing the idea that he's worse than useless unless he can somehow find a way provide value to something larger than himself. Doctor Mother finds him in the aftermath of a suicide attempt spurred by his rejection from the army- and he didn't even want to join the army specifically, necessarily, he just needed his situation to be literally anything else, and he took what he thought he could get. And then he finds himself in a position to become a superhero, so he does that, molds himself into that, subordinates himself to that, builds his entire sense of self and values around the value he can provide in that role. No grand design or sacred principles carried over through the metamorphosis. Just relief at finally, finally having something that looks like an answer to the question of what he's supposed to do.

And you know, you know that if Steve Rogers was facing down the barrel of being depowered, he'd smile and nod, he'd Cincinnatus that shit. It's happened before. But for David, the emotional trauma and self-worth issues that caused him to roll the dice on a Steve-Rogers treatment never really went away. When would it? He's been Providing Value as a ten-ton Hammer Against Evil for thirty years. No family, no social life. Certainly, no incentive on his handler's part to lance his Atlas complex. So he barrels towards atrocity in the name of remaining useful. Admittedly, this is where the comparison breaks down in a significant way; Captain America is much more of a symbol than he is an irreplicable powerhouse, so it's not catastrophic if he's taken off the board. Eidolon is so unbelievably powerful that his myopia and self-centeredness actually do align with a real problem everyone else is gonna have if he loses his powers. But in terms of the starting points- I think that Steve Rogers embodies the myth about why you'd want to join the army that badly. Eidolon is, I think, much more closely modelling why you'd actually want to join the army that badly.

#apologies for the delay in responding #worm #wildbow #parahumans #worm meta #eidolon #thoughts #meta #miss militia

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kitkat-the-muffin · 1 month

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Tis a niche of its own

Sorry there is only two female characters, I kinda pulled these off the top of my head and probably missed a ton of other candidates. Reblog with an addition if you have one!

Edit: I forgot to make this poll a week long! Once this poll ends I'll remake it with new additions depending on the results (the characters with the fewest results will be replaced with suggested characters from the notes so be sure to suggest some!) in the meantime tho plz reblog to increase sample size

This follows my own definition of what "Comic Relief" means: A character that is used as a conduit for comedy in a piece of media

Through character studies I have determined that there are 5 types of comic relief: the Character Relief, the Audience Relief, the Tone Shifter, the Butt of the Joke, and the Slapstick. Characters that identify as "Comic Relief" usually fall into one or more of these categories

Further explanation under the cut

The Character Relief refers to a character who actively makes jokes to be funny in-universe through conscious humor. Examples from this poll would be Sans and Rayla, who go out of their way to make their friends laugh

The Audience Relief refers to a character who makes the audience laugh regardless of their impact on the story. Examples from this poll would be Lapis and Gus, who are often involved in comedic bits meant for audience entertainment that aren't acknowledged by the narrative as anything unprecedented

The Tone Shifter refers to a character who makes jokes to relieve tension and shift the tone of a scene, either consciously or unconsciously. Examples from this poll would be Jay and Leo, as they both consciously make jokes about grim situations to help their friends or family feel better. Additionally, Jay would do this unconsciously before his trauma made him start doing it on purpose

The Butt of the Joke refers to a character who is made fun of by other characters in-universe, whether endearingly or not. Examples from this poll would be Dewey and Lance, who are often met with insults whenever they do something wrong or silly. The insults are usually meant to be endearing and comedic, but they can still feed into the character's possible inferiority complex. This also applies whenever a villain hits them with a sick burn*

The Slapstick refers to a character who is made fun of by the narrative and the audience like a punching bag. Examples from this poll would be Sokka and Yusuke, who are sometimes put in troubling and awkward situations as a gag for the audience's entertainment alone. These gags are not fun for the characters yet delightful to watch

Most comic relief characters can be characterized as multiples of these. For example, Jar-Jar from Star Wars is both Slapstick and Audience Relief, and even if you don't find his jokes funny that doesn't change the fact that they were written with your entertainment in mind

If you're curious how a "The Narrative's Favorite (derogatory)" character would fit into this chart, they're likely both a Butt of the Joke and a Slapstick character, making their life absolute hell. To be honest, MK from Monkie Kid is an example of a character who fits all 5 categories, but he isn't blue so he isn't in this poll

*Ok if you've ever seen Phineas and Ferb Mission Marvel let me just say MODOK is a total Butt of the Joke and my favorite line in that special is when a TV announcer calls him a "Giant Chicken Egg with a Face" and I just had to mention that omg

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dead-venge · 4 months

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Not a red flag to relate to king sombra. no one understands his personality, story, and little quirks like i do.

sombra is probably one of the most relatable characters for me.

his character isn’t explored much in the animated series. but i loved his portrayal in the comics. many people in the community criticize his character as being bland and “too edgy”… but honestly. i think he’s great

sombra is a byproduct of parents wanting to live through their children, rather than live alongside them. i feel like finding this representation is difficult, especially the anger and rage that follows with it like a dog.

it comes with the need to be a perfectionist out of fear you will let down the ones who live through you, as seen with sombra’s obsession with intricate traps. the most famous being his stair trap. which might have been seen as a “lol quirky edgy pony moment” but it’s really just because this horse is a perfectionist on extreme levels.

think twilight but if she listened to goth music and had a niche deviantart account

(rabia = sombra’s mother)

(also notice how he doesn’t call her “mom” or “my mother”)

to sombra’s people, the umbrum, and his mother, he is nothing more than a weapon utilized for mass destruction. sombra was never viewed as an individual, but rather a thing that can be manipulated and used to advance his people. sombra’s whole “destiny” was fogged through his mothers manipulation. she made him view an entirely different “destiny” in the crystal heart, which made him believe he had to go through with what the heart showed him.

additionally, sombra clearly struggles with self image problems. a common issue that occurs in children victim to this particular type of parenting. the child has no form of identity as everything they do is for the parent. sombra views himself as only a mere monster (yes, edgy, i know) as that’s what everyone else and his people see.

obviously it’s not an excuse for his actions. but i love sombra and i wish more people did too

#the yap levels are off the charts #my little pony #king sombra #mlp fim #mlp #txt #there’s a reason why i’m studying to become a psychologist #yeah

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made-nondescript · 11 months

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revelations, courtesy of an undercooked vampire au. more below

hi everyone who clicked read more i wanna talk more about the scant thought behind this comic.

Jimmy already knew something was weird about fWhip. Like, beyond what you'd probably consider normal weird. It's not just his style of dress, or his confident knowledge of niche historical facts, or his hobbies, or the house he and his sister share that's decorated full to bursting with antiques; it's all of that being combined into one person. It would be stranger if fWhip wasn't something supernatural or sci-fi or something, frankly.

None of these were problems. To the contrary, fWhip's weirdness adds a bit of flavor to an already attractive man. The mystery of what exactly fWhip's deal is is part of the appeal, too.

Jimmy had considered a lot of potential answers, notably also that fWhip may be a time traveler. If anyone could figure something like that out, Jimmy has no trouble believing it would have been fWhip. But vampire is definitely the hotter option. He likes fWhip regardless.

Because he's thought so much about it he's not really shocked, but he did fail to consider a lot of the more nitty gritty details. Everything else is just too exciting to be dwelling on life spans. They're not that serious....

anyway. there are nearly no specific details beyond this. vague thoughts about them living in a supernatural-heavy town and jimmy just never really noticing that. he's their beloved token human that works the life guard stand at the lake or something and he's compelled by this sad guy who lives in this giant mansion. fwhip does not get out a lot even living in a safer area than they have before, but how could he refuse this very persistent guy who, at worst, is a decent rubber duck for problem solving? something something. is this anything? i am just thinking out loud at this point. anyway vampire fwhip am i right guys

#fwhimmy #empiresshipping #empires smp #fwhip fanart #solidarity fanart #nondescript art #nondescript comic #esmp vamp au

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miraitrunks · 2 months

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okay, so… here it is: a larger post of most of the treasure planet merch i’ve received but haven’t shared here. this stuff gets more and more niche/rare the further you scroll, so check it all out! let’s start from the top:

first up— we’ve got my complete collection of all the loungefly products. each one has jim on it so it was a must <3 personally the first release (middle) is my favorite but i think the pink backpack is prettier

second up— my 20th anniversary pin as well as my cursed concepts pin. such lovely grabs <3 then we have the pin i bought off the artist Dean Grayson from his “Heroic Rides” series on etsy. it’s fricken huge!

third— probably one of my favorites, my hallmark treasure planet cups. i got these off ebay and i have absolutely no idea what year they’re from. aren’t they so cool?! i got so many and they’re brand new. the print of jim on the cup is just top tier. “honey, we’ve got guests. bring out the fine china!” 10/10.

number four— my jim & silver keychain toys. these are olddd! if you know me though, you know i don’t keep stuff in the packages. silver could stay, but jim definitely had to come out. he zooms forward like a toy car when you pull him back and then let him go!

item number five— treasure planet for the playstation 2. i’m especially fond of this one considering the ps2 was my first ever gaming console that i owned myself. so many fun memories!

number six— my japanese art promo book featuring some of the japanese voice casting! as an anime fan, collecting japanese promotional material for american media is something that i’ve always wanted to do. i haven’t gotten my hands on a japanese movie poster yet, but it’s on my list for sure. this is a pretty close runner up though! i love all the pngs used for this booklet! (sorry for my weird hand placement in some of these, as the pages folded out and it was hard to photograph with one hand)

number seven— last one for now! i think i saved the best for last personally, but this is my disney adventures collector’s edition magazine for treasure planet back from 2002, the movie’s release year. let me tell you, this thing is such a throwback from the events of the year to the ads that come in the thing.

…AND THERE’S A WHOLE CHOOSE YOUR OWN ADVENTURE COMIC IN HERE?! i had no idea! it was like striking gold! this is also one of my favorites of all the things i own. can we get a load of how cute he looks on the cover? he almost looks like he’s aware he’s posing for a magazine cover. so adorable!

…wow, that’s all from me for now! while it’s definitely not all i own, this is just some of the newer stuff i’ve gotten since i’ve been away and/or some of the stuff i think is cooler. did you recognize any of this stuff? find anything new? lemme know!

#( phew long post ! sorry everyone ! )#( sharing my plunders with the world )#piggy podium #merch #treasure planet #disney #jim hawkins #john silver #treasure island

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genericpuff · 24 days

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saw a post criticizing lore rekindled a while back, and one of the points made was "it's unfair to rachel that someone else can profit off and make money off her work"

do you profit off lore rekindled??? i don't remember if you ever said that you were monetizing lore rekindled, so i'm unsure where this piece of information came from

I literally do NOT profit off Rekindled in any way shape or form, it's a Tumblr comic that's free to read, zero subscriptions, paywalls, or ads.

I did just recently open a Patreon and apply my Twitch channel to become affiliate, but 1. my Patreon doesn't have any paid members yet , 2. my Patreon won't be offering rewards that limit the reading experience of Rekindled (it's gonna be like random doodles n junk), and 3. I haven't even streamed since I applied for Affiliate and people are watching the streams for art and lo-fi, not for any sort of exclusive reading experiences that wouldn't also be accessible on Tumblr (you just get to watch me slowly work on Rekindled while playing FF XIV LMAOO) All of these restrictions I have in place is to prevent exactly what folks assume or accuse me - profiting off Rachel's IP. At the end of the day I just wanna create an AU fanfic project, even if it's created out of disappointment for what could have been.

I *do* spend a few hundred a month though for my assistant. So I'm working on Rekindled completely at a loss, out of my own pocket. So in that regard, even if I were to monetize any part of Rekindled... it wouldn't be for my own profitable gain, I'd maybe be able to cover some of my assistant fees 🤣 (but that's just hypothetical food for thought, because as I said above, I don't want to monetize Rekindled because of the potentially legal and ethical issues in doing so. Making money is also just not why I'm making Rekindled because it's something I wanna just do for fun! Money complicates things, turns shit into a job :'0) And let's be real, in that hypothetical scenario, I don't think any money I could generate on my free to read Tumblr project would come anywhere close to threatening Rachel's bottom line 🤣

And this isn't to throw anyone under the bus but when people get suspicious of Rekindled profiting off LO, I can't help but think of the actual fans of LO selling handmade LO merch on Etsy and LO-style adoptables and other arts and crafts dedicated to their favorite comic. And I'm not gonna judge them for that, more power to 'em if people wanna buy their cool stuff (and some of it is really REALLY cool, like I wanna buy their stuff too LOL), I just think it's ironic that people separate the two because... I'm not a diehard fan? Or because Rekindled has gotten popular here. Beats me. All that "popularity" is still just a niche remake of a niche comic in a niche medium. It's not Spiderman Lotus levels of big 🤣 but I know it probably feels that big to people who are engaged with this fandom and spend a lot of time in it.

There's an opposite side of being a yes man that perpetuates similar behavior on the other side - when you come up with reasons to rag on someone just for the sake of it because you can't rationalize them NOT being the all 100% pulp of evil LMAO (and I see people do this even to Rachel and it's not fair imo, like people who use the Lolita thing as a way to accuse Rachel of being a legitimate pedophile? Like no, I don't think we should be normalizing serious accusations like that. I think she's just misinformed in a lot of ways at worst and suffering from dark romantasy porn brainrot at best LOL).

Like, as an example, I've also seen people claim stuff like I'm in the fan spaces telling people not to read LO and to read LR instead? Which like... why would I do that, LR isn't for the fans anyways and I don't gain anything by being a dick in their space 🤣 If my own readers are doing that, that's out of my hands (but respectfully don't do this please!!! there's a reason I don't use the standard LO hashtags and only stick to the anti ones!!!!) but again (and this is a big assumption so take with grains of salt) I think people just like to claim these things because they feel it's just naturally the right thing to do when someone who has opinions they don't like actually puts them into action. Because now they can't say shit like "well if you think you're so much smarter than Rachel why don't YOU write the story!" and "you don't know what it's like to manage a comic!" so they grapple onto whatever other argument they can even if it's misconstrued or entirely pulled out of thin air and not backed up with any legitimate evidence.

Their perspectives make sense to them. My perspective makes sense to me. I don't blame people for being suspicious when they see someone like me pour this much time and effort and money into a project like Rekindled, they assume it HAS to do with something they can rationalize from their own point of view, like wanting to "steal" Rachel's work or profit off it or take it for myself out of "jealousy".

Sorry to disappoint y'all with a boring answer, but I'm just someone who was once a huge fan of LO and couldn't let it go. I'm just someone who's way too hyperfixated, with a lot of passion for making comics and experience to match. I'd still be making it even if I didn't have an assistant. I'd still be making it even if I was stuck working with nothing but paper and pencil. Because I love making it and I love what it means to me, and I love that it makes other people feel the same way I do about it.

And that's really all I have to say on that.

#ask me anything #ama #anon ama #anon ask me anything #lore rekindled #lore rekindled ama

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clingyduoapologist · 9 months

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CLINGYDUOAPOLOGIST'S TOP 5 FAVORITE DSMP FAN-COMICS OF ALL TIME

OK NOW this is just a list of some of my personal faves, ones that make me literally feral so

Cheating a bit here but first off honorable mention to Boneless (?) by @thelostmoongazer

Idrk why i remember this one so fondly but it's really cute and always gets a chuckle out of me when I remember it, certified banger 👏

ALRIGHT ON WITH THE OFFICIAL LIST

5: A TIE BECAUSE I GENUINELY CAN'T TELL WHICH I PREFER BETWEEN Au in which Wilbur and Ghostbur merged when Wilbur was revived. AND Dreams I can’t remember both by @moldyhay

ugjughugh honestly i consider the ghostbur merging au more canon than the "limbo forever" stuff just because it makes so much sense to me and y'know what it's 2023 wilbur soot can't say shit to me @sootings fuck you

As for Dreams I can't remember like what else is there to say besides get me that fucking ccrime vaccine stat i don't have much time left

4: The Fox and the Grapes by @space-robinhood

Okay I am not the biggest c!fundy girlie but like COME ON, the way the fable just fits so perfectly, the art, the emotion in every facial expression, the fucking photo of fundy as a baby like I lose my fucking mind every single time I read this comic.

3: mentorly advice by @minecraftsz

Legitimately this was probably my fave dsmp comic for a while. "Shitpost that makes you cry if you think about it too hard about it" is a very specific and difficult-to-master niche of art and minecraftsz has written a dissertation on it in the form of this short comic.

2: friend sweater :) by @kettitrium

I go feral every time this comic comes on my dash like, the way it showcases c!tommy's personality so well, being resourceful, a bitch, and so painfully sentimental, it's brilliant. And the art itself is also gorgeous. Of all these comics, this one probably has my favorite art style.

1: Tommy by @space-robinhood

Like, what can I even say about this one? I literally almost tore my hair out just reading it while trying to copy the link to paste it here. Such a simple, small conversation, but one that manages to carry such a haunting theme of the loss of innocence. The final shot of Tommy standing with his back to the readers, his general's coat slightly tattered, a bow in his hands, it's such a poignant summary of his character, one that I will literally never be able to get over, probably ever. Go read it, then reblog it so I can read it again.

AND THERE IT IS my extremely based and awesome picks for some incredible fanworks. I see so many people regretting their time in the fandom recently, and I just wanted to share some of the awesome stuff we were able to do also i may have just wanted to compile all of these is one place so i don't have to do detective work to find them but shhh SO go forth and read and like and REBLOG and enjoy :D

#HERE IT IS MY DEFINITIVE LIST #noticing now there is a bit of a crimeboys bias but like #y'know what they deserve it #tho i do wish there was some cclingy up here :(#but yeah these go fucking crazy #dream smp

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ewingstan · 6 months

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Halloween and cringetober may be behind us, yet I remain, coughing this up onto your back porch. Alec Lisa and Aisha were the only ones who enjoyed the costume party. Individuals and costume explanations below the cut:

Aisha and Brian: Power and Aki Hayakawa Chainsaw Man

This one goes out to the nine-year old I work with who wore a Denji costume for the school Halloween parade. Shoutout to you guy I don't know how you're allowed to watch that its the blood and sexual fantasies show.

I feel like miss suiciding-baiting-people-on-4chan would like Power. Aki works for Brian as they carry the "supposedly normal responsible one of their batshit group who very clearly has something wrong with him" niche of their series.

I feel like CSM is something that Brian and Alec would put on in the background when they were hanging out together. It's not really either of their thing, but it good pizza night fodder. Brian freaks out when Aisha mentions watching it.

Brian agreed to be Aki after he learned he could just wear a suit instead of making a real costume. Brian obviously likes objectively ridiculous costumes but it has to be something strained through 5 layers of machismo and a 17-year-old's idea of professionalism. He'll dress like something that gets painted onto a van but if there's too much whimsy or fun he'll start to freak. So halloween costumes would be weird for him. Aki just wearing a suit and a sword seemed like a good solution for this right up until the point where he had to explain what it was. Its from, hm, y'know, uhhhh this anime that my sister likes I'm just here to match with her.

Whenever he pulls the "I'm just in costume for my sister" thing Aisha makes everyone forget she exists. No escaping the weeb allegations for you Brian.

Taylor and Lisa: Madoka Kaname and Homura Akemi, Puella Magi Madoka Magica

Don't know if I need to explain this one, Worm/Madoka comparisons are almost cliche at this point

The costumes were Lisa's idea. Obviously.

The costumes were also Lisa's purchases, and enough was spent on them to make a veteran cosplayer weep. Her refusal to die her hair black would also make them weep but for different reasons.

After taking a look at herself Taylor enveloped herself in a particularly dense bug swarm for the whole night.

She eventually retreated to some side-room she found Brian hiding in and chatted with him for the rest of the party. On the condition that he make a darkness cloud for her.

She started choking on a prawn half an hour in after remembering he could see through his darkness clouds.

Rachel and Alec: Jade Harley and Dirk Strider, Homestuck

They are not going as a matching pair. Rachel does not know that she and Alec are wearing costumes from the same comic. She does not know what Homestuck is. This is one of the many ways she's better than us.

Rachel thinks she should've just been able to wear her usual dog mask for this party. Its a costume. What do you mean it doesn't count.

And why is her usual mask not enough, but the dog ears Cassie was really excited to loan her are fine? Aren't ears less costume than a full mask?

Admittedly apart from the pseudo-mind-control Alec and Dirk don't have a lot in common. Alec probably thinks he's more like Dirk than he actually is.

Dirk is if the concept of being in your own head was a guy, nay several guys, while Alec literally has to outsource getting in touch with his emotions to other bodies. Honestly the closest worm character to Dirk would probably be Krouse, considering the whole "chessmaster-manipulator who puts everything on himself and overmanages all his relationships while self-identifying as the person who can handle being the bad guy" thing, which Alec doesn't have going on at all. However:

It let me put Alec in a silly little fancylad outfit.

(Also they're both SB&HJ fans, so honestly I think its the perfect choice).

#parahumans #brian laborn #aisha laborn #taylor hebert #lisa wilbourn #rachel lindt #alec vasil #worm #wildbow #undersiders #leo says #leo draws #cringetober #halloween

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arkus-rhapsode · 7 days

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Are We Returning To 2000s Era Shonen Anime/Manga (A Discussion)

So this is going to be way more of a thinkpiece than I usually do for this blog, but recent trends in the space and niche that I devote a lot of time to, Anime/Manga, have been showing themselves that got me thinking. This is not meant to be a serious sociology case study taken as fact, it's going to be more a theory based on observations of the community that I, like many others, devote a lot of time into than a full on claim, but I do want to ask, is the anime and manga community is experiencing a resurgence in 2000s era shonen manga?

Background

Now let me get this out of the way, there is bias in these observations as I am a western anime fan, but also a North American anime fan. Meaning my gateway and gauges of pop culture are mostly determined by the history of my area of the world’s relationship with anime. From the OVAs of 80s hyper violent and hyper sexual sci fi that you had to purchase from the backs of video rental stores, to the Toonami era of 90s and early 00s programming block the centred around action anime and cartoons, the 4kids era of mass market japanese animated kids shows that were really just giant commercials with some of the earliest memetics in western sphere, and the explosion of shonen battle series in the western sphere in the mid to late 2000s marked by the rise of the colloquially named “Big 3” of shonen jump. I understand that continents like South America or Europe may have undergone a different exposure to the Japanese medium, but as I am going in with some bias in this observation, I would like to make it clear on where the formula is coming from. I also would like to lay down a certain clarification before making this, when discussing the topic of nostalgia I think a lot of people have forgotten what it actually means. If we go by the Cambridge dictionary definition, Nostalgia is “a feeling of pleasure and also slight sadness when you think about things that happened in the past.” This is often invoked when talking about pop culture because people from say 20 years ago don’t seem to enjoy or relate to the interests of today. The belief is that nostalgia is generational ergo if you grew up in the 80s you’re likely wishing to recapture the feelings of childhood that you associate with those trends from 20 years ago. In fact, most revaluation in media has often been catalyzed by a difference of those who grew up in an era rebuffing the opinions of those who didn’t.

There is the well known “20 Year Rule” regarding pop culture nostalgia. That every decade it longs for what was popular 20 years ago. Probably no better example than “That 70s show” being popular in the late 90s, the return of many beloved 80s-90s franchises like “Ghostbusters” returning in the 2010s as well as series like “Stranger Things” that wrapped itself up in 80s aesthetics. DC's New 52 relaunch that seemed to bring back trends from 90s era comics.

Now it goes without saying that the 20 year rule isn’t a “real” rule, rather an observation that certain trends make a return to popularity because the ones who grew up with a certain media will be the ones who add to the discourse when they come of age and will be the ones having a chance to create consumable art for the masses and that may just be revivals of once popular IP. This isn’t necessarily wrong in regards to nostalgia, but I do believe that one doesn’t need to have been born in a certain era to be nostalgic for something when we discuss pop culture. Pop culture is really just trends and preferences that become en vogue and people can acquire a taste at any given time. Sometimes it can be due to those who grew up with something now having the chance to create and drawing upon their own childhoods, sometimes it's just due to not being exposed, other times it can be a certain feeling of disillusionment of the now, and seeking something that peaks your interest, and even sometimes it can be major corporations or networks looking for things with existing audiences to draw upon that actually expand the audience. In fact one of the most prominent Netflix adaptations of the 2020s has been live Action Avatar the Last Airbender and One Piece, both shows that got their start on American televisions in 2004 and 2005. One of the biggest animated shows right now is Invincible, based on a comic book from 2003

So I want to stress this is not necessarily about how if you grew up with the original Mobile Suit Gundam show you are being replaced by the kids who were watching GetBackers. And or if you are a fan of shows that came out in the 2000s you yourself were born in the 2000s.

But what was the landscape of the English speaking anime community like back in the 2000s? Well let me paint a portrait for you.

What was the 2000s like for anime fans?

The term I used, “shonen boom period”, is somewhat mythologized in the western anime sphere. There was a glut of high profile shonen anime running around the same time that most people identified with this time period and was arguably when we saw the most influx of people getting into the hobby. One Piece, Naruto, and Bleach served as big series known for their massively large casts, MCs with a level of attitude, some of the most hype centric power supernatural/extraordinary power systems, and certain brand of “Japanese-y” humor. We can’t deny that it wasn’t just these series however, as series like Fullmetal Alchemist became many people’s introduction to more narratively intricate series interspersed with a somewhat gothic action style. The gothic and somewhat edgy Death Note became many fans' first ever “battle series that’s not a battle series” that also incorporated many biblical and gothic horror elements into its presentation. And things like Code Geass also incorporated this combination of hyper stylized cat and mouse with ornate and gothic aesthetics and fighting robots.

Series like Ouran Highschool Host Club and and Haruhi Suzumiya were basically gateways to the more hyper extraordinary slice of life series that didn’t shy away from fanservice and loud comedy. With ecchi like Rosario + Vampire taking it to an even greater extreme. For people willing to go even deeper, series like Fairy Tail began to pop up and share a distinct similar flavor to series like One Piece and Naruto which arguably started the popular conception of it coming from the same magazine as the latter. That’s not also discounting the amount of holdovers from the 90s like Dragon Ball z, Trigun, and Yu Yu Hakusho, which also had an edge towards fantastical combat and comedic oriented series.

All of this is to generally illustrate the media diet of what an average anime fan was expected to have some level of access to. As this was far before the eras of Funimation or Hulu having online services. Not a homogenized spread by any means, and im certain plenty of readers could name more underground or smaller series like Mushishi or Elphen Lied, but generally the popular mainstream you could tell that there was a consistent theme of long form media with a very loud, very flashy, and very action oriented type of series. Which I think is fair to say had skewed some people’s perception. And while I cannot claim with utter certainty that Japan was the same in this regard, you can look at magazines like Shonen Jump and notice a somewhat synchronistic trend. With series like Hitman Reborn, Gintama, D. Gray Man, Eyeshield 21, Bobobobo, etc.making a clear marcation of what was commercially successful at the time. Even series not inside the magazine but had smaller nicher, Tokyo-pop-esque series like Rave Master, Flame of Recca, Air Gear, History’s Strongest Disciple Kenichi, Soul Eater, etc all had a similarity to the shonen jump magazine. To the point it was not uncommon to see so many jump characters in a collage and one from shonen sunday or shonen magazine in there as if this was all coming from the same place.

Changing Landscape

Now with the advantages of the modern internet, we have the ability to actually keep up with the jump magazine in real time as opposed to the common practice of relying on scanlation site and fansubs that were often devoted to the most popular works. But with simultaneous publication and services like Crunchyroll, being able to access a wider variety of shows and series that we may or may not have access to. I believe that the 2010s in the english speaking fanbase was the decade we saw a somewhat expansionism of what people perceived as anime. Anime could be One Piece and Naruto, but it could also be Erased, it could be the Promised Neverland, Attack on Titan, K-On, Haikuu, and Durarara. With the representatives of the 90s no longer being holdovers in syndication like dragon ball but rather full on revivals of the likes of Jojo’s Bizarre Adventure and Hunter x Hunter.

All of these could be "shonen" but also other genres like Seinin, Josei, and Shojo all had their own varying layers of what they could be in their demographic

The mood of what was popular was also changing, not just in the fact that more flavors of anime and manga were becoming mainstream, but new works from shonen jump showed a rise in almost subversive series like My Hero Academia and Demon Slayer that seemed to consciously deviate or place new spins from traditional tropes of the 2000s characters, and we saw works that were derivative of previous serious like Black Clover drawing upon Naruto the same way it was known that Naruto had drawn upon Dragon Ball before them. Series like The Promised Neverland and Doctor Stone offered up more dramatic series that still infused a certain energy of the shonen genre.

And of course the series like Attack Titan whose much more darker and gorey storytelling seemed to have become one of if not the biggest hit of the generation with a well regarded adaptation, but something that had felt so removed from what were once contemporaries like the then ending Bleach or Naruto. We can also note that the late 2010s saw the rise of series like Chainsaw Man and Jujutsu Kaisen that began a trend of popular urban fantasy stories. Where fantastical concepts were now in contemporary Japan and the stories that focused on concepts like self identity and the harshness of maturing were juxtaposed to the real world inhabited by monsters.

It seemed many tropes of the previous decade were still alive in the rise of Isekai anime. Which was particularly the only popular outlet for fantasy stories with an action orientation. But these almost felt disconnected from the wider world of manga as things like heavy harem action series had actually decreased in mags like shonen jump. There was also new tropes being established in this subgenre that became unique popularizations of tropes all on their own, such as the overpowered protagonist whose power everyone believes is weak. But many of these were based on light novels, a form of media that only in the last few years western readers are having official access to and not simply scans found on the internet.

We in North America truly have gone from anime being a niche that was primarily accessible through dedicated TV blocks like Toonami, to a full blown cultural relevance shift.

We also need to talk about this era in its perception of the past also shifted. The 90s and the early 00s often blend together as classics of the anime community. Somewhat encased in amber. However, there is no denying that “feels like a 2000s series” had become a bit of a shorthand for very goofy, Very horny, very action heavy series. Series like Fire Force and and Undead Unluck had their show what more problematic elements be equated to the problematic trends of the past that people just accepted as “a part of the medium.” But lets keep in mind, this is not really describing a time, more a trend. Superficial elements that invoke similar feelings of the past.

Speaking of anime fans…

Fan Culture

So while I wanted to paint a picture of creatively the landscape has changed, there’s no denying that in the age of internet accessibility, the anime fan community has also changed. It is much much easier now to get in contact with people who are anime fans now than it was to rely on word of mouth like it was back in the day. I can still distinctly remember my anime club which wasn’t even really a club devoted to anime but rather other geek stuff like D&D and TCGs. Our hobbies just happened to have similar overlap.

Now though, anime fan culture is much more relevant and thriving. Going from just posting weekly reviews, to long retrospectives, comedy videos, abridged series, clickbait articles, fan theories, and podcasts. However, I think a defining feature of fans of the 2000s era of anime that were at their most prominent was hype culture.

Due to many of the biggest anime series at the time being released weekly and focusing on action, many many many discussion boards and videos were often about staying in this cycle of wanting to see what happens next and the action made people very excited to see just how characters were going to win fights or even if they’d have fights at all.

I want to make it clear that this type of activity doesn’t belong to a certain era, but you can see it shaped by the 2000s era. Especially when discussing “what is the next big 3.” As if it were a true position and title, rather than a moment in time where there were just three very distinct shonen series in the fanbase.This doesn’t necessarily have a “negative” effect on the discussion of anime/manga but you can see that certain genres lend themselves to hyping fans up more and more.

Someone isn’t reading the most recent chapter of a romance like Blue Box with the same level of anticipation of who will face who like it was One Piece. But there have certainly been series that try.

The Present

Now we reach the 2020s and this decade is still young, so it is hard to say what the future will hold for certainty, but we can look at the last four years and notice some significant waves being made recently in Shonen Jump alone. I already spoke of Undead Unluck, a series that almost wears it would now be considered retro inspirations on its sleeve. With an opening chapter that establishes an MC that seems motivated by a sexual joke, A power system follows a verbal naming gimmick, and a loose enough world that allows for characters of varying aesthetics and to be incorporated into groups. With groups of these powerful characters splitting up to face each other and use their ridiculous power to the extreme. Even in the series' own meta arc about creating manga, the in-universe analogy for Undead Unluck’s manga is commented on as feeling retro. There is no doubt the biggest viral hit of the decade so far has gone to Kagurabachi, a manga about sword fighting and magical crime lords that seems almost indulgent in its stylistic slicing and or dicing of baddies. Its memetic success was primarily due to a somewhat sincere and somewhat ironic belief that it would be the “next big thing” as it promised to be a stylized action series. Another surprise viral success has been the manga Nue’s Exorcist which sees another supernatural swordfighter boy harness the powers of his sexy spirit lady while getting into harem shenanigans that echo a particular form of ecchi of anime’s past that had actually been somewhat absent in the past decade in jump. Both of these series have a somewhat noticeable similarities to Bleach, a long running shonen action series that has seen its own revival in the last few years of writing this with the long awaited adaptation of the final arc of the bleach anime.

While the other members of the “big 3” never truly went away and became almost inter-generational, Bleach truly did feel like a “come back” as it was absent for so long. And unlike Hunter x Hunter and Jojo which were never really popular in the west and even their older anime are more regarded as anime deep lore. Bleach was one of the most popular series in the west at the time to never receive a conclusion animated.

Speaking of anime of the 2000s Trigun Stampede was a reimagining of the original late 90s show. This errs a bit similar to Hunter x Hunter’s style of revival, but also seems uniquely its own in actually trying to find a balance between the original series but adding in things cut from its original late 90s early 2000s counterpart.

And now we must examine other shonen magazines. Series like Gachiakuta created by a former assistant of Okubo, the creator of Soul Eater, carries with it much of the similar energies of that series. Its also noticeable as being a truly dark fantasy series. Not an urban fantasy, but rather a completely new world that had a very grunge and dirty world building. And then there is Daemons of the Shadow Realm, a series by Fullmetal Alchemist creator Hiromu Arakawa. This series is also set in modern day japan with supernatural elements, however Arakawa’s style of writing is practically unchanged from her time on FMA. With an emphasis on action, intricate mysteries, and character building comedy with her trademark over exaggerated blocky style. There is of course Hiro Mashima who has started another new series, Dead Rock, and his style has also not changed that much. Then there is just flat out sequels to 2000s series like Gamaran Shura.

This to me shows that we are seeing a bit of a combination of people who are now entering the workforce inspired by creators of the past, but also that creators of the past still exist 20 years later and are still making content that hasn’t really undergone significant change.

Of course, we can’t also forget the implementation of the Manga Plus/J plus service which has opened up a very interesting ground for creators to have some of the most creatively out there series than what you may have expected from the shonen jump brand. I genuinely don’t think series like Make the Exorcist Fall in Love or Fire Punch would’ve ever been acceptable in the pages of a weekly shonen series. However one series in particular does feel like it could've and boy its been quite the success. Kaiju no 8.

Kaiju no 8 almost feels as though it is the AoT of a new generation with the amount of anticipation this one series has as well as the similarities between the series superficial elements. However, I'd say the key distinction between the two has been the tone. AoT took a dark and practically dour tone on its titan infested world. With an MC declaring war on all of his enemies. The pain was realistic, with human bodies being brittle and vulnerable. And the belief that just because you were a good person you weren't going to make it out alive. Kaiju no 8 instead opts for a more action oriented tone. Down playing the bleak realism for more "Hell yeah!" moments. With super science weapons that feel more akin to a tokusatsu show and fights and battles between humans an kanji the feel like the Dragon Ball style wrestling matches of old.

And of course, that’s not to say Jump hasn’t continued with series that feel more modern like the realistic and mellow romance of Blue Box or the dramatic coming of age story of Akane-Banashi.

But the presence of these series has caused somewhat of a friction with the popular conception of the magazine. Its safe to say that while “shonen” tends to think of action male oriented series, it can really just mean works aimed more at adolescents. But I think many tend to associate this familiar feeling of “what is shonen” with their popular introduction of the magazine. With a saturation of action and brash comedy series. This is further complicated by the fact many action series in jump are actually ending over the last decade. With new ones not popping up to replace them as frequently and series like One Piece and MHA and Black Clover basically stretching out across an entire decade or longer. In fact, I don’t think it's unreasonable to believe that the hype for something like Kagurabachi was in part a belief that it signaled a return of a type of familiar series and genre that had been missing. Or at the very least, looked to fill an inevitable gap the magazine was obviously going to be facing. Followed by the other commercial success of Nue’s Exorcist, we are likely to see these series last for a long time. At the time of this writing, Tokyo Revenger’s author Ken Wakui has released Astro Royale, a series that feels very similar to his previous work yet infused with this almost GetBackers flavor.

So that leaves us with the question at the start, are we seeing a rise in 2000s nostalgia in anime and manga?

Conclusion

So I'm sorry if I disappoint, but the best I can say is, I’m not certain. I do believe that from my observation I think it is reasonable to say that we are seeing a rise in creators in the shonen space being ones inspired by series from 20 years ago. However, I think we are also seeing creators who are from that time period also returning to write how they have always written.

On the consumer side, I think we can see that fans of anime and manga have changed in the sense their tastes can now be shaped by a much larger catalog of series at their disposal. But in the case of shonen, I think we are simply seeing those who likely got their start in anime at around the 2000s resonating with newer series drawing upon those series, but also with younger fans now likely to grow up with the tail end of what was popular in the 2010s now being influenced by the 2020s. I also believe that one of the defining features of the anime community in the last decade is hype culture. And currently we are seeing a rise in series that actually feel more catered to hype, be it a revival of a series they liked or predicting what will be the next success.

All and all, this piece was trying to tunnel on the shonen demographic in general, which is more likely than not going to have similar traits relative to itself. I do see us as a community endorsing trends of the past and there’s an excitement for these things to “come back” even if they may or may not have left. If you liked this please drop a like or reblog because I may do more of these think pieces in the future.

#anime #manga #think piece #discussion #shonen #shonen jump #kagurabachi #gachiakuta #nue's exorcist #undead unluck #kaiju no. 8 #bleach #one piece #naruto #yomi no tsugai #attack on titan

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eggplantwaffles · 6 months

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i think a big problem with modern batfam comics is that they have so many characters that kinda just overlap- here’s my ideas for how to give each of them their own “niche” to make them unique. Some of this is canon or alluded to is some way- but a lot is just what i think makes sense for each character.

Bruce Wayne

Bruce retires, it’s the only way to give all his kids / kid adjacents their own chance to shine. i’m sure he grumbles about it and watches from the bat cave obsessively, but i’m the end he’s learned to trust the batfam and lets them take care of things.

Dick Grayson

I actually really like where Dick is at in comics right now, i mean it’s not perfect- but I like the idea of Nightwing being a “better” version of Batman for Blüdhaven. He leads the Titans, which are now on par pedigree wise with the Justice League, and as Dick Grayson he is an active member of the community in Blüdhaven, trying to use all his resources to help people. So basically not much changes here.

Barbara Gordon

This one’s easy, just make her Oracle all the time- in the most bad dads way possible. Give me paralyzed Barbara Gordon who has eyes and ears all over the world and is the center of ALL super hero activity. She leads the Birds of Prey, she’s in the ears of all the bats, she’s IT for the Justice League- she does all of it.

Jason Todd

I liked Jason’s character best when he serves as an antagonist. Jason goes back to being a crime lord, and we bring back his ideals of trying to control the crime as opposed to trying to stop it. Jason has good intentions, but he lacks the idealism of the other bats who are constantly trying to save the city without compromising any morals. I think that Jason often butts heads with Tim and Cass (mostly Cass due to her very strict no killing rule) but is mostly left alone by Steph and Damian, who are more willing to accept his methods even if they don’t love them.

Tim Drake

Tim should travel the world “conspiracy hunting,” kind of like how he took down the League of Assassins, except he probably chills out on the blowing up bases all around the world that might (definitely) have people inside. Tim is supposed to be the best detective of the Robins, so lean into that- I want globe trotting - mentally unwell - detective stories where Tim fights big secret organizations or takes down corrupt governments. He is also still apart of Young Justice, though they are all a bit older and are a less official group, the core four are still close and work together- they help keep Tim grounded and remember that he doesn’t have to do everything alone.

Stephanie Brown

I think Stephanie kind of separates herself from the batfamily after her time as Batgirl. I don’t mean that she give up fighting crime, or even gives up wearing the bat symbol, I just mean that she becomes a mostly solo act. Steph becomes Gothams main hero, she does normal vigilante stuff, patrolling the streets, saving the city, detective work, the typical bat stuff. But she’s far more connected to the people of Gotham than Batman ever was, stopping and talking to kids, handing out blankets to the homeless, doing cool flips and batarang trick shots for civilians passing by. Eventually she is the hero most Gothamites associate with their city, and she represents the good parts of Gotham- giving the people hope that they aren’t doomed to be consumed by the city, but that they will be stronger because of it. I also think that things are kinda awkward between her and the bats (except for Dick, Damian, and Barbara) and she tries to keep her distance a bit, considering she was kinda treated like shit as Spoiler and i think Steph deserves to be bitter about that, for a little bit at least.

Cass

Cass becomes Batman, but she operates globally. She’s not like early-Bruce batman who stayed in Gotham, she’s more similar to later batman. She’s in the league, she goes on funky missions to space or other dimensions sometimes, she fights the world ending threats that someone with no powers really should have no business fighting. She also works frequently with Tim and they do some fun little espionage stuff. And while she does return to Gotham, she’s mostly content to leave the city to Steph now- except for all the times she gets into fights with Jason, it bothers her that Steph rarely messes with his operation.

Damian

I really love the idea of Damian getting more into the magical part of DC, I think he should absolutely end up with a Justice League Dark team and learn to do cool magic shit. He goes on a training montage quest like Bruce did, except he’s learning all about magic and demons and cool stuff like that. He has cool magic swords and is sort of the connection between the more grounded part of the universe and the magic parts. He also does a fair bit of globe trotting, looking for ancient mystical artifacts or magical worlds and stuff like that.

Duke Thomas

Duke also mostly stays in Gotham, he’s kinda doing his own thing as The Signal- he still operates during the daytime meaning he doesn’t cross paths with Steph or Jason too often on patrol. There’s not much to change here because Duke is already unique in that he 1- operates during the day and 2- is the only meta-bat, so I don’t need to make a niche for him, DC just needs to use him more.

Random Stuff

- Duke is starting college and takes night classes at Gotham U, Steph is also still in college and is graduating soon

- Tim is either Red Robin, or operating under a new name (I think the Vulture or Condor would be kinda cool but idk)

- The Batfam does not get along like a real family, they are dramatic bitches who fight all the time and have cannot all be in the same room

- Damian and Steph are super close, she was the first person to insist on treating him like a child, which he hated but now that he’s older is grateful for (but he’ll never admit it)

- Damian also sees Dick as his father figure, Bruce is just kinda also there

- Bruce, Alfred, Damian, and Cass all live at the manor- but Damian and Cass are rarely there as they travel a lot and got shit to do

- Barbara lives in the clock tower, she technically lives alone but usually one of Cass, Dick, Dinah, or Helena will be crashing there

- Steph lives alone in the same house she grew up in, her Mom has moved to California or something for a fresh start as she is finally sober, but at this point Steph doesn’t need her. It’s very sad as Steph never truly had a mother, but she’s happy that Crystal is getting another chance away from Gotham.

- Duke swears he’s seen Jason at night classes at Gotham U, but Jason won’t admit it

- The only ones Jason talks to semi-frequently are Dick and Tim, the relationships are super rocky though. Dick sees Jason as his brother first, and since he’s in Blüdhaven he tries not to concern himself with Jason’s business. Tim and Jason do fight a bit but Tim is more lenient than Cass so he can tolerate Jason’s shit if he feels like it’s for the best.

#dc comics #stephanie brown #batgirl #robin #batfamily #damian wayne #tim drake #bat family #cassandra cain #dick grayson #barbara gordon #batman #batfam #batman au #i realized while typing this that i’ve actually created a whole universe in my head #i have a lot more details i could share about this #maybe i’ll learn to write and make a fanfic story in this universe #of course starring my girls steph #if you couldn’t tell she’s my favorite

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