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#this is post canon! do not ask me any other questions i did not think about simply anything else
yamujiburo · 2 months
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Why I Love Hanamusa
I get this question very frequently but have never given a really in depth, definitive answer. All just kinda implied through my comics and spread out asks. So here's this I guess! Long post ahead:
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First, as a Pokémon fan in her mid 20s, I love seeing a ship where the characters are both in their mid/late 20s. Already, they’re much more relatable to me and my current experiences. Most Pokémon ships are between preteens, which can be cute but ultimately don’t interest me as much as they used to when I was a kid myself. Not enough to get super invested in and draw a lot of fanart for anyways haha.
I’ll also start by saying that canon doesn’t always influence whether or not I’ll ship something. I’m much more drawn to potential. Could the characters work together? Do their personalities work together in a nice way? I feel like this so much of fanon is anyways. Especially with queer relationships because they’re rarely depicted in the first place. A lot of the context for these ships is usually up to the fans to piece together or make up in general. And that’s the fun part to me!
Jessie and Delia have only met in the anime a handful of times. Any interaction they’ve had has either been pleasant, or just a typical Team Rocket interaction, with Delia dismissing them/not seeing them as a threat. Already a great jumping off point for me since, truly, they don’t have any actual beef or true, ill feelings towards each other. It’s not TOO out of the realm of possibility for them to potentially fall for each other. “But Jessie chased Delia’s son around trying to steal his Pokémon!” That’s where that dismissive and aloof attitude that Delia has comes into play. I’ll go more into Delia’s whole deal a bit later but I do think this aspect of her personality is a large reason why this ship can work. It’s not that she doesn’t care that Jessie has a bad past, but she can tell that, on the inside, Jessie’s a good person. And, in a scenario where Jessie is trying to become a better person, is forgiving enough to give her a shot. I feel like this is such a solid foundation for a ship. A character who has done wrong but is trying to be better and another character who is willing to help them be better. A classic dynamic!
It’s not just one-sided though; where Jessie is the only one benefitting and learning from the relationship. I believe Delia could get a lot out of being with someone like Jessie. To understand why, I think it’s important to know these characters’ respective backstories.
Jessie is an orphan/foster child who grew up in poverty. Her mother Miyamoto (from The Birth of Mewtwo) was a Team Rocket operative herself, who went on a mission to find Mew. In order to do this, she had to leave Jessie when she was just a toddler. Unfortunately, Miyamoto went MIA on her mission leaving Jessie to more or less fend for herself. Jessie went through life with zero stability, evident by her MANY different careers and constant moving around. It’s implied in the show that she went from foster home to foster home, and later in life tried being an idol, weather girl, florist, wine connoisseur, actress, most notably a nurse and finally a Team Rocket field agent. And even while in Team Rocket, she, James and Meowth were always doing odd jobs to get by. We see that Jessie used to be a sweet kid, and even adult, but the world and her circumstances repeatedly did her dirty, leading her to become the character we know today. Hot tempered, mean, selfish, etc. But despite this, her soft side does still shine through for the people and Pokémon she cares about. She is incredibly loyal.
Delia, unbeknownst to a lot of fans, also had a rough past (see Pocket Monsters: The Animation). Like Jessie, she had a lot of dreams and aspirations like wanting to be a model and even a trainer. But when she was 10, her mother didn’t let her, telling her that she had to stay home and learn to run the family restaurant (she’s an only child). Delia’s father left her and her mother to be a trainer, and never returned. When she was 18, she married Ash’s father and became pregnant shortly after. But right after Ash was born, he also set off to be a Pokémon trainer. And soon after that, her mother passed away, leaving Delia with just the restaurant and baby Ash. This gives so much context to Delia’s attitude in the show. We see that Delia is pained whenever Ash leaves on a journey, but she never shows that pain to anyone. ESPECIALLY Ash. She’s very quick to shoo him off when he shows any sign of wanting to go on another journey and even when he returns home, she acts more excited to see Pikachu than him almost every time. Without all this backstory, it’s easy to just read this as a funny gag, BUT with context, I think it really shows how quickly Delia shuts down and detaches in order to not confront her own feelings. She’s afraid of losing people and getting hurt again.
All that said, I think Jessie and Delia provide each other with EXACTLY what the other needs. 
Aside from becoming rich and famous, Jessie’s biggest aspiration is to get married. In my opinion, this is more so an underlying want for love and stability. There is no one more stable in the show than Delia. Delia’s lived in Pallet her whole life, she’s worked at the same restaurant since she was young and she is always there when Ash comes back home. She has all the love, patience and stability Jessie needs and craves. While forgiving, Delia’s not stupid and can keep Jessie in check. Delia’s also just an angel, which I feel, would make Jessie want to be better. And on top of all this, on more of a surface level, Delia’s a chef and excellent cook. She shows love through cooking and Jessie, who grew up poor, regularly starving and eating snow, happily receives that love. Jessie’s able to live a happy and healthy life with someone like Delia.
Delia, as stated, is very stable. Likely pretty monotonous and solitary, especially living in such a small town like Pallet. This isn’t a bad thing but it’s a little sad when you consider that Delia also had dreams of traveling, being a model and a trainer. She had to give up so many dreams in order to fulfill her duties as a restaurant owner and mother. And even now, when Ash is off on his journey, she feels the need to always be home and be that stable pillar, leaving behind any ambitions she had, thinking it’s too late for her (she’s only 29 btw). But then along comes Jessie, dangerous, passionate, an absolute firecracker. Someone who’s whole life has been about chasing dreams and either, never giving up on them or finding a new dream to chase. Upon learning about Delia’s past aspirations, I could see Jessie pushing her towards them, letting her know that life’s too short and she has nothing to lose from trying. On top of this, Jessie’s also loyal. She, James and Meowth are depicted as doing anything for anyone who gives them food or shows them kindness. Delia does both so there’s no way Jessie would leave her. This fulfills an essential need for Delia, who is afraid of the people in her life leaving her.
There’s so much potential for mutual growth and learning between these two and I adore that. They compliment each other, they help each other and they bring out the best qualities in one another.
I’m not really sure how to end this and I could truly talk about them even more but I don’t want this to be tooooo long haha. OH I could end it with maybe the most funny aspect of this ship that I've brushed over and also what drew me to it in the first place. Jessie. As Ash’s stepmom. THE END.
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alllgator-blood · 2 months
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I posted these on reddit a while ago and I've gotten multiple messages asking if I had any other social media? Which I didn't at the time, but after years of not bothering to post my art I think that was the boost I needed to finally re-emerge from the rock I've been living under.
ANYWAY uhhhhhh I've drawn these guys so much since I posted this that they might look a little different when I eventually post my newer art of them. Mostly because I don't bother drawing the little crosses on their heads anymore besides on leshy because frankly the antennae are really funny. If anyone has any questions about my hcs or what I intend to do with the characters, my ask box is open and I don't have anything better to do than endlessly ramble about gods that 100% would rip my head off immediately if I ever encountered them!
SPEAKING OF WHICH, the reception I got for these on reddit was way more positive than I was expecting which I am immensely grateful for, but there was definitely some miscommunication about the afab shamura headcanon so I'm just gonna dump about that below the cut if you want to hear me ramble about my nonbinary-ness for a while:
OKAY SO it's canon that the bishops were feral little animals before they found their crowns, right? Leshy and Shamura both talk about it during their follower quests. Feral animals do not have a concept of gender, only biological sex, so if they ascended to sapient godhood they would suddenly have a grasp of gender. My hc is that Shamura was a female feral spider, ascended to godhood, lost their bio sex in the process as with all the other bishops, and was just like "you know what? I don't want to be anything. This is kinda swag actually" so they just became War and Grief and Cosmic Horror incarnate. I am fucking desperate for any relatable enby representation in the media I like, so I just want to clarify me saying they were female at some point just is me going "I am living vicariously through this character who shed their mortal flesh prison to be an eldritch spider war god devoid of any sex characteristics" and not "I'm one of those numerous people who for some reason lumps this canonically agender character in with a binary sex". Anyway thank you for reading this far, here's an unfinished voidpunk shamura from a pride flag color palette thing I did of the bishops:
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nyaskitten · 4 months
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EDIT: THIS POST IS INACCURATE !!!
I made the assumption Olive was editing the wiki articles, and while that's a very logical conclusion to reach, it was actually someone who shares the same viewpoints as them!!! Anything including the wiki articles and Olive's involvement is wrong and that's my bad!!!
Alright fellas, I guess we did it. We have reached the tipping point. I'm going to dedicate this post to calling out one specific person, @olivescales3, and their very toxic behavior. This post will be a bit messy, and I do apologize in advance, I'm writing this from the perspective of a Ninjago fan who also thinks beyond just the petty fandom stuff, what they're doing is just not cool.
I will clarify, I do not make this post for petty fandom drama, I make this to better spread awareness on some of the bullshit they're doing, so you can look out for and understand that they're bullshitting. Without further ado, I think we should just get into it.
So, what have they done?
Now, I should say while there is no 100000% concrete link between hyenabro and olivescales, I think based on their talking points (as well and the information I've recieved from friends in the Chima fandom, who have a bunch of prior experience with them,) it's safe to make this assumption!
So, what has olivescales DONE in this case? Simple, they've vandalized the Chima wiki on NUMEROUS occasions, even after several different people have revised their revisions, so as to discredit any conenctions between Dragons Rising and Chima.
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(Green is their edits, red is the ones prior to theirs, I found this while going through their contributions section on their Fandom account, HyenaBro119)
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As seen here, they have (under the username HyenaBro119) edited the pages for Chima AND the Forever Rock (I have two similar screenshots of essentially the same thing, one was from the Forever Rock article, the other was from Chima) and claimed Ninjago's lore to be some alternate universe. To further validate it, they write "Ras' visit to," but Ras NEVER claimed to have VISITED these locations, just that he knows them. They also claim the Forever Rock was destroyed, a blatant lie. Only a small section of rock on the Forever Rock was actually destroyed, not the whole thing.
Now, you're gonna ask "but Raine, how can you 100000% say it's them?" and I will cite common sense. While I cannot directly tie Olive to hyena, I CAN say their wording is SO very similar.
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Both Hyena and Olive call DR "a parallel/alternate universe," and again, claim Forever Rock was destroyed, WHICH IS A FULL ON LIE. They're so adamant to protect "the sanctity of Chima's pre-established, set-in-stone lore" that they can't stop to think maybe, JUST MAYBE, sometimes a story can get new lore which can ALSO be canon!
I'd also love to share this HILARIOUS screenshot of one of their many posts, which not only backs up what I'm saying, but it's like damn they really set themself up huh!
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Gee I wonder why you feel alone! Maybe it's because you are! Maybe it's because you're lying and making shit up to prove yourself right! No one is as big of a hater as you!
The also LOVE saying Ninjago cannot do anything with Chima unless they get express permission from the creator of Chima, some guy named John Derevlany, but oh man what's this I see before me?
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CO-CREATOR? Oh but Olive, I thought he was the CREATOR of Chima, not CO-creator... ALSO Lego owns the rights to Chima, and Ninjago, and every other theme, as said by Doc himself! If anything he wasn't really dodging the question, just giving a vague answer, because he doesn't know much about the old contracts!
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From what he said, it's clear that if they wanted to use anything from the other themes, they'd have to consult folks over at LEGO, not John Derevlany or Tommy A.!
Now here's the THING, I GET where they're coming from, it CAN be annoying to have people only care about a thing you like in relation to something else, but when you're going out of your way to argue that none of it can be canon and it's all an alternate universe it's like... god it's so sad and pathetic really.
Their lies and BS don't even end there with the wiki shit, because I have THIS glorious gem.
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A) They bring up that the Ninjago folk do not know who the Phoenixes are which is like, okay??? Why the fuck are they gonna know about how another universe was created??? That's like if someone told me I don't exist in the same universe as my glasses because I have no clue who made them, that is to say, that's stupid as FUCK to say!
B) OH they say something REAAALLL funny ohohohho I am actually dying. Olive says the Phoenix icon "appeared in a Ninjago episode" and "Ninjago tends to reuse assets." Yep, NINJAGO is the one who reused the phoenix symbol, mhm. The symbol that was made in 2011 for NINJAGO, which cameoed in CHIMA in 2014, was actually just an asset reuse by Ninjago. I feel like this actually goes to show how desparate they are to feel right and validated, because this? This a lie! Ninjago made the symbol, and because Tommy A. is co-creator to both, he wanted to slip in a neat Ninjago reference, so he slipped in the Phoenix symbol Nya uses for the Phoenix tribe, not the other way around!
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Another REALLY funny thing they did, aside from the wiki and Phoenix symbol shit, was this hilarious attempt at being right!
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Yes, the compared the WOLF Masks to BATman's cowl, and did a horribly rough comparison illustration that very much does not make sense. If you actually compared them side by side, the only similarities would be they're both angry animal themed mask with pointy ears, which does NOT go very far in the long run. The foreheads they drew aren't even the same fucking shape lol.
OH ANS WE CANNOT FORGET THIS ONE! Their using a post about the Palestinian genocide and boycotting Lego in order to complain about Ninjago.
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They claim Ninjago is produced by Lego, unlike other Lego shows, which is an EXTREMELY bullshit fucking claim. Just like Chima and Nexo Knights, Ninjago is produced by Lego, it's not JUST Ninjago produced by Lego, they are all Canadian-Danish CGI action shows, and they're all known to have Tommy Andreasen involved in the creation of them.
They're using a post about boycotting for the sake of innocent people DYING to complain about a lego ninja show for... killing evil people? It doesn't glorify war, the worst it does in regards to war is like not address how fucked up it can be in regards to the Serpentine War, but that's like it. I think it's so funny they want to single out Ninjago as if it's the only TV series where villains die for trying to conquer/destroy the world.
So, what do I want the takeaway from this post to be? What do I want you to get from it? I don't really know anymore, I just don't want Olive's horrendously toxic behaviors, and straight up lies to stop. If anything I think it's beautiful that Ninjago is making others interested in revisiting Chima again, stop being such a fucking hater dude. They act like Chima is some holy grail of Lego, the greatest thing since bread, but it, just like Ninjago, Dreamzzz, Hidden Side, and Nexo Knights, have Tommy in creative roles.
To act like Chima is somehow greater than is to place it on an unrealistic pedestal as if it's a godsend, when in reality it was co-created by Tommy Fucking Andreasen.
If you read through all of this, I do THOROUGHLY appreciate it, I didn't mean for this post to descend into an angry ramble but ehhh yk how it is. And Olive, if you see this, please, just stop with the bullshit.
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thelunarsystemwrites · 2 months
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Inviting other artists!
So I've just made a superhero AU for utmv. Right? Well, I really only wanted to design one guy, Lust. Sooo I'm opening the AU (WHICH LITERALLY HAS NO LORE YET SO NO WORRIES) for others to partake in!
Here's like, the basic lay out.
Choose one Sans AU to turn into superhero/villain. Please refrain from using a Sans someone else claimed.
Make them into a superhero/villain themed after something specific. (Example: A plant themed superhero, or even a cactus one!)
Keep powers balanced with weaknesses, please make them relate to their theme!
Give them a civilian identity! You don't have to draw this one, but make sure to mention their civil job and name!
Give them a Superhero/Villain name as well!
Wait, supervillain?
OH YES! You can choose the mortal alignment of your claimed Sans! Super hero, villain, neutral, vigilante? Just pick whatever you want!
Of course headcanons are welcome, it's Canon to YOUR design! Make them trans, gay, autistic, whatever! (Human designs are allowed too!)
Wait.. what do I (the artist reading this) Even get out of doing this?
Well I'll tell you! For one, its a fun artist challenge where you personalize and create a whole new hero/Villain to your preferences!
You also get to imagine their lore, and incorporate their personality into the story! They'd all be canon part of the AU. (Note: if someone claimed a sans first and you did it anyways, yours wouldn't be Canon unless issues occurred with the OG/they gave you permission.)
I dunno, I just wanna make an AU with a ton of people, ya know? I think it's be fun for us to work together on this.
CLAIMED LIST:
Lust: Hero. Complete. By @thelunarsystemwrites.
Reaper: Vigilante. Completed by @solusminds.
Outer: Vigilante. Complete by @dzasterdumpterfire
Ink: Retired Hero. Complete by @lix88888
Error: Supervillain. Complete by @its-paperd
Dust: Claimed by @billygoat26
Farmer: Claimed by @absurdumsid
Cross: Claimed by @weirdest-worlds
Geno: Claimed by @eldritchcats
Shattered: Claimed by @genderfluidyellowocto
Nightmare: Supervillain. Completed by @analexthatexists
Killer: Claimed by @a-menacetosociety
Dream (and core frisk): Claimed by @thenocturnenarrator
Blue: Superhero, complete by @createbellatheartist
Fell: Supervillain, complete @underrrtaleee-freakk
Quantum: Superhero. Completed by @nashdoesstuff (Also made an OC for the AU, Dreamshade! Superhero.)
Horror: Neutral Evil. Completed by @it-came-from-mount-ebott
Ccino: Claimed by @some-aroace-chaos
Fresh: Claimed by @nightmareishomophobic
Die sans: Claimed by @dustsansm1
Bill: Supervillain. Completed by @endless-emptyness (OC Nanno made by sane person!)
Epic: Claimed by @dtdrawz
Fatal error: Claimed by @spookyboris2
Swan: Claimed by @glitching-moon
Sci: Claimed by @joonebugg
Dance: Claimed by @dv-reblogs
Swad: Claimed by @shinanigans-art
Littletale: Claimed by @somehhuuuhh
Possession: Claimed by @b0nerific-individual
Alter: Claimed by @annabel184
Paperjam: Vigilante. Completed by @papple
Decadent society: Supervillain. Complete by @supper122
Green Sans: Claimed by @xxcross-is-a-helicopterxx
Roulette: Claimed by @ant1quarian
On the claimed list, if you claim a Sans (By commenting or reblogging saying "Dibs Blank!" Or "Can I do blank?" Etc! I'll add it on the List saying: "Sans: Claimed by User"
Once it's made, please tag me so I can see! Then I'll update it to "Sans: Moral alignment. By User." And link it on this post! [Please only claim one, we want enough to go around! However you can claim variations! So one person could make dream, another could make shattered!]
[Note I do not claim any ownership over your designs for the AU, nor will I use your design w/o permission.]
With all that said! Anyone interested? [And hey, if you're not interested? It's okay to just not join. Or ignore this!]
Asks! (Questions regarding the AU!)
Can we make our own lore woth other characters?
Secondary claims?
Only two grabs?
Can we have OCs?
Can we use our own AUs?
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grimm-writings · 1 month
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hello! <3 i read your dungeon meshi stuff and it was great!! is it alright if i request some relationship headcanons with chilchuk? preferably with a male s/o, but gn is alright too! thank you sm! i hope you have a good day.
chilchuck relationship headcanons!!
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…ft! chilchuck x m! reader
…tags! fluff, mentions of chilchuck's wife, chilchuck bisexuality crisis, teeny weeny hurt/comfort, talk of marriage, just word vomit tbh
…wc! 1561 (UHM...)
…notes! m! reader food come get it!!!!!!!! thank you for giving me the opportunity to go crazy stupid with this request anon i love chil so much is it obvious yet
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Ok let’s get one thing straight.
(He isn’t.  Haha.)
But!  In all seriousness, Chilchuck has one thing he needs to do before considering a committed relationship.
Yep, even with all the longing glances, late night conversations, and helping each other learn and grow, he has to delay the fruition of your relationship until after everything after the dungeon dies down.
Well… he just needs to talk to his past lover first.  He needs to have a long, long conversation with her, and he’ll be sure to mention you too.
He relays this to you during the great feast privately.  Despite his nervousness, the sigh of relief that escapes him is noticeable.  His shoulders slack and he closes his eyes.  Finally, it’s off his chest.
Before we talk about the actual relationship, though, let’s talk about stuff that happened during the pining phase!  Yay!
Chilchuck only had one flame his entire life, and that was his childhood friend.  He never really ‘dated’, never really had any sort of time to explore his feelings for anyone else.
To put it plainly, he had no idea he was into guys.
“I dunno, Senshi was always kind of handsome,” Chilchuck notes with Laios, and his doppelganger nods in agreement. You and Marcille pause for a second, processing the words the two men said.  Like a house pet that has certain opinions regarding these sorts of people, you side-eye one another. “How would you know that?”  You challenge. In response, one of the Chilchucks glances over at you – the more tired looking one – and he shrugs.  “Not anyone would have the kinda bold look in his eyes he has.  The pinnacle of masculinity,” he huffs with a small grin, as if daydreaming of the very such thing. You have no words.  You quite simply don’t.
It’d be a major “oh FUCK” moment when he does realise.  Honestly the entire realisation of feelings for Chilchuck is Good Medicine but times a billion.
He’s pacing he’s pulling at his hair he’s questioning how the HELL did this happen.
If he has a pillow he is screaming into it more often than he normally does.
If you’re more on the masculine side, or are a dwarf, this man is a right mess around you.
Like he’s stammering constantly and hates himself for it.  Constantly red in the face around you and has to excuse himself.
But like . Not in a gay way or anything.
(Seriously if you think how he avoids his friends is ridiculous, this is eleven times worse.)
It takes some time, but I can imagine there’s a moment in the dungeon where you kissed at least once.
Chilchuck is the one to break away first, his eyes wide and face beet red.  It doesn’t take long for him to take his hands away from where they were, interlaced with yours, to hold his face and drag his skin down in dread. “...Did you like it?”  You nervously ask.  He’s the king of mixed signals… The half-foot nods slowly, still looking like he experienced some form of unwanted enlightenment.  “Yuh–huh,” he squeaks. You smile.  That’s good enough for you.
Marcille definitely picks up on SOME tension though.  She’s oddly observant of that sort of thing.
Once you actually reveal to the party that you’re seeing each other post-canon, Marcille disrespectfully shouts “I KNEW IT!”
As Chilchuck and her have an arguing match about that, you’ll look at Laios who looks shocked.  He had no idea.  Some things never change.
Senshi and Falin are normal and actually just congratulate you.  Give them hugs for me.
BUT FINALLY ONTO ACTUAL RELATIONSHIP HEADCANONS!!!!!! (This is like 600 words so far.)
He’s still uneasy about a lot of things.  He has a deep-rooted fear of messing this up again.
When the relationship is established he might distance himself for a bit.  Not on purpose, mind you, he’s just… not sure of what to do, and he’d rather not do anything at all than mess up.
Chilchuck no that in turn is messing up noo!!!!
You’d have to tell him this and he’ll try and turn his behaviour around instantaneously.  He’ll be nervous and frustrated with himself, but take it slow and he’ll come around eventually.
His nicknames are … unique.
He’ll use stuff like “idiot” with the greatest affection in his eyes and a soft grin, but he’ll say “hey handsome” with the most dripping sarcasm and sneer.  Why is he like this—
Play with his strands of grey hair and he’s so flustered, swatting your hand away.  If he’s tired and cuddling into you, though, he… well, he wouldn’t mind it.
Speaking of cuddling!  He didn’t really do much like cuddling in his previous relationship, to your surprise.  He just shrugs and says he and his old flame weren’t that kind of people.
This is how you inadvertently find out Chilchuck is a wombo combo of touch starved and too embarrassed by it to do anything about it.  How does he live…?
He knows himself if you’re not a half-foot that him being a big spoon is too ridiculous of a notion.  Yeah, he immediately assumes he has to be the one spooning you.  He realises with time though that he… drastically prefers being in your arms.  Feeling secure, loved…  He really really likes it.
Not like you can ever get him to admit it verbally.
(You can still see it from how he relaxes into you and smiles as he drifts off into dreamland.)
It’s been a long day, and Chilchuck wants nothing more than to see you.  You look up from where you were sitting when your boyfriend enters the house and smile.  “Good evening, love.” God, your smile.  If he didn’t know he’d be coming home to this, then the work day wouldn’t have been worth it.  He sighs and smiles, walking to you and immediately falling onto your lap.  His face tucks itself into your stomach and his arms wrap around your middle. “Hm, someone’s tired,” you remark with a grin.  Chilchuck merely groans into your form. Sparing him from any teasing, you card your fingers through your hair.  You can already feel how he melts into you as he loses consciousness. You lean down and kiss the shell of his ear.  “Sweet dreams, Chil.”
For a long time, he struggles with actually calling you his boyfriend.  It’s not like he’s ashamed of you, it’s just…  It’s always been “my wife” for such a long time.  He still can’t quite fathom this change in his life.  That you’re his and he’s yours.
Eventually, he’ll be the one to proudly proclaim “my boyfriend!” when he gets the chance to mention you.  He’s quite proud of the fact he’s got you, after all.
His kisses are usually quick and brief pecks on your temple or if he’s not in reach, your hand or shoulder.  
Ugh can you imagine him taking your hand and giving a kiss to the back of it?  And you can feel his thumb ghost over your knuckles reassuringly before wishing you farewell to work?  Dying dead.
Kiss him and he’s always taken aback every time.  He still won’t be able to comprehend it no matter how many times you’ve done it.
(To be slightly on the more suggestive side… really likes making out when in the mood.  He can do that for hours with him on top of you.  Though he wouldn’t mind being underneath if he considers it…)
He daydreams more often than he likes, especially early in the relationship.  He’ll feel ridiculous for it, like some lovestruck schoolboy but… well, yeah, he IS utterly enamoured with you!  Don’t be surprised if you catch him staring at you or checking you out in some way.  Call him out, and he’ll flush with a furrowed brow and glance away.
His love language mostly comes in the form of acts of service.  Although there’s a slight bit of gift giving too.  He likes giving you wordworks or embroidery he made if he knows you like it.  Maybe he’ll make you a teddy or ragdoll if you’re into that!
You also get Chilchuck thinking about the impossible after a while.  He doesn’t try to make a big deal out of it, but it’s kinda hard when…
“I think I can give marriage a second chance,” Chilchuck says out of the blue to you one relaxing night in bed.  His hair is messed up by you burying your head into it, and your lover is tucked into your chest, holding onto your waist. His words certainly catch you off guard, and for once Chilchuck doesn’t make a thing out of being the one to fluster you for once.  Instead, he tucks his nose into your neck and sighs.  “I just…” he pauses for a few seconds.  “I think I can do it right this time.  If you’re here with me.  I think I can do it.” The silence is thick with a kind of tenderness you’d only associate with the colour pink.  It’s deep and you can feel your face glow in the heat. You pull Chilchuck closer and kiss his head. “I’d really like that Chilchuck.  I really would.” He chuckles slightly at the soft sensation, closing his eyes again. “Thank you,” he says, “I mean it.  I couldn’t have made it this far without you.”
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laikabu · 2 months
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re: my thoughts on laios’s sexuality (long post ahead lol)
let me start this post with this. first, this contains a lot of references to the new adventurer’s bible world guide book released last february. i can read japanese, but i’m sure they’re translated somewhere. general spoiler warning in case. also… i am ESL, so sorry for any grammar errors
second, if you’re on the team that insists laios doesn’t care about humans enough to form relationships, either read the manga again or at the very least read this thread.
last, please don’t chime in with your acearo headcanons on this post. there’s already a majority of posts here that insist laios is acearo and that anything else is impossible. i don’t like it the same way i don’t like when someone declares they hc marcille as bisexual to a poster who reads her as lesbian. i already have enough people here who declare he’s ace on my own art. at least people on twitter of all places don’t do this sort of thing to me. nothing in this manga is canon, you can headcanon anything i won’t get mad if you hc him as bi or something. just. don’t be weird on my post.
okay. trust me, i love women, and i love the idea of making my favs women lovers but the idea of laios being gay really appeals to me because of his background. this isn’t fueled by yaoi since i don’t even ship the only m/m relationship i bring up here, i just think it adds a nice layer to his disconnect with his own humanity
i do think laios has a very abstract relationship with his sexuality for a multitude of reasons. he grew up in a very conservative backwater village. he has a hard time recognizing his own feelings towards others just as much as vice versa. i don’t really care for the “laios is a monsterfucker” agenda people are pushing but i do think he’d engage in sexual thoughts in his own weird way, i won’t deny his deviantart fetish shit
as an autistic person myself, i relate to how he’d prioritize his special interest over social interactions. after all, he was fixated on monster food so he’s distracted from dark thoughts. he’s not an actual glutton
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he’s shy around women, but i don’t think it’s out of attraction. i just think it’s because he’s awkward and doesn’t want to be seen as a threat. there’s a couple of times when, out of armor, he deliberately tries to make himself look smaller and nonthreatening.
he didn’t show any interest towards ashivia (the hubby hunter girl marcille replaced) and just humored her because she wouldn’t leave him alone. his other party members thought he was giving her special treatment so he had to tell her he “doesnt want to give her special treatment anymore”(even though he never did), so she left
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ashivia did her best to butter herself up to laios and he didn’t care, but laios thought shuro was his bestest friend in the whole world because he was too much of a pushover to reject him. ironically… what ashivia did to him parallels what he was doing to shuro
also… yeah sorry i keep bringing up that one comic of laios saying if he were falin he’d marry shuro and then begging him to take him back to his country, or that comic of laios wondering why he doesn’t like him(and then the first two questions he asks the magic mirror was what if he or shuro were women). i don’t even ship them! but it’s not a reach to assume that he likes men because of this, even if it’s kinda played like a joke(after all,a lot of people like chilshi even though their ‘shippy’ interaction was played as a joke)
of course, given the setting, i don’t think knows he’s gay, he wouldn’t have the vocabulary to label himself. i do want to dance around with the idea of him forcibly confronting his own sexuality after years of yaad pressuring him to produce heirs lol. laios might not be cishet but he’s a king so he rdgaf about that right now. i’m open to him having female consorts for political reasons, but i don’t think he’s into women, is all.
before anyone brings up his succubus… god forbid an author makes hetbait. a part of the plot twist was that not-marcille wasn’t the only succubus enticing laios, his other party members were copied too. she was the only one who approached him. also… succubi aren’t always inherently romantic. once it realized marcille didn’t work, it switched to appeal to his desire to be a monster.
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callsign-rogueone · 4 months
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what was I made for? - g.t.
Garrick Tavis x Marked!Pacifist!Reader (continuation of keep her safe) The aftermath of War Games has you questioning your purpose, and what your signet truly is. wc: 4.4k 🏷: FOURTH WING AND IRON FLAME SPOILERS (I have 50 pages left, but I just can’t do it. send help.) canon-level violence, injury, canon character death, self doubt, anxiety. oops, I made Dain tolerable again. angst, then happy, then more angst. I also skipped over a smut scene / just made a reference to it happening, so if anyone wants that as a separate post, lmk and I can make it happen 👀 thank you to everyone who liked/reblogged/commented on part 1! it means a lot to me 🫶
Riorson House is more your home than Basgiath ever has been, but it’s become foreign to you in the three years you’d spent at the college. It feels like you’re hallucinating as you wander the halls.
Maybe everything that’s happened in the last few days has been a hallucination -- it wouldn't be the first time Varrish or Carr had pushed you to delirium with the amount of pain you’d taken for others.
Maybe it’s a dream. That’s it. A really bad dream. Any moment now, you’re going to wake up in Garrick’s bed and get ready for morning formation, and you’ll forget the sight of Liam dying by breakfast, when you’re sitting across from him at the table like you always do. Violet’s screams of pain will stop playing in your ears, replaced by her laughter at one of Ridoc’s jokes.
But no matter how much you pinch at your skin, you aren’t waking up. This is reality.
“I hear you’re a mender, too,” someone says in a gentle voice, bringing you out of your daze. Violet’s brother, Brennan.
“Does it ever get easier?” You ask quietly. “Does it always hurt this much?”
“Mending becomes easier. Seeing that kind of stuff every day doesn’t,” he replies, and the exhausted look on his face tells you he’s being honest. “But it shouldn’t hurt. Tell me more about that.”
“The second person I mended was a scribe who’d fallen from a ladder in the library and broken her leg. I did everything right, the bone set properly, but my leg hurt for a week, right where she’d broken hers.”
Brennan is silent, letting you continue.
“They broke Garrick’s arm in RSC. I was able to fix it for him, and I took the pain, but they broke it again two hours later. I mended him and Xaden over and over until I collapsed. I didn’t wake for two days. They both still think it was just exhausting for me. They don’t know about the pain.”
The tears are coming openly now, dripping down your cheeks, and you bring a hand up to wipe them away with the sleeve of your flight jacket. “But it isn’t all bad. I couldn’t save Liam, but I was able to make him more comfortable in the end. I took his pain away, and let him go in peace.”
You don’t tell him what death feels like. No description you could give could adequately prepare anyone for the cold sensation that still lingers in your chest. It will likely remain there for the next few days.
“Hey,” he says softly, “We’ll figure this out, I promise. For now, just try to get some rest.” 
You nod quietly, looking back up at him. “Can someone please tell Garrick that I’m okay?” You ask in a small voice, folding your hands in your lap. You’d been heartbroken to realize that the rest of the squad had left for Basgiath before you woke, leaving you here alone.
You didn’t get to say goodbye to any of them, and you don’t know when you’ll see them again. Or if you’ll see them, you think, but you push the thought away quickly. They’ll survive. They have to.
Brennan cracks a smile - everyone in the rebel cause is aware of how deeply Garrick loves you. “Of course.”
———————————————————————
“Cadet Mairi died alongside his dragon, who was attacked by a drift of Gryphon riders. Cadet Avan attempted to mend them, and died trying,” Xaden says levelly, staring down the group of professors on the dais. “They both died honorable, but preventable deaths.”
Garrick knows Xaden is lying, knows you aren’t dead — or you hadn’t been when they left for Basgiath, at least, but his friend’s words have him on edge. Have you woken up yet? 
Chradh speaks into his mind, sending a wave of hot rage through him. “Relax.”
“Relax?” He echoes, irate. “You’re telling me to relax right now, when-”
Chradh doesn’t bother to argue with him. “She is safe under the care of the silver one’s brother, where she will remain until the moment is right. It is better this way. She won’t be in pain anymore.”
Chradh doesn’t elaborate further. Fucking dragons and their constant need to speak in riddles.
The rest of the quadrant spends the night drinking and congratulating themselves on surviving, but Garrick doesn’t touch a drop of alcohol. The three of you were supposed to do this together. It wouldn’t be right to celebrate without you.
———————————————————————
“We’re gonna start from square one, with something that can’t hurt you,” Brennan says, placing two halves of a cracked plate on the table in front of you.
It’s simple enough to make the pieces rise into the air, using the same magic required to make a pen write for you. You concentrate, willing the halves to fuse together. They touch, and you think you’ve done it, your heart leaping, only to fall as they crash back down to the table again, splitting into even more pieces.
Brennan touches one of the shards, and they glue themselves back together perfectly; no cracks, no trace of the plate ever having been broken. “That’s what I thought.”
“Let me keep trying,” you begin, heart pounding. Brennan can’t think you’re a failure, not this early.
“You could sit here with this plate all day and it wouldn’t change,” he says gently, confirming what you know deep down. “I don’t think you’re a mender. I think you’re something else entirely.”
You sit with the information for a moment.
“Signets take the form of our base need as a person,” he says. “We need to find out what that is for you.”
You already know. “I wake up every day grateful that Xaden bargained for our lives, but I have done too much harm in my time at Basgiath. The crown has done too much harm to Tyrrendor. All I’ve ever wished for is to fix that, to undo the pain.”
“To undo the pain, or to help move forward and grow?” He asks gently.
You aren’t sure.
———————————————————————
You go through your morning stretches, as always, focusing on your breath to distract from the pain in your side. 
“Your mate has returned.” Tab says, interrupting. “Thought you’d like to know.”
You bolt upright, running through the house toward the gates, bypassing Xaden to sprint straight toward Garrick.
He wraps you in a warm embrace, resting his chin on the top of your head. You still fit together like puzzle pieces, even after months apart.
“You’re alive,” you breathe. “Nobody would tell me anything, I was worried sick,”
“Of course I’m alive, angel. Had to come back to you.”
You trace the Lieutenant’s patch across his collarbone, memorizing the shape. It looks natural on him, like it’s always been there. It sounds good, too. Lieutenant Garrick Tavis.
“I need to tell you something,” you say quietly, “I haven’t been entirely honest with you about-“
Footsteps approach. “Sorry to break up the reunion,” Felix says, “but Avan, we need you.”
There’s something in his tone that has your heart pounding. Which of your friends is it going to be this time?
“Tell me later,” Garrick says. “Go. Do what you were made to do.”
You know he means well, but his words tie your stomach in a knot. What you were made to do. Were you truly made to endure the suffering of others?
———————————————————————
Every muscle in your body feels like it’s on fire as you slump into a chair, sitting down for the first time that day. If you’re lucky, you’ll be able to get some sleep before you’re needed again.
“There you are. I didn’t see you in battle brief.” Garrick says, relieved.
“Haven’t been going,” you mumble. “They need me here. Bren’s teaching now, so s’ just me and one other mender.”
He realizes no healers had come with the riot from Basgiath. You likely haven’t left the infirmary since they’d arrived.
“Come to bed,” he coaxes softly. “You need sleep. You can't pour from an empty cup.”
Yes, you can. You have been for months.
He takes your hand, not giving you a choice. You lean into him as he leads you up the grand staircase to a room near Xaden’s. Your muscles protest every step, but you keep quiet.
You haven’t been in here for years, not since you’d left for Basgiath as candidates, but it’s exactly the same as you remember; dark drapery, bookshelves, a neat display of the knives that he hadn’t taken to school with him.
The sight has you in tears.
“Whoa, hey,” he says softly, pulling you closer, and you whimper in pain at the pressure against your ribs. He lets go immediately. “Angel, I’m sorry — are you hurt?”
You sob, the dam finally breaking and grief flooding out of you. You haven’t seen each other since that horrible day, you haven’t seen anyone from the squad you went with to Resson, haven’t had anyone to talk about it with, until now. 
You shake your head, tears dripping down your cheeks. “I couldn’t save Liam. I tried, I really did. All I could do was take his pain away.”
So Xaden had told Basgiath the truth, to some degree: you tried to fix Liam, and couldn’t. The boy’s death had hurt you badly enough that Xaden wouldn’t let you return to the school.
“There was nothing else you could do. Nobody could save him, not after Deigh…”
“I know that, but it wasn’t just him. Everyone I’ve ever… fixed, I’ve taken the pain from their body into mine, and I can’t get rid of it for days.”
Garrick’s heart breaks. So that’s what Chradh meant when he said you wouldn’t be in pain anymore if you left Basgiath. Those eight-hour days of mending infantry may as well have been torture for you. 
Torture. RSC. You’d healed his wounds, Xaden’s, Bodhi’s, Violet’s, time and time again without complaint, and he knew it took a lot out of you, but not that it hurt. “Angel, why didn’t you tell me? If I’d known…”
“I wanted to,” you sniffle, “I wanted to tell you a year ago when it started happening. I thought it was normal, that I was just weak, until Brennan told me that this doesn’t happen to him. He just gets tired, like everyone else does when they use their signets too much.”
You try to steady your breathing, but the pain in your not-broken ribs is too overwhelming. “I’ve spent hours practicing and I can’t even fix a broken plate. I’m not a mender. I don’t know what I am. Nobody does, not even the professors. Brennan thinks it’s getting better, but I don’t have it in me to tell him that it isn’t.”
“I’m so sorry,” he whispers. He wants to pull you into an embrace, wants to stroke your hair and tell you it’ll be okay, but he doesn’t want to hurt you any more than he already has.
“S’ not your fault.” You sniff.
“But it’s not yours, either,” he reminds you gently. “You’re so strong, angel. You crossed the parapet, ran the gauntlet, you bonded a dragon, and you’ve endured everything else. Please don’t ever think for a second that you’re weak.”
He takes your hand in his, watching your face carefully, but you don’t wince at the touch. “We’ll talk to Brennan tomorrow, together. For now, I just want you to get some sleep, okay?”
You nod silently, having run out of tears.
“Attagirl.”
As you settle into bed next to him, freshly showered and wearing one of his warm sweaters, you swear the pain has dimmed.
———————————————————————
When Garrick takes you to see Brennan the next morning, he isn’t alone. Your professors are seated beside him, along with some of the Tyrrish elders.
Devera speaks first. “We owe you an apology, Cadet Avan. The faculty was unaware that Carr and Varrish were using your signet as a method of punishment, or that it pains you to use it.”
“And I owe you an apology,” you say quietly. “I should have come back after the War Games.”
“That was my decision,” Xaden says firmly, “and I stand by it. She was in no condition to return to the school, much less to graduate and be stationed at an outpost across the continent from her support system, while still feeling the coldness of Cadet Mairi’s death.”
How does he know that you could feel it? Had you told him in your delirium? Had Brennan told him? Had you even told Brennan? 
“Your friends have effectively plead your case, and we agree that you have satisfied all the requirements for graduation from the Rider’s Quadrant.” Emeterrio says. “Congratulations, Lieutenant.”
Garrick slips your flight jacket onto your shoulders, and you notice the Lieutenant insignia has already been sewn on, to match his. When did he…? 
You accept the handshake Devera offers you, still a little dazed, but there’s one more order of business to address.
“May I rejoin my old squad?” You ask the table of professors quietly. “They are family to me. I would like to ride with them again, and aid them however I can.”
They exchange hesitant looks, and your heart sinks. Do they not think you’re good enough?
“I don’t see why not,” Brennan says firmly enough for everyone else to agree — he outranks the professors with the years he’s been part of the movement.
You exhale in relief.
Garrick cheers. “The dream team is back, baby!” He pulls you into a gentle embrace, knowing you’re still in pain, but wanting to hold you close.
You laugh, not minding the ache in your ribs.
Xaden is unimpressed. “When have we ever once called ourselves the dream team?”
“We haven’t, but I’m starting now. It’ll stick. I’ll have it embroidered on your flight jacket, Xay.”
“Don’t you fucking dare,” Xaden replies, setting off a brotherly argument behind you.
You look to the leadership once more, bowing your head in respect. “Thank you. For everything.”
Devera gives you a warm smile. “I am glad to see you have found your place here, Lieutenant. Remember that your empathy is a gift, even in times of war.”
Empathy.
“Am I dismissed?” You ask.
“Yes, Lieutenants, you are all dismissed,” Emeterrio answers dryly, looking over your shoulder at Garrick and Xaden. The latter has the former in a playful headlock, messing up his hair. 
“Human boys,” Tab says, exasperated. You laugh in agreement, leaving them in the Assembly room to sort themselves out.
It’s easy enough to find who you’re looking for — he’s the only person sitting completely alone in the mess, a textbook open in front of him that he isn’t reading. He’s gazing into the distance, eyes unfocused, but he looks up when he realizes you’re standing in front of him.
“I’m sorry,” he says quietly, “about what I saw in Varrish’s office. I had no idea how much you all have endured. What we are taught in Navarre is only one side of the story, but you showed me the other.”
“I’m glad I could help change your mind.”
He reaches into the pocket of his flight jacket and extends a hand. Your protection rune sits in his palm, complete with a new leather cord. “A peace offering. I stole it back from Varrish, and Brennan mended it.”
You smile, taking it from him and slipping it back over your head. “You’re turning into quite the rule-breaker, Aetos. But thank you. It means a lot to me.”
You’re about to leave, but something compels you to impart a piece of advice. “I know how it feels when people don’t want to trust you because of your family history. It’ll take a while for some of them to warm up to you, but you can make it go a lot faster if you keep yourself out of trouble.”
———————————————————————
Your first flight back with your squad is supposed to be easy, a surveying flight with a small riot, just to check their perimeters, but you can’t seem to quell your anxiety as you take off.
“We will be fine, gentle one. We’re in strong company,” Tab reassures. He stays close to Chradh, knowing Garrick’s proximity will calm you. “How does it feel to be back?”
“Good. I’ve missed this.”
“You have always enjoyed being up this high,” he agrees. “Shall we review some of our basic maneuvers?”
“Sure.”  Maybe that will settle your nerves.
“Hold on.” Tab dips, practicing all the angles — banking right, left, up, down.
“Something is wrong,” you blurt, and Tab straightens his path immediately, falling back into the formation. Every nerve in your body pulses with a sensation you’ve never felt before, standing on end. “Something really bad is going to happen.”
You’re right.
“Wyvern,” Tab warns just as they come into your line of sight. They charge straight at the front of the riot, where Sgaeyl leads the pack. 
You’re outmatched, nearly two dozen of them and only ten of you. You’re going to die here. At least you’ll be with your best friends.
“That kind of thinking isn’t helpful!” Tab scolds, tightening the formation. 
One gets too close for comfort, spewing blue flame, and Chradh banks hard - too hard. You gasp in horror as Garrick is thrown from his seat down to the ground below.
“Dive!” You yell, and Tab follows without hesitation, making a near-vertical drop.
You’ve never been so grateful for the running landing they’d taught you last year. It had been excruciating to execute on top of the pain of unbroken bones, but it’s just manageable now after a few days off from the infirmary.
Clutching Failsafe for dear life, your only defense, you sprint toward Garrick’s limp body, ripping off your goggles.
His heart still beats, but multiple bones look broken, his breathing labored. Touching him is almost unbearable, which tells you he won’t last much longer if you don’t do something.
Deep breaths, like Brennan had taught you, to accept their pain as it entered your body, holding it before batting it away like a fly.
You still haven’t figured out how to make that work.
Hot tears roll down your cheeks, and you start to berate yourself; Why can’t you do this? Compose yourself. Garrick is going to die if you can’t pull it together. Garrick is going to die, just like Liam did, because you aren’t strong enough to fix a fucking plate.
Anger overcomes you for the first time since you’d watched your parents die six years ago. You scream, a sound like nothing you’ve ever heard before splitting the air. The pain dissipates almost instantly. For the first time in two years, your body isn’t aching, and you sob in relief.
Garrick bolts upright, gasping for breath as spring blooms across the snowy plain, trees with bare branches suddenly teeming with green leaves.
Tab roars in pride and the rest of the riot joins in, the cliffs shaking from the volume of their celebration. 
“Lifebringer!” He thunders into your mind. 
Your head snaps upward, and you realize that the ground is littered with motionless wyvern.
Garrick pulls you to your feet, brushing the tears from your cheeks. “Come on, angel,” he says, grinning, “we have a war to win.”
You’re still dazed as Tab brings you back to Riorson house, Garrick helping you dismount and leading you inside.
“We have a weapon,” Xaden says, actually smiling as he faces the assembly. “Something, someone, that can destroy wyvern in their tracks.”
Garrick keeps you glued to his side as Xaden tells the elders what happened, but it’s all in one ear, out the other.
You’re dismissed after a few minutes, heading back out to the mess, where your friends gather around one of the large tables in the library.
“Tab called me lifebringer,” you say, confused. “What is that?”
“I thought it was just folklore,” Violet says from a few rows down, scanning the shelves, and everyone turns to her, listening. “Lifebringers are said to influence healing and growth. In some cultures, they’ve been credited with ending famines by rejuvenating harvests, and saving the innocent from the grasp of Malek and his Death.”
“Wicked,” Ridoc appraises quietly.
“Aha.” Violet produces a thin volume, cracking it open to the right page. The illustration there looks uncannily like you.
“Only the purest of heart can be lifebringers, those who hold no malice toward their fellow man. The weapons they carry are sharp, but unused,” she reads aloud. “Garrick gave you Failsafe as just that — a failsafe. You never drew blood with it. You never hurt anyone except in challenges, when it was kill or be killed, and even then you held back.”
Bodhi speaks next. “With most signets, the stronger the wielder’s emotion, the more powerful the ability becomes. You feel empathy for the wounded, so you can fix them and ease their pain, but when you thought Garrick was going to die, that was another level of distress, and I guess it was enough to overcome the dark magic.” 
Garrick squeezes your shoulder in reassurance that he’s still very much alive beside you.
Violet closes the book, setting it down.
“I’m not in pain anymore,” you whisper, still dazed. You’ve almost forgotten what that feels like, having spent the last three years holding both your own and that of all your friends.
“You needed an outlet,” Xaden says. “Pain makes it harder to channel, and you were in pain 24/7, which is why the professors thought your signet was underdeveloped. Getting angry, and getting that energy out of your body allowed you to use the full extent of your power.”
“If I had known this earlier, do you think I could have…” you don’t finish the sentence. Everyone in this room knows how hard you’d tried to save Liam.
“Maybe,” Violet says quietly, “but that is not a path you want to go down. Trust me.”
———————————————————————
“Do you want to explain why the hallway was full of sunflowers when I went to bed last night?” Xaden asks slyly, dropping into a seat in front of you with a plate of eggs and bacon.
You burn with embarrassment.
Bodhi grins. “You see, cousin, when a man and a woman love each other very much, - ow, fuck!” He exclaims, rubbing the back of his head where Garrick had whacked him.
“At least they didn’t set the vale on fire,” another of your squadmates says, looking at Xaden and Violet pointedly. “You still owe me for putting that out, by the way.”
Your eyes widen as you connect the dots. “So all that dry lightning last year was you two…”
“Okay, changing the subject!” Brennan says loudly, not liking the way this conversation is headed. “We need to figure out how to use your signet without endangering Tavis’s life again.”
“Well, it sounds like they already found another way,” Ridoc says, grinning, but he squeaks out an apology as Garrick begins to rise from his chair.
You tug your boyfriend back into his seat by the sleeve, looking past him at Brennan. “I think I need to work a few days in the infirmary between flights,” you propose. “If I build up enough pain, I could probably-“
“NO,” the whole squad says at once, Tab included.
“Your healing is only to be used when absolutely necessary,” Xaden orders, and even though you’re on equal footing now, both newly-minted Lieutenants, you agree quietly without protest.
“See, that’s your problem,” Sloane says, and all eyes turn to her. “You defer to literally everyone. You’re an officer now. Act like it.”
“Pardon?” You ask, looking at her in disbelief.
“That’s exactly what she’s talking about,” Imogen cuts in. “Pardon? You can’t even discipline a first-year cadet. Do you really think any veteran rider will ever listen to what you have to say?”
“Enough,” you say firmly, your nails digging into the wood.
None of your friends intervene, not even Brennan. This has to be another nightmare. There’s no way they'd hang you out to dry like this. Right?
Sloane isn’t finished. “It’s a miracle you made it out of Basgiath alive. You’re too soft. If you won’t kill anyone, what are you going to do when it’s between your life or someone else’s? Their life or his?”
The mention of Garrick is your last straw. “That is enough from both of you, Cadets,” you reprimand. Thorny vines burst from the seams of the table, whipping out toward them, and they stagger back to avoid being cut.
You startle, your heart pounding against your ribs as you realize what you’ve done.
Sloane is the first to apologize. “I’m sorry. We didn’t mean any of it. I just thought that provoking you might…” she doesn’t finish the sentence, looking down at the still-twitching vines covering the tabletop.
“We definitely took it too far,” Imogen adds, sounding genuinely remorseful. “That was a really fucked up thing for me to say. I’m sorry.”
Bodhi waves a hand, and the vines slither back into the table, as if they were never there. 
Your eyes widen at the blood on his cheeks — he’d been caught in the crossfire. You touch his face with a shaky hand, only brushing your fingertips across the skin, and the scratches disappear instantly, leaving no trace of the harm you’d done.
Somehow that makes you feel worse.
“Well,” Garrick says in his section-leader voice, “that was certainly informative, but none of you are to ever disrespect her like that again. Is that clear?”
“Yes,” both girls answer quietly, heads lowered in shame.
Your breathing has steadied enough to speak. “I understand why you did that, but I’m not going to tell you that it was okay, because it wasn’t.”
With that, you take your plate and leave. Nobody follows you.
———————————————————————
The balcony door slides open, soft footsteps approaching.
“I want to be alone, Gare,” you say quietly. 
“Not Garrick,” Xaden replies, settling down next to you on the stone floor, “and you may want to be alone right now, but you probably shouldn’t be.”
“I didn't mean to hurt anyone, Xay. You know that,” you whisper. You don’t move your gaze from the potted plant in front of you, as if you’re worried it will lash out at you — or him — if you turn away.
“I know, angel. I know.” He exhales deeply, a gentle cloud forming with the warmth of his breath. 
There’s a moment of quiet before he speaks again, just the sound of the cold wind over the valley and the distant footsteps of cadets running on the trail below. “Working through this is not going to be easy, but if anyone can do it, it’s you.”
You’ve come to hate that notion, everyone’s insistence that the pain you’ve been through has primed you for more pain, different pain. Why can’t it ever end?
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dani474 · 4 months
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Tell us your theory on why he says that PLEASE. I don’t think it’s true they have to fix things 😭
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So, this post points out a huge flaw in Wei Wuxian's response and its discrepancy to what we know of their relationship in canon. The Golden Core transfer is one of MANY things they need to discuss to get past their estranged, brittle, slightly obsessive relationship.
When we take a close look at why Jiang Cheng is so angry and so hurt here, it's not just about his family or any debt Wei Wuxian might have had to his parents. Ultimately, it's about Wei Wuxian's promise to remain by Jiang Cheng's side. He lost his parents and their entire sect, then he lost his own core trying to protect Wei Wuxian (who doesn't know!) then his "martial brother/brother/best friend/whatever" not only goes missing for three months but returns with new powers and new issues he won't share with anyone. Not even Yanli.
Jiang Cheng wanted to protect Wei Wuxian but was unable to due to larger political circumstances and the fact that he didn't know about the transfer. He didn't know why Wei Wuxian was using demonic cultivation! He warns Wei Wuxian again and again that there are larger risks of his cultivation, and he turned out to be right. Trouble found Wei Wuxian even when he ran off and hid peacefully! And he never knew why.
To Jiang Cheng, Wei Wuxian asking to leave the sect -- regardless of whether or not it was to protect them from further scrutiny by the other sects -- is him asking to leave Jiang Cheng's side. To break their promise without any explanation. He already lost so much and all he can see here is losing another person he loves.
I want to drive that point in, really.
Any insecurity Jiang Cheng feels over Wei Wuxian's capabilities is often outweighed by his sense of responsibility towards rebuilding his sect and attempting to protect what remains of the family he had before the attack on Lotus Pier.
He didn't want to tell Wei Wuxian about why he lost his golden core for the same exact reason that Wei Wuxian kept the surgery a secret. They didn't want to hurt each other with the knowledge of such a great sacrifice. A sacrifice no one would have ever asked of either of them, no matter what was "owed." The Transfer was experimental and pretty much something no cultivator would even attempt. That's what made this choice so risky and so hard to account for.
Neither had any real way to weight the risks and consequences of this situation, and by never talking about it even during a tearful argument, we got canon events. (I've seen people talk about how Wei Wuxian's circumstances meant he had very little else to choose but survival, but this is true for Jiang Cheng too.)
And really. They both tried so hard to survive. And yet, when faced with terrible choices, they chose to protect each other. Putting their cultivation on the line to save each other's lives is not something anyone would normally do. Duty could have been a factor, but in my opinion, it wouldn't have taken Wei Wuxian that far. It wasn't even a factor in Jiang Cheng's.
And I think this is why people feel so put off by Wei Wuxian claiming it was done out of duty to the Yunmeng Jiang family. But it doesn't start with him. Their entire confrontation starts out with Jiang Cheng questioning what the sect meant to Wei Wuxian, if everything they gave him (everything they were to him) was worth nothing. This is almost entirely a projection of what Jiang Cheng asks when he cries. What he really feels is hidden in questions about martial duty.
"Why did you not tell me?"
For all his words, it was less about their sect and so much more about Jiang Cheng feeling like he was worth nothing to Wei Wuxian.
We know this. But Wei Wuxian doesn't.
I didn't notice it immediately, but Wei Wuxian's whole thing is deflection. It's about telling small truths and laughing things off or forcing himself to forget entirely. By the end of their confrontation, he does it again by asking Jiang Cheng to let it stay in the past, now that it's out there, but this does nothing to reduce the tension. It just deflects it again.
I think Wei Wuxian's response to Jiang Cheng's questions was to focus on what he thought was most important. Duty, debt to the Yunmeng Jiang. It was a deflection from what was really wrong. He didn't want to address his own complicated feeling, much less try to untangle whether Jiang Cheng hates him or loves him, so he doesn't.
Whatever broke between them wasn't about duty of any kind. It was about sacrifice, and the pain of carrying its burden alone. It was about loving someone enough to do something so drastic and never being able to say it.
Jiang Cheng hearing that the transfer was out of duty hurts him deeply, because he doesn't know that Wei Wuxian loves him. But Wei Wuxian doesn't know that's what Jiang Cheng is looking for. He hears the first part of their confrontation and responds to that.
Not, "Why did you never tell me?" But 'Did the Yunmeng Jiang mean nothing to you?'
Those are two different questions.
Wei Wuxian is trying to tell Jiang Cheng that it did mean something. That Lotus Pier's destruction, the Jiang parents and Yanli's deaths mattered to him. He's trying to release Jiang Cheng's burden without realizing that, by saying it had nothing to do with him, he's saying that Jiang Cheng didn't matter enough.
This is not how Wei Wuxian feels, we know this. But, again, Jiang Cheng doesn't.
They're talking right past each other, and because of all their other issues, they not only don't realize it, but might never be able to truly address it. They're so used to keeping their feelings hidden from each other that they can't even see how much they, as individuals, matter to each other.
TL;DR.
Both of them love each other and couldn't say it because of their complicated. Well, everything. Instead, their misconceptions cause them both to focus on the wrong things at the wrong time. By asking about what the Yunmeng Jiang meant to Wei Wuxian, it hides what Jiang Cheng really wants to know: if it was done out of love and protectiveness as his sacrifice had been. By focusing on this deflection, Wei Wuxian hides his own feelings by placing duty to the Jiang sect in highest importance. He gives the answer that he thinks Jiang Cheng wants to hear.
So, no, I don't think Wei Wuxian wasn't telling the truth (or at least not the full truth) either.
In the end, this is not what either of them actually wanted from the confrontation and does very little to address their actual emotional issues. All it really does is open the door for something to change in the future.
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Text
And they call me crazy (Adrian Chase x fem!reader)
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Rating: Explicit - 18+ only
Word Count: 5.8k
Warnings: SMUT, Rough sex, Non-con elements - reader is drunk and a (very eager to fuck) hostage, Light bondage, Oral, P in V, Unprotected sex, Edging, Canon typical mentions of murder and violence
Summary: You're a new intern at Senator Goff's office. It's going great... that is until Vigilante abducts you after you've been out drinking, celebrating the end of your first week. (Based on this ask from anon.)
A/N: I'm fucking impatient as usual and I couldn't wait until Sunday to post this. I've added non-con to the warnings but honestly, reader is so desperate to fuck him she DOESN'T GIVE AF if it's morally questionable that she's a hostage.
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Chapter text:
Your gasp is stifled when a black glove covers your mouth and an arm wraps tight around your body. You stumble on the sidewalk, teetering back in your high heels into your assailant’s body but he holds you firmly upright.
“Don’t scream,” says a man’s muffled whisper in your ear.
Your whole body freezes up. God, you wish you were more sober. Why did you insist on walking home after those celebratory drinks? This is not the perfect ending to the first week of your internship that you’d envisioned. Is this why Senator Goff didn’t turn up for work today? They said he was sick.
“I’m not gonna hurt you if you keep quiet and get in the car.”
It’s a man’s voice. Not one you recognise. But you can barely hear it anyway over how loudly your heart is beating in your chest. Oh fuck, oh fuck, oh fuck, it seems to say, battering frantically against your rib cage.
“Nod if you understand me.”
You jerk your head forward - his tight grip doesn’t make the movement easy. 
God, why didn’t you listen to your Mom? She told you earlier to get a cab home and stay safe, you’d just dismissed her advice as usual because you knew best.
He removes his hand and pushes you into the open passenger door of a beat-up old Chrysler Sebring. It all happens so fast that you don’t even think to check out the license plate. 
Shit.
The man shuts the passenger door after you and hops into the driver’s seat on the other side. 
It’s him. 
You’ve seen his masked face on the news, wanted for carrying out his own brand of retributive justice on criminals across Evergreen. You heard people talking about his latest crimes at work today. Hell, you’ve even made stupid memes about having a crush on him in your girlfriend’s group chat. 
It’s Vigilante.
You were ready to beg for your life a second ago. But now all you can do is stare. At the forefront of your admittedly inebriated mind is the fact that you’ve fantasised about the masked Vigilante of Evergreen before. But in your fantasies, you’d always been someone that he’d saved from a robbery gone wrong or some other sticky situation. Not his abductee.
And this is no fantasy. He’s here - he’s real. So intimidatingly tangible and human. You can hear his breathing through his mask, see his eyes darting around your dark surroundings checking for passersby, and you can even smell the sharp, fresh scent of his cologne when he gets close to you, reaching behind you to grab a length of rope from the back seat. 
“Put your hands out.” You swallow thickly, looking at his masked face. There’s no point in arguing. “If you make any indication to anyone we pass that you’re you’re here against your will, I will kill you.”
“Listen, I don’t know what you think I’ve done but I-”
“Hey - don’t make me gag you and put you in the trunk,” he says, finishing the knot around your wrists as your stomach does a little flip. Not out of fear. Something else. He turns his keys and starts the ignition. “Oooh, seatbelt! Sorry.”
You breathe in as he reaches across you to grab your seatbelt and clip you in. Your hands sit uncomfortably on your lap as the car drives out of the dark street and onto the main road.
He pulls out his cell phone as he drives to wherever you’re going and you hear the other end of the phone ringing in the silent car.
“What is it?” You strain your ears, listening as a woman answers aggressively.
“I’ve got Goff’s assistant. I’m on my way to the video store.”
Goff’s assistant? That’s a stretch. You’re an intern. And not even Goff’s intern. You’re his assistant’s intern.
“I’m not-” you start but he cuts you off.
“Quiet!”
“What?!” says the woman on the phone.
“Sorry, Harcourt. Not you.”
“No, I mean you did what?! Vigilante, you need to run this shit by me. You can’t bring her here.”
“I did you a favour! We’re way ahead of schedule now.”
You hear the unidentified woman grumble. “We’ve got Judomaster here, dumbass. Take her someplace else.”
Goff’s funny little bodyguard. Now you know that Vigilante and the woman on the phone are responsible for Goff’s absence. Shit, what’s he going to do when he realises you know nothing?
“Where am I supposed to take her?”
“That’s what happens when you go rogue, idiot. We’ll talk about this tomorrow. She’s your problem tonight.”
You hear the line beeping as the woman hangs up.
“Fuck!” says Vigilante and he does a U-turn. “Hey, close your eyes.”
“Why?”
“I’m gonna have to take you to my place. I said close your eyes or-”
“Yeah, you’ll kill me. I got it,” you say resignedly. You close your eyes feeling the car turn left, straight for a while, right, left… you lose track. You have no idea where you are or how long it takes you to get there when finally you arrive at your destination.
You hear him get out of the car and still not daring to open your eyes, you feel the cool night air when the passenger door opens.
“Can I open my eyes?”
“Nope.”
You feel him reach over you to unclip your seatbelt and he hoists you out of the car by your upper arm. He roughly steers you across what you guess is a parking lot by the way your high heels click on the asphalt.
His vice-like grip on your arm still doesn’t relent, even when you reach the stairs.
“Not so fast - I can’t see!” And you’re still kind of drunk.
“Shh! Not here,” he whispers urgently. But his hold on you becomes more gentle as he helps you up the stairs, more slowly now. A sliver of empathy. 
The sound of keys jingle as he unlocks a door and guides you inside. You hear him locking and bolting the door behind you. Great. 
“Can I-”
“Yeah, you can open ‘em.”
You open your eyes. The small apartment is sparsely furnished, obviously decorated by a single man. No artwork on his walls, a small dining table, a clean but worn leather couch without even so much as a throw pillow.
The screech of wood on laminate makes your arm hair stand up as he pulls over a hard wooden chair into the middle of the living room.
“Sit.”
You do as you’re told. He pulls another chair over and sits down opposite you, leaning back, with his arm resting on the back of the chair. Vigilante’s intimidating form relaxes casually in front of you. 
“We can do this the easy way or the hard way,” he tells you.
“I - do what the easy way?” You shift in your seat, squeezing your thighs together. What wouldn’t you want Vigilante to do you right now? Stop it, you scold yourself. 
“You’ve got information and I need it.”
“I really don’t have any sort of information.” 
He edges his seat closer to you, close enough that you can smell his cologne again. Fuck. “Hey, I get it. I was tortured for intel a few days ago and I didn’t crack either-”
“Torture?!” You panic now. “Look, I’m not lying - I’m not Goff’s assistant! If I knew anything I’d tell you.”
His eyes narrow behind the mask. He pulls out his phone, looking through it for something. “Shit.” Vigilante looks from his phone to you. “This isn’t you.” He holds up the screen and shows you a blurry picture of your boss walking out of the office. Sure you look alike - you have the same hair colour and both wear suits to work but she’s significantly older. 
You shake your head. 
“What were you doing coming out of the senator’s office?” He accuses, as if it’s your fault he’s kidnapped you.
“I’m an intern. It’s my first week.”
“So you work there? Right?” he asks desperately.
“I just get coffee and take notes, dude.”
He tilts his head back, staring at the ceiling. “Oh man, Harcourt’s gonna freak out when I tell her I fucked up again. I can’t believe I picked up the wrong hostage.”
You sit, wrists still tied together in your lap staring at him. Now what? Maybe he’ll just drop you off outside the bar where the grabbed you.
“Look, we all make mistakes. It happens to the best of us. No harm done so-”
“Stop.” He looks up at you. “You know I can’t let you go.”
You take a deep breath and look at him silently for a few seconds. “So now what? Are you gonna kill me?”
“I-”
‘I’m a Barbie girl, in the Barbie world. Life in plastic, it’s fantastic’
Vigilante looks at his phone, apparently confused that it isn’t the source of the music. 
“It’s mine,” you sigh, embarrassed by your choice of ringtone. You try to pick your phone out of your suit pocket with tied wrists. 
“Your ringtone is Barbie Girl?” 
You nod.
He pauses, giving you an unreadable look from behind his mask before reaching into your suit pocket. “I can’t let you have this.” He declines the call. Your phone pings as a message arrives. “Someone called Melanie says ‘Your boyfriend is on the news again’,” he reads.
Fuck. Your best friend Melanie knows all about your stupid crush on the man sitting in front of you right now.
“Hey- don’t read my messages!”
“I need to know if your boyfriend is gonna come looking for you.”
“I don’t have a boyfriend, I swear. She’s just making a stupid joke.” 
Your phone pings again. “She’s sent you a picture - what’s your passcode?”
“I said don’t read my messages. I’m not telling you my passcode.”
Vigilante sighs and turns your phone around to face you and your Face ID unlocks it. He freezes when he opens the image.
Oh, god.
He turns the phone back towards you again and you groan. Melanie has taken a picture of the news on her TV. Vigilante is on the screen. Shit. 
“I told you, it was just a stupid joke,” you mumble, feeling your face turning scarlet. 
“I didn’t realise you were a fan,” he says, and you can tell from the tone of his voice that he has a stupid grin under his mask. 
“Well, I’m definitely not a fan right now.” You hold up your wrists. 
“She can see you’ve opened it. What should I say back?”
“Hmm... say LOL…” He starts typing. “Call the police. I’m being held hostage.”
He deletes what he just typed and gives you a stern look. “Fine, I’ll just go through your messages and see what you said before.”
“No, wait! I was kidding!” You try to snatch the phone from his hands but his reflexes are too quick for your tied hands. He doesn’t have to scroll very far back through your messages to find what he’s looking for.
Vigilante laughs and starts reading aloud. “OMG, he is so fine… I’m just gonna say that again.” He sends the message and you hear the notification of Melanie responding almost immediately. He reads it aloud. “She says ‘Knew you’d appreciate it - wink emoji’.”
“Can you just kill me already?” you ask sarcastically.
He puts your phone in his pocket. “I’m not gonna kill you.”
“So what am I doing here then?”
“Waiting. For now.” You stare at each other for a few seconds. It’s hard not to feel like you’re in immediate danger. “Do you want a beer?”
Perhaps your life isn’t in danger.
You blink at him incredulously. He walks over to the refrigerator and returns with two beers. He opens yours and hands it to you.
“Can you untie me so I can drink it?” You ask, testing the waters.
“Are you gonna try and attack me and escape?”
You’ve never been in a fight in your entire life. There’s no way you’d be able to win in a physical altercation with him, not with his reputation for massacring criminal gangs.
“No.”
Vigilante looks you over, and you stare up at him, waiting for his assessment. “I could take you, anyway,” he says casually and puts down his beer on the coffee table so he can untie your wrists.
You feel yourself blushing again at his words. Vigilante could take you. He means in a fight. But your mind immediately thinks of him taking you in another way.
When he unties you, you rub your wrists, feeling the sweet relief of having them free again. Vigilante kicks back on the couch and gestures to the seat next to him. You move over and perch uncertainly on the cool leather. He lifts the bottle of beer, and then realising he’d need to remove his mask to drink it, puts it back down.
“You can take it off if you want,” you suggest. 
“And let you see my face? No way. I have a secret identity.”
“Well, I bet you’re handsome under there.” 
What are you doing? 
The sensible voice at the back of your mind supposes that flirting with him might convince him to free you. Another slightly louder, drunker voice in your head suggests that flirting with him might convince him to fuck you. 
He looks away, flustered. “I dunno about that...” 
“That’s why you wear that mask, right? You’re probably so good-looking you’d be easy to spot in a line-up.”
He lifts the edge of his mask - you think for a second he’s about to reveal who he is but instead, he takes a long drink of beer. You watch his sharp jaw and exposed neck as he swallows and get a brief glance at his wet lips before he pulls the fabric back down over his face again.
“That mask doesn’t do you any favours, hiding a jawline like that.”
“Stop it, okay. I know what you’re doing.” You raise your eyebrows. “You think because you’re pretty, you can seduce me into letting you go. It’s not gonna work.”
Pretty. 
You try not to smile, to keep your expression blank. You wish you could text Melanie - she’d lose her shit right now. But you’ve laid it on a bit too thick. Even though it is true - he does have a ridiculously nice lower half of his face.
“I’m just passing the time. Believe it or not, I’ve never been abducted before.” You shrug. “So what’s the plan? Stay here until your boss on the phone tells you to kill me in the morning?”
“She’s not my boss.”
“Sounds like she is.”
“I work alone. Mostly. Or with Peacemaker.”
“So let me go then. I won’t tell a soul. I promise.”
“It’s not that simple. I can’t just release a hostage.”
You think. Hard. “What if I could get you the information you need? Then I’m an accomplice. Not a hostage.”
“I thought you just got the coffee?”
“I know where my boss keeps her laptop. And her password.”
“What kind of boss tells a brand new intern her password?”
You purse your lips, wondering how much you can safely reveal to him. “She trusts me.” 
“The way you want me to trust you?”
“It’s different… I just don’t want her to get kidnapped too.”
He tilts his head. “That could work.” He hesitates. “But I’ll need to double-check with Harcourt in the morning.” He spins his bottle of beer in his hands.
“I’ll give you the laptop’s location and password if you let me see your face.”
“Uh, no. You’re giving me the location and password in exchange for letting you go.”
“This is a hostage negotiation, right?” You give him a coy smile. “Let the hostage do some negotiating.”
“No way.” He lifts the bottom of his mask up again to take another drink.
“What if I suck your dick, will you show me your face?”
Vigilante chokes on his beer.
“Jeez! I’ve already told you that you can stop coming onto me. I’ve agreed to ask Harcourt to let you go.”
“I know. I’m just shooting my shot,” you smile, resting the beer bottle on your bottom lip. “Can’t blame a girl for trying.”
“Yeah, right.” He says though you can’t help but notice the way his visor-covered eyes linger on your lips.
“Dude, you saw my messages. I’ve always wanted to bump i​​nto Vigilante. Under different circumstances, obviously.”
This intrigues him. He turns in his seat, resting on the arm of the couch to face you. “Uh, what kind of circumstances?”
“Well, if you really want to know - they’re in my texts with Melanie.”
He looks at your phone again, opens your messages and starts scrolling up. His eyes widen as he pauses, reading. “Damn…”
“Which one are you reading?”
“There’s more than one?!” His voice is higher pitched this time and you grin. “Uh… ‘I wish we’d bumped into Vigilante when those guys were harassing us leaving the club last night. He would have kicked their asses and I would have-’... Holy shit.”
He adjusts himself in his seat and you can tell he’s hard just from reading your text exchange. You tilt your beer towards him encouragingly. “You can say it.”
“...‘I would have sucked the fucking soul from his body.’ Girls say this kind of shit to each other?”
You sip your drink and say nothing.
Vigilante looks at you like you’re a piece of cake he really, really shouldn’t be thinking about eating. “It would be morally wrong for me to sleep with a hostage.” He looks into your eyes.
You edge closer to him on the couch. “Accomplice, remember? I’m not a hostage if I work with you, right?”
“Listen, you are so hot. And if I met you in real life… fuck. It would be a different story.”
“This is real life.”
“You know what I mean.”
You get on your knees and crawl over to him between his legs. He shrinks back into the corner of the couch cushions. “C’mon. I won’t tell your boss.”
He swallows nervously. “You’re making it really hard for me to say no right now.”
You run your fingers over his belt. “Say you don’t want me to and I’ll stop.” Vigilante groans. You crawl forward again and press your forehead against his masked one, looking into his visor. “Tell me you don’t want me to suck your dick,” you whisper.
“Fuck…” He breathes. “And they call me crazy.”
“Maybe you should be more careful who you let in your car.” 
His gloved hand grabs your wrist and for a second you think he’s going to make you stop but instead, he guides your hand onto the bulge through the fabric of his pants. Vigilante leans his head back, exposing a tiny glimpse of his neck between his mask and his suit. Your tongue finds the skin there, sliding across it and you feel him shiver underneath you.
It’s like he’s at your mercy now as you slowly, agonisingly slowly, undo his belt revealing the v-shape of his lower abdominal muscles covered in a smattering of brown hair. You slide your body down between his legs and kiss the trail of hair below his belly button while your hands work, unzipping his pants and pulling his boxers down.
Vigilante’s cock slaps his stomach when you release it from his boxers. Shit, you have a lot to work with. You’re already wet between your legs just from your conversation but the sight of him sprawled out in front of you - his entire body concealed with the exception of his hard cock - sends blood rushing to your pussy.
You lick your lips and the moment your tongue slides across his head, you feel his whole body tremble. 
“Holy shit,” Vigilante whispers raggedly from behind his mask. He lifts his head to watch as his length disappears into your mouth, and you look up at him with wide eyes and hollow cheeks, sucking and running your tongue along the underside of his cock. 
He grunts as you pull back to run your tongue slowly around his head again. His reaction makes your pussy ache with longing, thinking about how he’d sound with his mask off, moaning like that in your ear.
“Fuck, that’s it. Thaat’s it,” he says through gritted teeth as you find a rhythm, bobbing your head up and down. He threads his gloved hands through your hair - you think he’s going to start fucking your throat but you’re surprised when he doesn’t apply any force, letting you maintain your pace. Vigilante watches you on all fours, your ass in the air behind you as your mouth makes the wettest, sloppiest sucking sounds he’s ever heard.
Then he sees it. A glimpse of your hand under your tailored work skirt, confirming to him again that this isn’t just a ploy for early release. You’re really fucking turned on by being here, sucking his cock.
“Wait…” he whines, tugging gently at the base of your scalp. You pull back, replacing your mouth with your other hand so you can look at him. “Can I fuck you?”
You pull away and bite your lip, still pumping your hand up and down the length of his cock.
“You said you’d show me your face.” Time for your one last bargaining chip.
“I…” He hesitates, propping himself up on his elbows. “I can’t,” he pleads.
“You’ll have to cum here on your stomach then,” you grin, your wet fist picking up pace as he tenses his thighs and tries to stop his hips from jerking up into you. “If you show me your face I’ll let you cum inside me.”
“You’ve gotta be kidding me,” he groans. You stop jerking him off and watch him as he pulls his mask off, tossing it aside on the coffee table. He takes a pair of glasses out of his pocket and puts them on.
You stare at him in shock. You were mostly just teasing him earlier- you hadn’t actually expected him to be this good-looking. Sure, you knew from him drinking his beer earlier that he had a nice jawline. But even in your fantasies, he was faceless - he never had gorgeous green eyes and tousled curly hair.
“You’re hot?” You blurt out before you can stop yourself. “What the fuck!?”
He smiles. And you can see it this time. It’s beautiful. He has dimples.
The intimidation you felt before when you first saw the masked killer in front of you is nothing compared to how you feel now. You practically melt, turning into putty. Feeling lightheaded you realise you’ve been holding your breath and begin making a conscious effort to breathe again. Seconds ago you were convinced he was at your mercy but now…
“Do whatever you want to me,” you say abruptly. Your underwear is flooded thinking that this man, this ridiculously beautiful killer wants to fuck you.
“Oh… I’m gonna.” He raises his eyebrows and lunges forward, pinning you to the couch and kissing your neck. His rough exterior armour digs into your chest. Your hands wander along his shoulders, trying to find the mechanism to unclip it. He feels your movements and pushes himself off of you so he can undo them himself.
You lie back, watching him remove his suit, revealing a host of white scars and purplish-yellow welts across his toned chest and abdomen. You undo the top two buttons of your blouse. 
“Nuh-uh,” he says, tossing his under armour onto the floor. You let out a yelp of surprise when he grabs the opening of your shirt and rips it open, sending buttons scattering across his floor. He pushes your bra up, not bothering to take it off to suck on your tits. 
You run your fingers through his curly hair, feeling him sloppily run his tongue over your nipple. His teeth clamp down on your breast - hard - and you squeal and yank his hair.
“Ow! Not so rough!” 
He just gives you a mischievous smirk and you release your grip when he sucks the spot gently, in a sort of silent apology. It’s definitely going to leave a bruise tomorrow - a secret souvenir of your night with the masked man from the news all your friends know you have a crush on.
But Christ, what have you let yourself in for?
Vigilante moves down your body, kissing your stomach and pulling off your skirt and underwear in a single movement, throwing them haphazardly on the floor. You gasp when his mouth returns to your body and a soft, wet heat envelopes your pussy. He drags his tongue slowly, carefully along your slit.
“Oh fuck…” you whine, arching your back. “Vigilante, I- wait, fuck, what do I call you?”
“Vigilante,” he says between achingly slow licks. Every nerve ending seems to light up, sending blissful signals to your brain.
“No, I - I mean what’s your name?”
“Vigilante.” 
God damn.
You look down and lock eyes with him, his pupils blown so wide his green eyes almost look black as he stares up at you, swirling his tongue in wide circles against your swollen clit. The entire lower half of your body tightens up and the walls of your pussy clench, desperate for something to squeeze around. His fingers, his cock - anything. 
You reach down to find his large, gloved hand and tug at the fabric, trying to pull it off him. 
He pulls his mouth back and removes his glove with his teeth.
“Is this what you want, baby?” He asks, running a single finger through your slick, wet folds and over your clit.
You nod.
“Beg for it.”
“Please, Vigilante.” 
He sinks two fingers deep in your cunt. 
“Is this what you fantasise about?” His questioning makes you tighten around his fingers as he draws them in and out of you. Your breathing quickens in time with his fingers pressing against that sweet spot deep inside your pelvis.
He stops abruptly and the whine that escapes you is pathetic.
“Answer me.”
“Y-yes,” you moan. “Every night.” You wriggle, trying to fuck yourself on his stationary fingers.
“Finger fucking yourself like this?” He curls his fingers up into you again.
“Mhmm.”
“Use your words.”
“Yes, fuck, just like… like this.” You bring your hand to your clit and start rubbing yourself in an obscene demonstration for him as he watches from his kneeling position, one hand between your thighs.
You’re close now, you can feel your orgasm burning up inside you as your cunt starts pulsing more consistently around his digits and your breathing gets heavier. Just as your release is about to crash over you, he withdraws his hand and grabs your wrist, moving your hand away from your clit.
“Wha-?” You pant dazedly. “I was just about to-”
“I know,” he smirks. “Not yet.”
Fuck. He’s fucking edging you.
His lips meet yours for the first time and you moan softly into his mouth. His tongue rolls against yours and you can still taste your sweet and salty juices on him.
Then, without warning, he flips you over and you gasp wordlessly face down on the leather couch in stunned silence. He pulls your hips back and up towards him.
“Fuck, Vigilante,” you choke, lifting your head up and arching your back, your brain working hard to regain awareness of its surroundings. 
The weight of his body presses down on top of you as he leans down to whisper in your ear.
“I’m gonna fuck you so hard, you’re gonna forget my face in a line-up.”
Fuck.
He takes his cock and drags it over your soaking wet entrance, flushed and swollen for him and the broken sob that escapes you is desperate.
“Please,” you beg again. “Just let me cum.”
Vigilante sinks into you with a forceful jerk of his hips and your pussy seizes up tight around him as your face is forced onto the cold leather again. You try and push yourself up onto all fours.
“Nuh-uh, I like seeing you like this,” he says with another forceful thrust, knocking you off balance. “Hands behind your back.” You huff and do what he says, his still-gloved hand pinning your wrists behind you. “I shoulda just kept you tied up, huh?”
You can’t answer, you can’t move, you can’t do anything except just take him. Sparks of electricity reignite inside you, the deepest you’ve ever felt it as he pounds into you, hitting just that right spot again. You turn your head to look at him over your shoulder and when you see Vigilante biting his lip in concentration your walls start pulsing and squeezing around his cock.
“Not… yet.” He grunts. “Not ‘til I say.”
He pushes down on your wrists and it feels like all the air is being knocked from your lungs with every roll of his hips. 
“Fuck, you’re such a… pretty… little… hostage,” he groans through gritted teeth, each thrust punctuated by his praise. 
“Yes…” you whine because it’s all you can manage to say. It’s all you can think. That one singular confirmation repeating over and over again in your head - it’s all you want to be for him. Fuck, you’d happily spend the rest of your life locked in his apartment, letting him use you like this every time he came home after a night of murdering criminals.
Your eyes roll back in your head, fireworks rocketing and exploding into a million bright pieces. If there’s a heaven, it would look like this - a beaten-up leather couch in a shitty apartment in downtown Evergreen.
His other hand that’s free of his glove and not pinning you down reaches round and starts working your clit with rough, calloused fingertips. You squeeze your eyes shut, not realising they’ve been watering. Real tears leak from the corners, leaving your face a wet mess on the leather seat. You choke out a sob, not sure how much longer you can fight against your orgasm.
“Shh, shhh… it’s okay, baby. You can cum. Let it all out for me.”
And you do.
Everything goes dark and you’re lost in the pleasure that takes over your body, your climax wiping your mind blank of all thoughts except Vigilante. Your pussy clamps down hard like a vice around his cock as you squirm on his fingers. It’s only when you feel him shudder and collapse on top of you that you realise he’s come undone too.
You both lie there for a second, feeling the warmth of your combined mess leaking out and the sound of him panting, exhausted.
“Vigilante…” you say in a strained voice, breaking the silence.
“Yeah?” he exhales and takes another gulp of air.
“You’re crushing me.”
“Oh.” He hoists himself off of you. “Let me get you a towel.”
With difficulty, you sit back upright to wipe your eyes and fix your hair. Vigilante returns with a towel and you sit on it, grateful for the barrier between you and the wet, sticky couch cushion.
He throws himself back down beside you. “Whoo, I’m beat!” he says cheerfully. “What do you wanna do now?”
You look at him uncertainly and glance at your watch. “It’s one in the morning.”
“Right, cool. Do you wanna sleep on the couch or-”
‘I’m a Barbie girl, in the Barbie world. Life in plastic, it’s fantastic’
Who’s phoning you this late? 
He picks up both of your phones from the coffee table. “It’s mine,” he says and accepts the call. “Hello?”
Wait - his ringtone is Barbie Girl too?
“It’s me,” says the same voice of the woman who called him earlier. “Have you dealt with the hostage yet?”
Vigilante looks at you and hesitates. He swallows. “Yeah. It’s done.”
“So she accepted the bribe? You’ve got the laptop?”
His eyes widen. “The bribe? Oh! Yeah, sure! The bribe...”
“Vij, you didn’t kill her, did you?”
“What?” He lets out a maniacal laugh. “You’re crazy, Harcourt, of course I didn’t kill her. What’s the, uh, budget again?” He winks at you and makes an ‘ok’ sign with his thumb and forefinger. He’s insane, you think.
“I dunno, like five grand?”
“Phew! Then yes, it is all dealt with. Done and dusted. I will get that laptop.”
“You don’t have the laptop yet!? Vigilante, you need to get the laptop before you hand over the money, idiot.”
“Copy that,” he grins.
“Vigilante, what the f-”
He hangs up, cutting her off and tosses his phone aside.
“Good news. I can let you go once you give me the laptop.”
“And the five grand?” You raise your eyebrows.
“Wait, you heard that?!”
“Uh, yeah?”
“Well not until you give me the laptop.”
“I can get it tonight if you need it? We just need to swing by my boss’s house before you drop me off.”
He frowns. “Oh. Right. Yeah, of course. I need to… need to take you home.”
You tilt your head to one side and look at him fondly. You fix his messy curls and he closes his eyes at your touch. “Or… I could stay here tonight? Pick up the laptop tomorrow morning once you’ve fixed me some breakfast?”
He perks up. “I could do that! …You’re one hundred per cent sure you can get it though, right?”
You sigh and extend your hand. “Give me my phone.” He does and watches you go through your contacts.
The line rings and a familiar but slightly croaky voice answers.
“Honey, it’s one in the morning. Is everything alright? Did you get home okay?”
“Hey Mom, I’m fine. Listen, I think I forgot to send an email before I left the office and I can’t sleep worrying about it. Can I pick up your laptop first thing tomorrow?”
She yawns. “Sure thing. Don’t get stressed about it. Just go get some sleep.”
“Thanks, boss. I love you.”
“Goodnight sweetie. I love you too.”
You grin as Vigilante gapes at you.
“Goff’s assistant… she’s your-?”
“Yup. Now c’mon, show me where your bedroom is.” You stand up and reach your hands out, waiting for him to guide you. You step on one of your shirt buttons as he leads you towards the hallway. “You owe me a new shirt, by the way.”
“I just made you five grand. Use that to buy a new shirt,” he says, opening the bedroom door.
“Hey, what happened to the hostage negotiation? These are the terms of my release.”
“Oh, you’re not going anywhere,” he smirks, shutting the door behind you.
595 notes · View notes
fire-fira · 4 months
Note
I am not sure how much you are into analysis but I want to ask. Do you think raph isn’t as good of a fighter compared to his brothers? because I have a feeling either he’s holding back when sparring with them over fear of harming them or he’s not as good as them.
Anon, you just made my day because this gives me an excuse to nerd out at length. (Though apologies that it took me so long to get this fully written out and posted.)
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Disclaimer before I launch into it in full: to fairly compare Raph to his brothers I'm going to do a brief run-down of the three of them before breaking into the full details on him. A lot of this is built on extrapolation from details in various canons and at times might edge toward headcanon territory, though I'll be trying to stick with what's actually present.
With that out of the way--
Comparing Raph to His Brothers
So to start with, I can only fairly do this deep-dive by briefly touching on each of his brothers before getting to Raph himself. I'll say upfront that I think it's less a question of which one is the "best fighter" and more that they're each different types of fighters, each with their own strengths and weaknesses and which might land any of them in the position of "the best" depending on the circumstances.
Leo
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Strengths: This is an extrapolation based on various iterations (2003, 2007, 2012, 2014/2016, ROTTMNT, 2023, Batman vs. TMNT, and a little bit of the IDW comics), but Leo strikes me as a tactician-- as the guy who can extrapolate to fifteen different possibilities for the outcome of a fight and fifteen steps ahead of everyone else on each of those possibilities. At his best he knows how to play to his brothers' strengths, put them where needed, and let them go to do their own thing. He's also persistent and willing to put himself through his paces over and over again until he 'perfects' what he wants to learn how to do. As a "traditional" (romanticized) example of a warrior, he is the golden boy of the family. Rise Leo might be a little less likely to get every step 'just so,' but most iterations of him aim to be as flawless as possible in terms of his combat skills. In his ideal world, he will never have a misplaced swing of a sword or inflict any damage he doesn't intend to. That depth of knowledge and highly-trained skill can be damned terrifying for his enemies if it's taken to its fullest extreme.
Weaknesses: His perfectionism and desire to get things 'just right' is a double-edged sword. In the 2003 series it got wrapped up in his PTSD and the need to never make a critical mistake again (which... didn't work out well for him-- hi, shades of Raph at his worst); in the 2007 movie it led him to think his efforts to learn how to be a better leader weren't "good enough" and kept him away from home for two years; in the 2012 series it led him to ignore critical injuries and try to bully himself into being 'better' (when realistically what he did during the farmhouse arc probably would have permanently destroyed one of his knees); in the 2014/2016 movies it led him to temporarily damage his relationship with his brothers by spilling over the worst of his internal perfectionistic vitriol onto them; and in Rise it at times has turned him into a showoff who'll act without letting the others in on his plan (which can backfire horrendously in a worst-case scenario) because if he does it without telling others what he's going to do, then he gets bragging rights if it works out like he planned. Underlying all this is what could turn into an unmanageable case of anxiety depending on the version of Leo and how personally stable he is, as well as how susceptible he is to ruminating over where he feels he went wrong. To say nothing of how many versions of Leo have a GIANT self-sacrificing streak when it comes to their families. Under the right circumstances-- and if someone really intended to make it hurt-- they could easily play all that against Leo and get him to freeze due to overthinking. (Though getting him to that level would take an extreme case and some severe emotional damage to weaponize his guilt.)
Speed: OKAY. Here's where things get a little more cut-and-dried in my opinion-- if a fight is down to just speed anyway. Leo might be pretty neck-in-neck with Raph in terms of speed, maybe just a touch faster due to (generally) being more lean-built than Raph. Leo's not a tank; yes he can fight in close quarters or mid-range and hold his own, but if he can then he tends to be 'slippery' about it. He's not going to batter away at an enemy if he can spin out of range before darting back in and dodging whatever hits he can. If it's just a matter of speed without any other factors involved, then there's a good chance Leo will win in a fight against Raph. If it's a question of strength and endurance though... Well, I'll expand further on that when I get to Raph.
Adaptability: This is something that is absolutely dependent on which version of Leo we're talking about and how hung up that version is on his plans without taking the general chaos of life into account. 2012 and 2014/2016 Leo both are guilty of getting so hung up on the idea that their approach to a combat situation is the right way that they fail to plan for the fact that their brothers' ways of doing things isn't their way of doing things. Which blows up in their faces spectacularly sometimes. IF it's a version of Leo who's more likely to fail to take into account his brothers' differing styles, then Raph might easily play that against him and deliberately do things Leo would find unpredictable (though probably not as much as Mikey, lbr). For versions of him that are better about knowing that his own approach isn't the only/'best' approach, then Leo would be better able to roll with whatever Raph throws his way, within reason.
Combat Style/Approach: Mid-to-close-range, tactician, and definitely NOT a grappler. Yes, his skills and training have him moving with muscle memory when he needs to, but even so, there's a split-second awareness of what his opponent(s) could do and instinctively reacting based on what he's met with. A lot of that means he has to be free to move and avoid getting held in place, or things might go bad quickly.
Donnie
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Strengths: No matter which iteration of Donnie you're talking about, you're generally talking about an engineer who's able and willing to casually heft up and carry around a car engine with his bare hands. And considering (with a quick google search) it looks like the average car engine weighs anywhere between 300 to 700 pounds, that alone is proof enough that no one in their right mind would ever want to be punched by Donnie. And considering there are instances where he's able to temporarily support the weight of himself and his brothers (a couple of scenes in the 2003 series are what immediately come to my mind, but that's just my favorite iteration showing itself) it's proof that he has that strength not just in his arms. To give you an idea of just how much weight that implies he can lift, here's a size and weight comparison of some of the largest turtle species currently living.*
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Notice anything? Like how... Oh... I dunno... a 4-foot-long Loggerhead sea turtle can weigh up to 400 pounds? Or a 3-foot-long Leatherback sea turtle can weigh 550 pounds on the light end? (Note: this is not meant to be snarky or condescending, just a simple statement of fact that all signs point to these boys are fucking HEAVY.) And that huge amount of weight relative to their body size seems to be pretty consistent among turtle species from what I've seen with my digging around. Which logically implies that the same holds true for these boys, and if we play fast-and-loose with the idea that we can roughly translate length to height... well... For general weight of the boys, I tend to assume at least 200 pounds, at least for those under and up to about 5-foot-tall. For the 2014/2016 set I might even suggest somewhere between 400-500 pounds-- but roughly comparing weight to size with that table of large turtle species, I'm probably severely underestimating their weight all across the board. Being generous, hypothetically saying all four of the 2003 turtles are about 240, that then means there are moments in the 2003 series where Donnie is temporarily lifting around 960 pounds, including himself. AND THAT MIGHT BE A SEVERE UNDERESTIMATION. Terrifying, right? So yes, Donnie is unquestionably strong as hell and maintains that strength by working on his various projects, and a full-force hit from him would land someone in a hospital-- if they're lucky. The other main thing working for him is that he's a tech genius. No, he's typically not as rigid or disciplined in his training as Leo is, but if he has access to tech and distance then he has a whole host of weapons and traps he can bring to the party (something which Rise Donnie excels at in spades). Raph's a much more physical direct-confrontation fighter, but Donnie has the capacity to turn entire environments against his enemies, depending on the means he has at his disposal.
Weaknesses: For better or worse, Donnie's primary personal strength-- the one he leans on above all else-- is his intellect and being able to puzzle things out. And again, he's an engineer: yes he can lift and move that terrifying amount of weight, but he's usually not doing it at speed. (Because let's be real, moving heavy and potentially very breakable machinery is not something you want to do quickly when you want to be able to use or repurpose said machinery.) He's not a slouch when it comes to his ninjutsu training, but there's a reason why the concept of Donnie pulling the 'I'm too busy to train right now' is a widespread fandom concept. It doesn't necessarily mean that he's not 'as good of a ninja', but more that he's not a 'traditional' ninja and has had to adapt things to his preferred methods. Yes he has a lot of physical strength, but he prefers to keep a distance from his opponent(s) if possible. Doing so, having that distance, gives him more time to plan and respond-- because unlike Leo, a lot of iterations of Donnie don't have that ingrained ability to read the possible actions their opponent(s) might take and respond on a dime (or at least not to the same level). Raph's tendency to brute force things-- something which Donnie technically could do but clearly does not like to-- might be somewhat unpredictable for him, especially because that puts Raph in close and doesn't give Donnie as much time to respond as he would like. All that said, Donnie could technically win a fight against Raph without his tech if he pretty much said to hell with fighting and decided to do an imitation of an octopus. At the very least he could probably hold him in one place if he was quick enough and managed to get Raph's arms pinned. And somehow kept him from walking. (It wouldn't be a dignified win, but it might still technically be a win.)
Speed: I'm gonna be honest, I do not think speed is on Donnie's side in comparison to his brothers. If he really makes an effort (rather than just going his own route and pursuing his interests) he'd probably be able to keep up with the others going at full tilt for a little while, but he'd probably tire out first. A lot of the work he does due to his areas of expertise is fairly sedentary, and frequently he needs to move with slow and deliberate precision. There's a lot of fine muscle control involved in that kind of work (especially if it involves maneuvering something heavy), but being able to consistently do that doesn't automatically translate to being able to do something similar at high speed. But that's okay, because if he has the distance and varied means of attack he needs, then he doesn't have to worry about keeping up with his brothers for an extended period of time-- it just has to be long enough.
Adaptability: If it involves tech or computer systems, Donnie's ability to adapt to a situation is unparalleled. Give him unrestrained access to an unfamiliar and shiny (and incredibly pervasive) system and he'll be able to make it seem like a tech apocalypse is targeting one specific person if he wants to. If it's a head-to-head physical fight though, it really depends on how desperate he is or how much breathing room he has (or both). If he's frazzled and panicky then there's the possibility he'll miss several opportunities or potential tools and, in a worst-case scenario, he might freeze. (An extreme example of this is how Rise Donnie gave up fighting the crab men when his tech failed, after all his brothers had already failed in that fight.) If he has time and space to think then he's practically unstoppable, but if he doesn't have that breathing room then chances are things won't end well for him.
Combat Style/Approach: Distance fighter, brain-over-brawn, could be a grappler if necessary but uncomfortable enough with it that it might work against him, might as well dub him a 'trap master' for the little surprises he might leave in his wake if he's feeling spiteful. He's a schemer, but not a chess master.
Mikey
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Strengths: If there's one thing that can be said for Mikey it's the fact that most versions of him are innately gifted at picking up kinesthetic knowledge, to say nothing of the fact that he tends to be the most spiritually gifted of the brothers. In fact in several series (2003 and 2012 off the top of my head, though I'm certain it may have popped up in others) it's briefly mentioned that if Mikey really buttoned down and was completely serious about his ninja skills he would outclass Leo-- which means that he can naturally slide into the level of skill Leo has worked for years to achieve without even really thinking about it. If he wants to. And most of the time he doesn't want to. (Too much responsibility being that serious, so who can blame him?) However, his not constantly going at the equivalent of Level 99 in a videogame in fights isn't necessarily a detriment to him, because he has other ways to stay true to himself while giving himself an edge. Like being annoying on purpose. And knowing how to aggravate the hell out of his opponents until he tricks them into getting sloppy. Until he tricks them into giving him easy openings they should REALLY know better than to give him-- and would if he hadn't deliberately torn their nerves to shreds. If it's not obvious, I'm saying versions of Mikey like to play mind-games, and if they really want to they can be vicious about it and make it HURT. (Though again, most versions of Mikey are more invested in goofing off and playing around than being outright vicious or serious.) The point is, if he finds a mental opening that sticks, then how invested he is in winning the fight will dictate how serious he is about exploiting that weakness. To say nothing about how creative he can get when he really wants to be.
Weaknesses: The downfall of a lot of Mikeys is how distractable a lot of them can be. (I won't say this is a universal fact because I'm a big fan of there being variation among different realities, but a lot of Mikeys definitely being ADHD doesn't help. How well said version is able to compensate probably also varies.) So depending on the circumstances and the environment, Raph might be able to play that distractibility against him. (Buuuut that would require Raph to play mind-games, and most Raphs aren't the 'mind-game' type.) Plus, for better or worse, it takes a LOT to get most versions of Mikey to the point where he's ready to say 'Fuck everything' and throw everything he can into ending a fight right that second.
Speed: Mikey is, in my honest opinion (and based off most of the series and movies I've seen), the fastest of the brothers-- bar none. Which means if he tore off at full speed with the intention of skipping a fight entirely and just making Raph chase him, Raph probably would never catch him. Until after he wears down anyway. But if he zipped off and found a good enough hiding spot, then he could probably avoid Raph for a while. In a fight, because of his speed, there's a good chance that Mikey might be able to get in more hits than Raph, but that comes with the risk of getting in close to Raph-- and that can easily work against him in very short order.
Adaptability: Mikey's adaptability is through the roof. Most versions of Mikey, you can throw damn near anything their way and they'll roll with it in such a way that they land on their feet while their brothers are still scrambling for stable footing. There's also the fact that he's a very lateral thinker and able to apply concepts from seemingly unrelated sources to scenarios many others wouldn't even think to combine-- and he does so to his advantage. So yeeeeeeaaaaahhhhh, given enough room and space to work with (and not panicking), then there's a good chance Mikey's going to catch Raph off guard with something he'd never expect.
Combat Style/Approach: Close range, flighty, dart in-range to hit and then dart back out of range, mind-games and making his opponents angry to the point of getting sloppy seems to be his preferred tactic. He could be the most terrifying to go up against in a fight if he went absolutely stone serious, but 99.9999% of the time he does not want to and would much rather slip in some fun where he can. (If you don't believe me on that last point, consider that in the 2003 series I'm reasonably sure he has the highest body count of all the brothers, in the 2012 series he killed a kraang and wore the dude's skin on his head multiple times, and in Rise ALL of Dr. Delicate Touch and the frothing maniacal rage he has when angry. 'Nuff said.)
Raph
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And here we come to the turtle in question himself, Raph. Hamato Raphael, Raphael Splinterson, Raphie-boy, take your pick.
Strengths: Raph is a TANK. Barring '87, this boy in most iterations pretty much makes it his mission in life to be the strongest of him and his brothers. He's also stubborn as hell and WILL NOT give in if he thinks it's important to stand his ground. Which means he can and will hold his ground and dig in long past when his brothers each have to retreat or fold; he can take the hits they can't and come out the other side still kicking. And what's more, if he feels the need to and is able to get up and be mobile, then he WILL hunt you down for as long as it takes and damned near nothing will stop him-- he is that. damned. STUBBORN. Let's be real, that combination is terrifying. Of course, naturally, this brings up questions of just how physically strong he is. I pointed out up in Donnie's section that Donnie is ridiculously strong, but just how strong is Raph? To answer that question, the infamous scene from 2007:
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Just how much psi does it take to snap a katana? WELL, it turns out that finding out that information is really difficult (at least when I was nosing around and trying to find out). When I was doing my initial searching I found a video on facebook examining an anime scene (at the time-- back in September-- it was literally the only thing that remotely came close to answering my question that popped up) that claimed it would take at least 20,000 psi. Being that the person who posted that video didn't include any sources for reference, I'd take it with a grain of salt (especially since despite my best efforts I'm having a hard time finding that video again), but still. If-- for the sake of argument-- we assume that the 20,000 psi measurement is accurate for what it would take to snap a katana, that would mean that our boy Raph is capable of exerting that much force with each hand. And not just a brief spike of getting there either. No, for him to be capable of the force in that 2007 scene (again, assuming the number is accurate) then he has to maintain that force for longer than a second or two.
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I don't know about you, but that makes this scene just that much more dangerous and intense in my eyes. It's not just that Raph could have killed Leo by stabbing him; it's also the implication that he could have easily torn Leo apart with his bare hands if he wanted to. So yeeeeeaaaahhhh, if Raph is able to get his hands on any of his brothers and is able to hold on, they're probably toast.
Weaknesses: Whoo boy. In most iterations, point blank, his biggest weakness is his temper. If he gets set off too thoroughly or if someone knows how to play it against him, his temper can make him get sloppy and lead to his defeat-- regardless of how ridiculously strong he is. It also means that, unless it's a version of him who has worked his ass off to keep himself in check, there's a good possibility that he might wind up doing things he'll regret when he's angry (and if someone really wants to twist the knife they can play that guilt and self-blame against him). If you go by 2003 and 2012 there's also his bug-phobia which can be played against him. (Even though 2003 Raph covers it with 'KILL IT WITH EXTREME PREJUDICE'.) If you go by Rise, then you DO NOT. EVER. WANT THAT BOY TO BE ALONE. And on a much more brutal note, going back to his stubbornness which is also one of his strengths
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...there's a good chance that this boy might try to push himself past the breaking point if he feels it's necessary.
Speed: I've said before that I think Raph is pretty neck-in-neck with Leo when it comes to how fast he is, Mikey has them both beat in the speed department hands down, and Donnie is most likely to be the slowest moving of the four of them. If Leo has to deal with heavy weights while trying to move at speed however, Raph will have him outclassed due to having more practice in that department. For Raph to have a hope of keeping up with Mikey going full tilt in running away, Mikey would have to be carrying enough to weigh him down considerably. And while Donnie might stand a chance in trying to grapple with Raph, Raph having more experience in moving heavy weights at speed would probably mean Donnie would be better off trying to glom onto Raph like an octopus rather than outright grappling. So Raph's not the fastest, but he's not a slouch either.
Adaptability: As much as I love my boy, Raph is a tank, he's bruiser, he's a bulldozer who freely makes use of sharp and pointy things he can use to stab people with. Adaptability-- barring variation between sneaking in and out versus barreling in as loudly as possible to cause mayhem and destruction as a distraction-- is generally not in his wheelhouse. Given time and learning how to play mind games (and I don't doubt that an adult Raph could pick up and use the skill when he needs to) he'd probably become more flexible, but with where he's portrayed to be at in most iterations he hasn't gotten there yet.
Combat style/approach: Close-range, grappler, brawler, TANK. He WILL hold the line, he WILL dig in and hold his ground, he WILL be the wall and PROTECT with everything he has if he has to. He's also not above being outright brutally destructive when he feels it's warranted. And that "when he feels it's warranted" is key.
Details that affect the outcome:
Raph has a protective streak 500 miles wide. A lot of iterations try to be the wall for his family, the last line of defense when needed. He would sooner see himself hurt than anyone he cares about.
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And it's not just his brothers, father, April, Casey, anyone-he-considers-family that he's protective of either.
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Seriously, if someone pushes the protective button on this boy and his sense of right and wrong kicks in, he WILL get involved.
Raph cares and feels deeply; to him, family is everything.
You
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have
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NO IDEA
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how much
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this boy
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LOVES
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HIS FAMILY
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or how much he'd tear himself up if he ever seriously hurt any of them. So the chances of him ever actually going all-out against any of his brothers is slim. (And the few instances in various iterations where he's come close it's seriously screwed him up emotionally every time. Like 2003 and the pipe incident, 2007 and the after effects of his fight with Leo, the implied guilt Rise had after he snapped back to his senses after reuniting with his brothers after he'd been alone, etc.) He might fight with his brothers, he might disagree with them from time to time, but overall he comes off as someone who firmly believes you don't ever deliberately hurt someone you should care about if you can help it. Which is backed up by instances of him panicking in various iterations where his decisions might result in his family's deaths, as well as the fact that he only really turns on any of them (think SAINW) if they cross the line of not being there for each other like he feels they should be. Some iterations might threaten to run off a lot, but he never will without a damned good reason because he loves his family too much to ever want to do that to them.
Final Assessments
Raph vs Leo: If it's in close and is just down to strength-- Raph wins. If Leo has the time he needs to scheme and play Raph the way he needs to-- Leo wins.
Raph vs Donnie: If it's in close-- Raph wins unless Donnie pulls off an imitation of an octopus and gets all of Raph's limbs pinned and holds on for dear life. If Donnie has the distance, time to scheme, and the means to set traps to his heart's content-- plus tranqs, no one wins against tranqs-- Donnie wins.
Raph vs Mikey: If Raph can get his hands on Mikey and keep him in one place-- Raph wins. If Mikey plays Raph like a fiddle with his mind games and stays out of reach-- Mikey wins.
Raph vs the three of them together: Well shit, that'd be a losing proposition under the best circumstances unless the goal was to try to out-stubborn them at something. 10/10 if he had to, Raph would keep dragging himself along even if all three of his brothers were hanging on to him to try to keep him from reaching his goal. (And if Raph hasn't exploited that fact during some wild-as-shit game of theirs, then Casey Jones is the queen of England.)
Raph vs his guilt if he actually seriously hurt them: Instantaneous loss that Raph would probably have a hard time ever forgiving himself for.
So do I think Raph is as good a fighter as his brothers? Yes.
Do I think he's holding back so he doesn't hurt them? Also yes.
Do I think anyone he went up against if he didn't hold back would be thoroughly screwed? Emphatically YES.
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*The site I got the turtle size table in Donnie's section is [here], if anyone wants further details on sea turtles.
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utilitycaster · 3 months
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Hi there, I saw in one of your tags recently that "if you think the raven queen was being unfair, I'm not really interested in your opinions." I was wondering if you could talk a little more about that because I'll be honest, Vax isn't my favorite character but I've seen all of C1 and I really don't get why some people HATE the RQ, call her unfair, manipulative and pretty plainly say this moon conflict is mostly her fault because she took Vax and through a Domino effect Ludinus is releasing Predathos. Also, I enjoy your theories and analysis for CR so much you got me listening to Midst, so thank you.
Hi anon,
Great question! This is going to be a very long post, with a relatively short initial answer, because there is both the literal misinterpretation that indicates this is not someone with strong analytical skills nor knowledge of canon, and a number of potential mindsets that lead to this manner of thinking in the first place, none of which I respect. You happen to have sort of hit upon the foundational elements of my whole deal re: CR meta, so, buckle in.
The first part is simple: Vex died because Percy triggered a trap before she'd been healed up. We've seen this sort of trap elsewhere in non-divine contexts (Folding Halls of Halas); it's just a form of trap. A particularly nasty one, but this is for a very powerful relic she doesn't want falling into the wrong hands, and, moreover, the party could have likely disabled it either through rogue skills or magic had Percy waited. Vax, then, as the third part of the resurrection ritual, told the Raven Queen to take him instead of Vex. The Raven Queen did precisely as he asked. He did not need to offer this (Scanlan was going to make an offering, the other parts of the ritual had gone well, it was Vex's first death so the DC was low, and Vax could have made any number of other, less dramatic offers), and he did so with the understanding that he would die in lieu of Vex, right then and there. He did not. I think that's the only case, actually, where the Raven Queen was not 100% upfront with her intentions before Vax accepted something; but he offered it voluntarily. Vax was a person who formed extremely intense connections, to the point where it was perhaps unhealthy, and did not believe life without his sister was worth living, and was willing to sacrifice himself to a god.
Everything after that was extremely straightforward. Vax communed with the Raven Queen, who spoke very directly with him in his vision in the Raven's Crest. She was extremely clear when she met with him following his disintegration: he was given the option to refuse her offer, and he took it instead. It is not manipulative to give someone a difficult decision, and if a character you like makes a choice you don't like, it is not automatically the result of manipulation.
As for the moon conflict being her fault…that is, to put it bluntly, unhinged, and what's more, ironic given that that's the manipulative argument. Ludinus tried to commune with Ruidus using a random crystalline artifact beneath Molaesmyr, centuries before Vax was born. He was going to do this regardless. If he couldn't get Vax, he'd get some other sliver of divinity, and what's more, it's been all but stated that Vax is not actually supposed to be leaving the Shadowfell to protect Keyleth, and is disobeying the Raven Queen directly (and it's been stated that this isn't necessarily helpful for Keyleth, who is trying to grieve and move on). So: Vax made his choices with the knowledge of what they entailed, is trying to bend if not break the conditions to which he agreed with full knowledge in a way that probably isn't healthy for him or Keyleth, and it's bananas to be like "wow look at how the Raven Queen made Ludinus try to free Predathos." Like. Even if she had tricked Vax, which she didn't, Ludinus literally could have just kept on his racist imperialistic longevitymaxxing beat indefinitely and left the moon well enough alone. The domino meme is a meme. I mean, while we're at it, couldn't we trace it back to Vecna instead, for killing Vax with Disintegrate in the first place, since had he not done so, Vax would have either survived that fight or would have been resurrected normally? Or perhaps it's Percy for triggering that trap. Or the Chroma Conclave for being the reason why Vox Machina was seeking the Deathwalker's Ward in the first place…but that only happened because Allura and Kima didn't kill Thordak but rather sealed him, and because a priestess of Melora cursed Raishan so that she had reason to ally with Thordak. We can go on indefinitely; the point is, to assign blame specifically to the Raven Queen when Ludinus literally did not have to do a goddamn thing with the moon is a fucking stupid take.
Below the cut, I talk root causes behind why people might decide the Raven Queen was unfair and come up with the above nonsensical argument to support that, since I don't think people say stupid things just to be stupid.
I think one root cause for this mentality of this is that the person in question wishes Vax hadn't died and is looking for someone to blame because they don't want to blame Matt Mercer and Liam O'Brien, even though yeah, that's who to blame. The thing is, as we learned in Campaign 2, character death is quite literally on the table. Had Vax not made his bargain, either in episode 1x103 or his original one during Vex's resurrection? He might have simply remained dead. Had he not given his life for Vex's, he was pursuing paladin anyway with the Everlight, and we don't know what she'd have required of him. But more importantly, for all people like to bring up a PC-centric perspective (which, in Actual Play, is inevitable) Vox Machina's frequent use of resurrection spells was in fact a massive privilege most people in Exandria do not have. And, unsurprisingly for a table whose DM made up rules specifically to make resurrection more difficult, the Critical Role cast is open to a story where death exists. I do not think it's an accident that resurrection has been made even harder in the subsequent campaigns. I also happen to think that Campaign 1 is a far richer and better story with Vax's death, given the other events that occurred. Had Vax not been the sort of person who would offer his life for a god to take in exchange for his sister? Sure, he'd possibly have lived to the end. But he was, and that's the character those people who wish he were still alive loved. If he wasn't that person, they wouldn't have liked him in the same way.
D&D is fundamentally about exceptional characters becoming more powerful, and will be focused on those characters. I do not think D&D supports a story about characters who reject all power. They can give up political power (the Mighty Nein, for the most part, do this - certainly more so than Vox Machina, and Bells Hells is yet to be seen) but they will progress in levels, which is power. Even if unwanted, it is power, because most people in the world are commoners with 5 HP and 10 in all their stats. With that said, a lot of people desperately want a subversion of this power narrative. Vax is, I think, the closest we get. In D&D you are not going to get a player character who finishes a campaign and remains Just Some Guy. But you can have someone like Vax, who doesn't have any interest in power (compare to Vex, who very much is about power and who gets a much happier ending) who nonetheless ends up on the Tal'Dorei Council and the favored of a god…and yet, in the end, his equally powerful friends still can do nothing to save him. I think a Power Bad story is overly simplistic, but "there are limits to power, and ultimately none of us have complete control" is not. I think Vax's death gives the story of Vox Machina a finality and heft that it would lack otherwise.
A second possible cause is the "What if the gods are BAD" argument. I'm going to be totally honest: I did not see this in the fandom until Campaign 3, and honestly, not until EXU Calamity in any widespread sense, which does lead me to believe that most people did not come up with it as a reasonable idea on their own until characters started saying it, because it is so plainly in conflict with the themes of Campaigns 1 and 2 that to make this argument would be obvious projection. Do I think a nuanced view of the gods as flawed beings, rather than perfection, is warranted? Absolutely. Mortals, too, are flawed, and we don't kill them all for it. I think Vax's story makes them uncomfortable because it makes it clear divine favor is not, as Ludinus Da'leth tries to argue, the gods just bestowing and withholding their gifts arbitrarily, but rather that divine favor comes with a divine responsibility as well. Clerics and paladins do not study the way wizards do; but they must live lives in service, whereas a wizard can shut the book at the end of the day and do whatever. Clerics and paladins have powers that can be taken away; a wizard does not. That's the fundamental concept behind the Age of Arcanum - wizards trying to get around the fundamental rules of this world! Vax's paladin powers came at a price. His options are guided, but also limited, by the oath he took. He is far more fettered than a wizard, in the end, and I think that fucks with the narrative of the gods cruelly withholding their gifts from all but a select few, so they instead make their gifts into manipulative punishments…while still, contradictorily, arguing that characters such as Laudna or Ashton or Imogen were denied the mercy of the gods. Now, setting aside the obvious, that these characters have their backstories because Marisha and Taliesin and Laura decided they would because this is a story, and one in which someone had a perfect life would be boring and so the gods didn't intervene with Laudna because Marisha Ray wanted to play a Sun Tree corpse (see next section), it really is fascinating to see how people who hate the Raven Queen so neatly align with Ludinus. It's fine for sorcerers to have inborn powers, apparently, and Ludinus actually has himself tried to ape druidic magic; it's not about power, it's just about that power source. Honestly, they're not even above the gods as a power source - Ludinus used the crystal beneath Molaesmyr seemingly unaware if it were of the Archheart, and he's demonstrably using Vax, and everyone loves a resurrection from the gods, but heaven forbid you pay someone for the work you feel yourself entitled to. (Entitlement: this will also be a theme throughout the rant portion of this post.)
As a brief subsection to this: the idea that bad things happen to good people because the other side of that coin is free will is an ancient theological and philosophical discussion, and one we are obviously not going to solve here, though it is a little depressing I have had multiple rewarding conversations on this topic, thanks to an academically rigorous religious education, starting from the tender age of 9, and a lot of adults on Tumblr seemingly can't engage on the level of my third-grade classmates. I think, however, it tells a truth that fits in well with the wizard (and entitled fan) desire to control everything. People are terrified of random forces. Cancer, for example, is a matter of probability. There are things that can increase your chances of developing cancer, to be sure, but the simile I used when I was taught about radiation-induced cancers was that of lottery tickets: if you buy more, you have a better chance; but sometimes someone who bought a single ticket "wins" and someone who bought a ticket weekly never does. By believing the gods of Exandria are on trial for not intervening with every little hardship or for not taking Vax precisely as he intended, they reveal a profound terror of random chance and of the free will of people who are not them. Which is very funny when you consider we're watching Actual Play, where random chance is a deliberately induced element. I think the takeaway of all of this is "I think some of you guys are really mad this is a D&D game." But let's continue.
The third, and honestly most likely cause, is honestly sort of a continuation of the first but not centered around Vax so much as just a general, in my opinion deeply childish discomfort of any sort of tragedy or unhappiness in fiction. I've noticed this a lot lately, and I am not a cultural critic and don't have a high enough level view to pretend to be one, but as others have noted a lot of people seem affronted when whatever show they are currently watching does not meet their specific standards of "comfort media" or "hopepunk." It's a self-infantilization I don't care for, and it's certainly not limited to the CR fandom (see: any grown-ass adult passionately defending a choice to only watch children's cartoons and only read YA) or even fandom at all (see: the baffling popularity of the Mr. Rogers "look for the helpers" line which was intended for anxious young children, not for adults who can and should be the helpers). It really came into focus for me with CR when people referred to both EXU Calamity and to Candela Obscura's Circle of Needle and Thread as specifically "hopeless." They are, to me, deeply hopeful series. They are sad, and tragic, and many characters do not get a happy ending, but they are ultimately about how some people will endure, and will live on and find meaning after great loss. Calamity explicitly states that because of the actions of the heroes, while devastation will occur, total annihilation is mitigated. It's like the adage of how courage only means something in the face of fear; hope only means something in the face of darkness. Happy and fluffy tales are not hopeful; they are merely not things that require you to have hope. The root word of catharsis is that of cleansing and purgation and it originally related to physical excretion - cathartic stories are about getting those complicated and ugly emotions and fears out and feeling better for it by briefly feeling, perhaps, worse! Now, again, this has worsened with Vax's story with time. Shortly after Campaign 1, it was very common to see stories where Vex or Keyleth were utterly distraught, indefinitely, but those at least were engaging with grief, even if in a very shallow and unproductive way. But this has morphed into this idea that the fact that a work of fiction might make you even feel sadness makes it bad, and wrong, and hopeless, and the machinations of a cruel and heartless god. Which brings me back to the entitlement narrative: it's really as simple as "the story didn't give me what I wanted (whether that was a happy ending for Vax, or for Keyleth, or just a lack of sadness generally, or a narrative about the gods that validates my personal beliefs, or a way to justify Ludinus's actions), so it is bad." Which again is about being in control of the narrative, which again, in D&D, is simply not something anyone can claim. Why are these people here watching a D&D game? I don't know.
So that's really it: on a basic level, if you think the Raven Queen is unfair, you are profoundly ignorant of canon, so I'm already going to have to fact check anything you cite (if you cite at all), but there's a much deeper refusal to meet stories where they are and expand one's own comfort zone at play, and that means any analysis will never consider the possibility that your pre-existing beliefs were wrong (absolutely crucial in meta). You will always play it too safe and be uninspired and reactionary because the alternative is uncertainty and fear. I think a refusal to embrace tragedy in fiction is itself a profound tragedy; that is someone who is terrified to believe that life goes on.
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aaronymous999 · 8 months
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Y’know, I’m appreciating the abundance of Spider-Sona tag games recently- so I’m gonna be making my own here! Only 10 questions because I don’t want to go too wild with this one- or else we’d be here all day!
Spider-Sona 10 Questions!
What artstyle is your Spider-Sona’s world? ( For example, Gwen’s world is watercolor, Hobie’s world is inspired by punk art and punk album covers, etc. be creative! )
Do any characters that appear in the 616 or 1610 universes appear in your Spider-Sona’s world? If so, who and how are their roles different? ( For example, if Hobie Brown is in your universe, is he still the Prowler? Is Peter Parker in your universe? )
Is there a specific species of spider your Spider-Sona was bitten by, or was based off of? ( Can’t think of any specific canon examples here- but I’ve seen a lot of Spider-Sonas based off wolf spiders for example! )
What city and what time period does your Spider-Sona live in?
Is your Spider-Sona in the Spider Society? Were they ever asked to join but declined? Were they not scouted at all? Did they join and then quit? Tell me all about it!
Does your Spider-Sona have organic webbing, or do they use web-shooters? Mix of both? And is their webbing typical spider webbing, or does it have a style to it? ( For example, Miguel’s webbing being red and presumably digital. )
Very important question here- do they have any pets? And if so, do they ever take them out on their crime fighting missions?
Are they the only Spider-Person in their universe? ( For example, Miles and Peter co-existing in the Insomniac Games )
Are there things that exist in their universe but don’t in others? ( For example, Comic Con existing in Miles-42’s universe but not in 1610 Miles’s! Or certain Marvel superheroes existing in their universe but not others. )
And lastly ( For now will probably make a few more of these… honestly I could make one daily but I don’t wanna bother people lol ) what does your Spider-Sona think about killing criminals… and their general approach to crime.
Okay and that’s a wrap for this one! Let me know if you want more of these and how frequently you’d like them! If you aren’t tagged, you can still absolutely do this by the way, just gonna tag a few mutuals and people I follow who I know have Spider-Sona’s! Please let me know if you would not like to be tagged in the future- no hard feelings I’m just autistic and need things to be spelled out bluntly for me!
@spidey-bie @the-cat-and-the-birdie @brown-spider @autisticarach
( You know actually I don’t follow a ton of Spider-Sona blogs so if you come across this post and would LIKE to be tagged in future tag games please let me know in the reblogs or the replies! )
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halfagone · 8 months
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Is Good Parents Maddie and Jack Fenton even possible?
Specifically, would they be able to change their mindset after over twenty years of bigotry and scientific curiosity?
If they saw their human son turn into Phantom, would they still think of him as their kid? Would they love him, accept him and support him?
I, personally, can't see the canon reveals as anything but a kid friendly compromise of giving the viewers the satisfaction of a reveal and keeping the status quo of the light-hearted show going.
But with everything the Fenton parents did, said, and invented... is it possible for them to turn their backs on their research and start from scratch? To admit that they were wrong after decades of being called quacks, crazy and idiots?
The only thing they were right about was the existence of ghosts, but now they endangered the whole world by building their portal that half-killed their son and traumatised millions of people.
So. Is it possible to write a Good Parents Jack and Maddie fic that doesn't shy away from all the awful things they did and how would you go about it?
Thank you for your time!
The short answer: Technically? Yes. Realistically? Probably not.
The long answer: Everyone is capable of change but not everyone will. For all intents and purposes, they are capable of growing as people and learning to recognize their mistakes and biases and leaving those behind... It just likely wouldn't be a simple flick of a switch. At the same time there is reason to believe that the Fentons wouldn't change their minds.
You said it yourself, over twenty years they've acted like this and so logically you would begin to assume that's just how they've always been and always will be. That shows this goes far beyond their parenting style and skills, and has everything to do with who they are as people.
(Buckle up, this one's a long post.)
We don't actually know all that much about the Fenton parents in canon. We don't see any grandparents or relatives other than Aunt Alicia. Although we have headcanons as a fandom that Jack and Maddie have ghost-related trauma, or it's a family tradition from the Fenton side with Jack Fentonightingale, to explain why they've always been like this, that is still no canon confirmation. (Fentonightingale was a witch hunter, not a ghost hunter after all.)
As far as we are aware, for one reason or another, one day Jack and Maddie started to believe ghosts were real and not just real but malicious. I may not be a scientist by career but even I can tell you they've failed in their duties as scientists the moment they chose their hypotheses over the evidence. That is literally something they teach you in high school science class; you ask a question and then research for evidence supporting that question. (Otherwise known as the "if... then" statement.)
Sometimes that means your first assumption was incorrect, but the evidence cannot be changed. So to me, the Fenton parents aren't ghost scientists, they're ghost hunters and those implications have connotations all of their own. And those connotations reflect poorly on them. And this isn't even to mention their general lack of workplace safety.
When we look at their friendships- they have no friends. They had Vlad in college, but they fucked up that relationship and don't even seem too broken up about it. They hadn't spoken to each other in twenty years until the reunion, and they obviously knew he'd made something of himself; Jazz recognized his name from Billionaire of the Year I think the magazine was supposed to be or something.
When Jack explains what happened to Vlad in "Bitter Reunions", he literally mentions how he thinks Vlad has forgiven him now. So obviously he acknowledges that what happened between them was due an apology.
Do you know something that's noticeably absent? A single apology from either Jack or Maddie. Yes, Jack might be more at fault in his accident, but Maddie ignored him for twenty years too. Vlad can talk whatever crap he'd like about Jack, but Maddie is just as culpable in his 'abandonment' as her husband is. We have proof from "Masters of All Time" that Maddie isn't afraid to go behind her husband's back and do what she wants. If she truly cared about him, she would have made an effort and she never did.
But of course, now we have to talk about them as parents. That's where things get... a lot more complicated.
In "Maternal Instincts" at one point Maddie is shown carrying Danny piggy-back style. It's never explained, it's not played off as a joke. Danny isn't injured and neither is he faking an injury. It's literally just something Maddie did, probably with the idea that she's taking care of and protecting him. And Danny isn't embarrassed by it at all, even when he's been shown to be ashamed of some of his parents' other antics.
In "Girls Night Out", Jack takes Danny fishing as a father-son bonding activity. And I mean that literally, he got the idea from a book called 'Father/Son Relationships For Stupids!'. That might imply that he's a bad parent but that also goes to prove that he's aware of his shortcomings as a father and is genuinely trying to do more for his son. Not everyone comes to parenthood naturally, so for Jack to actively search for advice- even if it comes from a book- says that he wants to do this parent thing.
But in my opinion, the episode that best reveals how the Fentons function as a family is "The Fenton Menace" (and no, that's not just because my blog description references it lol). In that episode, we see Jazz's failings as a supportive sister almost from the very start; in her opening narration, she talks about how she knows his secret and yet when he insists through and through that he sees a ghost, she still thinks she knows better/otherwise. We also get a touching moment where Maddie talks about spending quality time with the people you love (which is a line almost word for word from the show, by the way).
However, there are two things that stand out the most from this episode. This is the episode where we get the line: "Whether it's air, land, or sea I won't stop until we capture a ghost and tear it apart. Molecule by molecule." In response to this, Danny gets visibly upset. It is probably one of the most damning pieces of evidence in the entire series that his parents' behavior genuinely bothered him. He makes jokes about them shooting or experimenting on him, but humor can and often is used as a coping mechanism. After that quote? Danny didn't try to hide his reaction until later on when Jazz asked him. And even then he dismisses it with a quip.
The second thing from this episode also so happens to feed into my main point for this entire argument: This is the episode where Jack and Maddie attempt to 'spin the crazy' out of Danny. That kind of behavior is something you'd find in places like Arkham Asylum, which is notorious for their inhumane treatment of its patients. Decidedly not something you expect to see from supposedly loving parents. That absolutely constitutes as cruel and unusual punishment and yet it's not even meant to be a punishment.
They sincerely think that they're trying to help him by doing this. And that's the heart of the issue, in my opinion. Jack and Maddie don't think about other people. They don't think about their feelings or their safety or their privacy. They are so caught up in the idea that they are doing good that they never stop to think that they're part of the problem. Or the entire problem altogether.
The only time that we get some decent self-reflection is during Reality Trip, when Danny's identity is revealed by Freakshow and the Fenton parents and Jazz are taken as hostages. While they're stuck and trapped, they question why Danny had never told them his identity before, which is when Jazz comments about the poor way they used to treat his ghostly side. It's only then that it clicks for them that oh yeah we did that. That's what it took for them to recognize that their actions have consequences and even with good intentions, you are capable of hurting the people you love.
And I think that's one of the best ways to go about it. You need to give them the time and opportunity for that self-reflection and reclamation. Jack and Maddie are- naturally- a shoot first and ask later (if ever) type of people. One way or another, there needs to be a way for them to pull back and sit and look around for once.
There are many ways to address this too and make way for the possibility of Good Parents Jack and Maddie. One of the fics that immediately comes to mind for me is @akela-nakamura's Not Everything Is As It Seems. In this one we focus on Jack's perspective, and this fic made me So Unwell with its quiet gravitas, I can never recommend it enough. But if you want something from Maddie's perspective, then you can read @peachdoxie's incredible Trust Your Instincts fic. It is 36 chapters, already completed, and it's this beautiful journey through Maddie's Outsider POV.
As for me personally, I explored the subject in Chapter 51 of my fic lex luthor's ascent from supervillainy to fatherhood, Interlude III: Dynasty. We actually get two different reactions from the Fenton parents, one that is more from a 'Good Parent' and one from a 'Bad Parent'.
I think the most important part is to never shy away from talking about and exploring all the horrible things they did and have done. It's difficult to discuss, but the subject is complicated and to address it as anything less than complicated wouldn't be fair to those moments where the Fentons genuinely did want to be there for their children.
Does it make any of their behavior right? No. Does it prove that they can change? Yes. Will they? ...That will have to be left up to each individual writer.
If you found yourself in a similar family situation, of course you're gonna want your family or your parents to grow or choose you. Because you love them, and you want to keep them in your life. But at some point you have to think about yourself and your own safety and health. That doesn't mean you give up on them, but you protect yourself from the fallout in case they don't change.
Every person is capable of it, but not every person is willing to. The Fenton parents are no different in that regard.
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lucozadehulahoop · 1 year
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Star-crossed. Lo'ak x fem!human!reader
This was originally posted on my side blog @thankeywa. It's a brand new blog and tumblr thinks it's a bot so it's not giving it visibility. Please go give it some love, I want all my avatar!related stuff to be on there.
PART 2 HERE PART 3 HERE PART 4 HERE
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I know that literally nobody asked for this, but I've noticed a disturbing lack of Lo'ak fics out there, so I've decided to give my input. I've had a story in mind for a while now, and I needed to get it out there. It will be a reader insert to make it more accessible, but it's somewhat based around an original f!character, so I apologize for that in advance if it gets too specific.
WARNINGS: Lo'ak is 20 years old in this and so is the reader, I do not write about minor characters. There will be eventual mature themes in this so MINORS DO NOT INTERACT WITH THIS WORK.
For everyone else, if you like my writing, please let me know if you want to be on the tag list for future installments and SEND ME REQUESTS (head canons, imagines, sfw/nsfw, ecc.) ! I love that shit.
words: around 1.200
summary: reader is a human left behind on pandora, she grew up with the remaining humans who'd been aloud to stay on the planet after the war and has been friends with the Sully clan her entire life. She and Lo'ak were best friends until he began to pull away from her in their teen years for seemingly no reason. This story is about them reconnecting on the day of her twentieth birthday, and dealing with the feelings they have for each other and the obstacles that come with them being from two different worlds.
TW for this chapter: angst, smoking (don't do it, ever), brief mentions of alcohol, brief mention of war and death, brief mention of child birth, reader can breathe on pandora.
Y/n looked at the 'birthday cake' made out of cookie rations that Norm and Max had made for her. No matter how many years would pass, her dads always knew how to get creative.
"I'm twenty years old, you guys don't have to keep throwing me a birthday party." She reprimanded them softly, though her heart was filled with joy. Y/n was so thankful to have people in her life who cared enough to make her day special every single year.
"Considering you spent most of your early existence tied to test tubes to stay alive, we're merely celebrating the scientific marvel your continued survival has been." Norm joked, raising a beer, and y/n shoved him, before blowing out the single candle that had been meticulously re-used each year. It was a wonder how there was any wax still left on it.
"What did the birthday girl wish for?" Max asked, reaching for a dried-up cookie and cringing slightly at the taste as he chewed on it slowly. "The whole point of a birthday wish is to keep it to myself... or it won't come true. Honestly, I question your two's knowledge of Earth's traditions." y/n shook her head, before taking a celebratory sip of alcohol.
Norm and Max left eventually, back to the main base. They were more than capable of piloting a helicopter those days, and y/n was all grown up. More than capable of living by herself. What once had been an avatar lab, smack dab in the middle of the forests of Pandora, had been converted into her home. Pandora's rapidly repopulating fauna had surprisingly left her residence alone, well... mostly. There were still some creatures who couldn't help but keep themselves away. And by creatures, she meant Spider. Y/n was also friends with actual people like Neteyam, Kiri, Tuk, and... Lo'ak. Truth be told, she didn't know whether or not she and Lo'ak were even friends anymore. They'd been thick as thieves for as long as she could remember, always getting him out of trouble and fixing him up after a scuffle with his siblings. But then, around her sixteenth birthday, he'd started pulling away, and y/n had never understood why. They'd had a big fight about it, bottom line, he hadn't wanted to be around her anymore and y/n had to accept it.
"Open up! It's fucking freezing out here!" Came Spider's loud voice followed by an incessant banging on the door that immediately pulled y/n out of her reverie. "Alright, alright..." she laughed a little as she went to let them all inside. The Sullys were always insisting on spending birthdays together, even though some of them were now getting too big to even fit inside her 'home'. Neteyam had to walk around with his back bent forward, and Kiri knocked over quite a few things before they made it to y/n's main living space, which was more or less Na've-proof. "Happy birthday!" Tuk hugged her and y/n struggled not to feel crushed by the embrace. Even the littlest Sully was now nearly as tall as her.
Y/n let them all inside, already giving them dirty looks at the sight of gifts. "I told you guys not to..."
She stayed on the doorstep a little longer, gazing out into the night, desperately hoping one last uninvited guest would turn up. She felt Neteyam's hand on her shoulder. "He's not coming. I tried to talk to him but he was being a skxawng as usual..." Y/n blushed, not really wanting Neteyam to know she was pining for his younger brother. "Oh, right! I was—just checking you were all here..." she closed the door and they both went back to join the others.
___
"Alright come on, your mom is going to kill me if you get back late and I don't have enough space in here for all of you. Spider would have to sleep outside." Y/n teased, trying to let Tuk understand it was time to go. "Hey!" Spider protested at her lighthearted jab, but knew it was time for them to get going. Nobody wanted to get on Neytiri's bad side. Y/n hugged them all goodbye and thanked them for the presents: Tuk had made her a lovely drawing, and the others had collectively made her a rather beautiful necklace, which she immediately wore. Y/n waited on her doorstep till she could no longer hear the sounds of her friends chatting, and then proceeded to do two incredibly dangerous things: she sat outside of the protection of her bunker, all alone in the cold Pandora night air, and lit up a cigarette.
She'd discovered a terrifyingly endless supply of cigarette cartoons back at the base almost a year prior, and as soon as she'd tried her first one, she'd gotten addicted. Y/n hadn't told Norm or Max, of course, as it would have broken their hearts, especially because of how fragile she was. Y/n's mother had gone into labor in the aftermath of the battle for Pandora between the Na'vi and the Sky people. The soldier had lost her life giving birth, but her baby had survived, taking her first breath in the inhospitable Pandora air. Norm was convinced Eywa herself had kept her alive, had given her the ability to take in the air that hadn't previously failed to kill any other human. Sure, it had come at the price of being particularly fragile her entire life. And how was y/n repaying that gift? By cutting her miraculous existence short more and more each day. Thankfully, it was a while since she'd been used as a test rat, or had check ups of any sort. As far as the Sullys were concerned... they were way better off not even knowing what she was doing to herself.
A sudden rustling in the trees instantly made y/n alert and she didn't waste any time getting back inside. She showered, and shamefully hid her smokes somewhere her dads or the Sullys wouldn't look. When she had nothing else left to do, y/n forced herself to crawl into bed, placing a hand over her necklace. Her wish to see Lo'ak hadn't come true in the end, and while not surprising, it still hurt like hell.
"A pack of viperwolves? Seriously, Lo'ak?" Y/n groaned in frustration as she cleared her table for her best friend to lie on.
"I thought I could take them." He hissed as she doused him with disinfectant. "Yeah, well, you know human medical treatment hurts like a bitch, so it's either my way, or you're going to have to fess up to your parents about what you did." Y/n tried to sound cold, but she'd always been too soft on him.
When they were younger, and Lo'ak still hadn't grown to be double her size, they would often fall asleep together in her bed. "You don't have to keep doing this shit to prove something, you know?" She whispered to him one night, turning over to look at him and gently touch his face. "Your parents love you. And so do Neteyam, Kiri, Tuk and Spider. Lo'ak, I— we— don't want to lose you."
Y/n was almost asleep when a loud 'thud' coming from outside woke her. Something was moving on her roof, or rather, someone... Y/n didn't show whether she was dreaming or not as she looked out the window and locked eyes with Lo'ak, because the second she did, he seemed to slide off the top of her bucker, falling down into the grass below with a loud groan.
He'd probably just woken up half of the animals on Pandora.
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crepesuzette2023 · 6 months
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I know this is a broad question, but if you had to pick, what is the most angsty Mclennon fic you’ve read so far ? You have some amazing recommendations and I’m looking to hurt my own feelings lol
Hi st-john!
Thank you for the ask! This made me think about some of my angsty forever-faves in general, sorted from subtle to savage. (Under the cut.)
If you want to skip straight (do we use this word around here?!) to the fics I personally find the most angsty: they're at the bottom of this post. I also included some dark/angsty stories here, but I didn't want to repeat any recommendations.
Your ask helped me understand what it is I find the most angst-filled in mclennon, so thank you for that. I was surprised to see so many canon-adjacent stories on my list, and I think it shows that, to me, the most potent angst doesn't come from outside threat but from their minds, as evidenced by events that actually happened. The two of them being scared of (and turned on by) the big fat x they mark on their shared psychosexual map is one of the most attractive aspects of mclennon for me—followed by the two of them taking x for granted, and being permanently damaged once they realize they lost it forever. I also like stories that show their mutual resentment, even as they're into each other (sometimes literally). Anyway, under the cut are some of my favorite angsty fics in three handy categories:
1.) Carry That Weight/Love is Strange: Their relationship is deep and doomed and addictive. These stories are all set during the Beatle-years. I'M GONNA HAUNT YOU (sexysadie): 1968. John and Paul talk about women, but really, they talk about each other. A brief story about longing in the absence of hope. WALKING CLOSE AT HAND (harmonising): John and Paul as pair of broken mirrors, haunted by death in all things. Their love as beautiful magic-turned-curse. LET ME ROLL IT (@downtothe-lastdrop): The 1968 NYC Apple Launch Divorcemoon from Paul's POV. Lively and detailed, and drenched in what it must feel like to drown in unspoken words. I THINK OF THINGS WE DID (J_deandra_j): 1965. John and Paul fuck in Austria during the filming of Help! There is something intangibly upsetting about this story: anger and frustration; lust and sex with little room for softness—but it's so good and real and raw while it lasts. This one is impossible to forget! John POV. HOW YOU WERE DIVERTED (candle_beck): Paul handles John. This is about sex as one of the things that is "just them"—an urgent and rough emergency intervention. 2.) Tributes to the Canonical Breakup. To me, the break-up is an angst-filled nightmare. Not to mention the looming day of John's murder. I love stories that explore the break-up and its aftermath with compassion. And, as painful as it is, I especially love stories that make me feel that the love was there, always (even though it wasn't enough). THROW THE WINE (@savageandwise). This one is such a classic I imagine everyone must have read it, but I can't not mention it. It was one of the first fics I read—arrow through me, and such. The more painful it gets, the more it slows down. That takes courage. YOU'RE A DREAM LOVER (@dailyhowl). John and Paul share dreams and love each other in their dreams—gloriously so—but in the end, the dream is over. The most brutal aspect of this one is seeing Paul in the end, alone. I STILL MISS SOMEONE & CLOSE THE DOOR LIGHTLY WHEN YOU GO (RosalindBeatrice). Paul and John become lovers in the 70's, but their encounters are few and far between—and in the end, darkness falls. But there's also the mercy of honesty, tears, and, yes: sex. Beautifully melancholy story about the vast distance between bright stars. ONE NIGHT IN BANGKOK (@backbenttulips). Apologies to the writer in case my "angsty" reading of this one misses the mark! Above all, this is a hot hot hot story about John and Paul hooking up in Bangkok and fucking every which way, remembering the past and seizing the present. But it's also a story about a relationship that no longer exists: their musical partnership. They destroyed the one place where their love had a home. Now, faraway hotel rooms will have to do—and there are no goodbyes or plans for a next time. (I must repeat how hot this is though.)
3.) "A day may come when the courage of Men fails, when we forsake our friends and break all bonds of fellowship, but it is not this day."—Except it's exactly this day. Deep pain and sadness: the break-up is final; no one was saved. [Writers mentioned here: this is meant as a compliment. All of these stories are so good. It's not for nothing that I was never able to forget some lines from these stories, even though I read them very early on.]
HEAR ME, MY LOVER by @savageandwise. (Unfinished, but feels finished.) At the time the Beatles break up, Paul attempts to kill himself. He lives, but much else is destroyed. No one is wrong or right—their love and fracturing cut all possible ways. I read this as a literal translation of what the loss of the band (and John) meant for Paul, for a while.
FOUR LAST SONGS by @celebratorypenguin. This AU (four parts) explores what would have happened to the Beatles if John hadn't been the one to die first. Sentences from this one still live in my brain. The story is both sweeping and deep, and covers the POV of all four Beatles. Its truly an alternate history of the band, and it's very sad. But so, so beautiful, too.
Bonus Materials: John and Paul never became John&Paul. Everyone comes at this differently, but to me, the idea of them meeting, and falling in love, and turning away from it, is as angst-filled as the worst of the the break-up. That's why I think these two are among the best, most courageous, but also most angst-filled, of all mclennon fics: ALL THE BOYS ARE SINGING LOVE SONGS. (@dailyhowl): Paul settles down with Dot and they start a family. He and John meet again, and the spark is still there, but after a night together, the fear of starting over is greater. This magnificently written story fucked me up, and I've yet to pick up the courage to read it a second time. To quote the writer: this is a story about "the angst of living in the prison of society-approved masculinity." Yes. "Happy ending seekers need not apply." That is fair. As a happy ending seeker, I comfort my tender shipper's heart with the exhilarating fact that the real John and Paul did, in fact, become lovers become famous with the Beatles and formed a close musical partnership. THERE ARE ALWAYS FLOWERS (tarenas). This is a story I mentioned in my overall favorites post, and it's not, strictly speaking, all angst (to quote the writer: "this is about being sad and middle-aged, but it's also about being so happy and middle-aged!") It's not even J/P: it's mostly Paul/George, and their relationship is beautiful and real. Still, as a reader I was aching for the other life that could have been, and that is woven through the events of this story with incredible artistry: the Beatles, which everyone misses without knowing why. The great love between John and Paul that ended when John chose someone else. This is the magic of RPF: reality is the shadow event included for free. (Unfinished, with have all four n on-Beatles POV's. So far: George and Ringo.)
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wellofdean · 2 months
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I read your post about Supernatural being queer somehow from season 1 and I have two questions.
1. Don't you think it straight-appropriates the word "queer" to say it just means "not normal"? That argument seems disingenuous to me, and a lot of us want representation, and to see that word applied to explicit depiction of queer sexuality, and it's a cheat that they don't. Queer studies did start as the study of queer sexualities and the experience of queer people.
2. Are you saying that the makers of Supernatural intended for it to be "flesh on queer bones"? Do you think they intentionally sat down to tell a queer story?
Those are good questions my anonymous friend. Thank you for asking. Here are my thoughts:
To answer your first question: no, I don't think it appropriates anything. Here's why: firstly, if we're talking about sexuality and gender, it's queer 101 that no one owes anyone a justification of their queerness, and not everyone who is queer is interested in labeling it or making it legible to you, and they have no obligation to do so, and not doing so doesn't make them any less queer. Furthermore, some people who are queer are not interested in sex, so what about them?
All of that together is why, for me, the entire queer project is much more deeply about non-compliance with hegemony, and specifically with hegemony around gender roles, sexuality and to put it under a big umbrella, patriarchy, than it is about who you fuck. Those things extend into so many other aspects of life that I think you can easily talk about "queering" a very wide range of topics, and possibly? ANY TOPIC.
You are responding to this post, I think, and in it, I made a choice to talk about family and hunting, and our heroes roles and characterizations in that, and did not talk about gender shenanigans or sexuality, because my point was that even before we get to anything to do with it, Sam and Dean are immersed in a queered world in a fundamental, structural way. That said, I assure you that if you go back into season 1 of Supernatural, you will find LOADS that could be said about gender and sexuality, too. As well as other things, and a particularly important area, as @ironworked pointed out in the tags, is blue collar/white collar class issues.
As I said, the depth of queerness in Supernatural is actually dizzying just in terms of the story's BONES to say nothing of how they flesh it out. Queerness is about deviation from the norm. It's about rebellion and disobedience against hegemonic systems for the sake of personal authenticity and love.
Think about Cas for a minute. Cas's whole story is that he rejects his role in a hegemonic heaven. He rebels for love, and that is pretty explicit as early as season 4 when he tells Dean "We're making it up as we go". Fellas, that is THE QUEEREST SHIT EVER even if he didn't do it for Dean, and like... HE DID IT FOR DEAN. Cas did not have to tell Dean he loved him for me to know it, and for Cas to be a deeply queered character. When he DID say it, I wasn't the least bit surprised he was in love with Dean, because seriously, we been knew. I was only surprised I got to have the immense pleasure of hearing him say it and looking at Dean's face while he took it in. Jesus. I will NEVER RECOVER.
This is my perspective on representation in Supernatural: It's excellent, and I relate to, and feel seen by it as a queer person. Nobody needs to get fucked on the maps table for me to do the math that this is a queer story. It is very, very, very thoroughgoingly canonically queer in so many ways, and not all of them are to do with sex. I think some fans will only allow it to be called queer if dudes make out in it. I am not one of those fans.
As to your second question, I think there is a wealth of evidence in the filmic oeuvre of Eric Kripke to suggest that as an artist and a writer, he is concerned or maybe even preoccupied with masculinity issues and issues around family, and around the way patriarchy fucks men up. So, yes. I think he knew what he was doing and he knew that queerness was part of the mix. For fucks sake, it's a family of men who hunt monsters. That is very fucking on the nose. Do I think he kicked off Supernatural in 2005 planning a 15 year operatic queer romance between Cas and Dean? No. I don't think anyone planned for it to go as long as it did, and it's a matter of record that some things were influenced by fan response, actors' chemistry, different writers and showrunners' preferences and etc. What I will say is that when they had a choice to "straighten shit out" or lean into the queerness, they fucking leaned in, nearly EVERY TIME. Like, it's pretty amazing how consistently they lean the fuck in.
I'll admit -- I wasn't watching it with those eyes the first time, and I didn't give it much real estate in my mind when I watched it as it aired from 2006 to the end, but the last three episodes reshaped it for me and made me angry, and also made me need to watch it all again, this time with an explicitly queer lens, and BOY HOWDY let me tell you this: the Supernatch rewatch journey is a wild and wonderful trip to Queertown. It is legit more difficult to argue that Dean is straight than it is to argue that he is queer. There is a full on CORNUCOPIA of story evidence to support that read and relatively little that convincingly counters it on the straight side, and that starts right at the beginning, when they bend pretty baby Dean over a police car in episode one, and he smirks insouciantly in his lip gloss. Do I think everyone involved knew how that looked? Sexy, submissive and a bit gay?
YES I DO.
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