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#this is of interest to all of Three People. Maybe.
theminecraftbee · 1 day
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as my frankly slightly embarrassing level of hyperfixation on survivor continues, I find myself trying to combine my two current interests in new and exciting ways. having fun imagining what the various hermitcraft guys would be like in survivor. some thoughts:
doc would ABSOLUTELY be one of the “villains” of the early season, strong and good at survival but terrible social gameplay. he would think he has fantastic strategic gameplay and his attempts to strong-arm camp to do what he wants are for the benefit of his tribe. his TRIBE would decide after about three days that they want him dead. not the first boot because he’s too good at challenges to go first but the first moment he fucks up at all he’s Gone. does not make it to the merge. is confused and frustrated by this the entire time.
scar, by contrast, is one of those players you watch and whisper to yourself “he can’t keep getting away with this”. he’s in like three mutually-exclusive alliances, but he’s so likable and charismatic you can kind of forget that his whole thing is lying to everyone all the time. every tribal council he’s in SOMEONE proposes him as the weak link in challenges and every time he’s managed to convince the tribe there’s some other, better boot. there’s probably at least one player (maybe grian) who knows he’s lying to everyone, is harboring a grudge, and has no idea why everyone keeps on going along with this man’s schemes. definitely makes it to the merge but from there it’s a toss-up if he makes it to FTC or if his dalliances come back to bite him. if he makes it to FTC though he has higher odds of losing in jury to everyone who he betrayed than he does managing to pull off a win, especially if his FTC is with people who can put challenge wins or loyalty in their speeches to the jury.
cleo strikes me as a player who ends up with an early alliance that she is doggedly loyal to until the end. probably fun to watch because her confessionals are sarcastic and she’s unafraid to insult her fellow contestants, but her loyalty to her day one crew makes her storyline come across as heroic. probably one of the better challenge players and would help carry her tribe, though she probably wouldn’t “lead” it. I can see her being the final surviving member of her alliance either in her tribe or post-merge, but I can’t see her wheeling and dealing into a new alliance if hers doesn’t end up as the majority alliance; instead, she does everything she can to save her allies, and then she goes out. a season she’d win is one where she’s in the majority alliance, seen as a lesser threat when she gets to the merge by the other players, and manages to go to FTC having made no one mad and with at least a few good plays under her belt. otherwise I see her as a late boot, but going out with her allies.
grian would make people MAD, but not in a “get rid of him immediately” way like doc. a bit of an agent of chaos, but if anything would set off grian’s bossy project manager instincts, survivor would. ends up kind of the “leader” of his tribe, both for good—he’s hard to boot early—and for ill—he pisses people off and he’s a very visible threat. I think he’d be good at finding idols and is good enough at keeping himself around. his survival I think depends on the willingness of other alliances to believe him when he flips his vote to save his skin and how good he is at keeping immunity; i think there’s not a world where he can manage his threat level well enough not to be targeted, but I think there’s a one where he manages to keep himself around despite that. if he makes it to FTC he either wins by being able to honestly say he had the best game or loses because the jury’s bitter against him, no in-between.
iskall would be one of the capital-c Characters of a season I think, whether he goes early or late. he’s friendly, decent at challenges, and, most importantly to the producers, just weird as hell enough to make good tv. probably gets more screen time than his gameplay deserves because he’s pegged as a potential fan-favorite. another player who makes a few close early alliances and sticks to them, but less doggedly loyal than cleo and more likely to seriously consider flipping. he DOESN’T, but he thinks about it. I don’t see him as a post-merge player honestly, I don’t think his strategic play is great, but I do see him as someone who gets to come back for another season to try again.
joe is already a capital-c Character. I think he’d be someone who is way too stressed out by survivor gameplay to play well, attaches himself to an alliance and then is Terrified for the rest of the game of messing up. however he’s ALSO fun as a guy and probably just Says Shit during tribal councils. that saying shit either gets him further than his gameplay would deserve or gets him booted SUPER early. he does not regret getting booted early; he wouldn’t quit but he would decide that it’s better for his heart to not be on the island. I think he’d be a surprise sleeper at challenges; not so much physically strong as someone who is VERY good at all the mental ones.
and these are just the ones I have thought of off the top of my head if anyone else has opinions. please share. this is fun.
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Stealing her Thunder (dp x dc)
Sam really hadn't meant for the night to derail so much. She hadn't even meant to be out tonight, this was all Paulina's fault.
"This is the worst senior trip ever," mumbled Paulina from where she was sitting with her back against the wall, next to Star and Sam. Despite having been essentially kidnapped, she looked just as beautiful and perfect and put-together as she had when she'd come down from her hotel room. Oh, how Sam hated her.
"Maybe if you hadn't snuck into a club while underaged-" Sam hissed to her.
Paulina's shimmering green eyes flashed. "Oh I'm sorry, Susie Nobody, why were you in the club, then?"
"Trying to prevent something like this, you dimwitted, spoiled little princess!"
Paulina's shiny lips opened again to say something equally as inane, and Sam was gearing up to retort when Star elbowed her friend.
"Guys, stop!" Star whisper-shouted. "This is not the time to flirt."
"We're not flirting!" Both girls exclaimed at the same time.
They immediately shut their mouth as they realized they had been much too loud but by then it was too late. With an ominous creak the door to their temporary holding cell was pushed open, and a blond woman walked in as if she owned the place.
"Now, now, girls," she said as she strode towards the three bound girl. "It's not very polite to make a ruckus in someone's home."
Sam couldn't help her snort. The woman raised an eyebrow and Sam smirked.
"That is one ugly ass home," she said as she made a show of looking around the bare cement floor, dirty walls and heavy metal door.
"As much as I hate to agree with Loserville over there, she's right" Paulina sneered, somehow the expression making her look just as attractive as she always was. "This is the ugliest place I've ever been held hostage."
"Maybe if you added a skylight or like, a few prints-" Star added kind-heartedly.
"Enough," the woman said, though her smile had vanished. "I don't have time for this."
Then in just a few strides, she was face to face with Sam. She raised a hand just in front of the girl's face and gave her a smirk as her long silver nails started to lengthen more and more under their eyes.
"That is some free edge," Star mumbled, as her eyes widened.
"I have this fun ability," the woman ignored the blond girl, "where my blood," she looked at her ever elongating nails, "lets me bestow gifts on people."
"Yeah," Sam dragged out as the weird silvery trails started approaching her face. "Not interested."
"I don't even ask much in exchange," the woman said, as she leaned towards the goth teen. "Just a little obedience."
Sam was now struggling in earnest, doing her best to lean back in the restrained space, only just avoiding the weird silver things. "Get away!"
"Get your hands off her, you bottle blond bitch-" she heard Paulina's voice spit out when there was a large boom and a portion of the wall blew open.
The woman was blown back, the silver nails retreating back into herself as she turned to face the newly made hole. And from the hole walked in a woman dressed in a yellow and black reinforced suit.
"Step away from the children, Looker," the new arrival said.
"Thunder," their kidnapper answered with a sneer and that was all that was said before the newly-dubbed-Thunder descended on the woman with a kick, that was evaded.
Not so easily evaded however, was Thunder's punch to the kidnapper's solar plexus that sent her crashing right into the metal door, and falling through the half-opened doorway.
The black-and-yellow-decked woman turned towards the bound teens, and kneeling next to Sam, she ripped apart the girls' restraints as if they were spider's web
"You girls ok?" she said, looking into Sam's eyes.
And here, for the first time in her life, Sam found herself tongue tied. Feeling her cheeks grow warm, she quickly looked down before opening and closing her mouth a few times, until finally-
"A-okay," Sam squeaked out before immediately wishing the ground would swallow her up. A-okay?? Could she be anymore lame?
But Thunder only chuckled and Sam chanced a look up to see the woman smiling at her, and her lips pulled up, feeling shyer than ever.
"We're fine," Paulina's sharp voice cut through, "no thanks to you." Sam turned to see her lips were pulled back in a sneer.
"Paulie, she literally just saved our lives," Star said as she rolled her eyes, while massaging her wrists.
"Yeah, why don't you try being a little grateful?" Sam bit out.
Paulina just sniffed as she crossed her arms and lifted her nose higher. "I'll show you grateful," she mumbled under her breath.
"Ugh," Sam let out. When she turned back towards the hero(?) was looking from Paulina to Sam with a weird little smile on her face.
"What?" Paulina barked, having obviously also noticed it.
"Nothing," Thunder said, the smile still in place, as she got to her feet. "I'm glad you girls are alright. I have to go, but the police should be here soon ok? Just stay in here and you'll be safe"
Sam nodded and she could hear the other two make noises of assent, though Paulina's sounded more like a scoff than anything else. Thunder then clapped her hands together and the wall opposite to them crumbled down. With one last wave, she was off.
Sam watched her go with wide eyes as she heard Paulina grumble.
"What a poser."
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suzukiblu · 15 hours
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WIP excerpt for yesdangerpls; Smallville does not approve of Clark Kent's parenting style. (( chrono || non-chrono ))
“I’ll tell them you said hello,” Clark says as he smiles at Cathy again and immediately gets outright glowered at for it. 
“Why don’t you tell Conner we all said hello,” she says frostily, then stalks away into the back without so much as a “goodbye”, which is practically a declaration of war in Smallville, and Clark . . . isn’t really sure what to think. 
Definitely isn’t sure what to think. 
“Uh, thank you, Cathy!” he calls after her, because that’s the usual script they follow. Cathy doesn’t even look back at him; just disappears between the shelves. She didn’t even tell him to say anything to Ma and Pa. 
That’s–definitely not normal behavior from her. Smallville isn’t without its curmudgeons and malcontents and just overall rude people, obviously, but Cathy Mueller isn’t one of them. Normally she’ll talk his ear off any time she sees him catching him up on her life and how her boys and her sister’s girls are doing, at minimum, and if he gives her the time he’ll hear all three of her husbands’ full life stories from cradle to grave and every single local bit of gossip that’s dropped since he was last in town, as if she doesn’t know Ma hasn’t already told him everything decent to hear on their weekly calls anyway. 
He doesn’t know what’s wrong, but given she brought up Conner twice . . . well, the kid’s well-intentioned and has a good heart, but he’s also an incorrigible flirt with very little sense of propriety and timing and an unfortunate tendency for property destruction. Clark’s not sure the kid even understands why other people value property, sometimes. You’d think the kid had never owned a damn thing in his life himself, he swears. 
He supposes he’ll have to talk to Ma and Pa, see if they know what he might’ve done to set Cathy off. She’s nearly their age, so a little old for even Conner to have been inappropriate at, and her kids are all boys, so it can’t have been any of them either. Though he supposes Conner might’ve made a pass at one of her nieces, or maybe Misty Woodhouse–she’s been dating Cathy’s boy Ben since junior high. Or maybe just a girl her Davis is interested in. Trevor’s still in junior high himself, though, so he’s probably not in Conner’s current social circle. Clark isn’t sure which kids Conner’s actually been hanging out with, but given his usual behavior and interests, it’s probably mostly been the cheerleaders. 
Yes, that’d be enough to cause some friction with the local boys, he thinks to himself with a resigned little sigh, taking Pa’s shopping back out to the farm truck and loading it up. He could’ve flown, obviously, and gotten here in the blink of an eye, but he likes making the drive to town and back. It’s nostalgic; clears his head. Gives him a bit of time to think.
Unfortunately, this particular drive he’s apparently going to be spending trying to figure out what the hell Conner did to set off Cathy Mueller enough to take it out on him.
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missmoonfrost · 19 hours
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A bad date - a wolfstar microfic
@wolfstarmicrofic
June 5 - Gold Words: 730 Warnings: Alcohol, Threats of violence, Threats of sexual abuse
The pub is unusually crowded, as were the two they passed because of lack of room. Remus notices a woman trying to squeeze past and takes a step back to let her through, only to bump into someone behind him.
“Watch it!”
“Sorry, sorry!
How the other man manages to both steady him and avoid spilling the three beers he’s holding is a mystery. He flashes Remus a stunning smile.
“Are you ok?”
“Yeah, I’m fine.”
“Are you celebrating the gold?”
“The gold? Off course. Eh… Which sport?”
The man throws his head back laughing. It’s a beautiful carefree sound.
“Actually, I’m on a date.” Remus admits.
“Oh. Whit whom?”
Remus grimaces awkwardly and points to the man drunkenly arguing with the bartender.
“Oh… Wanna come sit with us?” The man points to a table where a sporty guy in glasses smiles at him and a friendly-looking redhead waves.
“Really?” Remus takes one quick look at his poor excuse of a date, that’s now lying half across the counter, and does not feel too bad about ditching him.
“This is Lily and James. I’m Sirius.”
“I’m Remus.“ He makes a half-hearted wave, places his gin and tonic on their table, and slides into the outer corner of the sofa. He doesn’t want to intrude but is thankful for somewhere to sit.
“So, where did you meet this… eh… charming guy?”
Remus chuckles at the disdainful tone. “Grindr,” he admits. His default is to lie to people he doesn’t know. But they have already seen the guy, so what’s the point?
“You can do better.” Sirius takes a big swig of his beer.
“I sure hope so.” The man in question is now singing loudly and Remus hides his face with a hand to further underline how embarrassed he is.
Sirius smiles at him. A small secretive smile that gives Remus butterflies.
The three soon dives into a discussion about the newly won match. Remus is still not sure which sport, but he prefers quietly watching his unexpected savior over getting involved in the conversation anyway.
His shiny black hair is held in a loose bun, that a few strands artfully has escaped. He wears a plain white button-down with the arms loosened just enough to give a glimpse of tattooed forearms. A pentagram around his neck and earrings all the way around the cartilage makes him stand out. As if the sharp features and flawless skin of his face aren’t enough.
The peace is broken when the buffoon unfortunately being Remus' date spots him and promptly staggers over.
“C’mhere. Let’s go!” He demands and pulls briskly at Remus' arm.
To avoid disturbing his tablemates too much Remus stands up and takes a step while apologising. “Look, it’s not working out. I’m sorry.”
“Wadd’you mean?”
“Just… I’m not interested anymore. Have a good night.”
“Well, I’m not done with ya.”
The tone makes Remus shudder despite the hot air in the crowded room. He stumbles backward and grips the table top behind him with both hands.
“Is there a problem?” Sirius’ voice rings crystal clear over the murmur. In the corner of his eye, he sees Sirius exchange a look with James and start rolling up his sleeves in a very deliberate fashion.
“M’not talkin to you, am I? Just want my boy’ere. He's mine.”
He smiles a greedy smile, making Remus' mouth go dry. Remus closes his eyes and shakes his head.
Sirius gets on his feet with James not far behind. “Leave him alone.”
“Just ‘cause you wanna fuck’m!”
“Maybe I do.” Sirius replays calmly as he gathers the front of his shirt in his fist and drags him close to his now intimidatingly cold face. “That’s none of your business. Now leave.”
The arse finally seems to grasp the threat and totters off.
“Thank you,” Remus whispers. He sits back down and tries not to shake too much. Everyone is quiet and Remus anxiously wonders if they are mad at him for ruining their night.
“Bloody hell” Sirius whispers.
One by one, they all start laughing from dispersed tension. James buys them all a round of beers, deaf to Remus' protests. Sirius starts making one joke after the other, intent on making Remus laugh.
And when he two beers later walks home with his new bodyguard Sirius’ arm around his shoulders, he feels like it’s he who won the gold.
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I have recorded different versions of my name, and the last time I was told it was Haynrix and I was like, really? Haynrix? - Interviewing Chris Tester part 3
We contiune talking about the transformative power of fanworks, a bit more about romancing Heinrix, how Heinrix is pronounced actually, what a dream come through project would be for Chris and why a stage production of Crime and Punishment was his most memorable work to date and his newly discovered interest in playing D&D.
Part 1 of the interview
Part 2 of the interview
This is the final part of the interview. Thank you so much for reading and listening! (the audio quality is not spectacular but tumblr limits uploads to 10MB). If you quote or reshare, please quote me as the original source.
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F: It's very transformative. You take a game and you get your own stories after the game or with the people you interact with. It's very creative. Because Heinrix is very much an archetype, as you said, he has this duality about this very authoritative man with so much trauma underneath. There is a lot to explore, and that speaks for Olga's writing as well, because only a very well written character would draw you in like that into a story.
CT: I mean, it's a crazy balancing act, definitely. And at any time, it could close off, you shut him down, or he shuts you down. And you're like, Oh, okay.
F: And it was incredibly funny that the first romance lines straddled the line between workplace harassment and flirting. And he is so unnerved and then it doesn't like to cordon you off and say, well, you were too aggressive. Game over. 
CT: Yeah.
You can switch to this closeness path like in a real relationship, you are maybe very flirty, very teasy at the beginning, and then things get real and you get real and it changes. And that was very dynamic. I never experienced that before. BioWare writes great romances, but they are often very one note in their games.
CT: And there's still the kind of like, okay, so are we sleeping together? Yeah. Or we do not. All right. No, okay, great, fine. God, I had to go through all the different fucking options just to go like, Is this, is that, no, no, okay, fine, right, yeah. So in terms of nuance and dynamic, it's you've got your issues over there, but regardless, can I just say the right thing? Uh, or not, you know, or be pure, or whatever. Garrus was always a favourite for me.
F: Oh yeah, Garrus, Garrus is great.
CT: Yeah, yeah. I'll be honest I didn't really appreciate quite how subtly all of the pieces are put together until I played through bits of the game and watched bits of the game afterwards [this relates to Rogue Trader]. Because there are so many different moving parts, but also so much is recorded out of order, it's very difficult to get a full appreciation of the whole, and it's the credit of the directors to just be able to give you enough for you to get it in two or three takes, because we gotta move on because time is money is time. 
And so that's kind of crazy, where you've got to just act in faith in the moment and trust that the people who are listening on the other end feel as if they're getting what they need. Obviously the more you record, the more you get a sense of what the character is about and the palette and the playfulness and all of those kinds of things. But because there are such a multitude of choices anyway, no one can explain to you exactly the context of what it is because that's all such a movable feast as it is anyway.
F: That's a huge credit to voice actors to still get it right in three or four takes.
CT: Well, the aim is to give them options so that they can trial it out and be able to have a playfulness about things. It's always nice when you go like, I'm just going to try this different take on how this might traditionally be read as or something, and then you maybe hear that in the game and go like: Oh, okay, that's a little bit of whatever. 
Because quite often you'll probably be told to read a line no more than three times, and the first time that you read a line, that you read it out loud is the first time that you read the line at all. So, you don't read it in advance, and sometimes that goes in. It's normally the second or third take, I would say, but that depends very much on the voice actor. Because quite often, the whole point is to be quite good at sight reading, and sometimes there's a spontaneity in the reading of something for the very first time, which might give something a little bit unexpected, or a little bit fresher. 
And then you realise halfway through, there's a word I have no idea how to pronounce. Is it von Valancius? Von Valancius as it's written or von Valen and you're just like, the hell? Okay. And then you need to go back.
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F: Or his name actually, because as a German, we have Heinrich as a first name. So is it Haynrix? Is this Hainrix? But we can say it's Low Gothic, so it doesn't matter.
CT: I have recorded different versions of my name, and the last time I was told it was Haynrix and I was like, really? Haynrix? Okay. Sure? But I've not had a definitive conversation about that, so I don’t know whether or not they change it or, or whatever.
F: I settled on, it's Low Gothic and not the German version and it's fine because that's a fantasy language. It doesn't matter. And I know from other voice actors that sometimes you don't get any directions on how something is pronounced.
CT: Quite often we're just taking an educated guess. I mean, they're very good in terms of some pronunciations, but if no other character is saying this word except you, then there's probably not a guide for it in which case you just make sure that you record it somewhere. So, it's consistent. So, if you're saying it more than once, at least you're saying it wrong consistently. So that becomes the new, right?
F: What was your most memorable work to date? Stage or voice acting?
CT: Stage or voice acting or whatever? God, I would say one was a production of Crime and Punishment. There you go. It was a three-person adaptation of the massive book really condensed into about 90 minutes, essentially. Quite a radical adaptation, but it was a beautifully written adaptation, and I think I did it probably about 2017, 2018. That was wonderful storytelling because it had so much of the original flavour in it and also this ambiguity of character. A much more ambiguous character than someone like Heinrix. Someone who is so eminently fallible and flawed, and yet trying to find a through line through it and a making of sense and the justification for the reasons why people do bad things. That is pretty iconic for me as an experience. 
I do feel lucky that a lot of the things that I'm able to explore in the video game or in the voiceover world generally are completely new and unexpected things. Whereas on stage, unless you're doing a lot of new writing, the vast majority of the time, it's a role that you're familiar with or have seen or have heard about. It's pre-existing. Whereas with some of these video games, you get to create that whole original world or character and that kind of stuff. Which is why if anybody asks me, what role do you want to play? I'm like, the role that I don't know exists yet, and Heinrix is very much one of those. Like, I had no idea and neither did I have any idea that it would develop in the way that it did. 
But the whole process itself is a lot of fun and you work with very cool people to tell a completely new and original story. But having that ambiguity, having that tension within the character, every actor has to find that for themselves anyway, just to keep creatively engaged and alive, but have that so vividly running as an undercurrent and for it to be able to go in different ways, that's such a cool kind of thing. I'm just so up for more of those kinds of opportunities. Maybe hopefully in the future, we'll see.
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F: Has voicing Heinrix opened any doors? Did you notice an uptake in offers?
CT: I think it means that a few more people probably know who I am, and that's cool. A few more people. Yeah, it's definitely been referred to. Other than that, I don't know. But it certainly doesn't hurt being involved in such a high profile and well respected, well-loved game. I mean, for me as well, because I've done various different aspects of stuff in that world. That doesn't hurt. 
I love the whole Warhammer 40k universe, at the same time I don't want to just be like, I'm a 40k actor and that's all I do because that world also probably doesn't need just another white middle-class man in it, even if that is like 70 percent of the world. Like you say, they're trying to broaden it out and diversify it and necessarily if it wants to get to a bigger audience and have a healthier ecology on so many different kinds of levels. So, I don't want to go all in on just that, even if it's a very rich world. So, it was a real pleasure. 
F: Would you want to broaden your repertoire into radio plays, because I know on your LinkedIn, you write, you're the voice when Cumberbatch is busy and listening to you, there are undertones of Benedict Cumberbatch in your voice, and Benedict before he became really popular, he did something like Cabin Pressure, which is so fun.
CT: Yeah.
F: Would you be open to doing radio plays like that?
CT: Definitely. I've just recently come from a voiceover conference in the UK and did a couple of workshops and that reminded me of what the work is that I want to actively seek out. And there's a lot of audio drama stuff floating about, a lot of that is available via social media or is operated in the U.S. as opposed to in the UK., though there are some great ones in the UK. as well, and it's tricky to know why and how to validate some of those things. So, it's something that I would love to explore doing more of as well as, you know, you can do these audio drama things, which are kind of like shorter versions of audio books, almost essentially with not so many voices. And I think those medium and short form ways of storytelling would be lovely. It would be great because I'm not right for a lot of video games. 
I don't think I'll ever be actually a very prolific video game actor if that makes sense because I'm okay at shouting and I can play some monsters and I've got a couple of accents in the bag and that kind of thing in terms of doing voices. People will say it's about the acting Chris, it's not about voices, but doing some voices and being able to nail certain things there are people that are brilliant at that. But there are people who have probably a wider palette of voices than I will ever have. 
I never started out as a voice actor. I'm very much an actor who uses the voice, and I'm trying to broaden that out a little bit more as I keep on going. But I want to open myself up to more different types of stuff to be creatively fulfilled. The prospect of going into a recording session and screaming “grenade” and “bang” is not very fulfilling. I did that for a few games, and then I'm done with that. Like the money's not good enough for me to do that. I mean, never say never. If the money does become good enough, then we can talk. But you push your voice and it's a different kind of acting, I'll put it that way.
F: So, last question. What would be a dream come true project for you?
CT: A dream come true project? Probably something entirely original that I can't imagine. I would love to be able to work on an audio project where I'm working with other actors in real time. I would love to be able to work with most of the cast in Rogue Trader, for example, but I’d love it for us to be able to have dialogues where you're actually responding to each other as opposed to insert A, B or C here, that kind of thing. Because that's the one thing I kind of miss so much from the audio side of work is you getting something unexpected from the other person and then riffing off it. You have to self-generate as a voice actor that a director will go do you want to try it like this? Or maybe like this, it's supposed to be funny. Try it dead pan, that kind of thing.
But quite often that kind of spontaneous element of discovery only comes from when someone gives you a line in a way that you really didn't expect, and maybe it makes you laugh, when it's supposed to be tragic or whatever, those kinds of things. The biggest thing I miss about stage work is when you're working with an actor at the top of your game and they raise you up to their level. It's terrifying, but in the best way. Some actors can do that effortlessly because they're so in the moment, because they don't know what they're going to do next, even though they can find their light and make sure that the audience is still seeing their brilliant acting at the same time. Clever, clever bunnies. That feeling because they don't know exactly where they're going, you're kind alive to the moment in a way that quite often you're not, and if there was a way to be able to replicate that in an audio way and a long form storytelling way, then that would be cool. 
I've just started playing a little bit of D&D and I don't know if I'll ever get good at that, especially in terms of like, so I've got to come up with words. Oh my God. Whereas I will never watch a D&D playthrough for four hours on YouTube myself, personally, life choice, I can start to understand the appeal of that because there's an element of that spontaneity and playfulness, but in a group. So, if there was a way to do that with actually scripted drama, I'd be all in on that. That would be amazing. Or some kind of hybrid. So I don't know exactly what that is, but that kind of thing would be quite cool. 
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F: That's what the BBC did with Cabin Pressure. I attended one live recording and it was just amazing. You have all the other actors [apart from Benedict Cumberbatch] that are household names. And to see them act and how little takes they actually need for the lines and everything is amazing.
CT: Yeah, there's an appreciation of the craft, but it's also the fact that it's not into a void. It's not like, okay, we've done three. Is that okay? We're onto the next. I think in many ways it can make the work much easier, because you're using your imagination, but in a different way, because you're operating with a stimulus. And that's always exciting.
F: And good D&D is just like improv theatre.
CT: Yeah, exactly.
F: Really good players are spontaneous. Just very creative.
CT: That should be celebrated and I think harnessing more of those kinds of things would be fun, because in all honesty, still probably about 60, 70 percent of the work that I do is in the corporate and business sphere. That's just because of how I sound. I didn't go out to court that work particularly, but in terms of the stuff that pays the bills regularly, that's the kind of stuff that I do. Even then, you're trying to find levels of playfulness or colour so that you're not just coming over with: “in a world where you can trust a big corporation to take your money.” So, there's any kind of nuance or subtlety to that, that will be a good thing. So that's the kind of stuff that I crave as a result.
F: Thank you for your time.
CT: Oh, my pleasure.
F: It went by so fast. We went over time; I still have a lot more questions.
CT: Oh, sorry.
F: No, no, no, no, no, no. That, that's, that's absolutely fine. Thank you.
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frozenjokes · 2 days
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grian jokes about leaving them for mumbo tho. splayed dramatically across mumbo, who came over and is trying to read his emails on his phone, attempting to ignore the fact grian is rolling around him like he’s a human jungle gym
a note from future Elsa: I started to ramble. None of this is coherent. Thanks for being a vessel to allow me to yap though.
I do actually find it silly to think about eventual cumscarian. maybe more. like the polycule just keeps growing. all of our friends, into the pot. it’s the most monstrous QPR/actual romantic mix you’ve ever seen, none of it is labeled, none of it makes sense, and then BOOM. hermitcraft.
(In an eventual future) anyway Grian probably would do this. And then he’d realize he wasn’t joking. And then they’d all have to have a conversation MDNDNDNDNND. but yeah if mumbo doesn’t want to be treated like a jungle gym maybe he shouldn’t be so tall and lanky and a pushover.
Genuinely though Mumbo has a very interesting dynamic with all three of those losers and I think it would be fun to explore each of their relationships /platonic/ separately from each other because they’re all very different. Idk if this will actually happen or if I will have moved on to something else, but here are my thoughts.
Obviously, Grian and Mumbo are besties. Estranged for a while, but their relationship now is pretty healthy with Mumbo setting very firm boundaries that Grian understands and follows (besides occasional instances of forgetfulness or not thinking, but as time passes and old wounds scab over, it matters less and less). I have zero planned major conflict for these two and I don’t imagine that ever changing. Just a steady, healthy friendship.
Mumbo and Cub are interesting to me as mutual friends of Grian who never quite Clicked despite living together most of their college years. Cub makes Mumbo a little bit nervous because he’s so difficult to read a lot of the time, but I don’t imagine Mumbo has ever really gotten Cub in a place where they can talk about shared interests (of which they have quite a few!), an environment that Cub would have a lot more energy to bring to the table. Cub likes Mumbo, but He Can Tell that Mumbo can’t really relax around him most of the time, and since he’s not a very outgoing person he kinda just. Doesn’t try to do anything about that. He’s very used to being regarded as cold and thinks it’s too much effort to try and change minds. Cub I think also has misinterpreted Mumbo’s perception of him though, probably not realizing that Mumbo would like to be closer, he just doesn’t know how to go about doing it. (Cub often assumes most people would rather not bother with him, not necessarily in a self deprecating way, more neutrally toned) Cub doesn’t know either. They would both feel awkward about it. I think the ideal way to put them together would just be to drop them in an escape room or something. Give them a puzzle. Let them problem solve together. I imagine they’d butt heads a little in their Autistic Fervor to PUZLEPUZZLEPUZLLEPUZZLE SOLVEOLEVSOLVESOLVE BE VERY STIMULATED but in the end they’d appreciate the input of the other person in places they got stuck and really respect each other in that way. From there they could move forward.
Scar and Mumbo is tough here because Scar is a little bit obsessed with him and in that obsession just continuously breaks Mumbo’s boundaries like he’s crashing through drywall and Mumbo is just Tired of him. Scar is a Pest. While Mumbo and Grian could bond initially over their distaste of Scar, I imagine as time went on Grian would start to realize someone needs to pull Scar aside and tell him straight up he’s being an asshole, because Scar doesn’t always Get It. What is to Mumbo and Incredibly Annoying inconvenience is interpreted by Scar as a back and forth fun game, and he doesn’t understand that Mumbo is serious, that the way Scar is acting isn’t fun for him. It would take a bit for Scar to understand. Scar’s outlook and interpretation of the world around him is pretty stubborn and he isn’t the most empathetic person and struggles sometimes to connect that the way He would feel about [blank] isn’t universal to everyone. But he would get there. And when he’d apologize, he’d mean it. Mumbo would know it, and I don’t think this au Mumbo could hold a grudge to save his life. Too much energy. So the turnaround on his and Scar’s friendship would be pretty fast; neither party going out of their way to talk to each other, but with so many mutual friends it’s pretty inevitable. And it would probably be nice. A little weird getting to know each other for the first time after years of (forced) talking, but they’d jive. I bet they’d both be into board games. They could be weird about them together.
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runawaymun · 15 hours
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so.. reading and looking at your fics and art kinda makes me wanna try my hand at some stuff too (they are just so beautiful and elicit so many feels), but. you seem so knowledgeable and familiar with tolkien/elves lore (and so does everyone else i've started reading in this community of elf-lovers on tumblr haha) and i'm most assuredly not. i don't get so many of the world-building allusions authors make about the history/culture/magic, which is easy enough to deal with when reading, but do you think i'd be able to write anything good with such limited understanding of the world i'm writing in? i'm not even confident enough for modern au's because idek that much about the character's relationships/connections with each other, y'know? but what do you think? would the holes i have or straight up inaccuracies rly weaken the story and interrupt the reader's connection to the world/character's, or could i still get by? tolkien's worldbuilding is so intimidating lol
Oh my goodness, this is such a sweet ask.
I'm really glad that you love my art and writing so much, and I consider it SUCH a huge compliment that it inspires you to make your own! That's what it's all about, honestly.
So first off I just want to address the anxiety around the lore-knowledge and the Tolkien fandom because listen listen listen, there are people of every level of knowledge creating art and fics here. Let me just say that when I first published And the Stars Shine the Same three years ago, I was mostly working off of film knowledge and some vague book knowledge, and I was petrified to post it because of how intimidating the Tolkien fandom seemed. I was so worried about getting this wrong and making mistakes -- so know that you're not alone in that, and it is a very common anxiety in this fandom. The thing is, when I posted that fic I found that people loved it, and that everyone was so nice, and really I have not had anybody (save maybe...one person off the top of my head) get very nitpicky about the lore/language/etc. Everybody else was very nice, loved the fic, and super receptive and friendly.
I promise you that there are so many lovely people in this fandom and that, while they're extremely knowledgeable they're also so friendly. Nearly everybody I know would be delighted if you came into their inbox and asked them a question about their specific area of interest with regards to the Silm and LOTR. There are amazing resources in this fandom, and everybody is very happy to help when asked. When I was getting started I mostly talked to friends, looked at other fanart (because honestly there is a LOT of information packed into how people portray characters in fanart for this fandom), and when I wasn't sure on something I just checked the wikis. I believe Tolkien Gateway is one of the best resources, though I also use The One Wiki to Rule Them All, and this is one of the best resources I've found for just a quick look at common Sindarin phrases, and for everything else I use Parf Edhellen which is an incredibly comprehensive dictionary for Tolkien's various elvish languages. And if you're not sure on something, just send a call out into the void because there are dozens of besties on Tumblr who are happy to offer suggestions for names or phrase translations. There's also so much information on Youtube.
I didn't even get around to reading the Silm and rereading LOTR until I felt like it. Honest to god I looked at the wikis and asked friends for most of the stuff I needed.
And I know how intimidating it can be to build your own story within Tolkien's world, but for me what I liked so much about his work is that--- while he is specific on some things, he's also very vague on others. There is a lot of room for interpretation and your own headcannons and worldbuilding. That was part of why I chose the historical spot I did for Stars and Boundless Sky, because it was sort of "dead space" so to speak with regards to Tolkien's own worldbuilding, and so I was able to play around and do my own thing without worrying too much about stepping all over lore.
But okay, all of that to say: yes you can write good stories without being super knowledgeable. Please believe me you can. You can write whatever you want, so long as you love it, and it is yours. If you have a story you want to tell in Tolkien's little legendarium then please, please do. Tolkien's legendarium is a mythology, and mythologies are meant to be retold and reinterpreted. Tolkien's canon is incredibly loosy-goosey. There are parts of unfinished tales where Christopher Tolkien wrote: "I really couldn't make sense of my dad's notes, so here's everything. Knock yourself out ig" (notably, "Of Galadriel and Celeborn").
And Peter Jackson was fairly faithful when it comes to the og trilogy. Like there are things that I take issue with that are pet peeves of mine, and I know that's the same for a lot of people as well. Everybody has their things they take umbrage with and things they like, but generally if that's your base for knowledge you're going to be just fine to start writing fic. If you decide you want to research more, then that's up to you and the story you are trying to tell! If you're working off of the Hobbit films, that's a little different, but in general the Hobbit fandom is pretty chill when it comes to that. I would suggest reading the book if you can find the time to. It's an easy read and short, and it is very, very different to the films.
With the LOTR books...I know a lot of people are book purists and that's okay, and a lot of people go "oh you really SHOULD read the books", but tbqh as a lover of both, I think the films do a good job of telling you the heart of the story (barring a few characters like...uh. Elrond, whom PJ absolutely butchers, but I digress sorry sorry). The books do add a lot and deepen the meaning for a lot of things, and flesh a lot of characters out (and they're just fun to read), but again... yes you can write good stories without being super knowledgeable. I will say that over and over again nonnie I am grabbing you by the shoulders and looking you dead in the eye: please write your story if you want to. Please do not be afraid to just give it a stab. If you find that your lack of knowledge is holding you back for some reason, just ask! So many people will be happy to answer your questions.
Fanfiction is for everybody. Tolkien is for everybody. You do not have to be the most incredible skilled writer or know the lore really well to be able to write it. Please believe me as a person who was scared to write for the Tolkien fandom and then fell in love: people really do not gatekeep much, and if they do they're assholes. I have met so many lovely, friendly, genuine people by creating stuff for this fandom. You will be okay.
So...ough this got long, sorry. But TLDR: Yes. You can write a good story. If you are worried about holes/the story/characterization getting weakened, try to find a beta reader. They're absolute life-savers. Barring that, start posting, find a friend who as insane about your blorbos as you are, and then share snippets and plot ideas with them and within that kind of community you can get a feel for what's working in your story and what isn't. All of my best friends I have made on here are people who read my fics and have been so helpful in offering suggestions.
There are many resources, everybody is friendly, it is not as scary as it looks. The most important thing is that you have fun. Write what you want to write. It doesn't have to be good. All that matters is that you enjoy it.
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Shy ghost boyfriend x (wayyy to kind/generous) reader
I CAN SEE IT OMG… also this is my first time with ns.ft SO PLEASE BE NICE… please… 😭
Imagine whoever you want btw!! I had no set character for this little imagine.
Tw/ Brief mentions of breaking and entering, ghosts and spirits, ghost jokes, mentions of delusions and death, ns.ft under read more.
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imagine you’ve been dating a guy for awhile. Admittedly, the relationship started in a unique sense. As in…. The guy showed up inside your house randomly. Aka home invasion. Now to normal people this would definitely cause them to call the cops, however you? The first thought going through your head was how you were worried that the poor dude just needed a place to stay. However as soon as he and you made eye contact he freezes up, to the point he was just awkwardly standing near your kitchen counter, slowly he places the cup of tea he made for himself down.
He covers his face, “Oh god!” He says his face going red before completely disappearing into thin air. You look around for him everywhere but he’s absolutely gone? You chalk it up to you being delusional from overwork…
Then he appears and disappears again. And again. AND AGAIN. This goes on for a phew months before you get tired of it, so you leave out a little note saying ‘You’re welcome to stay in my house as long as you want, just please stop avoiding me it’s hurting my feelings :(‘ you place it on the counter with some sweet treats you got at the store.
Ever since then? Well he’s practically in love. You quickly figure out he’s a ghost from the fact he tells you (once he works up the courage enough to speak to you fully.) and the fact he constantly phases through walls to talk to you.. which is cute! However when you’re showering and he forgets it can be very awkward.
There’s a lot of interesting things about your ghost friend. For one, he died, however he forgot how, by the time he was a ghost his body, wherever it was, had been taken away. Two, he only awakened because some kids thought it would be a genius idea to use an ouija board. Three, since then he’s had a total of 20 priests try and exorcize him even though he SWEARS he has never harmed anyone, people just are fearful of him. Four, he can touch things, but only in the house and five, he cannot leave the house because he’s permanently tied here for some reason. There’s probably loads of interesting things about him really you are desperate to learn but it’s fine because you can take your time getting to know him. He has eternity(?) for you and you have your entire life and maybe eternity afterwards to get to know him.
Naturally it doesn’t take long for you both to start dating he’s cute and desperate for you. I mean, you’ve been trapped in a house for who knows how long, and only people with families or in committed relationships were ever living with him, so when a single person who not only is kind to him but is objectively an attractive person… YOU KNOW THE MANS GOTTA SHOOT HIS (extremely awkward) SHOT.
The way he hits on you in the beginning is soft for him atleast, my boy comes off hella strong. I’m talking he makes you breakfast before work and leaves cheesy notes places like ‘If we were both ghosts, would you be my boo for eternity?’ Yes, all his pickup lines are ghost themed… and if you guys have a movie night he will pick romance themed movies. Even better if it’s a ghost themed romance movie. It doesn’t matter if he likes romance or not. He’s gotta show you romance.
Once you finally confess to him you like him (no he won’t confess first he’s way to scared that you’ll reject him..) HES ALL OVER YOU.
No matter what you’re doing he’s looking at you with a love struck grin. And once you give him permission to hug and kiss you, HES ALWAYS DOING IT. Always planting kisses everywhere, and hugging you when he can. THIS MAN IS TOUCH STARVED…
And since he’s so touched starved naturally when it’s time to get freaky he prefers soft and slow, with you as close as possible to him as he ruts into you. Ghosts have great stamina surprisingly! Which is great for him, however he needs you to remind him to stop, because he will go on for days. BECAUSE HE LITERALLY CAN. He’s a ghost so that means he doesn’t have to stop and wait for his own body, since he doesn’t have one… duh. Speaking of bedroom stuff, this man is probably vanilla I’m gonna be real with you, he cannot bear to go rough. However he loves leaving little marks all over your body. It reminds him he does exist and that he’s dating you, and this isn’t some weird post-death dream. Also did I mention it doesn’t matter what you weigh OR your size? He’s a ghost so he has infinite stamina and strength, so no matter how much you weigh he can have you in ANY position.
But… how is he with bottoming? HES GOOD. However he needs you to be close, I’m talking hugging him close. He doesn’t care what pace you go just don’t hurt him. He’s had such a lonely ghost life… he doesn’t need more pain. By the way, do not blind fold or restrain this man, or do any sort of sensory deprivation. He needs all his senses, he needs to feel you. Also give him marks. OH MY GOD GIVE HIM THEM! It’s the only time he’s okay with pain if you are biting or nibbling at him. Same reason as why he gives you marks above like hickeys. He just needs to know that this is all real.
He’s also a whimper guy. And a praise kink guy too.
“You’re s’ beautiful/handsome/pretty.” / “I lov’ you, you’ doing so well- Oh my god...” / “My love! Oh y’- so good… soo good jus’ for me..’
Also he’s loud. Be warned you may have some explaining to do to the neighbours….
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Imagine who you want, no set character in mind for this one, so I tagged a bunch of fandoms. Yes I did tag Harry Potter (as in whichever character in the franchise) however FUCK JK ROWLING, we support trans rights up in this biiiitchhhh.
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Okay, this is going to be. A little incoherent. But I blame @rearranging-deck-chairs for Daemon-posting and getting me in that headspace of rotating the blorbos with some Creachurs. That being said, it's time for a vague AU that smushes Pokemon into Doctor Who and resultant Spydoc Thoughts (also, plot spoilers for ScVi's late game)
So, Thirteen's team is very... haphazard. She didn't put thought into planning them, they just kind of happen to her. There's very little rotation, just occasionally giving breaks to team members.
Togekiss - Twelve had a Togepi for a while. Like, a Very long while. Hell, Clara probably got her for him (not that he knew that for a time), and it took until Bill for the two of them to become close enough that she evolved into a Togetic. Usually, the Doctor puts aside their old team upon regeneration, but Twelve specifically wanted to pass her along as part of his wish that his next self would carry that hope and kindness. It... doesn't always work out, but Thirteen can't quite make herself give up on that. Togetic gets evolved into Togekiss sometime during season 11, after Thirteen properly accepts that she's travelling with her fam.
Porygon - I just adore the idea of Thirteen with a Porygon, okay? The whole line suits her very well. She picks it up fairly early - while she's still stuck on Earth and building her little teleporter post-WWFTE, most likely. Could she evolve it? Easily! Will she? Eh, probably not. It enjoys hanging out in her sonic and making friends with the TARDIS and eating Ryan's data (when it can)
Absol - She gets an Absol stalking her sometime during season 12 (pre-FOTJ) and can't shake him, so eventually he becomes an unofficial team member. He's not trying to be a bad omen, really, he just can't help but sense disaster around her. Flux is... a bad time for him
Beldum - This one is in the same boat as Porygon, where she could evolve it but never sees the point. She picks it up on a junk planet pre-Tsuranga and it just vibes with her. It gets along with her Porygon quite well
Helioptile - Just. Just look at it and tell me it doesn't scream Thirteen. Funky little electric lizard friend. The Doctor catches her sometime in season 11 and names her Tiny in honor of the P'ting
Sandy Shocks - My reasoning behind this one is twofold. A) it's fitting that the Doctor would have a paradox mon, and this one suits her vibes best. B) if any Doctor deserved a Pokemon that's the result of experimentation by an unethical and obsessed scientist who is also a deeply shitty mother, it's Thirteen. She picks this one up late - barely pre-Flux, some solo adventure with Yaz where they find one and it takes a shine to her (and vice versa)
Silvally - As with Sandy Shocks, this Pokemon suits the themes of Thirteen really well. She finds them during Flux, most likely, as a Type: Null that Tecteun kept (analogous to the Ood?). The two of them don't have all that long together, in the grand scheme of things, but they evolve relatively quickly
For the Master, he did plan his team much more deliberately, and he actually does some rotation.
Zoroark (Unovan) - Is this obvious? Yes. Will that stop me? No. He's trying very very hard to cultivate an appearance of over the top evil for the most part, and underlining how much of a deception O was with a Pokemon known for deceit is very in line with his actions
Lycanroc (Midday) - What his Zoroark spends most of its time illusioned as when he's O. Might well have belonged to the original O, just to drive the point in
Meowscarada - It's a dramatic magician cat that's part Dark type. He chose this on purpose and honestly, it's probably a shiny to boot
Farigiraf - He probably chose this one for the Psychic typing and good resistances, but the whole 'secondary head overtaking the primary upon evolution' thing feels like it should be a metaphor
Tyrantrum - Gives that Rock type coverage once he ditches Lycanroc, but its vulnerabilities and short temper fit him a little too well
Toxapex - Solid type coverage for a lot of things he's weak to, and it has the patience a lot of his other team members lack. Sometimes you just need to lay your plans and be able to sit back and wait
Aegislash - This one is almost purely for the sake of decent team comp. That being said, I feel like it fits well with Toxapex; willing to play the long game and adapt to the circumstances
Iron Jugulis - As with the Doctor, it makes sense for the Master to have a paradox Pokemon. One of the robotic future iterations made most sense, given the Cyberium, and a futuristic Hydregion - a Pokemon I can't help but associate with Ghetsis, and thus Immense Suffering - felt apt
Mimikyu - There is no Pokemon more suited to this vaguely upright bundle of identity issues shaped like an approximation of a Time Lord than this. He's probably aware of this but it latched onto him and they relate to each other. He makes it little Doctor outfits while he's Rasputin-ing
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lovelesslittleloser · 17 days
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I had a realization that everyone else has probably already had but I need to say it
Robin = Danny
Raven = Sam
Cyborg = Tucker
Starfire = Valerie, maybe??
Beast Boy = Cujo?????
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poorly-drawn-mdzs · 1 year
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Feeling Fruity
[First] Prev <–-> Next
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dangerous-advantage · 7 months
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(Image description below 'read more' line.)
[Image ID: A four-by-four alignment chart on a white background with text descriptions to the left and to the top of the squares.
The top left description reads, "seems like they'd be good at parenting." The top right description reads, "seems like they'd be bad at parenting."
Then, from the top down, to the left of the squares, the other set of descriptions reads: "excellent child rearing instincts," and "never trust them with a child in your life."
Each of the four squares contains an image of a different character. At the top left is an image of Lan Wangji of the Mo Dao Zu Shi donghua. He sits between the descriptors "seems like they'd be good at parenting," and "excellent child rearing instincts."
In the top right square sits an image of Wei Wuxian, also of the Mo Dao Zu Shi donghua. He sits between the junction of "seems like they'd be bad at parenting" and "excellent child rearing instincts."
In the bottom left square is an image of Xie Lian from the Tian Guan Ci Fu manhua. He occupies the square with the captions, "seems like they'd be good at parenting" and "never trust them with a child in your life."
Finally, in the bottom left square, sits an image of Hua Cheng from the Tian Guan Ci Fu manhua. He occupies the junction between "seems like they'd be bad at parenting" and "never trust them with a child in your life". /End ID]
#look ok#i see all the cute little fics with xl and hc talking about becoming parents and etc etc#and that's cute! that's adorable!! let them be happy!!!#but. you have to admit ok. hualian need to work through their own problems#like c'mon. xl picks up like AT LEAST three kids in the book and then proceeds to forget about one on his shelf for a while#just kinda. stands judgmentally with his hands on his hips about guzi and qi rong (it's really funny though don't get me wrong)#and after finally re-capturing lang ying he's like 'i'm gonna guardian you!' and then a whole bunch of shit happens and uh well#ly turns out to be the ghost of some kid xl traumatized 800 years ago come back for vengeance (L)#which means xl traumatized him multiple times lmao#we aren't even touching qi rong and lang qianqiu which YES i know the latter wasn't xl's fault and i am fully aware that the situation with#qi rong is and was complicated. BUT. come ON man can these poor kids never catch a break? the one kid he DIDN'T accidentally traumatize#turned out to be obsessively in love with him so like maybe this is for the best?#anyway i also just don't think they'd be... genuinely interested in a commitment like that? like hc would go along with anything xl wants#but he doesn't seem the type to be interested in kids (he's mostly just interested in xl)#xl isn't off the hook either ok#people bring up hc's treatment of e'ming but xl isn't exactly a saint to ruoye. i dont blame the guy he's got a lot on his mind#but he's also very.... absent#plus with the responsibilities of their respective positions all their extra time is like. spent on eachother jk?#this isn't to say xl doesn't *like* kids or anything i just don't think he would want to be a full-time parent lmao#also they DEFINITELY have their own issues with themselves as kids and i'm afraid that might translate into like. parenting#meme#tgcf#mxtx meme#tgcf meme#xie lian#hua cheng#lan wangji#wei wuxian#wei ying#lan zhan
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1tsjusty0u · 4 months
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wow this has such majoras mask vibes! (guy who is currently playing majoras mask)
#this is about botw (an au for it)#just. if you take it as ganon hurting everyone else like hes been hurt (being trapped under tbe castle forgotten for ages and ages with nob#ody but himself and the people who trapped him directly above him. also corrupting the sheikah tech used against him (thats a stretch consi#dering the only way he was able to do that was that the king 10000 years ago was awful and buried the tech UNDER THE CASTLE while chasing t#he sheikah out)) + the eye motifs? (majoras eyes being indicators for bosses weak points and ganons malicw eyes) it just. huh#though in botw link doesnt really. well he sort of calls out to people (the champions which could be interesting for character arcs) but ot#herwise its kind of just. three people having a 2 v 1 in a ruined world that just ended up hurtinf all of them#literally nobody can turn back to what they had. not ganon in the past. not link (though i Do have feelings about pre cal link but thats al#l hcs so im not putting that here). and not zelda#and not the champions either (though the only ones grief we really see is miphas. maybe revali?)#its just. literally everything Is There Still.#the guardians. the older ruins like the forgotten temple. the great plateau#on one hand i see the destruction of the castle/monarchy great and will lead to good. but also People Died#deya village. the tabantha village. the characters couldve seen the time before the calamity as Great (even if it wasnt? it all depends! bu#t nostalgia and all that)#so. yeah.#i dunno what the thesis is here i just think its neat#also that one image i can stretch botws theme as much as i can concieve#this also gives me a fic idea. however i feel like i would be doing characters dirty in it
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thatoneluckybee · 4 months
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Tell me about your OCs! (if you have any)
Good grief I have many an oc… I’ve spoken vaguely about my mains online BUT I keep it vague for privacy stuff lol. The main set are from a story me and a close friend began IRL years ago that was all but abandoned after the pandemic. They aren’t really into it anymore so essentially I’ve been given free reign over them. However… I have no set plan on what we’re gonna do. We both love art so we’ve considered making it into like a webcomic or a book but neither of us know. It’s just this series stuck in my head. I keep things vague with them love in case we ever do get around to making this a real published thing (also because I am… 60% sure said friend has a tumblr and Do Not Want Them To Find Me.)
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crownconstellation · 2 months
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so with this year’s April Fool’s event, which is themed after the Chinese Zodiac, A3! has given almost every character confirmed official birth years depending on what zodiac clan they were assigned to! these are as follows:
?????? - Guy, Azuma (they were assigned the cat, which is an unofficial / excluded zodiac sign. clever move, Liber.)
1987 (Rabbit) - Sakyo
1991 (Ram) - Homare
1992 (Monkey) - Chikage, Hisoka
1993 (Rooster) - Tsumugi
1994 (Dog) - Tasuku, Itaru
1995 (Pig) - Citron
1997 (Ox) - Omi
1998 (Tiger) - Misumi, Kazunari
1999 (Rabbit) - Tsuzuru
2000 (Dragon) - Banri, Juza
2001 (Snake) - Sakuya, Tenma, Taichi
2002 (Horse) - Masumi, Kumon
2003 (Ram) - Yuki, Muku
2004 (Monkey) - Azami
(Izumi got assigned Rat, which would be 1996, but based on canon statements about her age (her knowing Sakyo as a kid + her being the same general age as TaTsm), she’s presumably a 1992-1993 baby & she got put in Rat solely bc no one else filled that slot.)
#a3#a3! act addict actors#listing all this has made me realise the way a3 labels ages is…. interesting.#bc of how it does things people who may be only a few months apart in age will be listed as an entire year apart#because based on these birthdays it lists everyone as the age they’re turning within that act (going april to march)#so say… tasuku who’s only a few months older than itaru is listed as a year older than him bc he turned 23 right before act 1. whereas itar#turns 23 at the start of it. and then tasuku turns 24 in february. and then for acts 2 on the ages just tick up one#so even tho for most of the year they’re the same age tasuku will be listed as older#this is the same for masumi & kumon and sakuya & taiten#this makes a lot of age assignments for the students Interesting also bc they seem younger than they should be?#maybe i got too used to how enstars does the age stuff but 15-16 for 1st years 16-17 for second years 17-18 for third years…#but a3 has the third years turn 17 During their third year & etc. sakuya turns 17 at the very end of the school year#and it can’t be the march birthdays being the start of the year loop bc then sakuya would be a 2000 baby and masumi 2001#i think i’m overthinking this LOL. well anyways!#i also saw someone point out homare is three days too early to be a goat so LOL i don’t think they thought this through past general year#on that note is it goat or is it ram. i see people use them interchangeably. well anyways#bri.txt#omi literally only five (5) days younger than me…#also i just realised. tsuzuru being assigned rabbit LOLLLLLLLLLLL he is never getting past the white rabbit
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pumpkinnning · 10 months
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Your tags on that Charles and Ferrari post ring so true!!!
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(I'm assuming this is the same anon 😅)
yes exactly ! The way people have been talking about Charles re:Ferrari lately has felt kind of very one note and low key a bit disrespectful ngl like he's too stupid to quit something that's hurting him but like you said, it's not like he has any better options at the moment. He would maybe have a better car at RBR or Merc but he would clearly be on "enemy" territory and I think people underestimate how much fitting in a team impacts performance. (And it's not like those teams have an actual opening rn)
And yeah like @mountinez pointed out very accurately, it's his choice, he's a grown man and he knows his options far better than any of us do.
And putting the idea of an individual win so far above a win with the team he loves is very idk...focus on the macho individualistic superman aspect of sports that i kind of find toxic honestly ??? (It's the part of DTS i find honestly really annoying i think they should pay more attention to the team work and the mechanics and all the others who make this possible instead of staging all those fake little cockfights but anyway) it's like all those pundits saying Charles should Take Charge more like a Real Man and invent his own strategies and everything else instead of you know trusting the people whose job it is and actually have the data like bitch please !!!!
Like in the end I'm a Charles fan before anything else so if he leaves Ferrari I will think it's badass and healthy and if he stays I will praise his loyalty and commitment 😂😂 but whatever he does there will be a chance for it to fail and it will be easy to talk shit about what he should have done in hindsight but the truth is we don't know shit about what is really happening behind the scenes and a big part of it is down to luck and timing
And when it comes to rpf and writing fictional narratives inspired by all this - yes of course the pain and addiction of devotion to sth that doesn't love you back and the martyr/saint imagery it's all very compelling (a lot of us have probably been there lmfao i know i have)
but there is also a lot more there like what about the power fantasy of loving sth so hard you change its very nature ? What if patient love and commitment gets rewarded for once ? (What does it mean if we write it as always destined for failure?) What about saying no this imperfect thing i am fighting for is mine actually i am taking ownership and I am not going to cede ground to people playing selfish little games with it or leave it to crumble and succumb to its worst impulses ? What about the journey mattering more than the end and the people you chose to do this with mattering more than the victory and honoring your dreams and passion mattering more than a line in the history books ? If we are going to write stuff inspired by real people we should at least try to honor a bit of the complexity of real life and give space to complex ambivalent feelings
Lmfao anyway yes i am in the Thinking about Themes part of writing fic rn but yeah !!! I find this whole thing incredibly compelling and if/when Charles wins the WDC with Ferrari I will cry like a little baby for 3 days at least
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