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#this is actually my very first question on tumblr
kiwi-cult · 3 days
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PARSELSCRIPT!!
Hi. This is mostly for the people from Discord but tadah! I'm finally making that Tumblr post I've been talking about for months.
(Warning this will probably be very chaotic)
To anyone new who sees this: me and some friends made an alphabet for Parseltongue from Harry Potter, aka Parselscript. I'll take you on a little journey to explain my process and give you some tips, should you want to start writing it.
Disclaimer: I wanted to make this script usable for the writer I made it for (Isalise loml) so it's less of an actual language and more just some characters to represent the Latin (or ‘English’) letters. Like a cipher. It is not realistic. If I made this realistic I'd have to add all sorts of things to indicate body language and smell etc and also have to figure out what sounds Parseltongue actually has etcetera etcetera. No.
Alright.
It all started when we started talking about Parselscript in a Discord server and I asked my friend Ava to visualise the script because she seemed to have a clear vision of it, so I could use it to go from there.
That's how we got this.
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I think we all wanted to go with something flowery for some reason, so we did.
After this I just messed around with brushes and shapes in Procreate for a while, tweaking things and trying to make it more writeable. I ended up with something like this (still a rough draft).
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It may look a bit like random squiggles at first, and it kinda was at this point. As you can see there's also a lot of added dots and lines, which can be a bit hard to remember and I see you wondering what it looks like without them.
Well here it is.
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I showed this to the people I brainstormed with in Discord and we decided to go with the more complicated version because it looks better lol.
This is one of the final versions.
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It says: "Hello, my name is Kiwi Cult. I made this script after reading a fanfic called Terrible, But Great written by Isalise the loml on Archive Of Our Own."
Now, to talk about some of the (boring) logistics.
It is read from left to right, top to bottom.
Every separate combination of squiggles you see above is a separate word. Every word is made up of a starting character, one or more letter characters and an ending character.
The very first character you see in the top left corner, with the three petal looking thingies, is a silent starting character that indicates the start of a sentence. Not word: sentence. The end of the character, that little circle thingy, is a comma. So, the first combination says: "Hello,".
Then, the second combination starts with a kind of hook going down and right. This is also a silent character and more meant as an interpunction, that's why you don't pronounce it. It's kind of just a way to start the word when there isn't anything special about it (aka it's not the start of a sentence, a name, an exclamation or a question. But every character is special in its own right🥲). The same kind of hook can be found at the bottom of the combination, except going up. It has the same use, basically just a way to end the word when there isn't anything special about it. Now, you might ask: why does it go right and not left?
We talked about this a while, because I wanted the direction to have some kind of meaning. We wondered about gender, tone, blah blah all kinds of complicated things but in the end I just wanted this script to be writable so I chose to have proficient writers in Parseltongue make their hooks go left and beginners have their hooks go right.
Now, you might notice that I end my words with a hook going right. That is because I don't see myself as a pro in writing in Parselscript okay? It's hard!😭💀
Now, other than the character indicating the start of a sentence, the circle, and the simple hook, there are a few other characters to start or end a combination (don't worry I'll show them all to you at the end, you won't have to use your imagination for long).
We have a character to indicate a name. Now, the rule is: name indicator over start of sentence indicator. So, if you start a sentence with a name, you'll use the symbol to indicate a name, NOT BOTH. (That's not even possible but I don't even want to see you try and butcher my child).
There is a character to indicate a sentence that would usually be followed by an exclamation mark (!), but at the start of the sentence. Then you’d end the exclamated sentence with a period.
The same goes for a question mark (?): put it at the start of a question, not the end. Again, it wouldn't even be possible to use it at the end of a combination but I DON'T EVEN WANNA SEE YOU TRY.
Finally we have a period (.), which looks a bit like a flower with four petals. You do use this one at the end of a word, and it is always followed by a start of sentence indicator or a name indicator. I know people are rejecting capitals these days in their typing but I don't wanna see it. If you start a word after a period with a hook I will find you.
So, to put it all next to each other, the symbols we have are: -start of sentence indicator -name indicator -exclamation mark (!) -question mark (?) -period (.) -hook (direction depends on efficiency) -comma (,) (direction depends on efficiency)
I didn't make adjusted characters to indicate a capital letter like we do in the Latin alphabet, meaning that the only things you can kind of 'capitalise' are the start of a sentence and the start of a name.
It is also slightly phonetic. Emphasis on slightly. I made separate characters for almost all characters in the Latin alphabet, so you can just write your word normally with Parselscript characters. The only difference is that I made only one character for the 'f/v' sounds and that there is no 'c' character. If a word has a 'c' in it, you'll have to use the character for a 'k' or an 's'. Also a ‘q’ can be made with ‘k’ and ‘w’ etc.
A few examples: -character=karakter -parselscript=parselskript -crazy=krazy -science=siense
-quiz=kwuiz
I know it looks a bit confusing, but I trust you guys' ability to read context clues and figure out what someone means when you try to decipher Parselscript.
Now, for a word like 'phonetic' or 'decipher' I don't really care whether you use the separate characters for 'p' and 'h' or just the one for the 'f/v' sound. You do you.
I also don’t use any double letters because they basically sound the same and it looks ugly but if you want to use double symbols feel free.
I also made some numbers that do not look like they fit with the rest of the script but I promise you that's just because you're not used to it yet. Our own numbers don't belong with our alphabet either because we nicked them from the Arabs (I think, don't quote me on this) but we don’t notice that either.
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Tadah. (Yes I know it’s out of order I told you this was gonna be chaotic af)
Other than that, feel free to ask me questions if I've forgotten anything or if you're wondering about anything. I can't guarantee that I have a good answer because I might not even have thought about it myself, but I can always try to come up with something. I am one person, I'm afraid I haven't been able to take everything about a script into consideration.
Now, without further ado; here is the key.
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No, your eyes didn't deceive you: there are two versions. The first has a bit more loose squiggles than the second one. I realised that when I was writing physically, the second version was much nicer to write, so it is kind of like Simplified Parselscript. I haven't decided yet if I'm gonna put some lore behind it or not yet. But I included the og one if you're a tryhard and wanna take it on.
Now, if you're gonna start writing it yourself, here is the stroke order.
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I tried to make it as clear as possible but please ask me if you're confused on anything.
Red is the starting point of the whole symbol, the arrows indicate the direction to go in, x marks the start of the small extra's.
Now, I'd also recommend writing on some type of paper with vertical lines like this if you're gonna do it physically.
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You can just turn a paper with normal, horizontal lines a quarter to get vertical lines. Also, do NOT write in between the lines. They are meant to help you keep the start and ending on the same line so you don't start going into crazy directions while writing. So, start your sentence symbol or hook or whatever in the middle of the line and try to keep coming back to that vertical line after every letter. As you gain more proficiency you'll probably go straight into the next letter without going back to the line all the time but I think this is a good starting point.
I also recommend writing with a fountain pen or something else that flows well because it’s easier to write that way.
Here is another rough draft I made on physical paper to get a feel for it. As you can see this draft had a lot more different starting characters and ending characters so just ignore that. Hope this motivates you a bit or smth.
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Lmk if you want me to post a video of me writing in this Parselscript.
Also please let me know if you know of someone else who's also made a Parselscript because I tried to look for it on Tumblr and Twitter etc but I couldn't find anything.
I also feel like there’s a big mistake I made that I realised the last time I worked on this script but I’ve forgotten it now so if you find out please comment or dm or anything💀
Also feel free to use in your own fic, tho a little tiny shoutout in the a/n would be nice :) I’m @/kiwi_cult on Ao3, @/slvtr_ on Wattpad, @/kiwi cult on ff.net, @/slvtr.1 on TikTok and @/.slvtr on Discord.
Credits:
@natis-balamnimaja @asterialvia and @/zee (who unfortunately left the server and I don't know the Tumblr @ of) for brainstorming with me and @isalisewrites for inspiring us and making the server we discussed this in. Check out her profile and her Tomarry time travel fic if you have taste.
Okay bye :) tell me if I forgot anything.
🥝
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hi cosmo!!! how's your shifting journey going on? i saw a post where you said that you'd get into the void state. i know about the void state and have also tried to get into it (because they say it's very peaceful, no thoughts, head empty state. also because well, instant manifestations happen in the void state). so i wanted to ask have you ever successfully entered the void state? and if yes, how was your experience?
hiiii!!! :]
thank you so much for the ask, i always love answering.
first of all, just to let y’all know, i’ve been trying the loa mindset, so i do say that “i will shift” or “i’m going to enter the void” instead of “i’m going to go try to shift” and etc.
for my shifting journey: i have not successfully shifted yet, i have not minishifted yet, but i’ve been having some VERY close attempts lately (actually just last night!! i’ll update y’all about that soon!! or maybe while answering this). i started shifting around 2020 or 2021. i’m not quite sure. i didn’t do it all that much, i had very poor mindset, and i didn’t know that much about it (i used a ton of shifttok stuff). and then in 2022 to 2023 i would only do it ever so occasionally, not much at all. and now, i’ve come back to shifting almost every single night (not literally, like i said, i have not shifted yet), mostly because of the tumblr shifting community and tumblr shifting friends!
now, for the void state question. i have not entered the void state yet, but i’ve only recently actually started attempting to!! i use the wim hof breathing method, and then another random method that a shifting friend of mine sent me that was found on here (tumblr). i’ve definitely been close to entering the void state with both those methods during the couple of times that i’ve attempted to.
last night’s attempt was pretty insane. it’s a bit fuzzy now since i just woke up and it’s not so fresh in my mind, but i’ll do my best in retelling it.
so, first of all, i set an intention really quickly and sloppily (cuz i have absolutely no patience whatsoever, i’m working on that though cuz i know i’ll need it if i actually want to shift eventually).
then, i got into a comfortable position, put on some music that i like, and then put my arms to either side of me.
i moved my eyes behind my eyelids back and forth and all sorts of directions while staying completely still and just keeping my right brain awake the best that i could.
during this, i felt my arms get number and number, same with my legs. and i can’t remember if i stopped moving my eyes for a bit once i felt my limbs not so much anymore, or if i was still moving them, but for a bit, i saw this light behind my eyelids that was going around my eyes slowly, and i had the strangest feeling then about how i maybe was shifting now.
so, i started affirming that i was in the void state and that i was gonna shift.
at some points, my vision went black and i stopped hearing the music and everything, just for split seconds, but i’m not too sure if that was the void state or if i was just losing consciousness for moments there.
anyways, yeah, that’s pretty much all!! it was definitely much more amazing than i explained it, and it was probably the closest i’ve ever felt to shifting or entering the void or anything before!
i hope this was somewhat useful or worth your time, even if it wasn’t what ya came for, and that i didn’t ramble too much.
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aslyran · 13 days
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Come here and Love Kim Dokja, Please? - Han Sooyoung
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As always.
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tathrin · 5 months
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The Extremely Serious and Scientific Legolas Fandom Hair Colour Poll:
What colour hair do you picture in your head for your personal mental image of Legolas of the Woodland Realm? (Not necessarily which one you think is more or less "canonical"; rather just what you see in your head when you're reading something.)
Ideally, you can also share when and how you were first exposed to Lord of the Rings in the tags or reblogs, and what you think most influenced your mental image.
No I'm not procrastinating from writing stuff, go away.
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magistralucis · 3 months
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"I forgive you." - Yenekh/Oltyx (for @courgowr)
(Drabble Oneshot for a prompt fill challenge, prompts available here.)
——————-
Even after all's been said and done there's one more thing that lingers, a guilt that has never gone away. Forgive me for what I have done, Oltyx often asks of his formal admiral, his hand upon a silver claw or a bloodied forehead, his own head bowed in shame. It is not enough that he overcame life and death for his atonement, it must be spelled out, or he is a sinner still. I was cruel and I was craven, and I had dealt with you unjustly.
Well, I forgive you, Yenekh had laughed the very first time. The following year Oltyx took him as consort. Yenekh has been nothing but patient with him since, repeatedly reassuring him that all had been long forgiven, the tips of his claws ticking fondly upon Oltyx's carapace. The king doesn't doubt that he means it, for the Razor is not by nature dishonest. But he's sure there must be more he can do for Yenekh, if not as a sinner than as one beloved, because as far as he's concerned Yenekh has always deserved the world.
It just feels hypocritical to claim this when he's destroyed it once before.
He's not doing it to be burdensome. He's like this because he loves Yenekh. His old lives feel so distant from him now (and are, since nothing is as close yet so far away as death), but here's yet another shortfall from those august times: Oltyx has no idea how to be good to his amours, for there was never a match made for him in Ithakas, nor did he and his brother ever entertain admirers. Frankly he's not even sure Djoseras ever knew the C of courtship. No one is left to teach Oltyx either way. He is very loved in Drazak, more than he was loved in his previous lives - which he now understands was more than he knew at the time - but he has not been in the position to love another as equals until now. And so the Fallen Lord contemplates, day after day, how he might truly be the friend and king that Yenekh deserves.
To talk about it, at least, without putting his guilt on the other's shoulders. All the time in the world is theirs and he still feels it to be slow learning. 
An opportunity arises on the next occasion he orders the bounty.
[Published 25/01/2024 - continued on AO3 here.]
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andro-dino · 1 month
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Genuine curiosity: what got you here? What decisions in your life lead you ended up having brainworms for this funky spinning top commercial series? /aff /lh
it all started when I was but a wee lad in the second grade and saw Beyblade Metal Fusion on Netflix. The first time I watched it, I actually watched the third episode first because it had wolf in the title and I was a wolf girl growing up. After that I became enamored with the show. Created the first version of Essi on ms paint with a mouse (may god rest her soul (she died with the rest of my old art on my family computer one day 😔)), rewatched it a couple times, at least one of which I imagined essi in like every scene in the show, and was effectively obsessed with it. I didn’t have the abilities to draw ship art at the time but I did become very kyomado pilled during this as well. I actually didn’t know there was more after Fusion because Netflix didn’t have any of it (or I just never bothered to look for it idk).
After that, a couple years went by, and I think around 5th grade I decided to revisit it, had a blast, redrew Essi, and I was happy to leave it at that but then I was talking about it with a guy on my bus and he was like “oh yeah I really liked it have you watched fury?” and I was like “THERES MORE??????” and so I went out in search of More. I watched like half of masters on YouTube, but I didn’t retain like any of it. genuinely the only reason I know I got as far in as I did is because the only parts of it I remember at all were yu being more prominent and hikaru’s ptsd breakdown, but besides that, literally NOTHING stuck with me. I also discovered the existence of shogun steel during this time period from seeing adult gingka on google but knew nothing more about it.
That was the last of beyblade endeavors until summer of 2021. after splatoon 3 had been announced that year it had me very nostalgic for things I was into when I was younger, which started with me ranting about splatoon 1 stages I missed on twitter, which then led to me thinking about sonic underground and trying to find where to watch it bc it wasn’t on Netflix anymore. in doing this, I downloaded Tubi and saw fusion on there and I was like “omg I forgot I was obsessed with that!” I then similarly ranted my fond memories about it on Twitter and i ended up dropping my sonic underground rewatch and watching that instead. That is when the snowball began to form. I looked up the watch order and was telling my friend about it and how I was trying to find something that had all the seasons (bc at the time Tubi had fusion and fury but not masters) and then he sent me a pirating website I could use and I was like HOLY SHIT. And then from there, I watched the whole series, got obsessed with it, starting drawing fanart on my own time and looking up fandom stuff online, and then upon realizing most of the active fandom was on tumblr, dusted off my tumblr account and made my first post, and from there it’s only gotten worse.
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sneez · 2 years
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various fairfaxes and a drawing from my english civil wars hiking au which i never posted :-) [id under cut]
[image description:
the first image is a digital drawing of a group of men on a light brown background. they are all wearing hiking-appropriate clothing. from left to right: a young man swinging from a tree; arrows pointing at him read ‘weirdly passionate about hiking’ and ‘like 15′. a man leaning against a tree; arrows read ‘grumpy’ and ‘only here for family bonding with father-in-law’. a man with a cane and one arm in a sling, leaning over to read a map; arrows read ‘has injured himself on every hike so far’ and ‘designated driver’. a man reading a map with a serious expression; arrows read ‘annoyed about everything except hiking and sometimes also hiking’ and ‘only one who can read a map’. a man with his hands on his hips looking at the viewer; arrows read ‘arranges hikes and then doesn’t go on them’ and ‘good at arguing’.
the second image is a collection of four digital drawings of thomas fairfax, a man with long dark hair, a moustache, and a beard. he is wearing seventeenth-century clothing. one is a full-body coloured drawing of him sitting in a chair facing away from the viewer with his legs folded and his hat on his knee. the other three are uncoloured: two are headshots of him as a young man and an older man, and the third shows him sitting at a table reading a piece of paper with an expression of concentration.
the third image is a coloured digital portrait of thomas fairfax as an older man. he is clean-shaven and has long dark hair and a scar across his cheek. he is wearing a dark doublet and a large white falling band, and is looking to the left of the image with a serious expression.
end image description.]
#artwork#fairfax#and others! theres a bunch of blokes in the hiking one#basically the concept is it's the english civil wars but instead of having a civil war they are rival hiking groups. and they compete with#each other over hiking trails and such. i never drew the royalist group but i was imagining them to be the Official hiking club and the#parliamentarian one started because there was drama in the royalist club so they started their own#and now theres drama between both of them. hiking drama.#ANYWAY thats from last year i cant remember why i never posted it but here it is now :-)#the other ones are much newer (for the most part) i did the coloured sitting fax yesterday#the last one is based on a portrait i came across recently which may or may not depict fairfax in 1664 (the identification is questionable)#and i still havent made my mind up whether or not i think it could be him or not but i was So excited about finding such a late portrait#i knew i had to draw at least something inspired by it. i cant even tell you how i excited i was i almost exploded#for context the latest portrait we have otherwise is from 1650 so if it is actually him it is a Very Big Deal#but i dont think we will ever know because the identification has been rejected by the metropolitan museum of art :-/ alas#of course it could be raised again in the future but i dont know if anyone would care enough to do that. i would obviously. but otherwise#oh for the first one from left to right it's lambert ireton fairfax cromwell pym#i dont know if the writing will be legible given how much tumblr crunches images but We Will See#i hope you are all doing well my dear friends :-) it has been so nice to get around to answering messages today i have missed you terribly#edited to add image descriptions! sorry i didnt do that earlier my apologies
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junk-culture · 3 months
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👍
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st4rstudent · 4 months
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So. I have a BURNING question.
Are Mac and Winn your ocs? I know theyre in the Canon Lore, but did you make them and put them there?? Is this a dumb question? You're like, the Mac and Winn Authority. It just always made sense to me that they'd be YOUR toons, but now that I think about it, I've never seen anything implicitly stating that you made them...
So, did you?? Make them?
(No matter if you made them or not, i LOVE the comics you make about these guys. Youve really endeared them to me.)
very sorry to disappoint, but they're not! I didn't have anything to do with their creation or writing, they're canonical ttcc toons! I'm just a big fan of them, although I have captured them in a giant net like this
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net-capturing aside, im very happy to hear I've endeared you more towards them! I like them a lot . looks at you with giant sparkly eyes
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widevibratobitch · 1 year
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what/who is your fav don giovanni. mine is muti with shimell. but no one beats siepi in acting. kwicien maybe
ohhhhhhh bless you for asking me this <3333 under the cut so as not to spam
i gotta say, I have a soft spot for Mariusz Kwiecień (he was my very first Don Giovanni, actually - that Met 2011 production was the very thing that got me into opera in the first place!), he's definitely THE best 21st century Don Giovanni to me. Acting-wise he's absolutely breathtaking and even if he cannot compare vocally with the old giants like Siepi I'd say he was pretty decent (i'm so weak for him singing that one ✨andiam✨ in La ci darem la mano in falsetto - he always does it and my legs always turn to jelly in that moment). Saw him perform it live only once and that was the moment i truly understood what the word katharsis meant. fucking CHILLS.
I really, really love Samuel Ramey (especially when paired up with young Furlanetto!). That hair, the little earring, that insane stage presence and energy. Also I don't think I've ever heard another rendition of Fin ch'han dal vino that would be as precise as his. It's a devilishly difficult aria, especially when done in the proper tempo, there is quite literally no space to breathe, it's insane - god knows I'm not an easy listener and bitching about opera singers is my personal hobby; but in the case of this one aria I am very forgiving and I usually just expect the singer to fuck it up with no hard feelings from me - but Ramey doesn't miss a single note!
And of course, of course - Cesare Siepi. I think he's the most legendary Don Giovanni and no wonder really. He's amazing, simple as that.
There are many good Giovannis out there, but those free are my personal favourites - though bonus points for... Bryn Terfel. I'm not a huge fan of his singing but that dude can act. Not to be a mean bitch lol but he obviously wouldn't be anyone's first choice (definitely not mine) for a character like Don Giovanni appearance-wise. AND YET - he somehow makes it work... chapeau bas (talking about that Met DG under Levine - say what you want about Levine, I hate that bitch as much as the next person, but he's one of my favourite conductors for both Mozart and Verdi... yikes).
if we're talking specific recordings... I don't have a perfect one, I'll always find something that I'd change, whether it be tempo or a singer. But yeah, I'm also really fond of that Muti recording! The tempi are insane sometimes, some are even faster than what I'd set myself and that's honestly impressive, brave and so so sexy of Muti fr. I think if I had to choose just one recording, that would be it. The cast is also good, especially the ladies. Vaness as Elvira (she's absolutely stunning, also as Anna with the amazing Jerry Hadley in that one Met Recording - also with Ramey and Furlanetto - she's THE soprano for all Mozart roles for me, her Fiordiligi and Vitellia are also legendary), Studer as Anna and I really like the Zerlina, I'm so tired of squeaky meowing Zerlinas like Battle and the whole gang...
Another two I like, though perhaps more for the singers than the conducting itself, are the one with Ramey as Giovanni, Furlanetto as Leporello, Agnes Baltsa as Elvira and Gösta Winbergh as Ottavio under Karajan and one with Sherrill Milnes as Giovanni, Walter Berry as Leporello and Żylis-Gara as Elvira under Böhm. I generally tend to concentrate on the singers more and only really notice the conducting when it's so awful that I just can't look past it lol
wow, that was long, weird, who would have thought that you'd get a long answer from me to a Don Giovanni related question huh
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getting angry at anonymous responders to my questionnaire is my passion
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mask131 · 4 months
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The truth about Medusa and her rape... Mythology breakdown time!
With the recent release of the Percy Jackson television series, Tumblr is bursting with mythological posts, and the apparition of Medusa the Gorgon has been the object of numerous talks throughout this website… Including more and more spreading of misinformation, and more debates about what is the “true” version of Medusa’s backstory.
Already let us make that clear: the idea that Medusa was actually “blessed” or “gifted” by Athena her petrifying gaze/snake-hair curse is to my knowledge not at all part of the Antique world. I still do not know exactly where this comes from, but I am aware of no Greek or Roman texts that talked about this – so it seems definitively a modern invention. After all, the figure of Medusa and her entire myth has been taken part, reinterpreted and modified by numerous modern women, feminist activist, feminist movements or artists engaged in the topic of women’s life and social conditions – most notably Medusa becoming the “symbol of raped women’ wrath and fury”. It is an interesting reading and a fascinating update of the ancient texts, and it is a worthy take on its own time and context – but today we are not talking about the posterity, reinvention and continuity of Medusa as a myth and a symbol. I want to clarify some points about the ACTUAL myth or legend of Medusa – the original tale, as told by the Greeks and then by the Romans.
Most specifically the question: Was Medusa raped?
Step 1: Yes, but no.
The backstory of Medusa you will find very often today, ranging from mythology manuals (vulgarization manuals of course) to Youtube videos, goes as such: Medusa was a priestess of Athena who got raped by Poseidon while in Athena’s temple, and as a result of this, Athena punished Medusa by turning her into the monstrous Gorgon.
Some will go even further claiming Athena’s “curse” wasn’t a punishment but a “gift” or blessing – and again, I don’t know where this comes from and nobody seems to be able to give me any reliable source for that, so… Let’s put this out of there.
Now this backstory – famous and popular enough to get into Riodan’s book series for example – is partially true. There are some elements here very wrong – and by wrong I do mean wrong.
The story of Medusa being raped and turned into a monster due to being raped does indeed exist, and it is the most famous and widespread of all the Medusa stories, the one people remembered for the longest time and wrote and illustrated the most about. Hence why Medusa became in the 20th century this very important cultural symbol tied to rape and the abuse of women and victim-blaming. HOWEVER – the origin of this story is Ovid’s Metamorphoses, from the first century CE or so. Ovid? A Roman poet writing for Roman people. “Metamorphoses”? One of the two fundamental works of Roman literature and one of the two main texts of Roman mythology, alongside Virgil’s Aeneid. This is a purely Roman story belonging to the Roman culture – and not the Greek one. The story of Medusa’s rape does not have Greek precedents to my knowledge, Ovid introduced the element of rape – which is no surprise given Ovid turned half of the romances of Greek mythology into rapes. Note that, on top of all this, Ovid wasn’t even writing for religious purposes, nor was his text an actual mythological effort – he wrote it with pure literary intentions at heart. It is just a piece of poetry and literature taking inspiration from the legends of the Greek world, not some sort of sacred text.
Second big point: The legend I summarized above? It isn’t even the story Ovid wrote, since there are a lot of elements that do not come from Ovid’s retelling of the story (book fourth of the Metamorphoses). For example Ovid never said Medusa was a priestess of Athena – all he said was that she was raped in the temple of Athena. I shouldn’t even be writing Athena since again, this is a Roman text: we are speaking of Minerva here, and of Neptune, not of Athena or Poseidon. Similarly, Minerva’s curse did not involve the petrifying gaze – rather all Ovid wrote about was that Minerva turned Medusa’s hair into snakes, to “punish” her because her hair were very beautiful, and it was what made her have many suitors (none of which she wanted to marry apparently), and it is also implied it is what made Neptune fall in love (or rather fall in lust) with her. I guess it is from this detail that the reading of “Athena’s curse was a gift” comes from – even though this story also clearly does victim-blaming of rape here.
But what is very fascinating is that… we are not definitively sure Neptune raped Medusa in Ovid’s retelling. For sure, the terms used by Ovid in his fourth book of Metamorphoses are clear: this was an action of violating, sexually assaulting, of soiling and corrupting, we are talking about rape. But Ovid refers several other times to Medusa in his other books, sometimes adding details the fourth-book stories does not have (the sixth book for examples evokes how Neptune turned into a bird to seduce Medusa, which is completely absent from the fourth book’s retelling of Medusa’ curse). And in all those other mentions, the terms to designate the relationship between Medusa and Neptune are more ambiguous, evoking seduction and romance rather than physical or sexual assault. (It does not help that Ovid has an habit of constantly confusing consensual and non-consensual sex in his poems, meaning that a rape in one book can turn into a romance in another, or reversal)
But the latter fact makes more sense when you recall that the rape element was invented and added by Ovid. Before, yes Poseidon and Medusa loved each other, but it was a pure romance, or at least a consensual one-night. Heck, if we go back to the oldest records of the love between Poseidon and Medusa, back in Hesiod’s Theogony, we have descriptions of the two of them laying together in a beautiful, flowery meadow – a stereotypical scene of pastoral romances – with no mention of any brutality or violence of any sort. As a result, it makes sense the original “romantic” story would still “leak” or cast a shadow over Ovid’s reinvented and slightly-confused tale.
Step 2: So… no rape?
Well, if we go by Greek texts, no, apparently Medusa was not raped in Greek mythology, and only became a rape victim through Ovid.
The Ancient Greek texts all record Poseidon and Medusa sleeping with each other and having children, but no mention of rape. And the whole “curse of Athena” thing is not present in the oldest records – no temple of Athena soiling, no angry Athena cursing a poor girl… “No curse?” you say “But then how did Medusa got turned into a Gorgon”? Answer: she did not. She was born like that.
As I said before, the oldest record of Medusa’s romance but also of her family comes from Hesiod’s Theogony (Hesiod being one of the two “founding authors” of Greek mythology, alongside Homer – Homer did wrote several times about Medusa, but only as a disembodied head and as a monster already dead, so we don’t have any information about her life). And what do we learn? That Medusa is part of a set of three sisters known as the Gorgons – because oh yes, Ovid did not mention Medusa’s sister now did he? How did Medusa’s sisters ALSO got snake-hair or petrifying-gaze if only Medusa was cursed for sleeping with Neptune? Ovid does not give us any answer because again, it is an “adaptational plot hole”, and the people that try to adapt Ovid’s story have to deal with the slight problem of Stheno and Euryale needing to share their sister’s curse despite seemingly not being involved in the whole Neptune business. Anyway, back to the Greek text.
So, you have those three Gorgon sisters, and Medusa is said to be mortal while her sisters are not. Why is it such a big deal? Because Medusa wasn’t originally some random human or priestess. Oh no! Who were the Gorgons’ parents? Phorcys and Keto/Ceto, aka two sea-gods. Not just two sea-gods – two sea-gods of the ancient, primordial generation of sea-gods, the one that predated Poseidon, and that were cousins to the Titans, the sea-gods born of Gaia mating with Pontos.
So the Gorgons were “divine” of nature – and this is why Medusa being a mortal was considered to be a MASSIVE problem and handicap for her, an abnormal thing for the daughter of two deities. But let’s dig a bit further… Who were Phorcys and Ceto? Long story short: in Greek mythology, they were considered to be sea-equivalents of Typhon and Gaia. They were the parents of many monsters and many sea-horrors: Keto/Ceto herself had her name attributed and equated with any very large creature (like whales) or any terrifying monster (like dragons) from the sea. The Gorgons themselves was a trio of monsters, but their sisters, that directly act as their double in the myth of Perseus? The Graiai – the monstrous trio of old women sharing one eye and one tooth. Hesiod also drops the fact that Ladon (the dragon that guarded the golden apples of the Hesperids), and Echidna (the snake-woman that mated with Typhon and became known as the “mother of monsters”) were also children of Phorcys and Ceto, while other authors will add other monster-related characters such as Scylla (of Charybdis and Scylla fame), the sirens, or Thoosa (the mother of Polyphemus the cyclop). Medusa herself is technically a “mother of monsters” since she birthed both Pegasus the flying horse and Chrysaor, a giant. So here is something very important to get: Medusa, and the Gorgons, were part of a family of monsters. Couple that with the absence of any mention of curses in these ancient texts, and everything is clear.
Originally Medusa was not a woman cursed to become a monster: she was born a monster, part of a group of monster siblings, birthed by monster-creating deities, and she belonged to the world of the “primordial abominations from the sea”, and the pre-Olympian threats, the remnants of the primordial chaos. It is no surprise that the Gorgons were said to live at the edge of the very known world, in the last patch of land before the end of the universe – in the most inhuman, primitive and liminal area possible. They were full-on monsters!
Now you might ask why Poseidon would sleep with a horrible monster, especially when you recall that the Greeks loved to depict the Gorgons as truly bizarre and grotesque. It wasn’t just snake-hair and petrifying gaze: they had boar tusks, and metallic claws, and bloated eyes, and a long tongue that constantly hanged down their bearded chin, and very large heads – some very old depictions even show her with a female centaur body! In fact, the ancient texts imply that it wasn’t so much the Gorgon’s gaze or eyes that had the power to turn people into stone – but that rather the Gorgon was just so hideous and so terrifying to look at people froze in terror – and then literally turned into stone out of fear and disgust. We are talking Lovecraftian level of eldritch horror here. So why would Poseidon, an Olympian god, sleep with one of these horrors? Well… If you know your Poseidon it wouldn’t surprise you too much because Poseidon had a thing for monsters. As a sort of “dark double” of Zeus, whereas Zeus fell in love with beautiful princesses and noble queens and birthed great gods and brave heroes, Poseidon was more about getting freaky with all sorts of unusual and bizarre goddesses, and giving birth to bandits and monsters. A good chunk of the villains of Greek mythology were born out of Poseidon’s loins: Polyphemus, Antaios, Orion, Charybdis, the Aloads… And even his most benevolent offspring has freaky stuff about it – Proteus the shapeshifter or Triton half-man half-fish… So yes, Poseidon sleeping with an abominable Gorgon is not so much out of character.
Step 3: The missing link
Now that we established what Medusa started out as, and what she ended up as… We need to evoke the evolution from point Hesiod to point Ovid, because while people summarized the Medusa debate as “Sea-born monster VS raped and punished woman”, there is a third element needed to understand this whole situation…
Yes Ovid did invent the rape. But he did not invent the idea that Medusa had been cursed by Athena.
The “gorgoneion” – the visual and artistic motif of the Gorgon’s head – was, as I said, a grotesque and monstrous face used to invoke fright into the enemies or to repel any vile influence or wicked spirit by the principle of “What’s the best way to repel bad stuff? Badder stuff”. Your Gorgon was your gargoyle, with all the hideous traits I described before – represented in front (unlike all the other side-portraits of gods and heroes), with the face being very large and flat, a big tongue out of a tusked-mouth, snake-hair, bulging crazy eyes, sometimes a beard or scales… Pure monster. But then… from the fifth century BCE to the second century BCE we see a slow evolution of the “gorgoneion” in art. Slowly the grotesque elements disappear, and the Gorgon’s face becomes… a regular, human face. Even more: it even becomes a pretty woman’s face! But with snakes instead of hair. As such, the idea that Medusa was a gorgeous woman who just had snakes and cursed-eyes DOES come from Ancient Greece – and existed well before Ovid wrote his rape story.
But what was the reason behind this change?
Well, we have to look at the Roman era again. Ovid’s tale of Medusa being cursed for her rape at the hands of Neptune had to rival with another record collected by a Greek author Apollodorus, or Pseudo-Apollodorus, in his Bibliotheca. In this collection of Greek myths, Apollodorus writes that indeed, Medusa was cursed by Athena to have her beautiful hair that seduced everybody be turned into snakes… But it wasn’t because of any rape or forbidden romance, no. It was just because Medusa was a very vain woman who liked to brag about her beauty and hair – and had the foolish idea of saying her hair looked better than Athena’s. (If you recall tales such as Arachne’s or the Judgement of Paris, you will know that despite Athena being wise and clever, one of her main flaws is her vanity).
“Wait a minute,” you are going to tell me, “The Bibliotheca was created in the second century CE! Well after Greece became part of the Roman Empire, and after Ovid’s Metamorphoses became a huge success! It isn’t a true Greek myth, it is just Ovid’s tale being projected here…” And people did agree for a time… Until it was discovered, in the scholias placed around the texts of Apollonios of Rhodes, that an author of the fifth century BCE named Pherecyde HAD recorded in his time a version of Medusa’s legend where she had been cursed into becoming an ugly monster as punishment for her vanity. We apparently do not have the original text of Pherecyde, but the many scholias referring to this lost piece are very clear about this. This means that the story that Apollodorus recorded isn’t a “novelty”, but rather the latest record of an older tradition going back to the fifth century BCE… THE SAME CENTURY THAT THE GORGONEION STARTED LOSING THEIR GROTESQUE, and that the face of Medusa started becoming more human in art.
[EDIT: I also forgot to add that this evolution of Medusa is also proved by strange literary elements, such as Pindar's mention in a poem of his (around 490 BCE) of "fair-cheeked Medusa". A description which seems strange given how Medusa used to be depicted as the epitome of ugliness... But that makes sense if the "cursed beauty" version of the myth had been going around at the time!]
And thus it is all connected and explained. Ovid did invent the rape yes – but he did not invent the idea of Athena cursing Medusa. It pre-existed as the most “recent” and dominating legend in Ancient Greece, having overshadowed by Ovid’s time the oldest Hesiodic records of Medusa being born a monster. So what Ovid did wasn’t completely create a new story out of nowhere, but twist the Greek traditions of Athena cursing Medusa and Medusa having a relationship with Poseidon, so that the two legends would form one and same story. And this explains in retrospect why Ovid focuses so much on describing Medusa’s beautiful hair, and why Ovid’s Minerva would think turning her hair into snake would be a “punishment fit for the crime”: these are leftovers of the Greek tale where Medusa was punished for her boasting and her vanity.
CONCLUSION
Here is the simplified chronology of how Medusa’s evolution went.
A) Primitive Greek myths, Hesiodic tradition: Born a monster out of a family of sea-monsters and monstrous immortals. Is a grotesque, gargoylesque, eldritch abomination. Athena has only an indirect conflict with her, due to being Perseus’ “fairy godmother”. Has a lovely romance with Poseidon.
B) Slow evolution throughout Classical Greece and further: Medusa becomes a beautiful, human-looking girl that was cursed to have snake for hair and petrifying eyes, instead of being a Lovecraftian horror people could not gaze upon. Her conflict with Athena becomes direct, as it is Athena that cursed her due to being offended by her vain boasting. Her punishment is for her vanity and arrogant comparison to the goddess.
C) Ovid comes in: Medusa’s romance with Poseidon becomes a rape, and she is now punished for having been raped inside Athena’s temple.
[As a final note, I want to insist upon the fact that the story of Medusa being raped is not less "worthy" than any other version of the myth. Due to its enormous popularity, how it shaped the figure of Medusa throughout the centuries, and how it still survives today and echoes current-day problems, to try to deny the valid place of this story in the world of myths and legends would be foolish. HOWEVER it is important to place back things in their context, to recognize that it is not the ONLY tale of Medusa, that it was NOT part of Greek mythology, but rather of Roman legends - and let us all always remember this time Poseidon slept with a Lovecraftian horror because my guy is kinky.]
EDIT:
For illustration, I will place here visuals showing how the Ancient art evolved alongside Medusa's story.
Before the 5th century BCE: Medusa is a full-on monster
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From the 5th century to the 2nd century BCE: A slow evolution as Medusa goes from a full-on monster to a human turned into a monster. As a result the two depictions of the grotesque and beautiful gorgoneion coexist.
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Post 2nd century BCE: Medusa is now a human with snake hair, and just that
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ao3commentoftheday · 6 months
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my biggest obstacle as a writer is that i desperately want to be a popular and well-known fic author, but my main fic inspiration comes from characters most fans don’t want to read fic for, or ideas that go against popular fanon/characterization and so are doomed from the start. i end up feeling paralyzed and like i can’t write the unpopular ideas I want to write, because i hate knowing i could have done better by writing something with broader appeal. but whenever i try to write solely for numbers i lose motivation while the halfway through the fic. so i end up unable to write anything and feeling miserable because of it.
i want to see my unpopular ideas come to life, but i don’t want to see my fics crash and burn and keep missing the chance to create fic that people really love. so most times, i don’t write anything, but i hate that i’m so hamstrung by my own anxieties. i so desperately wish i could create one of those extremely well-known long fics that most people love and always rec everywhere, but i feel like i’m completely incapable of that. i know i should be writing for myself, but i’m greedy and want results and for people to like my fic, however unlikely that is. wanting to write my ideas but knowing i’ll limit my audience if i do is something that’s constantly on my mind. do you have any advice for me?
My biggest question after reading your ask is simply: why?
You're very clear about wanting to be a popular writer. You want to write a fic that lots of people talk about, and you want people to know who you are. Have you examined that desire at all?
You say that the things you actually want to write are not the things that will make you a popular author. That means you have a choice:
write things you don't care about with no guarantee of becoming that Big Name Fan or
write things you love and enjoy spending time writing and know that BNF status will probably never happen.
Writing fanfic is really not a great way to try to become popular. It's an even worse way to try to become "famous" in any kind of way. So dig into what it is that you hope to get from the "broader audience" that you could appeal to by writing something you don't really like.
Are you trying to get a feeling of being liked? Respected? Looked up to? Do you want to be someone other fans look to for advice or for setting the tone of the fandom? Do you want love? Power? Some kind of community connection? Recognition of the effort you put into your works?
Some of those things likely will require you to pretend to be someone you're not. You might even manage to write that one big fic that gets thousands of comments and tons of people talking about it on tumblr (or wherever else you care about, social media-wise).
Others you can probably still get by writing your "unpopular" ideas but seeking out your fellow fans. It will take more legwork to find them and you'll need to be willing to be the first one to reach out for a conversation, but it can definitely be done.
I'll leave it up to you to decide what you actually want, anon. But take your time and scrape off the top layer of shiny thoughts about popularity first. Then you'll be able to see what's underneath.
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drchucktingle · 1 year
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Something I’ve been curious about if it wouldn’t break the bit: are you one buckaroo or several sharing a name and persona?
greetings bud thank you for asking FIRST OF ALL want to say to you or anyone reading this post that i am not upset over this question and i am not upset with you. you have kindness in your trot and i know you are just asking to prove love in your own way. buds reading this please do not harass this person in fact maybe give them a follow or a like, they are trying their best.
OKAY NOW THAT IS OUT OF THE WAY i will talk on my feelings of this with simple statement:
this is not a bit.
i understand it can be difficult to accept this for some, especially in world where absurdity and cynical humor is so popular, but i am very sincere. even though i make jokerman jokes sometimes, even in my writing, tinglers are not supposed to be funny as a concept. if you laugh at them that is TOTALLY OKAY i understand this way when confronted with something out of the box but that is not the point of them at all. the point is that LOVE IS REAL for everyone (there are other points but that is a broad one)
now on to why i trot my trot in this way. first off is to protect my privacy this is simple enough. when i talk on son jon or sweet barbara or any other way i am adding a layer of secrets by changing names or relations or towns but that is just a fancy outfit for the real truth. i am NOT creating a character, i am protecting myself.
second and more important is that when i TALK IN MY UNIQUE WAY i am expressing myself without masking, which is something old chuck does every single day out there in the world as someone on the autism spectrum. i am VERY GOOD AT MASKING you would probably not know chuck was autistic when talking to me unless you were a close bud. but unfortunately this masking way creates very real tension in my body. i have trotted with CHRONIC PAIN for most of my life heading to emergency rooms where kind and handsome t-rex doctors could not figure out what the heck was goin on. basically LIVED in the dang emergency room. eventually chuck learned i carried my body TOO TIGHT from masking all the time, but what i realized is that allowing myself a space to type freely without way of punctuation or other restrictions and LETTING MY HEART SING to just be myself without masking made this tension release. pain started going away. GRAND IRONY of course is that when im trotting as chuck i wear a pink mask to take off my OTHER MASK of a neurotypical bud.
that is why i protect my way of speaking freely as well. if someone says 'well you need to talk like this right now' i stand tall and say NO BUD THIS IS MY SPACE AND I WILL EXPRESS MYSELF IN THIS WAY AND YOU AN TROT ON IF YOU WANT. this is firm boundary for me and my health.
anyway buckaroo to sum that up again: yes i am one person and this is not a bit
if you want to know more about my way on the autism spectrum i wrote a tingler about how it feels to have others say you are 'playing a character' and not actually neurodivergent. i think tumblr buds might enjoy so i will add it down here LOVE IS REAL thank you for your question
NOT POUNDED BY THE PHYSICAL MANIFESTATION OF SOMEONE ELSE'S DOUBT IN MY PLACE ON THE AUTISM SPECTRUM BECAUSE DENYING SOMEONE'S PERSONAL JOURNEY AND IDENTITY LIKE THAT IS INCREDIBLY RUDE SO NO THANKS
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undreaming-fanfiction · 3 months
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I am massively busy with work and finalizing my Big Bang, but this idea just won't leave...
Steve and Eddie are both actors. They're in their mid thirties, well established, but they never starred together in anything. Steve tends to be cast in the same type, the dumb but pretty love interest, Eddie has lots of indie and disturbing movies under his belt. But this time, they both landed something big.
They get cast in the new Batman movie.
Steve is, of course, Batman. He insists on doing his own stunts. He refuses to get dehydrated for his shirtless scenes because he knows how damaging it is to both young men and women alike, he's not going to contribute to shitty expectations. The director (Dustin, duh!) sees something in him other directors never have - a potential for depth, for internal turmoil. He gives Steve the chance to prove himself as an actor and Steve pounces on it.
He's still very hot.
Eddie is cast as the Joker. He is a fan of the comics and scoffs at how absurd and deranged the character is becoming. He gets hired because he immediately says he doesn't think the character needs to rely on cheap tricks and shock value to be terrifying. Cutting off his face? Not cool. He suggests to play the Joker according to one of the older comics he has - one where the Joker is actually absolutely sane, but hides it to never be held accountable for his actions. The only person who ever saw through his ruse was Dr. Harleen Quinzel. Joker took care of that issue very quickly.
The chemistry between Steve and Eddie on screen is insane. They go toe to toe, it's impossible to look away when they interact. Eddie utilizes his bright smile to the maximum, tweaking it just right within moments so it becomes unsettling. The first time he laughs, Steve gets goosebumps.
Steve encompasses Bruce's loneliness so well Eddie's heart breaks for him. Dustin finds him in the trailer, giving himself gentle slaps over the face and muttering "you're evil, damn it, you don't want to comfort the Bat!!".
Batgirl (Robin) and Harley Quinn (Chrissy) find their slow descent into love hilarious. They all become good friends on the set.
Hopper, an acting veteran who plays Commissioner Gordon, grasps Steve's shoulder after an intense fight scene and mutters: "Good job, Steve, but maybe don't stare at his lips so much?"
Robin doesn't give him the same courtesy and once Dustin yells "Cut!", she screeches: "NOW KISS!"
The movie is a hit. People love the cast and the story, some of the OG fans complain as they always do, but the ratings are great, there are many interviews, panels, all of that.
And of course, there's gossip about Steve and Eddie being a thing, which enrages the macho Batman fanbase. Their Batman isn't gay!
But the rumors quickly disappear after an award ceremony where Eddie is nominated for the best supporting actor. He wins, of course. And as he gets up to accept the small statue and deliver a speech with enough "fuck"s to give the censor a headache, he drags Steve up and kisses him in front of the whole world.
A week later, Steve and Eddie are together in front of a camera again, answering questions in an interview.
The host asks: "What do you say to those fans that are disappointed, who say that their Batman isn't gay?"
Steve just snorts, pulls Eddie closer and answers: "They're right. Their Batman isn't gay. But he's definitely bi."
Also the comic story I'm mentioning exits and is short but fantastic. 10/10 recommend.
Oh also. The first spark happens when Steve sees Eddie's hair and blurts out: "Please tell me they're not making you cut it shorter. It's too gorgeous for that."
Also because people were asking about the comics - it's Batman Black and White - Case Study and it can be found on Tumblr HERE
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kathaynesart · 8 months
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Replica Anniversary DTIYS!
Well, it was one year ago today that I started Replica!  It’s been a wonderful experience so far and I wanted to do something fun to show my appreciation to you all!  So in celebration I want to do my very first DTIYS, but we’re going to do this one a little differently. 
YOUR MISSION: to design a comic cover for the upcoming Replica Holiday Special that is all about the birth of Casey Jr:
The year is 2028, eight years before the start of Replica.  The Central Park Colony is still going strong and the turtles now must protect an expecting Cassandra Jones from the very people they are sworn to defend. 
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As far as theme that is entirely up to you!  I’ve always found comic covers to be fun because they don’t necessarily have to show what happens in the actual story. So if you want Casey Senior holding up Junior on Pride Rock, Lion King style?  That’s great. You want to do an epic pose of the turtles battling Krang while trying to defend the Caseys?  Perfect.  You want to have Casey Junior bursting out of a Krang’s stomach like a Xenomorph???  Okay weird, but I’ll accept it so long as it’s not too gory!  Also the cover doesn’t  have to be Casey centric, I just want to see what you all come up with! (Note: please no NSFW art)
I have included character sheets and some visual development as reference for how the characters will look at this point in the story (though you do not need to strictly follow it. Feel free to give it your own artistic twist).  I will also include a PNG of the logo in case you have a vision for how you want it to be incorporated. Note you don’t have to use the logo but if yours is picked as the winner I will be putting a logo in there somewhere!
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PRIZES: 3rd Place: an OC of yours will get to be a bg character in Replica (note the character cannot be an AU version of one of the main cast for obvious reasons). 2nd Place: a black and white commission of one character of your choosing. 1st Place: your cover front and center in the Replica lineup (with credit of course) as well as a 1-2 character commission w/ color (please no nsfw requests for either commission). 
DUE DATE: NOVEMBER 19 (gives you all 2 months)
IMPORTANT: please use #replica DTIYS hashtag for easy search Also please DM me with your finished cover on Tumblr (otherwise I might miss it!)
NOTE: while not mandatory you’ll probably want the piece to be around the typical comic cover vertical 2:3 ratio (10x15" for example).
DISCLAIMERS:
I’ve never done an event like this before so I’ll admit I’m a little nervous.  Don’t know if this will even gain any traction but I just want people to have good time and get creative :) 
This is all just for fun so please do not push yourself too hard!
Let me know if you have any other questions and have fun!
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