i know everyone (including me) loves the teatro comunale di bologna posters but i feel like we need to talk about the don giovanni one. they understand the assignment, which is 'this guy has to look like a trust fund grade-A SHITHEAD'. truly incredible
John Relyea and Crispin Lord in Duke Bluebeard's Castle at ENO
"Allison Cook, cast as Judith, withdrew from the performance late in the day because of illness. With only two hours’ rehearsal, Jennifer Johnston sang, not from the side of the stage, as one might expect, but as a costumed, albeit largely immobile presence within Joe Hill-Gibbins’s production. The role was acted, meanwhile, wonderfully well, by Crispin Lord, one of ENO’s staff directors, handsome yet androgynous in a white singlet and silk skirt, so that Bluebeard’s final partner, in a remarkable twist, effectively becomes his husband rather than his wife."
hello opera tumblr im new here and dont know all too much abt opera but i really enjoyed a production of don giovanni that i havent seen anyone mention so i wanted to bring it to more ppl :pp
come to the 2005 teatro real production we have
beautiful set
cool nebulously 1800s-1900s costumes
anachronisms where it works. for example don giovanni wears sunglasses sometimes because of fucking course he would
solid cast especially leporello
(^ like ohmygod... i was about to click off this production to watch the one with samuel ramey but then he started singing madamina and knocked it out of the park so hard that i watched the whole prod. im lorenzo regazzos biggest fan rn)
they dont do that weird thing where they make donna anna be in love with don giovanni
they actually portray donna anna well overall. there’s the right balance of "im in mourning" and "i want revenge" which im given to understand is a rarity
did i mention the sets were cool asf
also they make leporello wear this
its available on youtube here with english subs :]
i think there does need to be a discussion about how a lot of the 'what if donna anna secretly wanted don giovanni' angles come from the idea that she is a boring character on her own and needs to be 'spiced up' when there are many, many baritones and other male opera roles who's whole thing is 'someone killed a loved one and now i'm going to be vengeant about it to the point i'm just hurting myself' and none of Them get seen as 'boring characters that need to be spiced up'. i wonder why as soon as it's a woman doing it, it becomes boring. much to discuss!