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faetreides · 22 hours

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you nailed how i imagined modern!feyd to be (batshit crazy) but you think he‘d let cute hello kitty reader put like stickers and bows on his motorcycle and stuff lmao? would he be an ass and be mean about it or would he allow it because reader is all sad and mopey otherwise 😔🎀 (maybe brat reader? like how would mans handle that in the modern au because in the canon verse pissing him off is a bit too scary) and alsoooo i laughed my ass off when you wrote he would debone coryo like a fish because yuh that twink (he could do bad things to me) wouldn’t stand a chance fr

he would actually make coryo so concerned, like they’re both from well off families (feyd just does underground fighting bc for the #love of the game) but coryo will be like “these poor people are CRAZY.” coryo gives off the vibes of he’d tell someone to kill for him (especially when he gets older, or he wouldn’t get his hands dirty if he does it himself & he’s methodical), feyd is tearing out throats with his teeth. he’d tackle his uncle and start stabbing, he’d gnaw his own arm off just for fun like you can’t compete where you don’t compare tbh. (coryo’s still my bf tho <3)

anyway,

cw: 18+ mdni, typical feyd warnings, spanking/pain play type stuff

modern!feyd would only let you put stickers on his bike if they’re the ones that are like hello kitty holding a gun or something. it’s not like he’s afraid that the softer ones will undermine his masculinity or anything, feyd’s ripping into other men with no real regard for keeping their bodies intact, it’s just that the cutesy stickers go on his helmet. he’ll let you tie a ribbon around his bicep and film videos of him flexing and making it pop off. he would wear matching pjs with you, but he doesn’t want to get blood on them so he sticks to his trusty sweats. he’s the kind of person to wear black in the hot summer sun because he’s spiteful enough to not give a fuck about heatstroke, like it’s something he could fight lmao. gets a matching dear daniel x hello kitty tattoo with you i fear, or a my melody x kuromi one since that’s more your dynamic.

brat!reader with canon era feyd does scare me to death, but with modern!feyd it’s fun to think about…. to a degree. like if you keep it up, he’s pausing the match and dragging you inside the ring to spank you in front of everyone. open palm strikes with half of his strength, if he used all of it your ass might fall off. his rings add even more sting. you learn quickly to know when to pack it up and throw in the towel, because he will NEVER be the one to test out your devious little ideas and macinations out on. he’ll shove a vibrator up your pussy and take you for a long ride on his bike, ignoring the way you try to hump him as he points out the sights he thinks you’d be interest in. weirdly punishes you by fucking nice and slow when you want your shit rocked, he doesn’t even edge you or anything, he just gives it you so soft and sweet and holds your hips down so you can’t try to buck them.

in some ways, you being at his matches has helped his abilities. (you do have to come to his fights btw, if you’re not there expect the rumble of his engine to be heard outside of wherever you’re at. feyd will get his unlce to cancle the match if you’re not there, he’s ultimately a certain kind of performer and if the key audience member isn’t there??? what’s the point.) he has to keep an eye on you, which helps him multitask. he’ll be punching some fuckin’ loser into an unrecognizable pulp while, out of the corner of his eye, making sure that no one’s trying to drag you into any wagers or into their cars. he’s curious if you could cum just from watching one of his fights, from hearing the agonized whimpers of his opponent as feyd effortlessly conquers them. something about you must be sick, because the more ruthless he is in a fight, the higher you’re jumping on him and the more marks you’re sucking into his neck.

you’re so clumsy with it, always putting too much teeth into your hickeys. but that’s just the way he likes it, because you know he’s actively holding back from biting you so hard that’s nearly cannibalizing you. (side note: loves gorey horror, nothing too funny or artsy, he likes shit that cares more about the pure carnage than quips or wide camera shots. hannibal is too “fancy” for him, he always asks you to explain what the fuck they’re talking about.) definition of mauling you like a bear, fucking him is like meeting God if they were an eldritch horror and you were on the brink of death. it is NOT for the weak, his thick arms holding you in a headlock as he pistons his gigantic cock into your cervix. he makes you cum until pass out, then he makes you do it again to wake you up. really good at resetting your brain if you need him too.

modern!feyd who gives you the ultimate scary guard dog priviledge. you’re going about your business in a store and he’s practically vibrating behind you, foaming at the mouth and waiting for some mf to try it with you so he can berserk. but no one ever takes the bait, just one look at his deranged ass and they’re swiftly turning on their heels and high tailing it out of the apple store (you’re taking too long to pick what color imac you want.) copies whatever pictures you saw on pinterest, acting as your little prop. wrapping a tattooed hand around your throat, mirror selfies where he’s holding you over his shoulder by your ass, gross close ups of his long tongue wrapped around yours, insta stories directed at paul specficially bc he won’t stay out of your dms. asks his opponents for date ideas while he’s beating their ass 💀, made his uncle organize a remartch (even though feyd won) with the guy who limped over to your adorably clad in pink form and asked you to get boba (because he noticed feyd giving you your favorite before his fights).

pierced dick, would sharpen his teeth and make his tongue forked. face tattoos + whatever piercing’s more painful. big in body mods overalls like he sees himself as an extension of his motorcycle that he’s always illeggaly modding, fast and furious type specs that no court of law would deem road safe. but he always devotes part of his brain to making sure you’re safe when you ride along with him, reaching behind him and his black painted nails rubbing comforting little circles into your plush thighs. ambidextrous by choice and practice, for sure has a cauliflower ear. whenever you’re sad and pouting, he’s grabbing your chin in between his thumb an pointer finger and lifting your head up so he lovingly teases you about being a crybaby and so he can lick your tears away. (and he doesn’t even do it with sexual intent, feyd’s genuinely just trying to consume your sadness directly since word’s aren’t his strong suit.) could fall asleep in an ice bath, has done it before, dad type snoring like you wouldn’t believe.

loves it when you ride him in any kind of water, you have to pack extra strength sun screen if you’re going to be out in the sun though bc he WILL burn more often than not. still has your pussy gorilla glue gripping his length though, there’s no pain on earth that would put him out of comission & that’s a promise.

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the-bitter-ocean · 1 day

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ISAT BAD END THEATER AU NOTES/SUMMARY (MAJOR FULLGAME SPOILERS FOR BOTH BAD END THEATER, AND ISAT/ SASASAP) After a long time brainstorming with friends I present to you.. “THE BAD TIME THEATER AU”!

This au is mainly created by me and @coffeewolf54 / @coffeewolfart together! This is not a exact 1-1 au and will def have some unique stuff in here to better match the themes of isat and bad end theater!

I’ve talked about this Au with a lot of my friends on discord ( thank you @felikatze @daily-odile @tealgoat and everyone else who decided to draw art for /listen to me ramble about me and coffee’s au.)

The general gist of the story and everyone’s roles are under the cut:

|Welcome one and all esteemed guests to THE BAD TIME THEATER! A place home to many tragic tales on display for the world to see.|

|I am “TRAGEDY”- (aka the Playwright and Narrator). Alongside me is “COMEDY”- (aka The Director) to help showcase what our theatre has to offer to you all. |

|The premise is simple: You can choose between one of four actors to see their stories and it is our job to show you their fates! Don’t fret if you are unsatisfied with a particular ending, my dear Stardust and I can reset the stage anew! That being said every path often leads to tragic ends..but ah, what else can you expect from a place like this? |

|Even still..even now I wonder.. if this unlucky cast can be saved…|

|…Oh well. We should move on now~!|

|Without further ado… let’s meet the main cast! |

[ISABEAU: “THE HERO”] - A human. His role is the courageous defender that was appointed by the King himself with slaying monsters and protecting people. He is good friends with the Maiden and has been over the years questioning their role that’s been given to him. The Hero is fairly certain that he has never met any demons before personally but very adamant in the belief that not all demons would want to hurt others. (Though if he were being completely truthful he’d much rather be a fashion designer then have to fight anyone. )

{ MIRABELLE: “THE MAIDEN”} - A human. Her role is the faithful maiden who’s meant to passively fulfill her destiny of being martyr lest the town supposedly be at risk from being attacked or killed by evil monsters. She is good friends with the Hero and tries her best to be a devout follower. A huge fan of stories and curious to see if demons are anything like the tales she’s read in her books. ( Though if she were being honest… she has some doubts about her role in life and wants to take action. )

< ODILE: “THE OVERLORD”> - A half demon (half human). Her role is the (seemingly) cold and pragmatic ruler of the demons, gaining the title after her father recently passed away. She is described by other people as standoffish, she seems to have taken in the Underling and their older sister under her protection. Wary of humans and tends to lean towards keeping her subjects safe by having very little interactions with them. ( Though if she were to tell the truth, she admits to wanting to have a world where demons and humans can coexist peacefully.)

( BONNIE: “THE UNDERLING”) - A demon. Their role is to serve the Overlord and was tasked to help by providing support to their people by creating food for everyone. The underling and their older sister got saved by the overlord a long time ago- so they’ve been really loyal to her ever since then. ( Though if they were being honest, they want to help protect everyone like the Overlord does and not be forced to stay on the sidelines.)

and last but not least we have…

<̶̨̬͕̬̼̼̜̋̇ͅ|̶̧̢̧̛̻̘̱̲̠̓͆̒̓ ̵̰̤̦̥̰͒̾̌͗͗͋“̷̧̼̘̼̻̂́͜ͅT̵̡̤̳̯͍͓̅͂̌̋̅͒ͅḨ̵̡̱̺͍̰̞̅̆̎̀͜Ė̸̹̜͇̬̥̇͋̾̈́ ̶̺̭̀̅̅̀̍̊T̷̹̭̝̺̝̳̊R̶̗̱̹̙̍A̴̻͇̎̀̐̾̊̆̽͑V̴͚̫̦͚̅͂̈́̎͘͝E̴̦͋̈́̿̈́̑L̸̪̼̗̀̾̒͊̍͛Ĺ̸̮Ȩ̵̹͓̻͖̹̝̍͝ͅR̷̼̬̤̖̭͉̀̈̌͊̀͜͝”̸͎̘͆͊͜͝|̵̩͙͚̱̎̅͝>̶̳̬͙̫̘͈̆͐̍̓́̇͝- [??????? ERROR 404 DATA NOT FOUND]

|Huh? Oh my. Well, it seems like there’s been a mistake there! Pay no mind to that dear audience! We hope that you grow to love our actors as much as we do~! Let’s get the show on the road Stardust, we can’t keep our dear audience waiting any longer! |

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magpod-confessions · 21 hours

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(look at me go, not asking anonymously for once lol)

“the web is underrated” “the buried is underrated” “the dark is the most underrated”

yes. you are right, i agree. but they are all underrated. none of the fears get the attention they deserve.

-the dark and the end are almost completely forgotten about due to their perceived simplicity.

-the buried, the flesh, the hunt, etc are so unexplored, no one bothers to look any deeper into them.

-the desolation is not just fire, but no one ever tries to represent it some other way.

-don’t get me started on the whole spiral-distortion thing (perhaps i will make this a future confession bc oh boy do i have a lot to say).

with all of them people seem to be scared of diverging from the explicit canon representations.

no one seems to care about the fears anymore. THE fears. you know, the one thing that makes tma so special? i’ve lost count of the number of times i’ve seen someone say “after listening to tma i can never look at things the same. i always categorise them by the entities”

that’s all they are treated as, categories. perhaps this is an odd way to describe horrific manifestations of our deepest fears, but i think they are beautiful concepts. i could spend hours thinking about each one and the ways they bleed into one another, i probably have.

yeah, at this point smirke’s 14 are old news, but there are always new angles to explore. we saw that in season 5 of tma, and we are seeing it now in tmagp (though the fears are of course different). why did we stop talking about that? (i wasn’t actually on tumblr when tma was happening so idk. maybe no one ever cared)

talk about the fears, put your ideas for unconventional statements or avatar or whatever out there, there’s an audience (me at least). say stuff about how different fears crossover, or some new aspect of one. “but surely people would have already said this at some point” respectfully, i don’t give a shit. if i come across mutliple posts analysing a similar aspect of the vast, i’m going to be fucking overjoyed. because much of the fears is up to intepretation, they have slightly different meanings to different people, so every single person’s interpretation adds value and adds something unique. i see a little of this, but not enough.

we should keep discussing the fears. i don’t know why we ever stopped.

(sorry this is so long and rambling, i hope you can see the points i’m trying to make.)

🗣️ i’d love to hear your thoughts on this

Literally this. Agree with all of it

Some things:

The Desolation can be natural disasters, including floods, storms and earthquakes. Water is just as destructive as fire

The Dark can be not knowing something. It overlaps with the eye yes, but it still counts

The Corruption is shown to be a response to loneliness, not the opposite of it. Its being so lonely you seek out community, no matter how dangerous it may be. Every single corruption statement has references to loneliness

The Spiral says its a liar, but its never done that, only changing your perception of reality to make what it says true. It is delusion not manipulation

The Slaughter is never portrayed outside of war, which is strange because sheer unhinged violence has so much variety

#magpod #tma #the magnus archives #magpod confession #🗣

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hauntedlovewasteland · 3 days

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What I don’t understand is how swifties/hetlors don’t get that Taylor uses the female gaze all the time.. Like if you look at her fandom it’s mostly women so she has to do what women find attractive and appealing and she has mastered that. Also I find it funny that in an interview Mandy Moore said that for the vigilante shit portion of the Eras tour Taylor said she wanted the dance to be sexy. So right there that tells you that Taylor wanted what she was doing to be sexy to her audience, an audience that is mostly women.. So in my mind that tells me Taylor wants to be sexy for women, now why would a straight woman want to be sexy for other women? Wouldn’t a straight woman want to be sexy for men? Let’s not forget that the dance is her pretty much doing a strip tease for the audience.. In a song where she says “I don't dress for women I don't dress for men Lately I've been dressing for revenge” and “Picture me thick as thieves with your ex-wife And she looks so pretty Driving in your Benz”

If women weren’t on her sexual radar why would she clarify she doesn’t dress for them as well as men? Also “she looks so pretty” like I can understand straight women can still see if another woman is pretty or not but it’s just interesting she says that right after saying this man’s ex wife and her are “thick as thieves” girlie what does that mean?! Are yall best friends? Are yall friends? Are yall more because with calling her pretty it makes me think this one. But oh well what do I know? This is just what I think of when I hear Vigilante Shit.

#queer #taylor swift #gaylor #gay #gaylor swift #the eras tour #vigilante shit #midnights

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scoonsalicious · 3 days

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Unsatisfied, Pt. 1

Pairing: Bucky x Avenger!Fem!Reader

Summary: Following the epilogue to Unwanted, you and Bucky finally have your first night together in your new apartment. You haven't had sex with him in an entire year. You are feeling... unsatisfied.

Warnings: Language, adult themes, mentions of past trauma, Pocket has a panic attack, she is not as okay as I thought, Cards Against Humanity, Bucky making dirty promises I fully intend for him to keep.

Word Count: 2k

A/N: My goal tonight was to work on WFLT. I had good intentions, I swear. But, I can't get Bucky and Pocket out of my mind. THEN, this was supposed to be smut. Pure, filthy smut. WHAT THE FUCK HAPPENED?!

You loved your found family, you really did. Or, at least that’s what you kept reminding yourself as you actively tried to convince yourself not to kill them right this second.

You made eye contact with Bucky from where he sat on the loveseat across the living room from you, looking about as sexually frustrated as you felt. You ran a finger delicately along your collarbone as you watched him adjust himself in his seat, and as he ran his tongue over his bottom lip, you–

“Hey, Kiddo,” Tony Stark called your attention to where he sat to the left of you. “Pick a Black Card. It’s your turn.”

Reluctantly, you drew your eyes away from your ridiculously attractive boyfriend and up to your psuedo-brother, former boss, who thought it had been a fantastic idea to have your entire team show up with pizzas to your brand new apartment, on your very first night there with Bucky, in order to play fucking Cards Against Humanity as a “morale-boosting exercise.”

Cock-blocking exercise was more like it.

You shot Tony a glare and reached across the coffee table to draw a card. Looking at it, you rolled your eyes in frustration before placing it face-up in front of you. “What gets me wet?” you read aloud from the card.

You were met with a room full of snickering as your teammates thumbed through their hands, searching for the best card to give to you. Bucky threw down a card almost immediately, catching your eye as he did so and winking at you. God, you needed everyone to leave so you could climb that man like a tree.

One by one, your team deposited their White Cards into a pile in front of you, and once everyone had played their hand, you picked them up, shuffling them around so you wouldn’t know who had put down what card.

You turned each over and read it aloud, asking each time: “What gets me wet?”

“Being a mother fucking sorcerer; Vehicular manslaughter; German Dungeon Porn; My fuckslave, Regianald; Auschwitz– ew; come on guys, really?-- My vagina– okay, actually factual– Dick Fingers; A juicy little booty that goes poot poot pooty; The Biggest, Blackest Dick– hilarious, Sam…”

“What?! You can’t know that’s mine, Baby Girl!” You shot Sam a knowing look. “Yeah, okay, it’s mine, but come on– it’s a good one!” he said with a laugh.

And then, there it was, the winner. You looked up and locked eyes with Bucky, who was smirking back at you with a wicked glint in his eye, and you knew instantly it was his card you were holding in your hand.

Flipping the card over, you read out loud with a giant smile on your face: “What gets me wet? Genetically engineered super soldiers.” Everyone around the coffee table groaned, knowing that there was no way any of their cards would have topped that. Not for you, anyway.

With a grin, Bucky reached over and took the Black Card, adding it to the pile of his wins in front of him.

“Ugh, no fair!” Nat pouted, gently tossing her hand of cards on the top of the coffee table.

“You gotta play to your audience, Nat,” Bucky said, spreading his legs as he leaned back on the love seat. “Can’t help it if I know what my girl likes.”

“Yeah, well, I think you’re cheating,” Sam said. His words were meant to be playful, a sore-loser’s teasing lament, but you couldn’t help the rush of heartache those little syllables sent through your system, and your body froze.

It had been almost a year, you thought to yourself as you tried to breathe through your increasing anxiety without attracting unnecessary attention. A year of therapy and rebuilding trust. You were meant to be over this.

But clearly you weren’t.

“Excuse me,” you blurted out as you stood up, not bothering to offer an excuse for your rudeness or sudden departure. Trying to keep your breathing steady, you nearly sprinted out of the room and up the stairs until you were shutting the door of the ensuite bath in yours and Bucky’s master bedroom. The room you hadn’t even shared together yet, and now, on your first night in your new home, when you should be celebrating, becoming reacquainted with one another’s bodies, it would be permeated with thoughts of her.

You slid down the door to the cold tile floor, your breath coming in ragged gasps as you tried to shake the memories from your mind’s eye. But they, and your tears, began to fall in earnest. Despite what you knew to be true– that Bucky loved you, had only ever loved you, your mind kept bringing you back to the events of last year– of all the times he abandoned you for her, left you alone when she needed him. The things he had said to you while he was inside of you because she had told him she liked it. The sight of her riding his dick in a derelict safehouse in Russia. Your bones snapping and a bullet ripping through your flesh.

You couldn’t breathe. God, why couldn’t you breathe?

You shoved your fist into your mouth, trying to muffle the sound of your sobs. You were supposed to be over this, you kept reminding yourself. You were supposed to have forgiven him. But the memories brought about a visceral reaction you hadn’t experienced in months. Today had been meant to be a new beginning for the both of you, a fresh start. Something better, you had promised each other.

Why did it still hurt so much?

You weren’t sure how much time had passed. You could have been hyperventilating on the bathroom floor for minutes or hours; you couldn’t tell, when a soft knock reverberated through the surface of the door.

“Sweetheart?” Bucky’s voice was muffled through the wood. “Doll, I can hear you crying. Let me in.” His words were soft, understanding, sorrowful. He knew.

You couldn’t move. You wanted to open the door, to lose yourself in his embrace so badly, but you couldn’t control your body enough to coordinate movement. All you could do was hug yourself as you sobbed.

“Pocket,” you heard Bucky murmur through the door. “Baby, I need you to breathe for me, ok? Your gonna make yourself pass out. Just… just unlock the door, alright? That’s all you have to do for me, sweets. Just unlock the door.”

Unlock the door. You could do that. One, simple motion. You slowly lifted a trembling hand above your head, connecting with the doorknob by sense of touch, alone. With shaking fingers, you managed to disengage the lock.

At the sound of the click, you heard Bucky exhale in relief. “Okay. Good girl. I’m gonna come in now, okay, sweets?” You knew you should move– you were still curled up in front of the door, but you couldn’t get your body to cooperate. You tried to speak, but the only sound that came from your throat was another agonizing sob.

You heard the knob turn and the door begin to press against you. With gentle but steady pressure, Bucky opened the door, sliding your body across the bathroom tile in the process, but you barely noticed. He would always be a force that had the ability to move you at his will.

When there was enough space for him to fit his body through the door frame, Bucky squeezed himself in and turned to look behind the door, searching for you.

“Oh, sweetheart,” he said, dropping down to his knees to join you on the tile. In an instant, he had you in his arms, picking you up and cradling you to his chest.

“I-I-I’m…” you stuttered, trying to form words through your sobs, “s–s–so s-s-sorry.”

Bucky tutted as he stroked your hair. “No, sweets, no. I’m the one who’s sorry.” He kissed the top of your head, and you found that your breathing began to steady in his presence. “My actions keep causing you pain.”

You shook your head vehemently, clutching to the fabric of his shirt as if your very life depended on it. “No,” you whispered. “It’s not… It’s not you.” You closed your eyes, trying to mold your jumbled emotions into a cohesive thought. “This place is supposed to be safe,” you told him, hoping he would follow what you were trying to say. “Ours. And then… when Sam said… that… it was… it was like her ghost walked right in the door. She’s still haunting me, Buck.”

You felt his arms tighten around you. “Sweetheart,” he murmured into your hair, “what do you need? What can I do?”

You wiped at your eyes and looked up at him with a tear-streaked face. “Tell me you love me, Bucky.”

His piercing blue gaze was honest and sincere as he looked down at you. “I love you, Pocket. I have only, ever, loved you.” No questions, no ridiculing your request for reassurance– just pure understanding that this was what you needed from him

You felt yourself exhale, the tension that had been wracking through you ebbing away as you looked into his eyes. “I love you, Buck,” you whispered back. “I’m sorry– I thought… I thought I was better.”

His face was soft as he looked at you. “Doll, you are getting better. It’s a process. We’re a process. And we work on us, together.”

You snorted in spite of yourself as you wiped your nose. “How the fuck did you get so goddamn wise?” you asked him. “It’s mildly annoying.”

“Ah, there’s that dirty mouth I love so much,” he smirked at you. “Come on.” With a gracefulness that belied his massive size, he lifted you up and carried you back into the bedroom, gently placing you on your new bed.

“Oh, shit!” you said, trying to stand up. “Everyone’s still downstairs–”

“I kicked them out as soon as you left the living room,” he told you, coming to kneel before you as he pulled you back down. “Serves them right for interrupting our first night living together when we haven’t touched each other in eight thousand, seven hundred and forty three hours.”

You widened your eyes. “Not that your counting, or anything,” you said with a giggle, and were rewarded when Bucky smirked up at you.

“There’s my girl,” he said, stroking your cheek. “I know we had big plans for tonight,” he said as he rested his vibranium hand on your knee. “And trust me when I tell you, there is nothing I want more than to strip you naked and take you apart on every single surface of this apartment until you can’t remember your own name.” You gulped at that. “But,” he continued, “all that can wait. Tonight, I’m gonna go back into that bathroom, light some candles, and run us a bubble bath. Then, you and I are going to get in that tub and I’m just gonna hold you, okay?” You found yourself nodding dumbly at the sensual promise.

Bucky leaned in close to you, tucking a strand of hair away from your face and behind your ear. “Tonight,” he reiterated, “I just want us to be close. And then tomorrow?” He leaned in to whisper seductively into your ear. “First thing tomorrow, I’m going to fucking ruin you.”

Next Part ->

#bucky barnes x reader #bucky barnes x you #bucky barnes x y/n #bucky x you #bucky x reader #bucky fanfic #bucky barnes #bucky barnes fanfic #bucky x female reader #bucky barnes fic #bucky barnes fanfiction #james bucky buchanan barnes #james buchanan barnes #mcu bucky barnes #james barnes

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waltricia · 2 days

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Bridgerton season 2 episode 3, “A Bee in Your Bonnet” is ✨magic✨ and let me tell you why.

For those of us who didn’t read the book and knew nothing of what was going to happen, we truly went on an incredible and surprising roller coaster of an experience.

We start the episode with seeing the guy from Hellboy and being like ‘oh yay, it’s the guy from Hellboy!’

… only for him to die three minutes later. And that scene is rough. It’s sudden and abrasive. And the sounds are jarring. The death is scored by tense strings. Then a moment of quiet. Then the AMAZING Ruth Gemmell begins taking us on Violet’s traumatic grief journey, which starts with her jolting Anthony (and us) out of the quiet.

And a thunderous heartbeat threatens him as he walks toward this entirely altered, unwanted life path. And that’s obviously the beginning of his PTSD.

In the other flashbacks throughout the episode, we continue to hear horrific, heart-rending pain radiate out of Violet while Anthony must not only attempt to endure it, but cover his own grief. Anthony and his siblings (and again, we the audience) all have to listen to Violet grieve while she’s giving birth! Screams on top of screams.

And the last flashback is technically quiet, but just as devastating because, like the moment of Edmund’s death, the quiet is weaponized. It signifies the death inside Violet.

It should go without saying that Jonathan Bailey is also a brilliant actor, but I’ll say it now anyway. Damn, he good! He and Ruth partnered perfectly in this grief journey. Serious props to them both because I felt this shit.

And then finally we come to the end. We had been immersed in the horrible aftermath of that striking tragedy. Between the flashbacks- in the present day- we had followed Anthony through the rooms and grounds where he had suffered silently. We had seen Edmund’s grave. We had learned that Anthony’s greatest fears and insecurities all stemmed from that tragic event ten years prior.

And then another fucking bee comes along.

And I swear to god, the first time I watched this, when Kate got stung, my heart was pounding, I was terrified, and my instinctive reaction was “oh my god, is she going to die?!” In hindsight, it’s obviously insane to think that she would be killed off at all, let alone in this scene. But the very fact that, for a moment, that was a legitimate fear I had is exactly why this episode is so god damn brilliant. I felt what Anthony felt. And I’m not the only one! I’ve seen other people’s similar reactions to this scene. The episode really is a roller coaster; easy, lighthearted moments (pall mall, drug tea), interspersed with the terrifying drops and loops that are Anthony’s painful memories which constantly haunt him. And then it brought us right back to that first traumatic moment. Because Anthony has PTSD! And that’s what PTSD does. Anthony is right back where he was, literally not far from the same spot outside Aubrey Hall, standing in front of a person he loves, watching them get stung by a bee on almost the same spot on their body. The tense string scoring comes back and Anthony panics because he’s completely helpless again.

And all of those elements- the setting, the scoring, the acting- combined to terrify us and make us forget something critical: most people don’t die from beestings.

And here’s where it gets really profound for me. Because it’s not just about how we feel Anthony’s fear. It’s also about how Kate completely obliterates it. Without knowing that history and without realizing the full extent of what her actions would mean, she does exactly the right thing. Rather than die and rather than also panic or shy away from his vulnerability, she meets it with her own in the form of care and steady assurance, which is true strength. And in so doing, she stops this cyclical moment in its tracks and completely alters the trauma. She puts his hand on her heart, and the heartbeat comes back. But this time, it’s not threatening. It’s inviting.

And just like in the first scene, the moment is over all too quickly. Just like in that scene, Anthony is thrust onto a new path. But where that moment was damaging, this one is healing. And we feel that too. And it’s the greatest experience that art can give us.

It’s catharsis.

And that’s why this episode is magic. 🐝✨

#this ep is the reason i’m insane about this show #i love a cathartic experience #please watch it and really listen bc the sound mixing is so important #a bee in your bonnet #kanthony #anthony bridgerton #kate bridgerton #kate sharma #violet bridgerton #edmund bridgerton #bridgerton #2x03 #netflix #ruth gemmell #jonathan bailey #simone ashley #rupert evans

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ohnoitstbskyen · 2 days

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Since you did the one video on T Swift I feel the need to ask if you've listened to her new album? If yes, thoughts?

Not a lot, no. With the substantial caveat that I am obviously not the intended audience, it's not really speaking to me much. But I think that album is also deeply albatrossed by the Discourse™ surrounding it, and burdened by Swift as a personality. Every single song at this point is interpreted exclusively through the lens of her PR, her personal life, her drama, her love life, her, her, her, HER, which...

Well, number one, the criticism of her impact on the world is good and necessary (albeit I think it is some percentage excessive relative to the harm she is actually doing compared to, say, oil company executives), and I think a bunch of gossip and culture writing pushback on an album bereft of bangers is both reasonable and fair, under the circumstances. She wrote some lyrics that sound rather cringeworthily whiny and complainy when seen through her as a personality, this a normal response from the culture at large.

Number two, Swift herself has been instrumental in establishing this cult of personality mad media machine, that makes everything she does swirl around her personhood like a black hole. Which first of all makes her bitter complaints about her lack of privacy ring spectacularly hollow (like, girl, you made yourself a billionaire off of that attention on purpose), but also makes me worry that by turning her album releases into chapters in The Legend of Taylor Swift, eras of her stardom, we are rather playing straight into her hands.

idk. I think poetry of all kinds gets more interesting when its interpretation is not narrowed to the lens of the person who wrote it, and I think some of the songs on Tortured Poets Department have some interesting storytelling in them, but the music isn't particularly catching my attention so I just don't feel like listening to them very closely to parse them out and interpret them. I have other, better music available to me, and not being a Swift fan I don't feel enough attachment to her work to push through and acquire a taste for the new album.

Olivia Rodrigo's latest album is pretty good though. Like, I know there's eight dozen songwriters and six hundred producers on it, so it's inherently inauthentic, but ballad of a homeschooled girl and bad idea right? are messy and loud in ways I think are interesting and sonically appealing, and resonate with my memories of being younger. I even quite like vampire even though its lyrics are... well, they needed another couple of editing passes, let's put it that way. Once you've called someone a bloodsucker and famefucker, Olivia, you probably don't need to spell it out that they're "bleeding you dry like a god damn vampire" at the end. I think maybe it is sufficiently implied by every single other lyric in the song and also the title.

#tb answers #tortured poets department #the tortured poets department #olivia rodrigo #guts olivia rodrigo

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perseruna · 8 hours

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Endiness made a beautiful long post with all his quotes on that topic that I think is very informative and worth looking at, so here’s a link to that. And with that already discussed, I thought I’d make a thread of all his changes that we are aware of, because when you look into them, you find that none of his “book accurate” changes are actually book accurate.

His decision to make Geralt grunt and cut his lines.

HC: "All the grunts, I either added or I didn't say anything and just grunted instead. It was often up to the other actors to go, 'I think he's not gonna say anything now.'"

JB: "Henry likes to cut his lines, 'cause he's lazy. No, he literally just likes to cut them. He likes to do more up here [frames his face with his hands] and just with face and hmms and grunts. There's a lot of hmms, and so I often have to take a lot of his lines and turn it into a lot of my stuff so that the plot happens."

So, as everyone who has read the books knows that Geralt is and always has been a yapper. Gerakt often talks or thinks in monologues, and definitely not in short grunts.

Of course when the audience started making fun of Geralt for not being able to speak in full sentences Henry promptly went back on admitting the blame and instead said that the big bad writers were the ones who didn't give him lines, and now it was his life’s mission to fight for a book accurate Geralt who speaks.

Roach’s death scene

After S2 came out, Lauren received a lot of backlash for Roach’s death scene, with multiple sources citing that she wanted the moment to be more “comedic” before the brave Henry Cavill stepped in and refused to participate in such horrible anti source material activities.

LH: "Henry was so unhappy with the line. Finally I said, 'You know what, you come up with something. I trust you, you know this material so well, you know the book so well, you don't even have to pitch it to me.' And he came back the next day with a beautiful speech that's at the end of 'Sword of Destiny' when Geralt is facing death.”

This is the line he ended up using:

“Enjoy your last walk across the meadow and through the mist. Be not afraid of her for she is your friend."

This was Lauren’s response AND the original line.

LH: “Here's what was scripted, in homage of the fact that a previous Roach had existed, and another one will exist soon. It's hardly a joke. Henry wanted a longer, more emotional moment, which I was more than happy to give him. Don't create drama where none exists.”

So in S2 Geralt ends up quoting a part of his monologue from ‘Sword of Destiny’ when he’s at his lowest after thinking that Yennefer had died at the battle of Sodden Hill, and he has nothing left to live for. Which to me doesn't work that well with Roach at all. That line was a response to Geralt thinking he's lost the love of his life, not his horse. In my opinion, the original line Lauren penned out is more heartfelt and actually more emotional and more book accurate as well.

The absolute removal of any Triss and Geralt “romance”

This one we don’t have that much information on in comparison to others. But there were multiple reports that at the beginning of S2 Triss and Geralt were supposed to have some kind of a romantic scene with each other which then was cut during production, and it was largely speculated that it was due to Henry Cavill.

“Several months ago we reported on a sex scene happening between Geralt and Triss, sometime in the first half of Season 2. That didn’t happen, as we all saw, but here’s what we know about the original plan for that: Geralt and Triss are in a room together, they seem friendly at first. They are playing some kind of weird game. Whoever wins a round, gets to ask a question. We’re not privy to the exact flow of the conversation, but it eventually leads to both of them ending up in bed. We can only guess why this was cut, but perhaps it was thanks to Henry Cavill.”

Now, irrelevantly on your feelings on book Triss and Geralt you have to admit that that short-lived “romance” is indeed a part of the books and therefor book accurate. So the removal of it would go against Mr I’m fighting to make this show as much book accurate as possible.

The removal of the Yen and Geralt sex scene in S2

"We just wanted to be very careful that it was true and real, and it didn't turn into something that we, as actors, didn't believe it should be," Cavill stated. When Yennefer and Geralt unite, they embrace, but it doesn't go further than that. He continued: "We wanted it to be emotional rather than sexual. It was really, really important, and we had to lean away from what was originally on the page." Initially, Geralt and Yennefer were written to have a more passionate night. Henry Cavill and Anya Chalotra went to "The Witcher" producers and explained why they thought a steamy evening was not the way to go. "These are people who believe one thing about the fate of another and then find out something else is true," Cavill said about Geralt believing Yennefer was dead. "That's not how they behave," the actor added. "How they behave is they just want to be with the person and emotionally recognize their existence again in that shared space.”

This one is a bit tricky because I am willing to get behind an actor who doesn't want to do a sex scene out of comfort reasons or whatnot, but Henry saying that "That's not how [Yennefer and Geralt] behave”, is quite absurd in my opinion. Because that is very much how Geralt and Yennefer behave, especially in the short stories and ToC. They are inherently a very sexual couple who come crashing in and out of each other’s lives while having very passionate sex. But I can understand wanting this scene to be more “emotional” (as if sex isn't emotional), so this one I am willing to give him a bit more leeway on. (But then again looking at the blinds saying that he refused any sex scenes because oh his “ideals” and was allegedly really nasty to Anya about it, well..)

Geralt being the perfect father figure to Ciri with no flaws and no struggles (which inevitably snowballed into the Yen Betrayal Arc)

This one I don’t see talked that much at all, and to me this one is his most detrimental one.

@LHissrich: “In interviews, Henry explains how he felt strongly that Geralt NOT be bumbling, nor a struggling father figure. In fact, a lot of S2 is about how Geralt does come from a loving (albeit unconventional) family. Henry was passionate about this shift, and we discussed it a lot, and ultimately thought it was wonderful for his character development. But it also had the domino effect of changing what Ciri needed from Yen when she entered the picture. Thus, introducing the idea of balance.”

So I don’t know about you, but I love when characters have flaws and naturally progress be it for good or bad, some would say that that's what story telling is about, well that someone wouldn't be Henry Cavil. Geralt being a struggling father figure at first, someone who makes mistakes and learns from them and tries is very much a prominent theme in Blood of Elves and is actually very real, people make mistakes! Especially in huge shifts such as “becoming a father overnight’ but we didn't get that because Henry refused to play it that way. What we got is Geralt who already basically knows exactly how to parent, he always knows what to say, what pep talk to give and also doesn't hold any resentment and any negative feelings towards Vesemir at all. It's all one dimensional happy family here! Which goes against not only the books but what he preached about fighting tooth and nail to make the “forgotten” male characters three-dimensional as well because the horrible feminist Lauren only thinks about female characters.

Lauren then goes on saying that “it also had the domino effect of changing what Ciri needed from Yen when she entered the picture. Thus, introducing the idea of balance” So, it is fair to speculate that Henry’s refusal to showcase Geralt having any flaws at all and act book accurate snowballed into The Controversial Yennefer Betrayal Arc.

These are the ones that I can remember off the top off my head, so there might be more, there’s probably more that we aren’t even aware of. I think putting them all together showcase a very interesting picture. One of Henry Cavill never actually understanding who Geralt fundamentally is as a character, and of him not being a team player at all. I just hope that more and more people are aware of the insane PR his team did for him when it came to this show, and that more people are able to see through it.

#anti henry cavill #the witcher #long post #i do believe that i have an interesting vintage point because ive been in this fandom since the show premiered so some people might not be #even aware of these things when ive lived them and have an archive of them in my head lmaoo #i don't like the formatting of asks when you reblog them so im making this a separate text post

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picturejasper20 · 15 hours

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Lets talk about how Danny Phantom loves to push the idea of ¨these two characters must be together because destiny said so¨ and the implications of it!

Okay, for starters there is quite a lot of fans that agree how Danny and Sam gets forced into the show, specially in Season 3. They don't have much development in their relationship around the show because it was a 2000's Butch Hartman show and things have to keep the *status quo*

We know that Marmel wanted for more Valerie and Danny development but he couldn't for continuity issues and probably because Hartman wasn't fond of the ship. It took around 20 episodes for Valerie to have another episode about her since breaking up with Danny in ¨Flirting With Disaster¨.

I say that it makes a lot of sense of why Valerie and Danny's relationship didn't last long in this context because Danny was still keeping secrets from Valerie and still involved a lot of lying- not exactly the best condition to be dating with someone. So the best solution is for Valerie to learn who Danny is, and then after things get better, they probably can start getting into dating again, right?

Well, sorry, you can't see any of that because this happens in the very last episode of the series, we don't get to see how Valerie reacts to it and it doesn't matter because now Sam x Danny is canon!

Lets talk about that ring:

What bothers me is how, while this episode is about Danny being into Valerie and dating her, the ring that Jack gives to Danny has the name ¨Sam¨ on it. It is like the universe in show is screaming at Danny and the audience ¨See these two are the endgame! Haven't you realized it yet? Well, we are leaving you 100% clear with this¨.

Sarcastic Chorus made a video talking about the show keeps hammering you again and again that Danny and Sam are ¨meant to be together¨ by having characters commenting how everyone can see that except Danny and Sam, who it isn't clear why they don't tell what they feel to each other. He talks about how it gets really frustrating because nothing is exactly happening, people are just waiting for something to happen.

Let's move to ¨Double Cross my Heart¨ we have Gregor/Elliot and Sam falling in love with each other. They seem to share a lot in common, being into similar things. Danny keeps thinking that Elliot is an spy from the GIW and he is after him. I could get into the implications of Danny stalking Sam in this episode, but the one thing i want to focus on is that by the end of the episode it does get revealed that Elliot had been faking to share similar interests to Sam and was lying to her about who he really was. Was it because he was a spy from GIW? Nope! It was because he was tricking her into falling in love with him.

What frustrates me about this is the implications this episode gives: ¨If anybody else that likes Sam that isn't Danny, then that means that they are faking it! Danny is the only one who can love Sam and everybody else is trying to trick her¨. It is such a bad message and it sucks a lot for Sam to find someone that is a lot like her and then the writing go ¨sorry, they are a faker¨.

At least for Danny and Valerie made sense because it wasn't intended to work in that context, in ¨Double Cross my Heart¨ it just does dirty to Sam by spitting back in her face any chance of liking someone else that isn't Danny.

And episode that leaves a similar bad taste in mouth to me is Masters of All Time.

I have talked about this before, that in the alternative timeline Vlad and Maddie end up getting married together. Because they didn't want the kids in the audience to think about the implications about how Vlad might have been happier and not turned out evil from the proto lab accident, they had to make human! Vlad go against most of his previous established characterization of his regular self (like not allowing Maddie to use ghost gadgets for some reason) and be an abusive caricature of himself.

It couldn't be that maybe Vlad and Maddie didn't work together well, they have to leave obvious that no, Vlad is the terrible option and that Maddie and Jack are meant to be together. So much so that it said by the characters in the episode!

See, the writers made human! Vlad a piece of shit to leave clear that Maddie can only marry Jack. Because destiny told it so! It isn't like Jack and Maddie are their own people and they can choose whoever they want.

Yeah, Jack and Maddie have to get back together so Danny and Jazz don't become non-existent, but it find it so dumb that they made human! Vlad a weird ass copy of Disney Gaston instead of just writing it in a way that maybe these two clash being a couple. It could be that Maddie finds Vlad nice but Vlad is too busy always working or he isn't as fun as Jack was. Then Maddie realizes that she wants to be with Jack instead.

While having some fun elements, Masters of All Time is an episode that gets dumber and with more weird implications the more you think about it. And telling us that Jack and Maddie have to be together not matter what is one of the reasons.

I just dislike how weird this series is about how ¨destiny told these two characters have to be together¨ and not treating the characters as something they choose to do. It is also weird how this seems to apply to the female characters, in how Sam and Maddie, the moment they like someone else that isn't Danny nor Jack, then it turns out that person has to be abusive or be faking it. Itis like the show says they ¨belong¨ to Jack and Danny and they can't be with anyone else because then it would be bad. It is as a whole pretty frustrating

#danny phantom #danny fenton #sam manson #jack fenton #maddie fenton #Valerie gray #vlad masters #human! Vlad #Flirting with disaster #Masters of all time #Double cross my heart #dp rant

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windvexer · 1 day

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How do you feel about using multiple spells for a single goal? Doing wealth spells one after another until you're out of difficulties, for example, versus doing the one and letting it be?

I've got a chapter in a book I'm probably never going to publish about this. It's long. tl;dr: hell yeah cast a lot of spells for one thing, that's a great idea. Upg alert, etc.

Compound Magic: Many Hands Make Light Work

Compound magic is the phrase I’m using to discuss two similar ideas.

The idea is that if working one act of magic can affect our physical world to any degree, then working multiple acts of magic on the same subject can affect it to a greater degree.

This works at both the macro and micro levels.

By “macro,” I mean casting entire spells to influence various situations.

If you’re casting a home prosperity spell, casting multiple prosperity spells tends to be more beneficial than casting only one. Following our Witch-as-Monarch metaphor, you can cast spells that are like geologists seeking resources, like road-builders to strengthen trade routes, or like festival celebrations to revitalize your citizens.

More literally, if there is a situation that is resistant to change or in need of serious transformation, you can build a spellcasting altar dedicated to that single issue.

Spellcasting altars are useful in the practical sense that if you’ve got a whole altar for it, you might not forget that it’s something you wanted to work on.

They’re also very useful in the magical sense that as you dedicate a new “counsel room” to this topic and begin filling it with advisors, knights, heroes, spies, managers, and agents, and then continuously empower your Allies to work on your behalf through dedicated spellwork, all of these powers begin to compound and support each other.

In other words: the action of casting multiple spells can have additive or supportive effect which helps all the spells work better.

Not only this, but spells can begin to file away the rust on a situation and get the gears working - but run out of energy before the mechanism is truly brought to life.

If a single spell didn’t appear to manifest as desired, that doesn’t mean it didn’t do anything. It could mean that the situation was improved behind the scenes, laying a better foundation for success for your next spell.

Therefore, compound magic also means cleverly assigning spells to loosen up a situation and prepare it for change, to banish potential roadblocks, to protect the desired outcome, to empower the desired aspects of the situation, to bind the unwanted aspects, and so forth. In this manner, casting compound magic doesn’t necessarily mean to cast prosperity-generating spells over and over – it can also mean to cast banishings, protections, cleansings, and so forth, in the pursuit of prosperity.

This may all sound like a lot of work, but recall that we’re talking about very resistant situations, or situations in need of a lot of transformation before they suit your tastes. However, I hope you’ll agree with me that this concept in general actually really helps take a load off, because:

If your strategy is to work multiple acts of magic, then no single act of magic you work ever has to be perfect, or even exceptional.

Spellcasting anxiety is very real, and in my opinion boils down to the worry not only that unless everything is perfect then everything is ruined, but furthermore, that if any single spell doesn’t work it means the practitioner is a fraud.

If you instead adopt the mindset that it’s quite alright to need to work three or four acts of magic to influence a sticky situation, each spell feels less like you’re an actor making your debut performance in front of a judgmental audience, and much more like you’re going to try and treat the problem with a vinegar spray first, but if that doesn’t lift the bonds that’s quite alright because you’ve got a baking soda scrub to try next.

This isn’t to say that I think every single situation is going to require multiple spells to make the magic “work.” Far from it. But I don’t find there to be any utility at all in assuming every situation should be fixable by only one spell, and if that spell fails then there’s something wrong.

Overall, I find that the witch who often engages in acts of magic to keep the home safe and prosperous will find that this compound effect begins to work organically, and that over time all acts of magic eventually lead to an enchanted life, to greater or lesser degrees.

On the “micro” side of this concept we can examine the enchantment of a single object or formula.

Instead of considering that we can use multiple spells to influence a situation, we can see that we can work many smaller acts of magic over time to produce a single powerful spell.

Think about woodburning a very hard, difficult piece of wood. During the first session you may only get an outline of the design before you’re exhausted and in need of a break. The wood is still imprinted upon, but it’s far from the completed project you envisioned.

During the next woodburning session, and the next, the design is slowly filled in until it meets your standards of satisfaction.

This is conceptually very similar to re-casting the same enchantment over and over on a single object until desired results are obtained.

This is extremely useful for the pragmatic witch who may not have the ability to plan out spells on specific times and days, or who must act now without every ideal ingredient on hand.

And not only that, but it’s also useful for the witch who would just like to have some fun with magic and doesn’t want to twiddle their thumbs waiting for the most ideal possible moment to act.

If a witch would like to work up a pot of Noontide Shield Oil (pg. 34), but the working felt less than lustrous, the formula can simply be re-enchanted again next Sunday to deepen and solidify the enchantment. Or, suppose the original oil had to be worked in less than ideal conditions, or perhaps even with entire ingredients missing: the missing ingredients can be added later on, the spell re-cast over the same vessel in more ideal conditions, and so forth.

The same goes for any spell vessel, formula, charmed ingredient, or enchanted object.

These things can be fully re-enchanted by performing the original spell over again, switching focus from adding ingredients to empowering and instructing ingredients already added.

But they can also be encouraged in more minor ways, especially through regular feeding (pg. 9).

I think it’s important to note here that we’re basically talking about cooking. A chicken soup where you have to omit the chicken, and then shred up rotisserie leftovers and just add it to the broth when having leftovers, is not going to produce identical results as if you had been able to cook the chicken in the soup.

Either way, you’ve still got chicken soup - it's just that an enchantment made in the most ideal conditions is not going to be identical to an enchantment made in non-ideal conditions and later fortified.

So I don’t believe that it’s correct to say that ideal conditions don’t matter. I think they do matter, and that practitioners will notice an appreciable improvement if they are able to work with ideal circumstances.

But I also believe it’s correct to say that if you continuously re-cast enchantments towards the same objects and formulas over and over again, while supplementing missing or lacking factors, over time that enchantment deepens and becomes more permanent and more powerful.

Just like macro compound magic, I think that this helps reduce the difficulty in working powerful enchantments. You don’t have to work yourself up to exhaustion casting a single powerful enchantment that wipes out your ability to work magic for three days. You can meter your energy and pour out small amounts of your power, when needed or as desired, and slowly build up powerful magics around you.

Then, when an important “macro” situation arises, consider how it would feel to be able to reach for a variety spell vessels and formulas you’ve already been empowering for months, keeping them fresh and alive through periodic attention and feeding. Things begin to feel much less like a witch alone in a room, and much more like an empowered monarch surrounded by Allies.

#answered #long post

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dekusheroacademia · 2 days

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Nicholas Light: using homophobia to be cancelled for clout

This is not a call out post, I don't care about that. This is a summary of events that I decided to write because I know how fandom works and behave.

I am tired of seeing people's "The MHA fandom is so toxic!" for events that never happened, and given this youtuber already revealed he is looking for followers through "being cancelled" (as I'll explain), I have no intention of letting the shitshow that happened be forgotten.

So here we go.

Small disclaimer: This is the sequence of events as I remember, with screenshots to add. Please do not harass anyone. Not even Nicholas Light, as he clearly does not want to be involved with the MHA fandom anymore. Block him only and leave him alone, I am serious. The point of this is showing what happened, not confirming his idea of how disgusting mha fans and bakudeku fans are.

Another small point: If I said anything wrong or incorrect in this post, let me know and I will fix it. While I strive to be unbiased, I am only human.

1)Initial tweet

All of this happened in the span of a few hours, the 9th of May 2024, middle of the night at central europe time. All the tweets have since be deleted as Nicholas Light erased a full month of tweets and went private to do so.

Nicholas Light is an anime youtuber with a twitter account (of about 40k followers, this is important later). He posted this tweet:

I saw it on my tl a couple of times, mainly people saying that he should not generalize and people wondering how come someone who has watched MHA for so long does not know about Bakudeku. This tweet per se is kind of bait-y, but nothing too wild.

A lot of his followers were answering to this tweet with homophobic comments like:

And Nicholas himself then wrote he was throwing up under a bakudeku safe-for-work chibi fanart gif that someone reposted:

At this point there were a few comments saying "It is not too bad, Bakudeku has grown a lot as a ship" or "I just saw someone posting Endeavor/Uraraka", and fanart of other ships with an adult and a minor. Nicholas did not reply to any of them, seemingly only focusing on the bakudeku comments.

Here are some examples I managed to recover, as you can see no answer from Nicholas, he was only interested in bakudeku:

2) The video

At this point, a twitter user replied to Nicholas' main tweet with this:

As you can see, the user is very calm and even says "come across as homophobic", so definitely more diplomatic than what I could have managed. Nicholas replied with "Stop with the your queer audience", to which the user revealed that they ARE one of his audience.

As you can see Nicholas repeats that he doesn't want that queer follower in his audience, and that "I SPEAK MY MIND". Keep this in mind, the irony of it, especially, given he has erased everything.

The queer twitter user was the only person he addressed, and immediately after them he wrote this and immediately posted a youtube video:

You can still see his youtube video up, by the way.

This youtuber saw one user replying to him and immediately posted a "I got cancelled for this" youtube video, and a rant of multiple tweets telling his audience "I AM UNAPOLOGETICALLY ME AND I'LL FOREVER SAY WHAT I WANT". He posted another tweet too but I did not screenshot it.

After depicting himself as a victim of being cancelled because one person asked him about how his tweet could be viewed some bakudeku users reacted.

The first to go was the tweet of the video:

The second was this tweet that was written in reply to his main "i don't want a queer audience" tweet:

the tweet is still here.

As you can see if you click on the tweet, the problem expressed is that he built a queer audience to earn money, but is now trying to appeal to homophobic anime audiences to be "cancelled", and earn some followers and money. How do we know this?

Because of this tweet:

This screenshot was taken that same night, so this tweet about "earning from being cancelled" was posted 6 days before he decided to actually try it.

And it is not over. The user andy (the one who revealed about Nicholas' only fans) was immediately blocked, and they were the one finding this "being cancelled= money" tweet and posting it. Imagine what happened: Nicholas immediately deleted this reply from 6 days before. Which meant that he was checking what this bakudeku user was posting to cover his tracks.

3) Lolicon is fictional, but bakudeku is a disease and the fans need therapy

Now let's go back to Nicholas' main tweet in reply to that queer user. You can see how people from his following reacted:

And this was his answer:

You can see that he immediately decides to call the user weird because the characters are "little kids", so the user needs to seek therapy for looking at fanarts of bakudeku kissing.

Except that this is when bakudeku fans and non bakudeku fans found his old tweets in defense of lolicon, fictional pedophilia and people like Mushoku:

Now, the point here is the hypocrisy and double standard.

On one side "loli and fictional children are fictional and cannot be associated with actual crimes", on the other side "gay teenagers being shipped are disgusting and comparable to real life crimes". People were quick to point this homophobic messy double standard.

Nicholas Light himself started to notice that people were finding out his old stuff and he was replying to no one. He first deleted the tweet with the only fans retweet, probably making sure his current homophobic fanbase would not find that, and then replied this to one of the bakudeku fans showing his hypocritical behaviour:

This was the last tweet before he deleted everything. Calling someone an ableist slur, then saying he was watching movies with his girlfriend and then spending the next hour deleting

every

single

and tweet.

And then he went private and when he came back... he had deleted every single reply and tweet of this mess, and he had deleted every tweet that people had screenshotted around, and every tweet he posted in the previous month:

He scrubbed his whole account.

We are not sure what happened to him "being unapologetically myself", apparently his strategy to make some cash from being homophobic and harassing small acounts while pretending to be cancelled did not succeed.

And the reason why I wrote this post is because there is the possibility that he might try this again in the future, maybe even with the same fanbase and strategy. So keep an eye out, do not let him fool you.

#nicholas light #bkdk fandom #fandom drama #meta #bkdk

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storiesbyjes2g · 4 hours

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👀

What is this about you say? Stay tuned!

Thanks to @trumpets0ng and @ladybugsimblr for letting me use your sims' credentials lol. Walker Pearson from Jett Studios (trumpet) was the photographer, and Alex Greene (LB) was the author. He also wrote Bailey Kay's article.

(transcript under the cut)

A well-dressed man walked into the studio, swaggy and confident, with more drip than a coffee pot. His perfectly tailored suit glimmered under the stage lights, looking just as expensive as one would imagine it to be. My initial thought upon seeing this cat with a larger than life personality was, “Oh, great. Here comes another industry brat.” Then, he walked up to my assistant, smiled, extended his hand, and said, “Hi! I’m Orange.” That’s when I knew I’d been completely wrong about him.

I started off slow.

ALEX: How’ve you been? How’s life treating you?

ORANGE: Life is wonderful, thanks for asking.

I’m excited about my baby sister being back on the west coast! She wanted to spread her wings and moved east; that’s where she met and married her guy. But she’s a mom now, and my parents are getting old, so she’s back. I can’t wait to spend time with my nephew and get to know my brother-in-law better.

ALEX: Wow, okay. It’s always nice to have the family close. So where have you been all this time, my man?

He leaned back into the sofa with a huge sigh and a smile.

ORANGE: Where have I been… I’ve been everywhere, man!

ALEX: Oh word?

ORANGE: Yeah, man. I pride myself on not being a prideful person…which is probably the most proud thing I could say.

He laughs at his own joke, wiping fake sweat away from his brow. And all at once, he had me. I was sucked into his energy.

ORANGE: I appreciate everything my parents did for me, but I was never interested in following in their footsteps.

ALEX: Never?

ORANGE: Not really. I was kinda artsy as a kid. I can sing, but I never had a passion for it. Don’t get me wrong…I’m a gregarious kind of guy, so I wanted to be in the public. Just not doing what my parents did.

ALEX: So what did you do?

ORANGE: Whatever I could. I didn’t want it said of me that my life was handed to me, so I moved out, got a crappy apartment, and worked as a barista for a while. People told me I was funny, so I started writing sketches and going to the comedy clubs.

ALEX: And then sim.TV called.

Laughter erupts, startling everyone on set. It’s loud and hearty and sounds like that uncle at the family barbeque.

ORANGE: It didn’t exactly happen that way, but yes…eventually. I honestly don’t know what happened. I’m guessing someone just happened to be at one of my shows and thought I would be a good fit for this new talk show they were planning.

ALEX: What does this mean for you?

ORANGE: Wow… This means… It’s so validating. I’m middle-aged now, and all my peers are off doing so many amazing things. It was really hard to resist the urge to go to my parents and ask for help. But the thing that kept me going was this moment right here. I knew that if I stayed the course, eventually something would happen, and I would have an immense feeling of pride. And I do.

ALEX: That’s so dope. So, tell us about the show.

ORANGE: It’s called “The Pulse,” and it’s all about keeping you entertained and informed about what’s going on in the entertainment world.

ALEX: So you’re keeping your finger on the pulse of the industry.

ORANGE: You get it. I’m so grateful for the opportunity because it’s so perfect for me. I grew up around it. I know all dirty secrets, but I also recognize and respect the beauty in it.

ALEX: So from your interviews, should we expect to get a different perspective of celebrity life?

ORANGE: I hope so. I don’t want to be just another talk show host, asking the same tired questions. One thing I want to do differently is get the audience involved. Everyone watching has their own reasons for being interested in someone, so if there’s something they want to know, I’d like to give them the answers.

ALEX: Okay! I like that. Kinda like, power to the people.

ORANGE: Exactly.

ALEX: So, why Nick?

ORANGE: Why not Nick? He’s the hottest thing smoking right now, and he’s not even working. I’m trying to get on his level! But seriously though, I think we’d vibe well. We’re similar in our values and ways of working, and I don’t think he’s ever done a TV interview before, so I think it’s fitting that he be my first guest.

ALEX: Best of luck to you, man. Thanks for sitting down with us.

#ts4 story #sims 4 story #sims story #Piersons and Friends #the piersons #orange bailey moon #nick wilkinson #the pulse

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yannaryartside · 2 days

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Sidetrack Love

One of the most used plot devices in romance is to give your main couple (the one you want to get togueter at the end) two respective love interest previous or during the time they get to know each other.

So we assume Sydney and Carmy are the main couple and Marcus and Claire are the respective sidetrack love interests. The goal of using these characters is to:

a. Make the main characters question their goals in love, their insecurities and wounds.

b. Show the audience their attachment styles and dynamics

WHAT THEY WANTED VS WHAT THEY NEEDED

Most of the time, is about the main characters realizing they want each other, despite thinking at the beginning of the story that they wanted or needed something different.

Claire was a popular girl in high school adored by Carmy's family. She is easygoing and accommodating to someone like Carmy who had to beg for love his whole childhood. For Carmy, love was expensive (buried in hurt and toxic dynamics), and Claire gives love like it is free, free of compromise, expectations, or even definitions. It is not like that is healthy either, but surely someone like Carmy would be extremely attracted to that. This ties to my post "The Lie that Carmy believes" because I think he has been fighting this notion that he needs to sacrifice a lot, even himself, to deserve love.

With Marcus is more tricky, but it sums up the fact that he is a stand-up guy. He has a few flaws but is probably one of the healthiest men in the show. He is kind and patient. Sydney and Marcus have a good dynamic, their attraction could have been based on a solid friendship. There is a part of me that wanted Sydney to notice Marcus, because she may carry a burden due to a broken heart. I wanted Marcus to heal Sydney the way Claire is set up to heal Carmy.

Funny thing, it looks like they could continue the sidetrack love plot in season 3 if Carmy continues to pursue Claire and tries to figure out if she is good for him, while Sydney may find a partner in Luca, or even come back to Marcus.

My point is that the show is giving both these characters easy routes to love, maybe in the context of letting us know the difficulties a romantic relationship between Carmy and Syd could have.

AN EXCUSE: COOKING VS LOVE

Carmy used his relationship with Claire to run away from the restaurant. Even when he was in the restaurant he denied and avoided responsibilities like crazy. It makes me wonder if his heart is in it anymore, or if cooking just became a coping mechanism to deal with his trauma (season 3 teaser), like cooking is the only thing he thinks he is good for, cooking and love (especially unconditional love) cannot exist in the same space at the same time for him.

Sydney was so focused on the restaurant that never actually suspected Marcus liked her like that. She may have noticed the looks and the flirting but I think she may have assumed it was friendly. Or was she just so consumed by her own worries to even think about love? it is an interesting parallel to Carmy and Claire nonetheless. Can cooking (her dreams) and love exist for her at the same time? What does she believe love is?

Would Carmy make that impossible for her in season 3? Would he be the killjoy of her passion and goodwill? Or would they grow closer?

This was all over the place, but thank you for reading

#sydcarmy #the bear #carmy berzatto #sydney adamu #the bear meta #the bear fx #carmen berzatto #carmy the bear #carmy x sydney #sydney x carmy #marcus the bear #claire bear

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eurevision · 2 days

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Eurevision: An Educational Music Celebration, A Contest, A Party

Hello! I'm your emcee, Hammer (@soul-hammer). I like corny music competitions and am not a fan of imperialism. Neither are you, and that's why you need Eurevision in your life.

What is 'Eurevision'?

While every musical genre is political, the musical contest Eurovision has repeatedly demonstrated that the contest-makers do not care about genocide. And as such, we should not give them air time, attention, our money, or our forgiveness. But also, we should not live lives of non-sequined asceticism. A world with a Verka Serduchka-shaped hole in it is not a world I'd want to live in.

Meanwhile, every week, tumblr users seem to reveal their musical ignorance. Nobody knows any rap. Nobody knows any country. Gospel? Never heard of her. Metal is when there's long hair and wizards and corpse paint, right? Pop is shallow and frivolous and that's bad. No Dr. Demento archives for me, I'll stick to my Weird Al, thank you very much.

I do not mean to write this in a punitive or judgmental way, rather, I think that depriving yourself of bops is a crime. There is so much good stuff out there!

Eurevision marries these two trends and also caters to the psychological needs of the Eurovision fan. We can get togetherness, music discovery, flashy outfits, and friendly competition all in one, without ever having to directly support the military-industrial complex. We can broaden our musical horizons together.

How does it work?

Every half-week (it would be a week, but that would take forever, because we're going one genre at a time, for reasons discussed below), there will be a different genre theme. The genre will probably be one that mainstream American white middle-income audiences have less familiarity with-- a big part of Eurevision will be discovery/novelty. However, Eurevision highly values genre experts, and depends on them. If you've ever been frustrated by your fellow tumblrinas' cultural chauvinism, now you can prove to them they've been missing out. If you've ever seen someone proudly exclaim that of course they listen to rap, Hamilton is their favorite musical, now is your chance to set them right. The more obscure the better.

Each half-week, readers will submit their favorite songs. They will have a day for this submission. There can be songs that incorporate several genres, but the genre of the week MUST be the predominant one. After a day of submissions, a poll will go up with 10 of the songs. Readers will listen to each song, and vote for their favorite. That song will go on to the next round. Readers can submit propaganda for the song of their choice (INCLUDING song-inspired outfits, because this couldn't be a proper Eurovision substitute without deranged outfits), little history lessons on the genre in question, they can start shit in the comments, and recommend still more listening.

There will be 10 genres total. After the representative song from each genre is picked, they will all battle it out in a final round. There may or may not be a 'wild card' too.

tl;dr/timeline-

Pick genre

One day to solicit songs representing that genre

10 representative genre songs chosen

Half a week of polling to decide best of those songs, best moves forward

Repeat 9 more times until 10 different songs from 10 different genres are chosen

Final poll battle, winner chosen

Unless something knocks us off schedule, this should take six weeks. Seven weeks max.

Why not do all the genre battles simultaneously?

I suspect that doing the contest that way will sequester each genre and allow listeners to only listen to their genre of choice. Which defeats one of the purposes of Eurevision! You can't get out of listening to new music that easily.

What does the winner get?

Bragging rights.

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weirdo09 · 2 days

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hobie brown

i’d just like to say, i hope y’all never meet a black boy nor man because y’all’s behavior over one black teenager is honestly disturbing.

like the racist headcanons, the not taking accountability for your disturbing fics about him because “HIS AGE ISNT MENTIONED!!” like don’t act dumb, you know them people said that he’s a slight older boy than miles which would be like 1-2 years, making him 16-17. it’s also just the “i want his dick inside of me” “i want to have his kids” and the sex hcs where it’s like “he’ll fuck you hard and not give you aftercare, just leaves you to take care of yourself.”

i’m not really bothered by the smut fics and hcs cause he is attractive and i will read them every once in awhile but y’all be taking it to the extremes, calling him toxic, making him out like some abusive boyfriend, he’s only sweet when he wants you to have sex with him, he only wants you for sex, he’s a full person but only cool because he’s in a band and has sex with you, he lets his band mates fuck you without your consent, he rapes you for whatever reason (y’all’s writings not mine), he doesn’t care about stopping to see if you’re okay or if you need a break.

basically what i’m seeing is that he’s only good for sex and some of the good fics about him only portray certain parts of him. like i’m all for writing about your favorite characters n what not but if you’re basically gonna treat his character like you’re personal boytoy and not see him as anything else, it’s really harmful. especially with y’all not tagging your fics correctly and the smut fics i previously mention get seen by a minor who would want to read smut of him but not that bullcrap.

y’all literally write him being abusive to his partner, not just physically but call it “teasing”. i’m sorry but if my partner said something about breaking up with me or that i’m not good enough, would i think that that’s just “teasing”? like honestly, if you treat all your ‘blorbos’ like this then i feel sorry for you because hobie’s an amazing character that isn’t just there for you to dream about fucking and getting pregnant by him.

he’s there to show you how corruption and fascism impacting your way of life can lead to you wanting to rebel and become an anarchist to that society. he’s there to teach you that you can make your rules, that you’re more than what one person tells you, you tell yourself what you wanna be. he’s a symbol for black people who don’t wanna follow the rules of a white supremacist, fascist society, for the people who’ve ever just been like “fuck the government, i’m my own person.”

i really feel like y’all take him for granted and he is a character for a children’s type of media so the “well minors shouldn’t be looking for his smut!!” doesn’t work here. honestly, do y’all ever care about characters that aren’t perceived as “fuckable” or “attractive” by your standards? it just really pisses me off because y’all act like that’s all he’s there for, your yearning for BBC has really dimmed your perception of this character. HES A IMPORTANT CHARACTER FOR YALL TO ROLE MODEL CAUSE ITS OBVIOUS YALL DONT GIVE A FUCK ABOUT THE MOVIE’S CHILD AUDIENCE BUT YOU GIVE A FUCK ABOUT HIM SO

if you care about hobie, please remember that there’s more to him than you wanting him to fuck you and he would hate the things that you’ve done to him because you have bigger issues in the world than “he would fuck you with his big cock.” LIKE WAKE THE FUCK UP WE COULD BE MAKING ANALYSIS OF HIS CHARACTER BUT INSTEAD YOU THINK THAT HES JUST THERE TO BE EYE CANDY LIKE OMGGGG

just please for the sack of everyone, learn more about his character and stop tryna be antiblack and sex crazed over him. if you love hobie, just stop being the way that you are because it’s honestly disgusting to have to see grown adults wanting a canon minor to fuck them. you ain’t slick, the fact that i even have to write this is disgusting. do better, fandom is more than saying that you would fuck a character, care more about the teenagers on this site that are in the fandom with you as well. stop being selfish and start caring about the other people in the fandom.

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