If there is a six of crows spin off please please PLEASE can they not kill Matthias - YES I KNOW it happens in the books BUT they've changed so much already? Like excuse me - Mal leaving to be a pirate I wanted my cute little Mal and Alina happy ending - so if they can do that SURELY THEY CAN KEEP MATTHIAS ALIVE
Let's manifest for this guys - if there is a spin off I wouldn't be able to lose Matthias for a second time okay.
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If you had the chance to change something about the dance of the dragons (TV show or book), what would it be? For example, how a character dies, which team a house is on,or an entire character personally. How would you change it to make the story better, in your opinion? 💙💚🖤♥️
JUST ONE THING. ANON U R A SADIST.
aksjdjd no okay thank you great ask. sorry if it’s a lil all over the place, i think obsessively about how i would adapt f&b and asoiaf if i was a millionaire lmao.
for the show it’s so easy (besides just giving it like ten more episodes to cook before getting to the Dance, I mean) - lean into the dueling protagonists of alicent & rhaenyra by giving them dueling deuteragonists in aegon ii and jacaerys. i realize this would completely reframe the whole show lmao, but we can even compromise and say once they do that ten year skip, the narrative should focus in on building up the two sides through the dueling protagonists alicent & rhaenyra, and dueling deuteragonists aegon & jace. it makes way more sense to have the character they most interact with be their sons & “heirs” and contrast those relationships & all the politics that exist in how they act as mothers towards their sons. rather than focus in on daemon as the second main character for rhaenyra and…this weird fucking musical chairs male protagonist with the greens they’re doing. it doesn’t fix everything but i think shifting the focus from rhaenyra’s marriages to her as a mother and queen regnant, and from alicent’s conga line of abuses to again, an active role as a mother and queen consort/queen mother, as well as fleshing out the two men who are objectively thee most important men in their lives (argue with the wall jace & aegon haters!!!!). explaining why jace & aegon developed into the sort of men they are through how they exist in the most important relationship in their lives, literally until the day they both die. (and if you’re curious, daemon’s counterpart is aemond, they get to be number three for both their sides. viserys isn’t on a “team” but he does have a counterpart and it’s QOREN).
i think the way they did it in the show really does a disservice to the potential of aegon and especially jacaerys as characters, as well as downplaying the importance of a lot of critical relationships like rhaewin, laenyra, criston’s entire demented relationship with both women, rhaenys’ relationship with laena & rhaenyra, alicent’s whole ass relationship with her kids, AND rhaenyra’s whole ass relationship with her kids. imo they go for this kind of half in half out “we want to appeal to the insane targ stans who genuinely believe incest will save westeros” and “we want to write a story about the complexities of motherhood & sexuality in a patriarchal society” and wound up in a weird place where daemon & alicent are both bisexual but only in deleted scenes and completely drop rhaenyra’s gender fuckery the moment she’s played by an actually non-binary actor and also completely bury the other non-binary actor (rhaena’s actor, phoebe campbell) by giving their character like two fucking lines and no depth.
also better wigs jesus FUCKING christ hbo i know you have the budget!!
for the books….a lot of the problem with the dance is that f&b is so antithetical to how george writes. it’s effectively a very long and detailed outline of a plot and george doesn’t write exclusively by outline. as he says himself, he gardens - he writes and he sees where the writing takes him. if he had actually sat down and written out the dance as a series of short stories the way he does with dunk & egg, i think the plot would not only be massively different it would also be leaps and bounds better. what i want to change is to make george actually WRITE the dance and not just outline and call it a day!!!!
BUT. Okay if I can change ONE thing. fuck that’s hard.
I’d make Larys’ motivation more clear, and when i say more clear i mean my theory is that Larys just straight up hated the Targaryens and Velaryons bc he believed one of them killed Harwin, and decided to get revenge by completely fucking over the whole family tree. i get why people like his show version (I like parts of him a lot too and the actor has some galaxy brained takes!!!) but i think while Larys is well done, his character adaption & the way he’s completely unknowable in the series itself is just a rehash of Tyrion. We already have a disabled younger brother who hates his older brother for being condescending in his love & conditional acceptance, and hates his father for being a patriarchal monster, and is a sexually abusive menace to teenage girls, and I don’t think they are saying anything new or groundbreaking with Larys in the show or book. He is just there to be the evil crippled henchman, and then die.
No, what I want is a true chaos agent to rival Littlefucker, a man who becomes obsessively and uncomfortably devoted to Harwin, the only person in his entire life who ever treated him with any love or respect or care, who launches this bloody, demented quest to completely wipe out every Valyrian left alive for the misuse and murder of his brother. Willing to help kill his own nephews. Willing to burn the kingdom to the ground. Willing to destroy his own house if it means Harwin will be avenged, if it means the dragons die. All leading to Larys getting his Pyrrhic victory and choosing to die because he feels he has nothing left.
Why the extreme change? I think it fits better with a lot of the themes in F&B and the dance in particular - not just family, and “the things we do for love” but the legacy of Valyria, of the Targaryens and the dragons, the clash and growing pains of this group of interlinked cultures learning to tolerate each other’s existence on the same continent, and of course, what being told every day of your life that you’re a monster does to how you view yourself. You can keep all the rest of his weird behavior from the show and the books even - the sexual abuse of Alicent being Larys unable to stop himself from turning into the same sort of awful man his father was; of him switching sides without a care or without any seeming sense in the books, always ready to be the devil on a shoulder to Viserys, Aegon, Alicent, and Corlys - but a little bit here and there to let us know that Larys genuinely loved Harwin until the bitter end. We already have several stories about a brother who grows to resent another and lets the resentment fester until he’s willing to cross a line you can’t come back from and murder his brother for a perceived sleight. I think Larys & the dance as a whole benefit from him being a brother who romanticizes and saintifies Harwin (but not lyonel!) so much that he weaponizes his years of resentment & turns it against the entire world and damn the consequences. I think he fits in much more with Rhaenyra, Alicent, Corlys, Viserys, Daemon, and Rhaenys that way and steps away from being Tyrion but slightly to the left and into his own type of character instead.
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