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#this also might be used in one on one interactions in cases where youre trying to grab someone's attention like on the street or smth
damazcuz · 2 years
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One more question(for now) why do people on tumblr use tags to talk #like this #about whatever they think of the post, instead of just commenting on the reblog😭 Is there an etiquette I'm missing?
short answer: yes.
long answer, there is an etiquette to it, and I think it's a longstanding thing that just ended up ingrained in a lot of users, which comes off as cold/shy/outlandish or maybe even standoffish to people from other sites and apps. there's no be-all end-all of how to act online or on here but i think in terms of most* people (*speaking broadly, making this up) who've used tumblr for a while it feels like this:
tumblr is a theater, the dashboard is a stage, each post is a performance. (a joke, a dramatic act, a story, a movie, a picture, etc.) you have a variety of ways to interact with the performance, but some of them are going to be more frowned upon--based purely on how the long standing visitors of the theater are used to acting, honestly.
likes are a polite applause, but they don't show anyone outside of the theater that you enjoyed yourself, or what you enjoyed. the performer appreciates the applause but does not garner any new viewers when you only like a post, btw.
silent reblogs mean you exit the theater with merch or a leaflet and go show it to other people. look what i saw on the stage, don't you want to see it too. this shows the performance to a new variety of viewers, who might then also show it to others.
replies and reblogs with content are often seen as """"rude"""" because they're like standing up at the end of the performance and loudly saying "that was okay but I think MY take on things makes it just a BIT better." people are more forgiving of this when it's something universally true or acceptable, or when it's very funny. if it's not (and even if it is, sometimes,) there'll potentially be a reblog down the line making fun of it (and this is another person in the theater standing up and making a fart noise, regardless of how tasteless or rude.) it's never actually "wrong" to add comments on a reblog unless you're being intentionally hurtful, and it's normal to add commentary to a friend's post, but even then, people seeing this from the outside may see that as obnoxious and impolite and try to call you on it anyway. (people are very weird about enforcing what they see as a universal rule of etiquette, when this is admittedly the only site where you'll be punished for adding to the discussion.)
and again, this is an absolutely arbitrary rule because what one person finds universally true and hilarious, another will find trite and stupid and too niche. the polite thing to do in the case of the latter is just reblog from further up the chain than the commenter, but people aren't always nice when they're annoyed.
getting to your actual question now, comments in the tags are a way to leave remarks that you DON'T want to shout to the whole theater. these are you whispering to yourself or your friend, or writing in a guestbook on the way out. people can see/hear it if they go looking for it, but you're not shouting over the performance to get your piece out. it's polite because it's unobstructive and doesn't take up space, and if your tags don't make sense to someone else or seem too niche, they don't have to share the post with your commentary attached.
adjacent to this, "peer review" or screenshotting someone's tags to insert them in the post is like if you did whisper to your friend, then your friend wrote your comments on a whiteboard and held it up for others to see. as this is a form of commentary within the reblog, it's again subject to an arbitrary universal/niche rule. just because a tag gets peer reviewed doesn't mean it's beyond reproach by strangers.
also in line with this general line of thought experiment, blazing a post means that between acts, you run up on the stage and start shouting your piece. it is, once again, going to be more acceptable to strangers to see you do this if it's something universally funny, true, or cute. this is why niche fandom posts, vent posts, and self promotions get ignored or booed down, while pet birthday photos and silly jokes get blazed and get a lot of notes regardless.
lastly, a kungpowpenis is when twelve+ individuals from the audience get up and beat the shit out of the person performing on stage and leave their corpse on display in the town square.
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𝐉𝐉𝐊 𝐦𝐞𝐧 𝐰𝐡𝐞𝐧 𝐭𝐡𝐞𝐢𝐫 𝐒𝐎 𝐡𝐚𝐬 𝐚 𝐧𝐢𝐠𝐡𝐭𝐦𝐚𝐫𝐞.
Characters: Gojo, Toji, Sukuna, Geto, Nanami
Genre: Fluff
Word Count: 1505
Warnings: Reader is extremely sub coded with Sukuna, but otherwise no warnings really.
NOTE: Although there isn't any smut in this my blog is still very much an adult blog. Anyone under 18 please refrain from interacting with my posts.
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𝐆𝐨𝐣𝐨 𝐒𝐚𝐭𝐨𝐫𝐮
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Gojo sleeps like a comfortable cat. He sprawls out over the bed taking up as much space as he can, while also being as close to you as possible. Of course, he can tell when you make even the slightest movement. 
He doesn't like waking up though. He'll crack open an eye to look at you and survey what the problem is. 
Sometimes it's just you going to pee, in which case he cuddles you when you're back. Sometimes you get up and have a bit of water from your bedside table for this he doesn't bother moving at all. 
This time however he realises something is wrong. You're sitting up in bed breathing heavily. He immediately gets up. “What's wrong pookie bear?” he asks. When you don't roll your eyes at the cringey nickname he uses he understands it's probably bad. 
He holds you in his arms and you whisper, as if afraid that any loud noise will shatter the safe space around you. “I dreamed of you… You were dancing around the edge of a volcano and you fell in.” You shudder. Gojo cracks a smile.  
“Is that all then? I’d be fine!” He reassures you, patting your back. “It's just a little volcano!” 
Tears start falling from your face, “TORU! We didn't even have a body to bury!!” 
Gojo takes your face in his hands and makes you look into his brilliant blue eyes. “Baby, I will NEVER fall into a volcano…” You nuzzle into his shoulder and his hand rubs your back, a gesture that calms you down. “And even if I did – I wouldn't die. I'm the strongest, remember?” He grins all cocky. 
You roll your eyes but concede. He's right… He is the strongest. It would take more than falling into a volcano to kill him.
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𝐅𝐮𝐬𝐡𝐢𝐠𝐮𝐫𝐨𝐓𝐨𝐣𝐢
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Fushiguro Toji isn't always the kindest, but he really can't bear seeing you suffer. Usually after putting you to sleep, he likes to stay up and have another drink or make himself a snack while he watches some races on the TV or an action movie of some kind. 
Later at night, he might crawl into bed with you, picking you up and laying you on top of him like a human blanket. And some nights he falls asleep on the couch, TV still on, the plate and glass on the floor. 
One night he puts you to bed and is watching an action movie. Beer in one hand tilting dangerously as he gets drowsy. 
“What a boring fucking film.” He scolds the screen, deciding to turn it off and head to the welcoming softness of your bed. 
He enters the room to find you sitting up, knees to your chest softly sobbing. He tiptoes to you quietly, careful to not startle you. 
“Ummm… are you okay?” 
You move your head some way but it's indecipherable to Toji. He pats your back awkwardly. He asks again, hesitantly, “Did I do something honey?” trying to wrack his brain for anything he might have done to upset you. He had broken a mug a few days ago but didn't think it would be a big deal. He'd already shown you and told you he would get you a new one and you had assured him it wasn't a problem. So what was it? 
Suddenly he felt your arms wrap around his waist. “Toji…” 
He holds you closer. “What's up, buttercup?” 
“Would you leave me without telling me?” 
He furrows his brows. “What are you talking about doll?”
“I had a nightmare that you left. Just packed up and went away and I had no idea where you were, or what happened!” Your tears start falling with renewed vigour. 
Toji lifts you like a cat and sits down on the bed, placing you in his lap. Your tear-streaked face looking at him expects an answer but he isn't sure he can give you one. He knew his work could be uncertain; which was also why he had hesitated getting into a relationship with you in the first place. It was why he’d always been more of a ‘wham bam thank you, ma’am’ kinda guy so now, faced with a question like this he can’t think of anything to do but just hold you squishing your head under his chin. “I’m here aren’t I?” 
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𝐒𝐮𝐤𝐮𝐧𝐚 𝐑𝐲𝐨𝐦𝐞𝐧
Sukuna Ryomen is a nightmare.
However, on rare occasions, he can be… comforting – in his signature Sukuna way of course. 
He doesn't bother with human functions like sleeping, but you need to so he likes to make you sleep on him. If he’s sitting up and reading then he likes having your head on his lap. If he’s eating, you’re resting on his shoulder. If he’s not feeling too touchy but still wants you to be near him somehow, he will make you sleep by his feet. You're his little human after all. 
But Sukuna likes to take special care of his toys; so when one day you jolt awake at his feet, he lifts you onto his lap. Sitting you down so he can see your face clearly, he asks you what happened, not forgetting to call you a brat of course. 
“It was a nightmare,” you say quietly not wanting to reveal much. 
Of course, this wouldn’t be a satisfactory answer to the King of Curses. “Explain yourself woman!” he squeezes your cheeks between his fingers and thumb. 
“You! You were torturing me.” you cry out feeling his nails against your skin. 
He takes the opportunity to kiss your lips with your face still dwarfed in his massive hand. “There there, my little princess.” And licks a tear rolling down your cheek. “You know I’m not going to mistreat my playthings.” 
He continues saying, “Besides, if I wanted you dead, you would be. I wouldn’t waste my time torturing you.” And that would be the end of that conversation, but you would notice that in his own way, he would be a tiny bit gentler with you from then on… 
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𝐆𝐞𝐭𝐨 𝐒𝐮𝐠𝐮𝐫𝐮
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Geto Suguru is a man not unfamiliar with nightmares. So when you have one he knows what to do. What he wishes he had when he experiences the same…
He'll clasp you in a tight embrace, squeezing you close to his chest. 
He knows how terrifying it can be and how realistic nightmares feel even if in retrospect they are absolutely ridiculous. 
Geto wakes up hearing a thud and you crying out, “No!”
“What's wrong babe?” he asks, still half asleep voice drawling. He pushes himself up on his arms to take a look at you. 
You're clutching your head with a pained expression, tears filling your eyes. “I had a bad dream.” 
He takes your hand and pulls you towards him, letting you push your nose into his chest. “Did you hit your head on the bedside table too?” He asks slightly amused but still gentle. 
“I was trying to save you, you ungrateful man!” you admonish. 
“Save me?” Geto chuckles, “What from?” You murmur something that he can't make out. 
“Mmm, what was that?” He asks again teasingly. 
“Gojiraaa!” you say, clearer this time the embarrassment evident in your burning cheeks. 
Geto laughs. “Baby… You know I can fight him, right? Easily.” He pauses and then, “Or I could just throw you at him and run. You don't have to worry he won’t get me.” 
You stare at him annoyed, “You know what? He can eat you, I don't care.” 
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𝐍𝐚𝐧𝐚𝐦𝐢 𝐊𝐞𝐧𝐭𝐨
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Nanami Kento is a cuddler. So he knows immediately when you've had a bad dream. He's up before you, hearing you whimper and feeling your body tremble against him. He'll wake you up, hold you close. Bring you some water to drink and stroke your hair. 
He likes to speak to you gently to wake you up, slowly drawing you out of whatever nightmare was eating at you. His deep voice is soothing to hear even in your subconscious. 
You blink your eyes open. There's this dull feeling of terror that's fading away as your surroundings come into focus. 
“My love? I'm here. Wake up for me.” That's your partner's voice. Your Nanaminmin. You feel the warmth of his embrace and snuggle into his broad chest. It's safe. 
“Do you want to talk about it?” 
“Shibuya again…” 
Nanami rubs circles into your back wishing desperately that the trauma of the past would stay there. But even if that wasn't to be, at least he could hold you. Love you. He lowers his head to place a chaste kiss on the top of your hair. “It's over my love. I'm here. I'm alive. They couldn't take me from you…” 
He keeps murmuring to you as you hold onto him clutching at his arms. The feeling of terror; not so alien but thankfully fading. He was home. With you. You still had him. Right beside you. He was there. He slowly rocked you back to sleep closer than ever and this time when you slept there were no more nightmares…
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A/N: Thank you for reading! I'm open to feedback and do let me know if you find any grammatical errors that i might have over looked.
Also i reject canon. Nanami is alive. Shibuya happened but he was saved. i know i was there. i dragged his half dead body to safety ok bye.
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il-miele-che-scrive · 5 months
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lando norris x reader
based on this request (because I take requests and I have to make it everyone's business): Hi not sure if you take requests but in case you do could you write reader x lando where y/n is a celebrity or an influencer and she drops subtle hints at who is her new bf maybe some fun facts about him like "oh he hates fish and I'm making a lot of fish for christmas" and eventually the fans are like "guys it's totally lando"
words count: 2.5k + fans' tweets at the end
author's note: my first request and it was so fun to write 🥹 also added a hospital scene from the time of Vegas GP so we could experience a bit of protective Y/n and painkillers-high Lando (I forgot about a fish scene)
edit: I've just realized I've messed up the dates so let's pretend the award thingie was in '23 instead of '22
A secret boyfriend
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It was a normal Tuesday of 2023 when Y/n Y/l/n and Lando Norris met. Well, not so normal since it was the day Y/n won the first award in her musical career, and Lando had his first debut as an award presenter.
"And the winner is..." He opened the envelope and flipped it, as he held it upside down. "Y/n Y/l/n."
Y/n couldn't believe it at first. She looked at her best friend with tears in her eyes. They hugged before Y/n stood up and got on her way to the scene, still questioning if she actually heard her name or was it her mind playing tricks on her.
"Thank you," Y/n sent Lando a smile as he handed her the award, "are you sure it's for me?" She joked, trying to mask the anxiety she felt from the fact that now she had to give a speech while everyone watched.
"Absolutely, it's all yours. Well deserved." Lando said feeling a bit starstruck from being so close to one of his favorite singers.
Just this one simple interaction was enough for both Y/n's and Lando's fanbases to raise suspicions. However, what was unavailable to the fans' eyes were Y/n and Lando's interaction at the after party. Later the same evening, he approached her.
"Hey, congratulations again." He said with a grin on his face. "Your music is amazing, I couldn't imagine you not winning this award."
"Stop with the compliments, I'm gonna blush." Y/n laughed. "Nice to meet you. Lando Norris, isn't it?"
"Yeah, do you watch Formula One?"
"I'm going to be honest from the beginning and admit I did not, but I did my research and I just might start being a fan."
"If you're ever down for hearing firsthand gossip straight from the track, I'm at your service."
"I'd love to hear all the gossip over a coffe sometime."
"Let me give you my number then and I'll arrange something."
And so a few days later they had a coffee date. The date marked the beginning of a carefully hidden romance. They wanted to keep it a secret from the public eye, not wanting people prying on them, trying to estimate how long they'll last.
Keeping the relationship secret somehow came easy to them. They were seen on the coffee date indeed, however they made sure to have the next dates in private. The fans on both sides were literally clueless to the whole ongoing romance. Y/n had her tour, Lando had his races and it wasn't even a little bit suspicious how a lot concerts aligned with race weekends.
Unfortunately, one day Y/n went live on Instagram with her best friend. Unfortunately, because Y/f/n didn't know how to keep her mouth shut. Unfortunately, because Y/f/n gave away the big secret.
"You know, guys, we're gonna use lives as a way to spend time together," she joked, "I've been feeling a bit abandoned since Y/n has been spending so much time with her boyfriend. Even on tour and with his busy schedule, can you believe this?"
Y/n's eyes widened. "Y/f/n!" She scolded her friend.
"What? It's a joke, no worries, I can see you're finally happy and I'm happy for you!"
"Y/f/n! You weren't supposed to say that!"
But the damage was already done. There was nothing Y/n could say to save the situation. So instead she decided to start dropping subtle hints for the fans to guess. Maybe it was the right time to make the relationship public after five months. They couldn't hide it forever.
Y/n started the hint game when she was on Jimmy Fallon's show.
"Y/n Y/l/n, everybody!" Jimmy announced when the girl walked in and sat down on the armchair. "I haven't seen you in a year and so much happened during this time!"
"I know, I know," Y/n said with a smile. "I'm so glad I could make a quick pit stop here on my way to Montreal."
"I'm happy to have you here. You won an award, you got a boyfriend. How- how did that happen?"
Y/n chuckled at Jimmy's question, realizing it was the perfect opportunity to play the hint game. "Oh, life takes unexpected turns and sometimes you find yourself on a fast track to happiness."
Jimmy raised an eyebrow, sensing there was more to the story. "Anything you'd like to share about this mystery man?"
"You know, Jimmy, I've finally found someone who knows how to navigate the twists and turns in life."
The audience laughed and the speculations among fans skyrocketed as they tried to connect the dots from Y/n's playful hints.
The other time, Y/n was on a popular radio show. The host couldn't help but ask about the latest reveal of a big secret.
"You were left hurting really badly after your previous relationship," he spoke, "it's really good to see you finally happy."
"It was a big thing for me. Still is." The girl admitted. "My previous relationship made it hard to open up to a man like that again."
"What made you do it eventually then?"
"I decided life is too short for keeping things in the slow lane," Y/n chuckled, "and when you meet someone that can belt out a Taylor Swift song with the same passion as you, it's hard not to fall for them."
"So your mystery man is a Swiftie too? Any chance we might know him?"
"Oh, I bet many people who are listening right now would know him."
"Now you got us all intrigued, your fans wouldn't forgive me if I didn't ask for more."
Y/n grinned, "Well, he's practically flawless, except for one little detail. He's a scorpio. And let me tell you, when we're playing our silly little racing video games, his competitive scorpio side really comes out. It's all fun and games until his racing pride is at stake."
The host laughed. "I'm sure fans are already trying to guess who this mystery gamer is. And you, are you competitive?"
"Yes, totally. He's more experienced than I am, but it doesn't mean I won't try my hardest to beat him."
"Is there any trait you don't share?"
The girl nodded, "Yes, one thing I'm secretly jealous of. He's quite known for being able to fall asleep in the most uncomfortable conditions. I wish I could do that. I'm all about pillows and comfy blankets, but he can just doze off anywhere, anytime."
A few days later, in the warmth of Lando's bedroom, surrounded by the hum of city life outside the windows, Y/n brought up the topic with a playful glint in her eyes.
"You know, Lando, fans have been buzzing lately. It's quite entertaining."
"Well, you have started this yourself," Lando laughed, laying his head in his girlfriend's lap.
"Not me, it was Y/f/n. I just went with it and turned it into something fun for myself." Y/n defended herself. Her fingers started gently playing with Lando's hair.
"You do seem to be having a great time, leading your fans on and all that," he joked. "Are there chances they'll solve your mystery anytime soon?"
"I've seen a few tweets accusing you of being my secret boyfriend, but most people don't really believe that."
"What?" He sit up dramatically. He continued in a fake-offended voice. "Do they think I'm not good enough?"
Y/n giggled.
Lando's mock offense turned into a playful pout. "I can't believe they're doubting my boyfriend potential. I mean, come on, look at me!" He gestured theatrically at himself.
Y/n burst into laughter, "Maybe we should give them a little more to work with, stir the pot a bit."
Lando leaned in, placing a quick kiss on Y/n's cheek. "You're a master of turning chaos into entertainment, you know that?"
"It's quite a compliment, coming from a Formula One driver."
Lando flashed a grin. "Well, we both have our talents, don't we? Maybe we should drop some subtle hints during a race?"
And so they waited months for the Grand Prix in Vegas, because that was where they could start rumours about getting married. Sure, they could get married spontaneously anywhere, but there was no better place than Las Vegas.
Thankfully they managed to keep the relationship secret all these months, breadcrumbing Y/n's fans. After the Vegas GP, Y/n and Lando where supposed to go for an afterparty, get 'drunk' and then 'married'.
Unfortunately, they plans changed the direction a bit with Lando's crash. Y/n's heart sank as she watched the unfolding drama on the big screens. The thrill of the race was replaced with concern for Lando's well-being. Plans for the afterparty and the playful hints about a fake marriage suddenly didn't matter anymore.
Emergency crews rushed onto the track, the anxious seconds felt like an eternity as they worked to help Lando get out of his racing car. Y/n's heart pounded in her chest, the world around her blurring. The fact that he managed to walk away from the car was a small comfort.
Y/n's phone buzzed moment after Lando disappeared from her sight.
from: Lando
I'm okay, they're taking me to st vincent's hospital. Will update you soon. Love you xx
to: Lando
Be there in a second, see you soon
A shaky exhale escaped Y/n, she felt slightly relief and ran towards the exit. She was sure Lando wasn't okay, not after that crash, but at least he was conscious and walking on his own (although it could be the adrenaline). A moment later, when Y/n got into her own car, her phone buzzed again.
from: Lando
Yknow you could post a pic from the hospital, that would stir the pot
Y/n smiled at the massage. If he could think of that, he might had been better than she thought.
The neon lights of Las Vegas blurred as she drove through the city streets, trying to get to the hospital as quick as possible. Despite the speed, the journey seemed to stretch in time.
Arriving at St. Vincent's hospital, Y/n rushed through the entrance, her heart pounding. The reception area looked like a maze in her anxious state, but she managed to find a nurse.
"I'm here for Lando Norris," the girl said.
The nurse looked her up and down. "Are you his family?"
"I'm his girlfriend."
"Then, unfortunately, I cannot let you see him."
"His family is in Europe, I'm the closest to family you can get here in Vegas."
"The closest, but not family. I'll ask you nicely to wait here for further information."
Y/n nodded with an angry expression on her face. She sat down in the waiting room, pulling out her phone and dialing the number of her manager.
"Hey, Mia," the singer said. "I need you to do something." Urgency and frustration were visible in her voice.
"What's going on, Y/n? Are you okay?" Mia's concerned voice came through the line.
"It's Lando. He's been in a crash during the race in Vegas, and they've taken him to St. Vincent's Hospital. I'm here, but they won't let me in because I'm not 'family.' That's so stupid."
"I'm sorry, Y/n, but I still don't see what you want me to do."
"I want you to make a donation for the hospital from my account. Send them like $100,000. I think it'll be enough to let me in."
"Okay, I'll take care of it."
"Thanks, Mia. I appreciate it more than you know."
Y/n took a deep breath, trying to calm herself down. Anxiety lingered in the air. But there was no way they wouldn't let her in after that.
Y/n didn't know how much time had passed. She felt as if all she did was staring at a wall in front of her, ocassionally moving her eyes to the floor or the ceiling. She was fidgeting with her fingers as the same nurse approached her.
"Miss Y/l/n, you're allowed to see Mr Norris in the room 305."
Without a word, Y/n rushed to the room. She found Lando lying in the hospital bed, his gaze turning towards the door as she walked in.
"Lando." Y/n breathed his name, rushing to his side and taking his hand in hers. "I was so worried. And they didn't want to let me in at first."
He managed a dazed smile, his eyes slightly glazed. "Hey, you're real, right? This isn't happening in my head?"
Y/n chuckled. "Yes, I'm real. It's me."
He squinted at her. "You sure? You look like a beautiful hallucination."
"Well, if I'm a hallucination, at least a beautiful one."
"I feel like I'm floating on marshmallow clouds, but you're the most beautiful marshmallow I've ever seen."
Y/n couldn't help but laugh. "I think you might be on some strong painkillers, love."
"Ah, that explains the marshmallows. They're having a party in my head," Lando said with a dreamy expression.
Y/n burst into laughter, the tension of the earlier moments disappearing in the room.
"Did you know," Lando continued, "that racing is like trying to catch a rainbow? And if you're lucky, you might find a pot of gold at the end."
"Is there an Irish leprechaun as well?"
"I wouldn't be surprised. Maybe that's who's been guiding me all this time."
"You gotta ask him to make the rainbow less slippery next time then."
He nodded solemnly. "I'll have a serious talk with him. No more slippery rainbows, only smooth, marshmallow clouds."
As they joked around, Y/n couldn't ignore the quiet concern for Lando's well-being. She gently brushed his hair away from his forehead. "You scared me, you know? Seeing you crash like that."
"I'm sorry, love. I didn't mean to scare you. I promise I'll be more careful next time. But you have to promise me something too.""
"What is it?"
"You'll visit me in the marshmallow cloud world sometimes. It gets lonely up there."
Y/n laughed, leaning in to press a gentle kiss on his cheek. "I'll visit anytime you want."
"You know, even in the middle of all this craziness, having you here feels like finding that pot of gold at the end of the rainbow."
As the night carried on, the hospital room became a cocoon shielding them from everything that layed outside its walls. Y/n found herself falling asleep on an armchai next to Lando's bed.
In the quiet ambiance of the night, Lando's mind wandered through the whimsical landscapes of his medication-induced thoughts. He couldn't help but marvel at the coincidence that brought Y/n into his life.
It all started with handing her an award. It seemed like it happened a whole lifetime ago and now, there they were, in the middle of marshmallow clouds.
Y/n, nestled in the armchair, breathed softly in her sleep, completely unaware of Lando's reflections. Soon enough, Lando allowed himself to succumb to the gentle pull of sleep as well.
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nanowrimo · 10 months
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How to Use Meal Scenes to Develop Characters, Relationships, and Your World
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Worldbuilding can sound complicated, but why not make it a little more simple by focusing on food? It may be the domestic touch you need! NaNo Participant Lacey Pfalz talks about using meal scenes to develop your world and your characters.
There’s one thing that remains a universal human truth: we love food! While our perspectives on food might differ, people all across the globe gather together during mealtimes — and thus, mealtimes are made memorable.
Meal scenes can also help your story in a few key ways, especially if it’s fantasy, science fiction or historical fiction.
Meal Scenes for Worldbuilding
If we’re using food for worldbuilding purposes, does that mean we can say we’re worldcooking?
Just kidding! Worldbuilding, especially in historical fiction, science fiction, and fantasy, is an integral part of what you must do as a writer (In truth, it’s also important for writers from other genres, but we’re specializing in these three today).
Meal scenes can be an important part of the worldbuilding process. Food is intrinsically tied to a culture or a country, or even a small region. That’s why it’s important, when building your own world, to take time to figure out the bare minimum of what your characters will be eating.
Let’s do an example. Your world is fantasy, your kingdom set beside a wide river. Perhaps your capital city, where much of the action is located, is surrounded by wetland.
If this is the case, what types of food would likely grow there? Seafood, fished from the large river, might be your characters’ staple proteins, while rice might grow better than another grain because of your kingdom’s wetlands. Fruit, perhaps even coconuts, might be the sweet stuff your main character loves to devour.
Remember that your world directly affects what types of food your characters will be having: is there coffee in space? What about in Byzantine Turkey or your new riverside kingdom?
Shannon Chakraborty does a phenomenal job with this in her fantasy series The Daevabad Trilogy, which is set in the eighteenth century across the Middle East. Her first book, The City of Brass, is especially good at showcasing the often-fragrant dishes of the various cultures across this region of the world (some copies of the book even have a short list of recipes from the book that foodies can try whipping up for themselves).
While her book is set within the fantastical world of the Djinn, her food is based upon recipes that have been preserved for centuries.
There’s one small reminder with all of this: it’s important not to get too caught up in describing each dish so much that you end up taking the focus away from the characters in a meal scene. Meal scenes can be breaks from fast action, but they should also continue the plot.
Meal Scenes for Developing Characters & Relationships
Character development can be hard, especially if you have a handful of characters that you love! But in order to make your readers love them too, you have to show them interacting with the world around them.
That guy we love to hate? Maybe he’s a loner who has grown up eating by himself. Having him forced to sit and eat with a group of people who have known each other for years might be an awkward moment for him, but it helps readers to learn more about his own worldview — and it might just help get him out of his shell, or at least off the love-to-hate list.
Besides helping you develop a single character, writing meal scenes with some of your characters can also help readers learn more about the relationship between your characters.
Let’s say you have your main character, MC. MC leans over and steals a French fry from her best friend. There’s no issue, right? That’s because they like each other, and the best friend has likely eaten with MC before, and knows she enjoys stealing food from other people’s plates.
But when MC tries it again, this time with the guy sitting next to her, he whacks her hand to stop her from stealing. This sparks an argument that seems, at least to everyone else watching it, pointless, but readers will know from the rest of the story that they’re the enemies-to-lovers trope. This argument is just one of many before they finally acknowledge their feelings towards one another.
See how that worked? A meal scene wasn’t useless; it pulled the story along by giving readers another taste of the enemies-to-lovers trope that so many enjoy reading.
If you need a more visible example of how this can play out, try watching a movie like Pride & Prejudice, (the book is amazing, but I’m suggesting the movie as a visual aid). The movie does a great job showcasing just how different the members of the Bennet family are individually, how they act around each other, and how they act around company.
There’s often little action in meal scenes, so they’re not meant to be overused. The plot should also still be there — take the cringey proposal scene between Mr. Collins and Elizabeth in Pride & Prejudice, for example, which follows directly after a meal when the rest of her family abandons her. In this case, the plot (and Mr. Collins’ advances) ruin her meal.
Perhaps your meal scene is the much-needed respite in between battling fierce aliens for planet Earth, or the first time your main character’s enemy-to-lover has entered her home. Either way, meal scenes are an important way to immerse your readers in what kind of world they’re imagining as well as showcasing how your characters act and — more importantly — how they act around each other.
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Lacey Pfalz is a travel journalist by day, hopeful author by night. She belongs to the class of graduates she dubs the Class of COVID-19, having graduated with a double major in history and writing at Wisconsin Lutheran College in 2020. Her writing passions include fantasy, science fiction and historical fiction (with a little bit of romance, of course!). As someone with a physical disability, it’s her dream to write a fantasy series featuring a main character like her. Header Image by Jack Sparrow
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chisatowo · 2 years
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My head is soooo full of stalien linguistics worldbuilding rn I am going to explode
#rat rambles#oc posting#eternal gales#Ive been thinking abt their numbers and grammar systems and pronouns and such I am shaking it all so violently in my head#I wanna scream abt it soooo bad but idk how to do so without it being incredibly boring to everyone but me djskgdkdy#maybe I should design the numbers at least that might be easier to do visually#idk if Ill be able to capture the image of them I have in my head though but I can try my best later maybe#also at this point theres now like 6 sets of characters involved in their language so thats fun#to be fair one of them is just numbers the other just dynamics and another is a more like tone and grammar thing ig?#Ive been reffering to them as tics in my head theyre basically a small sound a stalien might put at the front of a sentence or before a#word or smth to indicate smth abt what they are saying#this usually means changing the meaning of smth their saying but sometimes it can be more of a like getting ppls attention thing or smth#for example a lot of stalien numbers share pronounciations to other words so they use a tic to specify when theyre using the number#or if their counting theyd use it at the start of their sentence so it doesnt come off as if theyre spouting nonsense#not all feel the need to do this though since at a certain point its pretty common sense and clairification isnt necesary#and like Ive said before tics can be used to signify the seperation of words in the same alphebet if you need to use it twice in a row#as for on the more social side of things one might use a specific tic to indicate that theyre speaking to everyone in the area#this also might be used in one on one interactions in cases where youre trying to grab someone's attention like on the street or smth#I dont think thered be too many types of tics but they can be used in a lot of ways depending on the context#I also imagine that the mixing and matching of tics might see some use to portray more complicated ideas
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maaarine · 5 months
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The sexual assault of sleeping women: the hidden, horrifying rape crisis in our bedrooms (Anna Moore, The Guardian, June 15 2021)
"Naming specific acts, rather than using broad – and loaded – terms such as “abuse” or “rape”, her survey asked more than 22,000 women if, for example, they had ever been spat at, or strangled, kicked or bitten.
It also asked respondents if they had ever woken to their male partner having sex with them or performing sex acts on them while they slept.
To this question, 51% answered yes.
This was not randomised sampling – the survey was widely shared online and participants were self-selected. For this reason, it’s hard to extrapolate from the findings.
The results sparked a predictably polarised online response. “This was extremely validating for me after years of thinking, ‘Am I being raped?’ I’m not alone”, tweeted one woman.
“It’s why I now jerk awake if someone even gently brushes against me while I’m sleeping, 13 years later,” wrote another.
Other comments included, “Only chance I get!” and “the other half was OK with it!”
Katie Russell, spokesperson for Rape Crisis, says she was “not massively surprised” by the findings.
“There isn’t a lot of research into the multiple ways women experience violence from known men, but we do know the numbers are so much higher than any official statistics,” she says.
“Rape myths are still incredibly pervasive. It’s commonly believed that if it’s your boyfriend or your spouse, if you’re sharing a bed, if you’re naked, if you consented earlier, then it can’t be rape.
There is a really big difference between gently waking your partner and initiating sexual activity and actually doing something sexual or penetrating someone while they’re still asleep. (…)
In Martha’s case, the rape happened once, but for some men, seeking sex with a sleeping woman is an active preference, a fetish known as somnophilia.
Svein Overland, a Norwegian psychologist, is one of the few to have studied it – his interest sparked partly by his work in prisons, trying to understand the motivations of sex offenders, and also by his work with victims of what Norwegians call “after-party rapes” – attacks on vulnerable women who were either sleeping or drugged.
Overland believes somnophilia is part of the wider growth of what he calls “one-way sex”.
His research into online porn showed a steep rise over the past decade in categories such as “sleeping sex”, as well as other forms of sex that are based on unresponsiveness, on only meeting your own needs.
(“Flexi dolls” is another example – where women pretend to be sex dolls.)
These preferences overlap with porn itself, says Overland. “With one-way sex, with porn, with masturbation, there’s no dance, no seduction, no interaction and no pressure to perform,” he says.
“The more I looked at this area, the more you see that a lot of men are afraid of having sex.
Society is becoming more pornified but, at the same time, many studies show that people are becoming less sexually active. We have young men buying Viagra, unable to keep an erection.”
A sleeping woman is no threat – she’s absent, an object, a receptacle. (…)
“There seems to be a perception that something like this is a ‘lesser crime’ because it might not be at the hands of a stranger but your partner.
But what would feel worse? Being pickpocketed by a stranger or robbed by someone you love and trust?” she asks.
“The idea that you’re asleep so it didn’t require violence is also very dangerous. Penetrating someone’s body without their permission is an inherently violent act.
“Imagine being asleep and waking to find someone going through your personal things,” she continues. “Now imagine it’s your actual body that has been intruded into.” (…)
“When I first left him, I wouldn’t sleep. I’d lie awake all night and have hallucinations – him raping me.
Those flashbacks, that trauma response, was the mind and body trying to piece things together.
Even now, nine years on, I still wake at two every morning. I don’t even need to check the clock.
We know that the body stores memories of trauma – and I think 2am is when it used to happen.” (…)
In February 2020, she told the jury: “There has never been a part of me that has not been profoundly impacted,” and that in the immediate aftermath, she suffered PTSD and had tried to take her own life.
She said she had felt “unsafe everywhere”, frightened to trust anyone, even her parents."
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cardentist · 2 months
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Fam how can one be trans in the direction of their assigned sex? I'm not even trying to make the idea sound ridiculous or anything. I'm genuinely curious and want to understand. I thought the whole meaning of trans was that you feel or act in the opposite direction of your assigned sex; if you're transfem but you're afab then to me that's just cisgender??? But like please explain to me how that's not the case if that's what you and others strongly feel so I may grow my compassion
Context: [Link]
well ! while I personally am not intersex, I DO want to highlight intersex people first and foremost.
gender and sex are very Very complex, and I think generally people don't consider the way that being intersex can play a big role in that!
there are intersex people who are afab who are also trans women, there are intersex people who are amab who are trans men, there are intersex people with many Many different relationships with sex and gender and anywhere in between !
an afab person can be born with masculine sex characteristics and transition the way trans women often do. that person May identify as trans, they may not ! that trans person may not even consider themselves a woman depending on who they are and what they want !
I Do think there needs to be an effort to be aware of and make space for intersex people within the trans community, and really the wider queer community as a whole. as it's often something that's given a footnote without deeper thought into the ways that intersex people Actually interact with our communities.
which I don't blame people for not already knowing ! that's the whole point of trying to educate people in the first place ^^
.
and as for Myself
labels are, ultimately, a form of gender presentation. what you call yourself is an extension of not only how you see yourself, but how Other People perceive you.
I could call myself nonbinary or I could call myself trans masc, and both would be Accurate. but people have certain traits and expectations and associations when they see those labels. there are assumptions made about the kind of life that I live, the things that I want, the things I might experience, that change depending on which labels that I use.
and that's not Inherently a bad thing ! I mean, that's part of why people Like labels. but it Can be a struggle for people whose gender is Funny.
I could Also describe myself as genderqueer or multi-gender or genderfluid or gnc or-. I've tried on lots and lots of labels, and for the most part I haven't thrown any of them out, I just keep them in a box under my bed and take them out when relevant.
I've been wrestling with the feminine aspect of my identity for a very Very long time. I've been aware that I'm some level of trans masc. that part was easy. I want a deeper voice, I want things about my body to change, I don't want people to look at me and see a cis woman.
but I Also like femininity. I've found that after accepting myself as trans masc and slowly growing an environment where I am Perceived as masculine, I've started getting euphoria at presenting femininely in the Same way that I did (and do!) get about presenting masculinely.
but that feeling doesn't carry over when I'm perceived as a cis woman. it's Quite Uncomfortable for obvious gender reasons.
and while I may not know the exact Words that I'd use to describe it (as I've said, I've been chewing on it for Many years now), I've gotten a clearer idea of how I Feel.
I want to be Visibly trans. I want to be perceived masculinely And femininely. I want to transition masculinely to present femininely (and sometimes butch, sometimes like your dad at the ace hardware store, I contain multitudes).
and of course, figuring out what I have going on has involve a lot of exploration ! it's the same way I figured out the whole trans masc thing in the first place. seeking out other trans people and other Things About trans people feeling things out.
I find ! that I have a lot of shared experiences with transfeminine people. both in how I feel about certain things, some of the presentation that I want, and in how people would React To said presentation.
my femininity Is Trans, I don't relate to cis womanhood. but I Do relate to trans femininity. which is really awkward for me, because it's difficult to describe it to other people fjksldljkasfdjklfasd
(I don't personally consider myself a trans woman mind, but I'm certain there Are people who are trans men and trans women at the same time. gender is complicated, sex is complicated. labels are malleable and sometimes situational)
Could I describe myself with a different label? probably ! I've got lots of them. but when I Don't put emphasis on this aspect of myself people assume that it's not there. insist that it Couldn't be there, and I don't know what I'm talking about. and those people who Would act nasty towards me probably aren't gonna change their mind just because I changed my bio. but it feels Nice to assert that aspect of myself when other people are trying to tear it down.
.
part of me feels like I should post the intersex portion of this by itself, because people tend to engage more with shorter posts and there's nothing Short about my gender situation ljkfdasjkls
but ! I dunno, if this makes even one person understand the gray areas of gender and presentation a little more it'll be worth it.
thank you for taking the time to ask ! and especially for doing so kindly ! I do hope you'll see this
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cy-cyborg · 2 months
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We have communities - Writing disability quick tips
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So often, stories centred on disabled characters, especially in modern settings, emphasise how lonely or isolated the character is because of their disability, especially if it’s a newly acquired disability or one that non-disabled people assume would have a big impact on our ability to do “fun stuff”. This will often be accompanied by statements of “no-one understands what living with [insert disability here]” is like!
And while isolation and loneliness are things a lot of disabled people deal with, a lot of us are not completely alone either, especially in the modern day.
Just like any group of people with shared experiences, we find one another. Sometimes this is through formal systems; some spinal rehabilitation centres for example, will pair newly paralysed people up with a mentor who’s had a similar form of paralysis for much longer to help guide the person while the adjust to their new disability. Other more formal systems can look like disability sporting organisations - the one I used to work for used to specifically encourage very newly disabled people to join so they didn’t feel like the had to learn everything about their disability alone, or support groups.
Other times though, these communities are much less formal. They may look like online forums, such as the ones on Reddit, built by and for disabled people to talk about their experiences and seek recommendations from others in the same boat, or parts of larger social media sites. For example, on Tumblr, there aren’t really any formal groups, but thanks to the hashtags we use in our posts, we often find one another fairly quickly there. We sometimes also carve out our own little subsections of fandom or hobby spaces, brought together by the shared interest itself, how things like disability might impact the way you interpret or interact with it, and how we can modify it (in the case of hobbies) to make it work for us.
A lot of disability communities, formal or otherwise, also form out of necessity, such as advocacy groups run by and for disabled people, and those built around ensuring the rights of disabled people are protected.
Isolation and loneliness are problems within the disabled community that many of us deal with, but this tends to be more in the context of isolation from the wider public, exclusion from public spaces and events (despite there being laws that are supposed to stop this because they’re often not enforced), disconnect from non-disabled friends and family, etc, most of which are the result of systematic issues or the lack of understanding or care and support from non-disabled people in our lives. Not always, but often.
The communities made by and for disabled people though are often (at least in part) made to help make up for this, and they’re more common than you might think, you just have to know where to look. It would be nice to see more creators reflecting this in their work a bit more often, or at least acknowledging that they are there, even if your character chooses not to engage with them.
However, as a reminder to authors and creatives: These communities, especially the online ones, are for disabled people, they are not there for you to use as a reference as a creator. Some communities are ok with you being there to learn, so long as you listen and don’t try to speak over/bombard their members with questions. Others are not. The ones that are, typically will have something written somewhere if it’s online (e.g. subreddits that accept writers wanting to write disabled characters will often have it written in the “about” section or the rules). There are also dedicated groups and platforms for non-disabled people seeking to learn more about us and our communities, which can be excellent resources for creatives like writers. Just remember to be mindful of where you are and respectful of people’s spaces and boundaries when doing your research.
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jelluf1sh · 8 months
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In that case, can I request Sukuna (if you’re comfortable writing for him I understand if not), Gojo, and Geto with a smol partner? Like they’re all decently tall and their s/o is so short and how would they feel/interact with them because of it
Thank you again! And I hope this new start treats you very well!
𖦹˚ ✩ . ❝what's the weather like down there ?❞
★ synopsis. your only purpose in life now is to serve as your boyfriend's armrest.
★ includes. satoru gojo, suguru geto, ryoumen sukuna.
★ formatting. headcanons.
★ notes. established relationships, gn! reader, reader is roughly '5"0 for reference, excessive amounts of harassment from sukuna, gojo being insufferable as per usual, suguru being the only supportive person here, slightly toxic behavior (from sukuna).
꒰— ๑ author’s note. ryker ! hello, you !! always so good to see you in my inbox. im sorry this took me sm longer than expected.. ahaaaa so here the thing. i've tried writing for sukuna a couple times, but i don't think i'm too good at his character: i'm trying again, just for you, so you can let me know yourself, okay? >_< and ty for the well wishes!!! i hope my new start treats me just as kindly as you do.꒱
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★彡 SATORU GOJO.
Don’t feel bad — everyone’s an ant compared to the 6'3" Satoru Gojo.
You’re his special ant, though! Useful and cute as a button!
(I say 'useful' because, unfortunately, you are no longer Y/N, the epicenter of Gojo's heart, but instead Y/N, the glorified rest for his chin and lanky arms.)
How sweet of him. ♡
The kind of boyfriend to make you ask him to bend down for a kiss, even if it's just on the cheek.
Also the kind to hold cups and books and whatever else you happen to have in your hand above your head, snickering like a child at the way you try (and fail) to get your things back.
Satoru is actually the king of short jokes. Please punch him. It's permitted. It's not even funny how good he is at slipping them into perfectly normal conversation.
“You're not happy? Which one are you, then?” (It's a seven dwarves joke. Please laugh.)
Yuji likes to call you out on it just as much as his teacher does, pointing and laughing as Gojo's elbow plops atop your head and he leans on you.
“Gyahahahaha!! Sen…Sensei — hehahaha — you look like an angry armrest…!”
He’ll sort of just hoist you up out of nowhere — it’s kind of scary, but it gets more exciting once he starts running through the halls with you on his back like a maniac.
Receiving hugs out of nowhere is also a big fat trap. Don't fall for the way his eyes sparkle as he reaches out to embrace you. He’s full of trickery and bad intentions.
“Hey, you.” And like an unsuspecting idiot, you squeeze him back, wrapping your tiny arms around his big torso. “What's up, baby?”
“Oh, y'know. I'm just appreciating the little things in life.”
“We’re done.”
“WAIT—”
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★彡 SUGURU GETO.
Geto is pretty sizeable himself. He may not show it too often, but he does preen a little at the fact that you have to look up at him.
Unlike a certain blue-eyed sorcerer, he won't be half as teasing about it.
He'll reassure you whenever and if ever you feel insecure about your height.
"No, no, you're never too short for me. You're just right."
"Your height just makes it easier to hold you."
"I love you just as you are."
(RRRAAAAAAHHGHHHHHSHDJ)
Honestly, you’re the cutest thing to him.
You're so precious, just look at you.
Despite that, Geto really isn't one to coo at you like Gojo other men might.
When the mood strikes him, he may rest his chin on your head, bending down to coil his arms around your waist, or he may just pick you up entirely.
Suguru likes to keep you in that sitting position, hoisting you up to where your bum is in the crook of his elbow like a 5 foot tall piece of equipment. He'll just carry you around like that, too.
Adores holding you while you sleep. It's usually you on top of him, sprawled out across his chest like a small starfish.
"You know, this is how Mimiko and Nanako used to sleep with me."
AAAAUUUGGGHJSJJD I NEED HIM TO HOLD ME
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★彡 RYOUMEN SUKUNA.
Ha!
There was no chance in hell he’d ever let himself be smaller than you.
See, Yuji would probably make you feel better about your height (or lack thereof), tell you you're still just as cute, but Sukuna and Yuji are a far cry from each other, so instead, you get bullied.
"Me, have to look up at someone so puny and incompetent as you? Just who the hell do you think I am, y'little brat?"
(He says that as if he resents you, but he calls you a brat with affection. Don't take it too hard.)
Sukuna actually cannot handle when you stare up at him with those big doll eyes. He can't. He's gone soft, unfortunately, and he will kill you if you tell anyone.
Joke's on him, actually. Being '5"8 just means you've earned yourself a (very cranky) piggyback ride.
"Huh? ...What’s that? Can’t hear you from all the way down there."
He’s just as bad as Gojo with the short jokes, except he doesn’t stop when you whine at him to.
Will pick you up one way, and it's tossing you over his shoulder like a potato sack. You don't get the princess-carry, you don't get to wrap your legs around his stomach: you're a potato sack, got it?
Sukuna absolutely relishes in getting to look down at someone, especially his significant other.
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withlovelunette · 1 year
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How to construct character psychology!
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– Introduction
Hello hello! :D I’ve been very slow with my writing lately due to uni work (and some unforeseen health issues), but I’d like to still be able to make content and be interactive in the writing community, so I’m here again to share some advice based on my own experiences! One of my favourite things about writing is writing characters, specifically constructing a character’s psychology. I’d like to preface this post by saying that while I’ve had formal classes in psychology, I’m by no means any sort of expert within the field, and I also don’t believe that every aspect of how a character is written needs to be rooted in realism. However, I do want to share some insights that I got from it, and also because I feel like “character psychology” has this very mystified weight to it that makes it seem a lot bigger and intimidating than it needs to be.
So! My goal is just to share some advice on how to break down a character’s psychology and work from there! If you like what you read and would like to read more, I’ve also written a post about creating “complex” characters, which you can find the link to here! Aaand yes I think that’s about all I have to say beforehand, I hope you enjoy :,)
What do I mean when I say psychology?
Before getting into the nitty-gritty, I’d like to start with the basics, just to make sure people are on the same page when reading this post. When I’m talking about psychology here, I’m specifically referring to a character’s cognition, as in how they process information and act on it/make judgments. I’m not necessarily referring to personality in this case (although personality is an aspect of psychology, but I’m more so referring to personality as a consequence of cognition here, rather than as a collage of traits and behaviour).
Another thing I want to clarify is that exactly how much of human behaviour is nurture vs nature is a hotly debated topic that I’m completely under-qualified to take a stance on, but for the sake of this post; I believe both are equally essential aspects of human behaviour, so just keep that in mind! (I’m looking at any behaviourists in the chat rn). That being said; I’m not really comfortable treating psychology as “nature” (as such rhetorics are often used in gender-essentialist and other bigoted ways of thinking), so my main focus will be nurture, since that’s what is most readily observable!
Determining character motivation
If you’re working with very little or bare minimum characterization, my recommendation is to consider; what motivates a person to act? And by this, I’m not referring to the external quest or goal behind the character, but rather, what’s the core of what motivates your character to act at all? Even in grand, epic adventures of good vs evil, where the external goal is as simple as “putting an end to whatever evil the bad guys are doing”, there needs to be a reason a character is specifically on the side that they’re on. Multiple characters can be on the same side, but they might find themselves on that side for vastly different reasons, even when their exterior goals are the same. From there, you’ll want to consider what informs this motivation in particular.
One technique I love to employ, when still figuring out my character, is to have them make some sort of bizarre decision, a decision I’d initially think to be improbable for this particular character, and then try to list off various justifications or variables that would allow for this character to make this particular decision. There’s a couple of reasons for why I do this.
1) It removes some of the pressure to have a perfectly cohesive, perfectly put together and neatly defined character from the get-go. The drafting process isn’t just for plot and story structure’s sake, it’s also there for you to experiment with characters! Having your characters make story altering decisions that possibly challenge or contradict themselves is a great way to make sure that you’re writing active characters as opposed to more passive ones, and I think the first couple of drafts should really be a playground for you to see just how far you can stretch your characters based on their characterisation.
2) It helps me clarify what is and isn’t important in my character’s decision making. I’m a firm believer that most decisions/actions aren’t inherently in or out of character; it just depends on whether or not the readers/viewers can understand the character’s thought process behind their decision, and this ultimately comes down to how well you, as the writer, conveys the character’s priorities when they make decisions. If you’re established that a character acts based on a code of honour, an exterior source to morality and conduct, then the justifications and reasonings they would use to justify murder would likely be very different than a character who acts based on their own convictions. This is also a great way to show character development; by showing how a character’s decisions gradually change as their cognition change as they develop.
3) It allows me to explore nuance and make note of potential contradictions within the character’s way of thinking—which is often the most interesting aspects of a character’s psychology, at least in what I enjoy to write and read. Most real people don’t have perfectly cohesive morals, and most people can’t always act congruently with their morals either, so allow for your characters to make some bizarre decisions! See how far you can stretch their cognition! These decisions don’t have to be canon to the story, but it’s a good way to actually solidify what line of thinking your character makes when faced with difficult and potentially morally indicative choices.
Work your way backwards!
If you already have the overall traits and behavior of your character pinned down, you can always work your way backwards! As a pantser, this is a very common occurrence for me. I have a character with a clear goal and defined characteristics, but they’re completely uninformed so far, as I usually discover the cause of their motivation and characteristics as I write the story. As such, most of my characters don’t have any sort of backstory established until I’m much further into the process, as I discover it as I go along. So here’s some things I look out for in my character writing when creating a backstory after I’ve already established a character.
1) What are some things the character is often drawn towards? Humans are typically very habitual, a lot of us enjoy some sense of familiarity (to varying degrees depending on the person), and taking note of what your character tends to gravitate towards can be a great stepping stone to fleshing out backstory. An example could be a somewhat cold, stoic character who’s incredibly picky with their relationships due to trust issues (pretty common characterization) has a tendency to let their guard down more when around elderly people. Why is that? Maybe they were raised by very old parents, or even grandparents. Maybe it’s a cultural thing to treat elderly with more respect. Maybe it’s a religious thing. Maybe it’s because elderly people have treated them with more kindness in the past, etc. Note that this can be flipped too! Maybe this character feels uneasy around people closer to their own age, or even people who are younger than them.
2) How does your character socialize? The way a character approached social settings can often be very indicative of how they were raised, as that tends to affect how people form attachments (according to attachment theory in psychoanalysis, at least). Are they very sociable? If so, why? Is it because they’re accustomed to being around a lot of people? Maybe they had a very large family, or maybe they had a family that took part in a very active social sphere. Maybe this character just comes off as sociable because they understand the value of social connections. Why’s that? Maybe their family have a political influence, or maybe they have a business they want to sell, etc. Or maybe it’s the complete opposite; maybe this character grew up with little to no family at all, and that’s why they want to make friends and connections. If so, then maybe that affects how they make decisions, leaving them incredibly loyal and somewhat co-dependent. Even the smallest character traits and behaviours can be expanded upon to inform you of how that character was possibly raised, it’s really just about digging into said behaviour!
3) How receptive are they to new experiences or other people’s perspective? This is also somewhat linked to attachment theory, but it doesn’t have to be approached that way! The reason I bring this point up is because I find that a character’s receptiveness is often a good way to gauge their relationship with their parent. For example, a character with very strict, traditionalist parents might adopt that outlook on life because it offers them a sense of stability and security. They weren’t raised to be adaptable or to adjust themselves to new experiences, and thus have a difficult time accepting things outside of their established paradigm. This would suggest that this character likely didn’t rebel much to their parents’ outlooks on things (or if they tried, they failed), since they adopted said outlook for themselves. Another way to write this character (with the same premise) is to have them react in the opposite way; maybe they are super open and receptive because the rigidness of their parents prevented them from ever experiencing anything. Maybe the status quo bored them, or maybe they see their parents as narrow minded. This characterisation suggests that there’s possibly more tension (not necessarily in a negative way) between the character and their parents.
Interplay between morals & behaviour
A character’s morals and behaviour don’t always have to align. Like I mentioned in an earlier point, humans hold a lot of contradictions, and how people cope with those contradictions can vary. However, how do you determine if a contradiction is purposeful rather than a case of out-of-character writing?
Let’s say you have a character who views all animals as sacred, and this is something they were raised with. Suddenly, this character is thrust into a situation in a different world/kingdom/region/etc. where eating animal meat is the only viable food option to survive. They decide to do it, despite their morals directly conflicting with this behaviour.
One way this character might justify this is by thinking “well, my intentions matter most, and my intention was never to hurt animals, so while I feel bad for killing an animal for food, my intentions of doing so respectfully makes this action more acceptable to me.”
But another character in the exact same situation might not be satisfied with such logic. Maybe they see intentions as irrelevant, and only care about the consequences of their actions. If it’s been established beforehand that a character is consequentialist, then this action, paired with the justification above, would feel incredibly out of character, because the logic behind the justification is not intuitive to the reader.
Whether a contradiction feels purposeful or out-of-character ultimately boils down to what information and how much of it you’ve given to the readers, so that they have the information necessary to break down the interplay between the character’s morals and behaviour. 
Using other tools (cognitive functions, socionics, enneagram, etc.)
As I’ve mentioned before on this blog, I’m very interested in various types of typology (mbti probably being the most popular and well known one), and while I consider all forms of typology to fall under pseudo psychology, I often use these tools to help me better understand my own characters better! I personally gravitate towards cognitive functions (which is not the same system as mbti, even though it uses the same letter system) as they help me put into words my character’s cognition, and enneagram, which describes behaviour and motivations that arise from a person’s upbringing and coping mechanisms. There’s other things you can take into consideration as well, like socionics, temperaments, attitudinal psyche, etc!
I’m not suggesting you use these as replacements for developing characters, but they can be great supplements when trying to dig deeper into your character’s psychology! I’d also argue that you get more out of putting these systems into use if you learn about typology and analyse your characters yourself instead of taking a test for them, but I’m also very biased in this regard, since I enjoy analysing my characters myself :,) And there are times where I’ll take a few tests to help solidify my breakdown if I’m having a difficult time labelling my character correctly. Honestly, just have fun with it!!
– Outro
Sorry for yet another lengthy post! And sorry it was a bit later than I’d anticipated, I had a much busier weekend than I thought I’d have, so I kept having to squeeze writing in anytime I had enough spare time to sit down, and then I stumbled across a series of health complications that I’m still trying to sort out. Which, speaking of, thank you so much to everyone who’s been wishing me good luck! I’m still working on figuring out what’s wrong, but I’m making progress!
As usual, my asks and messages are always open, so feel free to shoot me a message about anything! Even if I may be slower with my replies ^^; Thank you for reading! <3
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jeeaark · 5 days
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in a timeline where the illithid invasion never happen, a world where the absolute never existed, what would greygold's life be like? or maybe even lae'zel's? a world where they stumble upon each other without all the destruction around them.
The funny thing is.
Without squids trying to ruin their life, Greygold would have never discovered the power of friendship
Worse even, they'd still be a dispassionate lone ranger with questionable bird ethics surviving the wilderness and living off raw eggs like a weirdo.
Meanwhile, Lae'zel is still a Vlaakith devotee and if they stumble upon each other without a plot to drive them to work together and get to know each other... Bad things would happen! Someone would probably die. Most likely Greygold. But! Lets say. A plot did happen.
Buckle up buckaroos. This train thought went off the rails enough that I had to draw pics. Faster than writing out a 13k+ fic (for me anyway).
Let's say Greygold got the 'steal the githyanki egg ' job from Esther. Let's say they succeeded in sneaking in and out without too much of a fuss (mostly involving cat familiar distractions). And something Unfortunate happens before Greygold could complete the quest, leaving Greygold with an egg that eventually hatches:
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And the githyanki child is not your average run-of-the-mill space lad either (Who loves eating raw eggs now too. It's fine. Builds character. Probably) But uh yeah, that whoosh accidentally cosmos-signaled all the githyankis and Vlaakith to which she reacts with a 'Wtf? Did anybody just get Prince of the Comet vibes from that? With a "I love egg" aftertaste? No? Just me? Hrm.... I do currently have a lot of free time on my hands....Fetch me that child. I want to study him like a bug. I'm suddenly feeling... Creatively ambitious with a side case of nefarious today. Might bury an old big secret if that kid is replacement-viable.' Thus search patrols investigate-
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And never return.
After the first surprise patrol disaster, Greygold has been putting their danger ranger skills to good use via setting up counter-ambushes for all the constant surprise attacks. Classic "who is hunting who?" ordeal.
Nonetheless, there is more of them than there is of Greygold, so they resort to hiding in the Underdark after realizing the githyankis don't have dark vision and it's more environmentally dangerous than the surface. It is also a fun learning experience for the kid. Search patrols continue to never return. Until-
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Lae'zel can't help but notice her mission orders do not add up and her rationality has a mighty need to make sense of it before solving problems with immediate hostility. Meanwhile this has been Greygold's first super tiny dose of kindness involving people interactions in years. Instant crush. Chase Shenanigans Ensue. Until child makes their first hunting trap. Instead of catching food, Lae'zel is captured. It also turns out the over-the-top trap involves sinking sand and a nest of Ankhegs (giant burrowing man-eating bugs). Greygold tries to help Lae'zel. For Reasons.
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Something akin to mutual respect is formed. Stuck working together. Get to know each other. Discuss contradictions with mission. Verdigris worms his way into Lae'zel's heart (as much as she loathes his name). Escape the Ankheg nest which had terribly escalated because a giant fire ant invasion decided to overrun the ankheg nest at the same time.
Everyone is covered in bug guts after this.
Something something bond over experience enough to trust and listen to each other's opinions. Short Rest. Negotiate. Discuss plans to investigate Da Truth together. Shenanigans Ensue. Then Bad Shenanigans Ensue. Argument Ensues, resulting in Lae'zel Splitting Off. Verdigris disagrees with this approach and chases Lae'zel in order to bring back. Unanticipated Ambush happens at most inopportune moment. Greygold is Captured.
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But they escape. Not before confronting Vlaakith's projection and discovering her plans and secrets thanks to one extremely curious Verdigrisgold (Verdi for short omg so long) with ridiculous super psionic powers.
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And then they coincidentally interwovenly meet/save/recruit their bg3 companions anyway because there are no mindflayer abduction to stall certain ill-fated situations from happening to certain Companions-to-be and I need for them to be OKAY. So. Greygold discovers the power of friendship again. But is also now co-parenting a fate-of-the-githyanki-freedom child with Ex-Vlaakith-devotee Lae'zel. How's that for an AU timeline?
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celestialscatterbrain · 4 months
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hii!! could u pls tell us about having someone’s mars sun and venus in our 12H pls (synastry)!?! 😵‍💫
Do not interact if you are a minor. (18+)
Oh, wow! You probably have no idea just why you want them so much. In more unfortunate situations, the planet person can give you nothing tangible and maybe even be breadcrumbing you, but you just can’t get enough. It’s like, they can give u nothing and you’ll still pick them over other people who are trying to give you the world. You want to figure them out and enter their world, especially because there is something “inaccessible” or “mysterious” about them. You want to know how they think. This is especially true from the house person’s perspective. With 12H synastry, I always learn soooo much about myself and my unconscious desires and tendencies (whether as the planet person or as the house). I noticed that Mars and Venus in the 12H of a synastry or composite chart can indicate this relationship might start off as an affair or 3rd party situation.
Of the placements mentioned here, my least favorite to experience was definitely Mars in the 12th. I had read once that this placement can create blockages in being able to have s*x with one another, and that’s exactly what I experienced. It’s like you get so close but just can’t for some reason. Could lead to performance issues at the start of a s*xual relationship, in some cases. I noticed it’s super easy to feel vulnerable with the mars person as the 12th houser, but it’s not consistently reciprocated from the mars. Mars can notice everything about the 12H person, and can try to force them to talk about it or they have to point it out to them. In an unhealthy dynamic, the mars can get gratification at how weak the 12H becomes for them. In the positive, it’s crazy how the mars person can teach you what you like s*xually. They can learn your body extremely fast. It’s like your body and mars are having a conversation that you are left out of but get to enjoy the rewards of it. I never got to have s*x with mars, but the way he would touch my body and explore me made me literally c*m from kissing. It was the craziest thing I ever experienced and was super shocked LMFAOOO (TMI, sorry). I’ve never experienced that again in my life. Mars can have different ideas about spirituality than the 12H, and will be down to debate why they have certain beliefs. It can be super easy for mars to hurt 12H’s feelings. I don’t know why this placement can make the 12H person more submissive than they are with other romantic partners, but it does. The mars can sometimes fight to be in your life, but once they are there it seems like they can panic and leave after they’ve brought destruction you have to live with. Sometimes I felt like I “irked” the mars person on a subconscious level even though I was always nice and sweet with him. He would be super nice with me and then one moment make a snarky comment or just switch up completely without warning. I sometimes felt like he wanted to like me, but a part of him somewhat disliked for reasons unknown to him.
Sun in the 12th house synastry has potential to be nice. I feel like this is a placement where you guys can recognize something inexplicable in one another. “Yeah, I know exactly what you mean.” I think this leaves nothing off the table, and all topics are fair game. You can find a lot of unconditional acceptance with one another, even with the parts you might hide from others. The 12H person might feel instinctually comfortable expressing their quirks or behaving the same way they are when there’s not a soul in sight when with the sun person. “Let’s be alone together.” The sun brings light and warmth to the dark nebulas the 12H person swims in. The sun person can probably help the 12H person come out of their shell and show themselves to the world. The Sun person might want to lift the 12H person up. The 12H person might also see through the persona the sun person can let off. The sun person could confidently feel like they have the house person figured out, but the 12H person’s foggy neptunian energy can always catch the sun by surprise and they realize they didn’t dig as deeply as they thought. The 12h person can teach the sun person to be more introspective and can teach them how to appreciate time to themselves. The sun person might change the depth of their thinking or topics they engage with after their interaction with the 12H person. In a negative interaction, the house person can see every move the sun person is gonna make and knows how react in the way that will bruise the sun’s ego. The sun underestimates the 12H person a lot. When they experience conflict, the sun person will try to embarrass the 12H person and can try to paint them as weird, and the 12H person will swallow up the sun into their dark oblivion and drain their light as retribution. Also in the negative, the sun person can compare themselves to the house person and can at times feel like they are having an identity crisis and resent the 12H person for it when the house person was just doing their thing and being authentic. I noticed that the 12H person represents a lot of things the sun person wishes they could exude and it can make the sun feel dimmed and their egos to be challenged. The house person can also represent qualities the sun person hasn’t really seen in person before, and they can envy the individuality of the 12H person. The sun person can dislike how philosophical the 12H person makes everything. If engaged in conflict, the 12H person can dream of the sun in ways that show the sun’s intentions or moves. The 12H person’s connection to the dead or the spiritual realm might be intimidating to the sun person, even if they believe in the same things. They might resent that the 12H person seems to be more spiritual gifted than them. the sun person might have more paranormal experiences when around the 12h person. The 12H’s spirits might become “visible” or "active."
For Venus in the 12th house synastry, that eye contact must be crazyyyyyyy. The dreams you have of one another can feel euphoric. You guys can idealize each other and can dismiss one another’s red flags. In private is when this relationship thrivessssssss. Like absolute heart eyes. Late night hang outs. Wanting them irrationally. Your thoughts are now entirely consumed by one another, but you still might not display that to one another until you guys are back together in person. I feel like whispering amongst each other is a big thing. “Let’s make a fairytale.” Wishing you can find books or movies that have a similar set up as you two so you can relive certain moments. “You’ll see me in hindsight tangled up with you all night burning it down, someday when you leave me I bet these memories follow you around” from wildest dreams by Taylor Swift puts it perfectly. Good luck forgetting one another even if the relationship never comes off the ground. “Say you’ll see me again even if it’s just pretend.” You long for one another. You feel like this is a love sent from the heavens. This person exemplifies your dream girl or boy, that you didn’t think existed and now you NEED to have them. This feels like your chance and living out ur favorite fan fiction or romance novel. The ups, the downs, the depth, the confusion, the consuming rush of love. The daydreams, the sweetness, the intimacy. “Your love is my drug” vibes for real, (Kesha is a Pisces after all). However, this can also be a relationship that needs to be kept secret for some reason. This can be because one or both of you might have another relationship someone feels trapped to. Not sure what security you’d have with one another if you fully got together. “What if it was all for nothing?” Maybe a fear of being outcasted from society or judged terribly for getting together can be an issue present in your relationship. Fear of expressing or confessing romantic feelings out of fear or rejection can make this relationship become an extremely confusing one or be an incredibly drawn out slow burn. Check out my post on 12H Venus in the composite for more of an idea on what energies can be present with this placement. Intimate eye contact feels like: “let me dive into your pupils and take a swim inside of ur soul.” Bonnie and Clyde vibes, “if we go down, we go down together and meet in the next life. The 12H also rules over prison, so hopefully this doesn’t apply to you two— but it emphasizes the partners-in-crime dynamic.
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rthko · 4 months
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Random information about poppers:
-They've been around longer than you probably think. Charles Darwin wrote about them.
-One of their early uses was for period cramps. They've also treated angina.
-They most famously relax the muscles (and most famously the anus), but the most noticeable effect is the headrush. It's a warm, dizzying, and to some, arousing sensation.
-They've used for sex and masturbation but also common on dance floors.
-They can be associated with sexual submission. Even without a partner, popperbators will watch videos that instruct them when to sniff.
-People will use them when topping too but it may make you lose an erection.
-"VCR cleaner" and "leather cleaner" are euphemisms for legal reasons. This isn't a "huffing paint" situation
-Most sex shops or gay boutiques will have them. Depending on where you live or how serious they are about their quasi-legality, they may expect you to use a euphemism, a brand name, or just point to avoid using the word "poppers." They're always sold at the counter, usually on a shelf or case.
-You can get them at some gay bars but I can't make any promises. Get them at the counter, or the greatest city on earth Chicago straight up has vending machines at some locations.
-DO NOT drink them or let it get in your eye.
-Do not sniff them if you're on an erectile dysfunction medication. Look up how it interacts with other drugs before trying. Coke and poppers is another no-go.
-Everyone seems to associate them with brain damage but that's more of a joke than a serious claim, especially with mere occasional use. You might get a headache though.
-Most people who've used them will say some brands are less likely than others to give them headaches. I hear a lot of people say Double Scorpio is easier in this regard.
-One bottle will last a good while unless you're using it a lot
-Poppers are highly flammable so uhh make sure they're not in your pants pocket when you run them through the dryer
-I don't want to be flippant about it but they're considered a less "serious" drug for a reason
-Comment if I missed anything important
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finalgilmoregirl · 6 months
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thanks for all the love on my last two posts, here’s an idea i thought of the other day that i actually was able to fully flesh out
☆ a growing relationship between fnaf movie!mike x fem!mall worker!reader would include :
- pre fnaf movie events
a/n : i made this in head cannon form to save time but i might make a blurb series. ALSO IMPORTANT : i try to make the reader in my fics as physically non descriptive as possible which means i try to stay away from words like “tall, short, pale, thin” etc… if there is ever an explicit description, it’ll be in the title (like how i put “fem!” or “latina”) okay that being said, enjoy!
- movie takes place in 2000s so naturally reader would work in retail whilst in college (movie!mike is thought to be in his mid-20s so i’m also making reader around that age)
- i think the first interaction between the two would be at her place of work, on a particular slow morning
- he’s only had his security job at the mall for about a week, and his employers had him bouncing around different stores, trying to find his place in the building
- which is how he ended up standing at the front your store at 10am
- he’d spoken to the assistant manager for a moment right before opening but it wasn’t until almost an hour into his shift that he’d noticed you
- he’d just failed to stifle his tenth yawn in the last few minutes when he heard your voice, snapping his brain into high alert
- “excuse me?”
- he turned his head in your direction and widened his eyes a bit before trying to relax
- you were talking to him, and you were beautiful
- “uhm, yeah?” he replied, instantly cursing himself in his mind for not replying more politely
- you obviously didn’t mind his response as you smiled sweetly, reaching an arm out, which is what made mike take notice of the to-go cup in your hand
- “sorry, i just thought you could use this.”
- oh! this surprised the man, and you took notice of the look on his face.
- to be fair this was weird, at least a little bit. you’d never given the other security guards coffee. you were always polite to them of course, but you never went out of your way to try to make an impression ike this.
- but then again, none of the other security guards were this cute
- and you thought mike was very cute
- “i know, it’s a bit weird but i was over there stacking clothes and couldn’t help but notice how tired you seemed.” you pointed to where you were just a moment ago, before you’d gone to the back room to get mike his drink
- mike looked to the area you pointed out, taking notice of the pile of clothes you’d seemed to be in the process of organizing
- mike wanted to hit himself. he was so caught up in his own head and trying to force himself awake that he didn’t even notice that you had been a mere ten feet away this entire time.
- he then looked back at you and realized he hadn’t make a single coherent reply to anything you’d said so far
- he shook his head out of his thoughts and gave you a small smile
- “no no that’s not weird” he said, taking the coffee out of your hands and trying to ignore how soft they felt as his fingertips brushed against them, “that’s really nice of you, thank you.”
- you shrugged, playing with your now free hands while trying to ignore how your heartbeat had started to quicken
- “it’s no big deal, i just thought it’d be best if you were awake in case anyone tried to rob us” you joked, earning a chuckle from mike.
- “i’m y/n by the way” you held out your hand to him
- “i’m mike” he said as he took it, giving it a light shake and reluctantly letting go
- you looked into each others eyes for a moment, and warmth started to circulate your bodies
- unfortunately, the moment was gone too fast as one of your coworkers called you over, asking for your help in taking down some boxes
- you looked back at mike, who still held the smallest smile
- “i guess i’ll see you around.” you shrugged, walking away
- as the day went by and the store got increasingly busier, you and mike failed to have anymore interactions and soon, he had to leave, saddened by the fact that he couldn’t say goodbye but also hopeful at the thought that he might see you again
- it wasn’t until a week later that he did
- he unfortunately got stationed at a kiosk near the entrance of the mall, however that didn’t stop him from walking by your store on his breaks in hopes to catch another glimpse of you
- he did this for three days until this routine paid off.
- you were working the cash register, conversing with a young girl and her mother as you bagged their clothing
- “have a good one!” you smiled brightly at the pair as they walked out of store, which is when you saw mike approach the entrance
- he walked in shyly, hands in his pockets
- he’s wanted to see you… but what did he even plan to say?
- “hey mike!” you called out to the brunette as he walked in
- he responded with his own “hi” as he walked up to the counter
- “what are you doing here?”
- “you know, just…taking a walk”
- he looked down for a moment, nerves creeping up on him. well, he thought. i might as well take advantage of this moment. i mean, you’re right there.
- with a sudden surge of confidence (and despite the sweat now pooling down the back of his neck) he looked back up and said : “i actually just realized.”
- you looked back at him expectedly
- “i never got to repay you for that coffee.”
- when asked if you’d like to cash in that debt you replied a bit faster than you would like to admit, and a date was set for the same day
- where mike had four more hours to go after his break, you had three. which you thought was more than fine, just more time to prepare for this date
- you would meet at the coffee place across from the food court after both of your shifts
- and when you did, it was like something out of a movie
- mike of course, as guarded as he his, tried his best from dumping any trauma on you and steered clear from anything he thought was too personal in fear of scaring you away. however after picking up bits and piece from your life, he had a feeling you wouldn’t judge him
- despite you basically being a stranger, he felt more relaxed than he had in years, him learning about you was enough to distract him from whatever nightmares plagued him at all hours of the day, just for a little while
- as time went on and you both kept in touch after your first date, mike began to open up a bit more
- after the first few weeks he told you about abby, more so about their situation
- you sympathized with him a bit, offering advice if he needed it and a helping hand if any issues with their current babysitter came up
- your selflessness solidified his thought that this could be something good, which led to your first kiss after your fourth date
- you figured it would take a while, you sensed from the first date that he would be a tough book to crack open, but you really liked him and were more than happy to be patient.
- back to abby :
- as much as he was okay with talking to you about abby, he hadn’t planned to tell abby about you. not knowing how she would react to adding a random woman to possibly be a part of her life after their mother
- this of course became a small issue when she began to notice how much more time he spent on the phone
- phone bill be damned, he would still lean against the kitchen wall, twirling the phone cord around his finger for at least half an hour while he talked to you
- “who is it?” abby asked one late afternoon.
- where she was supposed to be in bed already, she came out to get a glass of water, catching her brother talking in a hushed voice.
- “don’t worry about it” mike would tell her.
- “what are they saying?”
- “abby can you please just go to your room”
- she would very soon find out about your existence when one evening mike put the phone down for a second to go look for a book he wanted to tell you about
- as soon as he walked out of the room, abby jumped from her place on the couch and snuck to the phone
- “hello?” she whispered, cupping her hand over the transmitter
- “hi” you smiled, picturing the young girl that mike had described to you before
- “who is this?” abby asked, almost aggressively, confused as to why her brother has been talking to a woman
- “i’m y/n” you told her, trying to suppress a laugh
- something clicked in the child then
- gasp “are you mikes girlfriend??”
- it was just then that mike had returned, and with a face of anger and horror her snatched the device from abby’s grasp and lightly shoved her away with a light scolding “abby what the hell did i say?”
- you laughed harder at his tone
- “i am so sorry about that. what did she say to you?”
- “oh nothing” you sighed, “she just asked me if i was your girlfriend.”
- he mouthed a god dammit as he looked to the ceiling
- he wasn’t embarrassed that abby had asked, he was embarrassed that he hadn’t asked you yet
- there’s no protocol to dating as an adult. “will you be my girlfriend?” sounds too childish and when that’s out of the question, where do you go from there?
- “well…” mike shut his eyes tightly as he asked, “what did you say?”
- “i didn’t get to answer. what do you think i should have said?” you said, lighthearted but pointedly.
- swallowing the bile he felt creeping up his throat at the nerves he rubbed his hand to his sweater clad chest
- “i mean…” you continued. “do you want me to be?”
- my god yes he desperately thought but tried his best to sound casual “yeah, i’d like that”
- “well then, i suppose i am your girlfriend. maybe i can actually tell her next time”
- he sensed the teasing in your voice and gave a mixed of a chuckle and a sigh at your answer, the weight the nerves left on his chest lifted.
- “next time” he said softly, “sounds good”
☆ might start planning a part two
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wolfiesmoon · 7 months
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Chip bag
Itadori x fem!reader
So today on the train ride home me and my classmates were talking about boys...
(This is inspired by real life events in case u couldnt tell lmaooo)
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"How did you guys meet?" Your friend asked your classmate sat across from you. You reached into your bag of chips absentmindedly, also curious to hear her story.
"Me and my boyfriend met for the first time at the park. Sometimes I go biking there, you see. He saw me one day and really wanted to ask for my number." She started, your friend and another classmate nodding along. "He ended up getting scared and not doing it, but he waited in the park every day, hoping I would show up again until I did!" your classmates made an "awww" noise at her little story.
"How about yours?" She passed on the question to her friend. "Ohhh, you guys know that summer camp that everyone here goes to?" everyone nodded along again, your chip bag making a crumpling noise as you pulled out another chip.
"I met him there, basically. What about you?" She asked your friend, sat next to you. "Oh, we started talking over social media because we had mutual friends and it kind of evolved from there."
You couldn't really add much to the conversation, considering you have no boyfriend, but if there's one thing you can say...
"Hey, why don't you guys set me up with someone?" You said jokingly, nudging your friend's shoulder. "Hahah, I can do that easily." Your friend smiled back at you.
"But, then again..." you took out another chip, "I kind of want to just, meet someone on my own, I guess. Like you know how in those romantic comedies, they bump into eachother and then it all escalates from there? Like that."
"How often does that actually happen to people, though?" The girl sat across you questioned. You shrugged, smiling to yourself.
The conversation continued, with you listening in, when suddenly-
"Hey, can I have one, please?" You were surprised to hear a guy's voice by your side, looking up from your seat to get a better look at him.
He had salmon colored hair and two strange creases under his wide brown eyes. You immediately got the vibe of "cheerful, approachable guy" from him.
"Ah, oh, sure." You realise you were probably staring at him for a little too long, raising your bag higher so he can take out a few chips. He did so, thanking you and going back to his seat, where two people wearing the same uniform were waiting for him.
Huh, must be his classmates.
Wait, why are you even still looking at him? You quickly look away to find your classmates trying to supress their giggles. "What...?" You ask, slightly confused.
"Hahaha, speaking of romantic comedy encounters..." one of them half-whispered. Oh. Oh.
"Imagine your kids ask you "Hey mom, how did you meet dad?" And then you just say "He asked me for chips one time", hahahah..." another added.
"Hey, we're basically strangers, don't marry us and give us kids in your head." You scolded, crossing your arms. But you couldn't lie, even though you barely exchanged any words, he did have a charm about him. You glanced at him again, thinking about what just happened.
"So, the math professor freaking LOST it." You snapped out of it, putting your focus back on your classmates. Your classmates have already stopped giggling by now, moving on to the next daily topic.
You tried not to keep looking to him, secretly hoping that this might not be your first and final interaction.
.
"You couldn't ask her for her number, could you?" Nobara crossed her arms, raising an eyebrow at Yuuji's defeated expression.
He simply shook his head no. "This is exactly why you can't get a girlfriend." Nobara huffed, looking out the window.
"Listen, you'll get another chance, you'll meet her again soon enough. I'm only saying this so you won't be all sad and heartbroken on our mission, by the way." Megumi leaned on his palm, sighing.
"Just say you care, you idiot." Nobara also sighed.
"I hope I do meet her again." He said after a bit of silence, glancing back at you as you stood at the train doors, about to exit on your stop.
Hopefully you go on this train every day.
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It's really disheartening that Rick Riordan stance on the war I understand that he wants to be neutral on this stance but in my opinion by becoming neutral he only worsening the issue as many Palestines are dying that are mostly children, how the majority of Israeli are supporting the Genocide of Palestine, and how the government is trying so hard (but miserably failing) to justified the genocide. I will hold him accountable for what he said on this issue as during this period the choice is basically "you are with us or against us."
Part of me wishes he will realize what he said was wrong and understand the bigger issue that plays at hand. I will criticism for his actions as how can a man who promotes LGBTQIA and representation of minorities and disabilities in his books turn a blind eyes to Genocide of people. However we can only wait and see on his next move.
One last thing about your previous you said you don't group Riordan with other authors where do you would group him with? Also this is more on an opinion base answer but many people are boycotting companies that support Israel there as been another post on Twitter on boycotting authors. Rick Riordan happens to be one of them. Do you believed that he should be boycotted with other authors or he should be properly educated and apologized for his previous statement? If you believed he should be boycotted what do tou have to say to those who might have the mentality of "separate the art from the artist"
thank you for this ask, and i completely agree with you! it is extremely hypocritical of him considering what he preaches for in his books. i think he’s convinced he has properly addressed the apartheid by using very vague language that can be applied to anything, and in doing so, he’s addressed nothing really.
your first question on who i would group him with— probably other authors who are doing the exact same as him in their virtue signalling. i always like to link my other blogs to each other, so i don’t think it’s a secret that i have a red queen account and i’m pretty passionate about that. unfortunately, victoria aveyard is another fantasy author who has literally wrote a whole four-book series on the uprising against oppression but is now playing neutral in her address of the apartheid. rebecca yarros is in the same boat, although i haven’t read ‘fourth wing,’ fans have said there are large themes of oppression within the book. so if i had to group riordan it would probably be in the ‘i-like-to-write-about-it-for-profit-and-praise-only’ group.
in terms of boycotting, i think that’s a great idea! i would also like to remind everyone that the percy jackson tv show is coming out in a little over a month, but disney is a huge industry financially supporting israel as well ($2 million in funding), which is obviously far more damning than a poorly written address by one person. there is a boycott happening for disney as well— and the pjo show will be released on disney + . i implore everyone to not watch it on that platform!! personally i will be pirating it online (idk if i’ll get into trouble saying that here but lol oh well), because im pretty sure the boycott is only for withdrawing financial support, not simply consuming media.
i feel like separating art from the artist only works if that artist is… like, dead, and you’re using that art and its values as a historical insight to how the world was during its time. you can still like a piece of work that has a problematic artist, you can engage with the work (to an extent). but separating art from the artist barely works because either:
to engage with the art is to support the artist in some way, so that artist is making money based on your interaction with that (particularly in the case for singers and streaming of songs)
that artists’ views and values are so rancid that it’s literally embedded within the text itself. to ignore it is harmful.
harry potter is my all-time favourite example to use, because jkr is the scum of the earth, and her views are entrenched in her work. a lesser known example is sarah j maas and her books (she’s also not as dogshit as jkr, but then again, its not hard to be a better person than her). i’m not going to bag on these people for liking things by problematic people (would be hypocritical of me), i just think it’s cowardly not to address it when you come across it, or at least admit to it. to simply write things off as ‘separate to the artist’ is like purposefully turning off your critical thinking skills.
on whether boycotting or an apology is enough— if riordan did apologise and used specific language and not the nonsense he had in that blog, expressed his remorse for his ignorance and then actually did or said something to support the people of palestine then, yeah. that���s fine and that’s how we learn ig. but he should educate himself, too many activists, people from the arab community and especially palestinians are expected to be all-knowing and to educate everyone else on an already draining and personal tragedy. it’s been exhausting for me, i can’t imagine what they’re going through. if riordan (or anyone) needs to be educated, he should do it himself, and (at least in my opinion) i don’t think the info is very hard to find now. it’s just about weeding out the misinformation.
i think boycotting is a good idea as of now. it can serve to be a catalyst for self reflection for many people. also, as much as i hate most online discourses, talking about it online needs to happen. i don’t want these authors to forget, for a moment, about the ignorance they posted online during a time of international crisis.
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