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#they do be playing pretend
mas-away · 1 month
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Give each other different names...
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mjulmjul · 1 year
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Katya / Goncharov
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chasingthestarss · 25 days
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James Potter is a weak man! Not because he is actually weak but because he has no resistance to puppy dog eyes or crying or anything really.
Sirius asks James to pull a prank on the Slytherins and James says no he’s a little busy with quidditch and Sirius just tilts his head with a frown and James gives in EVERY time.
Peter invited James to play chess but James already has plans so Peter just nods and looks resigned to his fate and James cracks.
Regulus however, he is the worst. Because he cries. And he can full on sob to get James to do whatever he wants. He can’t resist Regulus with tears in his eyes much less with tears running down his cheeks.
James Potter is a weak man but he is completely fine with it
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breadandblankets · 2 months
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Duke, looking up from his homework: hey are we the tank builds?
Jason: I mean you get hit enough to be one sure
Duke: shut the fuck up, i mean like we can't die, i can heal freaky fast, we wear more armor than like everyone-
Jason: luke tho
Duke: okay luke is also kinda a tank build
Jason: yeah, now what's a tank build
Duke: have you played any videogame ever?
Jason: does sitting in the arcade pretending that you're playing the demo count?
Duke: g-d your life is so sad, what about dnd?
Jason: my death is going about the same way, what is a dnd
Duke: you know, you get a bunch of friends-
Jason: yeah i'm going to stop you there
Duke: jesus christ
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crawley-fell · 15 days
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Always room for seconds (dp x dc)
"There they go again," says Aunt Alicia as she looks at the hazmat-clad backs of her sister and her husband jumping into their mish-mash-of-a-van. "And on Thanksgiving too," she finishes to herself as she turns toward her niece and nephew. Neither of them look surprised, though Jazz is clearly more affected if the tick in her jaw is any indication.
"They promised," she practically spits but Danny just sighs and puts a hand on her shoulder. It seems to draw the fight out of Jazz a bit and she sags onto herself.
Alicia loves her sister but she can be so irresponsible sometimes.
"Come on kids, let's go back inside. It's about time to put the turk-" she stops short, then groans. Maddie had insisted on bringing the turkey on account of not wanting Alicia to go to all the trouble, and Alicia had agreed on the condition that her sister wouldn't try to make it. "...And the turkey is still in the van isn't it?"
Danny makes a face. "It's probably for the best. I'm pretty sure I saw it move on the way here."
Alicia doesn't let her head fall into her hands, but only just. Instead, she takes a deep breath to calm herself down to rally her thoughts. "Alright. It'll be too late by the time we drive to town and buy a new raw one, so we can just get some already made from the store. That good for you guys?"
Jazz and Danny make sounds of assent before all three of them pile up in the car. Town isn't too far away, and the trip is mostly silent. Alicia is hesitating over what to say to cheer up her niece and nephew. In the end, they pull up to the grocery store before she manages to come up with anything.
"Dad was also supposed to bring desert," Jazz mentions as she grabs a caddie and wheels it back to them.
"I made apple pie just in case," Alicia answers. Despite her dislike for him, she can admit that Jack Fenton is a generous man. However, as she has learned over the years, that generosity doesn't extend to fudge. Which is why she's got her famous apple pie ready to pop into the oven.
Danny nods relieved, as he files in behind his sister. The three of them are rolling past the frozen section when a familiar voice cuts through the store music.
"Alicia?"
At that, Alicia looks up to see the face of one and only Martha Kent. Her lips stretch into a smile unconsciously at the sight.
"Martha, hi," she answers as the other woman starts walking closer. "How are you?"
"I'm good," the other woman says as she stops in front of them. "Just doing some last-minute shopping." Then Martha looks to Danny and Jazz and gives them a smile. "And who might these two be?"
"This is Jazz and Danny," Alicia introduces them, "my niece and nephew. They're spending Thanksgiving up at the cabin with me."
"Oh, that's wonderful!" Martha says sincerely. "You left your sister and her husband in charge of the turkey, then?" She winks.
Alicia winces. "Ah, not exactly."
"They had a work emergency," Jazz says, unhappy.
Martha lets out a sympathetic oh.
"That's why we're here," Alicia explains. "They left with the turkey without realizing, so we'll have to settle for store-bought this year."
Martha makes a noise of sympathy before her face shifts into something more pensive. "You know," she starts. "I've got a big turkey at home and there's only going to be my son and me to eat it. If you guys would like, we'd love to have you over to help us with it."
"Oh we couldn't possibly-" Alicia starts to protest but Martha takes a step forward and takes her hands.
"You'd be doing us a favour," Martha says, her hands still into Alicia's as she looks up earnestly at the redhead. And damn it all because Alicia can feel a blush spreading on her cheeks at that.
"Alright," Alicia says, too flustered to argue.
Martha squeezes her hands once before letting go and Alicia can't help but miss the warmth of them. "Then it's settled."
"Alright," repeats Alicia. "We'll have to swing back home, though. I made pie."
"That's wonderful!" Martha's smile is radiant and it makes something in Alicia's chest warm.
She disguises it with a cough before speaking up. "Is six thirty too early for you?"
"It's perfect. We'll be waiting for you then," Martha says. "And for your sister and her husband too, if they manage to tear themselves away from work."
"That's not likely," mumbles Danny under his breath. Uncharacteristically, Jazz doesn't say anything about her brother's manners, only putting her own hand on his shoulder. Martha catches Alicia's eye and they exchange a look.
"Well, we'll be glad to have you three, anywho," Martha states firmly which gets her a hesitant smile from Jazz.
Alicia clears her throat. "We'd better get going if we want to be ready in time."
"Oh yes," Martha agrees. "I have to make sure the turkey's not burning." Then she winks, and for some reason, Alicia can feel that pesky blush coming back. It's made worse by the shrewd look Jazz gives her.
"See you soon!" says Martha as she leaves.
"Bye," Alicia answers back a little weakly. Then she looks down to the ground and sighs. When she straightens her head, she's immediately on guard as she catches her niece's smug look.
"What?" Alicia asks warily.
"Is Martha single?" Jazz asks, with a butter-wouldn't-melt-in-her-mouth face.
"Yeah," the older redhead answers slowly. "Why?"
"Just wanted to know," Jazz says innocently. And even Danny is looking at his sister suspiciously now. "since you've got a crush on her and all."
"I do no-I don't know what you're talking about!" Alicia protests though she feels her cheeks warming for the third time today.
And now Danny is starting to smirk too as he exchanges a look with his sister. "Oh," he starts as he looks towards Martha's disappearing figure. "This is going to be fun."
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moeblob · 1 month
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So does he, Gallagher.
#honkai star rail#hsr blade#gallagher#i based this off of how many times i used funny soda man to help be a healer with his poppin soda pop in SU#and then blade constantly just being blade as usual#its normally him saying unnecessary to my actual healer but#i kept forgetting gallagher heals and i kept healing when i didnt even need to so TECHNICALLY yeah it was unnecessary#but the amount of times blade was the recipient......#i cant use like most of my newer units in story bc i cant ascend or i run out of leveling mats so i just#get them and toss them into simulated universe for funsies cause i can match their levels better#so thats where i tossed gallagher and he is genuinely fun to play as ? like i love his punches and kicks to start the battle#funny soda man is funny (to me) and im really behind in plot still#but last time i tried to play it on my laptop and got a kickass cutscene my laptop lagged and i couldnt even see it RIP to me#so now that its like ... me trying to play it on desktop ?#i mostly get on desktop for comms and if i do much else i feel like im slacking off even if i would take a break anyway#one day i can play more story plot stuff and actually meet the funny guys#also in case you know me for Not Having Boys in HSR i need to point out#i did pull Gallagher however same 10 pull got a 4 star girl copy for someone i never use and she is at e4 now cool#and i didnt even think of the irony as i started this i just like drawing blade and i wanted to draw gallagher#so when i already had the dialogue planned and am drawing i was like OH WAIT haha im funnier than i thought#(no i am not but we can pretend)
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feydrautha · 1 year
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There's just something about the earnestness and commitment to the inherent silliness of acting when it comes to Jeremy Strong...
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[whole interview here]
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eightyuh · 5 months
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Tiny Harry AU twist: Glen is still 0'6, and Harry is ~0.2cm tall
(I changed Harry to 2cm so that it would be a similar ratio to Glen)
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went a little crazy with this one ... the gears were turning. thanks for the idea!
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rika-mortis · 4 months
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Some Miles Upshur fanarts that I made in 2020-2021
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sableeira · 8 months
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“Allow me to introduce you to the original you.”
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cosmicwhoreo · 2 years
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WHOOPS! My hand slipped!
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Three or four times...
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solarmorrigan · 6 months
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Steve Harrington gives me Beach Boys vibes
Like. Steve's a little neutral on pop; he doesn't hate it, but it's not usually his first choice. But like a lot of kids, his musical exploration begins with his parents' collection
He finds his mom's Beach Boys albums when he's about twelve, a little after they start leaving on longer trips and he starts poking around the house because he's bored and alone. He can sort of remember his mom playing them when he was really young, can remember her dancing around the kitchen and being silly in ways she usually isn't
He starts playing the Beach Boys when his parents are gone, just sometimes, because the songs have a pretty good beat and the lyrics are fun and it makes him feel a little less lonely. He's got one playing one evening when his parents get home earlier than expected; his dad just shoots him a look at tells him to "turn down the damn racket" (which Steve does, quickly) before stalking up to his office, but his mom stands in the living room doorway, just watching him for a moment
It's the first time in a long time he remembers her just sitting down with him, smiling, laughing, listening to the music with him. She tells him about the first time she heard the band on the radio, and about how she'd gone out to buy their album the very next day. She tells him that his dad had called in to the local station more than once to request "Barbara Ann" because he knew it was her favorite (Steve can't imagine his dad doing anything like that, but he guesses his mom would know better than he does). She tells him that when he was little, too little to really remember, he would ask her to play "the surfing song," even though she was pretty sure he had no idea what surfing was
They don't do it again, but Steve holds onto the memory
He keeps playing the albums. He gets them on tape, when he happens to see them, and then he can play them in his car when the mood strikes. He wouldn't call himself a fan, exactly, but he doesn't have a better word for it. He ends up memorizing a lot of the lyrics, and finds that he doesn't mind having that knowledge at all
December of '85, the first holiday season Steve and Robin spend together, Robin is ready to tease Steve mercilessly for not only knowing all the words to "Little Saint Nick," but for singing along with it while standing at the counter of Family Video. In public. Steve takes it with good grace, but he also makes sure she also knows all the words by the end of their shift. They sing it together every time it comes on the overhead speakers after that
(Steve gets the feeling Robin's enjoyment is half ironic, but he doesn't mind. Her joy as she sings is sincere, and that's the important part)
Robin isn't the last convert he manages to induct, either
"Kokomo" comes out in '88, and Eddie wants to hate it. Really he does. It's really not his speed, he doesn't like surf music, but he just - he can't quite bring himself to dislike it. Not when Steve is listening to it on the radio in the kitchen, singing along, dancing around unselfconsciously while he does the dishes (moving his hips in ways Eddie does not want to associate with the Beach Boys)
But of course, the second Steve catches Eddie listening with anything other than disdain, it's all over. He turns all his attention on Eddie, singing to him, trying to beckon him into the kitchen to dance with him while Eddie valiantly tries to hold out against the fucking dork-ass romantic he's been dating for over a year
Steve points him and then curls his fingers in a "come hither" gesture as he croons along with the radio, telling Eddie to "come on, pretty mama," and Eddie has to let his head hang back while he tells Steve "I hate you," just so Steve won't see how hard he's smiling
He does end up dancing, his head resting on Steve's shoulder because he's laughing too hard to hold it up on his own, his eyes watering while Steve continues being ridiculous just for him
(It is absolutely not their song, but many years later, it does end up on Eddie's carefully curated wedding playlist. He disavows all knowledge of how it got there)
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ghost-bxrd · 2 months
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Prompt:
Dick Grayson has to juggle being in the spotlight again as Brucie Wayne’s son with his nightly vigilante activities. Easier said than done, when most days he has to struggle keeping his eyes open during the day.
But now? After Brucie’s most recent investing campaign that’s pissing a lot of people off? Yeah, Dick Grayson is once more in the top ten of most wanted on the both kidnappers’ and killers’ lists.
Thankfully there’s a new crime lord in town with a penchant for altruism.
And honestly, this is gonna benefit them both! Dick’s got the money to pay him and Hood’s got the manpower and brute strength to act as his bodyguard, not to mention the added benefit of helping the man turn Crime Alley into something… well, something with less crime! It’s a perfect plan!
Now Dick’s just gotta convince the Red Hood of that, too…
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lover-of-mine · 5 months
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Buddie Countdown to Season 7:
105 days.
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atopvisenyashill · 5 months
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i was thinking more about characters Performing Gender, but not necessarily Transgressing Gender. I wound up focusing on Ned and Sansa bc I feel like I understand them the most but-
Sansa as a hostage is imo the most obvious (bc it’s so well done) moment of someone clearly Performing Gender but not being transgressive in that performance. Which isn’t to say it’s not a complicated performance; it’s a fine line Sansa walks between weaponizing her gender to protect herself without seeming too fake. She’s trying to placate the Lannisters by playing the perfect, dedicated, air headed betrothed because it’s the only defense she has - if she outwardly rebels, she will be punished in a likely violent and/or sexual way (which isn’t even conjecture - when she says “or maybe he’ll give me yours” Joffrey has her struck with an armored hand). She’s not quite successful in being convincing but that’s because it’s a rather extreme situation; despite no one believing her, she does make herself seem meek and stupid enough that no one suspects she’s plotting to escape with Dontos until she’s well away from KL. The fact that she even has Dontos to confide in is because of Sansa’s relationship with gender! When she saves him, she covers her rebellious slip by playing up Joffrey’s intelligence & his role as King; she reaches for “tools” of her gender AND of ~proper manhood~ to save a life and herself from another beating. Her retreats into the godswood and silence are very much Sansa attempting to recharge from these draining interactions, the same way a knight would need to stop and eat and rest after a fight. She is fighting, constantly, by forcing herself to stay within the narrow confines of a specific type of gender performance as a way of shielding herself from harm.
Ned yelling at Cat is another big one, and I’ve seen the scene referred to as Ned using his patriarchal power to scare Cat, which is a great description. It feels like a Performance because Ned is putting on this terrifying Lord Stark mask in an attempt to get Catelyn to stop asking about Jon (and Lyanna). This is not how he usually acts with those he loves! When Ned is with His People, he is welcoming of questions, curiosity, emotion, even transgressive thought (to a point! the idea that Ned is a feminist because he lets Arya learn to fight is Not accurate but you can’t deny he allows significantly more flexibility wrt gender expression than most of the fathers we meet in this series. the bar is in hell tho). Yet when Cat asks him about Jon’s mother, Ned scares her so well she stops asking & still remembers the moment bitterly over a decade later. And if that snippet we see through Bran’s eyes of Ned praying that Cat will forgive him does come after she asks (like it’s suspected), it’s clear not only that this is a performance he’s putting on & weaponizing against Cat, it’s one he does not like using as a weapon against someone he is close to. After using the power his gender gives him to cause harm, he retreats to the godswood and silence to pray and rest, much like Sansa. A spiritual cleanse, the way a soldier may pray after battle, to reset and reconnect Being A Proper Man to Being A Kind Man.
I think there’s something interesting in that two of the characters most widely defined by how well they adhere to Westerosi gender norms both dislike feeling like they had to weaponize their gender. They are exhausted by the performance, because it’s a performance. This isn’t Sansa getting excited over tourneys, or Ned teaching his sons to fight; it’s toxic masculinity, it’s structural misogyny. It’s something they’re good at, excel at, and connected to something they enjoy but when it’s paired with violence, whether done by Ned or done to Sansa, it crosses over in their minds from an innate part of themselves (The Gender) to a performance necessary due to survival (The Gender Role). And that after these performances, both retreat to nature & god as a way of resting and cleansing from the experience.
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