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starsnheroes · 9 months

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you wanna write with pepper....

SO YOU WANT TO INTERACT WITH PEPPER POTTS IN HER MAIN CANON // Given that Pepper's company Resilient is based in Seattle, Washington, she is not readily available in New York based folk, that's not to say that she doesn't travel there for work but not often enough that she feels the need to own a car there. Typically, speaking Pepper is in Seattle and the West Coast if you needs to find her.

For reference to know where Pepper is, in order of how often she is there;

Resilient Headquarters + Pepper's primary home -> Seattle, Washington

Satellite Laboratories -> Paramus, New Jersey

Resilient Technology Junkyard -> Los Angeles, California

Visiting step son -> San Francisco, California

Secondary Offices + Stark business -> Manhattan, NYC, New York

wherever her media company she owns is based

idea borrowed from @/overclocks & @/involuntaryspy

YOU WORK IN CITY PLANNING // Resilient does play a part in rebuilding cities as well a building cities (ignoring the track record of those cities falling, not Resilient's fault; we can not control what happens after it is built), so if you are looking into rebuilding a city or building a city with energy efficiency and the use of Stark-patented repulsor tech, you will want to be in contact with Resilient and program proposals of this scale always lead to meetings with Pepper. Examples of these cities that formerly were was an improved version of the City of Asgard called Asgardia, and The Troy formerly known as Mandarin City.

YOU ARE LOOKING FOR WORK // Pepper's a bit of a micro-manager in that she does run oversight in the hirings that happen in the Resilient's R&D, this may have to do with the fact that one of their dear friend and employee was replaced by a spy. Additional departments that Pepper oversees who Resilient is working with in terms of marketing and P.R., as they have worked with the bad seed Marc Kumar in freelance PR before. This would be if you are looking for tech specific work or are looking for PR/marketing work.

INTERNSHIPS? // Now in the terms of internship, there are paid position available to which Pepper does not oversee internships typically (now that is not to say that certain individuals, friends of tony or tony, can try to pull a few strings with Pepper and get a kid they knew an internship or even shadow her (it better be a damn good deal)

YOU REMEMBER... THAT. HIM. // No you don't, and you definitely don't remember some Tony Stark-Gone Bad in a Silver suit infecting people with Extremis... Now if you were so happened to have been affected by these events, and possibly remember, than there may be means of compensation or more specifically need assistance in getting your life back on track. This happens all out of Pepper's own personal pocket and you will not say anything more about this; no need to thank her either. She's happy to undo the wrongs done and help. (its just painful)

YOU ARE CALLING BECAUSE OF TONY STARK // This is a risky option, because of the fact, that Tony Stark as a subject is very touchy for her. That's her best friend, that's the cause of a lot of pain in her life as well. If her and Tony are on good terms, well that's great and we should keep it that way. If they are outside of each others' orbits, it's a risk but if you want anyone to tell you like it is, than she's your girl. You need advice about working with Tony, or you've ran into a problem with Tony Stark and you need help, like serious help, and you chose the risky option. He's probably dead again, or broke, or some forms of indisposed and who has done more for Tony Stark at the cost of her own sanity than Pepper Potts? SSo you call her because you know she can save Tony Stark, or more importantly protect the legacy of Iron Man, want to keep that out of harmful hands. You will be responsible for damages for pulling Pepper Potts back into Tony Stark's orbit and shadow.

YOU NEED AN IRON SUIT // Not to have for yourself, she does not in fact do that, or loan anything. Rhodey wasn't available, Riri wasn't available (although she is a kid you should leave her alone and not be the first option) and Tony is definitely not available. She does have Rescue, and she's been around the superhero block a few times. Whose the woman who beat Whitney Frost and wore her mask to break Natasha Romanoff and Maria Hill out when Tony was going brain dead on the run from Norman Osborn? PEPPER POTTS. Now her suit, specifically does not come equipped with inherent offensive weaponry, but Tony has decked her out with plenty of enhancements and features. She's even ran a team of superheroes called The Order, as their HERA to The Pantheon. YOU are responsible for any grievances she may have, as she really should not be your first choice, but the good news about her is that she likes plans, and will follow orders, and typically wants to do good in the world and help people.

CRISIS -> SEARCH AND RESCUE // Whatever city she may be in at the time; home base is Seattle Washington, she's in Los Angeles and San Francisco California often, and on the rarer occasions she is back east in NYC. Rescue typically comes with her; enough has happened to her that she's got her suit somewhere near enough by, that she will suit up and aid in crisis scenarios by evacuating civilians, and assisting in search and rescue efforts; which aftermath wises does typically lead to Pepper Potts providing aid through Resilient in city repair and contributing free energy sources when she can.

YOU HAPPEN TO BE IN SEATTLE AND YOU WANT LUNCH // If you show at Resilient offices, and ask if Pepper Potts has taken her lunch yet, the answer may possibly or probably be no unless she's had a business luncheon alredy, but if Pepper hasn't taken a personal lunch yet the receptionists may simply schedule you in for a lunch with Pepper if only because it will get her out of her office or second office (yes she did get the bed at the office replaced; don't judge, she's a very hands on ceo, artifact of being a former very hands on executive assistant to tony stark). she will pay for the lunch too and just accept that you are suddenly in her schedule for the day.

YOU NEED SPARE PARTS // You need to scavenge for spare parts from the Resilient Technology Junkyard, and Pepper happens to be at her Los Angeles offices, and you run into her trying to scavenge, if you are there without permission you will be removed; there are legal means upon which you can access the junkyard and pull what you want from there. (don't worry she's already removed everything that could be dangerous and anything that tony stark has personally developed and still under an airtight patent)

YOU NEED THE MEDIA // You need the media, you need to get something out there, or you need to drown something else. Pepper still in fact owns one of the largest media companies on Earth. This is a very risky option for you; normally pepper stays uninvolved with this company unless she has to step in to toss out bad applies. This is your nuclear option, because Pepper will warn you that if you need a specific story published and pushed out to everyone? She is going to have people dig into you, into your life and history, and into whatever your situation is because she has accepted the power how media can impact and control the world, and if she's pushing out a story; she wants to be as certain as she can it's not rotten and going to spoil the bunch. So be prepared, but she can control the media and help with your PR, image, or get a vital story out.

YOU ARE ONE OF TONY'S MENTEES // Now she doesn't know under what illusion she has become the Iron Mama, co-parent or co-mentee to you by extent that you'd chosen Tony Stark or been taken under Tony's wing; they seriously need to have a talk about this, return her calls; but here she is. You've got Pepper Potts, sometimes known as Rescue, with her heel in the both worlds, to give you advice, remind you are in fact a kid, and help you out as best that she can. Typical rule of thumb? If it is going to hurt people or endanger more lives or you are a minor and it risks your life, than don't do it. If Tony Stark/Iron Man would do it, than maybe don't do it either. That isn't to say that Tony doesn't have his moments and gives good advice. She's not here to cancel out his mentoring, it's come to her attention that everyone thinks she's substitute teacher in Tony's absence or the co-parent to this deal you have with Tony.

#about; pepper potts #about; blog canon #all headcanons tag #HERE'S A THING. This did not turn out how I thought it would but here you are.#Just reminder that Pepper is probably in NYC the least of other places. You are more likely to run into her LA or SF or NJ than NYC.#people should take her up on that seattle lunch thing.#the guys from R&D started this as a joke. and now it's a thing.#it doesn't happen as often as you think #but you should do it. free lunch.#stop the workaholic through working through lunch.

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nicodemuslily · 1 year

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Dialogues

And here we go again with BAU team sketches. /o/

First one: necessary face-to-face Garcia/Hotch after the reveal about Prentiss (when the case went to its end, of course). Actually, Hotch feared the reaction of two members of his crew: Morgan and Garcia (and Reid too because he knows that he wasn’t good at that moment), but he still did want to assume the full consequences of this decision. Then, when Garcia stayed with him after the all pack left, he has a moment of panic. But, actually, she was more concerned about his appearance (the guy was so skinny at that time) and she won a hug in the end (because he made her mourn a not-dead friend). :D

Second one: days or weeks before, when JJ had to deal with Reid crying on her shoulder. I imagine that both of them, JJ and Hotch, had some talks, away from everyone to discuss about their feelings (well, she talked, he listened). On that scene, they are waving at Jack who had some fun on a carousel in Washington, and JJ is pissed because she has discovered that Hotch has agreed to take care of some Strauss work (in addition to his own, hers, the mourning of his team, his own grieving and Jack).

Third one: S07E12 ending face-to-face when Prentiss was asking for a caring ear and a shoulder to deal with her bad feelings. Hotch finally explained to her that, sometimes, it’s better to let a murderer alive for him to be judged and for the victims to express themselves and close up this bad chapter of their lives. He also explains that to kill a bad guy doesn’t help that much to feel relief, on a contrary (yes, he talks about himself).

Last one: day-off time for Hotch but not for the rest of the team. They call him for a little advice and finally hear Jack having an accident in the background. Case closed, they go find Hotch and his son at the hospital to check if everything is alright. Actually, it is. Jack wanted a cookie and got all the cookie jar on his forehead, but he’s fine. The nurse even gives Hotch the paper for his boy to leave the place. But Hotch feels bad about all this, thinking again that he is a lame dad who can’t handle his son’s life well. In the end, Morgan reachs for him and tells him that this kind of accident happen in every single family over the world (no matter how many parents there are in the house). More than that, he tells Hotch that there is no shame to feel for asking someone else help from time to time (his mother did it very often when she had to deal with her three young kids alone).

___

All those scribbles have wonky proportions, I know. I’m working on A5 paper and it seems to be a little too small to let me express all I want to about these FBI agents. Sorry about that.

(Starting the S10 veeeeery slowly. I’m still in love with the show but I know that there are only two seasons left before the kicking of Thomas Gibson (and the departure of Shemar Moore). And I feel so terrible about this that it’s triggering my brain. Man, I don’t know this actor much and maybe he’s a complete asshole for real, but thinking about the way he was ejected from the show after 10 years bugs me. Moore must had have a last episode party when he only had a “never come back” call. He seemed to have his temper and there is absolutely no good reason to hit someone (except maybe to protect yourself or someone you do care about) but, I still feel bad about this (maybe because I’ve got quite a temper too. XD). Well, there’s nothing we can do about this anyway. 41 episodes to go before the nervous breakdown. ^^; )

#criminal minds #cm #penelope garcia #aaron hotchner #jj #jennifer jarreau #emily prentiss #derek morgan #hotch #agent hotchner #garcia #prentiss #morgan #sunday sketch time #sketches #sketchdump #fanfic illustration #criminal minds fanart

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onetwofeb · 1 year

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Normally, I would hesitate to psychologize to this degree. But Vance is himself the king of pop psychologists, and his whole self-presentation is built on the notions of willpower and self-discipline that are the heart of the pop-psych and self-help genres. There is no way to engage the problem he represents while refraining from entering this field. The mechanism of Vance’s interior contradiction is important to understand — not to argue the case against him, for which sufficient evidence was long ago accumulated, but to extract some meaning about the forces that animate and enable his ideology.

We are not without resources for such an approach. James Baldwin gets him almost dead to rights in The Fire Next Time, twenty-one years before Vance was born:

The American Negro has the great advantage of having never believed that collection of myths to which white Americans cling: that their ancestors were all freedom-loving heroes, that they were born in the greatest country the world has ever seen, or that Americans are invincible in battle and wise in peace, that Americans have always dealt honorably with Mexicans and Indians and all other neighbors or inferiors, that American men are the world’s most direct and virile, that American women are pure. Negroes know far more about white Americans than that; it can almost be said, in fact, that they know about white Americans what parents — or, anyway, mothers — know about their children, and that they often regard white Americans that way. . . . One felt that if one had had that white man’s worldly advantages, one would never have become as bewildered and as joyless and as thoughtlessly cruel as he.

Here is Vance, all bewilderment, joylessness, and thoughtless cruelty caked over with some of the cheapest mythology on the market. He identifies with a copy-pasted Appalachiana: Hatfields and McCoys, the boisterous Scots-Irish spirit of loyalty, hardworking and hard-drinking and hard-fighting small-town folk with hearts of gold. We can see it on display in an epiphanic anecdote about his time as a Marine Corps press officer, when he delighted an Iraqi kid by giving him an eraser:

For my entire life, I’d harbored resentment at the world. I was mad at my mother and father, mad that I rode the bus to school while other kids caught rides with friends, mad that my clothes didn’t come from Abercrombie, mad that my grandfather died, mad that we lived in a small house. That resentment didn’t vanish in an instant, but as I stood and surveyed the mass of children of a war-torn nation, their school without running water, and the overjoyed boy, I began to appreciate how lucky I was: born in the greatest country on earth, every modern convenience at my fingertips, supported by two loving hillbillies, and part of a family that, for all its quirks, loved me unconditionally. At that moment, I resolved to be the type of man who would smile when someone gave him an eraser. I haven’t quite made it there, but without that day in Iraq, I wouldn’t be trying.

As Baldwin observed, when a white American sees the world as cowboys and Indians, dauntless American troops and pretty white girls (Vance writes that his sister is the most beautiful girl in the world, “just ahead of Demi Moore and Pam Anderson”), he inhibits himself from knowing anything about anyone else or, for that matter, himself: where he comes from, who he is, why he does the things he does. This self-inhibition is the unconscious message that Hillbilly Elegy communicates on every page, and it remains what Vance is all about. He is the senator from the unconscious, a voice in Washington for unprocessed trauma, psychic repression, and the monstrous outlets such potent forces can find.

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ledenews · 1 year

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Jennifer Galownia: Singing the Harmonies of Dreams Come True

She takes all “things” very seriously because she believes it’s the only way to do all “things” the right way. Like her job. It’s in the medical lab field. Gotta get that right. And her music. Pitch perfect. A wife and a mother? Hey man, those people are her tribe. Her untouchable tribe. Get it, mister? Jennifer Galownia a cop’s wife, a Bridgeport resident ready to defend the village against its social media critics, and she admits she needs to do a better job of slowing down enough to record her family’s ever-progressing evolution. But, for being so dead damn serious so often, Galownia does love to smile and to laugh as often as possible, and she enjoys making herself giggle even if no one chuckles with her. An example? Her job title in the “About” section of her Facebook timeline is, simply, “Being Hilarious,” and her intro states, “Wife and momma trying to raise lions, not sheep.” See? Real deal, right? And then the Facebook Intro continues, “Sang in Washington, D.C. at THE WHITE HOUSE.” Oh yeah, she did that back in December 2018 with the other duo of The Ron Retzer Trio, and if not for her songbird voice and her due diligence while communicating with the Trump Administration, she, Retzer, and Bob Wolfe would not have performed that day in the West Wing’s Cross Hall. That’s because Galownia takes all “things” very seriously because she believes it’s the only way to do all “things” the right way. Jennifer and her father have lived in Bridgeport for several years. What instigated your current music career with the Ron Retzer Trio? I was performing for local fundraisers and churches with some other people around the area, when Ron (Retzer) and Bob (Wolfe) got recruited in 2012 to join the group for a wider variety. After a while, the three of us agreed that our harmonies with each other were something special, so we formed what is now known as the Ron Retzer Trio. It’s been a rewarding and beautiful relationship not just between each of us, but our families, too. We all get to travel together, which keeps it interesting. We’ve all been fortunate to watch each other’s kids grow – mine, Bob’s … Ron’s grandchildren and now his great-grands! You are angry and passionate about the current drug epidemic. Why? Drugs. Well. This is a hard one. Back in 2011, I got hired on by Calloway Labs to help start up inpatient and outpatient drug testing for a local substance abuse program due to new federal guidelines. It opened up a somewhat sheltered viewpoint in regard to the opioid crisis, homelessness and mental health issues as more and more people came in. I am not certain when it became more than just a lab for me, but my office has seen thousands of people over the years. I remember most of them. That August, I remember when staff came to tell me that one of our clients had overdosed. That was the beginning of reality. After news that he died, it seemed to happen every couple of months. I’d meet people at their very worst. Back then I’d go up into the crisis unit where they were, and eventually they’d work their way to the outpatient department. If they did well, and so many do, they would continue with treatment and therapy. But, it seemed every couple months, someone would disappear, get called back out by “a friend” or a family member and the addiction would eventually win out. I wouldn’t see them again. It’s also a rewarding job, meeting these hurting people and watching them overcome obstacles. They’re excited just to get clean, have their own place, and get children back who were removed during active drug addiction. It’s a long process, but I’ve seen many people come up and out of that lifestyle to become productive, professional members of society while implementing the valuable tools and lessons learned. So, I guess I do get angry, and sad, but I am most passionate about the possibilities for all of them to have a rewarding, sober life when they learn their worth. What “season of songs” is your favorite collection of music? The 80’s. They don’t make ‘em like that anymore! And the genre didn’t matter. From country, to pop, rap and R&B, I skated to them all! Galownia unfortunately, has a front-row seat for the ongoing drug epidemic. On a scale of 1 to 10 with 10 representing the worst possible, how nervous were you when your husband went to work as the administrator of the Belmont County Jail? I can’t remember how long Stan served as the Assistant Jail administrator, but I remember when his boss resigned in the midst of the COVID pandemic. I wasn’t nervous that he couldn’t do the job, he’d been doing it for years anyway, but I was nervous because of the daily stress on him. We both knew it would probably increase with the complete responsibilities, due to the fact that it was his neck on the chopping block, even for things he wasn’t made aware of. Adding that to the COVID scare, having to know the ever-changing protocols for quarantining and how to delegate things to a dwindling staff didn’t make matters any better. I never doubted that he would be a great administrator, especially because he had experience in every single part of that jail down to the fire system, and because he’s a people-person and most know not to “take his kindness for weakness” as I’ve heard him say many times. He’ll let you go for a bit, then tell you why you’re wrong. Since bringing the jail through COVID and a stellar passing jail inspection, his retirement at the end of August has been great. He paid his dues and left the new guy a clean slate. He’s enjoying a new job, now not supervising anyone but himself, and he likes it. Jennifer has always been a singer, and she and her family have enjoyed traveling together for performances. Why do you give people a pickle? And now the pickle … I used to work at Stone and Thomas at the mall many moons ago in their housewares department. I would go over to Notions and help decorate the Christmas trees when we weren’t busy. I remember unpacking little pickle ornaments and being so excited to hide most of them, but still make them “kind of” visible. I got to tell people the story behind the Christmas Pickle. My maiden name is Faulkner, which is of German descent. I found it only fitting to share it with others who didn’t know. One day, there was a radio broadcast and I called in and was able to talk about the story of the Christmas Pickle on the air. So, I went out to Hallmark one afternoon to get a brand new pickle ornament that I believe may grace the Novotney family Christmas tree to this day. My daughter still hides ours every year, and strangely enough, it’s always her younger brother who seems to find it first. Read the full article

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shoeshineblue · 2 years

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THE INVISIBLE MOUNTAINS OF WICHITA KANSAS

I arrive in Wichita at night, driving an elderly black lab in an elderly white Jeep from New Mexico to Kansas. Belle is my girlfriend’s dog. She has arthritis and dementia. She would have been content to live out her life in the Oklahoma panhandle where we stopped to pee. I built her a dog ramp, which is a long parallelogram made of wood and carpeting, designed to wedge into a passenger side door that creaks and no longer opens all the way. It is an arthritic situation but she is a good girl and we manage. The great brown nothingness of the desert cross-fades into the greener nothingness of Kansas. I have started over so many times that any sense of wanderlust has been exhausted out of me. I’ve built lives in Missouri, Washington, Idaho, Montana, Oregon, New Mexico, and now Kansas. In each place I leave behind all of the components that could sustain a person indefinitely, only to do it all over again.

My approach to exploring a new home is always the same. I ride my bike everywhere. A bike ride gets me in close to the invisible borders and restitched seams of a city. I ride past factories that only run at night and piles of scrap metal, tall as apartment buildings. I ride the skatepark where fear is grown then eaten through pain and repetition, and you can bum a cigarette off a fourteen year old.

Wichita allows its ghosts to live in the broad daylight of its progress. An abandoned factory meditates in a field, a dented limo is for sale, a boarded up corner store is a few blocks away from a multimillion dollar library. An

new city folds into a older city, then unfolds back into tallgrass prairie, where the only commerce is between rodent, serpent, and hawk. It is sliced up by rivers that binge and purge on spring rains and old railroad lines that have beat out the same rhythm for 150 years.

The first train to arrive in Wichita came in the dead of night in 1872. Twenty seven miles north, Newton, Kansas celebrated their first railroad a year earlier. Frederick Harvey stationed one of his famous Harvey Houses there. Despite the runaway progress of the railroads, dining had been barbaric and out of step with the sleek new world. Harvey Houses offered young capon in hollandaise sauce, prairie chicken with currant jelly, and with each oyster mounted on a cracker, the world became a little more dignified.

Sunday mornings in the midwest are quiet before church lets out. I have the streets to myself. Paved paths run for miles along the river. Skunks eat cat food from porches and snow egrets pluck catfish from the water. Canadian geese have stopped migrating because the retired woman living on Back Bay Boulevard has slowly domesticated them, generation after generation, with a simple fistful of seeds and a Simon and Garfunkel song that she hums into the Wichita wind.

In the late 1800’s, members of the Wichita Bicycle Club would ride 50 to 100 miles on high wheeler bicycles. This was years before roads were smooth and the advent of the pneumatic tire. By the 1900’s, newspapers like “The Daily Free Press” out of Winfield, Kansas, and “The Topeka Daily Capitol” hired fleets of bicyclists to deliver their papers. These bikes were the classic paper boy cruiser with balloon tires and swept back handlebars —a simple, comfortable machine that turns kids into adults and adults back into kids. These bikes would eventually be hacked and modified to become the first mountain bikes, ridden down the fire roads of Marin County,

California by a mix of disenchanted road racers and athletic Dead Heads.

My bike is ugly. This is no accident. It is secretly expensive, but I let it wear its scars and scratches so it can be locked up unmolested. It is a simple bike from a simpler time. I can take it apart and put it back together while drunk. I originally built it with a friend in Portland’s oldest bike co-op while listening to Madonna’s greatest hits. It has been hit by a car and bent back into alignment. It has dodged rattlesnakes and chased road runners in the foothills of the Sandia Mountains. It has done everything I have ever asked it to do. It is easy to fetishize a bicycle—a sleek, naked object with nearly all of its working parts exposed. Nothing is hidden except for the bearings, sealed away from the light and distractions of the world so they can fight their private war against friction. A bicycle is a kind, forgiving, perfect machine.

The cobblestone of Wichita’s arts district fades into the dirt and gravel paths that hug the Santa Fe line. The houses along the tracks are overgrown with weeds but the kettle grills are clean and well loved. Motorcycles are propped up on blocks with broken little headlights. Puncture resistant tires are necessary for this kind of urban industrial exploring. The ground is always churning a previous generation’s broken glass back to the surface along with ancient shards of limestone and tenpenny nails. The past is sharp, not smooth. Ugly riding is best done in ugly clothing on an ugly bike. Neon lycra will clash with the chainlink fences and barking dogs. Do not ride your thousands of dollars worth of carbon fiber through a world that still rests on the shoulders of steel. Blend in. Move like a feral cat from alley to alley—ears back, unnoticed. Feel the terrifying glory of being alone and riding where you are not supposed to be.

The old Beachner grain elevator on 21st street is a midwestern ruin. It crumbles and bleaches in the sun like the Colosseum in Rome or the

theatre at Epidarus. Its chalky silos make the blue Kansas sky seem Mediterranean. I ride into the abandoned truck lanes among piles of tires and broken concrete to reach the foot of the tower. The industrial graveyard sings a siren song to my bike, begging it to stay and rust and rot. Birds and small mammals repurpose the shadows to eat each other in the rubble. The food chain keeps eating until the last thing is chewed. Each time I ride to the grain elevator to touch the old monolith, I have the heavy feeling that I don’t belong there, that I should let the dead rest. The silence near the silo is absolute. Crows fly but do not caw. The wind does not rustle the weeds. I say something to hear the sound of my own voice, and it is swallowed quickly by something unseen. Maybe it’s the nature of decay. Even sound dies when it is no longer needed.

This is all part of an industrial corridor where old railroad lines divide the neighborhoods, creating a thoroughfare for trucks and bars and steakhouses that are forever “under new ownership”. Smoke billows from a nearby factory and it produces the most seductive smell, a bit like fried chicken mixed with pure cane sugar but with a forbidden chemical umami. I imagine it is what dogs experience when they are drawn to a pool of antifreeze dripping below the family car. I should ignore the smell and hold my breath but instead I think about lunch.

I’ve always loved the way factories look at night. From the right distance, they become small cities with lights beaming through steaming layers of metal. The piping moves like an improbable highway system, connecting one building to the next.

Train tracks ran through the west wing of the cosmetics factory where my parents worked. My first job was working at the same factory. It was difficult, repetitive work and I had to learn bizarre ways to occupy my mind, but it was one of the great lessons of my life. Everything I ever had as a

child; every meal, toy, bike, and pair of jeans was paid for by the raw hours my parents spent working the production lines. It’s a brutal equation, but my parents are masters at living within their means. While their coworkers were on the hamster wheel of debt with new Cameros, bass boats, and other status items of the midwestern 80’s, my parents were driving Japanese sedans into obscene mileage and paying off their modest house. I learned that work will build you a life, but after that you have to find a true way of living it. This is complicated because, as individuals, we are a mess of wants and needs and expectations. It’s hard for me because I like to write songs, toss noodles in a wok, tell jokes, and make friends with cats. Nobody is paying me for any of this, especially the cats, so work and self live separately.

My first instinct in Wichita is to fall back on what I know. I am hired to cook at a nice restaurant and I work there for exactly one day. The shift goes perfectly, but I have already lived this moment so many times. My heart is no longer in it. That type of high volume, high octane line cooking is best left to those who are still in love.

The city announces approval of a new central library to be built in a field on the west banks of the Arkansas River. Before ground is broken, I know I will work there. I ride by the site regularly, and for a year I watch dirt and grass become steel and glass. I interview my way in and land myself a challenging job that peels me like an onion skin, revealing my strengths and weaknesses. I find that I can process a lot of information and that I am a decent teacher, but I also learn that I can wreak holy havoc on an Excel spreadsheet. I can’t make the little boxes do what they are supposed to do so I click on them until they no longer do anything at all. The image of the quiet librarian sitting behind a desk and moving in a slow current of work does not apply to this job. Thousands of books and materials need to be

processed daily. I train clerks, negotiate large debts, and calm the nerves of unstable people. I track and perform forensics on a large print copy of The Grapes Of Wrath that has taken a mysterious joy ride though several library branches and has somehow put late fees on an elderly woman’s account. She is furious and swears up and down that she would never read Steinbeck. I make a joke about sour grapes and she laughs. The job fits me like a glove.

Great workers are everywhere. They are easy to spot in the service industry, where hustle is on display, but there are other forms of greatness. My car mechanic has the bedside manner of a pediatrician. I sit at diner counters if I can watch an experienced short order cook—someone who has spatulas for hands and can hear the inner thoughts of an egg. I note the economy of movement, the steady breathing, and the stillness in the face. Great workers will witness the full length of our species. They will build the first and last thing.

In the summer of 2017 I witness a perfect worker.

I break up with my laundromat. There have been too many lost quarters and blown out dryers. I am tired of the absentee owner—someone who comes in the dead of night to collect their fortune in change. Notes are posted on the bulletin board complaining of lost money, faulty washers, and dirty bathrooms. Most of them written in all caps.

To find a new laundromat, I look to the sky for smoke and follow the smell of chicken. A small jaunt north puts me in the Hispanic neighborhood, and there is a laundromat across the street from “The Chicken Man” who smokes whole birds in the parking lot of a used tire shop. On weekends, the empty lots fill with fruit vendors and people selling sweet corn, decorative blankets, and framed prints of the Santo Nino de Atocha. The

intersection is a Brigadoon. Most days the lots are empty, but on some days they turn into an impromptu market. Then it disappears again.

I walk into the new laundromat with a toppling pile of laundry. The double doors are awkward and an orange falls out of my open backpack. I don’t even eat oranges. It is caught before it hits the ground by a man in a starchy white shirt. He gives me a quick nod and places the orange gently back into my backpack before rushing off with a broom. All around there are houseplants, pinball machines, and a jukebox that plays Madonna’s Greatest Hits on a loop.

For the first time in my life I try a side load washer. I have always known the side loader is the superior machine, but laundry—like spaghetti and meatballs—is about memory and mothers. After a lifetime of watching my clean clothes come from the top of an off-white Maytag, it’s an emotional leap to trust the cold stainless steel washer with the porthole window. But you have to grow up sometime.

The floors are spotless. Every machine works. All of this is the work of one very industrious man—the man in the starchy white shirt, the orange catcher, the owner, operator, and lone employee. I usually read at the laundromat, but this time I watch the maestro at work. He does not cross the floor without picking something up or relining a garbage can. There is no wasted movement, and he works in a counter clockwise pattern— addressing washers, dryers, and folding stations systematically. Occasionally, he pops a few quarters in a pinball machine, lights it up, and leaves the extra plays for the chubby kid patiently waiting to take over. By the time the kid finishes the game, the man in the starchy white shirt has redistributed his fleet of wire push carts. All the while Madonna sings “La Isla Bonita”. Last night “she dreamt of San Pedro”. Today she turns this

laundromat into a dance floor.

The foundation of physical grace is good footwork. If the torso moves smoothly, know that the feet are skilled. I’ve seen one common move among many trades. I call it Plato’s Pivot, because I like to think that people have been doing this move since they were building the Parthenon in sandals. I learned it by working as a pizza cook, where I had to move quickly within a small space with another cook. The idea is simple. Turn one foot out in the direction you need to go, pivot the hips, take one long step, re-square the hips as the second foot drags into position, then reverse the motion exactly to return to your original position. The molecules of air should still be brushed aside to ease your return. This puts you in two balanced stances with the fewest amount of moves. I’ve seen cooks do this move, but I’ve also seen nurses, mechanics, and laundromat owners do it. Once I was watching an episode of Law and Order and saw a lawyer do Plato’s Pivot while revealing evidence. He pivoted to the judge, then re- squared himself to address the jury. I imagine the actor worked in a kitchen between auditions. Once Plato’s Pivot is in your feet, the Earth will forever glide beneath you.

I finish folding my shirts as Madonna explains to her Papa that he really shouldn’t preach. She’s made up her mind, she’s “keepin’ her baby”. She’s “in an awful mess and she don’t mean maybe”. I tuck my socks into one another and I agree with her. “What she needs right now is some good advice”. The owner and I exchange nods as I leave. Nice, efficient nods. No need to break his momentum.

By the summer of 2020 I am living alone in a large old house, two blocks from the Little Arkansas River and four blocks from the regular old Arkansas River. The rivers duck and weave until they meet in downtown Wichita. I have my own washer and dryer and no longer need the maestro,

but now I am in Covid lockdown and miss the small duties of life. I miss rummaging for quarters and waiting in lines. I miss the guilt of staying out too late at the bar. I miss playing music. I occasionally go to barbecues, baseball games, and street corners where I gossip with my neighbors, but these are stolen moments in a game of cat and mouse that we are playing with our health. Then I get into a hot summer fling with a drive-in theatre.

The Starlight Drive-In operates in a nostalgic dream. It is surrounded by mobile home parks, a roller rink, and a BMX track, where kids smoke in the berms. As the pandemic settles over us, drive-in theaters find themselves with a valuable asset: space. A bike ride to the Starlight Drive-In is an ambitious ride south along the riverbanks, and for a stretch, it becomes feral. People live in the woods and under bridges. I once saw a beautiful woman bathing nude under a bridge which was alarming in a thousand ways.

By bike, I can easily sneak into the Starlight through the tree line, but why would I do that? Why not give my money to help polish a rare gem? I strap a lawn chair to the rack of my bike and unfold it on one of the gravel mounds where you would park a car. I use a little transistor radio to pick up the audio and I brought a nice bottle of claret to pair with the chili cheese fries they sell at concessions. I’m a cheap date. I think about how simple and romantic this might be if I weren’t just one dude in a lawn chair, but whatever. Things converge and things fall apart. On the horizon a radio controlled plane does loop-de-loops in the last bit of light, and next to me an entire family snuggles under a single heavy blanket in the back of a Ford F150. Moments like these seem to contain everything, but I’m a world in a raindrop kind of guy. This is initially charming to women, that so much can be had with so little, but after a few years of this, the world must feel a bit small. Thus the one dude and one lawn chair.

Tonight’s feature is 1987’s “A Nightmare on Elm Street 3: Dream Warriors”, a movie that features a young Patricia Arquette and a killer song by Dokken. The last surviving children of the parents who burned Freddy Krueger find themselves together in a psychiatric hospital. They try group hypnosis in an attempt to have a shared dream so they can finally put the old demon to rest. That’s kind of what it is to watch a movie with other people, a shared dream. The bike ride and the chili cheese fries and the wine make for a great first half of the movie. I’m having the time of my life, but by the second half I start nodding off in my chair. If there is one message the Nightmare on Elm Street franchise promotes, it is don’t fall asleep! That’s when the Freddy Krueger gets his sharp little hands a- cookin’. But there I am, shifting around in a lawn chair on a mound of gravel on a hot summer night, batteries dying in my dumb little radio, not sure if I’m still in the shared dream with everyone else or completely on my own.

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scorpionyx9621 · 3 years

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Do you think Jason Todd fandom is kinda toxic? Because it seems like NO MATTER what DC do, there'll always be complains. Forget the bad adaptation like Titans. Even Judd Winick cannot escape the criticism with how he potrayed Robin!Jason. They just never satisfied.

SORRY, IT TOOK ME SO LONG TO RESPOND TO THIS. I just moved from Washington D.C. to Seattle, which, for my non-American friends, that's 4442km away. And I DROVE THERE ALL BY MYSELF. And now I'm trying to find new work in a new city and trying to stay mentally healthy and positive. Life is exciting but hard and scary.

*sighs*

As someone who was a fandom elder with V*ltr*n. I've seen some of the worst when it comes to fandom behavior. I'm talking people baking food with shaving razors and trying to give them to the showrunners. I'm talking leaking major plot details and refusing to take it down unless they make their ship canon (I am looking at you, Kl*nce stans) For the most part, DC Comics has had a decades-long reputation of treating their fans like trash and not caring what they think so from what I've seen, we all just grumble and complain in our corners of the internet about how we don't like how X comic portrays Jason Todd.

The challenge with Jason Todd is that he's your clinical anti-hero, the batfamily's Draco in Leather Pants, he's a jerkass woobie, and on top of all of that, he's a Tumblr sexyman. It's a perfect storm for a very fun but frustrating character to be a fan of. It doesn't help that every writer decides to re-invent the wheel every time Jason comes up so his canon lore is confusing at best and inconsistent as a standard.

I guess starting with a general brief on who Jason is and what is uniform about him with every instance he's appeared in comics/media.

Grew up in a poor family in Gotham with a dad who was a petty-mid-level criminal, and a mother who dies of a drug overdose.

Survives on the street on his own by committing petty crimes and potentially even engaging in sexual acts to keep himself alive.

Is cornered by Batman and taken in after Dick Grayson quits/is fired

Becomes the second Robin, but is known for being the harsher, more brutal Robin.

Is killed by Joker after being tortured, but somehow comes back to life and regains senses through the Lazarus Pit

Resolves himself to be better than Batman by basically being Batman but kills people.

Where there has been a lot of conflict in the fandom is the fact that Jason Todd is not a character that is written consistently. DC Comics loves to go with the narrative that Jason was "bad from the start" and was the "bad robin" when, yes, he has trouble controlling his anger, but he also still is just as invested in seeing the best of Gotham City and trying to be a positive change for the world as any other DC Comics hero.

Where I get frustrated with the fandom is its ability to knit-pick every detail of a comic they don't like while completely disregarding everything that makes the comics great and worth it to read. My example being Urban Legends. To which most people had pretty mixed reactions to. I was critical of the comic at first but as it went along I ended up really liking it. I have a feeling DC Comics went to Chip Zdarsky and told him he had 6 issues to bring Jason back into the Bat Family, and honestly he didn't do a bad job. Did it feel rushed? Absolutely. I wish there was more development of Jason and Bruce's characters and their dynamic as a whole. However, where I see a lot of people being angry and upset with Urban Legends is that they feel Zdarsky needlessly wrote Jason as an incompetent fool who needs Bruce to save him.

Whether or not that was the intention of Zdarsky is up to debate. However, and this may be controversial, but I don't think he wrote Jason Todd out of character at all. For as fearsome, intimidating, and awesome as Red Hood is. Jason is a character who is absolutely driven by his emotions. Why do you think he donned the role of Red Hood? As a response to his anger towards The Joker for killing him, and towards Bruce for not taking action against The Joker and for seemingly replacing him so quickly after he died. Jason didn't care about being the murderous Robin Hood or for being the bloody hammer of justice against N*zi's and P*d*ph*les. He only cared originally about making The Joker and Bruce pay. It wasn't until he trained under the best assassins in the world and realized most of them were horrific criminals who trafficked children and were p*dos that Talia began to realize that the teachers that she sent Jason to train under started dying horrific and painful deaths.

The entire story of the Cheer story in Batman Urban Legends was started because it finally forced some consequences upon Jason. Tyler, aka Blue Hood's father was a drug dealer who gave his supply to his wife and kids. And when Tyler's father admitted he gave the drugs to Tyler, it immediately made him fall within the self-imposed philosophical kill-list of Jason Todd. And Jason, well, he proceeds to kill Tyler's father. When this happens, Jason is in shock. Tyler's dad fit the bill to easily and justifiably be killed by Jason. We've never seen Jason having to deal with the consequences of being a murderous vigilante on a micro-level. When Jason realizes what he's done in that he's murdered Tyler's dad, he's shocked. He tells Babs the truth. He does a rational thing because he's in shock. He doesn't know what to do, he never has had to face the consequences of his actions as Red Hood and now the gravity of befriending a child as a vigilante hero who kills people just set in when he killed the father of the same child he was just introduced to.

(Oh here's a little aside because it had to be said, Jason would not have been a good father or a good mentor to Tyler and absolutely should not have been his new Robin. Jason is a man who is in his early 20's (not saying men in their early 20's can't be good fathers at all) who is a brutal serial killer using the guise of a vigilante anti-hero to let him escape most of the law. the complications of having the man who murdered your father adopt you and make you his sidekick are way too numerous for me to explain in a long-winded already heavy Tumblr essay post. There's a reason why we don't advocate for a story where Joe Chill adopted Bruce Wayne or one where Tony Zucco took in Dick Grayson.)

The next biggest argument is that they feel that Jason is giving up his guns as a means to just be invited back into the Bat-Family. To which I will tell anyone who has that argument to go actually read Urban Legends. Already have and still have that argument? Please re-read it. Don't want to? That's okay, I will paste the images from the comic where Jason specifically says that he doesn't want to give up his weapons for Bruce and his real reasoning down below since the comic isn't exactly readily accessible.

Jason gave up the guns because he felt the gravity of what he had done and knows how it'll effect Tyler. Thankfully his mom is alive and in recovery. But Tyler doesn't have a father anymore. And Jason killed Tyler's father. It may have been in accordance to Jason's philosophy, but it was a case where it blurred the lines. Jason Todd isn't a black and white character, just very dark gray. He doesn't kill aimlessly like the Joker. If you are on Jason's list you probably have done something pretty horrific, and also just in general, being in his way or being a threat to him. Mind you, in early days of Red Hood and the Outlaws (Image below) Jason almost killed 10 innocent civilians in a town in Colorado all because they saw him kill a monster. That being said, Jason isn't aimless in his kills.

(Also can we just take a moment to appreciate Kenneth Rocafort's art? DC Comics said we need to rehabilitate Jason Todd's image and Kenneth Rocafort said hold my beer: It's so SO GOOD)

That being said, the key emphasis in the story of Cheer asides from trying to introduce Jason Todd back into the Bat Family and give an actual purpose for him being there, other than him just kind of being there ala Bowser every time he shows up for Go Kart racing, Tennis, Golf, Soccer, and the Olympic games when Mario invites him, is that Jason and Bruce ultimately both want the same thing. Jason wants to be welcomed back into the family and to be loved and appreciated. Bruce want's Jason back as his son and wants to love and protect Jason. Both of these visions are shown in the last chapter of Cheer while under the effect of the Cheer Gas. It's ultimately this love and appreciation they both have for each other that helps them overcome their challenge and win.

Jason Todd is a character who, just like Bruce, has been through so much pain and so much hate in his life. The two are meant to parallel each other. While Bruce chose to see the best in everyone, giving every rogue in his gallery the option to be helped and give them a second chance, hence why he never kills, Jason has a similar view on wanting to protect the public, but he understands that some crimes are so heinous they cannot be forgiven, or that some habitual criminals are due to stay habitual criminals, and need to be put down. But at the end of the day, the two of them both try to protect people in their own ways.

I am aware that through the writings of various DC Comics authors such as Scott Lobdell and Judd Winick, the two have had a very tumultuous relationship. And rightfully so, I am by no means saying that Scott Lobdell writing an arc where Bruce literally beats Jason to within an inch of his life in Red Hood and the Outlaws, nor Judd Winick's interpretation of Under the Red Hood where Bruce throws the Batarang at Jason's neck, slicing his throat and leaving him ambiguously for dead at the end of the comic is appropriate considering DC Comics seems to be trying everything they can to integrate Jason back into the family. That being said, a lot of these writings have shaped the narrative of Jason and Bruce's relationship and have an integral effect on the way the fandom views the two. It doesn't help that Zdarsky acknowledged Lobdell's life-beating of Jason by Bruce at the very end of Cheer by having Bruce give Jason his old outfit back as a means of mending the fence between the two of them. That does complicate a lot of things in terms of how they are viewed by the fandom and helps to cause an even greater divide between the two.

Regardless, I want to emphasize the fact that Jason Todd is a part of the family of his own accord. Yes, he's quite snarky and deadpan in almost every encounter. However, Jason is absolutely a part of the family and has been for a while of his own will. There's a great moment in Detective Comics that emphasizes this. Jason cares about his family because it is his found family. Yes, they may be warry about him and use him as a punching back and/or heckle him. At the end of the day, we're debating the family dynamics of a fictional playboy billionaire vigilante whose kleptomania took the form of adopting troubled children and turning them into vigilante heroes. Jason Todd wants a family that will love and support him. This is a key definition of his character at its most basic. This was proven during the events of Cheer and is being reenforced by DC Comics every time they get the opportunity to do so.

Now, none of this is to say that I hate Judd Winick. I do not, I don't like the fact that in all of his writings of Jason, he just writes him as a dangerous psychopath, and Winick himself admits to seeing Jason as nothing much more than a psychopath. Yet Winick is the one who the majority of the fandom clings to as the one true good writer of Jason Todd because 'Jason was competent, dangerous, smart' Listen, friends, Jason is all of that and I will never deny it. However, what I love about Jason isn't that he's dangerously smart of that writers either write him as angsty angry Tumblr sexyman bait or that they write him as an infantile man child with a gun. There's a large contention of this fandom that has an obsession with Jason Todd being this vigilante gunman who is hot and sexy and while I definitely get the appeal. It is very creepy and downright disturbing that all of you hyperfixate on his use of guns and ability to be a murderer. It is creepy and I'm not necessarily here for it.

What I love about Jason Todd is that despite all of the pain, all of the heartache, all of the betrayal, and bullying, and death, and anguish. Jason Todd is one of the most loving and supportive characters in all of DC Comics. Jason has been through so much in his life, but he still chooses to love. He still chooses to see the bright side in people. Yes, he takes a utilitarian approach and chooses to kill certain villains, but at the end of the day he wants to see a better world, and he wants to be loved. It takes so much courage and so much heart to learn to love again after one has been abused or traumatized. I would not blame Jason at all if he said fuck it and just went full solo and vigilante evil. He has every right to, but he still chooses to be with the Bat Family of his own accord. That's something that I see a lot of in myself. I have been through a lot of trauma and yet I try to be a better person myself in any way that I can. It is extremely admirable of Jason to allow love back into his heart when he really doesn't need to. He kills and he protects because he has this love of society. It may have been shaped by anger and hatred, but Jason has found his place amongst people who love him and value him. I think Ducra, from Red Hood and the Outlaws put it best in the image given below.

To end this tangent, I love Jason Todd and all of his sexy dangerousness, but it's far more than that. As much as Jason may be dangerous and snarky, he loves his family without a shadow of a doubt. I look up to Jason Todd because despite all of his pain and all of his trauma, he still choses to love. Jason Todd is a character who is someone I love because despite all of his flaws and having a very toxic fandom, he still serves as a character filled with so much heart and so much passion. I wish more writers would understand that. But for now I will live with what I have. Even though the fandom may be vocal about it's hatred for his characterization, I choose to love Jason regardless because he is a character who chooses love and acceptance regardless of his pain. Jason Todd is by no means a good person in any sense of the word. He has easily killed upwards of 100 people by now. He is a character who is flawed and complex but ultimately is one who powers forwards and finds love and heart in a place from so much pain and anguish. That is what I love about Jason Todd. After all, to quote a famous undead robot superhero, "What is grief, if not love persevering?" Jason Todd chooses to love despite all of the trauma and pain and grief. Yes, he is hardened in his exterior, but inside there is a man with a lot of love to give and someone who deserves the world in my eyes.

#Long post GOD #Jason Todd #Red Hood #Bat Family #Batman #red hood and the outlaws #RHATO #RH:O #Batman Urban Legends #Red Hood Lost Days #TW Voltron #TW Death #tw murder #TW Klance #Gotta love how i am pouring my heart out onto jason AND calling out the Voltron fandom #Regardless love Jason Todd people

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redrobin-detective · 3 years

Text

Delayed Mourning

Going Angst Day 5: Death

_________________________________________

It was 3pm when there was a knock on Maddie Fenton’s door. She huffed and set down the meal she’d been working on. Of course the one day she had time to pre-plan a nice meal from her family was the day she’d get interrupted.

“Yes? May I help you?” Maddie asked, opening the door. She had expected a salesman. Possibly even a neighbor coming to complain, again, about the noise or the smells that came from Fentonworks. Instead she found a small woman who couldn’t have been much taller than 5 ft with dark brown hair tied up in a tight bun. She was wearing a sharp white shirt and suit jacket with a matching white skirt.

“Mrs. Fenton, hello,” the woman gave a polite little head nod. “I’m from the the Government Institute of Interdimensional Warfare though I hear the locals like to call us the Guys in White.” She said with a knowing smiling, “of course, as you know, it’s not only the guys who are interested in ghosts. May I come in?”

“Oh yes, hello,” Maddie blinked, opening the door to let the agent in. The petite woman stepped inside, her heels clicking on the hardwood floor. Her small frame, her oversized glasses and soft nature seemed so at odds with the meatheads Maddie usually found in the GIW. “Is there something I can help you with?”

“Perhaps,” the agent demurred. “It’s more there was something I wanted to inform you of. If you’re not too busy, may we sit down and talk? Your husband and children are not home.” Maddie thought that last statement was a bit odd, framed as a statement of fact rather than an inquiry but moved on.

“Yes, Jack’s out of town visiting a relative and my kids won’t be back for a little while,” Maddie said. “Let me just finish putting this roast together, I’m almost done. Can I get you anything? Water? Tea?”

“No, thank you,” The woman said quietly. “And please, continue while you’re doing. Let me give you a little bit of background.” The agent adjusted her large glasses with her tiny hands. “Let me introduce myself, you may call me Agent S. I work primarily out of Washington for the Institute but sometimes I am deployed on site for... special cases. And, as I’m sure you’re aware, your town is very special.”

“Now, as you may have noticed, I am not particularly built like the normal Institute agents you have probably come across. That is because I do not work in the field but behind the scene in Investigations. My job is study the history and happenings of hauntings and spectral entities.”

“Oh that sounds fascinating,” Maddie beamed as she finished with her final preps and put the roast in the over. She looked over her shoulder at Agent S while she washed her hands. “Jack and I dabble a bit in history and folklore but we’re more versed in the hard sciences of ghosts.”

“Yes, I’ve read some of your papers, you and your husband truly are the frontrunners in the field,” Agent S nodded. Maddie preened at the praise and sat down, delighted to have a sophisticated conversation with someone in her field who she wasn’t married to. If more of those GIW agents were like Agent S then Maddie would get along a lot better with them. “So, Maddie, may I call you Maddie? What date and time did your portal start working?”

“It was August 28th,” Maddie said proudly. “It didn’t work at first when we first plugged it in. I’m afraid I don’t have an exact time it started up as we weren’t here. Jack was convinced one of the electrical conduction pieces wasn’t fully connected and was preventing ectoplasmic distribution. We ended up driving 4 hours to Springfield and back for some specialty parts only to find the portal working when we returned.”

“I can help you there,” Agent S said with a soft smile reaching into her white briefcase and pulling out several thick folders. She laid them out gently on the table and Maddie was unnerved by some of the information: schematics of Fentonworks, past and present financial records, transcripts of public statements. Her shoulders tensed when she saw Jazz and Danny’s names on some of the files. “Toll camera captured your vehicle on the Jane Addams Memorial Tollway at exactly 1:26pm on August 28th. We can confirm you and your husband’s vehicle traveled to Springfield and back via video feeds and credit card statements at 10:45pm that same day and were therefore out of the city all day.”

Maddie suddenly felt very trapped by the woman’s sharp grey eyes as she plucked a piece of paper and pressed it towards Maddie.

“At 3:18pm, the majority of the residential power in town went out for a period of 2 and a half hours. The cause was determined to be from a massive power surge that blew out the transformer. You may recall being blamed for this outage given your history with previous outages but the news that you were out of town settled that argument. However, I was not convinced.” She pulled out another piece of paper and Maddie bristled to see it was a Casper High attendance sheet.

“Your daughter, Jasmine was at her final summer cram session which ran from 2pm until 5pm. I spoke to her tutors and she never left the whole time and, in fact, stayed late to help a fellow student work through her study materials. But what about your son?” Agent S asked with with a curious smile but her eyes belied the fact that she had her own answers.

“How dare you spy on my family, on my children,” Maddie hissed, crumpling one of the papers in her fist. “Get out of my house, I will sue the pants off of your organization for this invasion of privacy! Get out!”

“Now Maddie, don’t you want to know how your son started up your Portal?” Agent S asked coyly, that drew Maddie up short. Danny? No, he couldn’t have possibly. He had no interest in their work, in fact, now that she thought about it, Danny had been sick that day. Agent S pulled out a set of blueprints for the Fenton Portal. Some small component inside the Portal was circled.

“You left at approximately 1pm and your daughter presumably left not long after. Phone records indicate Daniel called both Tucker Foley and Samantha Manson. Your neighbor, Mrs. Benson, saw them coming into your house not long after but before the 3pm power outage which I was able to triangulate did in fact originate from your home.” Agent S tapped the circled part of the inner portal mechanisms. “Now did you happen to push the on button in the Portal before plugging it in?”

“On button?” Maddie asked with a dry mouth, overwhelmed by the amount of information being thrown her way. All she could think about was how Danny hadn’t seemed sick when they’d left that afternoon but had looked awful when they returned. Would he have really gone downstairs and messed with the Portal? Had he gotten hurt? Been contaminated down there? Images of Vlad’s sickly visage after his accident flowed through her head. She should have paid more attention but she’d been so excited about the Portal working...

“It’s right here in the blueprints you submitted to the patent office, buried under dozens of other hardware bits. Its small, such a little thing compared to all the moving parts required to open up a dimensional portal. Daniel was a bright boy, his middle school records prove it. A bright mind, friends to impress, no parents around to chastise him... I think you can see where I’m going with this.”

“No, no,” Maddie said, burying her hands in her hair. “No, I’m not. You’re saying -what? - that my teenage son turned on the Portal when we were gone? No, my Danny wouldn’t lie to me about that... Why wouldn’t he say anything?”

“I don’t blame him for not mentioned in because, if my hunch is correct, he was inside the Portal when it turned on, killing him instantly,” Agent S said with a carefully neutral face. “I’m sorry to be the bearer of bad news but I’m afraid this haunting has gone on long enough.”

“My child is alive!” Maddie screeched, standing up in her chair. “Danny is alive and healthy and he is not a ghost!”

“I will admit the evidence of how he died is circumstantial but the fact that Danny Fenton is deceased is not.” Maddie fell back into her chair as he legs gave out underneath her.

She watched the agent put paper after paper in front of her and detailed all sorts of data about her son that Maddie, who lived in the same house as him, had missed. Unusually high ectosignatures picked up by GIW (and their own) detectors, Danny being spotted in some form before most ghost attacks, faked signatures of hers getting him out of nurses’ visits. Maddie barely felt alive herself as she stared at a red light camera photo of her baby sitting atop a light post late, late at night. His eyes were a toxic green color.

“I know this must be distressing as a mother but your child never left that basement, never attended high school and will never achieve his dream of working for NASA.” Agent S said with carefully measured sympathy as she gathered up her papers and put them back in her case. “But you are a brilliant scientist, unlike your husband, you should be able to look past your emotions and see that your child is gone and the ghost he left behind is dangerous.”

“My husband?” Maddie asked blankly, running a finger down Danny’s unnatural photograph.

“I approached Jack two days ago, mistakenly believing he would be the most understanding of you both. He refused to believe the evidence and was, in fact, going to warn your son’s ghost that we planned on taking him. He is safe but he presently being held at one of our facilities until the capture is complete.” Maddie should feel outraged at her husband’s kidnapping but all she could think about was the fact that her son was dead, dead, dead, killed by her own invention over a year ago and she never noticed. How could she not have noticed?

“Daniel’s ghost is extraordinary, not only able to pass as human so accurately for so long but immensely powerful. We need to make sure he doesn’t harm anyone else. Think of his friends who are probably being forced to aid him and keep his death quiet. Think of your husband, your daughter, living in the same house as a dangerous ghost.” Agent S dropped some of her professionalism and plucked the photo of Danny out of Maddie’s hands and replaced it with her own tiny hand.

“I know this is impossible thing to ask but I must do it anyway, will you help me capture what remains of Danny? There is a chance with his charade exposed, he will be able to move on and so will you. You have been wronged, Maddie. You have been denied the right to process and grieve your child by his own ghost. But a delayed mourning is better than none. Danny’s death is a tragedy but please don’t let it become someone else’s.”

“Maybe he’s not-” Maddie’s breath hitched, “he’s never shown any signs of aggression. Jasmine spoke of benevolent spirits... maybe-” Agent S sighed roughly and retracted her hand to grab another photo from her case. Maddie was surprised when she held up a picture of Phantom.

“Ignore the glow,” Agent S instructed. “Change his white hair to black, his green eyes to blue. Think of how often Phantom is spotted in your neighborhood, around Casper High. Remember how he always has his hands on your technology,” the agent frowned. “Think of how he grins when he sees you, like he knows something you don’t. Like it all just a big joke you’re not a part of.” Maddie felt like she’d been slapped.

“Your son is dead,” Agent S said more forcefully, throwing the picture of Phantom next to the spooky one of Danny. “And his ghost has taken his place, taunting you, stealing energy from your family, from the portal that killed him. Phantom’s power is increasing too rapidly and soon we won’t be able to contain him. It’s why I was brought in to identify his haunt so that he could be stopped before anyone else died.”

“I will state this plainly, I am giving you the chance to participate in putting your child to rest but you are not required for this operation. If you refuse, you will be confined with your husband until Phantom is taken down. Do not let this monster with your son’s face trick you any more. So I ask again, Maddie Fenton, will you help us stop Phantom from making a mockery of your son’s memory?”

XxX

“Mom! Jazz! I’m home!” Danny announced, kicking off his shoes and grabbing a paper out of his backpack as he walked into the kitchen with a grin. “And I have a present! Jazz’s tutoring paid off, look at this A I got on my history test! Well A- but a solid A-!”

“Oh... that’s great,” Mom muttered quietly. She was sitting at the kitchen table, not cooking or tinkering with some gadget. Just sitting there quietly, twiddling her thumbs and not looking at him.

“Is everyone okay?” Danny asked, dropping his bag on the floor and walking over to his mother. “I saw Jazz at school but is Dad okay?”

“No, everything is not okay,” she said turning and looking at him with tear-filled eyes. “Someone died, someone I love dearly and I’m not ready to let them go,” she sniffed and wiped at her eyes. “But they've been gone for a long time, even if I’m just hearing about it now. I’m upset but it’s better to know and be grieve than to go on in ignorance, living a lie.”

Danny was about to ask who had died when something was jammed into his neck and he was shocked within an inch of his half life. His body spasmed to escape but his mother was gripping his arm to hold him in place. He transformed unconsciously but that only made it worse. He fell to the floor, ectoplasm leaking off his form as he could barely hold himself together.

“Mom,” he croaked, reaching for her despite everything. She stomped on his hand which was practically goo from such a vicious, destabilizing ectoplasmic shock.

“Don’t you ever call me that,” she hissed through angry tears. “I didn’t want to believe it but the proof is right in front of me you horrible, selfish ghost.” She kicked him in the side and half of him ended up on her boot. “How dare you, how dare you impersonate my son! How dare you string me along all this time, make me look like a fool who had to told that her own child was dead! I bet you just laughed and laughed at our stupid, human ignorance of what your were!”

“‘lease,” he begged through the ectoplasm in his mouth. “I’m still your....”

“My son is dead and he has been for a while,” Mom said, throwing the ecto-taser away from her. Danny vaguely heard the door being kicked in and in his rapidly diminishing vision, he saw black boots and white suits. “With you gone, I can finally come to terms with it and not be tormented by an inadequate replacement.” She turned her back to him. “Get that filth out of my house, I never want to see it again.”

“Of course,” a quiet feminine voice said as his goopy arms were restrained with ghost proof cuffs. “I know this is hard, Maddie but you made the right choice for your family and Danny’s memory. Jack will returned to you within the hour. I spoke to my superiors, for your cooperation, the Institute will take care of declaring Danny dead as well as covering costs for your boy to be laid to rest, the first step in moving on.”

“No, the first step will be removing that duplicitous monster from my home. It’s stolen enough of my baby’s life. Now please leave, I have - I have a funeral to plan.”

#going angst week 2021 #*jazz hands* I uh finally contributed #this is another interesting thing that just sorta happened #I was actually rereading and writing more for Side Effects when I realized that someone could follow the paper trail of the accident #which led me to a tiny lil GIW Investigator who blew Dannys secret wide open #which *then* led me to the tragedy of Maddie learning of her child's 'death' second hand but over a year after a fact #there's something about delayed tragedy... thinking everythings ok only to learn it hasn't been for a while #Love Mads but btw her an Jack shes the one who seems the more likely to take offense to her son's ghost haunting his own life #to keep playing along and pretending to be alive #him secretly being Phantom was the final straw #Both pretending to be Danny then *teasing* her when he saw her as a ghost #(obviously thats not the case but Maddie believes was Made To Believe it was)#Oh I wanted to strange Agent S this whole time typing #the blatant.... manipulation #Maddie may feel free to grieve now but her child's torment was only beginning #haha good times see ya

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earnestly-endlessly · 3 years

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Hey! I hope I'm not bothering you, I just found your blog and I love it sm, and I saw you sometimes do cherik fic recs. Do you have any Canon divergence aus/fix it, preferably after Cuba, that are 30k or longer and have a happy ending? If not thats okay! You don't have to answer this. Have a wonderful day!

Hi anon, thank you so much. I’m happy you both like my blog and my recs. You are certainly not bothering me, and feel free to send me an ask any time. I have plenty of recommendations for you. Some of them diverge a bit from your request because I couldn’t help but recommend them as well. I will put a note on those who diverge from your request. As always, I only recommend fics I have personally read and enjoyed and I sincerely you love them too.

-Canon divergence aus/fix it, post Cuba, 30k or longer, with a happy ending cherik fic recs-

Not Half As Blinding- keire_ke

Summary: Cuban beach AU. Charles discovers that death does, in fact, solve everything.

Lay down beside me (so still and so soft) – C-Gracewood

Summary: A different take on the events of the film.

Rumor Has It – blueink3

Summary: "Did I hear the doorbell earlier?"

"Yeah, but I'd steer clear if I were you. It seemed a little tense. I don't know what's going on, but there's a kid out there who looks freakily like the prof."

Nearly six months after Cuba, Charles' life is turned upside down for the second time. Though he's slowly learning to adapt to the first, he's not sure he can handle the second. Luckily for him, there are a few people out there more than willing to help.

Forward Momentum – AsYouWish

Summary: Six months after Cuba, Charles and Erik find themselves thrown fifty years into the future, where they meet their older selves, the Avengers, and a world that's very different from their own. Faced with the pieces of their broken relationship, an unparalleled adversary, and dealing with Tony Stark on a daily basis, Charles and Erik do their best to adapt while trying to find a way back home -- and to each other.

When an Unstoppable Force Meets an Immovable Optimist – ToriTC198

Summary: "You are always trying to save me, Charles." Erik mused aloud. "Ever since you dove into the ocean and dragged me out. Did it ever occur to you that I might not be worth saving?"

A genuine smile broke out on Charles' face as he brightly answered, "No, my friend, not once. I have every confidence you are well worth saving. But, I never truly believed I could save you. You are not the sort of man who someone saves. The choice to be a better man has always been yours to make and I hold no illusions that I can make that decision for you. I simply have faith that one day you will save yourself. I only hope I am still at your side to witness it."

What if Erik and Charles had been able to find a middle ground in the end?

Take the First Option – ShowMeAHero

Summary: When Erik becomes unbalanced, Emma presents him with three options: go back to Charles for three months and learn to deal with whatever he has going have going on, lose his Brotherhood, or let Emma control his mind.

He really only has one choice.

Virtue to Which We Aspire – varlovian

Summary: Nine months after Cuba, Charles is found by Erik's Brotherhood in the smoldering ruins of an abandoned CIA base, exhausted but alive. As the only known survivor of the CIA's vendetta against mutants, recovering Charles' memory of the incident—which he admits to having forgotten—just became paramount.

But the harder they push, the closer Charles gets to breaking point. When he finally cracks, the X-Men and the Brotherhood will learn the truth, but it comes with a price...

Some doors, once opened, cannot be closed.

Some minds, once broken, will never be the same again.

The Waking of the Red King – rustingroses

Summary: When Charles' heavy injuries on the Cuban beach conspire to leave him in a coma and living in fantasy of his own making, Erik, the man who once threatened to divide the mutant cause, finds himself desperately trying to hold everything together. First of the Red King trilogy.

Wake Up and Smell the Pancakes – Ayra Sei Ethari

Summary: In one universe, Erik left Charles. In another, he stayed. So what happens when the two Eriks get switched? "At first, Erik thinks he's dreaming. Then he realizes that this is Charles. Who is not paralyzed. And kissing him.

Rage and Serenity – MagickMaker, TheFangedGoblin

Summary: After Charles is shot on the beach, he is rushed to the hospital and paralysis is prevented. Ridden with guilt, Erik finds that he cannot leave him. He helps him heal, and eventually, Charles learns to trust him again. But when they set out to rescue Emma from the CIA and accept her onto their team, tensions rise. Will love keep Erik and Charles together despite their differences?

No Yesterdays on the Road – pocky_slash

Summary: It's been two months since Cuba and things are settling down for Charles, Erik, and the beginnings of their mutant school. Right up until Charles disappears, that is. Faced with the possibility that a bitter Emma Frost has kidnapped Charles, Erik is forced to team up with Moira to hunt down the remainder of the Hellfire Club. From there, they hope to locate Frost and retrieve Charles, without killing each other along the way.

(Or: Erik and Moira Drive Across the Country and Talk About Their Feelings.)

What Can We Do Without You? – SwoopSwoop

Summary: Charles and the boys were holding onto a secret more dear to them than their own lives when Charles disappears into the night; Erik is betrayed and finds himself returning to Westchester in the hopes that the government was just trying to trick him. All the while the boys are stuck in the middle, left guarding the secret from the man they are most afraid of finding out who is weaselling his way back into their lives alarmingly easily.

Note: Includes Mpreg, but don’t let that discourage you from reading it because it’s a really great fix-it.

Survival Instinct – Lindstorm

Summary: It’s been months since Charles pulled Erik out of the ocean, and Erik is beginning to wonder how many more times he can choose Charles, and still keep his vow to kill Shaw. Cooperating with the CIA is straining Erik’s patience. When a fact-gathering mission goes wrong and Charles is kidnapped, Erik is left trying to hold their mutant band together while Raven and the rest of them fall apart. No one can foresee how the mutant Charles meets in captivity will challenge all his assumptions about his own power, and twist Charles’ telepathy out of his control. In the race to stop Shaw's nuclear ambitions from coming to fruition, Charles makes a crucial misstep. Erik’s decision between Shaw and Charles takes on unexpected ramifications when [spoiler deleted].

Needles (Series) – Skull_Bearer

Summary: AU where everyone's born Dominant or Submissive

Once a Dominant and Submissive pair is born, they are linked to each other, no matter how far apart they are. This link doesn't actually tell the Dom or the Sub each other's thoughts, but it does allow them to know how the other's doing and serves as a reassurance that there's someone meant for them out there.

Another one of the reasons that Erik hates Shaw so badly is because Shaw managed to break Erik's link to his Sub. Now Erik doesn't even know if his Sub's alive because breaking a link like that can kill a Submissive.

Meanwhile, Charles hates himself for not yet having telepathy strong enough to contact and help his Dom, especially after feeling the pain his Dom was forced to go through. He truly believes that his Dominant is dead. Hopes it, some nights when he remembers how his Dom was forced to suffer. It's better than to think of his Dom still being forced to bear that pain.

And then Charles pulls Erik from the water

Time to Grow – zarah5

Summary: In which you'll find chess dates which aren't dates (or maybe Charles is wrong about that). -- Based on First Class, this turns (slightly) AU during the beach scene.

Note: This fic is less than 30k words but it’s such a fandom classic and just a great read if you love your fix-its.

Faults for Fixing – beren

Summary: Charles sees the events of the missile crisis and subsequent weeks when he uses Cerebro to touch the mind of a mutant with the power to see the near future. When he wakes up he is determined that he will not allow them to happen and he will not lose the people he loves.

Note: A bit less than 30k words long but another great read.

It’s like one of us woke up – kaydeefalls

Summary: "You came here for me," Charles said, meeting Shaw's gaze levelly. "So let's not waste any more time."

Canon!AU in which Charles and Erik do find Shaw in Russia.

Note: XMFC fix it, but the events in Cuba don’t happen.

Afterlife – Anna (arctic_grey)

Summary: A year after Washington, Erik wakes up in excruciating pain as sudden awareness washes over him: Charles is dead. Erik has to adjust to yet another future: no extinction, just a world without Charles. But the death of his former friend leaves Erik weak and his powers drained. His quest for answers leads him back to Westchester, where Erik has to face his past with Charles and put together the puzzle pieces of what happened to the man he once cared for.

The Burdens We Long to Carry – arcapelago (arcanewinter)

Summary: When mutant-supporter and ally President Kennedy is assassinated and all pro-mutant progress is dismantled, Charles is no longer so confident that he's on the right side, and extends his hand to Erik after a year of animosity. They settle tentatively into their old partnership, but not everything is the same as it was--and not everything can be. When Hank develops a metal frame to move the lower half of Charles' body for him if he wants it, Erik offers the use of his mind and his ability in order to make it work. Both find out what they're willing to do for each other, and neither knows if it'll be enough to keep them together.

Other Futures Than These – midrashic

Summary: In which Cuba doesn't break them apart, but that doesn't mean that their futures are tied together. (Except that it does.)

A Days of Future Past AU where only one person can defeat the Sentinels and save the future: the man whose imprisonment and torture created them, and Charles Xavier's ex.

The Winter of Banked Fires – Yahtzee

Summary: Charles Xavier has returned from the dead -- but is lost within his own mind. Rogue has cast aside her own power and doesn't know where she fits in the world any longer. The production of synthetic Cure means mutantkind itself is newly at risk. And Magneto, turned human against his will, is in despair until the day he feels a familiar consciousness tugging at his own --

Set after X-3 (with much desperate fix-it applied), during XMFC, and every time in between.

#cherik #cherik fic recs #asks #earnestly answers #for some reason Tumblr refuses to post my entire answer #feel free to ask me whenever you want anon #I really love making these lists

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antoine-roquentin · 4 years

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obliquely, this is in reference to how formerly working class bastions in the midwest that used to elect socialists now elect republicans. if we all gave up the theory that LGBT people are normal, we might once again go back to the days where we elected socialists across the country. thomas frank, what’s the matter with kansas:

But its periodic bouts of leftism were what really branded Kansas with the mark of the freak. Every part of the country in the nineteenth century had labor upheavals and protosocialist reform movements, of course. In Kansas, though, the radicals kept coming out on top. It was as though the blank landscape prompted dreams of a blank-slate society, a place where institutions might be remade as the human mind saw fit. Maps of the state from the 1880s show a hamlet (since vanished) called Radical City; in nearby Crawford County the town of Girard was home to the Appeal to Reason, a socialist newspaper whose circulation was in the hundreds of thousands. In that same town, in 1908, Eugene Debs gave a fiery speech accepting the Socialist Party’s nomination for president; in 1912 Debs actually carried Crawford County, one of four he won nationwide. (All were in the Midwest.) In 1910 Theodore Roosevelt signaled his own lurch to the left by traveling to Kansas and giving an inflammatory address in Osawatomie, the onetime home of John Brown.

The most famous freak-out of them all was Populism, the first of the great American leftist movements.* Populism tore through other states as well—wailing all across Texas, the South, and the West in the 1890s—but Kansas was the place that really distinguished itself by its enthusiasm. Driven to the brink of ruin by years of bad prices, debt, and deflation, the state’s farmers came together in huge meetings where homegrown troublemakers like Mary Elizabeth Lease exhorted them to “raise less corn and more hell.” The radicalized farmers marched through the small towns in day-long parades, raging against what they called the “money power.” And despite all the clamor, they still managed to take the state’s traditional Republican masters utterly by surprise in 1890, sweeping the small-town slickers out of office and ending the careers of many a career politician. In the decade that followed they elected Populist governors, Populist senators, Populist congressmen, Populist supreme court justices, Populistcity councils, and probably Populist dogcatchers, too; men of strong ideas, curious nicknames, and a colorful patois....

For a generation, Kansas has been the testing-ground for every experiment in morals, politics, and social life. Doubt of all existing institutions has been respectable. Nothing has been venerable or revered merely because it exists or has endured. Prohibition, female suffrage, fiat money, free silver, every incoherent and fantastic dream of social improvement and reform, every economic delusion that has bewildered the foggy brains of fanatics, every political fallacy nurtured by misfortune, poverty and failure, rejected elsewhere, has here found tolerance and advocacy.

Today the two myths are one. Kansas may be the land of averageness, but it is a freaky, militant, outraged averageness. Kansas today is a burned-over district of conservatism where the backlash propaganda has woven itself into the fabric of everyday life. People in suburban Kansas City vituperate against the sinful cosmopolitan elite of New York and Washington, D.C.; people in rural Kansas vituperate against the sinful cosmopolitan elite of Topeka and suburban Kansas City. Survivalist supply shops sprout in neighborhood strip-malls. People send Christmas cards urging their friends to look on the bright side of Islamic terrorism, since the Rapture is now clearly at hand.

Under the state’s simple blue flag are gathered today some of the most flamboyant cranks, conspiracists, and calamity howlers the Republic has ever seen. The Kansas school board draws the guffaws of the world for purging state science standards of references to evolution. Cities large and small across the state still hold out against water fluoridation, while one tiny hamlet takes the additional step of requiring firearms in every home. A prominent female politician expresses public doubts about the wisdom of women’s suffrage, while another pol proposes that the state sell off the Kansas Turnpike in order to solve its budget crisis. Impoverished inhabitants of the state’s most scenic area fight with fanatical determination to prevent a national park from opening up in their neighborhood, while the rails-to-trails program, regarded everywhere else in the union as a harmless scheme for family fun, is reviled in Kansas as an infernal design on the rights of property owners. Operation Rescue selects Wichita as the stage for its great offensive against abortion, calling down thirty thousand testifying fundamentalists on the city, witnessing and blocking traffic and chaining themselves to fences. A preacher from Topeka travels the nation advising Americans to love God’s holy hate, showing up wherever a gay person has been in the news to announce that “God Hates Fags.” Survivalists and secessionists dream of backyard confederacies out on the lone prairie; schismatic Catholics declare the pope himself to be insufficiently Catholic; Posses Comitatus hold imaginary legal proceedings, sternly prosecuting state officials for participating in actual legal proceedings; and homegrown terrorists swap conspiracy theories at a house in Dickinson County before screaming off to strike a blow against big government in Oklahoma City.

the problem with this simple story is that social liberalism actually grew in lockstep with an economic policy tailored to the poor. in the 70s, the most common place to get gender reassignment surgery was at a catholic hospital in small town colorado. in 2010, in response to deep opposition in the town, the practice was forced to move to california. the second most common place was at a baptist hospital in oklahoma city, where such surgery was viewed as routine until a number of religious leaders decided to oppose it in the 70s. at the same time, many other religious leaders spoke out in favour of the surgery, saying that it comported well with religious tenets.

likewise, colorado legalized abortion in 1967, as did states like kansas, missouri, georgia, and north and south carolina prior to roe v wade. today, these states are considered anti-abortion and anti-lgbt hotspots, yet prior to the late 70s, compassion for such people was viewed as paramount in the life of america’s christians. so what happened? it clearly wasn’t an emphasis on the social aspects of poor american lives that shifted the political arena in favour of religious conservatism. rather, as thomas frank points out in the same book:

Nobody mows their own lawn in Mission Hills anymore, and only a foot soldier in its armies of gardeners would park a Pontiac there. The doctors who lived near us in the seventies have pretty much been gentrified out, their places taken by the bankers and brokers and CEOs who have lapped them repeatedly on the racetrack of status and income. Every time I paid Mission Hills a visit during the nineties, it seemed another of the more modest houses in our neighborhood had been torn down and replaced by a much larger edifice, a three-story stone chateau, say, bristling with turrets and porches and dormers and gazebos and a three-car garage. The dark old palaces from the twenties sprouted spiffy new slate roofs, immaculately tailored gardens, remote-controlled driveway gates, and sometimes entire new wings. One grand old pile down the street from us was fitted with shiny new gutters made entirely of copper. A new house a few doors down from Esrey’s spread is so large it has two multicar garages, one at either end.

These changes are of course not unique to Mission Hills. What has gone on there is normal in its freakishness. You can observe the same changes in Shaker Heights or La Jolla or Winnetka or Ann Coulter’s hometown of New Canaan, Connecticut. They reflect the simplest and hardest of economic realities: The fortunes of Mission Hills rise and fall in inverse relation to the fortunes of ordinary working people. When workers are powerful, taxes are high, and labor is expensive (as was the case from World War II until the late seventies), the houses built here are smaller, the cars domestic, the servants rare, and the overgrown look fashionable in gardening circles. People read novels about eccentric English aristocrats trapped in a democratic age, sighing sadly for their lost world.

When workers are weak, taxes are down, and labor is cheap (as in the twenties and again today), Mission Hills coats itself in shimmering raiments of gold and green. Now the stock returns are plush, the bonus packages fat, the servants affordable, and the suburb finds that the princely life isn’t dead after all. It builds new additions and new fountains and new Italianate porches overlooking Olympic-sized flower gardens maintained by shifts of laborers. People read books about the glory of empire. The kids get Porsches or SUVs when they turn sixteen; the houses with asphalt roofs discreetly disappear; the wings that were closed off are triumphantly reopened, and all is restored to its former grandeur. Times may be hard where you live, but here events have yielded a heaven on earth, a pleasure colony out of the paintings of Maxfield Parrish.

america's workers and small farmers were saved by the reforms of the 1930s, as frank explains, then crushed as the wealthy found out how to squirrel away their taxes (in part thanks to the collapse of the british empire), accumulate wealth away from prying eyes, lobby the government for preferential treatment, and between 1976 and 2000, triumph completely in the political domain. mission hill donates more money to politicians than the rest of kansas combined. unions are swamped in state politics, and see declining fortunes. as a result, neoliberal social atomization takes effect, which sees even workers demanding beggar-thy-neighbour policies. and when thy neighbour is socially distinct from you, it becomes easier to justify voting for such politics based on a survival instinct. the majority of the working class tuned out and do not vote any more. among the rest, low skilled working class jobs in highly stratified and inequitable cities vote democrat, hoping for some patronage from the white collar creative class voters they serve, while blue collar skilled workers tend to vote republican, devoid of any examples of class politics in their lives with the death of unions and hoping to keep their share of wages against their only opposition, the tax man.

ultimately, any socially liberal politics sustained by donations from rich big city donors is unsustainable. on the other hand, the notion that “woke” politics is holding back leftism is, save for a few clearly absurd situations (robin diangelo, for instance) also wrong. economic leftism leads to social leftism, because respect to the working class leads to respect for its identities. neoliberal atomization is a much deeper force than can be surmounted at the ballot box, even in a primary, but it is always an economic force first and foremost.

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dizzydancingdreamer · 3 years

Text

Steve Rogers, The Man On Fire

Hey y'all, as Pride month draws to a close I would like to post this fic. It's been in my drafts for a month and I finally today found the motivation to finish it. This is special to me for many reasons, one of which being that I'm proudly a part of this community. Some of the anger written in is my own. I think a lot of people will resonate with it. I really hope you all enjoy this and happy Pride Month <3

This was based loosely off a headcannon and once I re-find it I will credit!

Synopsis: Steve is freshly thawed, queer, and pissed | A.k.a. Steve's experience in 21st Century America

Characters: Steve Rogers, Mentions of Bucky Barnes, (loosely a Stucky fic but Steve thinks he's dead here)

Warnings: Angst but not bad, Steve Rogers being volatile and chaotic (we love), poorly written accents (I literally read this with an accent in my head), literally a 2k monologue

Word count: 5.1k

Steve Rogers came out of the ice angry.

No— not angry— Steve Rogers came out of the ice fuckin’ furious.

He came out of the ice with his hands curled into two fists, with his jaw clenched so hard his teeth were liable to snap, and with a bone to pick with every damn reporter and historian and too loud opinion on this side of the Brooklyn Bridge.

He came out simmering— no, erupting— like the serum in his blood couldn’t keep his body from hibernation all those years ago but it sure as hell won’t keep him from setting the entirety of New York on fire now. He’ll burn it all down if he has to and rebuild it the way he remembers it— the way Bucky would have remembered it— and at the end of it all no one— not the bigots or deniers or the homophobes that seem to be the only thing that came with him from the forties— will be able to say that Captain America can’t love whoever he wants.

No one will be able to say that Steve Rogers didn’t love James “Bucky” “the man I’ve loved since twelve years old” Barnes with everything he had and then some.

No one.

So he starts with the museums in Washington— because sure it isn’t New York but where else would a relic like himself belong more?

He still has hope when he enters the building. They didn’t make them like this when he was a kid— they had science fairs in the town hall and culture fairs in the backstreets near the docks but never anything this grand. No tall marble pillars or enough stairs to make him wonder if he would have been able to climb to the top when he was half the size he is now. It’s strange. It’s kind of wonderful. Yeah, the Smithsonian museums make Steve Rogers feel small for the first time in a very long time and that gives him hope.

That hope doesn’t last long, though, because soon he’s wandering through the halls, following the signs that say Captain America: The First Avenger— what the hell is an Avenger? Is that what they’re calling soldiers these days? Now he feels small and old.

Turning the corner is like landing on another planet, one devoted entirely to him. His picture is everywhere he looks, his name is in lights, even his damn uniform has been replicated and presented on a little stage and he hates it. The rage is back, sparking at his fingers— he’s a match and lucky for everyone this building is made of stone because if it wasn’t he’s sure it would be reduced to nothing but ash by now.

It only worsens as he begins reading through the plaques and the paragraphs flashing across screens on the walls— he doesn’t think he’ll ever get used to that. The more he reads, though, the more he wonders if the stone is really, truly safe from the fire in his blood. He doesn’t think it is.

He surely isn’t at least— he feels like he’s going to explode. This isn’t him— none of this is him. War hero. Martyr. Golden boy. He has to stop reading that plaque— clearly no one did their research. Clearly no one dug up his medical files— or his police records. Brawls at the pub, disorderly conduct behind Mr. De Luca’s sandwich shop, public nudity at the beach that one time— thank you Bucky for the best night of his god damn life. Golden boy— ha.

Golden nobody with the black eye and broken hand is more like it.

For a moment he thinks he’s fine— he thinks it can’t get worse than this. Then he gets to the early life section and for an even longer moment his tongue tastes like gunpowder.

Steven Grant Rogers grew up in the streets of Brooklyn alongside his friend James Buchanan Barnes—

He can’t bring himself to finish the sentence— not when they already got the most important part wrong. Friend. Friend? No, no, no. No! There are a million words in the english language that Steve could use to describe Bucky and ‘friend’ will never be the first one.

How about best friend?

How about partner in crime?

How about soulmate who loved Steve so much that every night for the past forty-eight days since he woke up in an era that Bucky doesn’t exist in he’s cried himself to sleep with the same cherry cola taste of his ‘friend’ on his tongue.

It’s the final straw— Steve loses it.

“Anyone got a marker?”

The museum is quiet before he speaks but when his voice— steadily rising and taking on that New York headiness that his troops used to jazz him about— cuts through the exhibit— his fuckin’ exhibit— it’s silent. It’s dead, almost as dead as Buck— Nobody dares move a muscle as he rips his ball cap off his head and throws it at the statue of himself. Everyone knows who he is— everyone is going to know who he is so help him god.

“I said—” he tries again— “does anyone have a marker?”

It takes a moment for the people around him to pick their jaws up off the floor and he allows them that moment with a smug grin starting to tug on the corners of his lips. Finally— they’re starting to get it.

He’s not a hero; he’s a supernova of every scrawny, queer kid who’s ever gotten beaten to a pulp for kissing who they want.

Maybe then it’s fitting that the marker— when it’s finally produced and placed in his waiting palm— comes from a teenage girl with a shaved head and a blue, pink, and purple denim jacket and a busted lip. She doesn’t say much— only a mumbled here you go— but her eyes say everything that her words don’t. Give em’ hell, Cap. For the first time since waking up he flashes a genuine grin back— yeah, this one’s for you kid.

Steve wastes no time uncapping the sharpie— he’ll look that one up later— and scratching out the error. The blasphemy to his unholy name. It takes him a little longer to decide what to write in its place. There are a million words, sure, but somehow none of them feel right at this moment. None of them are enough. That’s something he’ll have to come to terms with later, though— how much nothing feels like enough anymore without Bucky.

Finally Steve settles on a word and he scribbles it as neatly as he can given the fact that he hasn’t had to write anything in eighty years. When he takes a step back, feeling alive for the first time since waking up, he beckons over the girl with the shaved head and points to the place where he’s taken it upon himself to correct history.

“Hey kid, why don’t you go ahead and read that outloud for everyone here.”

He allows another moment— this time because she deserves the time it takes for her eyes to light up and the smile to stretch across her bruised mouth.

Steve laughs— a rusted, croaky laugh; another first in forever— when her head whips around, facing him as she loudly proclaims: “It says boyfriend. Steve Rogers grew up in the streets of Brooklyn alongside his boyfriend Bucky Barnes!”

“Damn right I did—” he mutters to the kid before taking a step towards the crowd of gaping mouths. “Did you all hear that? Don’t worry if ya’ didn’t— I’ll say it one more time. Boyfriend. Bucky was my boyfriend and if he was here today he would be my husband. If any of you have a problem with that then feel free to take it up with me. I took on half of Brooklyn for that man and I’ll do it again.”

When no one says anything Steve nods, turning to hand the girl back her marker and to thank her— he may be angry but he hasn’t lost all his manners— but when he looks at her she doesn’t look back. Instead she takes the same step forward that he had, one of her hands balled into a tiny, shaking fist at her side and the other wrapped around a cell phone that’s pointed towards the crowd. He doesn’t understand the mechanics but he thinks she’s recording.

“You hear that?” She parrots the super soldier with a wavering but fierce voice. “Captain America likes men! And none of you can deny it!”

This time it’s his mouth that drops, watching as she shakily turns the camera off and spins back around. Before Steve can say anything, though, she’s talking again, this time hastier, and he can’t help but think that she sounds so much like him. All flushed and scrawny and pissed.

“I’m sorry, I’ll delete the recording if you want but, I jus’ know these bigots are gonna’ try and cover everything up and that would be a fuckin’ shame. I don’t know if you know how many kids need to hear this. I did— and I think they should too. Only if you want, of course.”

He doesn’t answer right away— he can’t. It’s like looking at himself at fifteen. Suddenly he’s back again, his feet hanging in the water as his boyfriend paces behind him, asking if he’s ready to have him look at his knuckles yet. He didn’t get that many good punches in— the scrapes are mostly from the pavement— but Buck always worries too much so it doesn’t matter. The protective idiot.

Steve shakes his head, blinking away the sunset lingering behind his eyes. “Bucky woulda’ loved you, kid.”

The next time he loses it— the next time he turns into more flame than man— is after he saves the city he’s been trying to burn down for three months.

It isn’t long after that day in the museum when Nick Fury decides it would be best for everyone if Steve goes back into the field. Of course, no one really asks him what he wants— they pretty much just shove a new suit into his hands and tell him to get training, Captain— but what else is new?

No one really comments on his outburst besides that either. Can you really call it an outburst when you’re just trying to reclaim the parts of you that have been stolen? Sure, the press gets a hold of the story and, true to what the kid had said, tries to twist it into something more digestible, but no one actually addresses it up with Steve. Apparently when someone saves the world as good as he does no one cares that they kiss men.

Or that they don’t wanna’ to actually save the world anymore.

See, in those three months— between the training and training and even more training that Steve Rogers begrudgingly obliges— he has time to catch up on the world. More importantly, he has time to catch up on what the world thinks of him. He scours a plethora of documentaries, scholarly essays, and whole books of information about his time as Captain America. Well— his time as Captain America when it mattered. In all his scouring he learns one thing: everything written about him is wrong.

It’s all so fuckin’ wrong.

Just why the hell would he want to save a world so bent on destroying who he is?

The Smithsonian exhibition was nothing compared to what’s been written in the eighty years he spent in the ice. Better yet, nothing compared to what hasn’t been written about him. They’ve taken an eraser to every part of his life that doesn’t fit with the golden image that they constructed for him. A.k.a. every part that matters. His relationship, his past, every little thing that made him supposedly perfect for the role he was given. Gone. Erskine told him he was a good man— apparently he was the only one who thought so.

Apparently being a good man isn’t good enough.

They only wanted the perfect soldier. Yeah, well, they had one and they fucked him over too. Don’t even get him started on what they did to Bucky— Steve doesn’t want to think about what Winnifred— Winnie for short— Barnes would do if she saw the history books erasing her baby’s Jewish roots. Or his relationship. It wouldn’t be pretty, that’s for damn sure. If ever there was someone more protective than Bucky it would have been his mother. Not that there’s a damn note about her in anything either though.

Maybe that’s the final straw that does him in this time— watching the place that Mrs. Barnes loved more than almost anything else in the world crumble, while also knowing that the world no longer gives a shit about the two people she loved more.

“Mr. Rogers, this is where you grew up, is it not? Is there anything you would like to say about what took place here in your home city today?”

Maybe he pretends not to hear the last part— maybe he really does only hear up until where the reporter asks him if there is anything he wants to say. He’s been around quite his fair share of explosions; it would make sense that his hearing is a little off. Maybe he just doesn’t care anymore, though.

Scratch that— he definitely doesn’t care anymore.

And why the fuck should he? He does have something to say and propriety be damned he’s going to say it.

Steve stares into the crowd of faceless reporters and flashing cameras with a scowl on his grimey face. Around him stand the other Avengers— his ‘team’. The last time he had a team the historians screwed up the history for every single member. Dugan, Morita, Falsworth, Jones, Dernier, Sawyer, Juniper, Pinkerton. Barnes. All of them were brave men with families and sacrifices and all of them were treated like jokes by ‘reporters’ just like the ones in front of him now. He really doubts there’s a difference between old and new journalism.

The only difference is that now he’s here and this time he’s not going to let them write anything but the damn truth.

“It is—” Steve muses, brushing the sweaty hair from his forehead— “I’m surprised you know that though.”

The reporter cocks his head, clearly confused, and it makes the super soldier’s blood boil. “Come again, sir?”

“I said I’m surprised you know where I was born, kid.” This time when he says the word— kid— it’s derogatory. “Ya’ know, considering how you all seem to know nothing about me otherwise.”

Steve almost smiles at the way the crowd tenses. He actually would if it weren’t for the white hot rage coursing through his veins, mingling with the last of the adrenaline leftover in his system. It gives him an extra kick— not that he needs it. Even when he was just a runt from the wrong side of the tracks he needed nothing more than an offhand comment to raise his fists. Fighting to Steve Rogers has always been intoxicating— the aftershocks of winning the battle just makes it more thrilling now.

Who knew, right?

“Sir I asked—” The reporter sputters and Steve simply holds a hand up, silencing him before he can start again.

“Yeah I know what you asked, alright. You want me to talk about the battle here in New York today and how I am more than happy to have risked my life to save it. But I can’t do that, kid. Because I didn’t save it for you. I didn’t save it for any of you.”

Steve feels his team tense— maybe were it any other time he would stop talking. He would just leave it, let the issue go, because Bucky would tell him too. They aren’t worth it, bruiser, he would say, they aren’t worth your blood. Maybe he would listen to his boyfriend because usually he was right. Bucky was always right. So yeah, maybe he would list—

Who is he kidding; he knows he wouldn’t.

Not then and certainly not now— not when Bucky isn’t here to defend himself against everything Steve has been reading about. That’s exactly why he doesn’t stop talking. Someone has to defend him and who better of a person than him? So, yeah, he keeps going, even when he hears footsteps behind him.

“You wanna’ know who I did save it for? James Barnes, that’s who I saved it for! You see, just around that corner there is a bookstore. Rickley Books. That was my boyfriend's favourite bookstore. You know, the man who gave his life to stop a train in Austria from reaching the enemies? Yeah that was him. That train was filled with supplies. Had it reached their headquarters, who knows if we’d be standing here today. If there would be a New York at all. Not that you would know that. But who cares about that dead sergeant from the 107th, right? There’s plenty just like him.”

Steve shrugs nonchalantly— a move he picked up from the very man he’s speaking about— but he spits his words at the reporters with enough venom to cancel out any peace that the action brings. That’s his own move.

He keeps going. “You know who else I saved it for? His mother. Yeah, his mother Winnie Barnes. Wonderful lady. She used to run a soup kitchen a couple blocks from here. Kept the rift raft like myself from going hungry most nights— I was a brawler, you know.”

A couple of reporters in the crowd laugh at that and Steve flinches, his vision tinting red as he cranes his neck, seeking them out.

“Oh you think that’s funny, do you? You think I’m joking? I’m not. You ever been backed into a corner, son? Had people hurl slurs at you that I can’t even repeat today? Ever been beaten up for loving your best friend? No, I bet you haven’t. You weren’t a queer kid in the thirties. That’s hard— that’s borderline impossible actually. I only made it because of people like Winnie Barnes. That woman was a saint but nobody talks about her either.”

Steve has to take a deep breath, clearing the rasp in his voice that rises as he dwells on the woman he called his second mother for so long. She wasn’t just a saint, she was an angel. He can’t cry here though, not now. Not even as his throat begins to tighten.

“Winnie was the type of lady who didn’t let anyone walk over the little people. She used to sit me down and say Stevie you gotta’ fight for what you want because ain’t nobody gonna’ give it to you. She told me that I shouldn’t have to but that there were going to be people who would try to tear me down just for being me. And she was right— just like her son— because that was the era, you know? But now, here in the twenty-first century, you’re all still trying to tear us down.”

A hand lands on his shoulder, small fingers tugging at where his suit has begun to tear. Natasha Romanoff. He meets her gaze quickly, neck craning to stare down the red head, and in the few seconds their eyes meet it’s like Bucky is next to him. Somehow the blue in her irises catches the falling sun just like his used to. Steve can hear the gruff of his voice in the depths of his mind. Back down, bruiser. The sentiment is echoed across Nat’s face.

Steve shakes her hand off him, turning back to the reporters— don’t they know that he can’t?

“You all say you care about me, huh? That I’m a hero? You know nothing about me— you don’t want to. Before I was a soldier I was a kid. A queer kid. I said that already but let me repeat it. Queer. Did you write that down? None of you certainly did before. That’s how I know that you don’t care— because in an age where being queer is infinitely more accepted you still don’t bother to write it down.”

He pauses for another breath, shutting his eyes against the blinking red lights of the cameras. They’re like little demons, always watching his every move. Recording. Everything’s always recorded these days. Will he ever be used to that? Bucky was the technology guy, not him. Not then and not now.

When Steve picks up again— eyes open and shoulders freshly straight— it’s on a new note— a clear note.

“You don’t care about me— you certainly don’t care about the real heroes of the war because if you did you wouldn’t erase our history. Do you know how much it would have meant to Bucky to see our relationship accepted? The man who died for you? How much it would’ve meant to his mother? You can’t just pick which of our stories and our sacrifices are worthy and which aren't.”

He hasn’t spoken this much since he’s woken up, not all at once at least. Maybe he should have, though— maybe if he had then he wouldn’t feel like ripping the heads off everyone in front of him right now. Call it fight or flight. Call it revenge. Hell, call it whatever you’d like because it doesn’t really matter. Either way he feels like a kid again— again— backed into a corner behind the deli with his fists up and his teeth bared.

He feels feral again.

“So now you just want me to save the world like I did— like Bucky did— all those years ago— or maybe jus’ New York— as if that’s any better— and you don’t even bother to write a proper article about me? Hell, I never even asked for an article, let alone a whole exhibit! I’m just a soldier— and before that I was just a kid. If there’s never another article written about me I’ll be grateful. But now that I’m here, standing in front of you, I’ll say this—”

Just as Steve’s voice is cresting into a shout that would no doubt be heard regardless of whether or not the microphones were in front of him, Natasha tries one more time, her fingers slipping between his.

Her voice is a dull buzz compared to his, only reaching his ears by sheer will. “C’mon Stevie— we gotta’ go now.”

Like before he’s stunned but this time instead of seeing Buck— instead of hearing him in his head— he hears Winnie.

You fought good, honey. You fought good for us. You can rest now.

It’s jarring and it’s not lost on him the handful of awkward seconds that it takes for him to respond. That’s just the effect Winnie had on people though— still has, apparently. Steve shakes his head— I know, mama. But I gotta’ finish this fight.

“No, Nat— I’ve got to say this.” Steve mumbles— voice just beginning to waver despite how hard he clenches his jaw— before sneering at the crowd one last time.

“If I ever read an article from any of you that discredits Bucky Barnes, our relationship, or myself just know that I’ll come for you. I’ll come for this city. Don’t you ever forget who I saved it for. James Barnes, Winnie Barnes, and every queer kid who’s ever felt erased because of people like you. The bigots in the forties couldn’t stop me. The Nazis couldn’t stop me. Not even the Atlantic Ocean could stop me. So don’t think for a second that any of you could either. Have a good day.”

With that Captain America turns, marching off the impromptu stage and beginning the trek back to his apartment. He doesn’t bother looking at his team as he passes them— he can imagine their stunned faces well enough on his own. No doubt he’ll be getting another assignment from Fury soon enough to make up for this ‘outburst’ too. Still, he feels a little bit better. There’s an ache in his shoulder, and one under his ribs too, but he still smiles as he passes Rickman and Sons Books. That must mean something good.

The last time Steve Rogers burns he doesn’t burn the way he’s expecting to— he doesn’t vandalize his own name or blow up at a reporter. No, the third time— the final time— that Steve Rogers burns it’s with nostalgia— and with a damn good cup of coffee in his hand.

“I had no idea this place was even here.” The girl across from Steve muses, tiny hands shifting the steaming cup back and forth.

Her name is Ellie, he learned that back at the museum after asking for a copy of the video she took. He barely knew how to use his phone back then, let alone his email— hell, both still confuse him more often than not— but she had been patient. A little awestruck and a little riled up too but he took it in stride— easily. It’s not hard being nice to the spitting image of him.

“I’m glad I’m good for something other than making the news.” Steve chuckles and this time he means it— there’s no malice or ill intent, only humor. “O’Malley’s ‘s been here longer than I have. Looked a little different then—” he takes a moment to let his eyes wander the old coffee shop and it’s new appliances— a moment to feel his age catch up to him— “but I guess I did too.”

Ellie’s laughter joins in there and it’s strange— strange that he hasn’t laughed with another person in seven, almost eight, months; strange that her laughs sound so much like Bucky’s when they were younger; strange that Bucky isn’t here to hear. Here to laugh, too. Because he would have.

He would have called Steve an old man, would have wrapped his arm around his shoulders, would have asked— no, demanded— that Ellie try the plum cobbler. They always made the best cobbler. Bucky always had the best laugh. All grit and breath and him. Steve feels warm just thinking about it.

“Well thanks for letting me in on the secret, I’ll make sure to guard it carefully.” She even has Bucky’s warm sarcasm.

Maybe it’s not so much like looking in a mirror as it is looking at what he wishes he and his boyfriend could have been back then.

“And thanks for letting me interview you—” Ellie continues, setting the cup down but not before nodding at it, her eyes wide— “wow. You weren’t kidding about the joe, huh? Anyway— thanks for scheduling this. I know you’re probably super busy— and that there are more well established people you could have gone to.”

Steve sets his own mug down too— if he hadn’t there’s a possibility it would be more puddle than porcelain. “Well established means nothin’, kid. Not when you don’t have heart. They’re parasites, all of ‘em. The press couldn’t care less about me.”

Ellie nods, lifting the lid of her laptop. It’s a little bit dented and slathered in stickers, not quite the newest model— he would know, he has the newest one and it’s still sitting in his apartment in the box. Yet another testament to how little the people around him truly know him.

“Welcome to the twenty-first century, can I get you a side of classism with that commercialism?”

Now she sounds like Winnie too.

“Say, has anyone ever told you that you’re funny?”

She shrugs, tilting her head, a lopsided grin glued to her face. “Once or twice— I never know if they mean it or if they just want me to shut up. I never do so I guess we’ll never know.”

Steve sputters out another laugh because; “I guess we’re the same then— never give them a moment, kid. That’s the best advice I can give you.” He pauses— again— he supposes it’s going to be a day of pausing— he supposes it’s about time he pauses— before adding, “Bucky would’ve scolded me for saying that.”

Ellie’s fingers, swift and deft over the machine— Steve hadn’t even seen her begin to type— pause too as her smile softens. “What would he have said instead?”

Her question shouldn’t catch off guard— this is why he asked her to meet him; to finally, properly write his story— their story. Still he pauses— Steve’s empty hands feel hot, his shoulders warm; bare— what would he have said? It doesn’t take long to hear his boyfriend’s voice, not there but somehow loud in his ear all the same.

Just relax— they aren’t worth it. It’s too nice out to care about anything but the water— are you coming in or not? Summer doesn’t last forever, you know?

It’s impossible but Steve can feel the sun on his back and on his ears again, like he’s there— like he’s back, sixteen and on fire. Those were the days where everything made him cold. The days where his skin burned no matter the season but especially in August which was when the ocean was warm enough to swim in. It never stopped him from joining Buck— nothing could have stopped him. His cheeks warm, too, at the thought.

Steve blinks, his own smile— perhaps a little lopsided in it’s own right— shaping over his mouth. “He would have told you to relax— and to try the plum cobbler. It’s fantastic.”

With another giggle— and a reiterated comment— has anyone ever told you you’re funny, Steve?— they fall into a conversation, just a kid and a relic, about life. It’s not an easy conversation— but then again those kinds never are. It’s real, though, and unedited. Unfiltered. Just the way Erskine and Winnie and Bucky would have liked it— the only way Steve wants it. It’s not perfect but, hell, Steve has never been perfect.

He’s never wanted to be.

Maybe Steve doesn’t know everything his boyfriend would say— and maybe he’d be lying if he said he doesn’t blow up once or twice after today— but he can confidently say that he gave Brooklyn a run for her money— twice— and lived to tell the tale. He can say then when it mattered, he burned. That he still burns. That he will until he doesn’t— until he’s extinguished.

But, hey, though Summer doesn’t last forever, not even the Atlantic could extinguish the flame that is Steve Rogers.

That’s what he writes— in Sharpie— on the card he writes to Ellie— the one attached to the computer he knows he’ll never use.

#Steve Rogers #Bucky Barnes #Stucky #steve x bucky #Queer!steve rogers #Queer!Steve #Queer!Bucky #Queer!Bucky Barnes #Captain America #pride month #Steve angst #steve fluff #Marvel cinematic universe #Mcu #mcu fic #steve fic

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pub-lius · 3 years

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ACTUALLY Hardcore Facts About Alexander Hamilton

Alright, take two.

I've already typed this entire thing out once, so this is likely going to be a lot more lazy than anything else I will ever post, so :).

Sources: Alexander Hamilton by Ron Chernow; John Laurens and the American Revolution by Gregory D. Massy; The Federalist by Alexander Hamilton; George Washington's Indispensible Men by Authur S. Lefkowitz; Lafayette by Harlow Giles Unger; Who Was Alexander Hamilton? by Pam Pollack and Meg Belviso

Hamilton wished for a war when he was like a baby. So if you know Hamilton, you know that one line where Hamilton says "As a kid of the Carribean, I wished for a war, I knew that I was poor, I knew it was the only way to rISE UP-" in Right Hand Man. Well, that line is based off of a letter Hamilton sent to his childhood bestie, Edward Stevens: "...Ned, my ambition is [so] prevalent that I... would willingly risk my life, tho' not my character, to exalt my station... I'm no philosopher, you see, and may be jus[t]ly said to build castles in the air... I shall conclude by saying I wish there was a war. Alex. Hamilton." Okay, dude, calm down, you're like two years old. I think he was actually like 14-16, but for dramatic purposes we'll say he was an actual infant (do I sound like Chernow?). But I hate how much this letter foreshadows. It's like he jinxed himself, its almost embarrassing.

Hamilton ran a business at 14. Now if you've ever been fourteen and you were like "i think i feel like running a business" literally shut up no one asked. I think this is impressive. When Hamilton was at least 14, the guys the owned Beekman and Cruger (it had a different name by this time but this one sounds cooler) just dipped and left Hamilton in charge. This was actually a pretty good decision, since Hamilton managed it well. There was also this one time where Hamilton told a whole captain of a ship who didn't perform up to standard, "Reflect continually on the unfortunate voyage you have just made and endeavor to make up for the considerable loss therefrom accruing to your owners." This man was so arrogant I wish I had his confidence. Yeah that was cool ig, but if I met teenage-Hamilton, I'd literally hate him.

Hamilton saved the president of his college. Ever the dramatic, Hamilton had a thing for suppressing mobs (though he was pretty much never successful). There was this one time at King's College where a mob formed to "talk" with the president of the university, Dr. Myles Cooper (by "talk" i mean make him into a tory bird). And, according to Who Was Alexander Hamilton? (this book gives me so much joy), "Alexander vowed to protect him [aww]... He stood up to the crowd, telling them that violence would only hurt their cause. He couldn't stop the crowd, but he delayed them long enough for Dr. Myles Cooper to escape in his nightgown," (Pollack and Belviso 27-29). This is a really sweet description of it, but Hamilton was probably calling the mob a bunch of insults and stuff, judging by how he later handled riots. Also, Cooper thought Hamilton was rallying the mob, so he was a complete jerk to Hamilton, but rightfully. Everyone, bully Hamilton. He's short and dead like an idiot.

Hamilton was really cool on the battlefield, don't @ me. Now, despite being a clumsy little gremlin and an absolute dork, Hamilton was a pretty good leader, and I guess veterans deserve to be recognized for their victories or whatever. At the battle of Princeton, one of my favorites, Hamilton had very big, cool guns, and did some cool stuff. "Returning to the final phase of the battle of Princeton, British infantry took refuge inside Nassau Hall, the building that housed the College of New Jersey. American artillery commanded by Capt. Alexander Hamilton [ya boy] was brought to bear on the college building... Washington was on the scene and noticed this young artillery officer who skillfully commanded his gun battery. The general would soon invite Hamilton to become one of his aides-de-camp," (Lefkowitz 92). Wow so cool moving on to Yorktown.

When the Americans were building their fortifications, two British fortifications were in the way. So rude. Consequently, Washington sent The Gay Trio, Lafayette, Laurens, and Hamilton, to uh, silence them. Hamilton pulled off a successful sneak attack, and won the battle swiftly, leading to the American victory in the battle of Yorktown, and therefore the war. "...Colonel Hamilton['s] well known talents and gallantry were on this occasion most conspicuous and serviceable. Our obligations to him, to Colonel Gimat [stan], to Colonel Laurens, and to each and all the officers are above expression..." -Major General Marquis de Lafayette. Lafayette is so nice I would marry him if he was alive and single and legal and not old as hell. Like omg he gave credit to everyone but himself that's so nice I'm such a simp for Lafayette. Anyway, Hamilton was cool too ig.

Hamilton caused the evacuation of Philadelphia like an iDIOT. So, after Brandywine (British victory), Washington sent Hamilton on a foraging mission in Vally Forge to get flour, horseshoes, and tomahawks (not quite as exciting as Yorktown). Well, our clumsy ginger rat got caught, and wrote to the president of Congress, John Hancock, "If Congress have not yet left Philadelphia, they ought to do it immediately without fail, for the enemy have the means of throwing a party [party rockers in the house tonight] this night into the city. I have just now crossed the valley-ford [Valley Forge], in doing which a party of the enemy came down & fired upon us."

Surprise, this turned out not to be the entire goddamn British army, it was just a few scouts sooo... let's just say Philadelphia wasn't happy. "Our Removal from Philad. Was owning to information that General Howe was crossing Schuylkill [River]... However tho' this Intelligence was from one of the General's family (Alexander Hamilton) it was not well founded & we wish we had not left Philad.," -James Duane. Yeeeaaahhh, that's awkward. Not the best way to get your name known in the capital, I must say.

Hamilton was possibly bisexual, and this is hardcore because I say so. Now, I'll add more quotes to this later, but basically heres my interpretation of the historical evidence and whatnot. Basically, Hamilton was a really closed off, cynical guy, since like everyone he ever loved died or left him pretty much, and he wasn't really the type to make and keep close friends; "...how little dependence is to be placed on treaties, which have no other sanction than the obligations of good faith, and which oppose general considerations of peace and justice to the impulse of any immediate interest or passion," (Federalist 64); It is a known fact in human nature, that its affections are commonly weak in proportion to the distance or diffusiveness of the object," (Federalist 73). Um, Mr. Hamilton? You're projecting your trauma on the government again.

Also, despite working with him for like twenty years, Hamilton really never got close to Washington, like at all. He even said to Laurens, "I have no friendship for him and have professed none," in regards to Washington, which is kind of mean. But he ALSO told Laurens:

"Cold in my professions, warm in my friendships, I wish, my dear Laurens, it m[ight] be in my power by action rather than words [to] convince you that I love you. I shall only tell you that till you bade us adieu, I hardly knew the value you had taught my heart to set upon you. Indeed, my friend, it was not well done. You know the opinion I entertain of mankind and how much it is my desire to preserve myself free from particular attachments and to keep my happiness independent of the caprice of others. You s[hould] not have taken advantage of my sensibility to ste[al] into my affections without my consent."

*mocking Hamilton* its YOUR fault that i love you and it was RUDE that you FORCED me to love you how DARE you you SUCK i love you uwu.

Also, at the top of that letter, someone mysterious (probably Hamilton's son) wrote, "I must not publish the whole of this," and Massey still thinks Hamilton was straight.

But yeah, that's about it. I had originally written more at the beginning, but I unfortunately lost the original draft, so I'll just settle for this. I hope you enjoyed, though, and maybe learned something or found a quote you needed or something. I did more research than I wanted to in one sitting for this, so appreciate it or I'll cry. Thanks love you <3

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stxphxn-strange · 3 years

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playing pretend

a/n: hello hello hello! i have a prompt fill for this Dark!Stephen AU from @ironstrangeprompts and im just gonna post it before i can start second guessing my writing lmao

tw: mentions of torture, injury, implied past abuse

Prompt: Dark!Stephen AU. The avengers never really notice Stephen’s pacifist to-a-fault superheroing style until one day a magical incident corrupts him/magical entity possesses him. They’re treated to a completely unhinged and lethal Stephen, the avengers realize just how much Stephen was holding back, what with his quick work dispatching all of them, resulting in very heavy injuries. However, he takes special interest with Tony Stark, whom he has been dating for a few months now. He has Tony all strung up in the middle of the battlefield in front of the other broken and beaten avengers, he taunts and tortures him. “Being a doctor and a sorcerer is so very useful, I can break you in very precise manners, put you back together and then do it again.” When he gets bored of Tony’s screams and decides to end him permanently, Stephen suddenly snaps back to normal. The real Stephen has been battling internally to gain back control, knowing that he’s about to kill the love of his life gives him the final push to break free. He portals them all to safety and to receive medical help. Cue heavy angst and Stephen trying to make it up to them but especially Tony, who insists that everything is fine and that he knows it wasn’t the real Stephen. However they both know that Tony is just putting up a brave front and is undoubtedly traumatized by the incident. Up to the author on if they want to end it in a bleak or hopeful tone.

It took Tony a few minutes to register his surroundings when he woke up. He wasn’t lying in a makeshift coffin of bent metal, broken bones, and the ruins of the building. The familiar baritone, the melody of his waking world, wasn’t hollow and cruelly taunting him. Stephen sounded like himself, soothing and loving and reassuring but worried and tired all the same. Tony heard guilt in his partner’s voice, delineating his dream, his memory, from the present. He wanted to follow that voice, the real Stephen’s voice, and leave the past behind them. Guilt was eating away at Stephen as he tried to calm Tony down and wake him up. He defaulted to the standard promises and phrases when Tony had nightmares, but this time was different. This time Stephen was the cause of the nightmare, and he knew it. No matter how much Tony said it wasn’t his fault, that everything was okay, Stephen knew he had to repair the pieces of Tony’s trust he’d obliterated.

Tony thrashed again in his sleep, feebly kicking the air in front of him just like he did on the battlefield. “Stop!”

“Sweetheart,” Stephen began, unsure of what to say. “Tony, wake up. You’re safe, no one will hurt you.”

“Stephen!” Tony groaned and thrashed again, his eyes still shut as he fought to wake up. “This isn’t you… don’t do this.”

Stephen barely held back tears as he spoke again. “It’s over Tony, I’m back. I’m me again. I won’t hurt you, I promise I’ll never hurt you as long as I live.”

Tony was shaking when he finally woke up, unsure if he was even breathing. He opened his eyes hastily, studying the look on Stephen’s face. Stephen looked concerned, even worried, but unsure of himself as he murmured soothing nonsense to Tony.

“Breathe, Tones,” Stephen said. “I’m sorry, I’m so sorry. It’ll be okay, I promise. Just breathe, we’re alright. I’ll leave you be once I’m sure you’re okay, and—”

Tony wrapped his arms around Stephen and hugged him tightly. “Don’t you dare. Don’t go… please don’t go Stephen.”

“I can’t risk scaring you again Tony. I’ve already hurt you enough, it’s not fair to keep putting you through this,” Stephen argued, fighting his urge to hug Tony back.

Tony only held on tighter, determined not to let Stephen leave.

Stephen still wanted to disappear, but he quickly understood that Tony wouldn’t let him go that easily. The mechanic was still shivering and trembling, slowly starting to calm down as Stephen hesitantly hugged him back.

++++

They both woke up at the same time, almost four days later. Stephen woke up slowly, feeling like he was underwater or in a fog, while Tony started awake across town.

It was pitch dark in the room, the heavy curtains drawn shut to keep out any intrusive light. It was the middle of the day, judging by the clock Stephen kept on his nightstand, but he couldn’t feel the sun on his face, or see any light from his window. He was bathing in pitch black. At first, he thought he was dead, doomed to an eternity in darkness, when something red bloomed and came to life beside him. Even now, his Cloak was always dramatic, comforting as it covered him like a blanket.

As his eyes adjusted, Stephen registered Wong and Christine on the other side of the room, just studying him.

Christine was the first to meet his stare, rushing to his bedside. “How do you feel?”

Stephen grimaced in pain as he shrugged. “Not great, thanks.” There was something else on his mind, but he was too afraid to ask. He was almost too scared to hear the answer.

Luckily, Wong spoke up before Stephen could ask. “You slept for three and a half days, Strange. How much do you remember?”

“Something attacked the Compound… I think it was me,” he mumbled.

“Not exactly,” Wong began, gentler than Stephen had ever heard him.

“Possessed or not, I still attacked!” Stephen sat up, paying the price as he rose quicker than his body could handle. “It doesn’t matter if I saved everyone, not if I almost killed them first.”

Neither Wong nor Christine spoke, and the cloak simply wrapped tighter around Stephen’s shoulders.

“You did save everyone,” Wong said finally. “And you banished whatever entity possessed you. We still haven’t figured out what it is, but…”

Wong’s voice trailed off as Stephen stopped listening. His head started to hurt as he remembered, in searing detail, more of what happened and what caused him to snap out of the state he was in.

Tony was near silent, his voice failing him after hours of tortured screams. Somewhere, somehow, Stephen knew that he was the one hurting him, the one causing Tony so much pain even though he promised never to hurt the hero. He wanted to stop, to end all of the carnage he’d brought to the Compound, to his friends who were starting to feel like family, to Tony… but he couldn’t. The hand controlling his impulsive strings was strong and steady, and it wouldn’t rest until Stephen finished its bidding.

His movements were mechanical as he strode, like the marionette he’d become, to stand in front of Tony.

And Tony just looked at him with a defeated, almost calm look on his face.

Stephen’s voice sounded distorted when he spoke, preening with a twisted smile as he bent to look upon the man of iron. “Accepted your fate?”

“You won’t be the first person I’ve loved who’s hurt me,” Tony said, between pained breaths. “There’s nothing to say.”

Stephen tried to back up, to keep himself still, but he couldn’t fight the influence of his controller and struck Tony again. “Arrogance is unbecoming.”

Tony inhaled again, deeper and more pained this time but somehow even calmer. “Go ahead and finish the job. I won’t hold it against you, Stephen.”

Stephen was hyperventilating when he heard Wong’s voice again, pressed against the headboard of his bed like he was backed into a corner.

Christine approached him tentatively, resting her hand on one of his shoulders.

Stephen recoiled away from the touch and curled up on himself like a turtle retreating in its shell. He ducked his head under a pillow, shaking in fear and pain from moving too quickly. “Did I… did I kill him? I remember everything until I was about to… please tell me I—”

“You didn’t.” Christine cut him off, hoping to keep her friend from spiraling further. “Wong said you saved everyone, and that includes Tony.”

Stephen sobbed just hearing his partner’s name. Guilt wracked his entire body as he cried harder and harder, his magic running through his veins. Was he not this exhausted, he’d probably set fire to something from his high levels of stress and fear, but all he could do was cry until he fell into painful sleep.

++++

He didn’t finish it.

He didn’t listen.

Tony remembered the horrified look he saw on Stephen’s face, the remorse in his eyes as he sent a vaguely corporeal figure of dark energy through a portal.

Tony remembered the way Stephen apologized again and again as his eyes started closing, overwhelmed by the pain seizing his mind and body. A part of him hoped that Stephen had listened, that maybe the last thing he’d see in this life would be the face he’d come to absolutely adore…

… But he’d woken up sometime later in the MedBay, wanting to see Stephen more than anything. In spite of everything that’d just happened, or maybe because of everything that’d just happened, all Tony really wanted was to go back to sleep, preferably in his partner’s embrace. That really didn’t seem like too much to ask for.

“How are you feeling, Mr. Stark?”

Tony almost didn’t notice Peter pacing around on the ceiling, in fact he didn’t know his pseudo son was even in the room until he suddenly landed a few feet away. “I feel great, Kid. Definitely not like I took a ton of bricks to the face.” He didn’t remember the gory details of the fight, so Tony couldn’t say whether or not he was being literal.

“Welcome back, Boss,” FRIDAY said, a hint of worry in her voice. “And good morning. It’s currently half nine on Tuesday. I’ve been asked to inform you that Col. Rhodes has returned from Washington and has volunteered to lead all reconstruction projects for the Compound. He’s also asked me to keep you updated and will be coming to see you this afternoon.”

Tony sighed. “Thank you. Wait… that means Rhodey came back early?”

“He did,” FRIDAY replied simply. Her voice sounded like what a nod looked like as she continued. “Would you like me to tell him that you asked about him?”

“Sure, but don’t bother him. He doesn’t have to rush to see me,” Tony replied, knowing that Rhodey would probably come anyway. He was maybe the one exception to what Tony had told Stephen earlier, before…

“Col. Rhodes will be here within the hour,” FRIDAY announced.

“Thanks Fri.”

Peter, who had started pacing on the ceiling again, asked what Tony had been wondering since he woke up. “Where’s the Doc?”

“I dunno, Pete. I’ve been wondering that myself,” Tony admitted. “Fri, you wouldn’t happen to know… would you?”

“As far as I can tell, Doctor Strange returned to the Sanctum following the… altercation… on Thursday,” the AI reported.

“What? Altercation? What happened?” Peter landed on the floor again, looking more worried than Tony thought he deserved to.

“There was just a small wizarding mishap, don’t worry about it,” Tony said. He shrugged, trying to reassure Peter as much as he could. “Not even an emergency, Underoos. We would’ve called for you if it was.”

Tony also didn’t want Peter to see what happened. Maybe he was sheltering the kid, but he didn’t want Peter to ever find out about the attack on the Compound. It was bad enough that the team, even in their varied states of consciousness, saw what they did. They saw the fear in Tony’s eyes, saw him slowly surrender to Stephen’s ruthless attacks until he just stopped trying to fight the sorcerer. Tony knew he couldn’t parry these magical attacks, couldn’t break the spelled restraints… but he didn’t want Peter to see how easily he’d given up.

If Peter had more to say, he simply chose not to ask about it. Instead he just shrugged. “Glad you’re okay, Mr. Stark. May heard from Pepper that you got hurt, so I wanted to swing by… no pun intended.”

“How many times do I have to tell you that calling me ‘Tony’ is fine?” Tony asked, rolling his eyes warmly. “I’m fine, Pete. Not up for working in the lab today, I’m afraid, but—”

“That’s okay! My suit isn’t going anywhere, we can upgrade anytime,” Peter replied. “I promised May I’d be home for movie night, but I just wanted to come see you.”

Tony smiled softly. “You’re a good kid, Son. Get home safe, and I’ll give you a call when I’m back in working condition.”

“Thanks IronDad!” Peter was gone in a second, leaving Tony in the quiet with his thoughts.

“Fri?” He asked after a few minutes.

“Still here, Boss.”

“Will you… will you tell Stephen I want to see him?” Tony asked.

Maybe he was the spoiled brat everyone believed, or maybe he was exhausted and touch starved and showing signs of an addictive personality. Tony didn’t know, he didn’t care, and he just wanted his sorcerer back.

“I’ll let him know,” FRIDAY replied, softer than normal.

++++

“Stephen, it’s been days. Days since the attack, days since you holed yourself up in my library like you’re going into hibernation—”

“Good morning to you too, Wong.”

Wong may have laughed at Stephen’s attitude if he didn’t feel so bad for him. Stephen was completely out of it, so much so that he didn’t even realize how late in the day it was. “It’s almost eight, Strange.”

Stephen just sighed. “Did you need something from me?”

“Stark is asking for you again. I think you should see him.”

“You said that yesterday,” Stephen muttered.

“I’m saying it again now. I know you, Stephen, I can read you like any book in here.” Wong began. “You’re trying to outrun your guilt but you know it’s not that easy. Ignoring Tony isn’t going to make things go away, and it’s not going to make either of you feel better. He misses you, and I know you miss him too.”

“I don’t know how I can even look at him after what I did… he trusted me,” Stephen whispered, looking down at his lap. “I broke his trust.”

“Not willingly, and he knows that,” Wong reminded him. “It wasn’t you, Stephen.”

Stephen ignored him, beginning to tremble as he thought back to what Tony had said to him. “He told me he wouldn’t hold it against me… that I wasn’t the first of his loved ones to hurt him. I don’t know what I could do or say to prove to him, let alone to the team, that I’d never hurt them again.”

“Hiding away in here isn’t helping to prove that,” Wong said.

“You just want your chair by the window back,” Stephen accused him.

“Of course I do! But I also care about you and your happiness. If you need anyone to vouch for you, I’ll be here,” Wong replied.

“That sounds like you’ve made up my mind for me.”

“I have. Go now, before it gets too late.”

Stephen opened a portal to the tower, just outside of the lab. “I doubt Tony would be asleep, he’s always awake.”

His suspicions were confirmed as he closed the portal. Tony was in his lab where Stephen thought he’d be, a mug in one hand and a pen in the other.

Stephen’s entire body trembled with nerves as he opened the door, the cloak knocking loudly and dramatically to make his presence known.

“FRIDAY, Quiet Place Protocol please,” Tony said. He looked up and smiled sadly at Stephen as the lab’s usual blaring music shut off. “Hi.”

“Hey.” Stephen suddenly didn’t know what to do with himself. He was too scared to get any closer to Tony, afraid to hurt him, but at the same time all he wanted was to hug him.

The cloak made the first move, flying off of his shoulders and resting on Tony’s.

“Aww, hi Levy.” Of course Tony had a nickname for the relic, he had nicknames for everything and everyone.

Stephen found it annoying in the most heartwarming way, and he couldn’t help but smile as Tony sat down at his workbench.

“You can come over, you know?” Tony asked, half teasingly. “I told you I don’t bite, Steph.”

Stephen felt like a marionette again as he walked towards his boyfriend, but his heart was in control this time. He wanted to protect, to cherish, and to spoil the man in front of him with nothing but love and attention. He was just afraid, still unsure of himself as he studied Tony’s face. “I’m sorry.”

“Hey… I know.” Tony opened his palms on his lap, silently asking to hold Stephen’s hands.

Stephen let him, trembling harder as Tony held him gently. “I don’t know what happened, Tony. Something took over me, and I couldn’t stop it. I’ve never been overpowered like that before, and I didn’t know what to do. But please listen when I say that I promise it’ll never happen again, I mean that’s a given if you leave me, but—”

“I’m not leaving you,” Tony said firmly. “I know you weren’t voluntarily doing all of those things.”

“I never, ever wanted to hurt you. I still don’t want to hurt you.”

“You didn’t.”

“Tony…” Stephen took a deep breath, trying to steady himself. “Tony I could’ve killed you. The entire time I was trying to break the curse, to get that thing out of my system, I almost killed you. And you almost let me do it.”

“I did.”

Stephen didn’t know what to say. Tony had that calm, accepting look on his face mixed with a kind, trusting expression. It was the same look he’d given Stephen in the ruins of the Compound, and it hurt. It didn’t feel like an apology would be enough to make things right, but what else was there to do now? “I’m sorry, Tony.”

Tony slid his arms around Stephen’s waist and pulled him into the hug they’d both been needing. “I’m fine baby, it’s okay. It’s over.”

Stephen knew it wasn’t just over, and he knew Tony knew it too. But in the moment he was too fatigued to fight about it and let Tony hold him closer. “Have you been sleeping?”

“Trying to,” Tony replied. “Not to be cheesy or whatnot, but I do sleep better with you next to me.”

“May I take you to bed?” Stephen asked, sounding even shyer than when he normally asked that. “Please? I know it’s early, but I wouldn’t object to a nap.”

Tony nodded, shifting to press a chaste kiss to Stephen’s lips. “That sounds nice. FRIDAY, save and shut everything off please.”

“Engaging ‘You Shall Not Pass’ protocol, Boss,” FRIDAY reported dutifully.

Tony scoffed. “Remind me to never let you and Peter give Fri name suggestions again.”

“You could just change it if it bothers you that much.” Stephen chose to remind Tony of that instead, even though they both knew Tony was secretly fond of the movie references hidden in his protocols. “Besides, that serves you right for calling me Gandalf all the time.”

“If the shoe fits, babe,” Tony said. He stood up, keeping an arm wrapped around Stephen’s waist as they left the lab and headed for the elevators.

Despite feeling safe and loved in Tony’s arms, more than he could have ever hoped to be and probably more than he deserved, Stephen was still anxious. He felt out of place in the Tower, never mind the fact that he usually spent half of his time there, and he felt even more out of place amongst the team.

“How are the others?” He asked quietly, afraid to hear the answer.

“They’re getting better.” Tony saw no point in sugarcoating the truth. Stephen would see right through it, and that wouldn’t help him process everything. “Carol and Thor are both bored of training with each other, but no one else wants to spar with either of them yet. Or with Natasha, for that matter.”

“Does anyone ever want to spar with them on a good day?” Stephen asked, trying to keep the mood light.

“You’re all a bunch of sore losers who can’t rise to a friendly challenge” Natasha quipped, suddenly materializing in front of the couple. “Tony, what’s going on?”

“What do you mean?”

“Why is he here?”

“Natasha, I—”

Natasha pointedly ignored Stephen. She never disliked the sorcerer, she was actually indifferent and had no issues telling Tony that, but Tony’s trustful, rather soft nature was a concern of hers. It worked in her favor, sure, but she was really trying to be a better friend to Tony and look out for him more. It was this concern that motivated her to look at Stephen with disgust. Natasha wasn’t scared of him, she took heavy damage in the attacks but it was more minimal compared to some of the things she’d put his friends and family through.

Tony was acting as if none of that happened, and that couldn’t stand.

Natasha frowned and glared at Stephen as she addressed Tony. “Tony what the hell are you doing?”

“I’m not—”

“Don’t play dumb and tell me you’re not following. What are you still doing with him? You barely sleep more than an hour without waking everyone up screaming from phantom pain and nightmares! Do you think we can’t hear you yelling and begging for Stephen to stop torturing you and just kill you? Because we all do!” Natasha took a deep breath, pinching the bridge of her nose. “And after all that, you’re holding him like nothing is wrong? I don’t understand how you can be so forgiving sometimes.”

She stormed off before Stephen could defend himself or before Tony could respond. Her words echoed in Stephen’s head as Tony continued to lead him down the hallway, into the elevator, and into the penthouse.

Stephen sat dejectedly on the bed as Tony shuffled around the room, grabbing a few blankets from the closet. He didn’t say anything as Tony made a little nest of pillows and blankets, the cloak joining the haphazard pile the minute Tony curled up under a throw. Eventually Stephen allowed himself to lay down, offering no protests as Tony hugged him again.

“I’m sorry,” he apologized again, mumbling into the soft fabric of Tony’s shirt.

“I know,” Tony said simply. “Relax sweetheart, it’s okay.”

He was still tense, curling up smaller in Tony’s arms. “Are you okay?” The sorcerer asked.

“I’m fine,” Tony reassured him. That was half true. He was fine, to a point, but there were things bothering him that he had no idea how to tell Stephen about.

Eventually they would have to face the music and talk about everything, and they both knew it. For now, Tony was somewhat okay with ignoring it, clinging to the hope that having his Stephen back would keep the memories at bay.

Tags: @stark-strange-love2 @salty-ironstrange-shipper @funkylittlebidiot @richieleeparker @chocopiggy @hatakehikari @taruyison

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