I'm barely to the massacre and I can already tell I'm going to be screaming at every this-makes-no-sense decision made by the writers (your temple is under violent attack, and you evacuate the kids... to a barely enclosed corner in a prominent temple room? Instead of to the hundreds of sky bison that were highlighted as flying in earlier? Why?) (And Aang left to clear his head and think instead of to run from his duties? That's such a less compelling plot arc?) (And the show had him briefly monologue about being a goofy kid who loves pies and his friends instead of using the extended temple scene to show any of that? Didn't want to pay more child actors, did you, Netflix?)
Yeah I'm just. Going to be screaming at the screen instead of enjoying this. Different decisions aren't necessarily bad, but when those decisions seem to be in the direction of "show a man burning alive before we even get to the on-screen massacre" this is just... not the show for me.
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One has to feel very sorry for Suri as she watched the Sergeant reincarnate into the Inspector’s body. The scene was completely heart-breaking.
But, Suri’s love for the Inspector must have spurred her to do anything she could to bring the Inspector back from her apparent death.
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I feel like we don’t talk about this scene enough. It’s the implication that Mobius knows every terrible thing Loki has ever done and has still never seen him as a villain because of it. It’s Loki intimidating Brad by saying that Mobius—the person who understands him best—would agree that Loki is capable of getting what he needs from Brad. It’s Loki admitting that Mobius is the one who knows him better than anyone else ever has. It’s the casual intimacy of the statement, just 3 ostensibly unimportant words thrown on at the end of a sentence that ultimately reveals how familiar and close they really are to each another.
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aaron hotchner
criminal minds 2.04
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