skyward sword was such a crazy insane game to make like ok what if there was a story about a great evil and a goddess. and that goddess locked away that great evil, but she knew it would come back, and it would need to be defeated again. and what if that goddess knew that for this impossible task, she would need a loyal soldier. so she reincarnates. she reincarnates into a human girl, because the best way, the most reliable way, to get a loyal soldier, is love. and a goddess is respected, and idolized, and revered, but a goddess isn't loved. not like a human girl is. so she reincarnates. and she is loved genuinely and wholeheartedly, by her family, by her peers, and most importantly, by her best friend.
and what if there was a story about a boy and a girl. this one boy loves her so much, that when she falls from the sky, crashing to the earth, and into her immortal destiny, he follows her. and she runs, because she has a destiny, because she's finding out she is part of a divine plot, she and the boy are pawns in a goddess' war plans. did she ever love him did he ever love her or were they just being manipulated by the goddess. SHE'S the goddess. was SHE just manipulating him this whole time? "I'm still your zelda" but is she really? does she know it for sure? she doubts it and doubts it and runs and runs and he keeps chasing her. and she locks herself in time to defeat this great evil and he watches her do it. and he fights because he loves her and he defeats the evil and he gets her back and they're happy.
but what if there was a story about a goddess and a great evil. the evil cursed them for the rest of time. their descendants will never be safe there will always be evil to fight and she'll always be running and sacrificing and he'll always be chasing and fighting.
what if there was a story about a goddess and a great evil. what if there was a story about a girl and a boy. what if it was about the innate mortality and humanity of love and the act of loving. ok. at the walls of nintendo hq
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Summary: Virtual Author Talk with Cassandra Clare at San Anselmo Public Library (23/08/23)
Cassie wrote her first “novel” when she was 12 on a Mac computer, the infamous The Beautiful Cassandra that she regularly teases to us. She got into writing fiction professionally full-time after leaving her journalism job in 2006.
Finishing City of Bones took about 3-4 years because it was her first novel. Holly Black was the one who hooked her up with her first agent who then got the book published, which was a really new experience. She said that the publishing process was initially surprising to her because of how crazily long it takes to get a single book published.
Cassie acknowledges that City of Bones is starkly “different” from the rest of all her books in colour and voice, because of how experimental the novel writing process was for her. She said she thinks she’s evolved a lot as a writer since then.
She aims for psychological realism in her books even though it’s fantasy. She tries to see each character as a fully-formed person who can exist outside of the immediate plot. She creates worksheets to write her characters.
She also believes it’s necessary to let your main characters make bad mistakes – she cites Matthew as a prominent example i.e. someone highly reactive to their own mistakes. Matthew is defined by his regret and his need to fix his mistakes. She thinks Matthew is one of the most relatable characters because of this.
She’s very drawn to the found family trope because of how much she moved around as a kid – the stability and love of a found family is something she’s worked to build her whole life. She emphasizes the importance of friendship and its different forms in life.
Cassie cites Magnus as the character who turned out most differently than she had initially planned – she hadn’t originally anticipated how significant Magnus would be in the wider scheme of the series.
Doing The Last Hours was, at least a little, in response to people’s excitement about The Family Tree back in 2013.
Her advice for writing fantasy worlds is to create a flexible and expansive magic system so it can grow with you as a writer. She also emphasizes letting your favorite characters make poor decisions – your characters determine the plot and not the other way around.
Cassie strikes a balance between planning worldbuilding details beforehand and then spontaneously adding in new things in the writing process. The Scholomance is an example of something new that was added later in the TSC writing chronology.
She decided that Sword Catcher had to be in the adult publishing category because when she initially developed the characters, they just appeared as people in their twenties. With TSC, the characters had just appeared to her as teenagers then. Writing characters in these different life stages was interesting and challenging.
Sword Catcher is the first in a duology, but she’d like it to be four books if it’s successful.
Cassie has always wanted to write Shadowhunters in the Roaring ‘20s but she has no idea what the plot would possibly be.
She doesn’t read TSC fanfiction, but her husband has informed her of a popular Magnus X BTS fanfiction on AO3. She stays away from fanfiction, but she is very invested in the fanart of her works. Her favorite artist is, of course, Cassandra Jean, and she also loves Charlie Bowater.
She loves writing with Holly Black and probably would only do more Middle Grade writing with her.
She is very much anti-censorship and anti-banning books, especially because of the form it takes in the US (aka, censorsing books dealing with issues affecting the BIPOC and queer communities).
She doesn’t believe they’ll do another TMI adaptation in any form, even though she doesn’t believe the TMI books’ story was ever truly told. She hopes, one day, that TID can get made as it’s the most adaptable series in her catalogue for logistical reasons.
If she couldn’t be a fiction writer, her dream job would be a travel writer. She intensely loves traveling and making her characters travel as well.
Her favorite author of all time is Dorothy Dunnett. She thinks you should check out The Queen’s Thief by Megan Whaler Turner (I agree). And she’s currently reading Hidden Pictures by Jason Rekulak (I really enjoyed this one).
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here is a small excerpt/some crumbs from my new fic johnshi nation we are so back 🙏🏽 (rated T so far for language)
This time, Johnny's pause is from complete shock. His eyes widen, and they flick across Kenshi's face. They land right on a pair of eyes, deep brown and narrow. They're fierce, tense and angry, but Johnny doesn't really give a shit about that because Kenshi has eyes. He's looking at him.
Kenshi presses his blade closer, by just a hair, but it's enough to make Johnny lift his chin to avoid risking a permanent choker necklace.
"How do you know my name?" He hisses. Johnny lets the hurt briefly flash across his face before he schools it into something a bit more cocky.
"Is this your idea of foreplay? Gotta hand it to you Ken, you really know how to show a gal a good time." Kenshi growls at that, and Johnny would be lying if he said it wasn't the tiniest bit sexy. He would enjoy it a lot more if there was less of the whole life threatening thing happening. You win some, you lose some, I guess.
Kenshi's voice is low when he speaks again, words hardened with a steely determination. "I'm here for Sento."
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