#the characters are good but I don't see the relationship between the characters developing much so far

[aniismydaddy]

Roll Camera... Action!

warnings: 18+ MINORS DNI! piv, fingering, oral (f receiving) pairing: Hayden Christensen x fem!reader summary: filming a sex scene with your hot dilf co-star... and a little more, too. a/n: s/o to @tracymbcm for the idea!! also, I hate how I ended this. It's kinda shitty but it's 7am, and I've been up since yesterday w no sleep, so pretend the ending is good. mwah!

You had been collaborating with Hayden for some time on the set of your latest film. It was a love story featuring an older man and a young woman in her twenties, who develop a romantic relationship over several months. The chemistry was palpable on screen, which was a reflection of an even stronger connection behind the scenes.

Subtle exchanges began to occur on set, such as affectionate touches on the arm or him endearingly calling you names like "doll," "Babygirl," or "pretty." Initially, it seemed like friendly gestures, but over time, it blossomed into a real fondness and connection. You found yourself sharing secrets with Hayden, spending nights talking, lying in bed pondering a relationship with him, enjoying lunches together, and borrowing his sweatshirts during the chilly moments on set.

"Come on, let's go!" you hear Hayden knocking on the door to your trailer. You open the door and see him standing there in his robe, sporting a broad, cheeky smile.

"Don't give me that look, Hay," you say with a laugh, closing the door behind you. He had been teasing you all week about the upcoming scene, and today was finally the day. "I know you've been anticipating this, so no blaming me," you tease back as you both ride the golf cart to the studio.

"You seem nervous," he said, nudging you playfully. "I'm sure you'll look equally as hot if not hotter than usual."

You roll your eyes, trying to hide your blush. "Seriously, Hayden, be quiet."

Finally, you make your way to the studio and step onto the set. Part of you feels a bit nervous, just as Hayden had teased, but the other half is brimming with excitement. He has been your celebrity crush for ages, and working with him is like living a dream you never want to end—especially since this scene is the highlight.

"Take your places, guys!" you hear the director announce over the loudspeaker. You and Hayden walk to the set, and as expected, Hayden gets straight to the point. He drops his robe, and your jaw goes with it. "Wow." the only word that courses through your brain as you scan his figure. Not what you had in mind for a forty-year-old man, but you also weren't complaining. You had some idea of what he looked like under his clothes, but this? Wasn't even close to the idea you had conjured up in your brain.

You remained transfixed until the director's shrill voice over the loudspeaker jolted you. "Disrobe and take your places!" you hear once more from the loudspeaker. You drop your robe, watching as Hayden's eyes meticulously scan your body. All of your inhibitions suddenly leave, as he watches you. You both assume your positions on the bed, locking eyes. An unspoken tension hangs between you, so tangible that even the director senses it.

"Rolling… Action!" comes the director's call, and you instantly spring into character for the camera. "How much did you really miss me?" you ask flirtatiously. Although it was meant to be an act, it didn't quite feel like one. The way his hands caressed your hips, and his gaze intense, a clear sign of genuine passion. "How about I just show you…" he whispered softly tracing gentle circles around your hip with his finger. Before you could process your next move, his lips crashed into yours. "Was that in the stage directions?" you wondered to yourself, but it didn't matter, you wanted this, just like he did.

His hands roamed effortlessly, not leaving a single inch of you undiscovered. For a moment, you forget you're working, it feels like you're the only two in the room, your body responding naturally to the feeling of him.

"Cut!" comes the call from behind. "That's great, but remember, there are more lines you need to say, guys!" your director remarks with his characteristic smug tone. It's an open secret on set that there are genuine feelings between you and Hayden—feelings that both of you consistently deny.

"Ugh" you groan rolling off of him, checking over your script for the next line. You wanted to just skip past all the lines, to the part where you got to kiss him again, he was such a good kisser too, the experience definitely showed in that previous performance. After a quick skim of your lines, you settle in for the second take. "Take 2... action!"

"How much did you really miss me? you flirt, this time, even more sultry and seductive than the last. "How about I just show you…" he repeats. "Then do it," you recite the line you had forgotten in the heat of the moment previously. With a newfound passion, the kiss is hungrier, more feverish and sloppier. "I missed the way you taste" he mutters. That's definitely not in the script, but the director didn't stop him, so you rolled with it. The words began to flow effortlessly as the scene progressed.

"I need you so bad." you mutter breathlessly as he rolls on top of you. "I know." he flirts back, kissing your neck passionately. His kisses were fierce and aggressive, sure to leave a hickey or two behind. The moans flowed naturally, I mean sure the sex was fake, but the kissing, the touching, and the moans, were very real. The grinding, and thrusting started, "Why the fuck is this fake, I wanna feel him." you thought to yourself.

"You feel so good." you moan following in motion with the script. "You feel even better." he responds eagerly, his hands roaming your body fiercely.

"How does he fake fuck so well?" you think to yourself. "I mean, I have seen his other movies... but man I need to actually fuck him... and like... right now." you repeated in your mind.

"Cut! Great job guys... let's take 30 while I make a few changes to the script." You lay there for a few moments, processing what the fuck just happened. Hayden rolls off of you, promptly putting on his robe, in a poor attempt to conceal his excitement. You follow suit, throwing on your robe and taking a seat.

"Coffee? or maybe tequila to calm your nerves." Hayden teases you.

"Tequila would be better... got some in my trailer if your down for a drink this early." You speak, attempting to maintain a calm and casual demeanor.

"Yeah, let's go," he suggests, walking side by side with him out of the studio.

The ride back to your trailers feels like an eternity, you finally knew what he looked like under his clothes and your mind was running wild. You could catch him stealing glances from the corner of your eye, and his altered body language conveyed all you needed to know about his thoughts. He trails into your trailer and closes the door. The tension mounts instantly with the sound of the door clicking shut.

You turn to him, the intentions you both have for each other are clear. he approaches you slowly, undoing the knot in your belt and slipping your robe off your shoulders. "I don't know what the fuck is happening, but I like it." your thoughts race as his deep blue eyes take in the sight of you.

"I think we should..." he trails off, while tracing circles around your shoulder "Go over the scene again, you know for good measure." he mutters, his voice low and seductive.

"Me too… but with a bit more… reality," you say, locking eyes with him. The genuine connection they shared was finally reaching its peak, and damn it was sweet. "All I can think about is how your fingers would feel deep in my pussy right now." you whisper seductively in his ear.

"Fuck..." Hayden muttered softly, his cock throbbing achingly as his mind repeated your words over and over. Grabbing your face, his lips crashed into yours a trail of sloppy wet kisses followed. You both wanted this for so long and it was finally happening.

"You don't know how bad I've wanted this." you say between kisses, as he lifts you into his arms. You instinctively wrap your legs around his waist while he carries you to the plush pink couch that decorated your trailer. "I've seen the way you look at me, and I know how bad you want this." Hayden retorts playfully

"I've seen the way you look at me, I know how bad you want this, Hay." you tease back, running your fingers through his hair. His kisses were like an addiction, a feeling you never wanted to quit. His hands continue his discovery from earlier on the set, pushing the limits of your "just co-stars" relationship.

He trails his middle finger up and down your wet folds, teasing your throbbing clit and dripping entrance with his finger. "This okay?" he whispers softly against your neck.

"Mm, more than okay" you choke out softly. The actual feeling of his fingers was 10x better than the fantasy you created in your head.

"Spread your legs for me doll" he requests kindly, even in the most intimate moments he was gentle and respectful, which made you want him to ravage your insides with his cock even more. He marvels at your cleanly shaved pussy, slowly sliding his entire middle finger inside. "So pretty, so perfect" he mumbles, watching your reaction closely.

"Fuck, Hayden..." you softly mutter, leaning your head back against the couch. "That feels... so good" you moan softly as he slips another finger inside, slowly pumping them in and out of your aching sex.

"Yeah? you like that pretty girl?" the way he always praised you for little things set you on fire. You always knew you had a thing for older guys, but Hayden gave you a whole new perspective.

As the sensation grew, you could feel your body responding to him, writhing and grinding against his fingers as he continued to pleasure you, "Mm, don't stop." you moan softly. The pace of his fingers inside you increased with every cry and whimper that escaped your lips. He trailed soft kisses down your inner thighs before sucking your swollen clit into his mouth.

"Yes! fuck fuck" you cry out, gripping the couch cushion as his tongue assaulted your leaking sex. The combination of his experienced mouth and fingers sent you over the edge. the soft vibration of his deep voice against your pussy heightened the feeling.

"You taste so good." Hayden says, his voice low and seductive. "Look at you, all sensitive and wet for me... I like that." his words send shivers down your spine, "How the fuck did he always know what to say to you?" your thoughts jumbled together with the feeling of him all over your body.

"So close Hay... so fucking close" you moan loudly, shoving his face further into your needy pussy.

"Not yet baby, not yet" he stops abruptly, removing his wet fingers from your pussy. "Look at that... good girl." he says admiring your wetness on his fingers. "Here, taste." he shoves his fingers into your mouth, pumping them in and out until you lick them clean. "You taste so good, don't you? Yeah... you do." he coos.

You feel your pussy throb knowing his thick erect cock will be inside you soon. He lays you flat on the couch and positions himself over you. Something about him towering over you, about to ravage your insides made him look so fucking hot! He teases your clit and entrance with the head of his pre-cum coated cock before pushing in slowly. Gripping your hips with one hand and pinning your arms above your head with the other.

"Oh fuck..." you gasp attempting to adjust to his size. For an old man, he's certainly still got it. The way his eyes never left yours as he thrusted into you made the sex feel like more than just sex, like he wanted to build a deep connection with you, outside of work-related interactions.

"So tight, so wet" Hayden murmurs against your lips. His pace increasing as your walls grip him tightly. "You feel so fucking amazing." He huffs, drilling deeper into you.

"I wanted this for so so long, Hay." you whimper loudly. The sounds of your simultaneous moans and slapping skin fill the air. He feels even better than you imagined, typical, your fantasies were always way off.

"Yeah? you waited so long to fuck me?" he grunts, rapidly increasing the pace of his thrusts. His passion was fueled by your admissions to lusting for him. "Please... please don't stop Hayden" you yelp in a pleasure-filled cry.

Hayden's hands grip your hips tightly, pulling your closer with each forceful thrust. "I'm gonna cum, fuck I'm gonna cum soon Hay." you whimper, your body becoming putty in his grip. His blue eyes beaming down into yours, meticulously studying your reactions to the feeling of him inside you.

"That's it, be a good girl and cum for me... alright? Can you do that?" he grunts, his thrusts becoming more erratic. He was nearing the edge too but tried to keep his composure.

Your body arches naturally as your orgasm crashes into you. You grip his arm tightly, nails digging into the skin as he continues to fuck you relentlessly. "Fuck, don't stop Hayden I'm cumming, oh god!" you scream. Your moans only seemed to fuel his passion, as he slammed into you over and over.

"That's it baby! Cum for me, pretty! I'm close too baby" he grunts lowly, his cock twitching inside you with an immense release. "Oh fuck, you feel so fucking good baby!" he moans against your lips as he pumps his warm, sticky cum into you, coating your walls with his seed, an experience you relived in your brain over and over before this moment.

Your bodies shuttering as your climaxes ripple through you both. You lie under him, dazed, twitching, and breathing heavily. "You did so well, doll." he praises, planting a long lingering kiss on your lips. "Just like I knew you would."

"That was fucking amazing." you mutter, trying to process what just happened. "I can't believe we actually just did that..." you laugh, still not completely done processing the situation. After a cleanup, you return to the studio, hand in hand. The "post-coital afterglow" still lingering on your faces.

"Take your places, guys!" the director's voice rings out sharply. This time, the scene was captured in a single take, as you were no longer just acting.

#hayden christensen #anakin skywalker #anakin x you #anakin smut #hayden christensen x you #smut #hayden christensen smut #fem reader #fanfic #hot as fuck

[flowerandblood]

I don't like many of the authors' decisions here – sometimes their tropes, sometimes their choice of how they present events, dialogues, sometimes their characters, relationships between them or their appearance. It's not a bad thing. I have a right to feel this way.

But I would never tell them about it. Not because I don't have the courage to do it but because it would give them nothing, nothing good. You criticise when someone asks for it – when someone doesn't, then you should keep quiet.

Why? Because perhaps someone does not want this criticism and it's their right too. I, for example, don't care and I don't want to know how much someone dislikes something in my work. I don't need the fake appreciation of others, just as others don't need mine.

If I don't like someone's stories, I just leave them alone. God bless all of them! Write and be happy.

No one here is an oracle or judge, and some people feel that way. If you don't like what the authors are writing and their choices, give them a holy peace or else all you'll achieve is that they'll be discouraged from writing – they'll think: maybe nobody wants to read this after all, look at my characters, maybe it's pointless, maybe everyone thinks about me and my writing this way.

Sowing doubt and passive humiliation is very popular here for some reason and I find it incredibly annoying. People don't know when to shut their mouths and when their private opinion to which they are, after all, entitled hurts others, making them uncomfortable.

Our right to free speech should not cut someone's wings and mock them. This is an expression of disrespect and basic culture.

Not everyone has to want to change, to develop if it is not their profession but a simple hobby.

Anonymity does not make malicious gibberish sound any smarter, and a large audience or reactions under posts does not make anyone entitled to post an opinion in which they criticise works of others for their choices.

"Why do you write with only small letters? It's so annoying. This character would never do this, are you dumb? Aemond would never betray his family! Oh nooo, next Visenya on a big dragon? Why these OC's are so boring? Reader insert is just for you because you are desperate to fuck. Why do your OC is fat? Why do your OC is slim? Why do make your OC look like this, why won't you try something new? Why do you put Alys in your story as a third wheel when she is Aemond's real love interest?"

Shut. The fuck. UUUUUUP. GOD.

You say – you don't agree, don't read, I have a right to my opinion. Well, I say: your right does not absolve you from thinking about the feelings of others.

You are hypocrites. You cry and make a hiatus when someone sends you a nasty anon writing that you write crap, but you devote 2,000 words on your blog to why a certain trope doesn't make sense, why other authors don't have a right to make their OC's look the way they want.

What you write is not private, it's public. Who are you writing it to? Is it an expression of your frustration? Those you write it about can read it. They may feel very, very bad about it, they can think to stop writing at all or make themselves to do something against their will. But that's not your concern anymore, right?

Taking responsibility for your own words only when it's convenient for you is an expression of immaturity and that's what I see in this fandom – most people here are afraid of adulthood and the clash with it. Because in adulthood everything we do has consequences to face.

But it's easier to say that we simply have the right to express our opinion, no matter how hurtful and unfounded it may be.

I want to be clear – I will see anyone reblogging or write this kind of posts – I will block them. Even if I like you, if you are with me for a long time. I don't want to see this kind of toxic behavior on my wall ever again. Enough is enough.

#hotd fandom #gibbering about others oc's #gibbering about aemond x strong niece trope #gibbering about readers inserts #gibbering about smut in the fics #shut #the fuck #upppppp #plz #writing #writing advice #writing fandom #writers #criticism #writers on tumblr #fandom

[kashilascorner]

my conclusion after finishing the witcher season 2 is that they had a very clear storyline which is overall ok but the writing (especially on an episode basis) is weak at best

#props to the actors for working with what they had (esp yennefer fringila and triss) #yennefe's arc was..... i mean i know plenty of ppl don't like her s1 arc because of the whole motherhood thing #but i actually liked how it was focused and that it wasn't so much about motherhood itself but more about body autonomy #and the desperatr need of having someone to unconditionally love you and depend on you (at least that's how i saw it) #and her arc here had sooooo much potential but ultimately it was botchy in it's development #also jaskier. a beloved character. much needed comic relief but did nothing after geralt saved him #don't get me started on how fringila was far too naive at first and the moment she snaps out of it it's shown during a murderous spree #only to have her character dragged down AGAIN for being too naive. similar butchering to what happened to cahir's character in the end #only it's far far worse with fringila and hmmm cannot shake the feeling it's uh. racist writing actually! #idk. the dialogues weren't too good. ciri went through some good character development but she was very much the only one to do so #i mean geralt kinda did too but he's so stiff....... also tons of witchers around and they were all pretty useless for writing's sake #vesemir and geralt's relationship was good but felt underdeveloped. ciri and yen was good but rushed... ah #speciaf effects costumes sets & scenery lighting (the lighting!!!) were all very good #i think in the more technical department everything was pretty solid. can't judge the sound really because in dub it's a bit different #anyways at least i got to see 8 hours of very pretty ppl on my screen #laura watches stuff #also! you know those joke posts going around abt how shows actually need more s*x? yeah? well this is one of them lol #spicing it up a bit was not difficult wouldn't necessarily get in the way of the story and would actually help disipate the #storytelling tension given there is barely any comic relief at all for the most part (or any relief at all lmao all the calming acenes are #repetitive pseudo deep conversations between two characters lmao)

[ivesambrose]

𝐘𝐨𝐮𝐫 𝟐𝟎𝟐𝟒 𝐌𝐞𝐬𝐬𝐚𝐠𝐞𝐬 🥂

1. 2. 3.

Do I dare ask how 2023 has been for y'all?

Pick the image you feel the most pull towards or have been seeing around you a lot, if you feel drawn towards multiple, so be it. 🤍

To book a personal reading with me DM or email me at [email protected]

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Winter Specials

Thank you for the tip 🌹

𝓟𝓲𝓬𝓽𝓾𝓻𝓮 1

Your central theme is rising from the ashes. You're in the process of the most intense metamorphosis yet. A new dawn, a new day, a new life.

You'll feel empowered, passionate and obsessive about your pursuits. You'll allow the old skin to be ripped off of you and you'll no longer be scared to be you.

This year brings you connections, admires, collaborations, unions both in personal and proffesional life.

There's a certain duality in you that you haven't explored yet, but you will in the coming months.

You'll have good health for the most part compared to the previous year. Your family will be taken care of. The hope and assurance you may have lacked from them will come through. It will feel warm and refreshing. (Goes for chosen family too)

Romantically, you may be focused on your career or just living your life a lot. But someone might want to build a legacy or long term relationship with you.

If you're already coupled, the focus goes to building what you have and looking after domestic affairs and see things bloom.

Proffesionally, you will have your most successful and blessed year. Money shouldn't be a problem and even if it seems like it, your needs will always be met and you'll still have more.

Some of you might enjoy ghe fruits of your labour extensively. This goes for the ones who work solo or run their own business etc

Academically, you might feel a bit disinterested. Might move out from your home or change subjects. Take up something completely new. Might face your fears and push through but make it a point to follow your inner calling for the most part.

Themes centered around relationships and partnerships are significant this year as well opportunities coming out of the blue that call you to heed your intuition and step out of your comfort zone or limiting mindsets, that will inevitably lead to travel, progress and new experiences.

Make the best of this year, it'll feel like you're finally on the journey you've been preparing yourself for all this time.

𝓟𝓲𝓬𝓽𝓾𝓻𝓮 2

Your central theme is using your emotions as your guiding force, using it as fuel and not seeing it as weakness. Quieting your mind so you can listen to your instincts more. Healing from things you don't speak of, that you've felt have persistently held you back from your potential and finally taking the lead. You'll feel like the main character in your life finally, instead of seeing everything through the lens of a side character no one remembers.

You'll feel motivated to follow what makes your heart happy. You may be faced with choices a lot this year, a lot of this or that in several aspects of your life. Trust yourself to make the right decisions.

You'll be learning about your mind and body this year, so incase you go through ups and downs in your health you'll be able to manage it but also guide others too.

Romantically, you might as well get your happy ending. I see that you're mostly focused on the complete picture. Not bothered with what is going on in between too much. So you'll get what you're manifesting eitherway.

Proffesionally, a rebirth or evolution will take place. Something new that will grow overtime. You'll be driven about it. So success will be imminent.

Success in academics as well, feeling proud of your achievements.

Themes around revolution, personal development, healing generational trauma, humanitarism, technology as well being open to the unknown will also be prevalent this year.

Learn to make amends and embrace the breakthroughs this year has to offer you.

𝓟𝓲𝓬𝓽𝓾𝓻𝓮 3

Your central theme is related to wealth, inheritance, change of lifestyle, receiving help, building a legacy and feeling more secure. Some of you will see a success or change they did not see coming, it was hidden for the longest time.

Some of you may even be leaving poverty behind for a more financially secure life.

You'll find yourself blooming, physically especially. A glow up in your looks and quality of being is going to be imminent. Focus on health, beauty, food, routine etc as well. A lot of you will be experiencing vivid dreams, strange synchronicities etc too will be learning about esoteric subjects, occult or the subconscious mind a lot. You'll also be receiving success and recognition or you might be building your steps towards it that will eventually pay off in the long run.

You'll feel like this old self or image of you has died. You may even mourn it for some time but will feel more powerful, confident and self assured once you're past that.

Romantically, you'll be feeling desirable and might attract a lot of suitors. Your self concept will improve exponentially, so will your standards. So nothing less than what you want. Your intuition will be at all time high. Fear no one and nothing. Some of you might also be moving to a new house too or might end up owning something in your name.

Proffesionally, although you might deal with competition you won't be too worried. You know your skills, you'll have your resources, your work will speak for it self and you will stand out.

Friendship, community, discoveries and gains are also some of the themes surrounding you this year.

Let your imagination create for you. You'll soon realize there's so much power in allowing yourself to receive what you desire by simply being instead of doing too much.

#free readings #tarot community #divination community #pick a card #pac #pick a pile #pick a picture #2024 messages #2024 pick a card #psychic readings

[yuujispinkhair]

We never go out of style

The thing with Sukuna and you is that it's fun. It's fun to kiss him at parties and to take him home and sleep with him. It's fun to just have this casual little on-and-off romance with him because, after all, you both know that you will always come back to each other.

Aka, I listened to Style by Taylor Swift and got the biggest butterflies when I pictured a modern College boy version of Sukuna to this song.

Pairing: Sukuna x Reader (female) Genre: fluff + smut, College AU Word Count: 2k Warnings: 18+, smut, mentions of sex at semi-public/public places. Reader and Sukuna have an on-and-off fling, but both develop feelings over time. During one of their breaks, they both kiss other people and get jealous about it. All characters are of age. This story is 18+. Minors don't interact.

You aren't even sure how you got into that on-and-off fling with Sukuna. It was supposed to be just a little fun at a frat party. A few heated kisses in the kitchen while you were sitting on the counter, and he was standing between your legs, one large hand cupping your chin and tilting your face up to kiss you in a way that made your head spin.

Just a little fun. Just a few sexy kisses with a sexy boy who had too many tattoos, too much confidence, and a reputation that should have sent you running.

You never planned to go home with him. But somehow you did, and somehow you ended up in his bed with him on top of you, in all his naked glory, tall and sexy with all those toned muscles and tattoos. And somehow, your hand was caressing his undercut and tangled in his slicked-back pink hair, ruffling it in a way that made him look almost cute. And somehow, the way he was grinding against you and fucking you into his mattress was the best sex you ever had.

Maybe that's why you walked over to him when you saw him on campus on Monday morning, leaning casually against a fence with sunglasses pushed up into his slicked-back hair, smirking that boyish smirk at you and lifting a large hand to wave you over with one long tattooed finger.

Maybe it was a combination of his skills in the bedroom and his confidence and boyish charm that made you agree to meet him again. Maybe it was the way he flashed you such an attractive smile when you said yes that made your knees feel strangely weak when you walked to your next class.

No matter what the reason was, ever since that day months ago, you have been in this little on-and-off fling with Sukuna.

Never quite the real thing, but also never not a thing.

Sometimes it's a few drunk kisses at a party, where you suck on his tongue and moan when he lifts you up to set you on the kitchen counter. Sometimes, it's loud, excited laughter and a fluttering pulse when he takes tequila shots where he licks the salt off your neck, letting his tongue-piercing glide over your skin. Sometimes, it's a wink and a flirty greeting while passing him in the hallway. Sometimes, it's a passionate hour spent in his bed, forgetting all the College stress when he dicks you down so good you almost cry.

Sometimes, you go weeks without talking to each other, both doing your own thing. But then you'll receive a text message at 3 a.m. asking you how you're doing.

"What's up, princess? Wanna meet up? I kind of miss your laugh."

You meet him every time. And it's always the same after a few weeks of not seeing each other:

A racing heart and a loud laugh when he stands in front of your door with a bottle of cheap wine and a single red rose. Needy, hungry kisses when you pull him into your apartment. Impatient hands tearing at each other's clothes as you stumble to your bedroom.

Your friends start to notice and ask you if you are dating Sukuna. You deny it, laughing and shaking your head. Who would be stupid enough to date him? You know this is something that only leads to a broken heart. No, Sukuna isn't someone for a relationship or anything serious.

But he is fun. So much fun. The bad boy with the charming grin. The arrogant asshole with the sweetest sweet talk you've ever heard. You know he is dangerous. A heartbreaker, a big flirt. Everybody wants him in their bed. He could have a pretty girl or boy on each finger.

You make sure not to get too invested. You keep it casual. A little fling when you feel like it. When you feel like getting fucked so good, you forget your own name. You make sure to push him away a little bit when things seem to become too intense.

You tell him you won't have time for him during the following weeks because you have to study. He doesn't have to know that, in reality, it's because you can't get his stupid charming smile out of your mind or because you catch yourself rolling over in your bed one night and sighing "Kuna" when you think you can still smell his cologne on your pillow where he slept a few nights ago.

This is dangerous territory. It's best to keep your distance for a while. You go out with your friends. You go to bars and clubs Sukuna doesn't frequent, meeting new people, flirting with someone new, maybe kissing one or two others just for the fun of it because you are young and free and you can do whatever you want. Or maybe it is to convince yourself you aren't falling for a pink-haired bad boy with the world's most charming smirk.

Your dormmate asks you if you and Sukuna broke up because lately, she hasn't seen him leave your room in the mornings with his hair ruffled and hickeys adorning his neck.

Another friend of yours approaches you with a sympathetic look and gently informs you that they saw Sukuna with some other girl last night, kissing her against the wall at a party.

You smile through all the comments, shaking your head and brushing it off.

"Oh, that's fine. We aren't dating or anything like that. He is just a little fling. It's not that serious!"

You try to ignore the uneasiness those comments cause. You smile and buy a new sexy outfit, and go to more bars to kiss more strangers, and Sukuna does the same.

Until you bump into him at another party. You turn the corner after grabbing a drink from the kitchen, and suddenly, you run into his tall, muscular figure, your face practically knocking against his chest. And he laughs and raises an eyebrow at you while his maroon gaze trails lazily over your body.

"It's been a while, princess. How was the studying?"

"It was good..."

"What were you studying again? Making out with strangers in bars?"

His eyes glitter challengingly, and his velvety low voice is carefully playful and teasing, but you can hear the edge in it. You glare up at him, 

"Oh, you mean the thing you were studying too? I heard you were hanging out with some other girl."

For a long moment, no one says a word, and you just stare deeply into each other's eyes. But then Sukuna laughs and cocks his head, 

"Well, it's true what you heard, but it was only two or three times. I'm not interested in her. Especially not now, when you seem to have time for me again."

You know he is leaning down on purpose, knowing full well how hot you find your height difference. You know he is brushing his lips over your ear with the intention of making you weak. You know he is calling you princess in that low sexy voice to make you come home with him tonight and forget all the dumb shit both of you did during the last few weeks.

You know now would be the right moment to tell him it's over for good. But you don't do it. You don't want to.

What you want is to put a hand on his toned chest and grab the front of his white shirt to pull him closer. 

"I have time for you, Kuna. I have time tonight and maybe tomorrow, too."

You can feel his smirk when he kisses you, and his muscular, tattoed arms wrap around you and pull you against that tall, strong body that feels so fucking good against you.

"That's good, princess, since I couldn't stop thinking about you and me those last few weeks. It's more fun when you're with me."

The two of you are back at your typical shit again. Passionate kisses at various parties, loud moans, and entangled sweaty bodies in either Sukuna's bed or yours. Once a week, twice, maybe more often. Sometimes, he stays the whole night and makes your dormmate complain about him using up all the milk in the fridge.

The occasional late-night texts turn into nightly calls. Lying in your bed in the dark with a racing heart as you listen to Sukuna's low voice telling you random things he did today, smiling when he tells you to sleep well.

You go to parties together and make out on kitchen counters. You go to clubs and dance and kiss and make it look so dirty that strangers come up to you and tell you to get a room. You give Sukuna a good luck kiss in the morning before his exam and laugh when he walks around with your red lip print on his cheek. 

People start commenting again on your relationship status, but you just laugh and roll your eyes.

Just like you roll your eyes when Sukuna pulls up at your place on a Wednesday at quarter to midnight, his car window rolled down, long fingers casually flicking off the ash of his half-smoked cigarette as he smirks at you,

"Wanna go on a ride, princess? Jump in. Let's drive to the beach."

"It's almost midnight, you idiot!"

"So what? I didn't say just for tonight, did I? We can stay for a few days, check into a hotel, have some fun tomorrow at the beach, go swimming, sip sweet cocktails at a shabby little bar, fuck in the warm sand, things like that. I know you want to."

You do.

You know you have an exam next week and really shouldn't miss any courses, but what can you do when Sukuna is here in front of you with his sexy smirk and that enticing sparkle in his maroon eyes, offering you the chance for a spontaneous adventure you will probably never forget?

You get into his car. You let him rest his large hand much too high on your thigh, and you let him kiss you breathless at every red light, giggling when he misses the traffic light changing, and the cars behind you honk. But Sukuna just grins against your lips and keeps kissing you while he lifts his hand to flip the guy behind him off in the rearview mirror.

You listen to him complaining about his teammates and his coach and make sure to nod understandingly and do the "Oh, no, he didn't!" and "Ah, that sucks!" at the right moments, earning you a smile and a kiss on the cheek.

You check into a cheap hotel down at the beach, feeling your heart beating like crazy because it feels like you are a criminal couple on the run in some noir movie. Or maybe two forbidden lovers meeting here in secret, far away from the cruel reality where everything is too serious, and people expect you to be a responsible adult.

Sukuna fucks you like he's starved for your body. Hard, deep thrusts and bruising kisses. Passionate sex that makes the old bed creak loudly while the sound mingles with your gasps and moans of Sukuna's name. Rough fucking that turns into surprisingly gentle lovemaking later that night, and Sukuna's soft moans against your neck and sweet little nothings whispered in your ear.

You return home two days later, feeling lightheaded and a bit sore from all the sex you had with Sukuna during those two days. On the hotel bed, in the shower, at the beach at night, on the drive home in his car.

His hand is on your thigh, slipping a bit under your short skirt, caressing your skin while he kisses you thoroughly in his parked car in front of your dorm. Maybe his hand tightens a bit on your thigh, not wanting to let go. Maybe you do the same, your fingers tangling in his soft pink hair, pulling him closer instead of pushing him away and saying goodbye.

When you finally exit his car, he grins at you with lips that are swollen from all the kissing and smeared with your lipstick. The red one that he likes so much on you.

"I'll call you when I'm home, princess. And let's meet again on Tuesday or something. I heard there's a party at Choso's dorm."

"Alright… or you could just stay the night."

The smile that lights up his face is enough to make your breath quicken. He is out of his car in a second, a large hand on the small of your back, steering you towards your front door. And you are grateful for the darkness of the night that helps you hide the stupid big grin on your face.

You don't know if you will ever be more than this on-and-off thing. You don't even know whether you would want it to be more. You don't know if you ever want to date Sukuna for real or if you ever want to call him your boyfriend.

But you know he is your boy, and you are his girl.

It doesn't matter how long your little fling will last this time, just a week or maybe a month. It doesn't matter if you'll go your separate ways for a little while again at some point. In the end, you will always come back to each other. Because one thing is for sure: Whatever the two of you have will never go out of style.

I HAD SO MANY BUTTERFLIES WHILE LISTENING TO THE SONG AND WRITING THIS AAAHHH!!! College boy Sukuna is my weakness. I'm so in love with him!!Help meee!!

So yeah, I decided that 1989 is a great College Sukuna album, and I will now go back to listening to it again and daydream about him.

I hope you enjoyed this little story and that it could give you butterflies too, maybe!! Please tell me how you liked it.

Comments and reblogs would be sweet.

#sukuna x reader #sukuna #sukuna smut #sukuna fluff #jjk x reader #jjk smut #jjk fluff #sukuna x you

[rockpaperimpala]

So about Netflix's the Last Airbender....

I am literally so confused you guys. You made me think I would HATE this show. And I LOVED it. Me. Known perfectionist and hater.

Katara was lovely. Yes, she started as a more soft spoken character than her cartoon version, but she was still passionate and hopeful throughout, just visibly unsure of herself. I think people were thrown off by this actress' natural way of expressing herself, which is Different from animated katara for sure, but not bad. Then she spends the whole season growing in Confidence and Fire. I Adored her fight with Paku, it really did feel like a payout of the whole season's development, and the bending kicked ass!

The Bending Kicked ass!!! The martial arts was fun and fast and creative and exciting! It looked SO good. That alone would be enough reason for me to watch and enjoy any show.

Zuko's actor was fantastic. He really captured the rage and confusion of this 16 year old banished prince. And there were so many Added moments between him and Iroh wich to me enriched their relationship. Like YES! This is why I'm watching, to see more of them, to see things done a little differently.

Iroh facing the consequences of his actions at Ba Sing Se!! That's what I'm here for!

Zuko's relationship with the men on his ship! That's what I'm here for!

The Extra layers we get to Ozai manipulating his children!

Also no one is talking about Admiral Zhao, who I had SO much fun with. I feel like they slightly fleshed out his character in a really dramatic way, really developing the hubris and frankly insane grasping ambition of someone who would kill the moon. I completely enjoyed this wilder, less controlled version of him, who comes up through the season from basically nothing and no one!

I am OBSESSED with King BUMI and his anger and disillusionment with the world! Like this was SO real. Living a hundred years of futile war would do that!!!! It is one of my favorite changes to the whole series. This new layer of emotion and character depth is what I'm here for!

Sokka was SO funny. He literally had me laughing out loud so often. That actor GETs Sokka, and GETS the way his humor is delivered. And is also able to tap into the more vulnerable side of him. People said he was "obsessed" with leadership. WHAT? That is a young person trying desperately to do his best and to try and find his place in the world, to figure what he has to offer. I loved his pride at hearing the Mechanist say that he would make a good engineer, and the sweetness of the moment that Yue's father says that he can be a hero without being a warrior. Sokka does so much growth in this series, in understanding himself and life.

And his chemistry with Suki was adorable!! I even like him and Yue (who was a totally unexpected sweetheart, despite her terrible wig)!! Like he has that same ability that Sokka has in the original to Connect with people.

Aang was great! He WAS fun loving and sweet and funny. I don't know what you guys wanted. Cartoons are always bigger and more exaggerated than live action. People's eyes swell up an, birds fly around their heads, and there are funny sound effects. That larger than life quality is the strength of animation! You have to look for different strength in live action. Like the SUBTLETIES of the acting choices. This little actor brought so much kindness, innocence, and strength to Aang.

And I FELT his frustration at being asked to do this at 12, his fresh hope anytime it looked like someone more experienced would be able to help him and no one did, and that's why he didn't learn waterbending this season, because he kept waiting for an freaking ADULT to show him the way, to help him carry this immense burden, but every adult he meets asks him for help instead, asks him to carry it himself, and then the finale hits and he realizes that there won't be any adults helping, he does have figure this out himself, and he makes the hard choice, takes on responsibility more than his years and offers himself to the ocean spirit, and he might have been lost entirely if not for Katara!

And that counter running theme to the show pays off: that he doesn't have to do it alone. He may not have more experienced guidance, because the adults have let him down again and again, but his friends will be with him, and they will figure it out together!

This is there throughout the series! Katara tells him this about learning waterbending, when he says he still wants to wait. Bumi tells him this in the palace at Omashu, and Aang sees the faith he has in his friends repaid!

I like these changes! And the show still found time for silly fun adventures and character building moments.

The show was never going to be the animated original. That is already a Masterpiece, and it frankly did NOT need to be adapted at all. I did not WANT a live action adaptation. I was adamantly convinced I would hate it. But the changes that they netflix show gave are what I Iike most about it. If I want to see Zuko say "you rise with the moon, I rise with the sun," I will go watch the animated original, because that version is perfect. And now, if i want to see Zuko say "Lu ten would have been proud to have you as a father," and see iroh pull him into a tight hug, I can watch this live action version, which is very good too. I'm going to disagree with most of the people on here and say that the Netflix's Avatar: The Last Airbender, DOES capture the heart of what we liked about the original show. It's spirit, fun, excitement, and characters. And the changes made are the reason we should be watching.

#avatar the last airbender #natla

[wttcsms]

angels like you can't fly down here with me (i'm everything they say i would be), megumi fushiguro ;

pairing megumi fushiguro x f!reader word count 11k  synopsis people like him don't get happy endings but megumi fushiguro (foolishly) considers himself to be the exception — after all, he has you. content contains yakuza au, childhood friends to lovers, mutual pining, breeding kink, slight daddy kink, attempted sa, minor violence & depictions of blood author's note if ur on my ao3, you know this is from 2021!!! my writing has changed up since then, but i'm going to be releasing a revised version of this which will be rewritten and feature more scenes, more worldbuilding, more plot, relationship and character development, etc!! i figured releasing this on tumblr would help me gauge how worthwhile revision of this fic will be, so lmk if u like this au & want to see it become even better <3

Don’t do it.

He repeats the command inside his head again, and then one more time for good measure. (And then another time, just to drive the point across.)

He won’t — can’t; isn’t really allowed to — get into (another!) fight.

(Well, there’s a part of Megumi that knows that despite Gojo’s sing-songy warning of “now, now, Megumi, I don’t need a frequent visitor’s card for the principal’s office”, he doesn’t actually care. All he’s really concerned about — if the mild interest the reckless teenager turned legal guardian shows can even be called that — is whether or not Megumi wins.

And he does.

Every. Single. Time.)

For the most part, Megumi Fushiguro is fairly stoic in general, but to a concerning degree when one accounts for the fact that he’s only ten years old. For the odd three or so years he’s been under Gojo’s wing, Megumi’s mask of disinterest stopped becoming a mask and started becoming a part of him.

(Try as he might, Gojo’s not nearly as funny as he thinks he is. Maybe the connection between them might have been stronger if Gojo was a bit more responsible and if he was actually present, but he’s got his own shit to deal with. Besides, Gojo’s under the impression that what he’s doing isn’t cruel, but rather a means to an end. Megumi’s never going to be able to get stronger if he doesn’t learn how to survive on his own.

After all, being alone and having to fight to survive is the life people like them live.)

The older preteens in the area have a bad habit of picking on the younger students. Because the elementary and middle schools are so close together, the younger students who have the misfortune of walking alone tend to be targets for bullies in need of pocket change or a good laugh. Most of the time, they get both.

As of late, everyone’s favorite target happens to be Megumi Fushiguro, the boy with the messy black hair and indifferent attitude, even when confronted by boys two years his senior and almost a whole entire head taller than him.

Last week, Megumi gave the three older boys dumb enough to harass him for money bloody noses, bruised egos, and a thirst for revenge. That was the first (and supposed to be the last) time he got into a fight (for this school year, at least — something Gojo had told him, while winking). So, even when the trio is back together again, taunting him and trying to get him to take the first swing, Megumi keeps walking forward with his perpetual look of disinterest, those cold blue eyes of his staring straight at the path ahead of him, never paying any mind to the gangly bodies of the middle school boys who keep trying to block him from moving.

Don’t do it.

He tells himself this once more. You don’t want to have to inconvenience Gojo. Then, you’ll be stuck listening to him pretend to lecture you. You don’t like spending too much time with Gojo. He’ll make weird jokes. 

The thought of having to deal with Gojo’s presence is enough to get Megumi to unclench his fists.

“Move.”

It’s the first thing he says to the group since they started following him after school. He tells the boy with the brown hair this. The brunet seems to be their ringleader of sorts, and even as nothing more than a ten year old child, Megumi knows that being twelve/thirteen and harassing little kids for sport is a sign of patheticness that will only grow and fester into something darker unless someone beats some sense into them. Obviously, they didn’t learn their lesson from last week.

“Huh? What the hell did ya just say, ya little brat?” The brown haired boy sneers, looking down at Megumi.

School has just let out, so there are dozens of kids of all ages walking down the sidewalk. They’re all aware of the situation happening, but everyone chooses to turn a blind eye to it. Partly because this is such a common occurrence that it just starts to become something that blends into the scenery, but also because there are some rumors surrounding the Fushiguro kid that’s enough to make anyone with a heart of gold reluctant to come to his rescue.

The main rumor circulating around the school is that Megumi Fushiguro has ties to the yakuza. Granted, most kids his age have no idea what the yakuza is, and even those who somewhat know only know through exaggerated definitions from their older siblings. Generally, everyone just accepts the fact that the yakuza is bad, and by default, Megumi Fushiguro must be bad too. Older siblings tell their younger siblings to avoid “that boy” at all costs, unless they want to end up with a finger cut off. Megumi’s classmates huddle together and conveniently choose to look everywhere else but at him when on the playground.

For anyone else, this might have been enough to cause some hurt feelings. Everyone thinks the boy must be some type of stupid to be so oblivious to the rumors centered around him, but the truth is this: Megumi is well aware of what people whisper about behind his back; he just doesn’t care enough to prove them wrong.

And they’re not wrong, anyway.

(For some parts of the rumors, at least.)

Because it’s true — Megumi does have ties to the yakuza. His father, who he can’t seem to attach neither a name nor a face to, must have done something bad. Something bad enough to have him cross paths with Satoru Gojo, the young head of the Gojo Clan, one of Tokyo’s most prominent crime families. It’s the same Gojo who decided to adopt both Megumi and his stepsister, Tsumiki, despite having nothing (so far) to gain from it. After all, why would a teenager willingly assign himself the responsibilities of caring for small children — one who resembles the man that tried to kill him and the other being an ill little girl confined to a hospital bed for who knows how long. All Gojo gets from this deal is a headache, bills, and more problems than necessary.

Megumi’s not really sure how the rumors started in the first place. He thinks it’s because kids his age are easily influenced and have a tendency to run wild with their imaginations. With the rising popularity of gangs from the high school students, this interest seems to have trickled all the way down to the elementary levels. Megumi certainly fits the description of their idea of someone from the yakuza: silent, secretive, scary.

(If they were a little bit older, maybe they would have just seen him as an introvert.)

No matter how ridiculous the rumors get, though, it doesn’t change the fact that the root of them is true: he is connected to the yakuza. After all, he’s being primed and prepped to be someone of value in the clan. Once you’re tied with the likes of them, you might as well just resign to the knot fate’s trapped you with. He’s learned quickly that the only thing harder than getting into the yakuza is getting out.

And because his sister’s and his life both depend on him doing as he’s told, getting out is a funny pipe dream at best and the Fushiguro siblings’ cause of death at worst.

“I told you to move. You’re blocking my way.” Megumi’s tone of voice betrays nothing. Annoyance, maybe, but he speaks flatly regardless of how he’s truly feeling. Gojo says it’s kinda creepy. Gojo also says that being a little creepy isn’t bad.

(Gojo should know; he’s a certified creep in Megumi’s eyes.)

“Oh — so the little boy can speak up.” The boy with blond hair laughs. It’s a nasally sound that grates Megumi’s ears.

He’s not an idiot. Megumi is well aware of the fact that no matter how much he feels like it isn’t true, he’s still just a little ten year old boy. He should be playing with the toy cars Gojo bought him, not worrying about the gritty future that lies ahead. But still, the phrase rubs him the wrong way.

Little boy.

He wasn’t so little when he kicked them down to his height before properly bashing their faces, now was he? Even now, he can feel the anger coming up. He clenches his fists, wondering if he’ll get suspended for fighting right next to school property.

“Leave him alone.”

Another voice appears, but not from any of the boys. No — this time, it’s coming from a little girl on the sidewalk across from theirs. Everyone involved turns to stare at the source of such a command and are greeted with the sight of you with a Hello Kitty backpack. You’ve got a frown on your face that doesn’t match the brightness of your pink outfit.

Megumi recognizes you instantly. You’re in the same class as him. You were in the same class as him last year, too. He tilts his head, trying to figure out what exactly it is you’re trying to accomplish here — and why.

He knows his social standing in the school. If he’s at the bottom, you’re right at the top. A beaming pillar of light, everyone flocks to you like moths after a flame. But you’re alone today, not surrounded by the usual crowd of boys and girls who are often vying for your attention. Seeing you alone enables him to see you more clearly, without all the distractions getting in his way.

You’re small. Shorter than him, and way shorter than the middle school boys. You’ve got a bow in your hair and brand new shoes on your feet. If anybody should be socially aware, it has to be you. Those at the top, Megumi knows, like to remind everyone of their placement. You shouldn’t be here. You should be ignoring him like he’s got the plague, just like everyone else.

All three of the boys start to laugh after sizing you up. The laughter only serves to make you even more irritated, but you can’t speak because one of them is already talking through his laughs.

“Don’t tell me. Is this your girlfriend?”

The group erupts into more laughter, and while Megumi’s expression remains the same as it’s been for the past few minutes, yours only shows your growing contempt.

“She’s no one.” Megumi throws you an odd look, one of neither annoyance nor gratitude for trying to help him out. He uses your presence as a distraction, and he manages to take a few more steps before one of the boys is yanking him back by his bookbag.

“Grab her.” One of the boys says, and the third boy, the one with the messy red hair, starts to cross the street.

Megumi watches as you stay right where you are. Are you stupid? Why won’t you run? The boy still has a solid grip on his bookbag, keeping him in place. He wonders if it’ll be a waste of his breath if he tells you to start running — you probably wouldn’t listen to him anyway.

But then Megumi figures out why you don’t look too frightened, because not even a second before the older boy manages to cross the street to your side of the sidewalk, a man in a suit is running towards you, a scowl on his face.

“You said you were going to the restroom, young lady!” The man scolds you while panting for breath. He surveys the scene, looking at you, and then the middle school boy by your side before turning his head and seeing Megumi in between the other two boys. “What’s going on? Is everything alright? Did they do anything to you?”

“No, Mr. Higashi. B-but—“ Your bottom lip starts to tremble, and even though Higashi is certain that the tears about to fall are fake, the situation itself looks serious enough to the point where he doesn’t call you out on it. “Th-these boys are being really mean.” You let out a high pitched wail that makes the boy let go of Megumi’s bookbag. “They just threatened to attack me and my friend out of nowhere.”

“Your father will be informed.” Higashi frowns, eyeing the guilty boys who look confused and a little shocked at this turn of events. “Mr. [Surname] certainly won’t be pleased to hear about this.”

The middle school boys pale when they hear the man name drop your family’s surname.

After all, it’s the same last name that’s engraved on plaques all over the school, thanking your family for the many donations they’ve received.

You enter into Megumi’s life that way: unexpectedly. He never thanked you for intervening, but it’s not like you did it for the thanks anyway. You did it, you tell him, because you figured he needed some help.

“I had it handled.” He tells you flatly. “Why are you even sitting here? Your friends keep staring at us.”

It’s true. Stories of what happened are already circulating around both schools, and while all your friends spent the whole entire day pestering you for the full story, you chose to keep quiet about the situation. And now, here you are, choosing to sit and eat lunch with Megumi, someone who also knows the true story of what went down but the only one people aren't brave enough to ask.

Your whole entire table of friends keep their heads huddled together as they go back and forth with each other, every one of them sparing glances at Megumi’s table. It makes the rice in his mouth taste stale. He should have just stayed in the classroom to eat, especially if he knew you would be bothering him.

“Gee, is that any way to treat a friend?” You huff, not at all actually annoyed with him.

“We’re not friends.”

“Too late. I told my dad we were.”

There has been one question on his mind ever since that incident. Just who exactly is your father? He’s not stupid; he knows that you must come from a wealthy family. If the buildings and auditorium named after your family isn’t enough proof, the fact that you always have the latest toys, the nicest shoes, the cutest stationery sets — that’s material proof of a spoiled princess.

You continue speaking, and as if you can read his mind, you’re already answering his question. “My daddy’s called a CEO. But the man you saw is Mr. Higashi. He takes care of me when dad’s away at work, and everything I do gets typed up in a report that dad sees every day. He wasn’t happy about what happened, so he says the boys will get in trouble. He told us not to worry, though.” You have a pleased smile on your face, waiting for Megumi to say something in reply.

“Okay.” He says, after a while. He only spoke because it seemed like you were waiting for him to. “It doesn’t mean we’re friends.”

“What’s so wrong about being friends with me?” You tilt your head. Everyone wants to be friends with you. And that’s before they even figure out that you live in a real life mansion with actual servants, and that sometimes you’re allowed to eat dessert for dinner. Even without the wealth, you still draw people in, whether it be with your bright smile or cheery attitude.

“Don’t you already have enough friends?” He can’t figure out what you could possibly want with him. Even though Gojo’s got the backing of the clan and enough funds to run the Tokyo underground with cash to spare, it’s not like Megumi is in a position to take advantage of it. Gojo hands him a thick wad of cash every week with a tip to “spend wisely, hehehehe”, and Megumi takes the tip to heart. A majority of the money sits saved in his bedroom, underneath a floorboard he spent a week trying to figure out how to loosen without anyone catching on. (Which was actually easy whenever he realized that nobody seems to really watch him to begin with.) So, he doesn’t look like he has money, and isn’t that what all rich kids want? To surround themselves with equally rich kids?

“I guess.” Your bubbly mood seems to dampen a bit at the mention of the other kids. They like you, sure. But they like each other a lot more. The gap between you and the other kids isn’t noticeable at first, but the novelty of having an endless supply of company has lost its luster. Meanwhile, the glamor of your life only keeps the hoards of “friends” to grow as the days go by. It’s always “let’s have a sleepover at [Names]’s!” or “[Name], we have to go to your house because you have the best toys!”. You wonder if they like you, or the shiny things that they get when they’re with you. “But, it’s not like youhave any friends.”

“I don’t need any.” The response is quick — instinctual. Gojo, even if not the greatest guardian by any parental standards, still presses Megumi to have a proper (or, as proper as it can be) childhood.

(“You know, I don’t care if you bring any friends over. Just make sure no one ends up accidentally getting shot, okay, Megumi?”

Yeah, because that’s definitely gonna push him towards throwing as many parties as he wants.)

People in his position don’t have many friends. It’s hard to, he assumes, because of all the killings and betrayals and power plays.

(And, he’ll soon learn that it hurts a lot less to lose an enemy than it does a friend.)

“Hmm. Okay.”

But you don’t get up from your seat, and he doesn’t tell you to move.

The next day, you’re carrying two bento boxes. The lunches are prepared for you by world class chefs and everything is done in a rather cutesy manner to entice you into not wasting your food. The fruit is cut into pretty shapes, the food has picks with animals on them, and everything is colorful and to your own personal tastes.

You take a seat next to him once again. He looks up for a second, sees that it’s you, and returns back to his meal that looks pitiful in comparison. Leftover rice and some cold meat. You think it’s the same thing he had last time.

“For you.” You slide the second bento you had requested towards him before opening up your own.

“What’s this for?”

“For you to eat, silly.”

“...How much?”

“Huh? All of it, I guess? If you don’t like something, tell me, and I’ll request something different tomorrow.” You don’t quite understand what he’s asking you.

“No. How much does it cost? I'll bring you the money tomorrow.”

“Why would it cost you?” Now you’re really confused.

Didn’t anyone ever teach you that everything comes attached with a price? If it’s not money you want, it must be something else. At least, if Megumi’s judgments are right. (And they usually are.)

“Fushiguro, I brought you this because I want you to eat well and grow strong.”

He wonders what rice shaped like Hello Kitty has to do with his strength.

“Also, so the next time people give you or me trouble, you can fight them, okay?”

Oh. So it’s protection you want. He contemplates what he thinks your request is before popping a piece of food into his mouth. A meal made with care — he can taste the thought that’s been put into it. Shoving his old lunch to the side, he quickly starts eating at the one you brought him.

Okay. So maybe he does accept your offer.

“Meguuuumi.” You whine out his name, messing up the navy sheets of his bed while he sits at his desk, trying to finish his application for university. “I’m bored.”

“Good. Go to your own house then, and leave me alone.”

“You’re so mean to me.” You sigh, turning your head so that half of your face is pressed against his pillow. The scent of his shampoo still sticks to the fabric, and you subconsciously inhale the scent some more. It’s familiar and reminds you of him, your favorite person in the world.

No one believes you when you tell them that Megumi is your best friend. No one wants to believe that it’s true. After all, the two of you look more like a shoujo manga trope than an actual pair of best friends. The cold, inexpressive dark haired male lead with a secretive past he doesn’t want anyone to know about and the bright, bubbly, ball of energy that is constantly clinging to his side. It’s like looking at night and day with you two.

“And yet, you’re still always here.”

You’re still by his side, even when the two of you reached middle school and high school together, and he spent a majority of his time starting (and finishing) fights.

(“Get off of him!” You screamed, yanking on the collar of one of the boys who happened to be trying to grab Megumi from behind. You don’t have the same amount of strength as them, but everyone at this point knows who you are and who exactly your father is. No matter what the origin of the fight is won’t matter; all that matters is that the precious daughter of one of Tokyo’s richest CEOs got caught in it, and that’s enough to get everyone involved into some deep shit.

Immediately, the boy scampers off, and the other boy Megumi was punching into the squeaky clean floors of the hallway begins to thrash around wildly, eyes wide at the sudden sight of you. Seeing you coming from behind Megumi is like watching the sun peek through a dozen storm clouds.

Megumi gives him one last punch, not nearly as satisfied as he thought he would be. Honestly, getting into fights with low level delinquents is beneath him. It’s not just his knuckles and clothes that are getting dirty; by feeding into the school’s image that he’s this young, violent yakuza heir, he’s dirtying the prestige Gojo claims is oh so important.

“Megumi.” He straightens up at the sound of your voice, which usually sounds so sweet, especially when it’s directed towards him. Instead, you have an uncharacteristic frown on your face and you sound… mad. “Let’s go.”

You’ve got a hand wrapped around his wrist, and people part when they spot the two of you making a hasty exit. The teachers aren’t bold enough to cause a scene with you, and the students know both you and Megumi are practically untouchable — one being the spoiled brat daughter of a rich and powerful businessman, the other, a ticking time bomb with ties to the yakuza.

You don’t stop walking until the two of you are in a secluded courtyard at the school. No one goes here, mainly because it’s in such an inconvenient location and there’s nothing but trees and weeds over growing it. The two of you found it within your first week of being here, and ever since then, it’s become your designated spot to avoid prying eyes.

“I thought you were over stupid fights. You told me yourself that they weren’t the type of people worth beating up.” You scold him, forcing him to take a seat on the bench that creaks under his weight. You make a noise as you inspect the drying blood on his knuckles.

If an outsider were to look at the scene before them, they would gape at the unbecoming sight of you on your knees, in between his legs, too close for a duo who claims to be “just good friends”. But there’s nothing inherently dirty in your thoughts. Instead, you’re staring thoughtfully at his hands, inspecting the minor damage done to them.

Megumi swallows hard as he looks down on you. He shouldn’t be feeling like this — you’re his best friend, his only friend. The only person who’s by his side. If you could read in his mind, there’s no doubt that you would be recoiling away from him in disgust…)

You’re still by his side, even when he told you the truth about himself after waiting years to see if you were truly his friend or not.

(“The rumors—” He starts to say, but you shush him, rolling over on your side to face him. The two of you are lying on the grass in your massive backyard, trying to spot a shooting star that’s supposed to be passing by at any second now.

“I don’t care about that.” You tell him. Middle school was a bitch to deal with, mainly because as everyone was in the process of growing up and “maturing”, so did the rumors they spread. Now, the two of you are halfway through your first week of high school. A new school, a couple of new classmates, and new rumors surrounding the odd pair.

“If I told you the rumors about me being someone you should avoid were true, would you be mad?” He’s lying on his back, still staring up at the night sky. He’s not turning to face you, almost as if he’s scared to look at you.

“Yes.” You answer without any hesitation. “At the person who’s spreading that around.” You clarify, poking him on his side to lighten the somber mood he’s setting. “You’re the only real friend I’ve had in forever, Megumi. I don’t think what anyone says about you would change that.”

“What if I did something bad?” Like kill a person. What then? What would you think of him if he told you the full truth: that Gojo told him that he can’t shield Megumi from the dirtier aspects of this type of life. That he’s spent hours after school, hours after hanging out with you and pretending to be a normal teenager, learning how to assemble, disassemble, and then reassemble a gun. That his target practice isn’t glass bottles lined up in a row or sheets printed out with human bodies. What happens if he told you that his target practice was low level scum from rival yakuza clans that Gojo couldn’t be bothered to kill himself?

“Mmm. How bad are we talking? Like, lied to me when you said my Christmas outfit looked good but half my ass was practically exposed bad or committing a felony bad?”

“What if I told you… that I really was a yakuza heir.”

The silence is palpable and especially soul crushing to Megumi as he waits for your reply.

“It wouldn’t matter to me, Megumi.” You say. You know that this isn’t just some type of hypothetical question he’s asking for fun. From his odd living situation to the intense nature of him in general to the fact that he knows practically everything about you, but you barely know the full extent of his childhood traumas despite growing up alongside him, you know deep in your heart that there has to be something going on with him. Something dark enough to harbor stories about him.

“Are you sure about that?”

You reach for his hand in the dark, finding it without really needing to look. He’s not one that’s prone to initiating physical contact, but you found out that he doesn’t really mind when you reach for him first.

“You can’t get rid of me, no matter how crazy or fucked up you think your life is.” You squeeze his hand, still staring at him.

You don’t notice the shooting star flying past the night sky, but Megumi is looking right at it. He knows what he’s wishing for.

For your words to be true.)

You’re still by his side, even when he brought you to his sister’s bedside. She’s sick, afflicted with something no one knows, not even the private doctors that Gojo’s spent millions on. She was still conscious, albeit confined to her bed when the two of you first met, but she’s been in a coma ever since the last year of middle school. You were by his side as he broke down about the news. It was the first time you’ve ever seen him cry.

So, no matter how much it may seem like he’s pushing you away, you don’t budge. For someone smaller than him and definitely weaker, you’re awfully resilient. And while people make the occasional joke, telling you to “blink twice if you need help”, you don’t pay any attention to them. If only they knew the truth: that you’ve got Megumi Fushiguro, heir to a massive yakuza clan, wrapped around your dainty finger.

He’s so whipped that he found himself asking Gojo for a rare favor.

(“College?” Gojo rubs the back of his neck, staring at Megumi. “I mean, I guess it’ll be good for you. Meet a wild party girl, take her to your dorm room, tame her—”

“An education is the whole point of attending, you know.” Megumi interrupts him before Gojo can jump into a story highlighting all of his sexual endeavors with college girls back in the day.

“Eh. I guess.” But then a grin lights up the feature of the man who [kind of/by definition] raised him. “But y’know what I know for a fact.” He wiggles his eyebrows, his glasses slipping down his nose as he tilts his head downwards. “You wanna follow [Name].”)

It doesn’t really matter if he’s not good enough to get into the university you’ve already received an early acceptance for. Because Gojo tries to make up for being an absent father figure, he fills in those empty spaces with cold, hard cash. All it takes is one nice donation, and Megumi’s wherever he wants to be.

Where he wants to be, he realizes, is to be by your side. Wherever you go, he’ll gladly follow. Funnily enough, despite the two vastly different backgrounds the both of you come from, you both have similar means of getting what you want.

Your father had already looked over the list of universities you had in mind, and all you could do was excitedly squeal and start rambling the moment the acceptance letters came in the mail. Despite the fact that your father’s physically absent from your life most of the time, he still tries to show he cares in the things he does for you. If paying off over half a dozen major universities in order to make you happy is something he has to do, he’ll do it without batting an eye.

It’s the same thing on Megumi’s end. Granted, Gojo’s means are more along the lines of using money as a lubricant and then death as an inevitable. Money talks, a gunshot to the head silences. Nobody can accuse anyone of taking bribes if said accused person is in a grave six feet under.

Sometimes, Megumi wonders how you’re just so oblivious to the fortunate circumstances in your life. You chalk up a lot of your father’s wishes as just “good luck”. In school, you’re placed on a pedestal, revered as some goddess-like, otherworldly being. People are practically tripping over themselves, running towards you for a crumb of your attention. Anyone sane would gladly wield this power and use it for all its worth. Not you, though. Not you, who’s kind and considerate and completely clean from the corruptness that plagues everyone else.

Megumi knows good and well that he’s not a hero — couldn’t be farther from it, if he’s being honest. He doesn’t feel a moral obligation to go out and rid the world of all evil. (It’d be hypocritical, he thinks, considering the fact that he’s most likely belonging under the evil category himself.) From a young age, he’s already known and come to terms with his fate. He’s going to train and learn from the best, and eventually, he will succeed as head of the clan. That is his purpose. That right there is the reason why he’s still alive today. That is why he can find himself sitting at his desk, submitting an application that’s already guaranteed to be followed up with an acceptance letter, ready to pretend for four more years that he’s normal.

“D’you think college will be fun?” You ask him, making yourself comfortable in his bed.

“No.”

You laugh at that. You like Megumi for a lot of reasons, and his honesty is one of them. Despite the fact that he likes to keep most of the darker details of his life to himself, you know that he would never lie to you. In a world full of people who are constantly lying, it gets tiring trying to figure out who’s real and who’s fake. It doesn’t help that you want to believe in everyone either. If you didn’t have Megumi loyally staying by your side all this time, you doubt you would have made it this far in your life without anyone taking advantage of you and your kindness.

“My dad said I can finally get a boyfriend when I go to college.” You say this fact so casually that Megumi almost — almost — gets fooled into believing that this is not a cause for concern. Almost.

“Oh.” He’s at a loss for words. He knows that it’s inevitable; that one day, you’ll find a guy you like and want to get closer to him. He knows that you’re not always going to be by his side, and he knows that it’s going to happen because he’ll have to push you away eventually. The older he gets, the deeper he’s burying himself into his grave. He doesn’t want you to get caught in the crossfire.

It’s not like boys have never tried approaching you before. People have spent years thinking that you and Megumi were a couple, and then after finding out from you that the two of you are nothing more than “best friends”, boys were still hesitant to talk to you. The glare Megumi would give them from behind your shoulder acted as a strong enough deterrent.

“I know. Now the only problem is finding a guy who’ll actually wanna date me.”

“They all will.” The words leave his mouth faster than he can even think about them. He’s not wrong, though. Every time the two of you are out in public together, he sees people shooting quick glances at you, at your ass, at your bright smile. The looks they give are predatory, dangerous, even. If it’s not your looks, it’s your shining personality that draws them all in. And if that’s not good enough, there’s always the enormous wealth attached to your last name. That’s the key to getting them to stay.

“You can be so sweet sometimes, you know that?” You giggle, glad that he’s still typing away on his laptop. If he were to look at you right now, he would see that you’re reacting way too positively to such a lackluster compliment. It’s not like he listed reasons on why anyone would ever want to date you, so he probably could just be complimenting you to make you happy.

(That’s just the excuse you’re going with. You know your best friend — that means you know that he would never say something he doesn’t truly think or believe.)

There’s a secret you’ve been keeping from him. A secret so big that you think you might’ve been keeping it from yourself, too. Something so big that your body simply can’t contain it any longer.

You like Megumi. 

Of course you do. You keep telling the whole world what great friends the two of you are. You talk to him about your dad all the time (which must mean he’s important, because you rarely get to speak to your dad, so you have to choose your topics of conversation wiseley). You trust him more than you trust yourself. Ever since middle school, you’ve been telling yourself that you liking Megumi isn’t anything to be ashamed or confused about. You like him because he’s your friend, and you’re supposed to like your friends.

And then you came to terms with the fact that you like Megumi beyond the borders of friendship.

It starts with you seeing him the way other girls must see him. You’re not blind, you know. It’s obvious that Megumi is far from ugly. If he wasn’t so intimidating, you’re sure he would have had his fair share of confessions, too. Megumi’s pretty, although calling him a pretty boy wouldn’t do his character justice. He’s got lashes people pay extensions for theirs to look like, and the prettiest dark blue eyes you’ve ever seen, and his hair, which he doesn’t put forth any type of effort in, always looks good whereas the same hairstyle would look messy on anyone else.

It’s not just his looks, though. Even if you look like the type of person who would judge others based on such shallow standards, you didn’t approach Megumi simply because he’s attractive. He’s… interesting. He’s got this reputation for being a delinquent, and maybe all the fights on his school record prove it, but he’s surprisingly respectful. He’s the type of guy who gets up from his seat to let an eldery woman have it. He loves animals. He’s honest and sweet despite his seemingly stoic nature, and he’s so oblivious to just how good he is.

Maybe it’s because he’s so blinded by the light that is you. You, with your cutesy bento boxes that used to be made by your team of personal chefs but are now made with your own manicured hands. You, with that bright smile of yours that he wants to always see because god — he thinks he would be willing to destroy the whole world if something were to ever make you so upset. You’re kind and beautiful and everything people write love songs about. You’re so good, and he’s nothing like you.

He’s nothing like you, because he highly doubts that you spend your time fantasizing about him like he does with you. It’s wrong, he thinks. And dirty, and disgusting, and vile. You’d hate him, he’s sure of it, if you knew what he thinks about late at night. That he sits on his bed with his cock pulled out from his shorts, leaking with precum as he strokes himself to the thought of you. Do you not see him as any other guy? Despite your lack of experience, surely you know just how dirty boys’ minds can be? You’ve got to be conscious of the fact that he’s any other guy, right? So, why — why — do you always roll around in his sheets, letting your sweet perfume stick to his sheets. Your tiny tops and skirts are always clinging tight to your body, and you never feel the need to readjust your clothing when it rides up. Do you not see him trying his hardest to look you in the eyes when the two of you are talking, despite the tantalizing sight of your skirt bunching up, exposing the smooth skin of your thighs?

Little does Megumi know (and if you have your way, he’ll never find out), you spend nights in your room, whining and trying to stuff your cunt with the same fingers that painstakingly made him his lunch. He’s your best friend since childhood. He looks at you like you’re an angel, and you don’t want to destroy that image by revealing just how dirty you really are. How every time he gets so close to you, you subconsciously bring your thighs together, trying to rub them together in a poor attempt to relieve some tension. He’d be disgusted with you, you’re sure of it. Maybe even betrayed.

Besides, it would never work out. Megumi doesn’t see you the way you see him. He might look at you with a soft look you’ve never seen him give anyone else, but that’s because you’re his only friend. It’s not like he’s harboring any hidden feelings for you, and just because you’re so convinced that there’s no one better than Megumi around, it doesn’t exactly mean that you won’t feel this way about anyone else.

Megumi’s got a rather monotone cadence with his voice, so you’re not too surprised by his seemingly unethusiatic response to you saying you’re now allowed to date. Still — there’s a slight pang of disappointment when you realize that he doesn’t sound jealous at the prospect of you dating someone else.

You decide right then and there that the healthiest thing to do now is to just bury your feelings for him deep inside your heart, to tightly pack in all those pesky feelings and store them away so you can make room to allow others to fill in his space.

gumi <3: where are you? gumi <3: i’m feeling tired and i have an assignment due tomorrow. i’m going home. gumi <3: you know i wouldn’t leave without you. cmon [name]. let’s leave now

Megumi frowns at his phone. He can clearly see that all his messages are being delivered, not to mention that he’s already called you twice and has been sent to voicemail twice. He can be patient when he wants to be, but right now, he’s getting a little pissed.

You know that he doesn’t like parties, and you know that he doesn’t hang out with the same people you do. He also knows that you don’t even really like most of the people you surround yourself with, so whyyou suddenly decided to do a 180 and reestablish your throne as the head of the social pyramid, he doesn’t know.

Lately, things between the two of you have been a little… weird. Sometimes he catches you staring at him with a sad smile on your face; one that you immediately replace with your usual one when you realize he’s looking right at you. Despite him asking you if everything’s okay, you vehemently deny that there’s anything wrong, and you’re quick to change the subject.

He thinks he’s losing his best friend, his only friend. And maybe it only hurts because he’s grown used to your presence in his life. Maybe it hurts because you’re his friend. But he knows the truth. It hurts because he’s losing you.

Did he do something wrong? Did he accidentally somehow reveal the extent of his feelings for you? Did you suddenly decide that maybe associating with someone like him isn’t something you’re meant for? Do you…

Do you hate him now?

It doesn’t matter. Maybe it does, but not right now. Right now, he’s more focused on getting the hell out of this stuffy ass living room, filled to the brim with drunken young adults and people he couldn’t care less about. The only person that matters right now is you, and he’s on a mission to find your location.

He’s got this ominous feeling in his gut, like something bad is about to happen. He’s Megumi Fushiguro, for fuck’s sake, so bad things have a habit of following him wherever he goes. But still, he’s made a personal promise to himself that no matter how bad things get, you’ll never get caught in the crossfire. He’s willing to die to keep that vow.

If you don’t reply to him, you most likely have a good reason. He doesn’t want to be clingy, is pretty damn certain he doesn’t even have a right to be, but he’s still worried about you. He’s pushing past the wall of sweaty bodies, trying to catch a glimpse of your hair color, the waft of your perfume, the familiarity of your laugh, but he can’t catch a single crumb of you anywhere.

You’re nowhere in sight, and he’s immediately filled with dread.

He yanks a guy who’s coming from upstairs.

“Ow, man, what the fuc—”

“Is anyone else up there?” Most of the time, the parties are restricted to just the first floor, with the unspoken rule being that only the upstairs should be used for people trying to fuck or to use the bathroom (or, people trying to use the bathroom to fuck). You’re not anywhere downstairs, and if you were simply using the restroom, you would have been back down here by now.

“Shit, I don’t fucking know.” The guy squints at Megumi, as if trying to see if he knows him or not. With the way his expression pales, Megumi comes to the conclusion that the guy might not really know him, but he knows ofhim. Gojo says that with the right reputation, the two concepts are practically synonymous. “But I heard a guy ‘n a girl, I think, walk past the bathroom. I don’t know who, though!”

Megumi lets go of the boy’s shirt, and he’s quick to run off before Megumi can give him any more wrinkles in his shirt — or do something much worse.

He’s thinking. Odds are, it’s probably not even you. With so many people roaming around this house, it’s likely that he just missed your presence. Your phone could have died, so that explains why he can’t reach you.

He finds himself heading up the stairs anyway.

It’s fine. He tells himself. You’re fine. You’re okay. Nobody would dare to touch a single hair on your head unless they want to suffer directly at the hands of Megumi. People around campus call him your guard dog, and it’s not necessarily a nickname he hates.

The atmosphere upstairs is vastly different from the one downstairs. There are no lights turned on, and all the doors to the rooms are closed. He hears a flush coming from one end, and out walks a tipsy girl who’s staggering a bit. There are only so many doors to choose from, and he doesn’t really want to accidentally walk in on two people trying to have sex, but the need to confirm your safety outweighs any possible embarrassment he may suffer from, so he continues on his mission.

The first two rooms are revealed to be empty, leaving just one more. Megumi takes a deep breath before trying to turn the handle.

It’s locked. 

His gut is telling him something isn’t right, but he’s forcing himself to chalk it all up to paranoia. He curses under his breath, wondering why he even let you out of his sights for a single second.

Because he didn’t want to seem clingy. Because he didn’t want you to have any more reasons to keep on pushing him away. 

He decides to call you one more time, and as he’s listening to the dial tone, he hears a faint sound coming from the other side of the locked door.

It’s a phone ringing.

He presses his ear against the door, trying to make out any more sounds he possibly can. Is it still a coincidence when the phone stops ringing right as Megumi is greeted with your voicemail message of “sorry, I can’t come to the phone right now, but you probably should’ve just texted me!”

Without the annoying dial tone distracting him, Megumi can listen a little more clearly to what’s going on. There’s… there’s someone crying.

The voices are muffled, but he can make out bits and pieces of what’s being said.

“—fuck up… crying like a damn bitch… want this.”

He’s heard enough before he’s banging his shoulder against the door.

“OPEN THE FUCKING DOOR!” He’s screaming, hitting it again. There’s a chance, the voice of reason inside of him is saying, that it’s not you that’s crying behind that door. Even if it wasn’t, Megumi still wouldn’t have stood by idly. But instinct is telling him that it is you, and that’s enough cause for him to bang his shoulder against the door once again. He hears a scream, and a male voice cursing.

The force of his body banding against it is enough to have the door really test the strength of its lock. Megumi’s never been the bulkiest person in the world, but he’s still got some defined muscle to him. The door is creaking, almost bending to his will, but he fumbles in the dark for the gun safely tucked away by his side.

It’s a gift from Gojo. To speed up the process when something needs to be done quick is what Gojo said it was for. He’s never used it in such close proximity to you, but desperate times call for desperate measures.

No silencer. He forgot the fucking silencer. With the deep bass rumbling from the speakers, he doubts anyone would be able to hear the gun go off anyway. He aims for the handle, pulling back the safety, and fires once, then twice. With a foot aimed at the door, he kicks at it, pleased to see the way the abused door finally bends to his will.

The open door reveals a scene that makes Megumi see red: you, with tear stained cheeks and your clothes bunched up and strewn across the floor with a guy Megumi vaguely recognizes as someone sharing the same Econ class as the two of you — Mahito.

“You fucking bastard.” Megumi practically lunges forward, tossing his gun to the side. He doesn’t see reason, is numb to common sense at this moment. All he feels is the need to hurt this fucker. To make him bleed, to have him on the brink of death, to see the light of life leave his dark eyes.

Mahito is fast, but even he couldn’t imagine the speed that Megumi would possess when pushed to the edge. This is different from the fights you’ve witnessed during school. This is something entirelydifferent.

The first punch has Mahito wincing in pain. The second, third, and fourth ones are thrown back to back, and there’s no time given to recover, no chance to gain the upper hand. He’s falling down, and Megumi’s on top of him, drawing back his fist only to slam it against him again and againand again.

Megumi knows he’s got something fucked up inside of his head — what other explanation is there to reason with why he finds this bloody violence so satisfying? His knuckles are bloody, and he can’t tell where Mahito’s blood starts and where his own ends. There’s a wild grin on his face, one that you’ve never seen before. You’re not sure if it’s a trick of the shadows, but the feral expression on Megumi’s face transforms him from your loyal best friend to something monstrous.

“‘Gumi, st-stop.” The words stumble out of your mouth as hiccups, but you don’t miss the way Megumi’s raised arm freezes in its higher position before he slowly brings it back down to his side. He’s breathing deeply, and all is silent in the room.

As if the sound of your cries is enough to snap him out of his daze, it’s almost scary how fast his mood shifts. Just a second ago, he was hellbent on beating Mahito to a bloody pulp, and now the darkness drowning those blue eyes of his is practically gone. He makes his way to the bed, each step hurried but still hesitant. Do you even want to be near him right now? 

You answer his question with some more small sobs. “‘Gumi, I—”

“Shh, it’s okay, [Name].” He’s picking up your clothes from the floor, ready to help you get dressed. “Everything’s going to be okay.”

“Megumi.” His name seems to be the only thing you’re capable of saying right now. After he helps you get dressed, he’s thrown off guard when you cling to him, with your arms wrapped around his neck and your wet cheeks pressed against his shoulder.

The moment the two of you are exiting the room, both of you far too wrapped up with the other to pay him any mind, Mahito lets out a laugh before groaning at the pain Megumi inflicted.

The two of you don’t know what you just started, but no worries — Mahito has the means of ending it.

It’s only a matter of time.

You’re too good to be true.

You won’t listen to him when he tells you this (you never do), but he swears you’re a fucking angel or something otherwordly. There’s no other possible explanation for just how breathtakingly beautiful you are, or how you’re the only thing consuming his every thought. Despite the fact that all the blood on his hands has reached an amount that he’s sure he’ll never truly be able to wash it all off, you don’t shy away from his touch. As a matter of fact, it seems like you’re keening for it.

“‘Gumi.” You mewl out, sticking out your tongue to lap at the precum on Megumi’s thumb.

You’re well aware of just how dangerous your boyfriend (the title makes you giddy every time you refer to him as that) is, but you know him. You know that the hands of a killer are the hands of your lover, and most of the time, you have a hard time believing the awful things he’s had to do with them. Because right now, those hands that are meant to be weapons are handling you with care, touching you so gently, you would have thought you were made of glass and ready to shatter.

“Look at you, all spread out for me. What happened to my precious, shy little girl, huh?” He removes the hand that was cradling your face back to his cock, stroking his length, the saliva from your tongue acting as a minor lubricant. The first time he fucked you was the first time you’ve ever had sex with anyone ever, and it had been the start of an addiction. You love Megumi. You love everything about him, from his character to his tenacity, all the way down to his cock, with its red tip that’s sticky with pre and leaking out more as he stares down at the obscene position you’re in.

Your face feels warm as he stares down at you, his eyes darkened with a mix of love and lust that you don’t think you’ll ever get used to being on the receiving end of.

“Need you, need you so bad, please, ‘Gumi—” You’re staring up at him, giving him your best doe eyes.

“Fuck.” Just the sight of you beneath him, completely bending to his will, whining out for him to pretty please fuck you has him ready to cum right on the fucking spot. He’s pressing the tip in, his breathing faltering just the slightest as the warmth you provide envelopes the most sensitive part of him, nearly causing him to lose all self control right then and there.

You let out a cry as he pushes himself deeper in you, making himself at home in your gummy walls, one hand gripping your hip and the other holding onto the headboard.

“You feel so good for me, baby, shit.” He hisses, waiting for you to adjust, impatient but willing to bear it if it means it’ll feel better for you in the long run. After all, there’s nothing he wouldn’t do, nothing he wouldn’t endure, just to ensure your happiness.

“Mm — ah — please.” There are still tears welling up in your eyes — precious girl, he hasn’t even began to properly fuck you, and you’re already tearing up? The sight of you completely and willingly at his mercy is enough to get him to start rutting his hips against yours, the satisfying sound of skin slapping against skin resounding and bouncing against the walls of his bedroom that is starting to feel more like the both of yours.

“Y’feel so fuckin’ good for me, baby.” He groans, his pace quickening, the thrusts getting sharper and rougher with every roll of his hips. You’re powerless against his strength, and this type of easy submission feels so natural, feels so good, when it’s him that’s taking advantage of it. “You’ve got the sweetest pussy, y’know that?  I could fuck you forever.”

His praise goes through one ear and out the other with you, but your heart swells up to twice its size. Even if you can’t focus on the words all too clearly, you’re still aware that Megumi’s probably praising you. You can come to this conclusion because he’s always praising you. He’s always so sweet, so gentle, so loving — when it comes to you, that is.

“Hng — daddy!” You can’t help but let out a high pitched moan as he hits that sweet spot inside of you that makes you buck your hips up.

There’s no way you don’t know what you’re doing. Clenching around his cock like that, making those cute little noises that he can’t help but want to hear all the time, and then calling him that.

“Daddy, daddy, daddy.” 

Forget igniting something within him; you whining for him, calling him something that’s the root cause of all his childhood traumas… That’s like dousing him with gasoline and tossing a lighter at him. He’s going to burn through all his energy, channel all this dark, feral energy, and use you as the one unfortunate enough to be on the receiving end.

He fucks into you so deeply that if your eyes weren’t shut tight, there’s no doubt that you wouldn’t see the unmistakable shape of his cock outlined against your tummy. The headboard is banging against the wall, and the squelching sounds of him roughly thrusting in and out of your sopping cunt is so lewd and so dirty that if you had any room to harbor a single ounce of shame, you would be downright embarrassed.

“How about you make me a daddy, huh? How about I fuck a baby in you?” He won’t lie and say it’s not something that’s never crossed his mind. The thought of your stomach round with a life the two of you created is enough to get him to continue with this near-brutal pace he’s set forth. “Doesn’t it sound nice, baby? My baby giving me a baby, what—” He grits his teeth as you tighten up. “—a fucking dream.”

“Baby. Wanna have your babies.” You cry out, tears spilling out and wetting your cheeks as your arms find their way to his neck and broad shoulders, trying to pull him in closer. The heat building up from within you feels like you’re about to fucking explode. “‘Gumi, I love you, Iloveyoupleasegimmeababy—'' Your words are practically unintelligible as you slur them out, the words sticking together as you cum all over his cock, all that pleasure that has been building up now physically tangible, if the white ring encasing his cock every time he pulls out is evidence.

“Fuck! You feel so fucking good. Always so fuckin’ tight.” He’s reaching his own end, and you’re just lying there, trying to recover from such an intense orgasm but unable to as your too sensitive walls clench around the constant intrusion of his cock. Spurred by your little love confession and his mind imagining his daydreams coming true — you, as his cute little housewife, taking care of the kids the two of you made together — he finally shoves himself as deep as he physically can, making sure that as he cums, nothing will spill out.

“‘Gumi.” You whisper, your head resting against his chest, listening to the beat of his heart. “Did you mean it when you said you wanted to start a family?”

He’s silent for a minute.

“I wouldn’t mind starting a family with you.” And he means it. He knows this life isn’t one meant for children — look at how he turned out, for god’s sake — but he thinks that for you, he can do anything. Even make a family work out. As long as it’s what you want, he doesn’t mind how hard it may be.

You snuggle closer to him, burying your face in the warmth of his chest. “Good.” You mumble. “I wanna start a family with you, too.”

Megumi feels… at peace. Like he’s got the whole entire world in the palm of his hands. He wraps his arms around you, and realizes that no — right now, he’s got his world right in his arms.

Mahito likes to play with his food before he devours them whole.

Humans are just so… vulnerable. Even the coldest people have a heart; it’s only a matter of whether or not they find someone warm enough to defrost it. Megumi Fushiguro, for example, likes to walk around this world, acting indifferent and claiming to follow his own moral conduct, only to give himself the biggest weakness he could possibly harbor: you.

He still remembers that party. He still remembers the way you were dressed like a little slut, completely oblivious (or maybe you were just acting coy) to the wolfish stares all the guys were giving you. He had the same class as you. Seen the way you clung to Gojo’s charity case, as if the ground would swallow Megumi whole if you let go of him. You’re cute, and you scream naive virgin, and that’s precisely why Mahito wanted to take you to that bedroom and have his way with you.

And then, your infamous little guard dog bared his teeth and pummeled him into the hardwood of a stranger’s bedroom floor.

Grudges are cancerous. If you don’t deal with it right away, it develops into something worse. It takes over all your internal organs, ruining you ‘til the only thing you can focus on is getting revenge. And the longer you wait, the more vengeful you get. It doesn’t become a matter of ruined pride or reestablishing honor — it becomes about inflicting the most pain one possibly can. It becomes about suffering — about transferring your pain, your anguish, onto someone else.

Mahito isn’t the type to hold grudges, but for Megumi, he’ll make a special exception. He wants to see just how well trained the boy is; after all, he’s been taken under the wing and supervision of Satoru Gojo, the myth himself. Surely, his student must be nearly as skilled, right?

It’s been a long game of watching and waiting on Mahito’s end. A lot of lurking in the shadows and gathering intel. It’s a lot more boring than he anticipated, but today’s the day where all his hard work finally comes to fruition. Megumi Fushiguro is going to regret ever interfering with him that one fateful night. The burning humiliation he’s felt has long since fizzled out, but since he’s already been set on the path of orchestrating Megumi’s destruction, he figures it only makes sense to see it through. You only can let go of a grudge after you get your proper revenge.

He’s been leaving Megumi all sort of taunting, teasing threats any chance he gets. Mahito’s got nothing but disgraced yakuza members on his side; those who have committed acts vile enough to get them kicked out of what is essentially a group of criminals. He knows how to be twisted — hell, twisted might be the only thing he knows how to be.

Killing girls that resemble you and sending him the photos. Taking videos of you when you’re out in public alone. Leaving voicemails for Megumi, ones that leave him pale faced and unable to breathe as he listens to how Mahito wants to tortue you.

Megumi’s been on edge for the past few months, unable to explain to you why. It’s why you don’t understand why Megumi won’t let you go back to your car, even though you left your phone in there.

“I’ll go. Or, we can go together.”

“You have to wait for our coffee! And besides, I don’t even know where I left my phone. It might not even be in the car, but you’ll just waste your time searching for it if it’s not there.”

“So then why do you have to go look for it?”

“Because it’s my phone? Also, I reeeeeallly don’t wanna have to wait for our coffee, so I figured looking for my phone in the car would kill some time.” You give him that sweet smile of yours that he loves so much before waving him goodbye. “I’ll be back by the time our order is ready, pinky promise!”

At the end of the day, it’s all luck. Mahito realizes this as you happily skip out of the crowded cafe, headed towards your car to search for your phone. He doesn’t know why you’re returning back to your car, doesn’t even really care. All he knows and all he cares about is that you’re headed there alone. And while you’ve been alone plenty of times, he’s never had an opportunity quite like this one. A chance to finally detonate the bomb that’s been lying dormant underneath your car, ready to be activated at the press of a button. He could’ve killed you plenty of times already, but it’s not enough to merely murder you. He wants to make it a spectacle, sure, but he also only cares about one audience member watching: Megumi.

From where he’s hiding, blending in with the rest of the customers from the bakery across the street, he’s got a decent enough view of Megumi, who’s sitting by the glass windows, watching you with furrowed brows as you unlock the car door.

Mahito can’t help the cruel smile that spreads across his face as pushes the remote connected to the bomb.

Nobody expects to hear the loud, resounding boom of something exploding. The surrounding cars parked next to yours have their alarms going off like crazy; it’s nothing but high pitched, blaring noises blending together to create a disruptive harmony. People are screaming, someone is on the line with emergency services, and—

—your precious car is set aflame, reduced to a burning pile of scrap metal no salvage yard will take.

In this moment, Megumi Fushiguro’s world crumbles to ashes.

#megumi fushiguro x you #megumi fushiguro x reader #megumi fushiguro x y/n #jjk x reader #jujutsu kaisen x reader #megumi x reader #angst #fluff #one shot #drabble #smut #megumi smut #jjk smut #jjk imagines #yakuza au #THIS IS SO OLD IM CRYING #like rereading it... omg what was i ON???

[theygotlost]

vetinari is such a fascinating character to me because you cannot simply call him evil. he has all the aesthetic trappings of the Evil Ruler: a self-proclaimed tyrant, serious black robes, a devilish goatee, the tendency to raise an eyebrow or steeple his fingers in a grim manner, the torture chambers and dungeons in his palace, his wretched little pet that he loves so much, everyone is deathly afraid to cross him for fear of the Consequences, so on and so forth...

but he's not "EVIL". he doesn't take delight in senseless violence or act cruel for cruelty's sake. he's not ambitious or hungry for power. he's never a true antagonist, and is often working on the same side as the protagonists (or it might be more accurate to describe his role as a secret third thing). he's really not an unreasonable man on the whole. if vetinari is one thing, he's a pragmatist.

he considers idealism a waste of time because he knows his subjects too well for that. he can easily understand a cruel and villainous attitude, which is not the same thing as agreeing with it: with every new development in technology or society he immediately asks, "how are people going to exploit this? how could it be used dangerously?" not because he plans on doing it himself, but because it pays to know how somebody else will. ankh-morporkians agree: love him or hate him, vetinari's system works because it meets people where they're at.

this started as a post just about vetinari but then it got me thinking.... vetinari's method is not the only successful form of leadership we see. carrot is a natural born (ahem) leader whose outlook is the polar opposite from vetinari's; he operates on the assumption that everyone has good intentions and are fundamentally good people. and because he believes it so strongly and earnestly, people can't help but believe that it must be true, hence a self-fullfilling prophecy. which is great! the world would benefit immensely from more carrots!

buuut..... you can't really run a government that way, can you? you can't just say "let's all pinky promise to be chill and act super niceys from now on ok? 🙂" as a legally binding contract for millions of people. you need something to fall back on when that contract is inevitably violated. carrot can't imagine that anyone would ever do that, but vetinari knows they will, and accounts for every possible contingency. I think what pratchett is telling us, in a nutshell, is to plan for the worst and hope for the best.

the relationship between vetinari and carrot is one I don't see discussed much (admittedly since it's not very substantial), but it's interesting to think about. in his interactions with carrot vetinari is usually bemused at best and impatient at worst, but we know he's plenty smart enough to recognize carrot's value and what he's capable of.

#ahhhhhh this ones been sitting in my drafts for 5 months ivr rewritten it a hundred times #discworld

[tumb1rprincess]

Okay, I just binged the rest of the Hazbin Hotel episodes.

Carmilla and Zestial are hot. And Carmilla is so interesting. I loved her and Vaggie's song. I actually didn't expect them to reveal who killed the angel so quickly. But I love how they're showing that even some of the top overlords in Hell care. The only question now is what Alastor is going to do with this information.

I love Vox. He has a great voice and his rivalry with Alastor is hilarious.

Sir Pentious is such a fucking loser and I adore him.

Nifty almost reminds me of Little My from the Moomins with her little gremlin energy. I don't know if we'll get any serious moments with her like we have with the other characters, but I guess we'll see.

I love how Alastor's room is a literal bayou/swamp. And him eating the whole fucking deer was hilarious.

I didn't expect for some of the others to find out about Angel and Val's toxic relationship so quickly, but I did like how it showed an uncommon angle: how trying to save someone from an abusive relationship can make things worse for the victim. I can't think of any other media off the top of my head that shows that kind of thing. But with Charlie and Husker knowing about this (and Cherri Bomb if we're counting Addict as canon), how long before everyone else finds out? And what are their reactions going to be?

I haven't been the biggest Angel/Husker shipper, but holy hell, am I on board now. Husker once being an overlord and pretty much implying that he sold his soul to Alastor much like how Angel did with Val was a development I didn't expect, as well as drawing parallels between his addiction to gambling and Angel's addiction to drugs. Hell, I really didn't except this angle they took with Husker. We only saw his bitter attitude in the pilot, and we still get plenty of that here, but I didn't expect him to also be a good people reader and being able to see how the other characters really are and what they're hiding. He's almost empathetic in a way.

All of the songs are fucking bangers, Poison especially. I listened to it once before the show and I liked it okay, but seeing it in context, it hits you ten times harder. I almost cried.

The show is so good at making the viewer feel so uncomfortable with how Val treats Angel, it's almost too hard to watch. I've seen shows tackle abuse before and they've done it well, but this was very raw and in your face and it makes your insides twist. And I love it.

Looking at the show's cast, Vivzi got so many people with Broadway experience and I love that. I feel like a lot of popular media nowadays just like to cast popular actors regardless of whether they can actually sing or not (I'm looking at you live action Disney remakes). But every actor who's sung so far is fucking good at it and it shows.

So far, I am in love, love, love with this show. I remember first watching the pilot when it was causing some controversy and I fell in love with it immediately. It almost became a comfort thing for me for a while. I was watching it over and over during 2020 when Covid was running rampant and everything was shit. I'm so proud of Vivzie and everyone else for their hard work and dedication and love. This show is so different from everything else out there. I hope now that it's out, even more people can fall in love with it.

#spoilers #carmilla #zestial #vaggie #alastor #vox #sir pentious #nifty #angel dust #valentino #charlie morningstar #husker #cherri bomb #vivziepop #hazbin hotel

[royboyfanpage]

Okay, let's talk about Ollie's experience with fatherhood.

I'm an Oliver Queen apologist forever, but I think that there's a tendency in fandom to go one of two ways- "absolutely perfect dad, no flaws whatsoever" or "evil abuser who shouldn't be within six miles of a child". This isn't an Ollie exclusive phenomenon, a lot of characters and topics do fall into that black-and-white mindset. But the thing is- Ollie doesn't have to be either extreme. Particularly with Roy, who most of the debate centres around, Ollie wasn't perfect! I think there's such a rich discussion point in terms of young Roy's relationship with Ollie, so much more than just That Panel. Because, in my interpretation, Ollie absolutely cared about him, absolutely saw him as a son, but also the idea of being a father is something that deeply terrified him. The idea that this literal child being dependent on him made it feel more real, if that makes sense. Coming to terms with the fact that he was responsible for another person's life was difficult for him, and so he put up this wall- hero and sidekick. A conceptual dynamic, one that's not based in reality. He can keep that distance between himself and Roy and decide what that means, he doesn't have to be a father because that word has so many strong connotations, but he can still express that he cares about Roy, in his own way. That's why he always calls Roy 'Speedy' even out of costume, that's why his first thought is that Roy's undercover in Snowbirds. He can focus on being a good mentor to Speedy, which will have a trickle-down effect to being a good guardian to Roy, right?

Unfortunately, kids' brains don't work like that! Especially not a kid who's already lost two fathers. Roy needed a stability in his teenage years that Ollie just wasn't able to give at that time. He didn't see "Ollie's nice to me as Speedy because he loves me and doesn't know how to show it", he saw "Ollie's nice to me as Speedy, which means I'm only good as Speedy". This, at least in my opinion, is a major factor in Roy’s later self-esteem issues. Roy’s constantly underestimating himself as a hero, constantly comparing himself to Dick, and pushing himself 24/7 to improve because he internalised the idea that if he’s good, if he’s the perfect hero, then he’ll be loveable. He can’t be bad, he can’t fail, he can’t back down because if he does, he’s nothing.

It’s absolutely not Roy’s fault, but also this doesn’t mean that Ollie’s an evil neglecting abuser, either. Even the best parents fuck up, and Ollie was by no means the best parent. He took in Roy as a sidekick, as a buddy, and then never really found a way to combine the ideas of sidekick and son. He assumed that Roy would be able to interpret meanings behind gestures, which is something that Roy seems to struggle with even into adulthood. I’ve talked about it a fair bit, Roy’s absolutely someone who relies on the explicit, but he’s also not someone who’ll ask for clarification, which has caused conflict in his relationships time and time again. And while it's something he has gotten better at as he's gotten older, a 12-18 year old Roy would absolutely not be able to read Ollie's motives.

And Ollie's fear of fatherhood isn't something exclusive to Roy, either. Sure, he'd gotten better at it by the time Connor and Mia entered the picture (speaking as an oldest child myself, we are the guinea pigs of parenting, I was my mum's sibling), he absolutely still expresses this with them. I mean, just look at his face when he finds out Connor's his son.

That's the face of a man who's just had the crushing weight of parenthood slammed down onto him again, the moment Connor stopped being an ally and started being his responsibility. He's scared, because Ollie absolutely does not see himself as a good father for someone to have. This was very much present during Roy's teenage years, but particularly since this is post-Snowbirds. Both in terms of Roy developing a drug addiction and in terms of Ollie's own initial reaction to it, he immediately spirals. And, since we've already established he does not know how to process things, he lashes out at Connor.

And as for Mia, he's definitely matured significantly by the time she comes into the picture, and compared to with Roy he's a lot more open with his feelings. However!

He still won't explicitly accept the responsibility of fatherhood! Despite acting like a father to Mia in every way through his actions, he still won't use his words! Even though in the issue following, he expresses a paternal protectiveness over her.

And I think Mia's HIV diagnosis is maybe one of the biggest examples of his distancing himself and hiding his feelings, particularly when Connor asks him how he's feeling about it.

He's so fine, so totally fine, trust him when he says he's fine, totally not freaking out. He's absolutely not terrified for his not-daughter, no way.

Ollie has this fear that if he gets too attached to his kids, he's gonna end up failing them. If he keeps a distance from them, then he can't blame himself when they get hurt. Is this good parenting? No! Absolutely not! But this is also the man who dresses up as Robin Hood and who chose to die rather than lose his arm. This is not a healthy man.

But he tries, he tries so hard, even if it's in his own way. And he recognises when he fucks up! And he tries his best to mend it later on!

He's not the best at showing his kids that he loves them, but he's so proud of Roy when he becomes Red Arrow. He comes back to life to save Connor. He stands by Mia's side when she gets diagnosed and becomes Speedy. He's not a great dad, but goddamnit he's trying to be.

In conclusion, no, Ollie is not the perfect father. He's deeply flawed, and his own emotional incompetency has been and always will be a point of conflict between him and his kids. But he's not some uncaring abuser, either. He's trying.

#oliver queen #green arrow #connor hawke #roy harper #red arrow #arsenal #speedy #mia dearden #arrowfam #dc comics

[ascendedastarionapologist]

The Rite of Profane Ascention and Projected Shame: A Meta Analysis of Authorial Intent and Bias in Interpretation

If you are an Astarion enjoyer you are probably familiar with the following sentiments:

The crew member we can attribute this reading to would be Baudelair Welch, and they are not Astarion's main writer, rather the Senior Narrative Designer for Baldur's Gate 3. Astarion's creator and lead writer was Stephen Rooney, Rooney does attribute great assistance from Welch, however.

Welch was not initially part of the team, only being hired after the release of Early Access. As Welch as recounted the story, they saw Astarion during EA, wanting to become a part of the BG3 writing staff to enforce a particular narrative. The one that we are familiar with.

To better understand Welch's perspective on the concept of "Objectifying Fictional Characters" we must take a look at the indie game they developed during their time at Larian.

Don't Wake Me Up is a text based adventure game that puts you in the shoes of a game developer who is making a vampire dating sim. The twist being that the vampire character you created resents you for having romantic feelings for it.

While discussing the fact they wouldn't be adding "Good Endings" to their game, Welch describes their experience of having romantic feelings for fictional characters, often over real life people. A trend that, to their apparent frustraition, continued into their adulthood. I get this sense of shame, this desire to experience a more normative relationship with romantic feelings.

In a way, I feel kind of bad for Welch. I am a selfshipper, I think fictosexuality and genuine romantic interest towards fictional characters is morally neutral. However, my sympathy stops when Welch uses this to guilt their readers into feeling a certain way over narratives they don't have total authority over. Only very recently have people started to be cool about selfshipping, and phrases like "parasocial sexualization of fictional characters" does nothing to aliviate that stigma.

Hearing how the other staff talk about the endings, they do not share Welch's perspective more focused on player choice and the evolution of Astarion's Character through the player's eyes rather than a meta commentary on the relationship between player and character. As a roleplaying game, this is very much purposeful. Larian gives you the tools to tell the story you desire. To quote Neil Newbon,

"You might find him scary, and you should [...] but other people might really like that ending [...] going, actually I always saw Astarion going that route."

This a lot of meta context. Context that is not as blatant within the text as many who ascribe to this interpretation would want you to believe.

As a roleplaying game, BG3 gives you the option to depict your player character in a multitude of ways.

Is your player character a reluctant accomplace, determined to stay by Ascended Astarion's side no matter the cost? The game gives you that ability.

Do you see your character as an unwitting victim, a damsel to Ascended Astarion, a prisoner in a gilded cage? The game rewards this perspective in kind, the "freedom" lines coming to mind.

Or, perhaps your player character is mutually obsessed, a willing and enthusiastic participant in Ascended Astarion's villainous shenanagins. The game has options and responses that reflect this role as well. He is giddy, and gushes over how much fun you two will have if you lean into it.

A companion to this post, the poll I made measuring people's ending preference and weather not they were spoiled, is loosely tied to this. My methodology was, admitedly, a bit off. I neglected to add a neutral option, and of course my sample size is limited.

However, my theory was that among people that preferred keeping Astarion as a Spawn over Ascending him were exposed to spoilers, and my follow up question was meant to measure weather or not Welch's commentary had an effect on that.

Taking a look at the poll, the overall preference is for the Spawn ending, however, amongst Spawn enjoyers, they were often spoiled for his ending. I didn't get much feedback though, so weather or not this perception of Ascention had an effect on their choice remains conjecture.

What is interesting, however, is that through the polling process, (and the poll is still in progress at the time of posting this, so keep that in mind), the spilt between the other options were relatively even.

Make of that what you will.

Looking at all of this together, and from my perspective, I cannot see ascention as the "bad ending" , sense much of the argument for that perspective uses Welch's words as if they were gospel. To me, a bad ending is zombie astarion, or blowing up Gale in act 2, or letting Lae'zel perish at the Creché. I will however call it the EVIL ending. Ascended Astarion IS a villain, but I think the distinction between "bad" and "evil" is an important one to make. I cant see it the way Welch does, because I simply have an idiological opposition to their veiwpoint, a sentiment I feel is shared by many AA enjoyers.

I want to end this by stating very directly: this is not an attack on Welch as a person, rather a cirtique of of the bias inherent to the way they write and interpret fiction. A bias, I feel, people should be aware of.

#astarion ancunin #ascended astarion #baldurs gate 3 #bg3 #my posts

[the-one-who-lambs]

uhh hello!! sorry if this is a tall order LOL but I wanna ask, do you have any narilamb fanfic recs? :D I already read yours and I really like bamsara’s and I’m waiting for epicaandk’s to update (that one is my fav ever <3) but idk what to read now lol

Tall order?? Naaaaah, I'm always happy to give recs. Oh boy, I'm gonna go in reverse chronological order.

If you've read all of my narilamb fics (have you seriously? I'm impressed, that's probably well over half the 150k+ I've written for this damn fandom. Also, to anyone seeing this from a reblog, my stuff is over at onethirdofimpossible!) then here we go!

You already mentioned it, but The Rehabilitation of Death is excellent so far! This one is by @bamsara who is new to the CotL fandom but apparently not new to fanfic writing; they have a really popular FNAF fic and I assume the well-deserved attention this fic's been getting is a byproduct of the popularity they've already gotten in other fandoms. :D Welcome, bamsara! Many of the fic writers in this fandom are friends with each other already, but we don't bite if you wanna say hi.

Feel No Evil and Language Barrier, both by @payasita. I always love how payasita portrays this duo (in both digital art and writing), with so much sass and repressed loneliness, knowing they're stuck together for eternity and making the best of it. (And maybe falling in love, depending on how dense Narinder keeps being.) What makes these come alive for me is how well thought out the setting is outside the Lamb and Narinder. The descriptions and weight of emotions really pop here.

LITERALLY ANYTHING written by pavi / @i-eat-deodorant. Depending on how spicy you want your fics to be he has even more here. Character analysis, diction, pacing, etc. are consistently 10/10. Top-quality banter between a sassy Lamb and tired old man Narinder. We constantly bounce ideas off each other and inspire each other a lot but I promise I'm not hyping him up just because he's my friend oh my god please just go bless your eyes.

It Was For You, O Death by blueberry-muffin-massacre (if they have a tumblr, let me know so I can tag!). An intriguing alternative ending to the final battle wherein the Lamb chooses a secret third option by refusing to give up the Red Crown and still observing Narinder as the God of Death. So many details are so well thought out and duality their relationship is nicely characterized-- both genuine care for each other and also quite unhealthy. A fine line treaded well!

Confessional by jusmove (again, lmk if they have a tumblr). Been a while since I've read it, but I love how the Lamb chips at Narinder's very carefully built emotional walls. Their personalities are very well fleshed out here, especially Narinder's cognitive dissonance at being able to process love.

Confession by @thewitchoftheweed. I didn't expect a part two to this one, but my god I was so thrilled when it did update. Narinder and Lamb with their unique and parallel loneliness and their fucked-up sense of everything. Their relationship is very rocky here, and I love how they navigate it: with tension and eventual, pained acceptance. Mind the rating.

Of Character Development and Being Dense by @calliecature. A short and sweet narilamb classic. They're both mutually pining and one of them is too emotionally repressed to realize it. Guess who.

Not An Offering, But a Gift by @checkplzjuliet. Small confession fic. I especially love how Narinder's descriptions twist the knife of his situation here, and how Lambert is a total foil for him! There are a lot of good things happening in such a short span, which is impressive.

Also, if you think you've read all my narilamb fics... I do have a secret one out there too. Just so you know.

Happy reading!

I'm already friends with many of the people here, but if any of the writers I've tagged have been kinda wanting to reach out for a while but feel a little anxious... Don't be. I've made my best friends in this fandom by literally just waiting for some of my readers to get over whatever assumption they have that I'm cool and say hi. Or being the more confident one first.

#hannah's rambles #cult of the lamb #narilamb #cotl #fanfic #fic rec

[pommedepersephone]

Buck up, Hamlet! or how Aziraphale and Crowley's blocking helps communicate the evolution of their relationship

Can we talk about the blocking?

Specifically, I have been rewatching S1E3, one of my favorites. I love how the development of the relationship between Aziraphale and Crowley is shown through these little vignettes. There have been some great explorations of the costuming and dialogue, but what always strikes me is the BLOCKING. The way their placement and movements add such depth and tell the story of living as a queer person, having to communicate in coded language.

Through the episode, we get 4500 years of history - Eden, Mesopotamia, Golgatha, Rome and Wessex - to see Aziraphale and Crowley standing on their opposite sides. Aziraphale always on the right, Crowley always on the left. But after the Arrangement, their blocking changes drastically and becomes much more fluid and nuanced. Each scene after this is distinct but the scenes in at the Globe and the Bastille have the most development, and I find myself rewatching them A LOT. Here is what I see. 

All the World's a Stage

This is the first meeting we see that isn’t a chance encounter, though the two try to stage it as such. It takes place in a theatre - and they are acting, playing their roles as demon and angel. Even the humans are complicit in this performance, with Shakespeare stepping in to address the two "in your roles as the audience." Oh, delicious.

But once it's been firmly established for anyone watching that they AREN'T friends, they DON'T know each other (cough cough) the following moves are clearly choreographed and have been played out many times before. Crowley sashays to the right, opening the dance, and Aziraphale accepts the invitation to dance with: “What do you want?” 

“Why ever would you insinuate that I might possibly want something?” Crowley is just playing his role as cheeky demon offering up a temptation - but his position to the right of Aziraphale speaks to the fact that they are both very complicit in this performance.

“You are up to no good.”  “Obviously. And you are up to good, I take it? Lots of good deeds?” Just standard character establishment, here.

“No rest for the, well, good." Ah, this line, the inversion of the well known idiom. Because the line between good and evil (and between angel and demon) maybe aren't so distinct, and Aziraphale acknowledges this with his words. We are moving into negotiations now. "I have to be in Edinburgh at the end of the week. A couple of blessings to do, and a minor miracle to perform. Apparently, I have to ride a horse.”

“Ah hard on the buttocks, horses. Major design flaw, if you ask me. I’m meant to be headed to Edinburgh too this week. Tempting a clan leader to steal some cattle.” The way Crowley moves AROUND Aziraphale here, intimate but also careful, watching for his reactions.

“Doesn’t sound like hard work.” Said with a little sideways look, because Aziraphale can see where this is going. And he's open to suggestion temptation.

“That was why I thought we should… well, bit of a waste of effort. Both of us going all the way to Scotland.”

“You cannot actually be suggesting what I infer you are implying?” A little bit of pretense, because Aziraphale has to pretend to be tempted, right?

Crowley presses. “Which is?” Because he is willing to play the part of tempting demon, but only if it is clear this is a farce, that this is indeed mutually agreeable. He is making sure they are doing the same dance.

"That one of us goes to Edinburgh and does... both. The blessing and the tempting."

Yes, they are doing the same dance, and what is left is the formality of concluding the dance - a moment of Aziraphale expressing his concern for Crowley, the coin toss - they both know how it ends. It's a ritual, an act of give and take.

But if it were ONLY the Arrangement, a simple quid pro quo, it would have ended there. It doesn't. Instead, the two offer each other a more intimate exchange - "It'd take a miracle to get people to come and see Hamlet."

Aziraphale doesn't even have to ask with words, just a look, and Crowley happily agrees. That is the final part of the dance, a small acknowledgement that this isn't just about making their jobs easier.

A Free Man in Paris

Paris is something else. This is a HUGE step beyond making sure that audiences like a show your angel is particularly fond of. This is a stolen dangerous moment, an OUTRAGEOUS flirtation that takes place outside of time, conducted in clear view of others but beyond their understanding. Isn’t that how their entire relationship is now conducted, hidden in plain view and so clearly affectionate? 

And look, Aziraphale is BITCHY in this scene. Peak That Bitch. He's just purchased a bookshop, he's creating a very permanent place for himself here on earth - Aziraphale is feeling quite proud of himself. In fact, he's preening a bit that he has figured out how to exist, even in some small limited way, as himself within the confines of the system of Heaven. Buuuut he may have gone just a bit too far, and gotten himself in a spot of trouble. He has landed in a prison, threatened with "death" and stuck because he's already gotten a warning about being frivolous with his miracles. Oh jolly good that Crowley is here to save the day!

There is something raw being communicated here here, where both Aziraphale and Crowley are presenting themselves to the world in ways that are dangerous. Aziraphale's reaction tells us that Crowley's look is doing things to him, but also in a way that it is NOT socially appropriate. Aziraphale may have showed up in all the trappings of an English aristocrat, but here is Crowley as a French royal sympathizer. NEITHER of these are safe choices in the middle of a revolution. The costuming is so critical to fully appreciating this scene, so check out the amazing clothing overview with @cobragardens.

When Crowley arrives and stops time, he and Aziraphale find themselves situated facing one another, but angled so they aren’t facing straight on. Interestingly, from Crowley’s perspective, he is where he is supposed to be - the left of Aziraphale. But Aziraphale, from his perspective, is also to the left of Crowley. It was Aziraphale after all who initiated this situation, who put himself in danger by being too… Aziraphale. It’s dangerous to be yourself when you don’t fit into heteronormative social expectations, isn’t it? Still, the two keep up a very flirtatious banter as they discuss the situation, and Crowley maintains his very-intentionally-unbothered sitting position up until Aziraphale goes too far and thanks him for coming to his rescue.

While Crowley is also flirting with danger in the way he is dressed, he also didn't just pop over for a nibble dressed this way. And whatever he might have been up to was interrupted so he could rescue Aziraphale from the consequences of his own reckless authenticity. After removing the chains, Crowley pushes Aziraphale to reconsider his honest expression of himself in this exact place and time - for the sake of survival.

Aziraphale, willing to risk himself alone, rather quickly adopts a more acceptable appearance when it might impact Crowley. It is only after Aziraphale is safely disguised and returned to his proper place to the right of Crowley, ONLY then does Crowley restart time. They can go enjoy lunch now, with the proper precautions and masks in place.

For these two particular human-coded occult beings, this is also such an honest moment. They both showed up damn authentically - Aziraphale so fabulously ostentatious, focused on chasing down some pleasure (in this crepes) and Crowley wrapped in a clear protest against the current violence. Just as Aziraphale indicated with his "Oh good LORD" as he looked the demon up and down with obvious thirst, Crowley's request to Aziraphale to change his appearance and mask better is done in such a way that affirms that Crowley LIKES who Aziraphale is without the mask.

The scene is so playful on the surface, the body language and dialogue flirtatious. It's something so familiar to the queer experience, making light of the absolute danger that we must sometimes navigate just to exist. The more I watch it, the more obsessed I become.

A Spot of Bodysnatchin'

It is worth remembering that we didn't get this scene in S1.

I am going to go through it soon, because again they dance back and forth beautifully in this minisode, but suffice to say we all know... it didn't end well for Crowley.

No Walk in the Park

The moment in St. James Park is brief, and it wasn't until S2 and the meeting at Edinburgh that we got the full context for this meeting. But even without this, we can clearly see that things are weighing heavily on Crowley. The scene in the Bastille took place in a prison, with the threat of execution over their heads. The juxtaposition of this conversation taking place in a park - a place that is not only NOT inherently dangerous but looks lovely and welcoming - only highlights the change in Crowley's attitude. He still attempts to be playful, but he's afraid. Look at that paper, it's a bit crumpled, he's been carrying it around for a while.

They are firmly entrenched on their assigned sides for the entire conversation, both very stiff. It feels uncomfortable to watch. When Aziraphale refuses his request, and indicates whatever is between them is just "fraternizing" with the enemy, we get a glimpse of how fearful Crowley really is. In none of these flashbacks has Crowley ever spoken to Aziraphale with the anger we see here. When they part in anger, it feels wrong.

Take Me to Church

So there is a long break between meetings now. But then, ah, the church. The place Aziraphale realizes his feelings. (Look, if Michael says this is where Aziraphale realized he'd fallen in love, I am not here to argue.) What I love is that again we see Crowley and Aziraphale swapping sides. Crowley is here to save his wayward angel, AGAIN. Despite feeling the ill effects of walking on consecrated ground, Crowley is here to save his angel and defeat Nazis. It's definitely not remotely evil intentions.

It isn't like the Bastille, but some of the parallels exist - Aziraphale failing to grasp the risks of his actions. And the silliness of his little dance coupled with just how deadly serious this situation is harks back to their flirtations in the prison.

Crowley is to the right of Aziraphale from the time he arrives until the bomb drops. Then in the rubble, with the danger past, we see them on their assigned sides again. UNTIL Crowley hands Aziraphale the books he saved with a "little demonic miracle of my own." He then crosses Aziraphale, and we see the look of absolute adoration as the angel watches him walk away to the right.

Sweeeeeet baby Jesus, baby girl has it BAD.

Always Crashing in the Same Car

This extremely heartbreaking scene has been dissected, chewed over, breaking our little hearts with it's sharp pieces.

But it is purposeful that this scene took place in the Bentley. Being in the car is symbolic because Aziraphale is here making an offering to Crowley, in his space, something that he Aziraphale feels is WRONG which is highlighted by his placement to the left of Crowley. He is scared, acting against all his own desires, but he does it anyway because he cares for Crowley. It's simple, powerful placement. Need to hurt more? Yeah, thought so. Take a deeper look at the dialogue with @zionworkzs.

#good omens meta #look the blocking has me feeling things #just brilliant #i am very normal about them #neil gaiman #good omens #just theatre kid things

[shesalewa]

IM CRINGING. IM CRINGING. I'M CRINGING.

MORGAN FREEMAN SAVE ME.

I HATE THE JIYOUNG X JIWOO SHIP SO BAD.

282 CHAPTER OF ELECEED.

She says "what does your heart say Jiwoo???" Ksbdjrvsj FB eirhbrbfj ugUGHHHHHHHHH SPARE ME THE EMBARRASSMENT.

BRO. SHE SHOULD PICK SOMEONE HER AGE.

LIKE DAWG. The only reason why jiwoo is drawn to Jiyoung is because he's thankful that she was there to help him and protect him. And because she's strong.

OTHER THAN THAT THE RELATIONSHIP BETWEEN THEM IS JUST FORCED. IT'S FORCED. FORCED I TELL YOU. IT'S SO DISGUSTING.

Jiyoung actually has no reason to like Jiwoo. "slow burn?" NO. IN THE EARLY EPISODES. Jiyoung blushed at Jiwoo because she was growing fond of him. JUST LIKE HOW INHYUK BLUSHED AT JIWOO'S CUTENESS BECAUSE INHYUK SEE'S JIWOO AS SOMEONE HE WANTS TO PROTECT.

I do not approve of this relationship. It's ugly. It's disgusting. It's forced. I hate it.

BUT FKN DAMNIT THE ART MAKES IT WORSE. "But wdym makes it worse???" THE ART MAKES IT LOOK LIKE IT'LL BE A GOOD SHIP WHEN GOSH DAMN IT DOES NOT. (no hate to the artist. I just hate how it's drawn as if they're drawn to each other when they clearly have absolutely no chemistry.)

Okay let me explain.

In action. Romance is a thing that shouldn't be written in. (Unless you're the dude that wrote down White blood/unholy blood then yes. Because you're a professional.)

TAKE IN FOR EXAMPLE.

LOOKISM. GOSH. Daniel and Jay have chemistry. However there's actually a good ship between Daniel and another girl (NO IT'S NOT CRYSTAL. FOR F-CK SAKE SHE'S A FORCED HEROINE TOO. DAMN.) that girl is ZOE. SHE HAS SO MUCH CHARACTER DEVELOPMENT. I LOVE HOW JUST FOR DANIEL SHE WILLING PUT HERSELF IN A BAD RELATIONSHIP BECAUSE SHE WANTED TO PROTECT HIM.

NEXT.

Designated bully.

B/TCH IM SORRY. HE'S A GROWN A// MAN WHO HAS NO INTEREST IN YOU. YOU'RE A FKN 14-15 IDK YRO GIRL.

LIKE DAMN 😭

WHAT ELSE. OH.

VIRAL HIT. (How to fight)

OH MY GOSH. UGHHHH

HOOBIN HAS MORE CHEMISTRY WITH TAEHUN THAN HE DOES WITH THE GIRL I DON'T EVEN KNOW HER DAMN NAME.

NOT ONLY THAT SHE HAS MORE CHANCES WITH HER CHILDHOOD FRIEND THE RED HAIRED DUDE. MORE THAN WITH HOOBIN.

Damn 😭

DO I HAVE TO ADD IN MORE???

DO I???

The gays are the most active. When it's Action, Sports, Action-fantasy(ORV, trash of the count family etc.), idc. Idk. There's probably more. BUT. AS LONG AS IT INVOLVES FIGHTING. GAYS ARE MOST ACTIVE.(Yes this involves debating. Like ace attorney. Cause gosh damn. Miles and phoenix have so much chemistry)

Take True education/ Get schooled.

It has absolutely 0 romance. And the romance that did exist. Is gone bc our Mc Warren, lost his fiancee. And this was the best action story that spoke of romance without getting it involved.

If writers wanna write down Romance-action they should learn from White blood . ESPECIALLY IF THEY WANT IT TO BE STRAIGHT.

CAUSE DAMN THE SUCK A// AT WRITING STRAIGHT COUPLES.

#eleceed manhwa #eleceed webtoon #eleceed #lookism #lookism webtoon #lookism manhwa #designated bully #viral hit #how to fight #white blood #unholy blood #pure blood #true education #get schooled #thank you for coming to my ted talk #ace attorney

[stagefoureddiediaz]

Costume Meta 7x01

Aaaaaaannnnd we're back!!

OMG I cannot tell you how good it feels to be back writing costume meta - I have missed it so very much and this first episode has given me lots and lots to talk about so lets crack on with it shall we!

Where to start?! Firstly - Its amazing to have Alayna Bell-Price back in the driving seat and she is a genius because she knows the characters better than anyone and I have to say from my perspective there is a pretty clear difference between this episodes costumes and the ones from season 6 - not that s6's costumes were bad, just that you could see the shift of having a designer who didn't know the characters to the same level. I’m going to go in order of character appearance in a non uniform capacity for this one I think so we’re going to jump around from character to character a bit. There is no Maddie or Hen this week, as we don't see them out of uniform, but every one else is accounted for and I've included Norman and Lola as they've got a multi episode arc and their costumes are interesting and playing into a colour theme!

putting it below the cut as its a long post and I on't want to overtake everyones dashes! Enjoy!

We start off with Athena in this pale pink high neck ribbed sweater with large bell sleeves. I've spoken a fair amount about pale pink over the last couple of seasons of costume metas and how, in clothes its representative of childish and immature behaviours or thoughts. That holds true here - the pale pink is playing into Athena's childhood - when she developed her fear of cruise ships - its creating a connection between her childhood experiences and the woman sitting in Franks office.

We get a flashback that shows her in yellow and orange - the yellow for communication and the orange for transformation. A literal moment where we see Athena transform from the innocence of youth to her developing anxiety and fear around cruise ships. Its really clever visual storytelling connecting adult with child and shows us her fear is genuine and founded in something that she may not have been able to articualte fully as a child, but she can as an adult, even if she doesn't actually articulate it to Bobby.

Our next non uniform costume is Chimney. The lighting is really low in this scene, so it's kind of hard to be 100% sure of the colouring, but he seems to be wearing either a dark navy or black button up shirt under a dark green and black bomber jacket. The use of really dark green in combination with black, Back is a colour that can be about hiding ones vulnerabilities - concealment and masking, but it is also a colour associated with magic (generally dark magic) as well as pessimism. The green is growth and renewal, and the hope for a better future. to use them in combination i this way is playing on Chimneys insecurites and fears, his desire to keep the 'magic' alive in his relationship with Maddie, but it also speaks to his growth, that he goes home and talks to her about it (even if he does come up with an insane plan to 'date forever').

Eddie in the locker room - aside from being shirtless for much of it and pulling some epically good faces - was a super interesting costume choice. Especially the use of his watch! first though - Denim shirt time! We don't actually see Eddie in a denim shirt all that often and we've seen him in the super washed out one far more than dark denim shirts. I've been laughing a little bit at a few people (on twitter mostly) claiming its the same shirt he was wearing at the hospital during and after Bucks coma and it being a play on bringing Buck back to life. While I like the theory, its actually a very different shirt - the one in the hospital was black with a grey wash out and was made of velveteen - so different colour and fabric.

This shirt, is however one we have actually seen Eddie wear before and its far more telling than if it were the hospital shirt. You need to bear in mind that this scene is about Buck and Eddies respective girlfriends (or lack there of) and the fact that Christopher has a girlfriend now as well. This shirt is the same shirt Edie was wearing when he (re)introduced Ana to Chris in 4x08 (breaking point my beloved! the gift that keeps on giving!) and this puts a conversation about Marisol and things going well with her into the same category as Ana - suggesting she is ultimately destined for the same fate as Ana. the other thing that plays into this narrative is the use of the watch.

Eddie does not put the Christopher watch on until after he has found out that Buck has broken up with Natalia - so during the entire conversation about their respective girlfriends, he is only holding the Christopher watch, rather than wearing it.

In the picture below from 4x08 you can see that Eddie is wearing his black 'work' watch rather than the brown strapped 'Christopher' watch. Remember that the first time we see the Christopher watch is when he goes for his first date with Ana in Jinx, so he already has this watch and in theory should be wearing it in this scene. The fact he isn't is pretty telling and I'll go into that a bit more later when we get to Chris's (and Eddies) date scene.

Then we have Buck in his outfit of many colours! The white trainers, continue to play into my theory of Buck wearing them when he is in key points on his journey to discover his self - her it is about showing his growth - that he ended the relationship with Natalia - this is a massive thing when we saw how long it took for him to end things with Taylor - The man who clings is growing and getting out before it drags him down!

The jacket is similar in style to many of the ones we've seen him wearing in season 5 and 6, but this one is much brighter and more colourful. I know I go on about white meaning bad things for Buck, but that isn't relevant here - the white bad things happen to Buck theory is much more about t-shirts, jumpers and shirts rather than jackets - its an under-layer rather than a top layer that = danger. So i'm not thinking of its relevance here for this scene. What I am going to say is that this (according to my spreadsheet!) is the first time we've seen Buck in a white jacket of any description. To me, it's playing into the idea of purity and rebirth which is what white is often associated with. This plays into the comment Eddie makes welcoming Buck back to 'the land of the living' but also implies that Buck is starting a new chapter and making a fresh start - the check patterning suggests it might not all be plain sailing though.

The check pattern is an interesting one, obviously check pattern theory comes into play here, but whether its only in relation to the reveal that he split with Natalia, or if its also foreshadowing Buck getting himself into danger/trouble down the line, remains to be seen.

I'm going to quote myself again because I did predict that this scene may be about his relationship with Natalia when we got the stills dropped - the costume department never let us down!

The only thing I can do is scream into the void about check theory because check does't bode well for people - they always end up in the middle of the drama (see my check theory posts linked on my pinned post for more) and while they come out the other side (99% of the time) Buck in check for that scene in 6x18 pretty much doomed his relationship with Natalia (its specific to her and not C&K's baby as Buck wasn't wearing it when he delivered it!) and as that shirt in the still is very un Buck like, has not only yellow ochre in it, but also its a white base (and we all know buck in white is a bad sign!!) and its check patterned - my theory is that this scene is connected to Natalia in some way - either Buck is not being true to him self in more than one way - that things are going to/have come to a head for their relationship (my kingdom for a reverse of Buck to Eddie about Ana in 5x03!!!) and lead to a pretty big change in some way (fingers crossed for Buck to end it and then finally break down and deal with his trauma!!!) Some other things about that shirt - the colour combination - the green blue and yellow ochre are giving me call backs to coma Buck (another reason I think it might be connected to Bucks unresolved trauma around his death and Eddies absense in his dream)

In the quote above, I was also referring to the blue and white check pattern shirt he was wearing when he and Natalia got together, but there was also the fact that in the balcony scene at the end of 6x18, we also saw her in one of Bucks white shirts. I wrote in my 6x18 meta about how those two things combined didn't bode well for that relationship going forward, and thats what leaves me unsure about the check pattern on this white jacket being purely about something that has already happened. If I put my Buddie goggles on, I would perhaps suggest that the troubled times ahead may be more connected to Buck and Eddies relationship, and this would fit in with a couple of the things Oliver and Ryan have said. The thing with check theory though, is that generally speaking if it's on one of the mains, they come out the other side of the dram/trauma stronger than before. So if it is connected to Buck and Eddies relationship, then we can expect it to be in an even stronger position on the other side of whatever goes down (and at this point you can't strengthen their relationship any further and keep them as just friends imo!)

Chimneys forever dating proposal to Maddie, connects with his outfit when he's talking to Hen - it's the same jeans and black shirt, so the meanings of black, can be continued on into this scene - the idea of magic and hiding his vulnerabilities. The addition of the jacket with this brickwork pattern in its weave is a fun choice, it's playing into the idea of building something, but also plays into the idea that Chimney has his walls up - again fitting in with the black meaning of hiding his vulnerabilities - because instead of expressing his fears to Maddie ad then them talking it thorough, he comes up with his insane forever dating concept. the fact that much of this scene is a contrasting parallel with the scene from season 1 when he is pretending to be someone else entirely for Tatiana all ties in perfectly with this costume. The fact that he reverts to wearing blue (ran out of picture spaces so I couldn't include one) later on - when he's realised his plan isn't realistic, talks to Maddie and they end up back on the same page is really good to see - the blue being a signature Chimney colour and is indicative of him being true to himself.

Bobbys blue suit and blue check patterned shirt. The brightness of the blue is a really important choice - it's the only time we see him this brightly coloured on the cruise until he ends up in the bright red at the end. This is important because this is the moment when he's still all excited and hopeful for his honeymoon cruise - everything is good in Bobby's world at this moment in time - the check pattern is telling us that it's not going to stay that way for long. From her on out we see the colours of Bobby's costumes slowly beginning to dull and take on a washed out tone, but here in this moment all is good.

Athena's bright yellow dress is all about making her stand out - communicating with the audience, she is the brightest person in the room (in more ways than one!!). The thing with yellow, apart from the communication aspect, is that it can also be a symbol of anxiety and fear, so this dress plays rather nicely into the theme of Athenas fear of being on that ship.

The colour does have other good traits too - its fresh and bright and is a colour of happiness in its more jewel like tones and I think we can see all of these meanings in these scenes - Athena might be anxious about being on the ship, but she is also happy and enjoying herself with Bobby in that moment.

Lola and Norman. Lola is the one we need to focus on in her very bright very check patterned Victoria Beckham dress. Obviously the check pattern plays into check pattern theory, but the red also acts like a neon sign to the audience - highlighting that Lola is in danger - the ga won't pick up on check theory, although they might connect the dots about the fact this check patterning looks very like a cage - foreshadowing her being held captive later on, but also as a nod to the fact she was incarcerated previously.

The red is also a nod towards romance and love - playing into the rekindling of their relationship and romance in the aftermath of the freeway 'see me Norman' incident.

Ok so Christophers date night and by extension Eddies date night! This is where this meta is goingto get a bit messy and I'm goingto jump around a bit becasue I need to talk about the way colour theory is at play in all the scenes in Christophers bedroom, so we're going to talk about Christophers bedroom as one big thing rather than the two separate scenes that it actually is. They are extensions of one another and build on so much of the groundwork we've already seen in previous seasons.

Chris in plaid check yellow and red check plays perfectly into check pattern theory - it’s a signifier that something is about to go down with him - namely that the fact he’s dating multiple girls at the same time. 

He’s also wearing a white shirt which is not a colour we see on him all that often - in fact, the only times we’ve seen him in a completely white shirt is with his suit in 5x01 when suit shopping and again in 6x08 for his school dance. He did wear a white vest when dressed as wolverine for halloween  So as you can see its not a common colour for him, but the times have seen him wear it as a solid colour have been connected to school/girls and dating (i’m including the suit shopping in this because Ana was there and it was kind of a Eddie and Ana date of sorts - in that it was suppose to be for this Christening - meet the family - date type thing).

The most interesting thing is the plaid hooded shirt though. It was such an interesting choice to go with for a couple of reasons. the colour way is especially loud - we tend to see Chris wearing greens and blues and greys, with the odd other colour thrown in occasionally. So red and yellow are not common colours for him to be wearing.

On the red front we see him in it a couple of times - the adapted skateboarding scene and the scene in 4x10 when he joins Eddie and Ana on the sofa - getting in the way of their date night. We do also see him wear red in Christmas related episodes (so I don’t tend to count them in the same way as the Christmas colour theming will nearly always override any other colour theming intention - the use of stripes or check or other patterning is more important in those episodes!). 

On the yellow front things are even more clear cut - the Tsunami arc, the aftermath of him falling off the skateboard, Mays graduation party and 5x03’s Eddie Ana break up! These (apart from the tsunami shirt) were all bright almost neon yellow.

This new plaid shirt is more into the yellow ochre part of the yellow spectrum, therefore tying much more to the tsunami arc, which is actually really fitting if you think about it in a little more detail - its a connection, not only to Buck, but also to loss and grief. Eddie might have been using his secret weapon (Chris) to get Buck out of his moping (read mourning) over not being able to go back to work, but Christopher is also still grieving the loss of his mother at that point as well, so its not just about cheering Buck up, its also about giving Chris a chance to do something fun and distract him from his own grief. That is why the use of yellow then ties in so nicely with its use on Chris now.

The other thing that really grabbed my attention about this shirt though is the fact that the two times we’ve seen Buck have a conversation with Chris in his bedroom, he has sat in the same spot and has been wearing one of those two colours - post shooting in maroon and this episode in the yellow ochre - if you watch those two scenes side by side, you see that they’ve used almost identical camera angles as well to film Buck.

I've spoken a lot about the use of maroon as a colour connected to parenthood - especially fatherhood , which is how its intended to be read on Buck - connecting to Eddie and his being shot, pushing Buck into a parental role in Eddies absence.

That alone is a pretty loud reference to Christophers connection and relationship to Buck, but then we have the yellow ochre of it all.

I feel a little bit insane about how close my prediction was on what the Buck Christopher scene was going to be about - this is from the meta I wrote when t he stills dropped;

Whatever this scene transpires being about, based on what we've seen with Buck wearing yellow ochre, we can assume its going to continue to play into this idea of Buck not being fully truthful with people and fitting into the role he thinks people want him to pay rather than being true to himself. I do want to add to this theory by looking at Christophers shirt as well. The grey/ yellow combination is a bit reminiscent of Breaking point (the episode that really is the gift that keeps on giving) because we get Chris in grey and Eddie in tan - that is yellowish toned whilst not actually being yellow There isn't a good screenshot of them together, but the placing of Chris and Buck in the new one has echoes of Eddie and Chris in that scene (one that is interestingly enough playing into the idea of changing family dynamics, but also the moment before and the one that happens afterwards at Bucks loft, directly placing Buck into a parental role (as an aside the idea of Buck being a miracle worker plays into the theme of Eddie looking for magic, just saying!))

Indirectly this scene was about Buck not being true to himself with people and fitting into whatever role he thinks people want him to fit into, only this wasn't an active situation - this was a scene where Buck could draw on his experience of having done that in the past to help Christopher - the line from Eddie 'you didn't end up being like you' is such a call to this and actually shows how valuable Bucks own experiences and learnings are in helping Chris (we've all been joking about Eddie choosing Buck to help him with this Chris's issue, but in actual fact he was the perfect person for the job - not just because of his being a 'reformed player', but also because of his relationship with death and the death of a loved one where you are reliant on others for their memories of a person rather than having your own)

The thing with the Yellow ochre (this meta here that i've already quoted from above is the place to go if you'd like more detail on its use on Buck more widely) isn't just its about it's connection to Buck, his place in Christopher's life and more loosely to the will of it all, (the fact that Buck and Eddie are both wearing the same colour ways as in the hospital bed will reveal scene and are both on the same sides of the screen in both scenes is a stroke of genius and is meant to connect these two scenes together) its also its connection to Shannon.

The first time we meet Shannon, she sits on Christophers bed in more or less the same position as we see Buck and Eddie sit, and looks at where Christopher has been positioned in all these conversations, and she is wearing a burnt orange top thats pretty close to the dark yellow ochre we see Buck wearing. Shannon wears a lot of yellow - as in it there are only a couple of times we don't see her wearing something yellow or with yellow in it and those are key scenes (which I will talk about later on).

Shannons appearance in Christophers room to read the letter she wrote him had her in this black top with a floral patterning on it. She was also wearing green trousers (which can be seen in the still below but aren't actually seen during the scene.

I actually really loved the green trousers and black top as a choice because the top is very Shannon - it sits perfectly with the floral patterns we saw her wearing when she was still alive. The green trousers are a bit of a departure for her, but I think its very intentional for two reasons .

The first is that they are very much in the Eddie trousers wheelhouse, especially in combination with black - he wears green khaki trousers a lot. The inference being that the black and green combination is an echo of Eddie.

The second ties to Christopher. Green is also a colour we've seen on Christopher a lot, it's probably the colour we see him in most. It's being used as a reflection of the fact he is growing and transitioning from child to teenager. But having it here in this scene - on Shannon connects a Christopher growing up without his mom.

Both of these combined really connect into Shannon in this scene, tying the three of them together and on Eddies efforts to keep her alive for Christopher - the underlying implication that his growth into who he is so far is as much to do with Shannon as it is to do with Eddie.

Her necklaces were not identical to the ones we saw her in in season 2, but that's most likely because they don't have them any longer, so they've replicated them as best as they can. The other little nod that I enjoyed is the brown bracelets on her right wrist - the same place Eddie wears his brown strapped Christopher watch!

But the top they have her in plays into a couple of other things - the prominent yellow flowers make an obvious connection to Buck from the previous scene, but they also tie into the 'I want a divorce' scene from 2x17 where she is wearing a dark blue dress with bright yellow ochre flowers all over it. the dress is not especially close to the top in the wider sense - blue dress with white squares v black top with florals in a variety of colours, but the yellow flowers are the prominent aspect of both items of clothing and play into the yellow theme connected to Shannon and then to Buck.

This is espeically relevant when you remember that Eddie is in a black suit in that scene and he's wearing black when he gives the letter to Christopher.

The black for this sequence of scenes is such a poignant choice - its Eddie mourning all over again, not for his loss, but for Christophers loss. I did find it telling that again in this scene, we have the absence of the Christopher watch. Eddie has very rarely not been wearing a watch in his scenes, so the times when we don't see him wearing one are very telling.

For me, in this sequence of scenes, it's about the fact that they are not about Eddies relationship with Christopher, but about Shannons relationship with Christopher. The watch is much more about Eddie and Christopher, so to have it absent from this story arc makes total sense and is symbolic of Eddie being a good father

Then we have Christophers grey shirt - I said when we first got the stills from that scene, how it was likely to be connected to complex family relationships - a la when we’ve seen Buck wearing his grey shirt. And what do you know - the scene was about complex family dynamics/ relationships.

It wasn’t perhaps in the manner I was expecting, but that series of scenes played with the full scope of Chris’s complex family relationships - from the relationship he has with Buck -not only as Christophers friend, but also as more or less Eddies co-parent (the way Eddie asked for Bucks help screamed co-parent rather than friend imo - that whole burnt out car scene was two co-parents discussing their child!) to the relationship he has with his dad - which is a pretty great relationship, but it is a complex one.

The relationship he has with his mom - or the fact he feels he doesn’t have a relationship with her despite Eddies best efforts, because as he grows up she feels further and further away. 

Eddies 'date' night with Marisol. Again I ran out of pictures (30 is not enough!) so you're going to have to use your imagination or go back and rewatch the scene for yourselves, but trust me when I say that Eddie is wearing the same shirt he was wearing for this date night as he was in 4x10 - when Christopher interrupts because he can't sleep!

It's also a similar tee to the one Eddie wears when he has his breakdown and trashes his room (that one was more green when this one is much browner). Its slouchy and has cut and stretched raw edges at the sleeves and on the pocket - in the same way his breakdown shirt did. there is an element of being in familiar surroundings and being comfortable at home, but stretched out raw edges and Eddie generally tend to mean not so great things.

Of course there is the element of his parenting skills being tested by Christophers having more than one girlfriend, but if that where the only reason, then it would've made more sense to have him in that shirt when he's listening in to Chris talking to Buck, rather than when he's on a date with a new girlfriend.

This is especially true as the screen time for that tee has more connection with Marisol than it does with Chris. Combined with the fact that once again, like in the locker room scene, he is not wearing his Christopher watch in this scene and that speaks volumes.

If we are to read the scene as being about Christopher soley, he should be wearing his watch because that watch is a physical embodiment of the importance of Christopher in Eddies life - that he puts Christopher first in all things.

Got to say I was a bit shocked to see Marisol in his bright magenta silk spaghetti strap top when you consider the costumes we saw her in last season - mostly dressed down, t-shirts, jumpers and dungarees so this is a complete 180 for her character.

There are a few interesting things connected to her outfit, firstly it low key ties into Natalia - we saw Natalia in a red version of this top for her first proper onscreen date with Buck (when they go to the badge and ladder joint) so there is an interesting low key parallel to draw there. There is also the fact that her bracelet is a chain one - much like we've seen on all of Buck and Eddies previous girlfriends - although those have been necklaces, so I'm undecided if this chain bracelet is paying into the same trope as those.

Then there is the pink of it all.

You see Eddie and Pink on his girlfriends doesn't bode well for Marisol.

Both Shannon and Ana wore pink. Ana wore it a lot - there are two examples below, but generally speaking its her most commonly worn colour - including on her first date with Eddie in Jinx.

The first example below is from the first time we see her in the Diaz house. the shades are different, but the fact that the first time we see both characters in the Diaz house they're both wearing pink, speaks volumes.

The other key use of Pink is when Shannon is at the beach with Eddie and Christopher and she tells Eddie she's pregnant - Eddie takes it as the sign he has been looking for - the chance to effectively start over with their marriage, but this is the beginning of the end for their relationship, even if she hadn't died a short while later. She is wearing pale pink in that scene and it's the only time we see her wear the colour in the show.

The fact we can also contrast the use of pink with when Buck wears it is telling in its own right - we see the relationship between Buck and Eddie strengthening when Buck wears pink - May's graduation party, the tsunami, the Hildy coffee machine - all moments (big and small) that show the development of various aspects of their relationship and its ability to endure.

Essentially all this use of pink on the women he has had previous relationships with, doesn't bode well for Marisol and the longevity of her relationship with Eddie. How quickly it will end I can't say, just that it will end.

I spoke earlier in this post about colour theming for the episode and this is where I talk about it!

Pink - and in particular the very bright pinks we saw scattered across the episode. Marisol above wearing it, isn't just about connecting her to Ana in costume terms (especially as at this point that costume is a departure of her costumes from s6) it also connects her to the other characters we see wearing bright pink in this episode - Lola and Norman.

At this point in time I'm not sure if we're going to see it play out as a theme across the season, but its use in this episode was very loud on characters that are going to be around for more than 1 episode. It suggests that there is some underlying theme that connects them (by this I don't mean that they're gonna meet and hang out I mean that personality traits are going to be similar)

Magenta and bright pink in colour theory means a few different things, and like with all colours, has positive and negative traits. Generally speaking its a loud and brash colour thats designed to stand out and draw attention to it's wearer.

Things that are considered positive traits for this shade of pink are; intensity, acceptance, kindness and it's supportive and uplifting nature. It's connected to naive love (as in lust rather than the passionate and enduring love of red) can also be considered a nurturing colour.

Negative traits are; intensity, volatility, arrogant and impatient, irritability and irritating and frustration. it is also said to be a stress inducing colour and is said to be overly emotional.

Theres a clear and fairly loud connection between Lola and Norman getting into danger - Lola is in magenta trousers when she is kidnaped. Norman also has bright magenta flowers on his shirt at this point as well. My guess at this point is that we're supposed to lean into the stress inducing element, and also the irritating nature of the colour (On Athenas part at the very least!) and we'll see if those are the themes that play out for Marisol as well down the line.

Norman is in bright pink when he's lying and claiming she's unwell from being outside or too long. We also see that he is wearing pink in the ditsy print shirt later on (again I ran out of picture spaces!)

Athena's black top in this scene is much like the use of Chimney in black in his scenes. It's all about power and authority but it's also about her hiding her vulnerabilities. The other thing it does is creates a huge contrast with Bobby and all of the other passengers - she is the only one in black in the scene and it contrasts her with the underlying white of Bobbys shirt - juxtaposing them and visually putting them at odd with one another.

Like I said above about him becoming increasingly pale - here we see Bobby in a sea-foam green shirt - its the palest and washed out colour we've seen him in on this cruise (grey pyjama shirt not being included as its blink and you miss it and a pyjama tee!!!). Sea-foam green doesn't really play into the traditional meanings of green - there is still the element of renewal about it (the sea washes the sand etc)but its mostly a self-conscious and uncertain colour - both things that perfectly sum up how Bobby is feeling in this moment.

The other fun thing about this outfit is the palm tree shorts the patterns Bobby has worn in relation to this cruise, up to this point (and that includes the shirts from season 6) have all been tropical themed but on his shirts, the fact that they've now slipped down onto his shorts is a visual representation of him becoming increasingly dissatisfied with the way his honeymoon is going - that the tropical vacation vibes are slipping away.

Athenas red and white shirt, in my opinion is showing her cross purposes - its the duality of investigating and being on a cruise in a shirt. The bright red ties into the red and blue first responder colour way the show uses (for obvious reasons) while the white and the palm fronds, the lei flowers and the watery theming of the pattern fit into the troipical cruise they're on.

Bobbys red shirt contrasts with the lavender that we see on Athena - its not a colour we see on Bobby all that often and that makes its use all the more important. Especially considering the entire cruise thus far we've seen him in blues and greens - especially pale closer to pastel tones.

This red is bright snd bold and unlike his usual choices. Red is a colour of cross meaning - there is obviously the connection with love and the heart, which is absolutely at play her - his love for Athena is spurring him on and is part of what is pushing him in to investigator Bobby mode - and its representation of love is what is going to be the key player in the up coming episodes on the ship - when he is looking for Athena during the evacuation etc. But the other meaning of red is war, courage and anger and that is very much present here in this episode, and will (i'm assuming) be later on in 7x02 and 3.

The other thing I think its worth pointing out at this point (which is pure conjecture on my part at this moment in time but that I think will become relevant in the next two episodes rather than this one) is the foreshadowed parallel with Buck in season 5 when he broke down Eddies door. The bright red we saw him wearing then was an uncommon colour for him, in the same way it is for Bobby here. It's paralleling the way Buck was prepared to go into battle for Eddie, with the way Bobby is prepared to do so for Athena - going to war for your closest person, your loved one and doing what you need to do to save them.

Putting Athena in lavender the moment she gets to go into cop mode was a choice that had me giggling! Lavender is a colour of relaxation and order so for her to start wearing it the moment she gets to start being a cop again - speaks volumes for her state of being - it shows that her fear of being on the cruise ship and of being alone with bobby, has been overridden by her need to do her job and start investigating things. Its the perfect colour for this moment and for the impeding trouble brewing on the ship - Athena will bring order to things as order has been restored to her inner world.

Hopefully you've enjoyed this little canter through the costumes of 7x01 we're back in business and I can't wait to read your comments in the tags and comments 🥰

Tagging for those who've asked to be tagged - drop me a comment on this post if you'd like to be added to the list for the next meta 😎

@theladyyavilee @mistmarauder @xxfiction-is-my-realityxx @mandzuking17 @spotsandsocks @loveyou2thecore @wanderingwomanwondering @oneawkwardcookie @leothil @copyninjabuckley @nathleigh @shammers86 @crazyfangirlallert @missmagooglie @inandoutoffocus @katyobsesses @radiation-run @gayandbifiremenofmine @lemotmo @bi-moonlight @satvojihusana @crazyaboutotps @princesschez75 @mongreloer @alliaskisthepossibilityoflove @sherlocking-out-loud

#911 abc #I hope you enjoy! #its good to be back #I can't remember my costume tags 😂 #911 costume meta #season 7 #s7 costumes #7x01 #Kym costume meta #Kym colour theory #911 costumes #long post #the costume department never fails #still feeling feral about so much of the stuff I got right and the new stufff I've spotted

[unluckiestmember]

Makima x Innocent! Reader

Characters: Makima, Kishibe (Mentioned)

Tags: Fluff, Developing/Established Relationship, Soft! Makima, dogs, worrying, Kishibe being Kishibe, denial of feelings and misunderstandings.

Warnings: Spoiler Warning for the International Assassins Arc and the Gun Devil Arc. SFW.

A/N: Soft Makima = Best Makima?

SFW

Makima is a controller. For her it is either her way or no way. And if you dare to defy her, she will be the last thing you ever see. 

She treats everyone like they are her dogs, toys and pawns in a larger game to win…

But not you. No, she treats you like an angel.

After missions and days at work, she will take you out to relax. No ifs ands or buts.

Gives you the best massages.

Isn't a fan of PDA. But if she feels threatened, she will grab you and show everyone who you belong to.

She won't force anything onto you unless important. She knows how timid you can be when making decisions.

She has no problem explaining to you her missions and tactics, though she will sugar coat some moments for your "safety".

Her dogs love you. They literally run in your direction when you go to Makima's home and just jump on you.

Yes, Makima is a little jealous of it.

Watches any movie you want to watch, good or bad.

If it's a horror movie, she'll hold your hand the entire time. And if there's a jumpscare, she'll hold you when you jump.

Loves when you get easily flustered but wont show it.

She'll literally stare at you with a small smile and quietly be in delight at your timid state.

Will ask about your day, which is something she doesn't do for ANYONE.

If you want a sleepover, Makima will do the whole nine yards. Endless snacks, a batch of good movies, bad movies and a bunch of blankets.

She only has ONE rule; Don't speak of what you two do outside of work to coworkers. You're her little secret. No one can have you but her. Not to mention she has a reputation to keep.

Will ask Kishibe, yes, Kishibe of all people, advice on how to care more and be better for you.

Will also ask how to tread lightly around you as to not scare you away. But will never admit it or say it out loud.

Say her eyes are beautiful or pretty. She'll melt just laugh and call you cute. Maybe even kiss you on the cheek.

In-Story (Spoilers Ahead)

When Makima fell for you, she thought she was sick.

So sick that she took a few days off of work to wonder what was happening to her.

She asked her higher ups and even Kishibe what was wrong in subtle ways.

They all concluded; she wasn't sick. She was in love.

But she didn't want to be. No, she wanted to just focus on Chainsaw Man and Denji! You were ruining her plans! You had to go.

So why couldn't she kill you?

She just couldn't kill you…

Though she continued to think her attraction to you was unnatural, she soon asked you out.

Say yes. Makima doesn't show it, but she wants you to accept her confession.

Though your relationship is not displayed around your co-workers, they know something is going on between you two.

They all think the same thing; "Good for her." "I'm happy for them." "She's dating someone? I thought she was just a scary emotionless woman!" "Lucky!"

Makima doesn't worry about anything.

So she's surprised she worries about you so much.

After your encounter with the Darkness Devil in hell, Makima was her usual quiet and mysterious self.

But Kishibe informs you she was worried sick when she found you.

And don't even get him started on how she was during the return of the Gun Devil.

She tries her best not to tell you her true motives with Denji, but if you give her puppy eyes she'll spill.

Please support her. The last thing she wants to do is kill her precious angel.

When you noticed her being extra friendly to Denji and Aki, your cute little head started to worry she would leave you for them.

She'll assure you in a sweet whisper that she only belongs to you.

Be on the look out for a jealous Denji...

"I'll admit. My motives will be seen as evil. But it is a necessary evil. I hope you understand... You have to understand. I know I can accomplish my mission, but it might be near impossible without you... Oh, I wasn't saying I-... Haha. Yes. I love you too."

Makima is a devil. A control devil. And could destroy the whole world.

But maybe. Just maybe. She'd sacrifice it all if it was for you…

Chainsaw Man requests are currently open! :D

Likes and retweets are always appreciated! I love you all, be safe and have a good day! <3

#csm x female reader #csm x y/n #csm x reader #csm x male reader #csm x you #makima x reader #makima is listening #makima #chainsawman #makima x you #makima x y/n #makima is waifu #makima chainsaw man #makima csm #csm makima #chainsaw man kishibe #kishibe chainsaw man #csm imagine #csm headcanons #soft makima #romance writing #couple #makima headcanon #makima imagine #makima imagines #makima headcanons #kishibe being kishibe #fandom imagine #fluff imagine #fluff headcanons